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(A Working) Bibliography On Malaysia (and SEA Art) (updated 22/8/11)
Compiled by:
Sarena Abdullah, PhD School of the Arts
Universiti Sains Malaysia, Penang. ([email protected], sarena.abdullah@gmail.)
Assistant:
Christina Kang Ker Shin
Contributors: Roopesh Sitharan, Mazlam Karim
A Project under Research of Malaysian Modern Art and SEA Art (RIMA)
Department of Fine Arts, School of the Arts
Universiti Sains Malaysia, Penang.
Note: This is a working Bibliography, please send me an email regarding to any addition, ammendments, subtopics etc. to make the Bibliography as comprehensive as possible.
Thank you.
Contemporary Asian Art Contemporary Art in Asia: Traditions/Tensions. (1996). New York: Asia Society Galleries. New Art from Asia 1992. (1992). Tokyo: Kokusai Kōryū Kikin Asean Bunka Sentā. Southeast Asian Modern Art in General Contemporary Visual Art +Culture (Broadsheet). (2006, June- August 2006). 35, 119. Journel of Sountheast Asian Studies (Jati). (2010). 15, 238. Littoral Drift. (2009). UTS: Gallery. Sabapathy, T. K. (1996). Developing Regionalist Perspectives in South-East Asian Art Historiography. The Second Asia- Pacific Triennial of Contemporary Art. Queensland, Queensland Art Gallery. The Birth of Modern Art in Southeast Asia: Artists and Movement. (1997). Fukuoka: Fukuoka Art Museum: Fukuoka Art Museum. The Journal of the Asian Arts Society of Australia- TAASA Review. (2008). 17, 27. Visions & Enchantment: Southeast Asian Paintings. (2000). Singapore: Singapore Art Museum, Christie's International Singapore. Malaysia Pre-Modern Archer, M. a. J. B. (1979). The Raffles Drawings in the India Office Library London. Kuala Lumpur: Oxford University Press. Bastin, J., & Rohatgi, P. (1979). Prints of Southeast Asia in the India Office Library. London: Her Majesty's Stationery Office. Keat, L. C. (1986). Penang Views 1770-1860. Penang, Penang Museum, Summer Times Publishing. McAlpin, S. (1997). The Landscape Palimpsest: Reading Early 19th Century British Representations of Malaya. Australia, Monash Asia Institute. Swettenham, F. A. (1895). Malay Sketches. London, John Lane. Saidin, M. (2008). Malaysian Prehistoric Works of Art Susur Masa: Timeline (pp. 32). Kuala Lumpur: National Art Gallery.
Saidin, M. M. (2008). Seni Visual Prasejarah: Sumbangannya Kepada Negara. Paper presented at the Prosiding Sidang Seni (SINI 08). Tweedie, M. W. F. (1953). "The Stone Age in Malaya." Journal of the Malayan Branch of the Royal Asiatic Society 26 (Part 2)(2). Tweedie, M. W. F. (1955). Prehistoric Malaya. Singapore, Donal Moore Ltd. Ayob, S. (2008). Pottery: Early Trade of The Malay Penisula Susurmasa: Timeline. Kuala Lumpur: National Art Gallery. Art History/Aesthetics (Books/Books Section/Catalogues) Art General A Night of the title fight from Bangsar. (2005, Saturday, April 2-24, 2005). Light Weight VS Heavy Weight. Ali, Z. (2008). Jelita Malaya Susurmasa: Timeline (pp. 152). Kuala Lumpur: National Art Gallery. Ali, Z. (2008). Art Critism As A Form of Knowledge. Paper presented at the Prosiding Sidang Seni (SINI 08). Abdullah, I. (1996). Ke Arah Memahami Konsep & Idea Seni Lukis (ART) Tempatan/ Malaysia. Bicara Seni, 2, 7. Anuar, Z. (2008). Blind Sports: Illustrated Provocations and the New Piety Susurmasa: Timeline (pp. 118). Kuala Lumpur: National Art Gallery. Arus, B. M. (2008). Indigenous Susurmasa: Timeline (pp. 44). Kuala Lumpur: National Art Gallery. Arus, T. H. B. M. (2008). Pengaruh Seni Asli Terhadap Seni Kontemporari Malaysia. Paper presented at the Prosiding Sidang Seni (SINI 08). Baharuddin, N. (2000). Warisan Seni: Tradisi atau komersial. Dalam Majalah Dewan Budaya. Bulan Februari. Kuala Lumpur: Dewan Bahasa dan Pustaka. Clark, J. (1996). On Two Books by Edward W. Said. Bicara Seni, 2. Early Views of Penang & Malacca. (2002). Penang: Lembaga Muzium Pulau Pinang. Ghazali, H. M. (2008). Membina Daya Kreativiti Dalam Diri Kanak-Kanak Melalui Pendidikan Seni Visual. Paper presented at the Prosiding Sidang Seni (SINI 08).
H.A, F. (2008). Perkembangan Industri Seni Visual Malaysia. Paper presented at the Prosiding Sidang Seni (SINI 08). Harahap, D. (1996). Salina di Mata Mazlan. Bicara Seni, 2. Harun, R. (2003). Bermula Anjakan Minda. Dalam Akal Di Mata Pisau. Kuala Lumpur: Malaysian National Reinsurance Berhad. Hasan, A. (2008). An Early Preface To Malayan Beauty Susurmasa: Timeline (pp. 163). Kuala Lumpur: National Art Gallery. Hassan, A. S. (2008). Melestarikan Warna Mesra Alam Melalui Pembelajaran Seni Visual: Menggerus Batu....menoreh warna.... Paper presented at the Prosiding Sidang Seni (SINI 08). Hassan, H. I. (2008). Seni Sebagai Tinkahlaku Artistik Dalam Menzahirkan Makna Paper presented at the Prosiding Sidang Seni (SINI 08). Hon, T. S. (2008). On The Corner: Informel Art, Naive Style and the Others Susurmasa: Timeline (pp. 280). Kuala Lumpur National Art Gallery. Ibrahim, I. (2008). Motifs and Relationships with Early Society in Borneo Susurmasa: Timeline (pp. 58). Kuala Lumpur: National Art Gallery. Jit, K. (1994). Introduction In T. K. Sabapathy (Ed.), Vision and Idea Relooking Modern Malaysian Art (pp. 3). Kuala Lumpur National Art Gallery. Khoo, E. (2006). Art Crticism in Malaysia- The Problem of Writing Malaysian Art. Retrieved 11/9, 2006 Kok Chuen, O. (2004, 15 July 2004). Subtle dig at selfish lead. New Straits Times. Knobler, N. (1985). Dialog Seni Tampak. Kuala Lumpur, Dewan Bahasa dan Pustaka. Literature and aesthetics: The Journel of the Sydney Society of Literature and Aesthetics. (2002). 12, 166. Ng, R. (2008). Current Boom in The Art Market. Paper presented at the Prosiding Sidang Seni (SINI 08). Ooi, A., & Tan, J. (2007, Jan2007). Pakhruddin Sulaiman, on Art, Money, Race, Religion, Corporations, and Just Who the Heck is the Media Dumbing Down for? Off the EDGE. Piyadasa, R. (1973). Perkembangan Senilukis Malaysia Kini. Asas Kebudayaan Kebangsaan: Mengandungi Kertaskerja Kongres Kebudayaan Kebangsaan Dari 16hb Ogos -- 20hb Ogos 1971 Kuala Lumpur, Kementerian Kebudayaan Belia dan Sukan.
