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What is Drawing An empirical ques/on that will be discussed within a studio based
learning environment
Dr Annemarie Murland
Caravaggio
Caravaggio, Boy Bi>en by a Lizard, 1594
Caravaggio Boy bi>en by a Lizard
1595-‐1600 Drawing and Caravaggio Genre, Figura/ve and S/ll Life Combina/on Narra/ve – Allegory Technique Composi/on and Structure – Armature Colour and Tonal – Drawing Pain/ng Process – Methodology
As part of your visual research address these bullet points and document your responses in your research folder and visual diary where you should illustrate a prac/cal response to the imagery: Drawing – sketching – deconstruc/on of the composi/on for example. Suggested reading: h>p://www.na/onalgallery.org.uk/technical-‐bulle/n/keith1998b
Maori: Ta Moko
Is the Moko a Drawing To find meaning and understanding inves/gate the following
• Culture • History and tradi/on • Materiality • Narra/ve • Gender
Is Graffi/ a Drawing
Glasgow East End, 2007, Skip the Pass
Space and Place: art as language
• Is a found drawing a drawing? • What do these marks say about the space and place they are located • Consider the impact of text, signs and symbols • Consider the role of colour • Carefully observe the whole composi/on
Found Portrait www.lboro.ac.uk/departments/sota/tracey/journal/found3.html
Peter Couple found Drawing
In contemporary visual culture Drawing is said to be both a verb and a
noun • Consider this proposi/on • respond visually • support your response with theore/cal material.
• Cite the author of this proposi/on
Francis Bacon back to Degas
canvas 1104 x m
Edgar Degas, Diego Martelli 1879, Oil Paint on Canvas
Francis Bacon, Study for self-‐portrait 1963, Oil Pant on Canvas
Francis Bacon: Back to Degas Rothenstein Lecture 2011
By Mar/n Hammer 11 May 2012
www.tate.org.uk/research/publica/ons/tate-‐papers/francis-‐bacon-‐back-‐degas
Drawings rela/onship to wri/ng examine and explore through:
• Mark making • Authorship and signature • Connoisseurship • The real and the ideal •
Auguste Rodin
Before the Crea/on, Circa 1900 De Profundis Clamavi, 1887-‐88
Henri Ma/sse
Self
Self Portrait, Lithograph, 1949 Self Portrait, Ink on paper, 1900
Claude, Charcoal on paper, 1946
Cy Twombly www.cytwombly.info/index.html
Notes from Salalah, Note ll, 2005-‐7, Acrylic on Wood Panel
Cy Twombly www.cytwombly.info/index.html
MIN-‐OE, 1951, Bitumen, Oil Based House Paint
Cy Twombly
Suma, 1982, Oil Paint, Crayon, Gouache, Graphiteand colour pencil on paper
Brice Marden
Suicide Notes,1972-‐3, Sketch Book, 28 Ink Drawings
Brice Marden www.moma.org/visit/calendar/exhibi/ons/2
Greece Summer, Ink on Paper, 1984 Howell paper drawings, Ink and polymer paint on hand made paper, 1996
Brice Marden www.ma>hewmarks.com/books-‐and-‐posters/brice-‐marden_3/
pain/ngsdrawing00bric#page/n25/mode/2up
William Kentridge www.moma.org/visit/calendar/exhibi/ons/964
Drawing from Stereoscope 1998–99. Charcoal, pastel, and colored pencil on paper,
William Kentridge
History of the Main Complaint 1996
William Kentridge www.tate.org.uk/context-‐comment/audio/ar/sts-‐talk-‐william-‐kentridge
Kentridge, Pensione, Lithography and crayon on printed paper, 1999
Luc Tuymans www.tate.org.uk/context-‐comment/ar/cles/he-‐poe/c
Portrait, 2000
Bend Over 2001 The Barge, 1979, Watercolour on Paper
William Sco>
William Sco>, Scalpay, 1963, colour lithograph
William Sco>
William Sco>, Ochre S/ll life, 1958
Jean Bap/ste Chardin
Chardin, The Silver Turin, 1728, Oil on Canvas
Jean Michel Basquiat Jean Michel Basquiat
www.moma.org/collec/on/ar/st.php?ar/st_id=370
Basquiate, Oil S/ck on Paper, 1981
Banksy www.banksy.co.uk/outdoors/bb2.html
Banksy
Banksy, Divo2
Natee Utarit www.nateeutarit.com/current_exhibi/on_06.htm
From the Horror of Beau/ful Pain/ngs, 2011-‐12
