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About Transport Group Theatre Company Transport Group is a non-profit, off-Broadway theatre company in New York City that stages new works and reimagines revivals by American writers. Our visually progressive productions of emotionally classic stories explore the challenges of relationships and identity in modern America. In 2007 we received a Drama Desk Award recognizing our “breadth of vision and presentation of challenging productions” and a Village Voice OBIE award for excellence in the theatre. Visit our website, www.transportgroup.org and find us on Facebook and Twitter. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Production design support provided by The Edith Lutyens and Norman Bel Geddes Design Enhancement Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York) Transport Group 520 Eighth Ave, Ste 305 New York, NY 10018 P 212.564.0333 F 212-564-0331 [email protected] www.transportgroup.org Ja ck Cummings III, Artistic Director Lori Fineman, Executive Director A Musical Suggested by the play La Ronde by Arthur Schnitzler Major support provided by The Shen Family Foundation Produced in association with Sarah Ackerman

About Transport Group Theatre Company Beauty And The Beast, Johnny Guitar, the Kennedy Center’s revival of Bell’s Are Ringing, Of Thee I Sing at Chicago’s Symphony Space, the

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About Transport Group Theatre Company

Transport Group is a non-profit, off-Broadway theatre company in New York City that stages new works and reimagines revivals by American writers. Our visually progressive productions of emotionally classic stories explore the challenges of relationships and identity in modern America. In 2007 we received a Drama Desk Award recognizing our “breadth of vision and presentation of challenging productions” and a Village Voice OBIE award for excellence in the theatre. Visit our website, www.transportgroup.org and find us on Facebook and Twitter.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Production design support provided by The Edith Lutyens and Norman Bel Geddes Design Enhancement Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York)

Transport Group520 Eighth Ave, Ste 305New York, NY 10018P 212.564.0333F [email protected]

Jack Cummings III, Artistic Director Lori Fineman, Executive Director

A MusicalSuggested by the play La Ronde by Arthur Schnitzler

Major support provided byThe Shen Family Foundation

Produced in association withSarah Ackerman

THE CASTThe Senator..…….………………….……...…...……Alan CampbellThe Young Thing………………………………....……...Blake DanielThe Writer………...………….………..…….…Jonathan HammondThe Actress……….......…………….………..……Rachel Bay JonesThe Whore……………………………………Nikka Graff LanzaroneThe College Boy………….......……………….……..….Robert LenziThe Husband (replacement)….............…………...Bruce SabathThe Young Wife………………..…..………....…....Alexandra Silber The Nurse………………………...….………….…..Elizabeth StanleyThe Husband………………………………………..……Bob StillmanThe Soldier………………………………..……………Max von Essen

Alan Campbell Blake Daniel Nikka Graff Lanzarone Jonathan Hammond

Rachel Bay Jones Robert Lenzi Bruce Sabath

Alexandra Silber Elizabeth Stanley Bob Stillman Max von Essen

THE ORCHESTRAMusic Prep Supervisor…………………………..…Brett MaciasGuitar……………………………………………….…Jeff BaroneCello…..……………………………………..…Summer BoggessPiano………...…………….……………………….…Chris HaberlReed………………………………………….………Harry HassellBass……………………………….………………..…..Brad RussellPercussion…………………………………………David Vincola

MUSICAL SCENESScene 1

The Whore and The Soldier – ca. 1900s

Scene 2The Soldier and The Nurse – 1940s

Scene 3The Nurse and The College Boy – 1960s

Scene 4The College Boy and The Young Wife – 1960s

Scene 5The Young Wife and The Husband – 1950s

Scene 6The Husband and The Young Thing – 1910s

Scene 7The Young Thing and The Writer – 1970s

Scene 8The Writer and The Actress – 1920s

Scene 9The Actress and The Senator – 1980s

Scene 10The Senator and The Whore – The Present and The Past

Suggested by the play La Ronde by Arthur Schnitzler

CREATIVE TEAMDirector…………………..…………………………………………….Jack Cummings IIIChoreographer...………………..……………………………………....……..Scott RinkMusic Supervisor…..……………………………………….………...…....Chris FenwickMusical Director………………………..……….……...…………………...Chris HarberlOrchestrator…………………..………...……………………Mary-Mitchell CampbellDrum & Percussion Arrangements…………………….……….....Damien BassmanScenic Design…..………………….…………..…………..…………Sandra GoldmarkLighting Design ….…………………………….…………………..……R. Lee KennedyCostume Design……………………………….…………………….….…Kathryn RoheSound Design………………………….....................................……..Michael RasburyCasting……………………………………………………….…..Nora Brennan CastingDramaturg………………………………………………...…Kristina Corcoran Williams

PRODUCTION STAFFExecutive Director…………………………………………………………..…………..Lori FinemanProduction Stage Manager...……………………….…………………..………....Wendy PattenStage Manger…………………..……...……………….…...…………………..….Donald ButchkoProduction Manager……………………..…………….……….....…………......James WeinmanAssistant Director……………..…………………..……….…………..….………...Adam BlanshayDance Captain…………………………………………….………...……..Nikka Graff LanzaroneManaging Producer……………………..………………….……..…....……………...Michelle EllisAssociate Managing Producer……………………………………….….…………...Greg SantosTechnical Director……………………………………….……………...….………..…….Kyle CrosePress Representative…………………...……...Don Summa, Richard Kornberg & AssociatesProps……………………...……..……………………………..…………….…….……Ryan MorrisonMusic Coordinator………………………………………………….……….…………..Brett MaciasWardrobe Supervisor…………………………...…………..…………...….………Keith SchneiderSenior Costume Design Assistant…………………..……………….………..Ricardo FernandezCostume Design Assistant.………………………...…………………………………Ramsey ScottCostume Design Assistant…………………………………………………...……..Steven ManuelStaff Stitcher…………………………………………………………………………...…Jenner BrunkAssistant Lighting Design………………………………………………….…….……Adam OrseckAssistant Sound Design…………………..………………………………….………….Max KrembsCasting Assistant………………………………………..………………...….………...Anna StrasserCasting Assistant……………………………………………………………….…………. Jamie TussProduction Assistant……………………………..………………...………….……....Michelle KarstProduction Assistant……………………………...…………………………Cody Renard Richard Box Office Manager………………..…………….………………………………..Michael CoglanHouse Manager…………………………………….………...…...………....…Michael MacaioneAudience Services Manager…………..………….…………………………...…Lauren ScottowArts Admin & Marketing Intern……………………...………………………..Michael JorgensenGraphic Designer/Logo Design…………………………………………..……..Drew DernavichGraphic Designer……………………………….…….…………..…………..……..Christiaan RulePhotography…………………………………………….…………………………...…Carol RoseggPhotography…………………………………………….……………………….…Sarah Ackerman

CALENDAR OF EVENTS

Under 30 NightTickets $30 for patrons under 30

Thurs., March 29th, 8pmEnjoy a special post-show reception with cocktails and light snacks for our patrons 30 and under. Find out what affairs lay ahead in your love life when you have your tarot cards read, or just dance to the hits of each decade celebrated in Hello Again. Visit www.TransportGroup.org or call 212-564-0333 and mention code TGUNDER30 at checkout.

