A NOT SO TERRIBLE PARABLEwckidzpraise.com/uploads/3/4/1/6/34163191/a_not_so...A Not So Terrible Parable - Script and Lead Sheets Created by Steve Moore, Deborah Craig-Claar, Rob Howard,

A NOT SO TERRIBLE PARABLE Created by Steve Moore • Deborah Craig-Claar • Rob Howard • David Guthrie

All songs Words and Music by Rob Howard

Published by Little Big Stuff Music

Lead Sheets from Choral Book #892028002964

www.littlebigstuff.com

© 2016 Little Big Stuff Music, LLC

Printed pages should be destroyed following the performance.

A Not So Terrible Parable - Script and Lead Sheets Created by Steve Moore, Deborah Craig-Claar, Rob Howard, David Guthrie Songs by Rob Howard

The copyrighted material may be reproduced and/or displayed only with a valid license from the publisher, Little Big Stuff Music. © 2016 Little Big Stuff Music, LLC. All Rights Reserved. No additional copying allowed. www.littlebigstuff.com.

(music begins to “A Not So Terrible Parable”)

SONG: “A NOT SO TERRIBLE PARABLE”

Dialog (begins at meas. 39)

ALISTAIR: Welcome to Master’s Peace Theater, I’m your host Alistair McAlister. Two thousand years ago, a rich young lawyer asked Jesus the question, “How do I get eternal life?” The answer? Love the Lord your God, and love your neighbor as yourself. Then the lawyer asked Jesus, “Who is my neighbor?” Instead of answering that question, Jesus told a fascinating story filled with mystery … danger … surprise … and truth!



& b 44 6t1

21 TOCCATA AND FUGUE IN D MINOR (Bach) 8

& b15

‰ jœ œ œ œ œIt was a dark and

KIDS Fœ œ œ Œ ‰ jœstorm y night, a-

& b17

œ œ œ œ œ œman lay beat en by the

œ œ œ œ œ œ œside of the road as two-

& b19

œ œ œ œ œ œtrav el ers pass him by.

Ó Œ œ œBut the- -

& b21

œ œ œ ‰ jœthird one stopped, had

œ œ œ œ Œpit y on him,-

& b23

œ œ œ œ ‰ jœ3

ban daged his wounds and

œ œ œ œ œ Œtook him to an inn,-

& b25

œ œ œ œ œ œ œthat’s the stor y of the

œ œ œ œ œ ŒGood Sam ar i tan.- - - -

A Not So Terrible ParableWords and Music by

ROB HOWARDArranged by Rob Howard

© 2016 More Like This Music (ASCAP)All Rights Reserved. Used by Permission.

EVEN IF YOU POSSESS A CCLI LICENSE, YOU MAY NOT COPY THIS MUSIC, INCLUDING THE LYRICS OR SCRIPT.If you want to learn more about recording or reproducing materials in this musical,

visit the publisher’s website at www.littlebigstuff.com.

Mysteriously q = 150



& b27

œœ œœ œœ œœ jœœ œœjœœ

Merc y and love were on

fœœ œœ œœ Œ ‰ jœœ

dis play, the- -

& b29

œœ œœ œœ œœ œœ œœlife of a wound ed man

jœœ œœ jœœ Œ œœwas saved. This-

& b31

œœ œœ œœ œœ œœ œœ œœstor y for the ag es, as

jœœ œœ jœœ Œ œœ œœyou will see, brings a- -

& b33

œœ œœ œœ œœ Œ ‰ jœœmes sage of hope for

jœœ œœ jœœ Œ œœ œœyou and me. It’s a-

& b35

œœ œœ œœ œœ œœnot so ter ri ble

œœ œœ œœ Œ ‰ J¿par a ble, a

(shouted)

- - - -

& b37

¿ ¿ ¿ ¿ ¿not so ter ri ble

¿ ¿ ¿ Ópar a ble.

4- - - -



& b43 4

ALISTAIR: Welcome to Master’s Peace Theater, I’m your host Alistair McAlister. Two thousand years ago, a rich young lawyer asked Jesus the question, “How do I get eternal life?” The answer? Love the Lord your God, and love your neighbor as yourself. Then the lawyer asked Jesus, “Who is my neighbor?” Instead of answering that question, Jesus told a fascinating story filled with mystery … danger … surprise … and truth!

ALISTAIR: “Welcome to Master’s . . . ” 8 8

& b63

œ Œ Œ œ œLove for your

œ œ œ œ œ Œneigh bor, we see-

& b65

œ Œ Œ œ œgrace for the

jœ œ jœ Œ œ œone in need. And you

& b67

œ œ œ œ œ œ œbet ter be lieve from be

œ œ œ œ Œ œgin ning to end there’s- - - -

& b n #69

œ œ œ œ œ œ œmore to the stor y of the

œn œ œ œ œ jœ ‰Good Sam ar i tan.- - - -



& #71

œœ œœ œœ œœ jœœ œœjœœ

Merc y and love were on

œœ œœ œœ Œ ‰ jœœdis play, the- -

& #73

œœ œœ œœ œœ œœ œœlife of a wound ed man

jœœ œœ jœœ Œ œœwas saved. This-

& #75

œœ œœ œœ œœ œœ œœ œœstor y for the ag es, as

jœœ œœ jœœ Œ œœ œœyou will see, brings a- -

& #77

œœ œœ œœ œœ Œ ‰ jœœmes sage of hope for

jœœ œœ jœœ Œ œœ œœyou and me. It’s a-

& #79

œœ œœ œœ œœ œœnot so ter ri ble

œœ œœ œœ Œ ‰ J¿par a ble, a

(shouted)

- - - -

& #81

¿ ¿ ¿ ¿ ¿not so ter ri ble

¿ ¿ ¿ Œ ŒUpar a ble.- - - -



SCENE 1

(The guests and employees, minus Binder and Barrister, enter the living room of the Inn, quietly talking among themselves. It’s a relaxing evening, though a terrible storm is raging outside. Alistair speaks to the audience, as he always will do.)

ALISTAIR: At the quaint Mountain Vista Inn, on a dark and stormy night, long ago in

1939, guests are assembling in the drawing room for a quiet dinner to follow. However, the evening will be anything but quiet!

SoundFX: “Doorbell”

(The front door bell rings, catching everyone’s attention. All run to the door, but dramatically stop short in fear. Jeeves finally goes to the door, bravely, and opens it. As he does, Guy Random, standing on the other side, falls into the room as if he was a board propped up against the door. All gasp or scream, then FREEZE.)

