A5 WORKS Compilation of Projects

8/14/2019 A5 WORKS Compilation of Projects

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BRADLEY LUNA WILSON/CONTACT INFORMATION

PHONE/

512.695.6539

E-MAIL/

[email protected]

ADDRESS/

6303 Needham LnAustin, TX 78739


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REFUGE IN ART/ URBAN RESIDENCE 3-10

STUDIO MODEL/ REFUGE IN ART 11-12

CLAY STUDIO/ARCHITECTURAL CERAMICS 13-16

URBAN REVIVAL/A MODEST ASPIRATION 17-20

FIELD SKETCHES/ ILLUSTRATED VISIONS 21-26

AQUATIC CENTER/ PERMANENT ROOF STRUCTURE 27-34

ENVELOPE INVESTIGATION/ THE MOIRD EFFECT 35-38

STUDIO MODEL/ ENVELOPE INVESTIGATION 39-40

CHELSEA/ NY . ART . LIVING 41-46

STUDIO MODEL/ CHELSEA 47-48

W RKCOMPILATION OF PROJECTS

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OCATION Urban West Texas

DISCRIPTION Intent was to design a landscape reminiscent of the West Texas land-

cape through the investigation in the grains of a chosen piece of wood. The art on theandscape and residence are also derived from those investigations. The residence and

and art needed to be a visual representation and continuation of the underlying spirit of

ur chosen grain. The residence was to also be environmentally conscious in design.

PROFESSOR Assistant Dean of Admissions Lahib Jaddo

WHEN Spring 08

REFU E

IN ART/URBAN RESIDENCE


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4


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NORTH ELEVATION/ SCALE 1:1/32

SOUTH ELEVATION

WEST ELEVATION

EAST ELEVATION

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SECTION AA/VENTILATION/ SCALE 1:1/16

SECTION BB/SEASONAL SUN ANGLES/ SCALE 1:1/16

WINTER SUN

SUMMER SUN

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SITE PLAN

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ROOF TERRACE/ SCALE 1:1/32

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A

A

B

B

MAIN FLOOR BASEMENT

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TUDI

ODEL/A REFUGEE IN ART

DISCRIPTION MDF cut with lazer cutter in layers and stacked. You can take part some

layers to see the spaces within the structure.

PROFESSOR Lahib Jaddo

WHEN Spring 08


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LAY

TUDIO/ARCHITECTURAL CERAMICS

DISCRIPTION A three part clay wall mounted piece. The design intent was to

symbolize a personal inner struggle in life. Depicting the deep seeded rage andpassion to which it burns in your soul, on a continuous journey to a complete

contentness with all the wonderfully tragic complexities life has to offer.

PROFESSOR James Watkins

WHEN Spring 09


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RBAN

EVIVAL/A MODEST ASPIRATION

LOCATION Passage DuCaire, Paris, France`DISCRIPTION Isolated in the center of Paris, Passage DuCaire is currently stagnatedby the local textile and clothing industry. While the passage was once a vibrant socialscene it is now a sore in the city, infected by abandoned buildings, thugs, and prosti-utes. Any plans for further development of the site have come to a halt. Now, with the

passage being used for storage and local distribution of industrial textile goods, it hasdriven out families, tourists, and locals as there are no services to provide for them. Atnight the streets quickly become unsafe. The idea for the intervention was to open up

major axis, create public spaces, and redirect the passage usage to the pedestrian,executing this with a cultural consciousness and contextual responsibility to the continu-ty of the city of Paris.PROFESSOR Dean Andrew Vernooy & Chair of Instruction, Dr. Clifton EllisWHEN Summer 09


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I

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FIELD

KETCH-

ES/LLUSTRATED VISIONS

LOCATION Paris, France

DISCRIPTION Sketches are from my personal sketchbook used during the studio inParis. This gives light to my train of thought and ability to put what is in my head, onpaper.PROFESSOR Dean Andrew Vernooy & Chair of Instruction, Dr. Clifton EllisWHEN Summer 09, Dean Andrew Vernooy & Dr. Clifton Ellis


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QUATICENTER/PERMANENT ROOF STRUCTURE

LOCATION Texas Tech Recreation Center Pool, Lubbock, TX

DISCRIPTION The design for the new permanent roof structure is constructed with a

poured-in-place, post-tensioned concrete slab. The roof slab rests on columns that sit

behind insulated operable glass panels. The roof was designed to have elegant over-

apping layers that shelter the pool without making the interior space feel too confined.As the individual slabs have their own unique movement they have a cohesive sense of

direction. They are reminiscent of a sheet in the wind. At the west facade, the material

changes to a reflective permeated thin metal sheeting. This provided a playful light to

enter the skylights in the baths and main entryway.

