AC Collection

7/28/2019 AC Collection

1/9


2/9

AC 2 AC 3

HistoricalProle

The Arts and Crafts Movemcame to America from 19th centland, after beginning there as a prmovement which sought to pretraditions of hand craftsmanswere rapidl y disappea ring in tof the Industrial Revolution. InEnglish designer William Morsidered the father of the movemtered the preservation of many thcraft traditions through the proof well-designed, handmade goas furniture, textiles and wallpapwork inspired similar venture s tionally.

When the Victorian era officiawith the corona tion of Edward1901, the Edwardian era repwith a hopefu l fresh start for century. American architects signers, while fully aware of Edesign trends, began to forge uAmerican styles: the innovative dFrank Lloyd Wrightand the midPrairie School, the east coastRevival and its western counterMission Revival. The English Crafts movement directly inspirtav Stickleys Craftsman Stylecelebrated durability, simple fofunctionality. The vogue for rustbest expressed by the popular CBungalow. Elements of all thedesign trends could be found coin the interiors of the uniquely AFoursquare.

As in the Victo rian era, wcontinued to be a popular and avehicle for the expression of t

design trends, and American exhibited an enthusiastic admiGlasgow roses, Viennese geomeNouveau florals and Craftsman-motifs. The color palette of threflected these diverse sources, natural shades of olive, khaforest green in the Craftsman pale and muted watercolor shadGlasgow School.Ceiling: Faux Burlap with Apple Tree Border.

Wall: Apple Tree Frieze bounded top andbottom by Apple Tree Border. Glenwoodwallpaper. Forest Green colorway.


3/9

AC 4 AC 5

Natural Piedmont Border PIB-970Oakleaf Border OKB-970

Vienna Check Border VCB-970

Apple Tree Border APB-970

Thornberry Border TBB-970

Fir Tree Frieze FTF-970

Apple Tree Frieze APF-970

Oakleaf Frieze OKF-970

Glasgow Frieze GWF-970

Glasgow Panel GWP-970 Circlet Ceiling C

MAW-970 Marigold MA

AVW-970 Avalon AV

SAW-970 Savaric SA

GLW-970 Glenwood G

SSW-970 S pringeld Stripe S

Alise AL

B C

D

A)Glasgow Frieze with its companion Alisewallpaper.

B) Piedmont Border and Circlet Ceiling highlight a boxbeam.

C) Thornberry Border with Glenwood wallpaper.D) Apple Tree Border, Apple Tree Frieze and Avalon

above a wooden wainscot.E) Fir Tree Frieze and Springeld Stripe wallpaper in

an entry hallway.

D) Apple Tree Border, Apple Tree Frieze and Avalonabove a wooden wainscot.

E) Fir Tree Frieze and Springled Stripe wallpaper inan entry hallway.


4/9

AC 6 AC 7

Forest Green C

Faux Burlap Ceiling B

Piedmont Border PIB-950

Oakleaf Border OKB-950








Glasgow Panel GWP-950

Alise AL

Springeld Stripe SS

Glenwood GL

Savaric SA

Avalon AV

Marigold M

B

D

A

A) Apple Tree Frieze decoupaged over Glenwood wall-paper. Apple Tree Border above wainscot molding.

B) Savaric wallpaperC)Fir Tree Frieze above Springeld Stripe wallpaper

separated by Vienna Check Border.D) Ceiling: Circlet Ceiling with Oakleaf Border and

corner blocks. Wall: Oakleaf Frieze and Avalonwallpaper.

E)Alise wallpaper


5/9

AC 8 AC 9

WheatPiedmont Border PIB-935

Oakleaf Border OKB-935








Glasgow Panel GWP-935

Alise AL

SSW-935 S pringeld Stripe SS

GLW-935 Glenwood GL

SAW-935 Savaric SA

AVW-935 Avalon AV

MAW-935 Marigold MA

Circlet Ceiling C

A

C

B

E D

A) Apple Tree Frieze decoupaged over SpringeldStripe wallpaper.

B)Marigold WallpaperC) Oakleaf Frieze and Glenwood wallpaper separated

by Oakleaf Border. Oakleaf Border and corner

blocks dene chimney breast.D) Thornberry Border with Glenwood wallpaper.E)Ceiling: Circlet Ceiling with perimeter of Avalon

wallpaper. Frieze: Glasgow Frieze bounded by Vi-enna Check Border, oating on Avalon wallpaper.Walls: Glasgow Panel and Springeld Stripe wall-paper, separated by Vienna Check Border.


