LIBRARY OF THEUNIVERSITY OF ILLINOIS

AT URBANA-CHAMPAICN

The person charging this material is re-

sponsible for its return to the library from

which it was withdrawn on or before the

Latest Date stamped below.

Theft, mutilation, and underlining of books

are reasons for disciplinary action and may

result in dismissal from the University.

UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN

L161— O-1096

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POOR PY

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^ourcnir Score

% Pai& an& & PijfyAN OPERETTA

**

PRODUCED BY

Illinois Union Bramatic Club

OF

Cl)e University of KUtnots

Book by Music by

W L VANSANTFLOYD WILLIAM MOHLMAN

Lyrics by H. N. BYERS

R. F. FIELD

Champaign -Hrbana : Audi 25 & 24, 1915

Staged under direction of H. P. STOTHART

Orchestrations by WILLIAM THOMAS PURDY Manager, H. W. DEAKMAN

Score Publisher, C. M. FERGUSON

Copyrit'ht MCMXV by C. M. Ferguson

usincss Staff

RENNER KOHLGLOVER BRAZEAU ASHBECK HUMPHREY

KUHN MOLTER DEAKMAN DEISS FERGUSON

Opening Chorus

The Legend of Armand

Waiters' Dance

Running a Modern Hotel

Life on a Cattle Boat

The Last Waltz

The Ragtime Saxaphone

Keep It Quiet

Finale -

Blusfral Jlrogram

CONTENTS

ACT I.

Peasants and Hotel Guests Page 1 3

- - - Pierre

Waiters

Jacques and Waiters

Harrison, Ted, "Healthy" and "Bunk"

Connie and Harrison

"Bunk" and Chorus

Sir Geoffrey and Chorus

Ensemble

19

24

25

28

32

35

38

42

ACT II.

(a) Dance of the Cavern Sprites

10. Opening Chorus -( fc ) Ensemble of Guests

1 1

.

Ingenuity --------- Cochette, Amelia and Girls

12. Little Bit o' Lady ... - - "Bunk," "Healthy," and Ted

1 3. Some Day ._._----- Connie and Harrison

14. Paradise a la Carte - "Healthy"

15. The World's All Bright For Me - - Harrison

1 6. The Classical Rag - - "Bunk" and Chorus

1 7. Dance Dramologue ------------

48

53

56

60

63

66

69

73

CAST OF CHARACTERS.

Jacques, proprietor of the Inn -

Pierre, an old peasant ...."Bunk" Jordan, a young American

"Healthy" Daniels, a young American

Harrison Payne, in love with Constance

Ted Stewart, son of Hiram Stewart

Hiram Stewart, the "Pretzel King"

Geoffrey Hastings, an Englishman

Constance Stewart, daughter of Hiram Stewart

Phyllis, an American girl

Amelia, an American girl ...Cochette, a Parisian dancer - - * -

Tom and Jerry, waiters ....

Hale P. Byers

Edward D. Wallace

Bart Macumber

Stephen M. Birch

Raymond E. Denz

- Waldo L. Schlueter

Scott McNulta

Monroe Heath

- Marshall S. Dutton

Fred L. Mills

Elmer C. Dewey

Walter S. Frazier

Arthur S. Metzler and Don T. Swaim

S. R. Derby

W. H. Beal

R. A. Bryant

W. M. Siemens

P. M. Boston

C. L. Weems

B. F. Rusy

CHORUSES

Men

N. C. Strathern

R. T. Williams

C. E. Fraser

J. B. Caroll

T. A. Haish

L. T. Jenner

D. A. Armstrong

W. K. Crawford

W. P. Beaubien

A. E. Fleming

G. E. Scott

E. T. Mackie

F. D. Griffith

Girls

C. D. Wagstaff

W. H. Browne

L. M. Winters

B. T. Curtis

R. L. McKown

R. F. Vansant

SETTING.

Act I—Garden of La Belle Cavern Inn.

Act II—Ballroom of La Belle Cavern Inn (Evening of Same Day).

BUSINESS STAFF.

