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Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

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Page 1: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Acoustic Cues to Laryngeal Contrasts in Hindi

Susan Jackson and Stephen Winters

University of Calgary

Acoustics Week in Canada

October 14, 20111

Page 2: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Introduction• Speakers are sensitive to the phonemic distinctions of their native language.

• These distinctions are perceived through acoustic cues in the input, which are also language-specific.

• For example, a syllable-initial voiceless stop =

• aspirated in English

• unaspirated in French

• Certain cues in the speech stream might have meaning for one listener group while being superfluous or disregarded by another (Abramson & Lisker, 1970).

Page 3: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Introduction• Jackson (2009): tested whether L1 English and L1 French listeners would perceive Hindi’s four-way system of laryngeal contrasts differently.

• Hindi laryngeal contrasts:

• two main elements: voicing and aspiration

• Together, these create a 2x2 paradigm of four distinct phonemes:

• voiced unaspirated e.g. /b/• voiceless unaspirated e.g. /p/• voiceless aspirated e.g. /ph/• voiced aspirated e.g. /bɦ/

Page 4: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Voiced Aspirated Stops• Hindi’s voiced aspirated stops are somewhat unique--

• They involve the production of four acoustic cues in sequence:

1. Voicing during the closure phase of the stop

2. A release burst following the stop closure

3. Periodic breathy voicing mixed in with turbulent aspiration noise

4. A steady vowel portion, produced in modal voice

Page 5: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

An example

5

/bɦa.ˈvɪʃ.ja/ ‘future’

voiceasp

Page 6: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Initial Assumptions• Distinctive Feature-based predictions:

1. French stops are distinguished by the [voice] feature

• French listeners would be more sensitive to [voice] contrasts in Hindi.

• E.g., [b] ~ [p] or [bɦ] ~ [ph]

2. English stops are distinguished by the [spread glottis] feature

• English listeners would be more sensitive to [spread glottis] contrasts in Hindi.

• E.g., [p] ~ [ph] or [b] ~ [bɦ]

• Both groups should be sensitive to contrasts involving both features.

Page 7: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Earlier Findings, Part 1

• ABX discrimination task: generally confirmed these predictions.

Page 8: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Earlier Findings, Part 2

• Deviations from the predicted pattern generally involved the voiced aspirated stops.

Page 9: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

New Directions• Note: voiced aspirated stops were novel to both listener groups yet employed both [voice] and [spread glottis] features.

• It’s necessary to go beyond the features and consider the phonetic cues involved• Goal:

• disambiguate the role of aspiration and (closure) voicing cues in the perception of Hindi laryngeal contrasts

• Strategy: • independently combine each acoustic cue in spliced stimuli to determine its effect on perception of those laryngeal contrasts by both native (Hindi) and non-native (English) listeners.

Page 10: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Introducing: The Cues1. Aspiration

• Presence

• Absence

2. Aspiration quality

• Voiceless

• Breathy voiced

3. Closure voicing duration

• Short (cues breathy voiced stops)

• Long (cues voiced stops) (Schieffer, 1992)

Page 11: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Raw Materials• 10 native Hindi (L2 English) speakers produced the raw tokens from which stimuli were created.

• They were recorded reading 178 Hindi nonce words which had stop, fricative and affricate onsets.

• Only stop-initial words were used in perception study.

• Two places of articulation: velar and retroflex.

• Two speakers: one male and one female.

• Length of closure voicing varied by place of articulation and speaker.

• average difference of 41 msec between voiced (=long) and breathy (=short) stops

Page 12: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Raw Materials• Two features with three values each...