TG TalksTues., March 15th – With the CastMeet the cast and creative team for an intimate discussion of the creation of a new musical.Thurs., March 17th – With Michael John LaChiusaIra Weitzman, Associate Producer of Musical Theater at Lincoln Center Theater interviews show creator Michael John LaChiusa.Tues. March 22nd – From La Ronde to Hello AgainAn enlightening discussion on the history of Hello Again, and the play

that inspired it, Arthur Schnitzler’s La Ronde.All TG Talks are Free with Hello Again ticket purchase

The actors and production stage manager are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

THE COMPANYALAN CAMPBELL (“The Senator”) On Broadway: he received a 1995 Tony Award nomination for Best Actor in a Musical for his performance as Joe Gillis in Sunset Boulevard opposite Glenn Close, Betty Buckley and Elaine Paige. He also received the Drama-Logue Award for his performance in Sunset Boulevard’s American Premiere in Los Angeles. Alan starred in Susan Stroman’s 2000 Tony Award winning musical, Contact at Lincoln Center. Off-Broadway: Chris Durang’s Adrift In Macao, Lanford Wilson’s Book Of Days at the Signature Theater and in the regional premiere of Book Of Days at the Repertory Theatre of St. Louis and the Hartford Stage. He also starred Off-Broadway in AVOW, by Bill C. Davis. Other theatrical credits include Dracula, Death And The Maiden, Doubt, 12 Angry Men, Emmett Otter’s Jugband Christmas, at the Goodspeed Opera, Noel Coward’s Hayfever at San Diego’s Old Globe, Oleanna, Beauty And The Beast, Johnny Guitar, the Kennedy Center’s revival of Bell’s Are Ringing, Of Thee I Sing at Chicago’s Symphony Space, the Ford’s Theatre production of On Shiloh Hill, Boogie Woogie Rumble of a Dream Deferred at the Urban Arts Corps in New York, Breakfast At Tiffany’s at the St Louis MUNI and productions of I Love My Wife and Larry Shue’s The Nerd. Feature films include Weekend Warriors; Bump in the Night; Tom, Dick and Harry, and Universal’s Simple Wish with Martin Short and Kathleen Turner. On television he co-starred for 5 seasons with Bill Conrad and Joe Penny on CBS’s Jake and the Fatman. He also co-starred with John Ritter as surfer “E.Z. Taylor”, on ABC’s Three’s a Crowd, “Evan Grant” on NBC’s Another World, “Dr. Ellis Marshall” on All My Children, Contact, “Live From Lincoln Center” on PBS, and in Redflag, a CBS, Movie of the Week. Alan has guest starred on numerous television shows including, Law and Order, Law and Order SVU ,Homicide; Life on the Streets, Facts of Life, Throb and Matlock. His recordings include Sunset Boulevard, Adrift In Macao, ABC: A Tribute to Adler, Bock and Coleman and The Best of Andrew Lloyd Webber on Polygram. Alan is an originating member of the Broadway Tenors with Brent Barrett and Brian d’Arcy James. He has sung at the White House and performed for three U.S Presidents. Alan is Executive Director of Hot Summer Nights, at the Kennedy Theater in Raleigh North Carolina. His finest production is daughter Riley Rose with wife, actress Lauren Kennedy. http://www.alancampbell.net

BLAKE DANIEL (“The Young Thing”) Broadway: Spring Awakening (Ernst). New York Readings: Veritas, The Absolutely True Adventure of the Taylor Twins, February House (The Public Theatre). Film: Jack and Diane (dir. Bradley Rust Gray). Thanks to his family, Jeremy Katz, Kimmie, and T. for their constant support and love, and to the cast for making this an invaluable learning experience. He is endlessly grateful to Jack Cummings III and everyone at Transport Group for this opportunity.

JONATHAN HAMMOND (“The Writer") Broadway and National Tours: Ragtime, The Light In The Piazza. Recent credits: Transport Group's See Rock City & Other Destinations, The Boys in the Band(OBIE Award and Drama League Award nomination) Kennedy Center: Ragtime and Krieger and Russell’s world premiere of Up in the Air. The Shakespeare Theatre: The Dog in the Manger. Off-Broadway: Theatre For A New Audience, Transport Group, York Theatre. Regional: Actors Theatre of Louisville, McCarter Theatre, Baltimore Center Stage, American Repertory Theatre, Pittsburgh Public Theater, Syracuse Stage, Theatre Works – Palo Alto, Pioneer Theatre Company, Barrington Stage Company, Fulton Opera House, O’Neil Theatre Center. Elliot Norton Award and Outer Critics Circle Award winner. TV: “Law and Order.” Training: University of Michigan (Musical Theatre), Harvard University – American Repertory Theatre Institute for Advanced Theatre Training (MFA). JonathanHammond.com

RACHEL BAY JONES (“The Actress”) Broadway: Women on the Verge… (Standby Lucia); HAIR (Mother; Buddhadalirama); Meet Me In St. Louis (Lucille). Tours: Grand Hotel (Trude); Fiddler on the Roof (Hodel); RENT (Berlin Company; German Language version)New York: Boys from Syracuse (Encores); Roses on the Rocks (Manhattan Theatre Source); Artlife (Cucaracha Theatre) Regional: King and I (Anna, opposite Lou Diamond Phillips); Urinetown (Penelope Pennywise; Carbonell Award); Johnny Guitar (Vienna); Evita (English and Spanish Language Versions; Eva); Modern Orthodox (Hannah); Songs for a New World; Loman Family Picnic (Marsha); Cabaret Verboten; Jacques Brel…(Carbonell Award) Solo Album: ShowFolk (2009; Plum Song Records). www.rachelbayjones.com.