Business Manager - - - - - - - - H. W. Deakman

Assistant Business Manager .--.-.. W. G. Emmond

Stage Manager and Assist. Bus. Manager .... IVI. Wolter

Property Man ---------E. H. Renner

Assistant Property Man - - - - - - -G. W. Stoddard

Assistant Property Man -----_-_C. Brown

Wardrobe Manager - - - - - - - - E. F. Brazeau

Stage Carpenter - - - - - - - - -J. L. Kohl

Electrician ...-...._ W. Q Deiss

Assistant Electrician -_-_--. K. B. Humphrey

Advertising Manager ........ W. H. Kuhn

Assistant Advertising Manager ...... W. L. Ashbeck

Press Agent ... - D. M. Glover

Publisher of Score - - - - - - - -CM. Ferguson

Mnturrsftu of 311! nais

Stubents Hmoit

dramatic Club

DUTTON FERGUSON FULLER

WOLTER JARV1S

DEAKMAN PEYRANT ROOT

OFFICERS

President Kimball V. Root

Secretary - - Donald M. Glover

Business M'g'r, Homer W. Deakman

President of Union, Arthur A. Odell

KIMBALL V. ROOT II. W. DEAKMAN

MEMBERS.

Post Graduates.

Floyd W. Mohlman Lewis T. Gregory

Seniors.

Kimball V. Root

Homer W. Deakman

Clarence M. Ferguson

Harold C. Fuller

Marshall S. Dutton

Harry F. Cogdall

David T. Larson

William B. Jarvis

John M. Welch

Juniors.

Donald M. Glover

Verne W. Beal

George C. Feller

Fred L. Mills

M. Wolter

W. H. BENNETT H.N. BYERS F. W. MOHLMAN

npHE Illinois Union Dramatic Club, as the name implies, is a dependency of the Illinois Union;

dependent in the sense that the Union assumes all financial responsibilities for its productions and

is the recipient of the proceeds from such. These funds are added to the general fund derived from

student memberships, helping toward the future erection of a Union building.

The Dramatic Club was organized in the spring of 1911 by the cast, chorus, and managerial

staff of the "Maid of the Moon," the first musical comedy ever given at the University of Illinois. It

has devoted its efforts to the production of comic operas, written by the students of the University. The

growing interest of aspiring playwrights and would-be actors, together with keen competition, has gone

a long way toward establishing the annual production of an amateur operetta at Illinois.

The product of the Club's efforts in this form of entertainment has always been of the highest

type; realized through the hearty co-operation of the faculty and students. The Faculty Committee

on Student Activities is to be thanked for its generous help and constructive criticism, and the student

body for its co-operation in production and support.

KIMBALL V. ROOT,

President.

Given :

—

1

.

A Bool(, filled with situations of real musical

comedy merit.

2. A Score, containing melodious, whistleable

tunes.

3. A Cast, of principals, all of whom have ex-

ceptional ability.

4. A Chorus, of lusty, vigorous, but yet charming

chorus "ladies."

5. A Managerial Slaff, conscientious and willing.

The RESULT:—An Unqualified Success.

HERBERT P. STOTHART.

W. L. VAN SANT R. F. FIELD

A FTER a period of two years the management of the Illinois Union Dramatic Club has the privilege

and pleasure of again presenting an opera written and acted by men. It was indeed unfortunate

that a combination of circumstances prevented the production in the year just passed. The lack of expe-

rience caused by this has been a considerable handicap to the people in charge, but all concerned have

risen to the occasion admirably and have performed their several duties in a very creditable manner.

"A Maid and a Myth" is a product of the combined efforts of Messrs. Van Sant, Field, Bennett,

Mohlman and Byers, and represents the culmination of their efforts to contribute something worth while

to the dramatic history of the University. These efforts have not been in vain, for an opera worthy of

this University and its dramatic talent has been produced and has met with the approval of the public.

No small part of this success is due to the untiring efforts of Mr. Herbert Stothart, a man expe-

rienced not only in professional producing, but also in the handling of college productions such as this.

His wealth of new dances and figures, as well as his ability to coach singing, acting and dancing, has

combined to insure the success of an otherwise difficult piece of work.

I wish to, personally, express my thanks to the Business Staff for their efficient and ready services.

Many problems and much hard work is done by these men behind the scenes for which they get no re-

ward. None of the honors of the footlights come to them in return for their labors. I sincerely trust

that their efforts will result in the fulfillment of the object of this organization—the collection of a sum

for the Student Union Building.

HOMER W. DEAKMAN,Business Manager.

SYNOPSIS.

A ROUND the quaint old Cavern Inn there has sprung up a curious

legend concerning the mysterious disappearance, some four cen-

turies previous, of Armand, the first Prince of Brittany. The Prince, so

it seems, had planned to elope with a peasant girl, but is prevented from

doing so by his father's horsemen, who pursue the unhappy Prince into

a cave. He is never seen nor heard of again. Supposedly, his spirit

still lurks in the cavern, exerting its influence over affairs of the heart.