ALL: (all gasp) ALISTAIR: An injured man mysteriously appears on the doorstep. Who is he? What

happened to him? What does it all mean? You may be shocked … you may be amazed … you may laugh out loud. But you’ll not soon forget, as Master’s Peace Theater presents A Not So Terrible Parable!

SoundFX: “Suspense Accent”

(The guests UNFREEZE and revive Guy and help him to a couch. They stand on each side of the couch, as Guy Random sits alone in the middle of the couch. All are looking at each other, but Guy Random is staring straight ahead toward the audience. He checks his pockets as Alistair introduces him.)

ALISTAIR: The man? A real estate investor. His name? Guy Random. A guest of the

Inn who left earlier that day, planning to use the money he carried to buy property in the nearby town of Simpleville.

(Guy begins to become more lucid as the guests and employees attempt to revive him. All sit on the couch next to Random, except Grace, the only one who remains standing.)

YVETTE: Oh no! Who is it? GRACE: Yvette! This is one of our guests, Mr. Random!



(As Alistair introduces Grace, she looks toward the audience and preens, enjoying the introduction.)

ALISTAIR: The proprietor of the century-old, gracious Mountain Vista Inn is Mrs.

Grace S. Mountain-Vista, a pillar of the community. She cares for her guests and caters only to the crème-de-la-crème of clients.

(As Jeeves is speaking the next line, he stands and Grace sits.)

JEEVES: It’s him alright! He left this morning to look at some property he wanted to

buy! He had a lot of money with him, as I remember!

(As Alistair begins to speak, Jeeves looks toward the audience. Jeeves can straighten his jacket or vest or tie as he’s introduced.)

ALISTAIR: Nothing gets past Jeeves, the butler. If Mrs. Mountain-Vista is the heart and

soul of the Inn, Jeeves is the motor that makes it run smoothly. (During the next interactions, Jeeves sits and Yvette stands.) RANDOM: The last thing I remember was getting on the toll road to Simpleville. JEEVES: Are you alright? RANDOM: I’ll be okay, I guess. (pats his pants and coat) But … my money is gone! ALL

of it!

SoundFX: “Suspense Accent” YVETTE: Oh no! You were robbed and beaten! GRACE: Do you need a doctor? RANDOM: (looking at himself and realizing with surprise that he’s already bandaged) Well,

I’d say I would, but it appears that I’ve already been treated and bandaged! YVETTE: Oh no! You were robbed and beaten by a doctor! ALISTAIR: If Jeeves is the brains of the Mountain Vista Inn, Yvette the maid (searching

for a description) … isn’t. But as everyone knows, no mystery can be told without a maid and a butler.

GRACE: No, Yvette. Doctors don’t rob and beat people. Robbers do! YVETTE: Of course! “Robbers.” The name should have given it away.



GRACE: Clearly, Mr. Random was in no condition to get back to the Inn by himself, so somebody must have bandaged his wounds and brought him here.

RANDOM: (finding an envelope in his pocket) Look! An envelope! This wasn’t there

when I left. There’s writing on it! (reading the writing on the outside of the envelope) “Please take care of this man, I found him on the road to Simpleville. This should cover it for now. If you need more, I’ll give it to you.”

(Random then opens the envelope, and is surprised by its contents. He hands the envelope to Jeeves.)

JEEVES: There’s almost a hundred dollars in here! Who gave this to you? YVETTE: Who brought you here? RANDOM: I have no idea. I remember nothing!

SoundFX: “Suspense Accent” YVETTE: That’s … that’s TERRIBLE! (Yvette puts her forearm up and faints backwards into Jeeves’ arms.) ALISTAIR: Oh. And Yvette is a little … dramatic. JEEVES: (from the floor, reviving Yvette) No other clues? RANDOM: The only thing I’ve still got is my watch. (looks at the pocket watch) And it

looks like it’s been stepped on. That’s probably why they didn’t take it.

SoundFX: “Doorbell”

(Everybody turns melodramatically to look at the door as Grace walks over and opens the door somewhat fearfully. Ricki Blaine makes a grand entrance.)

ALL: (dramatically) RICKI BLAINE! BLAINE: In the flesh!

(As Alistair introduces Blaine, she stares dashingly at the audience, flamboyantly pulling out a small pad and pen from her trench coat to write down clues.)

ALISTAIR: Yes, Ricki Blaine! The most famous detective in the world. No case too big,

no cause too small!



GRACE: What brings a famous Private Detective out here on a night like this, Ms. Blaine?

BLAINE: I’ve been brought in to solve this case for the Simpleville City Toll Road and

I’ve come to see your Mr. Random. JEEVES: But Mr. Random doesn’t remember a thing! BLAINE: We’ll see about that. What about your other guests? YVETTE: I’m not sure we can be of any service, detective. All of our guests were in the

house all evening. BLAINE: All of ’em? GRACE: Well, except the lawyer Jenny Barrister, and the door-to-door Bible seller,

Brooks Binder. They’re checking in later tonight.

(As Grace says the words, the front door swings open and both Binder and Barrister come in from the terrible storm outside.)

BINDER: Whew! What a terrible storm! BARRISTER: Just about blew my Packard off the road! BLAINE: Well, well. It looks like the gang’s all here! Why don’t you all take a seat. (music begins to “Whodunit?”) BLAINE: Nobody leaves this room until we find out … whodunit!

SONG: “WHODUNIT?”

Dialog (begins meas. 24) BARRISTER: Surely you don’t consider me a suspect, do you detective? BLAINE: Maybe, maybe not. BARRISTER: You know I’d never hurt someone like that! BLAINE: I do believe you, Barrister. But … where were you on the night of the

crime? BARRISTER: Well, it happened tonight, and … I’m right here. BLAINE: Oh … yeah! Point one for you, Barrister! But I think there’s more to this

mystery. I’ve got more questions for you.



Dialog (begins meas. 55) BLAINE: You got anything you wanna tell me, Binder? BINDER: I don’t have any idea what you’re talking about! BLAINE: You afraid I’ll throw the book at you? BINDER: Not at all. Books are my business! You know I wouldn’t do such a horrible

thing like that to anyone. BLAINE: I think I believe you, Binder. JEEVES: Do you think the robbers knew he had all that money? BLAINE: Not sure. He might just have been … YVETTE: (interrupting with a joke she’s obviously been waiting a long time to use) … a

random victim?!