NIKKA GRAFF LANZARONE (“The Whore”/Dance Captain) Transport Group debut! Broadway: Women on the Verge of a Nervous Breakdown (Marisa) Off-Broadway:Seussical (Lucille Lortel Theatre). Las Vegas: Peep Show (directed/choreographed by Jerry Mitchell). Regional: Tommy (Bay Street Theatre), Carnival(Paper Mill Playhouse), The Producers (Merry-Go-Round Playhouse), Chicago (Fiddlehead Theatre), Nine (The Chance Theatre). Film: Bandslam. TV: “The Tonight Show with Jay Leno.” Recordings: “Seussical” and Women on the Verge…” cast albums. Concerts at The Hollywood Bowl, the Sydney Opera House, two operas with the Los Angeles Opera. BFA from The Boston Conservatory. Proud memberof Actors’ Equity. www.nikka-graff-lanzarone.com

ROBERT LENZI (“The College Boy”) Robert is thrilled to be making his Transport Group debut! Broadway: South Pacific (Lincoln Center Theater). Film: The Last Airbender, Sex and the City 2, The Happening, The Village. TV: “Blue Bloods”, “One Life to Live”, “Live from Lincoln Center”, “Clubhouse”. Robert holds a BFA in acting from Carnegie Mellon University. A special thanks to everyone at Transport Group, Station3, Richard, Steffi, and Mom and Dad.

BRUCE SABATH (“The Husband” replacement) Bruce appeared on Broadway as Larry in the 2006/07 Tony Award-winning revival of Company. Other New York appearances include Platinum (2010 revival), The Jerusalem Syndrome (NYMF, American Musical Award), Prince Hal (title role, OOBR Award), The Tempest (Storm Theatre), Fleet Week (Best Musical, FringeNYC), and Titanic: The Musical in Concert. Regional/Tour appearances include Frost/Nixon (as Nixon. CaldwellTheatre, Southeast premiere), Company (Cincinnati Playhouse), Brooklyn Boy (Florida Studio Theatre, Handy® Award), Imaginary Invalid, Lost in Yonkers (Schoolhouse Theater), Cabaret (Arts Center of Coastal Carolina), Gypsy (Forestburgh Playhouse), Chicago, Jekyll & Hyde, 1776 (WV Public), Victor/Victoria National Tour. Film: Company Retreat (dir. by Campbell Scott), Betrayed (w/ Seth Gilliam), The All-for-Nots (Michael Eisner, prod.). TV: “Boardwalk Empire”, “Onion Sports Dome”, “Law & Order: SVU” and “PBS Great Performances (Company)”. Recordings: Digital Fortress (by Dan Brown), Handmaid’s Tale (BBC Radio), Jack Sparrow’s Secret Journal (Disney). Graduate of Harvard, Wharton and the William Esper Studio. Thanks to my ceaselessly supportive wife Karen and

our boys, Jeremy and Michael, for dreaming with me. www.BruceSabath.com.

ALEXANDRA SILBER (“The Young Wife”) Alexandra Silber was born in Los Angeles and grew up in a suburb of Detroit Michigan. She began her training at The Interlochen Center for the Arts in Northern Michigan attending both the summer program and her full time high school performing arts education at the Interlochen Arts Academy, where she graduated with the coveted Young Artist Award. Alexandra then went on to train at the Royal Scottish Academy of Music and Drama in Glasgow, Scotland, where she performed in productions including The Cherry Orchard, Metamorphosis, Twelfth Night, The Balkans Are Not Dead, as well as the title role in Electra, and Helen of Troy in the harrowing, highly acclaimed production of Howard Barker’s The Bite Of The Night. Days before her college graduation, Alexandra was discovered by the casting director of Andrew Lloyd Webber’s The Woman In White directed by Trevor Nunn, and within weeks had assumed the leading role of Laura Fairlie in London’s West End. Since her debut, she has gone on to portray Hodel in The Sheffield Crucible’s production of Fiddler On The Roof and its subsequent West End production; as well as her most recent appearance in the West End as Julie Jordan in Rodgers and Hammerstein’s Carousel. Alexandra’s portrayal of Julie, earned her the prestigious 2009 TMA Award for Best Performance in a Musical. It is fitting that her debut professional appearance in the US was not only in her birthplace, but again as Julie Jordan at LA’s Reprise production ofCarousel, at the invitation of Artistic Director Jason Alexander for which she was nominated for a Los Angeles Ovation Award for Best Actress in a Musical. Alexandra then went on to join Tony and Emmy Award winner Tyne Daly in Master Class, part of the Kennedy Center’s Terrence McNally Nights at the Opera Festival. She has also appeared in the Stephen King film 1408 alongside John Cusack, and earlier this year made her first appearance on US television as a guest star on “Law & Order.” Alexandra is thrilled to be making her New York Theatre debut this Spring in The Transport Group’s revival of Michael John LaChiusa’s Hello Again, followed immediately by her Broadway debut in Terrence McNally’s Master Class reviving her role as Sophie DePalma opposite Tyne Daly as Maria Callas. Alexandra is an avid blogger and writer, and when she is not working, enjoys photography, running and peanut

butter—not necessarily in that order. She also has a fondness for red shoes, owls, watermelon, all things Muppet, and a particular penchant for what she refers to as “badcrimedrama.”

ELIZABETH STANLEY (“The Nurse”) Broadway: currently starring as Dyanne in the Tony-nominated smash hit rock-n-roll musical Million Dollar Quartet; created the roles of Allison in the John Water’s musical Cry-Baby, and April in the Tony-award-winning revival of Company; also starred as Kira on the first national tour of Xanadu. TV: “Fringe,” “The Chappelle Show,” and “PBS Great Performances” (April in Company). Regional: numerous leading roles (Pioneer Theatre Company, O’Neill Festival, La Jolla Playhouse, Cincinnati Playhouse in the Park)—most recently Constanze in Amadeus at the Repertory Theatre of St. Louis (Kevin Kline nomination). Indiana University School of Music Alum.

BOB STILLMAN (“The Husband”) was seen most recently on Broadway as George Gould Strong in the musical Grey Gardens. He has been nominated twice for Tony awards, once as an actor (in Claudia Shear's Dirty Blonde) and once as a songwriter (for Urban Cowboy: The Musical). He has played Molina opposite Vanessa Williams in Kiss of the Spider Woman, and was featured in Tommy Tune's Grand Hotel. Bob was featured in Adam Guettel's Saturn Returns at the Public Theater, as the singing Lord Amiens in Mark Lamos' As You Like It in Central Park, and as the dying songwriter Gideon in the off-Broadway hit The Last Session. His skills as a pianist have been on display in Dirty Blonde, The Last Session, Grey Gardens, Souvenir, and, most recently, in Capital Rep's production of Moises Kaufman's 33 Variations, in which he played Beethoven, and, well, played Beethoven. On television Bob has appeared on Guiding Light, Law and Order, and Star Trek Voyager, and was Reed on the popular Nick jr. show Allegra's Window. As a singer/songwriter Bob has performed at Joe's Pub, the Cutting Room, the Zipper factory and many other New York venues. His CD of original songs is available online at www.cdbaby.com.