"Once each year," runs the legend, "he returns to earth for a night, to

settle the love affairs of his people." He is called the Prince of Love.

The action of the play takes places on the afternoon and night of

Armand's annual appearance.

To the Cavern Inn come Hiram Stewart, the "Pretzel King," and

his daughter Constance, who has recently fallen in love with Harrison

Payne, a friend of her brother. But, as of old, the course of true love

is ever a rough one, so it is not surprising that Hiram Stewart disapproves

of Harrison. Hence the trip to the fashionable watering-place. Also,

HERBERT P. STOTHART ^ American millionaire fondly hopes to find an aristocratic husband

for Constance. Such a one is found in the person of Sir Geoffrey Hastings, man of many conquests, his latest being

Cochette, a famous Parisian dancer. But bigger game, in the person of Constance Stewart, heiress, causes Sir Geof-

frey to abandon Cochette, who vows vengeance. To complicate matters, Ted Stewart, along with Harrison Payne,

and party have unexpectedly arrived on the scene while en route from New York to "Gay Paree," via a cattle boat.

In their efforts to escape from the boat at first sight of land they unwittingly stumble into the garden of the Cavern Inn.

But Hiram Stewart and his new found ally, Sir Geoffrey Hastings, are halted only for a moment, and by means

of a bundle of love letters, supposedly belonging to Harrison, Constance is influenced to become engaged to the Eng-

lishman. Also, Sir Geoffrey has apparently performed a brave deed in rescuing Constance from the ocean.

And so a grand fete is announced to tnke place that very

night in honor of Constance Stewart's betrothal to Sir Geoffrey

Hastings.

But here enter the legend. It is discovered that the Armand

story is merely a hoax, perpetrated by Jacques, owner of the

Cavern Inn, and Pierre, an old peasant, for advertising pur-

poses only. Harrison Payne by chance is cast for the role of

Armand. It is twelve o'clock, the time appointed for Armand's

appearance ; the betrothal banquet is at its height when Harri-

son appears. Cochette has been engaged to render her famous

dance for Hiram Stewart's guests. Meanwhile that gentleman

has become suspicious of his daughter's fiance, so is not sur-

prised when by a series of startling surprises Sir Geoffrey's

true character is made plain. Hence the usual denouement,

and finale. denz AND dtjtton

O

. .

Opening Chorus Aet I.

Lyric byR.F. FIELD.

PRELUDE.

13

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Running A Modern HotelJAQUES AND WAITERS.

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27

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Life On A Cattle BoatQuartette (BUNK, HEALTHY, TED and HARRISON.)

Words by R. F. FIELD.

INTRO Music by H.N. BYERS

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cat - tie boat On a cat - tie boat. All you get for break -fast is

cat - tie boat A cat - tie boat- It's a ten de - cade trip from

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iff J' J> J» J' J' ^N^ Chorus

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prunes and a knife on a cat - tie boat. A cat

old Cork to New York a cat - tie boat. A cat

tie boat. You

tie boat. I re

29

#lunch up

mem - ber

Pon

a

tim - o

cow that

thy

I

dine up - on chaff

bunked with last trip.

Health y

At

A

f^rrirY^- ), I J': J^ J?^te

Chorus

h£=k

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night you sing lull - a - bys to some sick calf on a cat tie boat. On a

sweet lit - tie calf when she board - ed the ship, but old age did it's work She grew

$M s

cat - tie boatr^ I I P P

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my boy nev - er ship on a catf=r :=

fs feiSI

tie boat.

thin and thin- ner she died four days out and we had her for din - ner.

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CHORUS

fr' j * U'ig=£ ^ ^ *it; a

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rid - ing the waves on a

30

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cat - tie boat you say to your - self your all kinds of a fool And

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J' J> J>1sigh for the day when you'll reach Liv - er - pool Work, work,M *EEEf

ft tempo

work

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laugh ha! ha!

Jr-jrrJ ^J Ji Jr

and you laugh he! he! to the

Life on a Cattle Boat. 4.

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low who sings of a life on

i

the sea And you

a

P^Tempo deliberatum

a

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pay might - y well for your trip to Par - ee As

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ev - er the hil lows you float.

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Life on a Tattle Boat.