Long closure voicing Voiceless aspirationShort closure voicing Breathy voiced aspirationNo closure voicing Unaspirated ... were combined to create a paradigm of 9 stimuli

LongCV-Asp ShortCV-Asp NoCV-Asp

LongCV-BreathyAsp ShortCV-BreathyAsp NoCV-BreathyAsp

LongCV-Unasp ShortCV-Unasp NoCV-Unasp

b:h bh ph

b:ɦ bɦ pɦ

b: b p

Page 13: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

13

‘LongCV-BreathyAsp’

Breathy voice + closure voicing

‘LongCV-Asp’

Aspiration (-voice) + closure voicing

‘LongCV-Unasp’

Unaspirated + closure voicing

Page 14: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Perception Experiment• ABX task:

• Listeners hear a pair of stimuli, A and B, followed by a token X

• Task: determine whether X matches A or B

• Inter-stimulus interval: 720 msec

• Listeners: students at the University of Calgary

• 15 native English speakers

• 15 native Hindi speakers

Page 15: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Perception Experiment:Nitty Gritty

• Each of the 9 stops was paired with 4 contrastive items.

• For example, [p] was paired with:

• [ph] and [pɦ] (= aspiration contrasts)

• [b] and [b:] ( = closure voicing contrasts)

• Each pair was presented in both orders

• Each pair was presented at two places of articulation

• Each pair was produced by two different speakers

• Total: 288 randomized trials

• Duration of experiment 25 minutes

Page 16: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Results: Aspiration contrasts

16

English P-value

1-2 < .001

2-3 0.001

1-3 0.008

Hindi P-value

1-2 < .001

2-3 0.999

1-3 < .001

1 2 3

Page 17: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Results: Aspiration contrasts• No main effect of language of listener!

• However, a significant effect of contrast type

• English: Asp ~ Unasp > Breathy ~ Unasp > Asp ~ Breathy

• Hindi: Asp ~ Unasp, Breathy ~ Unasp > Asp ~ Breathy

• The Asp ~ Breathy contrast is difficult for both groups of listeners;

• But the English listeners are sensitive to the quality of aspiration.

• Basically: (phonetically) unfamiliar contrasts are more challenging.

Page 18: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Results: Closure Voicing contrasts

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English P-value

1-2 0.024

2 -3 0.029

1-3 0.829

Hindi P-value

1-2 0.001

2 -3 0.003

1-3 0.733

1 2 3

Page 19: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

• Native language of listener once again didn’t matter.

• But another significant effect of contrast type…

• English: LongCV ~ NoCV, ShortCV ~ NoCV > LongCV ~ ShortCV

• Hindi: LongCV ~ NoCV, ShortCV ~ NoCV > LongCV ~ ShortCV

• The presence vs. absence of closure voicing mattered to listeners;

• But the duration of closure voicing did not.

• However, there was a significant effect of closure voicing length on the perception of aspiration quality for both listener groups…

Results: Closure Voicing contrasts

Page 20: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Aspiration * voicing length (English)

20

*

**

L N SL N SL N S

• pɦ ~ ph >

bɦ ~ bh, b:ɦ ~ b:h

• pɦ ~ p > b:ɦ ~ b:

• Apparent advantage in discrimination of breathy voiced aspiration when there is no closure voicing present.

Page 21: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Aspiration * voicing length (Hindi)

21

**

L N SL N SL N S

• pɦ ~ ph >

bɦ ~ bh, b:ɦ ~ b:h

• Same advantage in discrimination of breathy voiced aspiration when there is no closure voicing present.

Page 22: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Aspiration * voicing length: thoughts

• When closure voicing is present, it becomes more difficult to distinguish between breathy voiced aspiration and unvoiced aspiration.

• Without closure voicing, listeners may be forced to rely on cues in the aspirated portion of the stop

• that is, +/- concomitant vocal fold vibration.

• Aspiration quality may be perceptually integrated, somehow, with closure voicing.

Page 23: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Conclusions• Surprising similarity between both listener groups

• In particular: Hindi listeners don’t have an advantage in the perception of closure voicing contrasts.

• General trend: familiar contrasts are easier to process

• English listeners are somewhat sensitive to the distinction between voiceless aspiration and breathy voiced aspiration.

• Hindi listeners don’t display an advantage when this cue varies independently of closure voicing.

• Overall moral of the story: phonetics matters.

Page 24: Acoustic Cues to Laryngeal Contrasts in Hindi Susan Jackson and Stephen Winters University of Calgary Acoustics Week in Canada October 14, 2011 1

Merci!