MAX VON ESSEN (“The Soldier”) recently finished the National Tour of Xanadu as Sonny Malone and is thrilled to be making his Transport Group debut. Broadway credits include Enjolras in the recent revival of Les Misérables, Alfred in Dance of the Vampires, Jean Prouvaire in the closing company of the original Les Misérables, and Jesus Christ Superstar, where he understudied and

performed the role of Jesus many times. Other NY shows include Finian's Rainbow (Woody), The Fantasticks (Matt), and The Jerry Springer Opera at Carnegie Hall (Tremont). A few of his favorite regional performances are Joseph and the Amazing... (Joseph), West Side Story (Tony), Dorian (Dorian Gray), The Baker's Wife (Dominique), Mame (older Patrick), Hair (Claude), Sweeney Todd (Anthony), Cabaret (Emcee) and The Umbrellas of Cherbourg (Guy). TV/Film appearances include Sex and the City 2, The Beautiful Life, The Rosie O'Donnell Show, The Today Show, The Tony Awards and numerous commercials. For more information, please visit www.MaxvonEssen.com and follow Max on Twitter @MaxizPad.

MICHAEL JOHN LACHIUSA (Writer/Composer/Lyricist) Most recent work includes the book, music and lyrics to Queen of the Mist, music and lyrics to Giant, (book by Sybille Pearson); Los Otros, (book by Ellen Fitzhugh); and the score for Maria Aitken’s production of As You Like It at the Shakespeare Theatre, Washington, D.C. As a composer, lyricist and librettist, his other works include Bernarda Alba, See What I Wanna See, The Highest Yellow, Little Fish, Hello Again, First Lady Suite, and Break/Agnes/Eulogy for Mister Hamm. Mr. LaChiusa was represented on Broadway during the 1999-2000 season by The Wild Party and Marie Christine, receiving nominations for Best Score and Best Book (with George C. Wolfe on The Wild Party) for each show and he received a Tony nomination for Best Book (Graciela Daniele and Jim Lewis) for Chronicle of a Death Foretold. His operas include Send (who are you? I love you) which premiered at the Houston Grand Opera, and Lovers and Friends (Chautauqua Variations) which premiered at the Lyric Opera of Chicago where he was the Brena and Lee Freeman Composer-in-Residence. Mr. LaChiusa is an Obie Award winner (Hello Again and First Lady Suite) and the recipient of the Gilman-Gonzalez-Falla Musical Theatre Award. He has provided scores for the children’s television show on Nick Jr, The Wonder Pets, for which he received two Emmy Awards. He is currently on the faculty of New York University.

JACK CUMMINGS III (Director/TG Artistic Director) is the co-founder and Artistic Director of Transport Group. For Transport Group, he has directed Our Town, Requiem for William, First Lady Suite (Drama Desk nomination for Outstanding Revival), The

Audience (Drama Desk nominations for Outstanding Director and Outstanding Musical), Normal, cul-de-sac, All The Way Home, The Dark at the Top of the Stairs, Crossing Brooklyn, Marcy in the Galaxy, Being Audrey, See Rock City & Other Destinations, and Mart Crowley’s The Boys in the Band (Drama Desk nominations for Outstanding Director and Outstanding Revival of a Play). Other favorite New York credits include Down The Road (Piccolo-Sood Productions) and 1,000 Words Come to Mind (Premieres, Inc.). Regional credits include Violet, Carousel, The Young Man From Atlanta, She Loves Me, The Illusion, and A Streetcar Named Desire (starring his wife, Barbara Walsh, as Blanche). For television, he directed the Broadway musical A Tale of Two Cities, broadcast on PBS starring Michael York and James Barbour. Jack received his MFA in Directing from the University of Virginia and his Bachelor of Arts in International Relations from The College of William and Mary.

SCOTT RINK (Choreographer) Off-Broadway: Being Audrey, Crossing Brooklyn, Nor’mal (Transport Group) Minimum Wage (45 Bleeker) Songs For a New World (George St. Playhouse). Regional: Carnivale de Fuego (Six Flags, Denver, CO) Mulan (Imagination Stages). His commissioned works include dances for Ailey II, ABT II, Oakland Ballet, Minnesota Dance Theatre, Repertory Dance Theatre and university dance departments such as Harvard, UNCSA, University of Minnesota, The Ailey School and a number of works for danceRINK performed most notably at Joyce Soho, Symphony Space, American Theatre of Actors, The Kitchen and HERE as well as other national and international dates. Assistant Choreography credits include Broadway: The King & I (TONY Award), Allegro (Encore Production) Regional: What The World Needs Now(Old Globe/Roundabout). He has danced in the companies of Eliot Feld, Elisa Monte’, Karole Armitage and Lar Lubovitch. www.dancerink.com

CHRIS FENWICK (Music Supervisor)

CHRIS HARBERL (Music Director/Piano)

MARY-MITCHELL CAMPBELL (Orchestrations) Mary-Mitchell Campbell is currently the Music Director and Conductor of The Addams Family. Broadway: Company (Drama Desk Award- Best Orchestrations), Sweeney Todd, Road Show, Next to Normal (Second Stage). In addition to her musical career, Mary-Mitchell is

the Founder/Executive Director of ASTEP—Artists Striving To End Poverty (www.asteponline.org) and is passionate about arts education and poverty reduction. She has served on the faculties of NYU, Boston College and Juilliard. She holds degrees from Furman University and North Carolina School of the Arts.

DAMIEN BASSMAN (Drum & Percussion Arrangements) wrote & plays the drum/percussion book for The Addams Family musical, and wrote/played the drum/percussion books for the Tony and Pulitzer winning Next To Normal, The Color Purple, High Fidelity and Mario Cantone’s Laugh Whore. As a featured member of Absolute Ensemble he’s toured and recorded with fusion legend Joe Zawinul and world-renown artists like Paquito Di Rivera, Mike Keneally, Marcel Khalife, Gregor Bregovich. Damien has performed in Europe, Asia, New Zealand, & America and has been a featured soloist with the NDR Radiophilharmonie in Austria, Germany, and Switzerland, the MDR in Leipzig and Freyburg, and the Tonkustler Orchestra in Vienna. He is on faculty at the Bremen Musicfest, the Baltic Youth Philharmonic, and at Marymount Manhattan College and accompanies dance throughout NYC, performing with companies such as Alvin Ailey, Cunningham, and Battleworks. Damien has drummed for Sir Elton John, Barry Manilow, Ben Folds, John Cameron Mitchell, Rufus Wainwright, and is the drummer in many NYC-based bands including Jarrod Spector, The Mike Block Band and The Tom Kitt Band. He proudly endorses Toca Percussion.