4

Lyrics by

R.F. FIELD and

W.L.VAN SANT.

The Last WaltzCONNIE AND HARRISON. Music by

WH. BENNETT.

Tempo di Valse.

r if \ JiJ

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iw-

(Ife)Oi\c,e mce we drift

(She)Dea,r boy;

why sad

if Mto the strains of a

on this won - der - ful

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waltz That is plain - tive sweet and low.,

night, That was meant for you and I,

—

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Once more we are

For your arms I am

t-it-5E«

t--ir--t

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dano - ing to mu - sic en

burn - ing for love I am

f 1 *

ten.

tranc - ing, I steal a last

yearn - ing But hours are

WEkiss e'er wefast pass - ing'

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few.

33

IS ? if#^ 9 *-

Passed in the night and the birds are a' sing nig*

Spring's in the air and youth still is with us

go.

by-

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Sad the fare - well that the morn- ing is bring -ing, To me)

who must

Sweet is the mess - age of hope that it bring us, So why;

talk of

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K^ t—rw. r*m ^-&*

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part with the one I a dore n Af-ter one

pain that may come yet in vain;

On this great

won-der-ful waltz:

night of all nights:

Not too slow.

L jlM MN i'J^I Ml J- >J I

J is

I seem to be lost in the maze of a dream It's a won-der-ful dream of

34

4 1 J l'" i r ' r^ love I

r i

p p i f r r ij~j "i

WI feel your warm breath on my cheek it car - ess-es

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i 1,1 1 1 mm afeel your wee hand on my arm as it press-es You near - er and near - er <J

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^ P^dear are those sighs That I hear, are those tears in your eyes

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mreel-ing, the. feel-ing comes stealing That this wonderful waltz means good-bye

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The Last Waltz. 3.

Words by

R.F. FIELD.

That Saxaphone Rag(BUNK)

35

Music by

HALE N.BYERS.

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g £Oh! Oh! Oh! what

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is that hon-ey)

Oh! Oh! Oh! what is that snap-py hap-py mel-o - dy

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syn-co - pat - ed strain It must be Pad-er - ews-ki wear-ing Ted-dy Sny-der's

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brain Oh hear it moan.

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so ve - ry lan-gur- oris and la- zy. It

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33

P- P p p I Up |wJ'.MJ' J'J^pl^^^trips a -bout and twin-kles in a way to drive you era- zy, Oh! what life, what

iJu iJ^ii) J^'.H V J-'.M^^

bar- mo - ny,what tone, play-ing on his rag-time sax- a - phone.

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CHORUS.

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Ea-sy, ea- sy,

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now he's gone, play-ing on his rag- gy, jag-gy

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sax - a - pione, Dip- ping- to the low notes skip-ping to the high,

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Slip - ping- in a min - or in a way to make you cry. Well he

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got the peo - pie hum-ming

SH ±Hear 'em all a hum-ming u-m-m

iit

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h »jl I i> ^^ Jl I J^ .J) Jl^sp^?m that's why I hrag 'Bout his cree - py syn - co - pa - tion it's the

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great-est in the nation When he plays that sax- a -phone rag.

38

Lvrics by

R.F. FIELD.

Keep It Quiet(SIR GEOFFREY and CHORUS) Music by

W H. BENNETT.

Allegro

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l'm going to make a con - fi-dence, If you will keep it dark Keep it

No meth - od is too des - per-ate, If I can win her hand Keep it

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qui - et. Sh!

qui - et. Sh!

Keep it qui-et.

Keep it qui-et.

No one has yet sus

For I am quite de

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pec - ted me And I have made my mark Keep it qui - et sh!

ter -mined that the for - tune I shall land Keep it qui-et sh!m f ¥ -T—

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m $^ $s?Keep it qui - et.

Keep it qui -et.

Now 1 am ve - ry vil - lain-ous. Each

If an - y - one came med - 'ling. Then pre-

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I'm going to wed

To shed a keg

a girl for gold and

o' hum - an blood I

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have a dread - ful

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thirst

Her friends and lov - ers

And so the man who

I de - fy, I'll

balks me Has be

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baf - fie all the lot Keep it qui - et! Sh!

come a man ac - curst Keep it qui - et! Sh!

Keep it qtii-et!

Keep it qui-et!

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40

RUS ^ Slower

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Des - prate Des - mond, as it were, Ruth - less Geof - frey I pre

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fer I'm the vil - lain in the pla}'. Keep it qui - et!

