A Proposal for a Cinema Film

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    CONTENT

    1.1 EXECUTIVE SUMMARY (BACK GROUND)1.2 BUSINESS GOAL1.3 OBJECTIVES1.4 COMPETITION ANALYSIS1.5 MARKETING MIX1.6 SPONSORS GAIN ANALYSIS1.7 CONCLUSION

    ANNEX

    BUDGET SYNOPSIS PICTURES

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    1.1 BACKGROUNDThe growly spate of globalization has put other cultures at risk.

    Particularly, cultures of tribes that are not considered major have been

    on the brink of extinction for sometime now. In Nigeria for instance,

    smaller tribes within North Central and Northern parts of the country

    have been overrun by the Hausa Islam culture, whose aspects, have also

    been affected by the Euro-American traditions this means conscious

    efforts must be made to preserve indigenous cultures from the corrosion

    of globalization.

    In another dimension, the alarming increase in unemployment

    rate amongst the youth is what must be checked. The arts offer a veritable

    platform that avails opportunities to both the schooled and unschooled.

    Since government alone cannot satisfactorily engage the teeming youth of

    the nation, private concern and spirited individual continue to contribute

    to ease this problematic. This contributions come in different ways such as

    skills acquisition trainings, carnivals, sports, business grants, film

    productions, etc. All these engage the youths thereby keeping off crime.

    Against the above background, this cinema film project is

    designed to preserve and project the Agila culture and as well create

    employment for the youths. This will also serve as a springboard for

    launching Agila youths into stardom. The concept owners of the project

    are particularly interested in you as a sponsor due to your track record of

    activities in cultural promotion and youth empowerment, from which the

    AGILA CULTURAL CARNIVAL and FACE OF IDOMA pageant stand

    out. As a prince of Agila, it is strongly believed that this cinema film is one

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    that will benefit from your passion for cultural promotion and youth

    empowerment.

    1.2 BUSINESS GOALTo present the Agila culture to the word and empower the youths.

    1.3 BUSINESS OBJECTIVE Promote Agila culture and give it a pride of place among the comity

    of global cultures.

    Reduce youth redundancy through meaningful engagement Enhance economic empowerment through cultural marketing and

    job creation

    Provide a springboard for career advancement.1.4 MARKET ANALYSIS

    The choice of cinema is strategic, regular Nollywood films are

    more cumbersome to market and the chain of distribution is

    clumsy. For cinema, once shooting and editing is complete, the

    tape is handed to the premiering company (here silverbird

    television is proposed), terms are negotiated in percentages of

    either 50-50 or 60-40, depending on the nature of preferences of

    both parties. Here funds are generated in a stream and pooled

    together from the various viewing centres across the nation on-

    ward sharing.

    1.5 COMPETITION ANALYSISThere are numerous movie producers but only a few are into

    cinema production. Yet this project promises to stand out because

    its content is unique. The market is saturated with stories from

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    Igbo cultural background, and Western glamour. A story from the

    rich Agila background will not only serve a viable alternative

    variety but also bring satisfaction to the audience.

    1.6 MARKETING MIX Product:The product is a cinema film-showcasing the rich

    cultural heritage of the Agila people. The story is woven

    around various aspects as one storyline can carry the

    choice of cinema is to make easy sales and quick returns on

    invested capital. It will also provide a big platform on

    engaging as many youths as possible.

    Place: The film will be shot on location in the Agilacommunity so as to bring real time representation of the

    people into perspective. Distribution will be nation wide

    and beyond. The major cinema centres in the country will

    be utilized. In Benue particularly, because there are nocinema, halls will be hired and utilized. Copies of the film

    will also be on sale across the nation price. The project is

    capital intensive, however investment are guaranteed to

    bring returns. The unit price of the film will be determined

    at the end of project so as to ensure that the entire cost of

    production is factored in, however at the premier of the film

    at the cinema, ticket will be sold in different categories. The

    premier will take place in several cinema halls across the

    nation to ensure substantial rake in.

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    Promotion: To ensure maximal sales and good publicreception of project, promotion will be aggressively pursed

    via radio satellite television stations (like sliver bird,

    channels, Africa Magic ,etc), souvenirs items (T-shirts, biros,

    bambinas, wristbands) for standard cinema premiers, 5

    weeks of intensive promotion activities are required.

    1.7 SPONSORS GAIN ANALYSISAfter sales and proceeds from cinema houses invested capital willbe subtracted and what remains as profit will be shared between

    sponsor and producer in a 80% :20% arrangement.

    1.8 CONCLUSIONThe project is timeous. It is worth while not only as an investment

    opportunity, but also a plat form for rendering service to the

    fatherland through cultural preservation and promotion, and

    youth economic empowerment.

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    NOTE:

    In case you do not want any top artist (Nollywood) then, we will deducttheir fee from our artist budget list.