SANDRA GOLDMARK (Set Designer) is a resident designer with Transport Group. Collaborations with the company include: Boys in the Band (Drama Desk nomination), Crossing Brooklyn (Hewes Award nomination), Bury the Dead, All the Way Home, The Dark at the Top of the Stairs, and more. Other design work includes projects with Page 73 Productions, Trisha Brown Dance Company, Keen Company, The Sugan Theatre Company, George Street Playhouse, Barrington Stage, American Stage, The Working Theater, Columbia School of the Arts, The Juilliard School, Second Stage, and Yale Repertory Theatre. Sandra is an Assistant Professor of Professional Practice (Design) at Barnard College, where she teaches set and costume design.

R. LEE KENNEDY (Lighting Designer) is pleased to be collaborating on his 24th production over sixteen years with Director Jack

Cummings and other Transport Group artists. Off-Broadway: See Rock City, Bury the Dead (Drama Desk nomination), Marcy in the Galaxy, The Dark at the Top of the Stairs, All the Way Home, Normal, The Audience (Drama Desk nomination), First Lady Suite, Requiem for William, Our Town. National Tours: The Secret Garden, Once on This Island, Five Guys Named Moe, A Grand Night for Singing. Chicago: Assassins, The Secret Garden (Joseph Jefferson Citation for Lighting Design), Once on This Island (Joseph Jefferson Citation Recommended for Lighting Design) (Pegasus Players), Oklahoma, The Sound of Music (Marriott’s Lincolnshire Theatre), Mud (Victory Gardens Theatre). Regional: The Light in the Piazza (Philadelphia Theatre Company) (Barrymore Award), Illinois Shakespeare Festival (2006, 2008, 2009, 2011 repertory seasons), Barksdale Theatre, Heritage Repertory Theatre, LiveArts, Nevada Theatre Company. Lee heads the MFA lighting design program at The University of Virginia.

KATHRYN ROHE (Costume Designer) has been designing for Jack Cummings III since 1994, starting with a production of The Crucible at the University of Virginia, along with Lee Kennedy as Lighting Designer and the late John Story as Scene Designer. Since Transport Group’s inception in 2002, she has designed twelve productions, two of which have been filmed for the New York Public Library of the Performing Arts at Lincoln Center – Michael John LaChiusa’s First Lady Suite in 2004, and Irwin Shaw’s Bury the Dead in 2008, directed by Joe Calarco. She is thrilled to have worked with such magnificently talented people through Transport Group, and is especially proud to be a part of this production.

MICHAEL RASBURY (Sound Designer) Since 2007, Michael Rasbury has provided sound design for Transport Group for the productions of Being Audrey, Bury The Dead, Dark at the Top of the Stairs and the two new musicals Crossing Brooklyn and Marcy in the Galaxy. In 2009, his original musical script titled Max Understood (co-written by Nancy Carlin) was produced Off-Broadway for the New York Musical Theatre Festival. Max Understood has received three staged readings including readings at the American Conservatory Theatre in San Francisco during 2010, and at the Eugene O’Neill National Music Theatre Conference in 2008. Before that, he composed music and sound for Macbeth, presented by the Colorado Shakespeare Festival. Between 2004 and 2007 he composed music and sound for six productions presented by the

Lake Tahoe Shakespeare Festival. He has served as sound designer for The Lost Colony Outdoor Drama since 2006. In 2001, he toured Europe and the United States with the production of An Alphabet, a John Cage piece produced by the John Cage Trust. Also in 2001, he wrote an orchestral score for Louisiana Tech University’s theatrical adaptation of The Leafmen and the Brave Good Bugs, written by award winning children’s author/illustrator, William Joyce. Michael composed music/sound for the 1998 and 1996 Humana Festivals for New American Playwrights at Actors Theatre of Louisville and for The Public in New York City. In 2003, he was recognized as the Louisiana State Funded Theatre Artist by receiving the Artist Fellowship Grant in Theatre presented by the Louisiana Division of the Arts. He is an Associate Professor in Sound Design at the University of Virginia.

NORA BRENNAN CSA (Resident Casting Director) is happy to continue her work with Transport Group. This is Nora’s eighth TG production, which have included: “Dark at the Top of the Stairs”, “All The Way Home”, “Crossing Brooklyn” and “The Audience.” Nora is currently the children’s casting director for the Broadway and touring productions of “Billy Elliot.” Other casting credits include: “West Side Story” for La Scala Opera House in Milan, Italy; "Songs For A New World"(George Street Playhouse) and the BBC series “Time Machine.”

KRISTINA CORCORAN WILLIAMS (Production Dramaturg) is the resident Dramaturg and Literary Manager for Transport Group. Recent dramaturgy credits include TG's Boys in the Band and See Rock City and she is currently working on TG's upcoming project with David Greenspan. Other recent credits include the world premieres of Boleros for the Disenchanted and The Unmentionables at Yale Repertory Theatre where she also served as Literary Associate. She has worked with playwrights Paula Vogel, Bruce Norris, Jose Rivera and Lloyd Suh, and directors Anna Shapiro, Henry Godinez and Kent Thompson. She has worked with the LARK Play Development Center, Denver Center Theatre's New Play Summit, Madison Repertory Theatre's Fall Festival of the Future (world premiere of Sarah Ruhl’s Eurydice), Dixon Place, TCG andPrimary Stages. She has served on the summer theatre faculty atInterlochen Center for the Arts and holds an MFA in Dramaturgy from the Yale School of Drama.

JEFF BARONE (Guitar)

SUMMER BOGGESS (Cellist)

HENRY HASSELL (Reeds)

BRAD RUSSELL (Bass)

DAVID VINCOLA (Percussionist) David is a New York City based freelance drummer/percussionist. A versatile and dynamic player, he has played everywhere from Uptown at Carnegie Hall to Downtown at CBGB's (R.I.P.). At various high points in his career he has found himself performing onstage with artists such as Stevie Wonder, Diana Krall, Quincy Jones, and John Williams. He has travelled the far ends of the globe by land and by sea providing a steady groove and a rock solid pocket that he hopes will make you want to smile and dance.