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Hand-some Har - ry I«S=*1

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Have proud beau - ty in the

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41

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42

Finale Aet I

Lyrics by

R.F. FIELD.

Music by

W. H. BENNETT.

&•

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13"^ sf'Moderate mtk m^ ^F=§

# ^f«-

(Constance) What113"

can I say now to thank you For you ve

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saved my life. (Stewart) None but the brave de-serve the fair The

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girl shall be your wife (Chorus) None but the brave de-serve the fair -est, She'll

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Fi.-iale Act 1.6.

44

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lost in the maze .of a dream, It's a won-der-ful dream of love

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J J*(Constance') My sens-es are reel-ing,The feel - ing comes steal-ing That this won- der- ful

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\sb\h*hhte& IrJrJrjv* PPPP

waltz meant good-bye

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Oh, no he does not love me I fear he does not

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love me Sir Geof-frey you have saved my life, Take it I'll glad- ly be your wife.

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Sweet-heart, I'm going to make you mine I'm going to

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<9 #slock you in my heart some day Bright-ly the sun will shine When these

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CHORUS

(I^J^r^r m\ v p J 'i f-i

t=H 1 ^threat-nig clouds of doubt have roll'd a way Some -day, My sweet heart

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mine you'll be Then you'll be sor - ry for the things you have be

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For I know^youll be true, I'll be true to you

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Then 111 make you mine some

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stir your-self, Bring forth the best you have, Pre - pare for us a

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won - der - ous fete, Bid all be there the small and great, We'll

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have a sump-tuous ban-quet here I say spare no ex - pense Th«

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best you have is none too good, Hi - vam Stew-arts child. Now

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48 Danee of the Cavern SpritesOPENING ACT II.

MaestosoMusic by W. H.BENNETT.Wk

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We've gath-eredhere to lend good cheer And eel - e - brate with song, The

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plight-ed troth and wish to both, A hap-py life and long-, For cares we've known

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All are flown, And to-day All is gay. Gifts we bring to you Toasts we sing

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Flowers en-twine for you Quaffing wineAll eel- e-brating with din-ing and fet'-ingthis

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hap - py *'ayj We're gath-ered here to lend good cheer and eel - e-brate with

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song, The plight - ed troth and wish to both A hap - py life and

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long. For caies weve' known, All are flown, And to-day, All is gay,

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All eel- e -brat- ing with din -ing and fet'- ing this hap - py day.

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Ingenuity53

Lyrics by R.F. FIELD

8

Music by W. H. BENNETT.

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I # } j> J' Jm iJ'tJ ^

8-f7\

To make your self quite cap - ti - vat - ing,

p^grit. 17\

a 4 m S m

P<9-=-

57

P^3

^p—

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j> J' J> J J i #3JfT^^r^r^?You must use in - gen - u - i - ty, My art can make you fas - cim i JF=ls =^=l=l : =«2=

* * * **

a^sh 7i-7T^^ ^

^ p^£ PPM ?nat - ins, If you will give at - ten-tion to me

#ht y g :

«f f f ^ fIfet^

Sfeg ?M^ 3 ^^

54

I^P F P^ ^ h J> I rr 7 4^ Pi^S

There's some-thing more to ones ap - pear - ance,

ftv''F F p if F^ r

h-rrtF

P7^ j

Than rog-uish looks and

Mm 4

rit.

, l> r frfe^ k

i * h ji ji J» ^ ^ £r >5^ ^i=^smiles.

-^SM-

m wm

What is the harm of in - ter - fer - ence,

i l l«f 1 g I

a tempo

±£ nr-

I

l» f

*=£ P^P P M ft pJ * tJ^

Im-prov-ing nat - 'ral wiles Lis - ten to the lit - tie

^ ± n j / ^ nrit.

w=*^ Slowly

P

fc ^^ ^ ^

I^ w$ J i ijl J>f

se - cret that the pow - der puff taught to me.