    The same is applicable if you have any listed item that you want to takeoff from the list attached. Outside the nollywood am also into event management and Anchoring

    of any event or programme.

    Looking forward to walking with you or collaborating with you. I promise to put in my best if given the opportunity to serve my fathers

    land for you have the same vision/ motives with me for my people

    (Agila), just that I did not have the said capital.

    God bless you.

    Long live Prince Edwin Ochai

    Long live Apa/Agila Community

    RAPH OGBAJE

    A.M.P, A.G.N, COPEG, D.G.N

    NOLLYWOOD

    07034903819

    APPENDIX

    BUDGET/BREAKDOWN SCRIPT SYNOPSIS PICTURES

    (See next page)

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    CAPITAL N8,431,400BREAKDOWN OF PRODUCTION COST (FOR CINEMA)

    A) CREWProducer N200,000Asst.Producer N100,000Director N300,000Art director N150,000D.O.P (2) N240,000Costume N200,000Make up N100,000

    Set/props N120,000Loc.mgr N100,000Cam.asst. N40,000Lightman N80,000Soundman N100,000Proud.mrg N50,000Continuity N40,000Welfare N200,000

    Editor N350,000Prod. Asst (3) N90,000

    Sub- Total (A) N2,460,000

    B) ARTISTGuest Artist (TOP 2) N2,000,000

    Up-rising artist (3) at (N120,000) N360,000Other artist N300,000

    Sub- TOTAL (B) N2,660,000

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    C) OTHERSCamera (2) (12days) N2880,000

    Hiring of crane (4days) N200,000Tapes (H.D) N60,000Hiring of generator N50,000Hotel accommodation N500,000Fuel (shooting) N40,000Location bus (hire) N120,000Bottle water (six cartons) N4,200Pure water (60bags) N4,200

    Miscellaneous N150,000Hiring 0f cars (4) N100,000Effects N300,000

    Jackets N180,000Posters N120,000D.V.Ds N200,000Printing/duplicating N150,000Census board (Express) N100,000

    Script N100,000Copyright commission N10,000Crew Jackets (15 at N3,000 each) N45,000Advert film N500,000Sub-Total (c) N3,221,400

    SUMMARYSub total (a) N2,460,000

    Sub total (b) N2,660,000Sub total (c) N3,221,400

    GRAND TOTAL N8,341,400

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    SCRIPT SYNOPSIS:

    First Story

    Ochanya passed through a lot of pains in the hands of Ogaba until Ochepa

    stepped in. much later her world started crumbling down. What pain did she

    pass through? What was her offence? Is life been fair to her? Find out from

    this captivating tragedy story.

    OR

    Second Story

    Ochepa was told by his mother before she died that Dr. Omonya is not his

    biological father. Is Dr.Omonya truly his biological father or not? How did

    Ochepas finance react after finding out that Dr. Omonya kept a secret from

    her man? Watch out for a story filled with suspense, tragedy and action.

    PICTURES

    See next page

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    Patience Ozokwor( Mama G) with an Artist in the movie Desperate Woman shot in Makurdi ,2013

    A court Sence between Remi Orhajianya, Alex Usifo & Vitalis Ndubuisi in the Movie Who the cap Fit

    Shot in Makurdi, 2013.

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    A MVT between Mike Ezeuronya & Director Raph Ogbaje in the movie Desperate Woman

    M.C Charles Okafor (Mr. Ibu) & M.C Raph Ogbaje in an event in Abuja

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    A Sence between Elder Miyah & Emeka Ani directed by Raph Ogbaje in the movie No Retreat

    Shot in Enugu, 2011.

    Camela Mgbereke & Chiwenta Agu in the movie Set Aside directed by Raph Ogbaje shot in Asaba

    2012.

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    Director M.Jaja, Mercy Johnson, Director Raph. O, & D.O.P Chinedu in the movie Desperate Woman

    shot in Makurdi, 2013.

    From R-L, Chief J. Akperashi, Jibola Dabo, Monday Aboh in the movie Whothe Cap Fit shot in

    Makurdi, 2013

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    A MVT from the movie Greatest Harvest directed by RaphOgbaje shot in Onitsha

    Director Raph Seen showing an Artist what to do in the movie Who the Cap Fit shot in Makurdi

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    A rehearsal scene between Olu Jacobs & Emma Umeh in the movie Agony of a Woman shot in

    Makurdi been supervised by Director Raph & Senior Director Ugezu

    A rehearsal session between Mike Ezeuronye, Michael Onyi & Linda John supervised by Director Raph

    O.

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    A clip from Benue Youth Cultural Carnival anchored by Raph Ogbaje in Makurdi, 2013

    Idoma group displaying at the Benue Youth Cultural Carnival 2013 on Road show.

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    A high angle shot (H.A.S) of Benue Youths at the Benue Youth cultural Carnival, 2013

    Star price of Miss Carnival 2013