LORI FINEMAN (TG Executive Director) Prior to Transport Group Lori worked in management consulting for Andersen Consulting and Capco, a financial services consulting firm where she was the Global Director of Knowledge Management. As a producer, Lori was a founding member of a New York-based theatre company, Muse of Fire Productions, and the Executive Director of the Philadelphia-based National Women’s Theatre Festival. Lori has worked professionally as an actor, choreographer, and yoga instructor. Lori is also the President of the board of directors of the Jewish Community Project in Tribeca. A graduate of the University of Pennsylvania, Lori holds a BA in English & Theatre Arts and a BSE from the Wharton School in Management. Lori’s favorite roles: mom to Dylan, Spencer, and Nathan and wife to Steve.

WENDY PATTEN (Production Stage Manager/TG Company Manager) This is Wendy’s ninth show with Transport Group having previously stage managed The Boys in the Band, Bury the Dead, Marcy in the Galaxy, Crossing Brooklyn, The Dark at the Top of the Stairs, The Audience, and First Lady Suite. She has stage managed over 30 productions including Something Cloudy, Something Clear, The Last Starfighter, Spokesong and The Ninth Circle. Wendy is a proud member of AEA.

DONALD BUTCHKO (Stage Manager) Previously with Transport Group: Dark at the Top of the Stairs, Marcy in the Galaxy, Bury the Dead, The Boys in the Band. Donald also lends, or has lent, Stage Management (among other) skills to: American Realness, At Hand Theatre Company, Barrington Stage Company, Chase Brock Experience, Clubbed Thumb, The Eugene O'Neill Theater Center, LAVA, New York Stage and Film, Polybe + Seats, and Prospect Theater Company. Graduate, Skidmore College. Resident, Brooklyn.

JAMES WEINMAN (Production Manager)

ADAM BLANSHAY (Assistant Director) Most recent credits include assisting Christopher Alden on The Tales of Hoffmann at Santa Fe Opera, and directing intern on the Broadway production of Billy Elliot. Additional credits include: off-Broadway: Piaf: Love Conquers All (SoHo Playhouse/Ntl Tour), The Black Monk (Theatre Row), The Second Tosca (45th Street Theatre), Clean (Urban Stages), A Woman Of Will (Daryl Roth Theatre); Regional: In Piazza San Domenico (Centaur Theatre, Montreal), Evita (Moyse Hall, Montreal). His producing credits include Broadway: Catch Me If You Can, How To Succeed...(starring Daniel Radcliffe) The Scottsboro Boys; off-Broadway: Tales From The Tunnel; FringeNYC: All Day Suckers, His Greatness; Australia: Doctor Zhivago The Musical (Associate Producer). Adam is a graduate of McGill University.

MICHELLE ELLIS (Managing Producer/TG Producing & Development Associate) has been a member of the Transport Group team for Bury the Dead, Being Audrey and The Boys in the Band. She has been Managing Producer for TG's See Rock City & Other Destinations and is thrilled to once again play that role, especially for this exciting revival of Hello Again. Michelle has also worked administratively with The American Theatre Wing’s award-winning SpringboardNYC program, Jonathan Larson Grant, and the Theatre Intern Group, among other projects. She has performed and puppeteered for two seasons with Shadow Box Theatre at Bleecker Street Theatre. Graduate of Sarah Lawrence College (BA; Concentration in Theatre and German). Upcoming production - her wedding to best friend Tommy.

GREG SANTOS (Associate Managing Producer/Assistant to the Artistic Director) is the newest member of the Transport Group team. For Transport Group: Executive Assistant to Jack Cummings III, Artistic Director, 10th Anniversary 'Gimme A Break' Gala, Boys Night Out: An Evening with Michael John LaChiusa, Hello Again and all Transport Group Special Events. Workshops: Numerous. Most recent: The Green Heart, 2010, directed by Carl Andress. Off Broadway: Charles Busch's The Divine Sister (currently at the Soho Playhouse) and the MAC award winning, Our Life & Times Revue. Greg has happily worked on more benefits, for theatrical and charitable organizations, than he can count.

KYLE CROSE (Technical Director)

DON SUMMA (Press Representative)

RYAN MORRISON (Props)

BRETT MACIAS (Music Prep Supervisor/Music Coordinator) as a copyist he has worked on: BROADWAY: Rock of Ages, Cry Baby, A Catered Affair OFF-BROADWAY: The Big Time, Rooms, Adrift in Macao, Sessions; REGIONAL: My Mother's Lesbian Jewish Wiccan Wedding, POP, Band Geeks, Rooms, Franco Dragone's Carmen; CITY CENTER ENCORES: Bye, Bye Birdie, and the ACTOR'S FUND CONCERTS: The Best Little Whorehouse…, On the Twentieth Century, and A Wonderful Life. He is currently the supervising copyist for the NBC/ Dreamworks produced musical pilotSMASH which is currently in production. He would like to thank Cicily, Matt, Jennifer, and Adam for all their help with Hello Again.

KEITH SCHNEIDER (Wardrobe Supervisor)

RICARDO FERNANDEZ (Costume Design Assistant) Hello Again marks Ricardo's second endeavor with Transport Group, having previously worked on Boys in the Band. He is currently working in wardrobe at Billy Elliot, Mamma Mia! and Mary Poppins and has dressed many Broadway productions: Phantom of the Opera, Sunset Blvd, Steel Pier and The Capeman to name a few. He was also part of the wardrobe team that set up the revival Annie Get Your Gun both at the Kennedy Center (DC) and Broadway. Ricardo has performed, designed and built numerous sets for regional theatres such as Collaborative Arts Project, Plays in the Park (NJ) and Lock Haven

Playhouse (PA). He holds a Bachelor of Arts in Theatre from Kean University and a Master's in Public Administration from NYU. Thanks to "Pepper" Rohe for giving me a chance.

