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A SCREEN OF FLESH - NICHOLAS CHEVELDAVE, WILL COOKE, ATHENA PAPADOPOULOS, TSCHABALALA SELF

A SCREEN OF FLESH

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A SCREEN OF FLESH-

NICHOLAS CHEVELDAVE, WILL COOKE, ATHENA PAPADOPOULOS, TSCHABALALA SELF

Artwork Cataloguewww.comagallery.com

A SCREEN OF FLESH

NICHOLAS CHEVELDAVE

www.comagallery.com www.comagallery.com

Born 1984, Canada. Lives in London, United Kingdom.

Nicholas Cheveldave

BYOB - Binge Dreamer III, 2017

Photolaminate, Acrylic, Paper, Hemp, Friendship Bracelets on Canvas.

110 x 93 cm

Nicholas Cheveldave’s work utilizes a range of processes such as photography, painting, 3D rendering and sculpture that culminate in

densely layered collages. His practice directly engages the conditions of our mediated present. Responding to the ever-accelerating surplus

of commercial and social imagery, Cheveldave reflects on how contemporary identity is constructed in the wake of high-speed networks

and image-sharing.

The work included in ‘A Screen of Flesh’ involves everyday scenes of a semi-corrupted life overlaid with 3D rendering in amorphous forms. He has said in the past, “...it’s about an object that becomes bodily, and the

flow is like a figure through the space”.

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Nicholas Cheveldave

So Many Choices, 2017

Photolaminate, Acrylic, Paper, Hemp, Friendship Bracelets on Canvas.

110 x 93 cm

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Will Cooke

VISIONS 1, 2017

Spray Paint on Arches Paper

59 x 44 cm

WILL COOKEBorn 1989, Australia.

Lives in Sydney, Australia.

Will Cooke is intrigued by the invisibility of memory, and the way it is experienced within the body. He explores his own personal mythologies

and memories, and attempts to make these internal thoughts and experiences external.

He makes illusion-based paintings that begin a dialogue, and thus, the work develops a sensory relationship with the viewer. Cooke uses various mediums, such as aluminum, canvas and paper, to concrete

the sensation of memory in the physical world. Cooke’s focus on the relationship between form, surface, and the viewer, produces

independent physical objects that transcend the mind.

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Will Cooke

VISIONS 2, 2017

Spray Paint on Arches Paper

59 x 44 cm

Will Cooke

VISIONS 3, 2017

Spray Paint on Arches Paper

59 x 44 cm

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Will Cooke

VISIONS 4, 2017

Spray Paint on Arches Paper

59 x 44 cm

Will Cooke

VISIONS 5, 2017

Spray Paint on Arches Paper

59 x 44 cm

www.comagallery.com

Will Cooke

VISIONS 6, 2017

Spray Paint on Arches Paper

59 x 44 cm

Will Cooke

VISIONS 7, 2017

Spray Paint on Arches Paper

59 x 44 cm

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Athena Papadopoulos

Big Grapevine (Dearest Dearest), 2017

Image Transfers, Thread, Hair Dye, Jewellery Chain, Eyelettes, Resin-Based, Self Tanner and Synthetic Hair on Wood and Antlers

ATHENA PAPADOPOULOSBorn 1988, Canada.

Lives in London, United Kingdom.

Athena Papadopoulos makes wildly image-laden, mixed media sculptures and works on canvas. She utilizes techniques including

collage, drawing, and sewing, and eschews paint in favor of materials like mustard, Pepto-Bismol, and shoe polish, in combination with

family photographs, magazine clippings, her own drawings, and various fabrics. Together, they form cacophonous, richly textured compositions.

Through her work, Papadopoulos explores our penchant for revelry and indulgence, as well as the trappings of rebellion—like dyed hair or

tattoos—and their appropriation and taming by mainstream commercial culture. “I think there is a sense of spontaneity and intensity embedded in my working process that I hope the viewer can see in the works,” she

says. “The works are not meant to be moving upwards towards a point of precision, they are of a world that is downward and sprawling.”

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Athena Papadopoulos

Peeper I, 2017

Image Transfer, Thread, Hair Dye, Nail Polish, Lipstick, Red Wine, Pepto Bismol on Scooba Fabric

300 x 300 cm (approx.)

Athena Papadopoulos

Peeper II, 2017

Image Transfer, Thread, Hair Dye, Nail Polish, Lipstick, Red Wine, Pepto Bismol on Scooba Fabric

300 x 300 cm (approx.)

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Athena Papadopoulos

Peeper III, 2017

Image Transfer, Thread, Hair Dye, Nail Polish, Lipstick, Red Wine, Pepto Bismol on Scooba Fabric

300 x 300 cm (approx.)

Athena Papadopoulos

Peeper IV, 2017

Image Transfer, Thread, Hair Dye, Nail Polish, Lipstick, Red Wine, Pepto Bismol on Scooba Fabric

300 x 300 cm (approx.)

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TSCHABALALA SELFBorn 1990, USA.

Lives in New York and New Haven, USA.

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Tschabalala Self

Poker, 2017

Acrylic, Gouache, Flashe and Fabric on Canvas

172.72 x 127 cm

Tschabalala Self builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black female body.

The artist constructs exaggerated depictions of female bodies using a combination of sewn, printed, and painted materials, traversing different artistic and craft traditions. The exaggerated biological characteristics of

her figures reflect Self’s own experiences and cultural attitudes toward race and gender. “The fantasies and attitudes surrounding the Black female body are both accepted and rejected within my practice, and

through this disorientation, new possibilities arise,” Self has said. “I am attempting to provide alternative, and perhaps fictional, explanations for

the voyeuristic tendencies towards the gendered and racialized body; a body which is both exalted and abject.”

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* All prices will be scaled to the appropriate and current exchange rate at time of sale.

For more information or any queries please contact [email protected]