Piyadasa, R. (1994). On Origin and Beginning. In T. K. Sabapathy (Ed.), Vision and Idea Relooking Modern Malaysian Art (pp. 13). Kuala Lumpur: National Art Gallery Piyadasa, R. (1997). Seni Lukis Moden Malaysia: Satu Iktisar Alam, Seni dan Perjalanan (pp. 18). Perak: Yayasan Kesenian Perak. Piyadasa, R. (2002). Preface Masterpieces from the National Art Gallery of Malaysia (pp. 9). Kuala Lumpur: National Art GAllery. Rahmat, N. (2008). Cari makan dalam Industri Seni Visual. Paper presented at the Prosiding Sidang Seni (SINI 08). Rashid, N. (2008). Iconic Artworks in the Permanent of NAG Susurmasa: Timeline (pp. 208). Kuala Lumpur: National Art Gallery. Siti Nurbaya... Warisan Seni Etnik dan Tradisi. (2004). Kuala Lumpur: Balai Seni Lukis Negara. Susur Masa: Timeline. (2008). Kuala Lumpur: National Art Gallery. Sabapathy, T. K. (1994). Preface. In T. K. Sabapathy (Ed.), Vision and Idea Relooking Modern Malaysia Art (pp. 1). Kuala Lumpur: National Art Gallery. Sabapathy, T. K. (1994). On Vision and Idea: Afterthoughts. In T. K. Sabapathy (Ed.), Vision and Idea Relooking Malaysian Modern Art (pp. 105). Kuala Lumpur: National Art Gallery. Shahir, S. (2008). Tinjauan Terhadap Pengaruh dan Kesan Kewujudan Tiga Sistem Pendidikan Seni Terhadap Perkembangan Penciptaan Seni Moden Di Malaysia Paper presented at the Prosiding Sidang Seni (SINI 08). Syed Mohamed, A. (1988) Malaysia Images-Malaysian Expression. Dalam Katalog Pameran Seni Lukis Antarabangsa Asian Ke-3. Kuala Lumpur: Balai Seni Lukis Negara. Yacub, E. A. A. I. (2008). ...To Refer, Not to Imitate... Susurmasa: Timeline (pp. 216). Kuala Lumpur: National Art Gallery. Zanita Anuar, & Tunnicliffe, W. (2000). Flow/ Arus (1500 ed.). Sydney,Kuala Lumpur,Victoria.: The Art Gallery of New Sounth Wales, Balai Seni Lukis Negara, The Asialink Centra, University of Melbourne. Historical Overview Abdul Rahman, M. A. (2000). Modern Malaysian Art: Manifestation of Malay Form and Content. Shah Alam: Biroteks Universiti Teknologi Mara. Abdullah, S. (2005). The shaping of modern art identity in Malaysia. Unpublished Unpublished Thesis, SUNY at Buffalo, Buffalo, NY.
Beamish, T. (1954). The Arts of Malaya. Singapore: D. Moore. (Chuen, O. K. (2002). A Comprehensive History of Malaysian Art. Penang: The Art Gallery. Crafts and the Visual Arts. (2007). In D. S. A. Jamal (Ed.), The Encyclopedia of Malaysia (Vol. 14). Singapore: Archipelago Press. Khuan, T. C. (1994). Perkembangan Seni Lukis Di Malaysia dan Singapura. Dalam Buku Perintis-Perintis Seni Lukis Malaysia. Pulau Pinang: Syarikat Shell Malaysia. Khuan, T. C. (1999). Treasury of Malaysia and International Art. Penang: Colour Separation and Printer-Practical Printers Sdn. Bhd. Leng, Y. J. (1997). Pelopor Seni 50an dan 60an. Dalam Katalog Pameran. Kuala Lumpur: Micom Sdn. Bhd. Ma-Ge), K. C. F. (1999). A Brief History of Malayan Art (L. C. Kien, Trans.). Singapore: Millenium Books. Mahamood, M. (2002). GERAKRASA: Tradisi dan Kemodenan Dalam Gaya Seni Lukis Kontemporari. Dalam Katalog Pameran Gerak Rasa. Muzium Negara., Kuala Lumpur. Mahamood, M. (2002). Tradisi Sebagai Inspirasi Gerak Rasa. Dalam Katalog Pameran Gerak Rasa. Muzium Negara., Kuala Lumpur Mahamood, M. (1995). Perubahan Gaya Romli Mahmud. Dalam Seni Lukis Dalam Peristiwa. Kuala Lumpur: Dewan Bahasa dan Pustaka. Hassan, A.R. (2001). Sejarah Seni Lukis: Sepintas Lalu. Selangor: Karisma Publications Sdn. Bhd. History of Malaysia Chinese Fine Art (1990-1965). (1999). Kuala Lumpur: Chung Chen Sun Art. Important Malaysian Works From 1940 to 1991. (2003). Kuala Lumpur: Valentine Willie Fine Art. Noor, M. S. M., & Omar, J. (2008). Perkembangan Seni Visual Dalam Sejarah Perkembangan Sosial Negara. Paper presented at the Prosiding Sidang Seni (SINI 08). Malaysia @ 50. (2007). Kuala Lumpur: Kementrian Kebudayaan, Kesenian dan Warisan Mahamood, M. (2001). Seni Lukis Moden Malaysia: Era Perintis hingga Era Pluralis. Kuala Lumpur: Utusan Publication & Distributors Sdn Bhd.