RAMSEY SCOTT (Costume Design Assistant)

STEVEN MANUEL (Costume Design Assistant)

JENNER BRUNK (Staff Stitcher)

ADAM ORSECK (Assistant Lighting Designer)

MAX KREMBS (Assistant Sound Designer)

ANNA STRASSER (Casting Assistant)

JAMIE TUSS (Casting Assistant)

MICHELLE KARST (Production Assistant)

CODY RENARD RICHARD (Production Assistant) is pleased to be working on Transport Group’s Off Broadway Revival of Hello Again. Most recently he served as one of the Stage Managers on Cirque du Soleil’s production of Wintuk at Madison Square Garden. Off-Broadway: Misalliance (NY City Center/Pearl Theatre Company,) Trav’lin (NYMF,) The Last Smoker in America (NYMF.) Regional: Saved (Kansas City Rep) and multiple productions with The Repertory Theatre of St. Louis, Stages St. Louis, Hope Summer Repertory Theatre and Alley Theatre. Cody received a BFA in Stage Management from Webster Conservatory and is a proud member of Actors Equity Association! http://twitter.com/codyrenard

MICHAEL COGLAN (Box Office Manager)

MICHAEL MACAIONE (House Manager)

LAUREN SCOTTOW (Audience Services Manager) This is Lauren's second production with Transport Group. She spent the past two summers doing company management at the Williamstown Theatre Festival, and also spent a year working for the Asolo

Repertory Theatre in Sarasota, Florida. She graduated from Butler University with a degree in Theatre Management.

MICHAEL JORGENSEN (Arts Administration / Marketing Intern) This is Michael’s first production with Transport Group. Having moved to New York to start work with Transport Group, he recently completed his Masters in Classical & Contemporary Text (Acting) from the Royal Scottish Academy of Music & Drama. There he spent a term at Shakespeare’s Globe in London. He has also studied at Boston College and the London Academy of Music & Dramatic Art. In addition to the Transport Group, Michael is interning at the press agency O&M Co. Here in New York he has discovered his new love, Two Boots pizza. http://michaeljorgensen.co.uk

DREW DERNAVICH (Graphic Designer/Logo Design)

CHRISTIAAN RULE (Graphic Designer)

CAROL ROSEGG (Photography)

SARAH ACKERMAN (Photography)

2010-2011 SEASON CONTRIBUTORSTransport Group gratefully acknowledges the contributions of all of our supporters.

Transport Group recognized the following individuals for their generous support of Hello Again.

DIRECTOR LEVEL ($5,000 and above) Sarah Ackerman, Alliance of Resident Theatres/New York, Anne L. Bernstein, Shawn Flowers, Barbara Freitag, The New York City Department of Cultural Affairs, The Shen Family Foundation

PRINCIPAL LEVEL ($2,000-$4,999) Bloomberg Foundation, Irene Carney, Marcia Cohen, Conrad N. Hilton Foundation, Ronald Falcon, Frederick Loewe Foundation, The Dorothy Loudon Foundation, Benjamin Goldberg, Mark Jackson, Francesca James, Yael Jekogian, Claire Labine, Ted Snowdon, The Dorothy Strelsin Foundation

CHAMPION LEVEL ($1,000-$1,999) Robert and Barbara Bradford, Holly Peterson Breeden, Mary Mohler Carlson, Stockard Channing, Samara Cohen, Thomas Cunningham, Jeff Davis, Victoria Feder, Lori Fineman, Jacki Florin, Friars Foundation, Alan Garfield, Geller & Company LLC, Richard Green, Richard Holland, Philip Horowitz, Susan and Steven Jacobson, Gerold Klauer, Elinor Weiler Krach, Joanna Lipman, James Manville, Scott Manville, W. Edward Massey, Hawley McAuliffe, Peter McKown, James L Nederlander, Annette Niemtzow, Jennifer Orr, Richard Page, Gilbert Parker, Michael Pressman, Allyn Rose, Jordan Roth, Stanley Schulman, Jodi Schwartz, Jenny Selbin, Ted Shen, The Shubert Organization, Rory Stanton, Ann Beth Stebbins, Lily Tomlin, Viertel/Frankel/Baruch/Routh Group, Richard Winkler

STAR LEVEL ($500-$999) Michelle Ackerman, Barbara Andres, Rati Bahadur, Lisa G. Berg, Robert Berry, Loraine Boyle, Peter Brown, Daniel Chiplock, Jamie deRoy, Richard A. Devine, Nora Ephron and Nicholas Pileggi, Barbara Fineman, Joe Finnegan, J. Ryan Fitzpatrick, Tracie Golding Gerson, Diane Glimcher, Judith Hannan, Steve Heller, Melissa Hilfers, Lawrence Hirschhorn, Nancy Horowitz, Tracy Hutt, Betty Jacobs, Eileen and Robert Judell, Denise Koltis-Dushas, Yasmine Lever, Margot London, Ivan Mair, Stacey Mindich, Mary Ryan Munisteri, Neidich Household, Jack O’Brien, John Ou, Steven Planchard, Primary Stages, Robert and Diane Rizzo, Daryl Roth, Molly Snyder, Deborah Stavis, Elisa and Joseph Stein, Stephen Sultan, Michael Thomas, Jennifer Urquhart, Robert Weintraub, William Morris Endeavor Entertainment

HEADLINER LEVEL ($250-$499) Steven Alper, Jean banks, Kimberly Blair, Phyllis Brourman, Michael Casey, Mart Crowley, Amy Danis, Themis Dimon, Steven Ernst, Tal Fagin, Jack Feldman, Lenore Frankel, Carol Gertz, Elizabeth Goldenberg, Pamela Grayson, Ivan Helfand, John Kander, Stacey A. Kinnamon, Dan Knechteges, Morgan LaVere, Jim Lawlor, Jane Levinson, Robert G. Liggett, Nicole Marra, Lexy Mayers, Wendy Patten, Playwrights Horizons, James Sansum, Gregory Santos, Patricia Schaen, Stephen Sondheim, Janet Stahl, Elizabeth Wainstock, Phillip Werner

PATRON LEVEL (up to $250) Yvonne Adrian, Sandra Albert, Marjorie Altschuler, John S. Arnold, Christie Baugher, Michelle Beige, Thomas Belcher, Rob Berman, Sara Blumenthal, Charles Burwell, Joe Calarco, Brian Cavanagh-Strong, Donna Lynne Champlin, Douglass Cohen, Douglas Colby, Bruce Coughlin, Diana Cuca, Jack Cummings III, John Cummings, Peggy Cummings, Lawrence Daivs, Kevin Dozier, John Eisner, Karen Ellis,

Hello Again Circle ProducersTransport Group gratefully acknowledges the following

people for their generous contribution to this production:The Shen Family Foundation