JW w ~w

=#r

f

55

p j. J> r i p- p i p pJ , ^ Jm r J>. i

It will not take me long to say, What I learned in a most cos -

t~rm-u i ' lj j n j

^ £==§ n 36

¥

^M h JH FJ)

I p pJ

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is» p#

met - ic way The rouge can tell a lit - tie tale to you. The

r~a j , ,; n WFPt ^m *

l> * J> J> i)V J> M fM 5ES P^1The eye-brow pen - eils of - tenlip stick has * a sto - ry too

^^HLM-4J £ jf-TJV

§ itgp j

« #

r

^ 'i1 i> r^ ^ ^J tiJ =j£ _£2

1May - be they could help you too.help lot

i^

,

r

j ' J

*rt ft

FP^i *

"•

—

Sva

56

Lyric by

R.F. FIELD

Little Bit 0' LadyMusic by

W. H. BENNETT.

\>S±=*>9i

jrb a^m

i§

$ IS n i' Jl J JiI J> J ^^ i

I know a lit

I am so ve

tie la - dy

ry wor - ried

And I love lier oh so

'Bout this lit - tie bit o'

$> § jTJirtp

*=*.f

^

ir^r ^gEES

iS- -* Ff

£

#true.

girl_

FT ]> ,i ^ fc

^J J

i-

J i

-"»s

She has the most be witch - ing- way To

Flash - ing- a bit o' smile on me She

£

J> , .h v £ £

f

^^ ^

'Iss d Jhh)

steal your heart from you_

sets my heart a whirl.

mI think

As soon

fit

that I

as I

V

shall

pro

57

V s S m i 1 1 m?though I have been wootry to hand her dad

ing her

a lit

for

tie

long-

line.

$

AndAl-

i^^Er i f=mt—

t f

i k*J

V i P ^*

^i H^£PPp ? f^

when the moon is

though there won't be

on the rise, And the stars are in

an - y use, For her fath - er to

the skies I'm

re - fuse When

pppi j£

i n£id» ^^* J. -J- 5*

ss J' J J'

^^ ^|J . * ' * 3SE

i ^ sP r' p <r p r i?

#

going to sing

I tell him

to her

that she

this lit

has pro

tie bit

mised to

it

o'

be

j . ab

song,

mine.

*

s r p p i * &

58CHORUS. Moderato

|, 1 J\ }\ J J>I

J' »J) J^Y

Lit - tie bit o' la - dy you're a won - der youre a prize,

Sj^L-^ 3?^ W^ T=$Em.

*i.'

»</•T

s Iizs:w

$^

?

VJuj^ i>

i-

You're the lit - tie girl I i - dol - ize.

^iti

J m$r

^ *8

r f f ! 7

ftp- ji j' ^ i > ^ b »j> i

i 1

- #ji i' ^I should like to see you for a lit - tie bit o' while

$ 1$ l h ^JjL'^3

!i

II«—

*

*F- T*

te#nW i ;:* m W» \>

p

ft ;, j) ^^ si 3 ^ 1lit - tie love - light in your eyes.

P * * *

9

P

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r 9-e

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r

w p

59

fc5 }) h * \ 1 > j^ J1

'i

!> ».h J^P

If you go up - on a lit - tie bit o' hon - ey - moon, I'll

5 n *f

^:

iY •§ i e o

y-£ P P P—tV-4 tfpp

build a lit - tie cot - tage by the sea.

p fi } f~f A S ; ;

There 'd

^2

*<—

P

^^ fe 3± -^n

/CN

^-q-B-# ** M MP" g f^gp

I^=J=J=J

^^^i: i i i

if

liltiOi

r r r,„f^£

s

be a ve - ry lit - tie bit o' wor - ry in our lives We'd

*

p Jl J l J> J> I Jl J^ J^ j) IZ2

be a hap - py lit - tie fam - i - ly.

T# *

m^

S=2

^

60

Lyric by

R.F. FIELD.

^g^ffl

Some Day(CONNIE AND HARRISON) Music by

W H.BENNETT.

r Tf=fr rr n

*$* il EE?

* S

Ift

Sweet - heart

I am

mine,

sure.

J >. > i js j\ i'- J'r

r

I don't un - dej t td why you shou

Love as true as ours shall have its

#sigh

day_

I*5?

F

^»^^ •

-X:j2

3;

£3E P *Don't

Rough

you

its

know, _

course

,

mf

i=g=*rr

^ ^pI am

But then

rrr^

sp^^N~

£ £ r r rPEfrjgoing to win you bye and bye.

true love al-ways runs that way.

Think how hap -py we will

R's a road that has no

j s i^=«

!

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S$3r§ iEE* is: i

61

* i ^ J j j\ ji^ _sr

be dear

.

end - ing.

Ev - ery day the sun will shine.