Mahmood, M. (2008). 50 Years of Iconic Modern Malaysian Artworks Susurmasa: Timeline (pp. 194). Kuala Lumpur: National Art Gallery. Noor, A. S. M. (2008). Illustrated News of Malaya Susurmasa: Timeline (pp. 108). Kuala Lumpur: National Art Gallery. Mohd Noor, A. S. (2007). Sejarah Kesedaran Visual di Malaya. Tanjung Malim, Universiti Pendidikan Sultan Idris. Pameran Wadi'ah- Wajah Negarawan Pembina Sejarah. (2000). Kuala Lumpur: Balai Seni Lukis Negara. Perolehan Terkini 1995-1998. (1998). Kuala Lumpur: Balai Seni Lukis Negara. Piyadasa, R. (1980). Modern Malaysian Art. Festival: Contemporary Asian Art Show Fukuoka, Fukuoka Art Museum. Piyadasa, R. (1993). Modernist and Post-Modernist Developments in Malaysian Art in the Post-Independence Period. Modernity in Asian Art. J. Clark. Broadway, NSW, Wild Peony and The University of Sydney East Asian Series Number 7. Piyadasa, R. (1993). Modern Malaysian Art, 1945-1991: A Historical Review. Tradition and Change. C. Turner. St. Lucia, Queensland, University of Queensland Press. Piyadasa, R. (1994). On Origins and Beginning. Vision and Idea: ReLooking Modern Malaysian Art. T. K. Sabapathy. Kuala Lumpur, National Art Gallery. Piyadasa, R. (1997). Early Modern Art Developments in Malaysia and Singapore, 1920-1960. The Birth of Modern Art in Southeast Asia: Artists and Movement. Fukuoka, Fukuoka Art Museum. Piyadasa, R. (1997). Modern Malaysian Art: An Overview. Alam, Seni dan Perjalanan. B. Z. e. al. Ipoh, Yayasan Kesenian Perak. Piyadasa, R. (1998). Modernist Art Developments in Malaysia and Singapore 1920-1960. The Birth of Modern Art in Southeast Asia. Fukuoka, Fukuoka Art Museum. Piyadasa, R. (1992). Modern Malaysian Art - An Introduction. Contemporary Malaysian Art. Tokyo, Asean Cultural Centre. Rupa Malaysia: A Decade of Art 1987-1997. (1998). Kuala Lumpur: National Art Gallery.
Saksi- suatu apresiasi kisah sejarah melalui seni. (2003). Kuala Lumpur Balai Seni Lukis Negara. Selamat Datang Ke Malaysia. (2007). Kuala Lumpur: Gallery Valentine Willie Fine Art. Semangat Pelopor Seni 1950-1960. (1997). Kuala Lumpur: Balai Seni Lukis Negara. Shariff, Z. (1994). Towards an Alter-Native Vision: The Idea of Malaysia Art Scene Since 1980. In T. K. Sabapathy (Ed.), Vision and Idea Relooking Modern Malaysian Art (pp. 77). Kuala Lumpur: National Art Gallery. Tan, C. K. (1994). Development of Art in Malaysia and Singapore. Perintis-Perintis Seni Lukis Malaysia. Penang, The Art Gallery. Tan, C. K. (1994). Perintis-perintis Seni Lukis Malaysia. Penang, The Art Gallery. Yeoh, J. L. (1997). Semangat Pelopor Seni 1950an-1960an. Kuala Lumpur, Balai Senilukis Negara. Vision 2020 and the Arts in Malaysia. (2006). from http://vnweb.hwwilsonweb.com.ezproxy.library.uvic.ca/hww/results/results_single_ft... Wharton, D. D. (1971). Contemporary Artists of Malaysia. Petaling Jaya, Published for the Asia Society by the Union Cultural Organization Sdn Bhd. Wawasan dan Idea: Melihat Semula Seni Lukis Moden Malaysia. (1994). Kuala Lumpur: Balai Seni Lukis Negara. Pioneer Artists Jamal, S. A. (1987). Senilukis Malaysia 57-87. Kuala Lumpur, Balai Senilukis Negara. Khuan, T. C. (1992). Pelukis-pelukis Perintis Malaysia -- Pioneer Artists of Malaysia. Pulau Pinang, Lembaga Muzium Negeri. Khuan, T. C. (1998). Social Responsibility in Art Criticism, Or, Why Yong Mun Sen Is the Father of Malaysian Painting Penang, Art Gallery. Sabapathy, T. K. and R. Piyadasa (1983). Modern Artists of Malaysia. Kuala Lumpur, Dewan Bahasa dan Pustaka.
Shahir, S. (2004). "Modenisme, Seni Moden dan Seniman Moden: Satu Pemahaman antara Ideologi Asalnya dengan Pengalaman Malaysia." Wacana Seni Journal of Arts Discourse 3: 87-107. Shariff, Z. (1994). Towards an Alter-native Vision: The Idea of Malaysian Art Since 1980. Vision and Idea: ReLooking Modern Malaysian Art. Kuala Lumpur, National Art Gallery. Nanyang Chie, T. T. Historical Sketch of the Nanyang Academy of Fine Arts. 40th Anniversary Souvenir Magazine of the Nanyang Academy of Fine Arts. Chow, K. K. A Re-look at the Genesis of the Nanyang School. Paper presented at the New Asian Imagination. Mahamood, M., & Piyadasa, R. (2007). Artists of the Nanyang School. In S. A. Jamal (Ed.), Crafts and the Visual Arts. Singapore: Archipelago Press. Piyadasa, R. (1979). Introduction. Pameran Restropektif Pelukis-Pelukis Nanyang. Kuala Lumpur, Muzium Seni Negara Malaysia. Piyadasa, R. (1979). Introduction. Pameran Restropektif Pelukis-Pelukis Nanyang. Kuala Lumpur, Muzium Seni Negara Malaysia. Piyadasa, R. (1979). The Nanyang Academy of Fine Arts. Pameran Restropektif Pelukis-Pelukis Nanyang. Kuala Lumpur, Muzium Seni Negara Malaysia. Tan, T. C. Historical Sketch of the Nanyang Academy of Fine Arts. 40th Anniversary Souvenir Magazine of the Nanyang Academy of Fine Arts. Yi, C. Exploring the New Face of Nanyang Ink Painting in the 20th Century- A Focus on the Development of Chinese Ink Painting in Malaysia. Paper presented at the New Asian Imagination. Contemporary 18@8: Contemporary Artists from Malaysia and Beyond. (2005). Kuala Lumpur: Wei-Ling Gallery. 18@8: Kuala Lumpur- Karachi (Contemporary Artist from Malaysia). (2006). Kuala Lumpur: Wei-Ling Gallery. 3 Young Contemporaries ( Sharon Chin, Lena Cobangbang, Angki Purbandono). (2007). Kuala Lumpur Valentine Willie Fine Art. Ali, Z. (1999). The Art of Future Seni dan Budaya Pada Alaf Baru. Ipoh: Yayasan Kesenian Perak.