6/9

AC 10 AC 11

The Edwardians CB

Child's Garden GDW-935 GDW-970 GD

Honeysuckle HSW-910 HSW-940 HSW

Thistle THW-935 THW-970 THW

Lion and Dove Frieze LD

A

DE

F

A) Child's Garden wallpaper in a library alcove.B)Briar Rose wallpaperC)Thistle wallpaper as a broad frieze above a wooden

wainscot.D)Lion and Dove Frieze

E) Honeysuckle wallpaper as a narrow frieze above awooden wainscot.F) Rosamund wallpaper.

Photo by Jeremy Samuelson

Rosamund RMW-910 RMW-930 RMW

Briar Rose BRW-930 BRW-935 BRW


7/9

AC 12 AC 13

Early 20th Century Interiors

Edwardian Classicism in an American FoursquaGiven the wide r ange of choices, manyclients ask for help in designing periodrooms. For a reasonable fee, our skilledin-house designers will create a design toyour individual specications. The serviceincludes a detailed scale drawing which canbe used as an installation guide, as wellas accurate quantity and cost estimates.Request our free Design Service Kit.

Arts & Crafts rusticity and Edward-ian Classicism were parallel trends inthe early 20th century interior. It wasespecially common in the AmericanFoursquare to see Craftsman-stylebox beams, inglenooks and highwooden wainscots juxtaposed with Co-lonial Revival-style classi cal columns,cornices and Palladian windows.

In general, rooms of the period ex-pressed a horizontal emphasis, in contrastto the vertical thrust of the preceding Vic-torian era. Gone was the standard Victo-rian 18" frieze, replaced by a broad varietyof frieze heights and decorative treatments.High wooden wainscots, often inset with

vertical panels, became a characteristicfeature of dining rooms.

Panelization could be found bothon walls and in broad frieze areas. Insimple interiors that lacked elaboratewoodwork, paper borders and panelswere some time s used to crea te thepopular wall divisions of the period.

Box beams became a popular c eilingtreatment, and all-over ceiling papers,such as faux gilded burlap and micageometrics, maintained popularity.The elaborate ornamental ceilings ofthe previous century, however, virtuallydisappeared from the domestic interior,replaced with far simpler treatments.

Bottom left:It was common to use a large scale oral pattern, such as Briar Rose above awainscot. Right:The vertical nature ofThistlemakes it ideal for use in vertical panels. Note:in both cases, large orals are balanced by a small scale geometric,Avalon.

Top left:Apple Tree Frieze is extended in height by the use ofApple Tree Border top andbottom. Border and corner blocks are used to panelize the wall. Right:The frieze area is pan-elized; the width between panels determined by the box beams above. Below the picture rail

Apple Tree Friezehas been decoupaged over Glenwoodwallpaper with a companion borderabove the wainscot. This wall combination may be adapted for use in large frieze areas.

Ceilings shimmer in low level lightThe low intensity of early light bulbs guaranteed the popularity of reective ceilin

electried homes. Left:Brilliantly reective mica (Circlet Ceiling) was used to l ighten ceThe ceiling might be framed with narrow borders, sometimes with elaborated corners.The gilded Faux Burlap Ceilingprovided the ultimate in richness; combined with Tiffanlighting the effect was ethereal. Borders were used to enrich the panels created by box b

The combination of restrained Art Nouveau motifs and Classically-inspired symmwas typical of the Edwardian style. Striped wallpapers were popular in both EdwardiaColonial Revival interiors. Above:Below the picture rail, Glasgow Panels are hung corners of a wall covered with Springfeld Stripe wallpaper, and bounded byVienna CBorder. Above the picture rail, Glasgow Frieze is panelized at the corners to reect thpanels, and oated on a background ofAvalon to ll a wide frieze area.

Hanging tip: Creatingthe hand-stencilled look.

Stencilled friezes usually are centered oneach wall, as the distance between each sten-cil can be subtly adjusted. This effect canbe duplicated using either Oakleaf Friezeor Glasgow Frieze by cutting out t he areasoutside the oak leaves (or rose bushes)and pasting them back as extenders at thecorners of the room.

Above:Oakleaf Frieze oats, stencil-like, on a plain background and ts friezes from 16" to 27". May beextended with the use of its companion border.

Our In-HouseDesign Service

Photo by Mark Lazzarini


8/9

AC 14 AC 15

Product InformationLike all ne handprints, our wall-

papers come untrimmed and are notprepasted. Wall and ceiling lls are soldby the roll (a roll measures 27" x 15' andcovers 30 sq. ft.).