& b 44 8t7

27 BLAINE: “Nobody leaves . . . ”

& b9

Ó Œ œWho

KIDS fœ œ Œ Œ ‰ jœ

dun it? Let’s

œ œ œ œ œ œ Œhear the con fes sion.- - - -

& b12

‰ jœ œ œ œ œ œWho helped the wound ed man

œ œ œ œ Œ œon the street? Who- -

& b14

œ œ Œ Ódun it?

œ œ œ œ œ œ ŒWhat’s your sug ges tion?

‰ jœ œ œ ŒWe’re not sure- - -

& b17

œ# œ œ œ Œ œwho it could be. Step

œ œ Œ ‰ jœ œ œfor ward, now is the-

& b19

œ œ œ œ Ótime to ad mit,

œ œ œ œ œ œ œ œan swer the ques tion, and the- - -

& b21

œ# œ œ œ œques tion is: who

œ œ Œ Ódun it?

∑- - -

Whodunit?Words and Music by





Suspiciously q = 140



& b n #24 8

BARRISTER: Surely you don’t consider me a suspect, do you detective?BLAINE: Maybe, maybe not. BARRISTER: You know I’d never hurt someone like that!BLAINE: I do believe you, Barrister. But … where were you on the night of the crime?BARRISTER: Well, it happened tonight, and … I’m right here.BLAINE: Oh … yeah! Point one for you, Barrister! But I think there’s more to this mystery. I’ve got more questions for you.

BARRISTER: “Surely you don’t consider . . . ” 8

& #40

Ó Œ œWho

KIDS f œ œ Œ Ódun it?

œ œ œ œ œ œ ŒWhy the dis cre tion?- - - -

& #43

‰ jœ œ œ œ œ œWho helped the wound ed man

œ œ œ œ Œ œon the street? Who- -

& #45

œ œ Œ Œ ‰ jœdun it? They

œ œ œ œ œ œ Œleft an im pres sion.

‰ jœ œ œ ŒWe’re not sure- - -

& #48

œ# œ œ œ Œ œwho it could be. Step

œ œ Œ ‰ jœ œ œfor ward, now is the-

& #50

œ œ œ œ Ótime to ad mit,

œ œ œ œ œ œ œ œan swer the ques tion, and the- - -

& #52

œ# œ œ œ œques tion is: who

œ œ Œ Ódun it?

∑- - -



& # # # #55 8

BLAINE: You got anything you wanna tell me, Binder?BINDER: I don’t have any idea what you’re talking about!BLAINE: You afraid I’ll throw the book at you?BINDER: Not at all. Books are my business! You know I wouldn’t do such a horrible thing like that to anyone.BLAINE: I think I believe you, Binder.JEEVES: Do you think the robbers knew he had all that money?BLAINE: Not sure. He might just have been …YVETTE: (interrupting with a joke she’s obviously been waiting a long time to use) a random victim?!

BLAINE: “You got anything . . . ” 9

& # # #72

Œ œ œ œ œ œJust a lit tle more

fKIDS

œ œ œ œ œ Œun der stand ing

‰ jœ# œ œ œcould help find some- - - - -

& # # #75

œ œ œ œ œ# Œone out stand ing.

‰ jœ œ œ œ œ ‰ jœWho is the neigh bor that

œ œ œ œ œcame to the res cue?- - - -

& # # #78

‰ jœ œ œ œ œWe need the whole truth

‰ jœ œ# œ œ œ œand noth ing but the truth!

Ó Œ œStep-

& # # #81

œ œ Œ ‰ jœ œ œfor ward, now is the

œ œ œ œ Ótime to ad mit,- -

& # # #83

œ œ œ œ œ œ œ œan swer the ques tion, and the

œ# œ œ ˙ques tion is:- - -

& # # #85

∑ Ó Œ œwho

œ œ Œ Ódun it?- -



SCENE 2 ALISTAIR: Well, well, the plot thickens! Who came to the aid of the poor injured man?

Is the person who saved Mr. Random in the room? What about the robbers? Oh my, I can’t wait! Let’s get back to our story!

(Another doorbell ring startles the cast and Jeeves starts toward the door.)

SoundFX: “Doorbell” JEEVES: My turn.

(Jeeves opens the door with some trepidation, and Samantha enters carrying a pizza box.)

GRACE: Samantha Ayrton! It’s the delivery girl from Pizzapalooza in Simpleville! SAMANTHA: (looking at a slip of paper) Someone order a pepperoni, onion and strawberry

jam pizza?

(Everybody grimaces and looks at each other. Nobody remembers ordering a pizza.)

ALL: “Not me!” “Nope!” “No Way,” etc. RANDOM: That unusual smell … it’s familiar. SAMANTHA: (looking at her order sheet) That’s strange, they usually don’t get the address

wrong. GRACE: Even if there was a mix-up, I’m just glad you’re here—we need food! The

power just came back on and I haven’t been able to cook! (Jeeves takes the pizza from Samantha.) JEEVES: It’s cold! SAMANTHA: (seems to be hiding something) Oh … uh … well … I had a long drive. YVETTE: But it’s not that far to Simpleville! SAMANTHA: It’s been a longer trip than usual tonight, trust me. (leaving) Well, have a

good night! (Samantha bops out the front door and exits.)



GRACE: (suspiciously) She seemed in quite a hurry to leave … JEEVES: And the pizza was cold … as if she was doing something else … like robbing! BLAINE: Not now, Jeeves. Alright, spill it, Barrister! What happened tonight? BARRISTER: You’re the detective, Blaine. You tell me! BLAINE: Very well. Lucky for me, I brought along my Flashback Set. Bring it in!

(Yvette and Jeeves carry in the Flashback Set, a small backdrop in front of which a “doubled cast” pantomimes the described action in the next sequence. As the set is coming in, the doubled Guy Random lays down in front of the set.)

GRACE: Flashback Set? RANDOM: What’s a Flashback Set? BLAINE: What’s a Flashback Set? It’s the latest thing! Everybody is so visual today.

You can’t just tell a story anymore without show and tell! GRACE: How does it work? BLAINE: I tell the story of what happened, and the flashback artists act it out so you

can understand the facts!

SoundFX: “Flashback Set”

(Flashback artists wave at the others. At this point, the pantomime cast, Guy #2 and Barrister #2, comes to the set and perfectly, if overly dramatically, pantomime Barrister #1’s story.)

BLAINE: Okay, Barrister, you were driving up here from Simpleville on the toll road.