Sarah Ackerman

Falcon Household, Herbert Fein, Lynn Feveryear, Timothy Fields, Ed Fineman, Marie Flanagan, Robert Flowers, Linda Forcht, Bette-Lee Fox, Marla Franzese, Bonnie Gale, Martin Geiger, Victor Gluck, William Godfrey, A.R. Gurney, John Hagan, Dawn Handler Harbart, Noah Himmelstein, Jim Hindman, Susan Lynn Hladky, Dale Hopson, Minjoung Hwang, Kevin Isola, Raymond Jagiello, Karl Johnson, Sangwoo Jung, Tressa Kern, Tom Koltis, Jacqueline Krull, Gordon Leary, Yoonmi Lee, Darren Levine, Barton Lewis, Rosemary Loar, John Martine, Scott McDuffie, Melanie McEvoy, Philip Meranus, Heather Moss, Julian Mostel, William Myrick, Kerry O’Malley, S. Orelove, Fredi Pomerance, Betty Prashker, Dan Quirk, Nancy Rabinowitz Friedman, Alexa Ragsdale, Vanessa Rector, Zach Redler, Brian Reiser, Susan Reiter, L. Paul Robertson, Kathryn Rohe, Nathalie Rubens, Robert Saferstein, Ed Sandler, Amy Schrader, Abbe G. Shapiro, Nancy Shayne, Liz Smith, Richard Stanton, Richard Stauffacher, Cheryl Stern, Gerlad Stichen, The Swig Foundation, Rica Tarnoff, Lawrence Tatelbaum, Robert Tolan, Nikole Vallins, Thomas Viola, Thomas and Rita Von Essen, Richard Warner, Frederic Weiner, Ira Weitzman, David Wesner, Jacob Yandura, Lawrence Young, Adam Zahler

Transport Group is honored to have received funding from the following organizations:

American Theater WingDramatists Guild Fund, Inc.

The Friars FoundationConrad N. Hilton Foundation

JP Morgan/Chase Fund for Small TheatresThe Lucille Lortel Foundation

The Dorothy Loudon FoundationThe Frederick Lowe FoundationThe Geraldine Stutz Family Trust

The Edith Lutyens and Norman Bel Geddes Design Enhancement FundThe National Endowment for the Arts

New York City Department of Cultural AffairsNew York State Council on the Arts

Jerome Robbins FoundationThe Shen Family Foundation

The Shubert FoundationTed Snowdon Foundation

The Harold & Mimi Steinberg Charitable Trust

The Dorothy Strelsin Foundation

The Geraldine Stutz Family Trust The Village Voice/OBIE Awards

Tax-deductible contributions can be mailed to:

Transport Group Theatre Company520 Eighth Avenue, Suite 305

New York, NY 10018

(212) 564-0333 - [email protected]

The First One HundredOur culture will be defined by the depth of its patronage

Dear Friend,

Transport Group is asking its most ardent supporters to join like-minded patrons and become a member of The First One Hundred. This is a five-year gift to Transport Group that will be given once a year for the next five years, enabling us to plan our budgets more efficiently. Your contribution will be listed in all of our published materials as a member of The First One Hundred.

Barbara & Buddy Freitag generously gave us our fist gift of $25,000. Your gift is important to us, as long as you repeat the gift for five years. It represents faith in our future, a future I hope you will share with us.

Sincere thanks,

Jack Cummings III Lori FinemanArtistic Director Executive Director

The First One Hundred represents a gift to Transport Group for five consecutive years

The First One Hundred ($25,000+)Sarah Ackerman, Anne L. Bernstein, Hope Byer, Barbara & Buddy Freitag

The First One Hundred ($12,500)Joanne & Ron Falcon

The First One Hundred ($1,000)Barbara & Andy Andres

Transport Group extends special thanks to:

The Producers wish to thank the tdf Costume Collection for its assistance in this production.

Special thanks to Bra*Tenders for hosiery and undergarments.

Thanks to Nick Hankin at Stay the Night; Ryan Corvaia of DISH Food & Events; Scott Farthing of Sony

Broadway Masterworks

TRANSPORT GROUPARTISTIC DIRECTORJack Cummings III

BOARD OF DIRECTORSAnnette Niemtzow (Co-Chair)

Ellen Weiss (Co-Chair)Sarah AckermanAnne L. Bernstein

Irene CarneyMarcia Cohen

Jack Cummings IIITom Cunningham

Jeff DavisLori Fineman

Shawn FlowersBarbara Freitag

Benjamin D. GoldbergFrancesca James

Yael JekogianTom Koltis

Claire W. LabineScott ManvilleRichard PageRory Stanton

Richard Winkler

LITERARY MANAGER& DRAMATURG

Kristina Corcoran Williams

ARTISTIC ADVISORY BOARDBrian CrawleyJohn Dossett

John Clinton EisnerShawn Elliot

Paulette HauptDavid Hirson

Michael John LaChiusaDonna MurphyGilbert ParkerMichele Pawk

Christopher Shinn

EXECUTIVE DIRECTORLori Fineman

ASSOCIATE ARTISTSYvonne Adrian, Nicole

Alifante, Barbara Andres, Adam Bock,

Mark Campbell, John Cariani, Donna Lynne Champlin,

Jack Donahue, Jennifer Gibbs, Jenny Giering,

Chris Harcum, Michael Klimzak,

Tom Kochan, Mark Ledbetter, Tom Lignon, Joanna Lipman,

Richard Martin, Matthew Nowosielski,

Christine O’Grady, Joanna Parson, Shannon Polly,

Monica Russell, Julie Siefkes, Cheryl Stern,

Jonathan Uffelman, James Weber, Ellen Weiss,

John Wellmann, Gregg Wiggans, Matt Yeager

PRODUCING & DEVELOPMENT ASSOC.

Michelle Ellis

ASSISTANT TO THE ARTISTICDIRECTOR

Greg Santos

ARTS ADMIN/ MARKETING INTERN

Michael Jorgensen

GRANT WRITERIvan Helfand

GRAPHIC DESIGNERSDrew Dernavich

Transport Group is represented by

The public relations firm of

Richard Kornberg & AssociatesDon Summa, representative

The accounting firm of

Eisenkraft CPA & AssocGary Eisenkraft, CPA

The Herzog Law GroupJonathan Herzog, Esq.

Tom J. Koltis, Esq.

Transport Group 520 Eighth Ave, Ste 305New York, NY 10018P 212.564.0333F [email protected]

Christiaan Rule

For more information about Transport Group’s staff, history, awards and previous productions, please visit our website:

http://www.transportgroup.org

This production is supported in part by public funds from the New York State Council on the Arts and the New York City Department of

Cultural Affairs, in partnership with the City Council.

Production design support provided by The Edith Lutyens and Norman Bel Geddes Design Enhancement Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York)

Transport Group is a member of A.R.T./New York, the service organization for New York City’s not-for-profit Off Broadway

theatres.