Antoinette, M. (Ed.). (2004). Different Visions: Contemporary Malaysian art and exhibition in the 1990s and beyond. Canberra: Pandanus Books Research School of Pacific and Asian Studies ANU. Ahmad Shariff, Z. A. (1994). Towards an Alter-Native Vision: The Idea of Malaysian Art since 1980 Vision and Idea: Relooking Modern Malaysian Art. Kuala Lumpur: National Art Gallery. The New Scene: The Idea. (1969) The New Scene. Kuala Lumpur. experiment '70. (1970). Kuala Lumpur. Baharuddin, M. N. (2005). Contemporary Art...Art Society. SentAp. D. Wharton, D. (1971). Contemporary Artists of Malaysia: A Biographic Survey. Kuala Lumpur: Asia Society. Findlay, I. (2001). Waiting in shadows. Asian Art News, 11, 6. Malaysian Art Now. (2004). Kuala Lumpur: Balai Seni Lukis Negara. PSU. Contemporary Art Exhibition: Artistic Dreams Altogether. Perolehan Terkini. (1998). Kuala Lumpur Balai Seni Lukis Negara. Raja Abdullah, R. A. A. (1999). Kata Pengantar. Isu-isu dan Cabaran Tradisi & Seni Sezaman: Dialog Budaya, Sastera, Seni Rupa. R. A. Aminullah. Ipoh, Yayasan Kesenian Perak. Sabapathy, T. K. (2000). trans[formations]: 6 from Malaysia. Singapore, Sculpture Square Limited. Saidon, H. J. and e. al. (2003). Persoalan Seni Rupa Sezaman: Cetusan Rasa Seniman Malaysia -- Contemporary Visual Arts Discourse: Vignettes by Malaysian Artists. Ipoh, Perak, Yayasan Kesenian Perak. Saidon, H. J. (2008). Under-Deconstruction: Contemporary Art In Malaysia After 1990 Susurmasa: Timeline (pp. 228). Kuala Lumpur: National Art Gallery. Saidon, H. J. (2008). Overview of Contemporary Art In Malaysia After 1990. Paper presented at the Prosiding Sidang Seni (SINI 08). Zubir, S.F. (1982) Mengalak Kecenderungan Baru. Dalam Dewan Budaya, Jilid 4, Bil.8. Kuala Lumpur: Dewan Bahasa dan Pustaka. Aesthetics/Theory Sabapathy, T. K. (1996). Thematic Approaches to Malaysian Art History. Modernity and Beyond: Themes in Southeast Asian Art. T. K. Sabapathy. Singapore, Singapore Art Museum.
Zain, I. (1989). Towards a Utopian Paradigm: A Matter of Contingencies and Displacement First ASEAN Symposium on Aesthetics, Kuala Lumpur, National Art Gallery. Artists General Ali, Z. (1989). Seni dan Seniman: Esei-esei Seni Halus. Kuala Lumpur: Dewan Bahasa dan Pustaka. Beng, C. T. (1994). Pelukis-pelukis Perintis Dan Seni Mereka. Dalam Buku Perintis-Perintis Seni Lukis Malaysia. Pulau Pinang: Shell Malaysia. Choy, L. W. (1999). Artis Pro Activ. Art Asia Pasific, 24. Dawa, M. N. A. (2009). Prakata Syed Ahmad Jamal : Pelukis. Kuala Lumpur: National Art Gallery. Ghaffar, I. (1978). Chew Pelukis Dan Pencipta Kertas Kreatif. Dalam Bintang Timur. Bertarikh 4 Disember 1978. Kuala Lumpur. Mahamood, M. (1995). Tiga Generasi Pelukis Kajian Seni Lukis dan Seni Reka. Seni Lukis dalam Peristiwa. Kuala Lumpur Dewan Bahasa dan Pustaka. Piyadasa, R. (1999). Prestasi Artistik Nik Zainal Abidin Seni dan Budaya pada Alaf Baru (pp. 60). Perak: Yayasan Kesenian Perak. Saidon, H. J., Samsudin, S., & Razak, N. L. A. R. (2010). Siapa Pelangan Kita? Pulau Pinang: Muzium & Galeri Tuanku Fauziah, Universiti Sains Malaysia. Seaward, N. (1988). Malaysian art for money's sake. Far Eastern Economic Review. Thematic Identity Ali, Z. (1991). Kemalaysiaan Senilukis Malaysia: Soal Identity/ The Malaysianness of Malaysian Art: The Question of Identity Kemalaysiaan Senilukis Malaysia: Soal Identity/ The Malaysianness of Malaysian Art: The Question of Identity. Kuala Lumpur: Balai Seni Lukis Negara. Ali, Z. (1999). Seni & Pluralisme di Malaysia: Isu dan Cabaran. In R. A. Aminullah (Ed.), Isu-isu dan Cabaran Tradisi Seni & Sezaman: Dialog Budaya, Sastera, Senirupa. Ipoh: Yayasan Kesenian Perak. Dawa, M. N. A. (2008). Transformation of Tradition Towords A Formation of Identity Susurmasa: Timeline (pp. 176). Kuala Lumpur: National Art Gallery.
Identiti Inilah Kami Identities Who We Are. (2002). Kuala Lumpur: Balai Seni Lukis Negara. I Am: An audience- centered public installation, Penang, Malaysia 2009. (2009). In U. S. Malaysia (Ed.). Penang: Muzium& Galeri Tungku Fauziah. Landscape Piyadasa, R. (1981). Pengolahan Lanskap Tempatan dalam Seni Moden Malaysia, 1930-1981. Kuala Lumpur, Muzium Seni Negara. Others Ayob, S. (2008). Ceramic Works of Art: Survey of the Permenant Collection of the National Art Gallery1958-2007 Susurmasa: Timeline (pp. 298). Kuala Lumpur: National Art Gallery. Encountering 1 Malaysia Through Cross- Cultural Experiences. (2009). In U. S. Malaysia (Ed.). Pulau Pinang: Muzium& Galeri Tungku Fauziah Mahmood, M. (2004). The History of Malay Editorial Cartoons. Kuala Lumpur, Utusan Publications & Distributors. Sheppard, M. (1978). Living Crafts of Malaysia. Singapore, Times Book International. By Materials/Medias Paintings Canvassing for Art. (2002). from http://www.ytlcommunity.com/common/pritnfriendly.asp?section=1&fileid=5337 Contemporary Painting of Malaysia. (1988). (First ed.). Kuala Lumpur: National Art Gallery. Jamal, S. A. (1988 ). Contemporary Paintings of Malaysia. Kuala Lumpur, National Art Gallery. Smiling Van Gogh & Smiling Gaugain. (2005). sendawa! -- Seni dalam Wacana, 3, unpaginated. Soon, S. (2008). "Returning to Painting as Painting." Retrieved 22 Jan, 2009, from http://www.vwfa.net/tukarganti/. Masjak, H. (2008). Ancient Paintings Susurmasa: Timeline (pp. 40). Kuala Lumpur: National Art Gallery. Zain, I. (1972). Malaysian Painting -- Quo Vadis? dokumentasi 72: recent works by sulaiman esa and redza piyadasa. Kuala Lumpur Samat Art Gallery.
