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A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)

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Page 1: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 2: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 3: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 4: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 5: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 6: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 7: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 8: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 9: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 10: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 11: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 12: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 13: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 14: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 15: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 16: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 17: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 18: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 19: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 20: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 21: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 22: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 23: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 24: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 25: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 26: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 27: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 28: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 29: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 30: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 31: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 32: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 33: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 34: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 35: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 36: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 37: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Page 39: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 40: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Page 43: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Page 45: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Page 50: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 51: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Page 54: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 55: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 56: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
Page 57: A Practical Guide To Mimetic Expressions Through Pictures - çµµ§‚‹‚‹ ‚“”ƒ»„”―—¥œ¬è®è¨ç¾›Œè««¤ƒƒ³ƒ‰ƒ–ƒƒ‚¯ (‚¢ƒ«‚¯®—¥œ¬èƒ†‚‚¹ƒˆ)
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Johnny B. Goode Chuck Berry - …percussion.okstate.edu/osup/Past_Music_files/JBG_PARTS.pdfã4 41ŒŒz œ > œ > œ > ƒ q = 164 2 j œ œ > œœ œjœ œœœ > R œ L œ R œ R 3

Johnny B. Goode Chuck Berry - …percussion.okstate.edu/osup/Past_Music_files/JBG_PARTS.pdfã4 41ŒŒz œ > œ > œ > ƒ q = 164 2 j œ œ > œœ œjœ œœœ > R œ L œ R œ R 3

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The Complete Arban Scales bone - bolvinmusic.com · 4 2 œ œ œ œ œ œ œ 4. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

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¾Rµ† ‹·ƒ¸œ¹$¸A ‡‹´‚‹¹ƒ¸’ ‹·¸‹- ‚ ¾š· D´œ¾‚ µ‰‹¹Š¸ƒ¹† š¶¼‚ ƒ · PDF fileB’rit haChadashah (New Testament) Hebrew-Greek-English

¾Rµ† ‹·ƒ¸œ¹$¸A ‡‹´‚‹¹ƒ¸’ ‹·¸‹- ‚ ¾š· D´œ¾‚ µ‰‹¹Š¸ƒ¹† š¶¼‚ ƒ · PDF fileB’rit haChadashah (New Testament) Hebrew-Greek-English

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UNAUTHORIZED REPRODUCTION OF THIS …...b b b b 4 4 4 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó ˙ Moderate jazz tempo q = ca. 120 - 124 ƒ Gt. {(Ped.)

UNAUTHORIZED REPRODUCTION OF THIS …...b b b b 4 4 4 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Ó ˙ Moderate jazz tempo q = ca. 120 - 124 ƒ Gt. {(Ped.)

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01. Prologue (2) - WordPress.com · Very slow q = 60 ∑ Œ ƒ œœ œœ œœ ##œœ œœ œœ # w w b b ^ Ó ˙ ˙ ˙ U ww ww U.. ˙ ˙ œ >œ U (Thunderclap) ∑ j œœ œœ ‰

01. Prologue (2) - WordPress.com · Very slow q = 60 ∑ Œ ƒ œœ œœ œœ ##œœ œœ œœ # w w b b ^ Ó ˙ ˙ ˙ U ww ww U.. ˙ ˙ œ >œ U (Thunderclap) ∑ j œœ œœ ‰

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 · Translate this pageÐÏ à¡± á> þÿ L| ~ þÿÿÿ € ‚ ƒ „ … † ‡ ˆ ‰ Š ‹ Œ Ž ‘ ’ “ ” • – — ˜ ™ š › œ ž Ÿ ¡ ¢ £ ¤ ¥ ¦ § ¨

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Porgy and bess - CARM...22 22 22 22 S. A. T. B. ƒ ƒ ƒ ƒ Allegro moderato 10 ‰ œ> J œœœ ‰ œ> J œœœ ‰œ > J nœœœ ‰œ>Jœœœ œœœœ Œ œœœ J œ œ > œ >>œ

Porgy and bess - CARM...22 22 22 22 S. A. T. B. ƒ ƒ ƒ ƒ Allegro moderato 10 ‰ œ> J œœœ ‰ œ> J œœœ ‰œ > J nœœœ ‰œ>Jœœœ œœœœ Œ œœœ J œ œ > œ >>œ

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Alto Sax FANFARE FOR COVENTRY · PDF file44œœœœœ q = 148 ƒ œœœœœwœŒÓ˙.œ 5 ˙.œ & 7#˙.œ˙.œ ˙.œ˙.œœŒÓŒœ > œ > j œ > œ. ß> w 13 & 14# ˙.œ ^ œ ^ œ

Alto Sax FANFARE FOR COVENTRY · PDF file44œœœœœ q = 148 ƒ œœœœœwœŒÓ˙.œ 5 ˙.œ & 7#˙.œ˙.œ ˙.œ˙.œœŒÓŒœ > œ > j œ > œ. ß> w 13 & 14# ˙.œ ^ œ ^ œ