PROFESSOR Associate Dean for Research Gary Smith

WHEN Fall 08


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DETAILS 1.2;1.2

1 STEEL BEAM

3/4 REFLECTIVE PERMIATED METAL SHEETING3/4 STEEL IMBEDDED PLATE

6 POURED REINFORCED POST TENTIONED IN PLACE CONCRETE SLAB

STEEL COLUMN

1 THICK BOLT WITH EPOXY SEALANT

EXISTING CONCRETE WALL

1/2 IMBEDDED PLATE WITH ALUMINUM MULLION

1 INSULATED GLASS

ALUMINUM MULLION WITH CONNECTION TO STEEL PLATE

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TI

N

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1.1


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1

23

45

6

7

4

3

5

6

7

8

10

9

SECTION AA 1/32=1

DETAIL 1.1 1/4=1

DETAIL 1.2 1/4=1

SECTION BB 1/32=1

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1.2


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B

A

1

2

3

4

14

16

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STORAGE

WOMENS BATH

MENS BATH

CHECKING OFFICE

WEST ENTRANCE

OFFICE

STORAGE

JANITORS CLOSET

EQUIPTIMENT STORAGE

10 STAIR TO BASEMENT

11 WATER LEVEL CONTROLE

12 CLORINE FEEDER

13 MECHANICAL EQUIPTMENT

14 REC ENTRANCE

15 POOL

16 S.E. EXIT

SITE PLAN 1/32=1

6 7 89

10

11 12

13

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NVE-OPE

NVESTI-ATION/HE MOIRD EFFECTPRECEDENCE Louis Vuiton Building, Nagoya, JapanARCHITECT Tadao AndoDISCRIPTION Investigation of the double layer building skin creating an optical illusion

called the moir effect. Created two identical surface patterns separated 1.15 meters,creating the moir effect. The effect essentially creates a new pattern developed in theambiguity between the two planes. Misconstruing your depth perception to combinehe two independent patterns into one new pattern that changes with you perspective.PROFESSOR Christian PongratzWHEN Spring 09


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SECTION DETAIL/SCALE 1/80

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STAINLESS STEEL PARAPET

REINFORCED CONCRETE

STAINLESS STEEL L. BRACKET

STELL I BEAM 200x80x7.5x11mm

PLASTER BOARD t=12.5+9.5mm

STRUCTURAL RIBBED FLOAT GLASS t=25mm

EXTERIOR FLOAT GLASS t=25mm

ALUMINUM LOUVERS

STEEL CHANNELS

LIGHTS

STEEL BRACKETS

STAINLESS STEEL COVER PLATE

STAINLESS STEEL C CHANNEL t=2mm

STAINLESS STEEL COVER PLATE

STEEL C CHANNEL

STEEL BRACKET

STAINLESS STEEL C CHANNEL t=2mm

STEEL I BEAM 200x80x7.5x11mm

PLASTER BOARD t=12.5=9.5mm

EXTERIOR FLOAT GLASS t=25mm

ALUMINUM LOUVER

STAINLESS STEEL L BRACKET

STAINLESS STEEL C CHANNEL

LIGHTS

CONCRETE FOUNDATION

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TUDIODEL/

HE MOIRD EFFECT

PRECEDENCE Louis Vuiton Building, Nagoya, Japan

ARCHITECT Tadao Ando

DISCRIPTION Bass wood hand cut and built model. Vertical lines for skin pattern cut

with laser cutter and plexi glass for structural glass panes.

PROFESSOR Christian Pongratz

WHEN Spring 09


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HELSEA/NY . ART . LIVING

LOCATION Chelsea, Manhattan, New York

DISCRIPTION Luxurious mixed use Residential/Restaurant/Art Gallery building

adjacent to the Chelsea Highline. The focus in the studio was to investigate the under-

ying logic of screens/envelopes and materials. In the design process we focused on

understanding the interrelation between the buildings envelope, interior spaces, and the

practicality of natural daylight and ventilation.


WHEN Spring 09

A

B

THRID FLOORBAR/CAFE & TERRACEW/ ACCES TO HIGHLINE

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A1:1/32


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GROUND FLOOR/GALLERY & PRIVATERESIDENTIAL ENTRANCE

PLANS 1:1/32

1 GALLERY

2 PRIVATE ENTRANCE

3 GYM

4 ROOM

5 LIVIING

6 STUDIO

7 KITCHEN

8 ROOF TERRACE

9 COURTYARD10 BAR/CAFE

FIRST FLOOR/GALLERY

THIRD FLOOR/PRIVATE ENTRANCE/GYM FOURTH FLOOR/FLOOR N.1 RESIDENCE FIFTH FLOOR/ FLOOR N.2 RESIDENCE

SIXTH FLOOR/FLOOR N.3 RESIDENCE ROOF/PRIVATE TERRACE

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3

10

4 4

9

6 6

4 4

4 4

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7 7

8 8

SECOND FLOOR/BAR/CAFE

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NORTH

SOUTH

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ODEL/CHELSEA

DISCRIPTION MDF cut with lazer cutter. Black string was woven through the

base and attached at the roof to represent the facade cables.


WHEN Spring 09


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A5 WORKS Compilation of Projects