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Mahamood, M. (2003). Seni Cetak Kontemporari Malaysia. Dalam Dewan Budaya, Bulan Julai 2003. Kuala Lumpur: Dewan Bahasa dan Pustaka. Mohamed, A.R. (2007). Rentas Sempadan. Dalam Katalog Pameran Rentas Sempadan: An International Print Exhibition. Pulau Pinang., Balai Seni Lukis Pulau Pinang Mohamad Tahir, B. (2009) The Go Block Artist and Printmaking. Dalam Katalog Pameran Go Block!. Galeri Petronas: Kuala Lumpur. PIPE 2010: Ketumbuk, Seni Cetak Alternatif Malaysia. (2010). In U. S. Malaysia (Ed.). Penang: Muzium& Galeri Tungku Fauziah. Rampley, M. (2009) Go Block! Printmaking Today. Dalam Katalog Pameran Go Block!. Galeri Petronas: Kuala Lumpur. Said, J. (2009). Lagu Kebangsaan: Catatan Ringkas Situasi Seni Cetak Di Malaysia. Dalam Seni Cetak Di Malaysia: Realiti dan Impresi. Pulau Pinang: Universiti Sains Malaysia. Said, J. (2006) Seni Cetakan Untuk Karyawan Kita. Dalam Katalog Pameran ‘In Print, Print In’. Kuala Lumpur: Balai Seni Lukis Negara. Sedon, M.F. (2009) Printmaking, Mass Media and Mechanical Reproduction: Expressing the Aesthetic Experiences of Consumer Culture. Dalam Seni Cetak Di Malaysia: Realiti dan Impresi. Pulau Pinang: Pusat Pengajian Seni, Universiti Sains Malaysia. Thien Shih, L. (1993). Kedudukan Seni Cetak Dalam Dekad 70-an. Dalam Katalog Pameran Komunikasi Melalui Grafik-Seni Cetak. Kuala Lumpur: Balai Seni Lukis Negara. Textile/Fibre Ismail, S. Z. (1997). Pameran Tekstil Traditional Alam, Seni dan Perjalanan (pp. 157). Perak: Yayasan Kesenian Perak. Piyadasa, R. (1997). Three Directions in Contemporary Malaysian Fabric Art. Alam, Seni dan Perjalanan. B. Z. e. al. Ipoh, Yayasan Kesenian Perak. Revival- Evoking the batik traditional. (2004). Kuala Lumpur: Balai Seni Lukis Negara. Drawing Anuar, J. A. H. a. Z. (1997). Introduction Lukisan Malaysia/ Malaysian Drawings Kuala Lumpur: National Art Gallery.
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Art Magazines/Journals/Newspaper/Online news/Blogs/Essays Newspaper Harun, A. (1997). Grafika Tunjangi Seni Grafis Malaysia. Dalam Laporan Akhbar Utusan Malaysia. Kuala Lumpur: Utusan Malaysia. Magazine Tanpatajuk Sentap . (2010). sentAp!, 1/007, 64. Abdullah, S. (2006). Positioning Malaysia's Postmodernism. SentAp. Choi, B. (2006). Truly Asia and Some " Varyasians". SentAp. Fairley, G. (2006). sentAp!- Art Without Prejudice. from http://universes-in-universe.org/eng/islamic_world/articles/2006/sentap Hilario, R. J. (2006). Share Ware: A Platform of Shared Discourse and Practice for Contemporary Art Between Filipinos and Malaysian Artists. SentAp. Jeganaratnam, R. (2011). The Singapore Bienale: Open House as Seen by Shooshie Sulaiman and Roslisham Ismail Aka Ise. SentAp. Khairuddin, N. H. (2006). Some Alteratives in the Malaysian "Young Contemporary Art Scene 2". SentAp. Khairuddin, N. H. (2007). Bound for Glory (Chronicles of Crimes): Wong Hoy Cheong's Gory Realism. SsentAp. Khairuddin, N. H. (2010). Killing Tools, Daancing Warriors: The Art of Raja Shahriman's Metal Sculptures. SentAp. Khairuddin, N. H. (2011). Artis Muda Malaysia, Quo Vadis. SentAp. Khairuddin, N. H. M. (2005). Three Decades of Visual Experience and Intelligence: Some Notes on Malaysian Young Contemporaries (YC) 1974-2004 (Part1). SentAp. Koh, J. (2007). Some Misconceptions in Art Writing in Malaysia. SentAp. Koh, J. (2007). Beberapa Kesilapan Penulisan Tentang Seni Rupa Malaysia. SentAp. Konstanz, D. A. (2006). State of the Art (and Design) in Bangkok. SentAp. Saidon, H. J. (2006). The Use of Internet for International Collaborative Project. SentAp.
Saidon, H. J. (2007). Non-Objective Review of Kamal Sabran's Heaven and Earth. SentAp. Saidon, H. J. (2010). MCAT: Sparkles in Penang Contemporary Art Campus. SentAp. Shahir, S. (2006). Kritikan Dalam Pemahaman Seni Sezaman Malaysia. SentAp. Shahir, S. (2007). Belasungkawa (Jeri Azhari 1955-2006). SentAp. Shahir, S. (2010). Era Seni 1970-an Sebagai Pemula Kepada Sikap dan Bentuk Seni Sezaman Malaysia. SentAp. Sitharan, R. (2007). Malaysis Online: The Emergence of Network Platforms Within the Malaysian Art World. SentAp. Sitrharan, R. (2010). The First Internet Art in Malaysia. SentAp. Zeeha, Z., & Ise. (2005). Some Alternative in the Malaysian "Young Contemporary Art Scene". SentAp. Sendawa Art Corridor Khatijah. (2002). Sharmiza labyrinth search for identity. Art Corridor 5. SeniKini . (2008, Nov/Dec 2008). Senikini. . (2009). Seni Kini. . (2010). Seni Kini. Journal Wacana Seni Shahir, S. b. (2004). Modenisme, Seni Moden dan Seniman Moden: Satu Pemahaman antara Ideologi Asalnya dengan Pengalaman Malaysia. Wacana Seni Journal of Arts Discourse, 3. Blogs Arteri Ali, Z. (1979). Art and Identity. The Contemporary -- Masakini: Journal of Art and Literature, 1(2), 5-12.