You saw Mr. Random lying on the road!

(Barrister #2 runs up and checks the man. She’s walking in “rain” under an umbrella.)

BLAINE: “Maybe,” you thought, “he fell out of an ambulance! Maybe he needs a

lawyer!” BARRISTER: No!



BLAINE: Yes! You thought about helping him but then, you wondered if it might be a trap. The crooks might be just over the hill, ya figured!

(Barrister #2 looks fearfully around, afraid of being robbed.) BLAINE: You wanted to leave, but you needed to know if that was legal. So you

checked in your Big Book of Laws!

(Barrister #2 has a brainstorm, then opens the Big Book of Laws—and has to put down her umbrella to do so. She sees something important, shows excitement, slams the book closed, picks up her umbrella and walks away smugly.)

BLAINE: And that’s when you left him in the mud. But, you see, Barrister, I matched

your tire tracks. BARRISTER: So? RANDOM: It’s coming back to me! Somebody checked on me, then drove away on the

other side of the road. Big car! A Packard. Just like the one … BLAINE: Ms. Barrister drives?

SoundFX: “Suspense Accent” BLAINE: So, you may not have been one of the robbers, Barrister, but it appears that

instead of helping the wounded Mr. Random, you hightailed it outta there! (Blaine gives a “ta da” gesture to the flashback scene. The flashback actors all

bow, and quickly carry the flashback set offstage; one of them hand the Big Book of Laws to Yvette before they go. Blaine continues talking to the other characters as they pack up and exit.)

BARRISTER: Nice story, detective, but the law is based on evidence, and you’ve got no

evidence! BLAINE: Don’t I? Yvette, bring out Ms. Barrister’s Big Book of Laws! (Barrister begins to look fearful as Yvette brings over the Book, which is dry.) BARRISTER: See? Just what I was tellin’ ya! Dry as a bone! If I was using it in the rain it

would be soaked. BLAINE: (dramatically opening the book) Except for the page where you looked up

“Who Is My Neighbor?” And that page is soaking wet!



ALL: (all gasp) YVETTE: This is terrible!

(Yvette puts her forearm up again and faints backwards into Jeeves’ arms.) BARRISTER: (politely) Is she gonna be okay? That’s like the third time. JEEVES: Happens a lot. Please go on with your tirade. BARRISTER: (sweetly) Thank you. (then to Blaine, angrily) Listen copper, I’m not taking

the fall for this! I know the law! I didn’t lay a finger on this man. Sure, I gotta love my neighbor! But this guy was just some palooka. If the law doesn’t say that I have to, why should I stick my neck out for him?

BLAINE: Ah, that is a very good question! Why would we stick out our neck … or lay

down our life … for somebody else? (music begins to “Because He First Loved Us”)

SONG: “BECAUSE HE FIRST LOVED US”



& 44 ∑t

1131 3

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‰ œ jœ œ œ œ œWe love be cause He

KIDS fœ œ œ ‰ jœ

first loved us. He-

&7 jœ œ jœ œ œ œ œ

showed us ful ly when Heœ œ œ ‰ jœ

sent His Son. The-

&9 jœ œ jœ jœ œ jœ

great est gift is ours

jœ œ jœ Œ ‰ jœto share with-

&11 jœ œ jœ œ œ œ œ

an y one, an y time,

œ œ œ œ Œ œan y where. Yes,- - - - -

&13

‰ œ jœ œ œ œ œwe love be cause He

œ œ œ Œfirst loved us.-

&15

‰ œ jœ œ œ œ œWe love be cause He


Because He First Loved UsWords and Music by





With energy! q = 146



&17 2

&19

œ œ œ œ œ œThis is how we know what

fSOLOœ œ ¿ ¿

love is; love is,

KIDS(shouted)

&21

œ œ œ œ œ œJe sus laid down His life

(SOLO) jœ œ jœ Œ œ œfor us. To who- -

&23

œ œ œ œ œ œev er’s in need, what can

œ œ ¿ ¿we give? We’ll give

KIDS(shouted)

-

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(SOLO) jœ œ jœ ÓHis love.

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¿ ¿ ¿ ¿ ¿ ¿We can share the love of

KIDS(shouted) ¿ ¿ Ó

Je sus.-

&29

‰ œœ jœœ œœ œœ œœ œœWe love be cause He

(sung)

œœ œœ œœ ‰ jJœ

first loved us. He-

&31 jœœ œœ jœœ œœ œœ œœ œœ

showed us ful ly when He


sent His Son. The-



&33 jœœ œœ jœœ jœœ œœ jœœ


jœœ œœ jœœ Œ ‰ jJœ

to share with-



œœ œœ œœ œœ Œ œan y where. Yes,- - - - -

&37

‰ œœ jœœ œœ œœ œœ œœwe love be cause He

œœ œœ œœ Œfirst loved us.-

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‰ œœ jœœ œœ œ œ œWe love be cause He

unison


&41 2

&43

œ œ œ œ œ œThis is how we know what

SOLOfœ œ ¿ ¿

love is; love is

KIDS(shouted)

&45

œ œ œ œ œ œpa tient and kind to ev

(SOLO) jœ œ jœ Œ œ œ’ry one. To who- - - -

&47

œ œ œ œ œ œev er’s in need, what can

œ œ ¿ ¿we give? We’ll give

KIDS(shouted)

-



&49

‰ jœ œ œ œ œ œa love that hopes and a

(SOLO)

œ œ œ Œlove that trusts.

&51



Je sus.-

&53


(sung)


first loved us. He-




sent His Son. The-




to share with-




&61



&63


unison




&65

∑ Ó Œ ‰ J¿“And

(chant)

&67

¿ ¿ ¿ ¿ ¿so we know and re

¿ ¿ ¿ ¿ ¿ly on the love God-

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¿ ¿ ¿ Œhas for us.

¿ ¿ ¿ ŒGod is love.

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‰ J¿ ¿ ¿ ¿ ¿Who ev er lives in

¿ Œ ¿ ¿love lives in- -

&73

¿ Œ Œ ‰ J¿God, and

¿ ¿ ¿ ŒGod in them.