Borders and friezes are sold by theyard. Borders come in multiple stripson a 27" wide roll. The diagrams belowshow how the individual Arts & Craftselements are arranged on the paper.Please refer to these diagrams whenordering. All elements are shown at3/4" = 1' scale.

Apple Tree Border (APB) Price Code: S Sold by theyard. Four borders per width plus matching corner blocks.Trims to 3" or 5". Repeat size: 11"

Lion and Dove Frieze (LDF) Price Code: V Sold by theyard. One 261

2" border per width. Repeat size: 46"

Piedmont Border (PIB) Price Code: T Sold by the yard.Eight 2" borders per width. Repeat size: 9"

Thornberry Border (TBB) Price Code: S Sold by the yard.Four 5" borders per width. Repeat size: 27"

Glasgow Frieze (GWF) Price Code: S Sold by the yard. Two13 1

2" borders per width. Repeat size: 27"

Apple Tree Frieze (APF) Price Code: T Sold by the yard.Two 13 1


Oakleaf Border (OKB) Price Code: R Sold by the yard. Six2 1

2" borders per width plus matching corner blocks (5" x 5").

Repeat: continuous

Glasgow Panel (GWP) Price Code: S Sold by the panel.Rosebush (26" x 15") oats on a panel 27" x 7' 6" long

Fir Tree Frieze (FTF) Price Code: S Sold by the yard.Two 13 1


Oakleaf Frieze (OKF) Price Code: S Sold by the yard. Oneborder per width. Pendant is 15" high. Trims from 16" to 27".Repeat size: 27"

Vienna Check Border (VCB) Price Code: Q Sold by theyard. Seven 3" borders per width plus matching corner blocks.Repeat size: 1"

Avalon (AVW) Price Code: B Sold by the roll: 30 sq.ft. Repeat size: 11

2"

Child's Garden (GDW) Price Code: E Sold by the roll:30 sq. ft. Repeat size: 27"

Glenwood (GLW) Price Code: C Sold by the roll: 30 sq.ft. Repeat size: 63

4"

Marigold (MAW) Price Code: B Sold by the roll: 30 sq.ft. Repeat size: 9"

CustomeServices

Our Customer Service/Ordesk is open from 9-5,

Mon-Fri (Pacic Time)

Why Mail Order? Mail orderus to reach our clients directly frprinting studio without an exchain of middlemen. This allows fer our handprinted papers at reaprices with personalized service.

How to See Samples... Oustocked sample department can provide you with actual handsamples of the designs in our colPhone orders are accepted withcard payment, and samples are shipped the same day. Express is available upon request.

Any Questions?We are a smand take great pride in giving inalized attention to clients. If youquestion, please give us a call -- wour best to help.

Design Service:Available interally by mail order, our Designprovides professional planning and ceiling pattern combinationsspecications. Detailed scale draccurate pattern measurements aestimates are included. Call or wa free Design Service Kit.

Alise (ALW) Price Code: C Sold by the roll: 30 sq. ft.Repeat size: 4 1

2"

Faux Burlap Ceiling (BLC) Price Code:A Sold by theroll: 30 sq. ft. Repeat: continuous

Briar Rose (BRW) Price Code: C Sold by the roll: 30sq. ft. Repeat size: 9"

Circlet Ceiling (CCC) Price Code:A Sold by the roll:30 sq. ft. Repeat size: 1 1

2"

Honeysuckle (HSW) Price Code: E Sold by the roll: 30sq. ft. Repeat size: 15 1

2"

Rosamund (RMW) Price Code: F Sold by the roll: 30sq. ft. Repeat: Half drop Repeat size: 17 3

4"

Springeld Stripe (SSW) Price Code: C Sold by theroll: 30 sq. ft. Repeat: continuous

Thistle (THW) Price Code: H Sold by the roll: 30 sq.ft. Repeat size: 21"

Savaric (SAW) Price Code: B Sold by the roll: 30 sq. ft.Repeat size: 13 12"

Fax (707) 745-9417 info@bradbu

P.O. Box 155, Benicia, CA 9

(707) 746-1900

Our craftsmanship is guaraAny defective printing mayreturned for replacement ocash refund.All our wallpapers are handprinted in our Benicia studio


9/9

cknowledgements: All photos, unless otherwise noted, by Douglas Keister. Design consultation and room styling by Paul Duchscherer. Textiles by Arts & Crafts Period Textiles,Oakland CA Additional furnishings by The Craftsman Home Berkeley CA Wallpaper hanging by Helen Boutrell Peter Bridgman Michael Keith and Heidi Risse Framing by Ho

Documents

AC Collection