Though 'tis smooth in af - ter life_

So

Cares

* 3E

Sf"or:

if

:

*yf=# ^ J |J J

J

r- r

2q

i^

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nev - er fear

fade a - way,

Some-day dear

On the day

i i

I will make you mine..

I be - come your wife..^ J: j£_ii \I P-a

*

^ ttJ-J 1-allentande JTfc

£ : » 7«

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'p- Jrp~^^^-J j\ Ji i^Sweet - heart. I'm going to make you mine. I'm going to

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lock you in my heart for aye.

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Bright - ly

^3t£JT r

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the

p r *r T

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^

62

M 1 ^ j .Mi IJT^t r iP'P^ ^sun will shine On that hap - pi -est of hap- py wed -ding days.

kmm * IP j: ^ i« m

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Some - day, oh yes, and some day soon. I'm going to

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j;. J'p^p |=p^ ii JlJU -^*=3:

take my lit-tle girl up-on our hon-ey-moon

it* mSf

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Bg jg

For I know, you'll be true,

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r

§?n llentande

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Pi £^MM=f ^ ^1I'll be true to you Then 111 make you mine some - day.

F^9*£ S

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i

Lyric by

R. F. FIELD.

Paradise A La Carte(HEALTHY)

sH- La±eQ

^

63

Music by

W. H.BENNETT.

1 mm ffc.

5S f 1^1

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S^ 4T-c«-

4 Jt I J- Ji J-Ji I J: J) J^l J v ;, |J^ J^ i>^

When I was just a

I once was wait - er

lit - tie bit of boy

in a res-taur - ant

$ ^^I of - ten used to have a

By way of pay I got my

5 i n,?r^m%V

«E £I p mm% j j I 1

J- J' J- J> IJ* Jr$^j£

dream

board

Of shoot - ing swarms of fly - ing ap - pie pies And

But soon the boss came 'round to me and said That

ij ^ ij i? RF^Hi * ¥

te =ig I 1

4 h > ^ i N * b>#

t£

I

m

swim-ming in a lake of

feed - ing me he could not

mpeach ice cream , But as

quite af - ford , It was

I ap - proch magen - tly that he

^ S- s. £f

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64

BE JTJi J ?p p ff-f-F ii ¥Ej i=£2 |3pE

tur - i - ty The feel - ing still is there

broached the fact, 1 should not hold the be - lief

The tru - est friend I

He was a Sal - va-tion

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-yt- S3^creso.

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s§^=t W i ?=^ s*ev - er had was Wis - ter Bill 0' - Fare.

Ar - my or a Bel - gi - an Re - lief.

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have an aw - ful hun-ger I just can't get e-nough to eat I'd

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J '^ J) ^sell my soul for one square meal, If I could Re- lieve that hoi -low feel-ing I should

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65

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like to find an is -land made of juic - v sir - loin sleak

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pp- p H^f+fv

pp'iQi u ^^ 5IS^• •ttJ ll

French fried po-ta-toes a-grow-ing on the trees Staw- ber-ry short-rake float-ing on the seas.

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Then I could eat just as much as I pleased, I'd call that Par - a - dise!

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66

Lyrics by

R. F. FIELD.

The World's All Bright For Me(HARRISON) Music by

W. H. BENNETT.

Tempo diValse.

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T^/m:s ¥ m t* #=

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There's

Once

a test that nev- er has failed, ToI thought that the world was cruel, So

i# i^ s fpi

?lf^^ ?

^ T r«r|^=F

I i P=Pf 3-5^

tell wheth-er love is true,

heart- less and cold it seemed,

itfa

I'll tell

Per - haps

you what

some - da}'

this

Id

m i *» mr

r;e3^8

«P

i* f ?

tS ^

fe ^^£

fefc

trial should be, That proves I'm in

meet the girl, Who'd change it

love with

all I

you;

dreamed;

i -i i

WhenAnd

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67

&love

then

is

you

true

—

camethe

in

1 -—0-

£world

to

mseems bright, 'Tis

my life, Your

on

sun shine

S^»-S '•# '3:

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3 g=£ ^^ p

iki 3 iP3pgood you see,

warmed my heart,.

And . so I know that my love is

And ev - er- more we shall hap- py

fe: £ ^ ia:

ipf*p14

w=t=w

m^ d tk iJ (J.

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true,

be,

The world's all bright for me. _For we shall nev - er part.

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toCHORUS.

1P a.