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‰ ¿ J¿ ¿ ¿ ¿ ¿We love be cause He

¿ ¿ ¿ Œfirst loved us.”-

&77

¿ ¿ ¿ ŒFirst John four:

¿ ¿ ¿ ¿ ¿ Œ3

six teen and nine teen.- -

& b b b b b79


¿ ¿ ÓJe sus.-



& b b b b b81


(sung)


first loved us. He-

& b b b b b83 jœœ œœ jœœ œœ œœ œœ œœ



sent His Son. The-

& b b b b b85 jœœ œœ jœœ jœœ œœ jœœ



to share with-

& b b b b b87 jœœ œœ jœœ œœ œœ œœ œœ



& b b b b b89



& b b b b b91


unison


& b b b b b93



& b b b b b95


(shouted) ¿ ¿ ¿ Œfirst loved us.-



SCENE 3 ALISTAIR: Oh my! This is getting interesting! Well, if Ms. Barrister wasn’t the robber,

and she didn’t save Guy Random, that appears to leave only one suspect; Brooks Binder, the door-to-door Bible seller. If someone who makes his living with the Bible wouldn’t save a poor, injured victim, who would? And if he didn’t, why not?

(The doorbell rings again.)

SoundFX: “Doorbell” YVETTE: Who could that be on a night like this? (Blaine answers the door; again, it’s Samantha.) BLAINE: Ah ha! It’s Miss Samantha, with the pizza, in the doorway! RANDOM: What are you doing here? Again. SAMANTHA: I guess I should be asking you people. Someone ordered a large anchovy and

liver pizza. RANDOM: That’s horrible! SAMANTHA: You’re telling me! I don’t have time for prank orders! RANDOM: No, I meant the pizza. Who would order anchovy and liver? ALL: Ew! SAMANTHA: Let me guess. Nobody ordered it. But just keep it. Nobody else would want

it. Night. (Samantha bops out again, exiting.) RANDOM: That smell is familiar … BLAINE: Brooks Binder, I’ve got a few questions for you. I’m gonna cut right to the

last chapter. BINDER: You lookin’ for a revelation? BLAINE: Don’t play hardback with me, Binder! I’m lookin’ for answers! You sell

Books, Brooks?



BINDER: Bibles, Blaine. BLAINE: Bibles? I guess that makes you an expert on what’s in them. BINDER: I know everything there is to know about Bibles. Ours come with an eternal

guarantee. They’re bound only in the finest quality genuine imitation leather.

BLAINE: Expensive? BINDER: Imitation cows aren’t cheap. BLAINE: I get what’s on the outside, but whaddaya know about what’s between the

covers? BINDER: I know everything! We use the finest thin paper and all the words of Jesus

are printed in deluxe imported red ink. BLAINE: Okay then, what does that Bible say about helping people in need? BINDER: It probably talks about that, but I’m helping people every day. I’m selling

Bibles to people in need. And if you’re poor, I throw in the red ink for free. RANDOM: Hold it. Another familiar smell. (Random grabs a Bible from Binder) I

remember smelling imitation leather! He must be the one who saved me! BLAINE: Maybe, maybe not. You’re an open book to me, Binder. Bring out my

Flashback Set!

SoundFX: “Flashback Set”

(The flashback artists again bring out the Flashback Set—this time more quickly. They set it up and Guy #2 and Brooks Binder #2 act out the scene, miming the action described below. Guy #2 lays in front of the flashback set. Binder #2 mimes driving past.)

BLAINE: You were driving along and you saw something in the road. (Binder #2 “stops” his “car,” opening the “door,” he walks out.) You got out of your car and walked toward the man. (Binder #2 looks closely at the prone Guy #2.)



You didn’t recognize him as one of your customers, so you went back to your car.

(Binder #2 turns to return to his “car,” but his foot gets “stuck.” He tries to

unstick it during the following lines.) But when you did, your foot got stuck in the mud! BINDER: I’m not spineless, Blaine! You’re writing fiction! BLAINE: I’m writing nothing. You already wrote chapter and verse! Whoever walked

away from Random stuck their foot in the mud and when they pulled it out, the bottom of their left shoe came off!

(Binder #2 finally pulls his foot free and hands his left shoe to Blaine. Blaine

holds it up, giving the same “ta da” gesture as before. Binder #2 and Guy #2 bow, and quickly exit with the flashback set, as the scene continues.)

JEEVES: You don’t mean? BLAINE: Yes! Whoever left Mr. Random in the mud lost his sole! (holds out the muddy

shoe) BINDER: You saying I have no soul? YVETTE: (aside) Well, if the shoe fits … (Binder begins to walk away, but his walk is uneven.) BLAINE: Not so fast! Take a look at your left shoe, Binder.

(Blaine walks over and pulls up the cuffs of the pants. Binder sheepishly hands him his left shoe.)

BLAINE: Just as I thought, your left shoe has no sole.

SoundFX: “Suspense Accent” YVETTE: Ohhhh!

(Yvette begins to dramatically faint once again, but notices that Jeeves isn’t there to catch her. She immediately stands up straight, and with a disgruntled “Hmph!”, walks over to a chair and promptly faints onto the chair. The rest of the group looks at Jeeves disapprovingly, as if to say, “Where were you?”)



JEEVES: Hey, I can’t be there all the time! She’s supposed to yell “It’s terrible” first! BLAINE: So, what about loving and helping your neighbor, Binder? BINDER: (panicked, the jig is up) It’s not my fault! He was muddy! Can you imagine

getting mud all over new Bibles? No one will buy a muddy Bible. Besides, he’s not my neighbor—I’d never seen him before!

BLAINE: Ya just don’t get it do ya, Brooks? BINDER: What? BLAINE: It seems that you spend a lot of time with the Bible, but maybe not enough

time in the Bible. Or better yet, letting the truth of God’s Word get from here (points at the Bible) into here! (puts hand over heart)

(music begins “Your Word Is Alive”)

SONG: “YOUR WORD IS ALIVE”



& # # 44 4t15

35

& # #5

Ó ‰ jœ œ œIn Your Word

SOLO fœ œ œ jœ ‰ œ œ

I find truth, through out-

& # #7

œ œ œ œ ‰ jœI find You, Your

œ œ jœ œ jœfaith ful, stead y hand.- -

& # #9

œ Œ ‰ jœ œ œIn Your Word

œ œ œ jœ ‰ œ œI find love and I’m

& # #11

œ œ œ œ ‰ jœ œ œo ver come by Your pur

œ œ œ œ œsuit of all of us.- - -

& # #13

œ Œ Œ ‰ jœI’m

œ œ œ œ œ Œthank ful be cause- -

& # #15

‰ jœ œ œ œ œ œ œ œYour Word is a live. It’s chang ing

KIDS fœ ‰ œ œ œ œme, from the in side—- - -

Your Word Is AliveWords and Music by





Steady groove q = 108



& # #17

‰ œ œ œ œ œ jœ ‰ œ œ œhow I live, how I think, I be lieve,

œ ‰ jœ œ œ œ œYour Word is a live.- -

& # #19

‰ œ œ ‰ œ œ ‰ jœMy light, my life, Your

œ œ œ œ œtruth will be my guide.

