A Tale of Two Copywriters

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    A Tale Of Two Copywriters

    One late summer evening, two copywriters sat down at

    their keyboards to craft sales letters for almost identical products.

    They were very much alike, these two copywriters.

    Both had years of experience writing every type of ad and were dynamos at selling to their

    core markets.

    Both writers were also dedicated students of direct response marketing and were up on the

    latest trends and techniques for making their clients (and themselves) ever larger profits.

    But while one writer spent an entire week on writing and edits, his leisure-loving colleague

    cranked his final draft out within hours of sitting down that first evening.

    And heres the capper.

    The ad that was written in mere hours buried the week-long effort by many multiples.

    What Made The Difference

    While one writer spent days building the perfect lead, piling layers of proof into his ad and

    extracting every conceivable hot button to boost response

    The other writer had a hunch that a good, old-fashioned story was called for to sell the dickens

    out of his particular product.

    And he was right.

    But where did he get such a brilliant idea?

    Glad you asked.

    No doubt you detected the above story wasnt conjured up by me but by the legendary

    copywriter, Martin Conroy, whose direct mail letter about two young men sold over a billion

    dollars worth of Wall Street Journal subscriptions over the course of three decades.

    Conroy couldve just as easily taken a mainstream, quants approach to selling The Journal,

    using the kind of cold hard data and statistics the paper is famous for.

    But he didnt do that.

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    Why not?

    Because he knew the first few seconds the prospect was into the piece would have told him in

    no uncertain terms

    This Guy Is Trying To Sell Me Something!

    Just think of how many times a day people take evasive maneuvers when thrown into a salessituation.

    The average prospect has a little voice inside screaming: En garde!

    And its very difficult to sell once thats happened.

    One way around this is to tell a story.

    And the great thing about telling stories is they dont necessarily need to relate to the product

    were selling.

    Look at Martin Conroys ad.

    Nowhere does the ad state that the successful man was aJournal reader and the other wasnt.

    Its implied.

    And just as importantly as getting our prospects to read our ads without their sensors buzzing,

    storytelling has almost magical powers of suspending disbelief.

    A good story and hopefully one thats also relevant to our product sails past left brain

    logic and scrutiny and into that much more welcoming realm for selling of right brain feeling

    and imagination.

    When prospects read Martin Conroys mail piece, they didnt need any facts, surveys or studies

    showing conclusively that Wall Street Journal readers out-earned and out-performed those

    who didnt.

    They were left with only one thought: I want to be like the successful guy in the ad!

    CreativityNot!

    Ill let you in on a little secret.

    As triumphant as Conroys ad was for The Journal, he didnt come up with the story of two

    young men any more than I did a tale of two copywriters.

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    As a matter of fact, he lifted the story line from

    another famous 20th Century ad man, Bruce Barton.

    Barton wrote a space ad in 1919 for his long time client, The Alexander Hamilton Institute, the

    premier self-help and business development entity of the early 20th Century.

    The headline for the ad was The Story of two men who fought in the Civil War which opened

    like this:

    From a certain little town in Massachusetts two men went to the Civil War. Each of them had

    enjoyed the same educational advantage, and so far as anyone could judge, their prospects for

    success were equally good.

    One man accumulated a fortune. The other spent his last years almost entirely dependent

    upon his children for support.

    If you look at Martin Conroys and Bruce Bartons openers side-by-side, its clear they were

    created from the same mold.

    But guess what?

    Just as Conroy was inspired by Bruce Barton Barton took his plot cue from a successful ad

    written the year before with what should now be familiar deck copy:

    The story of two clerks in New York City who started

    together a few years ago, side by side, each earning $12 a week.

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    This 1918 ad sold the memory course du jour, the Roth Memory Course, and told the story of

    two clerks.

    The clerk with the memory went on to become the head of a giant publishing enterprise.

    The other became a petty bill collector.

    So much for creativity!The memory ad hails from the ad agency of Ruthrauff & Ryan, which was a veritable all star

    team of copywriters, including on staff at various times: John Caples, Maxwell Sackheim,

    Victor Schwab, Wilbur Ruthrauff and Lillian Eichler Watson of Book of Etiquette fame.

    We may never know who among these world-class writers actually wrote the ad.

    And it really doesnt matter.

    Thats because

    Story Telling Is In Our D.N.A

    Its likely the story of two young men was originally etched on a Sumerian cuneiform tablet.

    And its made its way down our human story chain over the course of centuries.

    Its based on the age-old plot of rivalry.

    Like the two young men graduating college, I may not be in an actual contest with my

    neighbor but youd better believe Im checking to see if the car in his driveway is faster,

    shinier or more expensive than my own.

    That car in his driveway is just one of lifes many score sheets.

    As William James said:

    There is very little difference between one man and another; but what little there is, is very

    important.

    So, how do you incorporate the right story into your ad copy?

    Of course, there are no hard and fast rules, otherwise fiction writers would be calling the shots

    here, instead of copywriters.

    One of the best ways is to look at successful ads that tell stories and notice how the plot

    relates to the product being sold.

    The Wall Street Journal, The Alexander Hamilton Institute training and the Roth Memory

    Course were products with big promises, so the rivalry plot works well here.

    Another famous ad that told a story was that of Charles Atlas, where the skinny kid in the ad ishumiliated in front of his girlfriend when a beach bully kicks sand in his face. The skinny kid

    orders the Atlas course, gets ripped and returns to the beach to pummel the bully.

    This is the revenge plot in action and it worked like a charm to sell millions of Charles Atlas

    Courses.

    The bottom line: stories can work marvelously.

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    And if you really want to get into story telling for copy, heres a great book to consider for

    your bookshelf.

    Its called 20Master Plots And How To Build Them.

    If youre interested in what motivates middle aged men to watch movies like Rocky and The

    Karate Kid for the umpteenth time at 3:00 amor why young children are endlessly enchantedby Cinderella, youll find 20 master plots in here to get you going.

    Happy story telling!