Ali, Z. (1982). Estetika Melayu: Sebuah Renungan. The Contemporary -- Masakini: Journal of Art and Literature, 1(3), 24-28. Ali, Z. (1995, Jan/Feb). Reflecting on Their Times. Asian Art News, 5, 46-48. Amin, P. (1975). Surat Terbuka Polemik Senilukis. Dewan Sastra, 5(8). Antoinette, M. (2007). ... Malaysia? Asian Art Archive. Retrieved from http://www.aaa.org.hk/newsletter_detail.aspx?newsletter_id=35&newslettertype=archive Anu, J. (1995, May 21). Born to a life dedicated to art. Sunday Star. Chua, M. (2003, July-Sept). Literature, Criticism and the Fine Arts: Can We Handle It? Art Corridor, 15-17. Chua, M. (2003, July-Sept). Space[s] Dialogue + Exhibition. Art Corridor, 36-43. Chuen, O. K. (1994, 26 October). Philip Morris's five winners. New Straits Times. Chuen, O. K. (2003, 24 February). A close brush with the masses. New Straits Times: Life and Times, p. 4. Chuah, K., & Ahmad, I. (2010). Predicaments and Promises: Reflections on Art Writing in Malaysia and Singapore. Asian Art Archive. Retrieved from http://www.aaa.org.hk/newsletter_detail.aspx?newsletter_id=884&newslettertype=archive Choy, L. W. (1999). Artis Pro Activ. Art Asia Pacific (Australia), 40-41. Fan, L. (1997). "A Controversy of Silence." Art Asia Pacific (Australia)(16): 42-43. Galligan, G. (1998). ASEAN Arts Awards. Art AsiaPacific. Singapore Fine Arts Press: 24-26. Chin, V. (1996, 22 September). All in the name of new art. Sunday Star. Chuen, O. K. (1997, June 4,). The Epicurean Playground. New Straits Times. Chuen, O. K. (2003, 12 May). Rooted in a virtual utopia. New Straits Times. Editor. (2001). Ide Serum (1). tANPA tAJUK Fairley, G. (2007) Focus on Malaysia: Censorship, Ethnic separation and Islamicisation Make the Artist's Life Edgy. The Art Newspaper
Fairley, G. (May-August 2007). "Re/Branding Malaysian: Fruit Salad with Piquant Nationalism?" sentAp!(6): 9-13. Fan, L. (2008). "Art: Rural-Urban Appeal." Retrieved 22 Jan, 2009. Findlay, I. (1997). Pictures from Penang. Asian Art News. 7: 84-87. Gurbaksh, R. (2002). A bag-drop of creative expression. Sunday Star. Kuala Lumpur, Star Press. Ismail, S. Z. (2005). Kenapa dan Kemana Arah Kesenian Kita -- Di Mana Semangat Seni Budaya? Kesinambungan Dasar Kebudayaan Kebangsaan dan Pembinaan Bangsa. sendawa! (seni dalam wacana). Ipoh, Teratak Nuromar. 3. Ismail, S. Z. (1975). "Suatu Esei untuk Piyadasa." Dewan Sastra 5(5): 45-49. Joned, S. b. (1975). "Kencing dan Kesenian." Dewan Sastra 5(7): 56-59. Khairuddin, N. H. (2005). Laku Aksi dalam Gelagat SERUM. sendawa! -- Seni dalam Wacana. Ipoh, Perak, Teratak Nuromar. Khairuddin, N. H. (2005). Light Weight Heavy Weight. Light Weight vs Heavy Weight. Kuala Lumpur, Maya Gallery. Khoo, E. (2003). The Problem of Writing Malaysian Art. Art Corridor. Koh, D. J. (2007). "Some Misconceptions in Art Writing in Malaysia." sentAp!(5). Koh, J. (2003). Notes to a Young Artist and Some Others Here and There. Art Corridor: 50-55. Ooi, A. and J. Tan (2007). State of the Art 2006. Off The Edge. Kuala Lumpur. Piyadasa, R. and t. tAJUK (2000). "Senario Celaru & Visi Masa Depan yang Kabur? Salah Siapa?" tANPA tAJUK( 1). Piyadasa, R. (1975). "Satu Lagi Jawaban untuk Siti Zainon." Dewan Sastra 5(6): 41-44. Piyadasa, R. (1997). Early Modern Art Developments in Malaysia and Singapore, 1920-1960. The Birth of Modern Art in Southeast Asia: Artists and Movement. Fukuoka, Fukuoka Art Museum. Piyadasa, R. (1998). Modernist Art Developments in Malaysia and Singapore 1920-1960. The Birth of Modern Art in Southeast Asia. Fukuoka, Fukuoka Art Museum. Redza (1973). 'Man and his World' display proves point. The Sunday Times.
Sia, A. (2008). "Whither Malaysia Art?". Retrieved 12 Feb,, 2009, from http://thestar.com.my/lifestyle/story.asp?file=/2008/11/23/lifearts/1838390&sec=lifearts. Views and Muse. (2002, Oct-Dec). Art Corridor. Competition Anuar, Z. (1999). Sejarah – Antara Bakat Dan Hakikat. Dalam Imbasan Bakat Muda Sezaman. Kuala Lumpur: Balai Seni Lukis Negara. Anugerah Seni Lukis: Arts Awards - Asia Pasific (Vision of Your Future) 1999 Malaysia. (1999). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 2002 -- The Young Contemporaries. (2002). Kuala Lumpur: Balai Seni Lukis Sezaman. Bakat Muda Sezaman 1989. (1989). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 1992. (1992). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 1992. (1994). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 1996. (1996). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 1997. (1997). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 2000. (2000). Kuala Lumpur: Balai Seni Lukis Negara. BMS 2004. (2004). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 2006. (2006). Kuala Lumpur: Balai Seni Lukis Negara. Bakat Muda Sezaman 2010. (2010). Kuala Lumpur: Balai Seni Lukis Negara. Esa, S. (1999). Criticism of The "Young Contemporaries Exhibition" 1974 Imbasan Bakat Muda Sezaman -- Young Contemporaries in Review. Kuala Lumpur: National Art Gallery. Fokus Bakat Muda Sezaman 1977. (1977). Kuala Lumpur: Balai Seni Lukis Negara. Imbasan Bakat Muda Sezaman 1974-1997. (1999). Kuala Lumpur: Balai Seni Lukis Negara. Pameran Bakat Muda Sezaman 1982. (1982). Kuala Lumpur: Balai Seni Lukis Negara. Pameran Bakat Muda Sezaman 1984. (1984). Kuala Lumpur: Balai Seni Lukis Negara.
Pameran Bakat Muda Sezaman 1985. (1985). Kuala Lumpur: Balai Seni Lukis Negara. Pameran Bakat Muda Sezaman. (1986). Kuala Lumpur: Balai Seni Lukis Negara. Pelukis-Pelukis Muda Sezaman 12 Sept-12 Okt. 1975. (1975). Kuala Lumpur: Balai Seni Lukis Negara. Raslan, K. (1994). Looking for a New National Direction. Malaysia Art Open 1994. Kuala Lumpur, Art Salon & Petronas. Salon Malaysia Open Art Competition and Exhibition. Kuala Lumpur: National Art Gallery, 1968. Saidon, H. J. (2002). Post-Modern Encounters. Young Contemporaries 2002. Kuala Lumpur, National Art Gallery. Saidon, H. J. (2004). The Riddles of Reading, Judging, Selecting. BMS 2004. Kuala Lumpur, National Art Gallery. Saidon, H. J. (2004). In the Name of (Borrowed) Times. BMS 2004. Kuala Lumpur National Art Gallery. Bakat Muda Sezaman 2002. (2002). Kuala Lumpur: Balai Seni Lukis Negara. Festivals 1 Malaysia Contemporary Art Tourism Sparkles in Penang. (2010). Penang: Muzium& Galeri Tungku Fauziah Universiti Sains Malaysia. Art Expo Malaysia 2010. (2010). Kuala Lumpur Art Expo Malaysia Sdn Bhd. Citarasa'96: Perayaan. (1996). In B. N. M. Unit Matawang (Ed.). Kuala Lumpur: Malaysian Watercolour Organization (September 1996) S P Setia Art Fair- The Penang's 1st Juried Art Fair. (2001). Penang: Conservatory of Fine Art & S P Setia Bhd. Group. Five x 500 Penang water colours society's: 24th Annual Exhibition (2007). Penang: Penang water colours society. Khairuddin, N. H. (2007). Sama-sama Art, Music & Politics. notthatbalai Art Festival 2007. Kuala Lumpur, notthatbalai Curatorial Group. "notthatbalai" Art Festival. (2007). Kuala Lumpur: notthatbalai Curatorial Group. Pameran Ulangtahun Persatuan Pelukis Cat Air Pulau Pinang yang ke-25. (2008). Pulau Pinang: Penang Water Colour Society.