& # #21

‰ jœ œ œ œ œ œI’ll fol low ev ’ry day,

œ ‰ jœ œ œ œ œYour Word is a live,- - -

& # #23

‰ œ œ ‰ jœ ‰ œ œwhoa, oh, oh,

œ ‰ jœ œ œ œ œYour Word is a live,-

& # #25


œ ‰ jœ œ œ œ œYour Word is a live.-

& # #27

Ó ‰ jœ œ œIn Your Word

œ œ œ œ œ œ œI find pow er, You are-

& # #29

œ œ œ œ œ ‰ jœmy strong tow er. I’ll

œ œ jœ œ jœnev er be a lone.- - -

& # #31

œ Œ ‰ jœ œ œIn Your Word

œ œ œ œ jœ ‰ œ œI find Your Son, He is



& # #33

œ œ œ œ jœ ‰ ‰ jœthe Sav ing One, the

œ œ œ œ œsac ri fice for us.- - -

& # #35

œ Œ Œ ‰ jœI’m

œ œ œ œ œ Œthank ful be cause- -

& # #37

‰ jœ œ œ œ œ œ œ œYour Word is a live. It’s chang ing

œ ‰ œ œ œ œme, from the in side—- - -

& # #39



& # #41



& # #43

‰ jœ œ œ œ œ œI’ll fol low ev ’ry day.

œ Œ Ó- -

& # # # # # #45

‰ jœ œ œ œ œ œI’ll nev er be the same.

˙ Ó-

& # # # #47

‰ Jœ œ œ œ œ œ œ œYour Word is a live. It’s chang ing

œ ‰ œ œ œ œme, from the in side—- - -



& # # # #49



& # # # #51



& # # # #53

‰ jœ œ œ œ œ œI’ll fol low ev ’ry day,

œ ‰ Jœ œ œ œ œYour Word is a live,- - -

& # # # #55



& # # # #57



& # # # #59



& # # # #61


œ ‰ jœ œ œ œ œYour Word is a live.

∑-



SCENE 4 ALISTAIR: Well, it would seem that we are in a conundrum. I don’t exactly know what

that is, but I believe we are in it. We know now that neither Barrister nor Binder saved Guy Random. And neither of them was involved with the robbers. Everyone else has an alibi. Or do they?

(There’s a doorbell; everyone startles.)

SoundFX: “Doorbell” RANDOM: That leaves only one person. SAMANTHA: (from outside) Pizza delivery! JEEVES: Samantha! (Jeeves opens the door and Samantha walks in carrying a wallet.) JEEVES: (triumphantly) Well look what we have here! Could it be Mr. Random’s

wallet? Empty! What do you have to say for yourself Samantha? SAMANTHA: I just found it out on the toll road. The robbers must have thrown it away! I

was on my way to bring it back!

SoundFX: “Suspense Accent” JEEVES: What a stroke of evil genius; delivering pizzas we didn’t order to find out

who was going to be out on the road tonight with money. Brilliant! (to Blaine) Good job, Detective Blaine! You helped us solve the crime ourselves! But if Samantha was with the robbers, who was it who saved Mr. Random?

SAMANTHA: Robbers? I’m not a robber. The police caught the robbers. They told me

when I delivered three meat lovers pizzas to them an hour ago. ALL: (everyone gasps) BLAINE: Jeeves, your logic would have been perfect except I was the one who ordered

the pizzas sent to the Inn! GRACE: You? YVETTE: Is this terrible? JEEVES: We don’t know yet, Yvette. Just don’t go too far from me!



SAMANTHA: What are you all talking about? BLAINE: Samantha, do you mind telling me what you did tonight? SAMANTHA: I was delivering pizzas all evening! ALL: “Oh sure!” “No way!” “Tell the truth!” etc. BLAINE: Anything unusual happen? SAMANTHA: You mean, out on the toll road? Yeah! I found that man right there who

looked like he had been robbed! (to Random) Don’t you remember? RANDOM: Not … really. BLAINE: Random, Samantha is actually the person who rescued you! SAMANTHA: I had so many pizzas to deliver, I couldn’t stay with him until after my shift

tonight. So I brought him here and left money for medicine. I was coming back later to make sure I had left enough!

JEEVES: You believe that? Have you lost your senses, Blaine? BLAINE: We’ll see right now.

(All look around self-nervously as Ricki walks over to Random, and starts to take off a bandage.)

GRACE: What are you doing? BLAINE: (looking at the bandages) Just as I thought. These aren’t regular bandages,

they’re pizza napkins! You wanna read what the napkin says, Random? RANDOM: (reading) “Pizzapalooza Pizza Parlor, Simpleville!” (Everyone’s head swings to look at Samantha.) BLAINE: Samantha, can I take a look at your order book please? (Samantha hands it to him.) BLAINE: You have your tips for the day listed here. They come to ninety-four dollars

and twenty-one cents. Mr. Random, how much money did you count in that envelope in your pocket?



RANDOM: (looks in the envelope and briefly counts. He looks up, stunned.) Ninety-four dollars and twenty-one cents.

BLAINE: Why’d you leave almost a hundred dollars, Sam? SAMANTHA: ’Cause that’s all I had. RANDOM: So that’s why I remember the pizza smell. GRACE: Why didn’t you tell us? SAMANTHA: (smiling) You didn’t ask! I mean … it’s nothing special. Any of you would

have done the same thing! Right? (Those in the room start looking around awkwardly.) (music begins to “Jesus Came to My Rescue”) SAMANTHA: I mean … Jesus rescued me! He had mercy on me! How can I not help

somebody else who needs mercy? Right? … Right?

SONG: “JESUS CAME TO OUR RESCUE”



& b b b b b 44 8t18

38 SAMANTHA: “I mean . . . ”

& b b b b b9

jœ œ jœ œ œ ŒRich in mer cy,

SOLO F jœ œ jœ œ ‰ jœfull of love, You-

& b b b b b11

jœ œ jœ œ œ œsent Your Son to save

œ œ œ Óus.