'ry - one seems smil - ing, smil - ing, Ev - 'ry - thing seemsEv

f% * 22:

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Z7*- >"=£=£^ iH

?ar ^r

3f

68

Ifc ^ ^^

to be gay, Now I won - der how

i4I

sp*

st^yI

r

I ev - er, Thought them

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fe»

9 S?

M7

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I £3 £ ^ Pquiet the oth - er way, Ev

ifS

H?

s=w^

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rtg

'ry sound is sweet - est

3=: 1 fT^

i 32 5Er r

i r

mus- ic, Since I fell in love with you,

* n =2;

^•"il J J £ff

#^i

frf

^?

m.

Nev - er lov - ers

w *cresc.

^^^ £

P £ £? ^ ¥^E 3^E

half so hap - py, So I know our love is true. true.

i

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s ^

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Classical Rag69

i

INTRO.^ za 1^J2^^ wI 7 I s^ i S ^3^3 *—

V

/S S qe=F*

*.*!(#

HM ' F *rT if-P-p i

"Jl J,j) j)

I F

Ev - 'ry day some class-y rag-time com - pos -er starts to

Have you heard a - bout mat youg Han - del boy the way he

pf j ,ilj5 **g *F-**-* €? *

g b^ij^^

»—#• w—"-^

J' J> Ji Jn J> -J>-JH> i s^f^m \.

play some nag - gy drag - g-y jag- gy rag-mu - sic ov - er Then he springs his

played the class -ies was his pa - pa's one pride and joy But his dad would

S7 ^ i i I w 1 p*# s ffpfw 3nt

^ m \ii

J>tJi Ji jtJ>U> yJi J ^

I p -p pJ' h Ji^H

new ere - a - tion

start a' nag - gin'

on the un - bus - pect - ing na - tion

ev - 'ry time he caught him rag - gin',

And the peo -

And it made

70

ft p^ J Mr " fr M ' P r iiJ' i >^pie think it's fine

young Han-del sore

But the fun - ni est tune And the

When the folks were in bed, He would

l=i

1j

p r ii^1

iicun - nin

steal' ov

3** * i

3*F Jm i' i J> Jm J Jest tune That ev - 'ry bo - dy loves to

er head Where a rust - y old pi - an - o

§2*

i m i

4

-$—^-5—

*

s*

iP~

7

^ 11

p M P r n' 'J "'

P Pi [^^ i

humstood

Are the class - ic - al ones, The fan - tas - tic - al

And he'd bang- at the keys, Just as much as he

ft izVi

m

pi3=3=8

«[ j[ tgE PH Ifc

6

r^^IHH'B Si §S?

221

ones Some one has put to syn-co - pat - ed tune,

pleased A' tear - in' off those rag-time tunes ga lore.

i g i •*? r=s ^-^Sr

^^ r hi i (*>

71

CHORUS

^gj j, .jt-jM j (j A-jrn? p (t J.1 £1

Class - ic.-»al rag Class - ic - al rag- Grand

: fo ^ J) I J) | J' J) J^ Jl | J> J) J ij|op - era sing - ers shout a bout those Class - ic - al rags,

1jtIf

^i

w

m^-j-^ii^ *p

p J» l j>tf

j> i i J i h »J> J' hJi5 ^you could hear Ca - ru - so a' rag - gin' his parts

i i i

i *J in.

i

E±

g j^ i» j> j i j) j j> i i J' j> ^ jYou could hear the rag-time in the fiui - er - al march.

72

i»=y ^^^ 1> J) J^ n| Q p^^P P

0, Mis - ter Liszt and Mis - ter Wag- - a - ner too

J' -h I J 1

ii J> Ji IJt i) 3i

You ought to hear the stuff they re steal- ing from you

Ip—

r

i^ i^^i» »* * •

«si ?^^

¥=P MM'f "M^'f I

Come, come, my Le - o - nor - a Well go danc-in;

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$£

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:

IU * ^pran - cin' to that Class - ic - al rag.

I^ry

s

Danee DramatiqueSIR GEOFFREY and CHORUS

73

Music by W. H. BENNETT.

(Spring Song)

P*imTit.

m ^15//?Expressivo

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r\ O ^^^

P a tempo

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S to

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up,

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The H.S.TALBOT CO.Printers, of Music

Chicag-o,lU.

UNIVERSITY OF ILLINOIS-URBANA

M1503M685M2 C001A MAID ANO A MYTH CHAMPAIGN-URBANA. ILL

3 0112 015711861