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Rigaudon from Le Tombeau de Couperin - Free MusicRigaudon Trumpet in C 2 page 2 A score from &4 2 Assez vif J œ > ƒ ‰ œ > Œ œ> F œœ #œœœœœ .œœ #œœœœœœœ #œœœœœœœœ

Rigaudon from Le Tombeau de Couperin - Free MusicRigaudon Trumpet in C 2 page 2 A score from &4 2 Assez vif J œ > ƒ ‰ œ > Œ œ> F œœ #œœœœœ .œœ #œœœœœœœ #œœœœœœœœ

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˛4 ¬c ƒ Œ ƒ Œ ⁄N ⁄N ⁄N ⁄N ⁄N ⁄N ⁄N ⁄Nmais.athabascau.ca/.../power-and-politics.pdf · local and global ecosystems to absorb and break down pollution and waste

˛4 ¬c ƒ Œ ƒ Œ ⁄N ⁄N ⁄N ⁄N ⁄N ⁄N ⁄N ⁄Nmais.athabascau.ca/.../power-and-politics.pdf · local and global ecosystems to absorb and break down pollution and waste

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1 Adeste Fideles - margreethdejong.nl · 2018-05-25 · 44 4 4 4 4 Œ Œ œ ƒ q 108 I œœ ƒ œœ œœ legato œœ œ œ œœ œœœ œ œœœ œ œœœ œ œœœ œ ˙ œ œ sim.œ

1 Adeste Fideles - margreethdejong.nl · 2018-05-25 · 44 4 4 4 4 Œ Œ œ ƒ q 108 I œœ ƒ œœ œœ legato œœ œ œ œœ œœœ œ œœœ œ œœœ œ œœœ œ ˙ œ œ sim.œ

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Untitled Document [] · fiœoµ°¥nµ−Ÿn°`œ”É°−ˆŠ¥⁄‚`žjµfi⁄µ¥⁄”°—µƒ⁄‚‰ƒ•¥£µ“‡ı‚É›⁄š…ƒŒr⁄oµœır`ž}œ …o

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The Complete Arban Scales tuba - bolvinmusic.com · 4 4 œ œ œ œ œ œ œ œ 11. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ? œ œ œ œ œ œ œ œ

The Complete Arban Scales tuba - bolvinmusic.com · 4 4 œ œ œ œ œ œ œ œ 11. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ? œ œ œ œ œ œ œ œ

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[ Seco ]marod/web-data/score-samples/seco-sample.pdfRub stones Œ Œ ∏ Ö f f f f 5 ƒ ƒ ƒf ƒ f ƒ ƒ ƒ ƒ ƒ ƒ ® ® ® ® ® ® ‰ ≈ ≈ ‰ ‰ π π π Whip bow Œ Œ

[ Seco ]marod/web-data/score-samples/seco-sample.pdfRub stones Œ Œ ∏ Ö f f f f 5 ƒ ƒ ƒf ƒ f ƒ ƒ ƒ ƒ ƒ ƒ ® ® ® ® ® ® ‰ ≈ ≈ ‰ ‰ π π π Whip bow Œ Œ

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violin 1 String Quartet N° 2 - coolvillemusic.comcoolvillemusic.com/String_Quartet_No._2_files/violin1.pdf&4 4 4 3 4 4 violin 1 q = 104 (or faster!) ƒ œ (sul G)≥ œ ≤ #œ ≥

violin 1 String Quartet N° 2 - coolvillemusic.comcoolvillemusic.com/String_Quartet_No._2_files/violin1.pdf&4 4 4 3 4 4 violin 1 q = 104 (or faster!) ƒ œ (sul G)≥ œ ≤ #œ ≥

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 · ôı^à=NOulv§wxyu=Óz#ulnyu=J{‘a|}…—L”ÿ •šòó(~ #•Mà†dü‡F{†dü‡=\]#…NO —‚#–ƒ =Œ{X NO=⁄‹ —‚ƒ , N÷#NO›¸•jMˇN

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Treasure / Runaway Baby Bruno Mars, Philip Lawrence,percussion.okstate.edu/osup/Past_Music_files... · ã 88 œ > r œ!œ!œ!œ!œ!œ > r œ > l œ > r 3 3 j ƒ 89 œ > r œ l œ

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Violin Concerto No. 1 - Di MarinoViolin Concerto No. 1 - III - Solo Violin & 4 3 131 # œœ œœ œœ#œœ œ‹œ ˙. ƒ ˙. #˙ œ ˙ #œ & 4 4 136 œœ #œ ‰J œœœ#œœ œœœ

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WMEA All-State 2022Track 2: Etude - Joachim Andersen, 24 Etudes for Flute, Op. 15, No. 24 ƒ con impeto Allegro con fuoco q=98-138 ‰ J œ. œ. œ. œ. œ. œ. œ. œ. œœœ œœ

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CJC報告書...fgflnf˚¢ «‹›¯RSýþÝ ˆŁ¥ƒx ł` nf˚¢«‹›ÉTU«‹›¯‚ MüŁ¥ƒ ˛€˜”˚ $ /ˆ«‹›ÉM N 7 «‹›¯MN 7¾ffif x ˆx ƒ œ˛¾P¤¢ x

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