& b b b b b13

œ œ œ œ œ œWhile we all were

œ œ œ œ ‰ jœlost in sin, You

& b b b b b15

œ œ œ jœ œ jœgave the great est gift,

˙ ‰ jœ œ œthe sac ri- - -

& b b b b b17

œ œ œ jœ œ jœfice we could n’t give.

˙ Œ œ œThere is

KIDS F-

& b b b b b19

Œ œ œ œ œmer cy we don’t

œ œ œ Œ œ œde serve. There is- -

Jesus Came to Our RescueWords and Music by





With meaning q = 126



& b b b b b21

Œ œ œ œ œgrace we could nev

œ œ œ Œ ‰ jœer earn, and-

& b b b b b23

œ œ œ œ œ Œhope be cause of what

œ œ œ œ œ œJe sus has done for us.- -

& b b b b b25

˙ Œ œ œLet the

œ œ œ œ œworld hear the good news:

& b b b b b27

˙ Œ œ œJe sus

œ œ œ œ œcame to our res cue.

w- -

& b b b b b30 2 Ó Œ ‰ jœ

A

& b b b b b33

jœ œ jœ jœ œ jœsin less life He came

œ œ œ œ ‰ jœto live, a-

& b b b b b35

jœ œ jœ jœ œ jœsac ri fice He came

œ œ œ Óto give.- -

& b b b b b37

‰ œ jœ jœ œ jœNow all who call

jœ œ jœ œ œ œ œup on the name of-



& b b b b b39

œ œ œ jœ œ jœJe sus shall be saved.

˙ Œ ‰ jœOur-

& b b b b b41

œ œ œ jœ œ jœGod has made a way.

˙ Œ œ œThere is

& b b b b b43


œ œ œ Œ œ œde serve. There is

Œ œ œ œ œgrace we could nev- - -

& b b b b b46

œ œ œ Œ ‰ jœer earn, and

œ œ œ œ œ Œhope be cause of what


& b b b b b49

˙ Œ œ œLet the

œ œ œ œ œworld hear the good news:

˙ Œ œ œJe sus-

& b b b b b52


w ∑-

& b b b b b55 4

READER 1: “For all have sinned and fall short of the glory of God.” Romans 3:23

READER 2: “But because of his great love for us, God, who is rich in mercy, made us alive with Christ even when we were dead in transgressions—it is by grace you have been saved.” Ephesians 2:4-5

READER 1: “For all have . . . ”



& b b b b b n n b b b59 7READER 2: “But because . . . ”

Ó Œ œ œThere is

f

& b b b67


œ œ œ Œ œ œde serve. There is- -

& b b b69

Œ œ œ œ œgrace we could nev

œ œ œ Œ ‰ jœer earn, and-

& b b b71 œ œ œ œ œ Œ

hope be cause of what


& b b b73

˙ Œ œ œLet the

œ œ œ œ œworld hear the good news.

˙ Œ ‰ jœWe’re

& b b b76

œ œ œ œ œ œ3 3

all un de serv ing but

œ œ œ œ œ3

Je sus shows merc y.- - - - -

& b b b78

œ œ œ œ œCome hear the good news:

˙ Œ œ œJe sus

rit.

-

& b b b80


w ∑U-



SCENE 5 ALISTAIR: So, it seems our mystery has been solved. Or has it? Jenny Barrister is an

expert in the law! Brooks Binder knows every word of the Bible, cover to imitation leather cover, in black, white and red. Why then would they both ignore an injured man and leave him in the mud? What would we do? Should we be surprised that the lowly pizza delivery girl was the only one to stop and rescue the man? And why do I keep asking questions, when I seem to already know the answers?

BLAINE: Well, my work here is done. The robbers are in the slammer, Mr. Random

is on the mend, and the toll road is safe. YVETTE: Simply brilliant, Detective Blaine! How did you solve the mystery? BLAINE: It’s the oldest trick in the book; distract someone enough with a small thing

and they’ll miss the big picture! But in a way, I’d say that you all solved it yourselves. Right, Ms. Barrister?

BARRISTER: Yes. It seems as if I fell for the old trick. I focused on the letter of the law,

but completely missed the most important part: “Love God and love your neighbor.”

BLAINE: What about you, Binder? Any easier to read this story now? BINDER: I’m ready to turn the page, detective. Even though I only need to sell one

more Bible this month to get a sales bonus, I’m not gonna sell this one. I think I’d better keep it; it’s about time I get to know what’s really inside those covers. I think it might change my life!

JEEVES: And I owe you an apology, Samantha. I’m afraid I’ve spent so much energy

expecting the worst in people, I failed to even recognize my neighbor. YVETTE: That’s … JEEVES: You’re right, Yvette. That’s terrible! (this time Jeeves faints and Yvette catches

him) GRACE: There’s still one important mystery left to solve. ALL: (ad libs) What’s that? GRACE: I call it; “The Mystery of What I’ll Serve for Dinner!” SAMANTHA: Well, I have five more pizzas in the car.



YVETTE: Not Anchovy and Liver! (music begins to “Every Day”) SAMANTHA: No, sorry. All I have left are pepperoni! RANDOM: If my watch still worked, I’d say it was pizza time. (pulls out the envelope of

money) Regardless of what time it is, I’m buying!

SONG: “EVERY DAY”



& b 44 8t19

39 SAMANTHA: “No, sorry . . . ”

& b9

Ó œ œ œEv ’ry day,

KIDS f ‰ jœ œ œ œ œwe’re gon na love the- -

& b11 jœ œ jœ Œ œ œ

Lord our God with our

œ œ jœ œ jœheart, soul, mind, and strength.

& b13


‰ jœ œ œ œ œwe’re gon na love our- -

& b15

‰ œ jœ Œ ‰ jœneigh bor as

œ œ jœ œ jœwe would love our self.- -

& b17

Ó jœ œ jœWe will live

Œ ‰ jœ jœ œ jœto love our God,

& b19

Ó jœ œ jœand we’ll love

Œ ‰ jœ œ œ œto live for His

Every DayWords and Music by





With excitement q = 150



& b21

œ Œ œ œ œname ev ’ry day,

Ó œ œ œev ’ry day,- -

& b23

Ó œ œ œev ’ry day.