Individual Artists A Awang Damit Ahmad Ahmad, A. D. (2002). Pernyataan pelukis -- Artist's Statement Alun-alun ke Marista: Awang Damit Ahmad 1996 -- 2002 (Path to Marista). Kuala Lumpur: National Art Gallery. Mahamood, M. (1995). Kemanusiaan dalam karya Awang Damit Ahmad. Seni Lukis Dalam Peristiwa. Kuala Lumpur, Dewan Bahasa dan Pustaka. Mahamood, M. (2002). Capturing Nostalgia in Alun-Alun ke Marista. Alun-Alun Ke Marista: Awang Damit Ahmad 1996 -- 2002 (Path to Marista). Kuala Lumpur, National Art Gallery. Ahmad Fuad Osman A solo exhibition by Ahmad Fuad Osman. (1998 ). Selangor Darul Ehsan: NN Gallery. Ahmad Fuad Osman: Dislocated. (2007). Art Space Gallery. Cheong, W. H. (1998). Longing for Freedom: A Conversation with Fuad Osman, A Solo Exhibition by Ahmad Fuad Osman. Kuala Lumpur: NN Gallery. Nge, C. (2008). Ahmad Fuad Osman: Evolution on his Own Terms. Matahati. Kuala Lumpur, Petronas. Shahir, S. (2003). Catan Ahmad Fuad Osman 1993-2003. Pulau Pinang, Pusat Pengajian Seni. Ahmad Shukri Mohamed Ahmad Shukri. (2001). Kuala Lumpur: Art6 Salon Sdn Bhd. Ismail, A. (2007). Overview of Recent Works by Ahmad Shukri Mohamed and Umibaizurah Mahir @ Ismail. Patisatustudio: Warning! Tapircrossing. Puncak Alam, Patisatu Studio. Omar, F. and S. Shahrir (2008). Mobilizing Imagery : Reasserting and Repackaging Contemporary Local Culture and Attitudes: The Idea of Ahmad Shukri Mohamed’s Art from the 1990s to the Present. Matahati. Kuala Lumpur, Petronas. Ahmad Zakii Anwar Ahmad Zakii Anwar : One man show. (1997). Kuala Lumpur: Valentine Willie Fine Art. Tete a tete: Ahmad Zakii Anwar. (2003). Art Corridor 6.
Ahmad Zuraimi Abdul Rahim Disfigured: Ahmad Zuraimi Abdul Rahim. (2006). Kuala Lumpur Balai Seni Lukis Negara. Anurendra Jegardeva Anurendra Jegadeva : Headdresses. (2005). Kuala Lumpur Valentine Willie Fine Art. Melancholic mantras recent wokrs by Anurendra Jegardeva. (2003). Kuala Lumpur: Valentine Willie Fine Art. B Bayu Utomo Radjikin Bayu Utomo Rajikin- Mind The Gap (2007). Kuala Lumpur Wei-Ling Gallery. Saidon, H. J. (2001). "Emel kepada Bayu Utomo Radjikin dari Hasnul Jamal Saidon". Diri: Bayu Utomo Radjikin. Kuala Lumpur, Balai Seni Lukis Negara. C Cheong Lai Tong Chuen, O. K. (2007). About Cheong Laitong Laitong: New Works 2007. Kuala Lumpur: NN Gallery. Chew Teng Beng Kim Seng, T. (1978). Chew Teng Beng Pencipta Seni Halus Pertama Di Malaysia. Dalam Bintang Timur. Bertarikh 27 September 1978. Pulau Pinang. Teng Beng, C. (1978) Chew Teng Beng: Kertas Buatan Tangan Sebagai Bahan Kreatif. Pulau Pinang: Muzium dan Galeri Universiti Sains Malaysia. Choong Chong Wah Fan, L. (2003). House Proud: A Story of Buildings. The Edge. Kuala Lumpur. inside the machinery. (C) 2009 Elsevier Ltd. All rights reserved. Chong Chun Woon Urban Perceptions Chong Choon Woon (2005). Kuala Lumpur: Townhouse Gallery. Chong Siew Ying Chong Siew Ying- 1996-1997. (1997). Kuala Lumpur Valentine Willie Fine Art. Chuan Thean Teng Jamal, S.A. (2008). Mengenang Chuah Thean Teng. Dalam Katalog Pameran Satu Penghargaan – An Appreciation. Kuala Lumpur: Balai Seni Lukis Negara.
Ungku A. Aziz, P. (1968). Prakata: Chuan Thean Teng - Pelukis Tanah Air. Dalam Katalog Pameran Satu Penghargaan – An Appreciation. Kuala Lumpur: Balai Seni Lukis Negara. D E Eng Hwee Chu Eng Hwee Chu. (1999) Aku: 99 Potret Diri. Kuala Lumpur: Petronas. F Fauzin Mustaffa Peters, H. A. (1994). The Texture of Fauzin's World. Fauzin Mustaffa: Dari Bumi, Ke Bumi. Kuala Lumpur Art Salon. G H Hamidi Hadi Alun by Hamidi Hadi. (2007). Kuala Lumpur: Wei-Ling Gallery. Hasnul Jamal Saidon Rajah, N. (2008). From Post Colonialism to Critical Regionalism. Relocations: Electronic Art of Hasnul Jamal Saidon & Niranjan Rajah. Kuala Lumpur and Penang, 12 (Art Space Gallery) and Muzium Galeri Tuanku Fauziah USM. Saidon, H. J. (2003). The Borrower of Light. Siti Nurabaya... Warisan Seni Etnik dan Tradisi. Kuala Lumpura, Balai Seni Lukis Negara. Hamir Soib Hanim, Z. Z. a. N. (Nov 05 - Feb 06). "Pameran Tunggal Hamir Soib (2005)." sentAp!(2): 28. Imbasan : Hamir Soib@ Mohamed. (2007). Kuala Lumpur: Wei-Ling Gallery Khairuddin, N. H. (2008). Hamir Soib: In Search of the Essence of Gothic-Fantastic Angst. MATAHATI. Kuala Lumpur, Petronas. Zeeha, Z., & Hanim, N. (2006). Pameran Tunggal Hamir Soib. SentAp. Hoessein Enas Chuen, O. K. (1995, July 23). Hoessein - Flamboyant Artist with Colourful Life. New Sunday Times. Sabapathy, T. K. (1983). Mohamed Hoessein Enas. Modern Artists of Malaysia. Kuala Lumpur, Dewan Bahasa dan Pustaka. I Ibrahim Hussein