∑ Ó Œ ¿ ¿It’s the

(chant)

-

& b26

¿ ¿ ¿ Œ ¿ ¿first, the first. It’s the

¿ ¿ ¿ ¿ ¿ ¿ ¿great est, yeah great est. It’s the- -

& b28

¿ ¿ ¿ ¿ ¿ ¿num ber one com mand

¿ ¿ ¿ ¿ ¿ Œment. Here it is.- - -

& b30

¿ ¿ ¿ ¿ ¿ ¿ ¿“Love the Lord your God with

¿ ¿ ¿ Œ ¿ ¿all your heart, and with

& b32

¿ ¿ ¿ Œ ¿ ¿all your soul, and with

¿ ¿ ¿ Œ ¿ ¿all your mind, and with

& b34

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¿ ¿ ¿ ¿ ¿ ¿sec ond is this: Love your-

& b36

¿ ¿ ¿ ¿ ¿ Œneigh bor as your self.

¿ ¿ ¿ ¿ ¿ ¿There is no com mand ment- - - -



& b38

¿ ¿ ¿ ¿ Œgreat er than these.”

¿ ¿ ¿ ¿ ¿ ¿Mark twelve: thirt y thirt y- - - - -

& b40

¿ Œ œ œ œone. Ev ’ry day,

(sung) ‰ jœ œ œ œ œwe’re gon na love the- -




& b44



& b46



& b48



& b50



& b52





& b54


∑ Ó ‰ œ jœShow kind- -

& b57

œ œ Œ ‰ œ jœness, show mer

œ œ Œ ‰ jœ œ œcy, show the world- -

& b59

œ œ jœ œ jœthat God is love.

Ó ‰ jœ œWe’re His

& b61

œ Œ ‰ jœ œhands, we’re His

œ Œ ‰ jœ œ œfeet, and the world

& b63 jœ œ jœ œ œ œ

needs to know the a

œ œ œ Œ œmaz ing love God- -

& b65

œ œ œ œ œhas for all of us.

w

& b n #67


‰ jœ œ œ œ œwe’re gon na love the- -

& #69 jœ œ jœ Œ œ œLord our God with our




& #71



& #73



& #75

Ó J¿ ¿ J¿We will live

(shouted) Œ ‰ J¿ J¿ ¿ J¿to love our God,

& #77

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& #79

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& #81

Ó Jœ œ jœand we’ll love


& #83



& #85

Ó ¿ ¿ ¿ev ’ry day.

(shouted) ∑-



SCENE 6 ALISTAIR: Whether or not we realize it, we are all like the man left for dead in the

parable of the Good Samaritan. The Bible says that we were dead in our sins. Trying to be good couldn’t save us. “Religion” couldn’t save us. But Jesus, the true Good Samaritan, came to rescue us. He was despised and rejected. He was beaten so we could be whole. He was whipped so we could be healed. Jesus paid the cost so we can live. Because Jesus has been such a good neighbor to us, we can be a good neighbor to others.

You may be wondering what happened to these people after that fateful night? Jenny Barrister and Brooks Binder realized the emptiness of their attitudes and together formed a non-profit organization to patrol the highways and help those in need.

Samantha moved her pizza shop to the Mountain Vista Inn, where it was wildly successful. Every day, several pizzas get mysteriously delivered to hungry people who didn’t order them. Mistake … or someone being a good neighbor?

And Guy Random? He went into business selling Flashback Sets to church drama groups. Ricki Blaine is still a detective, but living fairly well on the royalties Mr. Random pays her.

And me? All this good news is making me hungry! We hope you’ve enjoyed A Not So Terrible Parable, presented by Master’s Pizza … I mean, Master’s Peace Theater!

(Alistair walks from his chair to the living room set and joins the impromptu pizza party.)

(music begins to “A Not So Terrible Parable Curtain Calls”)

SONG: “A NOT SO TERRIBLE PARABLE CURTAIN CALLS”



& 44 4t20

40 BECAUSE HE FIRST LOVED US (Howard) 12

&17



Je sus.-

&19


(sung)fœœ œœ œœ ‰ j

Jœfirst loved us. He-




sent His Son. The-




to share with-




&27



A Not So Terrible Parable Curtain CallsWords and Music by





With energy q = 146



&29


unison


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∑ Ó Œ ‰ J¿“And

(chant)

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&35

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&37

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¿ Œ ¿ ¿love lives in- -

&39

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&41


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&43

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¿ ¿ ¿ ¿ ¿ Œ3

six teen and nine teen.- -



& # #45


¿ ¿ ÓJe sus.-

& # #47


(sung)


first loved us. He-

& # #49 jœœ œœ jœœ œœ œœ œœ œœshowed us ful ly when He


sent His Son. The-

& # #51 jœœ œœ jœœ jœœ œœ jœœgreat est gift is ours


to share with-

& # #53 jœœ œœ jœœ œœ œœ œœ œœan y one, an y time,


& # #55



& # #57


unison


& # #59





& # #61


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& # # n n b63 2

& b65


(sung)

EVERY DAY (Howard)

With excitement q = 150

‰ jœ œ œ œ œwe’re gon na love the- -




& b69



& b71



& b73



& b75





& b77



& b79


∑ Ó ‰ œ jœShow kind- -

& b82

œ œ Œ ‰ œ jœness, show mer

œ œ Œ ‰ jœ œ œcy, show the world- -

& b84

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Ó ‰ jœ œWe’re His

& b86

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œ Œ ‰ jœ œ œfeet, and the world

& b88 jœ œ jœ œ œ œ

needs to know the a

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& b n #90

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w Ó œ œ œEv ’ry day,-

& #93

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jœ œ jœ Œ œ œLord our God with our-



& #95


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& #97

‰ jœ œ œ œ œwe’re gon na love our

‰ œ jœ Œ ‰ jœneigh bor as- -

& #99

œ œ jœ œ jœwe would love our self.

Ó J¿ ¿ J¿We will live

(shouted)

-

& #101

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Ó J¿ ¿ J¿and we’ll love

& #103

Œ ‰ J¿ ¿ ¿ ¿to live for His

¿ Œ Jœ œ jœname. We will live

(sung)

& #105


Ó Jœ œ jœand we’ll love

& #107


œ Œ œ œ œname ev ’ry day,-

& #109

Ó œ œ œev ’ry day,

Ó ¿ ¿ ¿ev ’ry day.

(shouted) ∑- -



Documents

A NOT SO TERRIBLE PARABLEwckidzpraise.com/uploads/3/4/1/6/34163191/a_not_so...A Not So Terrible Parable - Script and Lead Sheets Created by Steve Moore, Deborah Craig-Claar, Rob Howard,