Armentrout, F. S. (1986). Ibrahim Hussein: Birth Days of an Activist Artist Ibrahim Hussein: A Retrospective. . Kuala Lumpur: Balai Seni Lukis Negara. Chu-Li. (1986). The Living Wholeness &Living Unison of Ibrahim Hussein Ibrahim Hussein: A Retrospective. Kuala Lumpur: Balai Seni Lukis Negara. Christodolo, A. R. J. (1986). Message Ibrahim Hussein: A Retrospective " (pp. 10). Kuala Lumpur: National Art Gallery. Hashim, A. (1986). Pendahuluan Ibrahim Hussein: A Retrospective " (pp. 7). Kuala Lumpur: National Art Gallery. Kasturi, H. (1986). Archi- Painting Ibrahim Hussein: A Retrospective (pp. 87). Kuala Lumpur: National Art Gallery. Keat, L. C. (1986). Ih House Ibrahim Hussein: A Retrospective (pp. 91). Kuala Lumpur: National Art Gallery. Li, C. (1986). The Living Wholeness & Living Unison of Ibrahim Hussein Ibrahim Hussein: A Retrospective " (pp. 13). Kuala Lumpur: National Art Gallery. Lubis, M. (1986). Warkah dari Seberang Ibrahim Hussein: A Retrospective (pp. 79). Kuala Lumpur: National Art Gallery. Sabapathy, T. K. (1986). Embodiments of Duality: The Work of Ibrahim Hussein. Ibrahim Hussein: A Retrospective. Kuala Lumpur, Balai Seni Lukis Negara. Sabapathy, T. K. (1986). Embodiments of Duality: The Work of Ibrahim Hussein Ibrahim Hussein: A Retrospective " (pp. 42). Kuala Lumpur: National Art Gallery. Shafie, M. G. (1986). Recollections Ibrahim Hussein: A Retrospective " (pp. 74). Kuala Lumpur: National Art Gallery. Ismail Latiff Chuen, O. K. (1993). Ismail's Colour of Dreams Ismail Latiff: Nine Years On. Kuala Lumpur: Art Salon. Ismail Zain Abdullah, Z. (2001). Ismail Zain. tANPA tAJUK(2), 15. Jit, K. (1995). Ismail Zain: A Protean Appearance in Malaysian Art. Ismail Zain: Retrospective Exhibition 1964-1991. Kuala Lumpur, National Art Gallery. Jit, K. (1988). Digital Collage. Digital Collage -- Suatu Pameran Perseorangan Oleh Ismail Zain (One Man Art Exhibition by Ismail Zain). Kuala Lumpur.
Noordin Hassan, I. Z. (1988). Noordin Hassan Interviews Ismail Zain. Digital Collage -- Suatu Pameran Perseorangan Oleh Ismail Zain (One Man Art Exhibition by Ismail Zain). Kuala Lumpur. Piyadasa, R. (1988). The "Digital Collage" of Ismail Zain -- An Appreciation. Digital Collage -- Suatu Pameran Perseorangan oleh Ismail Zain (One Man Art Exhibition by Ismail Zain). Kuala Lumpur. Piyadasa, R. (1995). Ismail Zain, The Artist. Ismail Zain: Retrospective Exhibition 1964-1991. Kuala Lumpur, National Art Gallery. Willets, W. (1975). "Senyum seorang monyet" bentuk manusia durjana. Utusan Malaysia. KualaLumpur. Ismail Zain: Retrospective Exhibition 1964-1991. (1995). Kuala Lumpur: Balai Seni Lukis Negara. Ismail Hashim Ismail Hashim: Retrospective (2010). Pulau Pinang: Penang State Art Gallery Tan, J. (2009). An Artist with stories to tell. The Star Online. Izan Tahir Recollection: Izan Tahir. (2006). Kuala Lumpur: Wei-Ling Gallery. J Jailani Abu Hassan Garis gemalai: Dida & Jai. (2001). Kuala Lumpur: Petronas. Jalaini Abu Hassan- Belacu berdepa, berlagu berupa. (2006). Kuala Lumpur Valentine Willie. Jeri Azhari Azhari, J. (2006). Integriti -- Manifesto Karya Installasi 2006: Pameran Solo Seni Pop Jeri Azhari. Kuala Lumpur: Balai Seni Lukis Negara. Shahir, S. (2006). Matriks Budaya, Jeri dan Seni Pop dalam Sebuah Wacana Pengantar. Karya Installasi 2006: Pameran Solo Seni Pop Jeri Azhari. Kuala Lumpur, Balai Seni Lukis Negara. Jolly Koh Chong, L.-E. (2003, Oct-Dec). A Dialogue with Jolly Koh. Art Corridor, 48-55. Koh, J. (2010). Jottings. Juhari Said Ahmad, A. D. (2007). Dalam Katalog Pameran Solo ‘Okir’ Juhari Said. Kuala Lumpur: Wei-Ling Galeri. Ahmad, A. D. (2009) Okir. Dalam Katalog Pameran ‘Samudra’. Pulau Pinang: Muzium & Galeri Tuanku Fauziah, Universiti Sains Malaysia.
Harun, R. (2003). Menelusuri Karya Kreatif Juhari Said. Dalam Majalah Dewan Budaya, Julai 2003. Kuala Lumpur: Dewan Bahasa dan Pustaka. Mohamed, A.R. (2009) Jauhari Juga Yang Mengenal Manikam: Satu Catatan Mengenai Juhari Said, Ahli Cipta di Pusat Pengajian Seni, USM. Dalam Katalog Pameran Samudra. Pulau Pinang: Muzium & Galeri Tuanku Fauziah, Universiti Sains Malaysia. K Kamal Sabran Saidon, H. J. (Nov 07 - Jan 07). "A Non-Objective Review of Kamal Sabran's Heaven and Earth." sentAp!(5): 20-22. Kim Ng Fact or fiction by Kim Ng. (2006). Kuala Lumpur: wei-Ling Gallery. Kok Yew Puah Yong, B. (2005). A Malaysian Vision. Kok Yew Puah: A Tribute. Kuala Lumpur, VWFA. Kok Yew Puah: A Tribute. (2004-2005). Kuala Lumpur: Valentine Willie Fine Art. L Latiff Mohidin Ali, Z. (1979). The What of Wall Sculpture Latiff Mohidin "Langkawi" Arca Dinding. Pulau Pinang: Muzium & Galeri USM. Garisan dari titik ke titik: Latiff Mohidin. (1988). Kuala Lumpur: Galeri Petronas. L.I.N.E Latiff Mohidin: From Point to Point. (1993). (A. Amin, Trans.). Kuala Lumpur: Dewan Bahasa dan Pustaka Mohidin, T. K. S. L. (1998). In Conversation. Latiff Mohidin Rimba Series. Kuala Lumpur: Petronas, 1998. Kuala Lumpur, Petronas. Mohidin, L. (1993). LINE: From Point to Point. Kuala Lumpur, Dewan Bahasa dan Pustaka. Piyadasa, R. (1983). Abdul Latiff Mohidin. Modern Artists of Malaysia. Kuala Lumpur, Dewan Bahasa dan Pustaka. Sabapathy, T. K. (1994). Pago-pago to Mindscape. Pago-pago to Gelombang: 40 Years of Latiff Mohidin. T. K. Sabapathy. Singapore, Singapore Art Museum.
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