Upload
isabel
View
53
Download
0
Tags:
Embed Size (px)
DESCRIPTION
A History of European Theatre. Rachel Holder 6 th Period. Morality Plays. Morality plays are religious dramas that taught a lesson along with the story. The characters usually represented good and evil, and the plot normally involved a struggle for human’s soul. - PowerPoint PPT Presentation
Citation preview
R a c h e l H o l d e r6 t h P e r i o d
A HISTORY OF EUROPEAN THEATRE
Morality plays are religious dramas that taught a lesson along with the story.
The characters usually represented good and evil, and the plot normally involved a struggle for human’s soul.
Late 14 th Century-16 th Century.Preformed by traveling troupes in the streets. Became much less popular during the Protestant
Reformation. Most famous is Everyman (which is still preformed today).The main character, Everyman, is summoned by death. All
of his friends (Beauty, Kindred, and Worldly Goods) abandon him, except for Good Deeds.
In 1558, Elizabeth I ascends the throne and bans all religious plays (except in church).
MORALITY PLAYS
Emerged in Italy around 1560. First public professional theatre in Italy.Designed to make the common person laugh.Slapstick comedy. Preformed by troupes.Used stock characters, most of whom wore
masks.Spread through out Europe.Began to die out around 1776
COMEDIA DELL’ARTE
Harlequin
Il Capitano
Pantalone
In 1576, James Burbage builds the first commercial theater just outside of London. It is called “The Theatre.”
Over the next 18 years, three more theaters—The Curtain, The Rose, and The Swan are built.
In 1599, The Theatre is dismantled and moved across the Thames River.
It is rebuilt as The Globe.The development of commercial theaters meant
common people could enjoy drama. Prior to this point, theatre had been for the aristocracy.
Seeing plays became a regular form of entertainment for people of all classes.
COMMERCIAL THEATERS IN ENGLAND
The Globe
The Globe
The Rose
The Curtain
Christopher Marlowe was an English dramatist.
His play, Tamburlaine the Great, introduces a blank verse that defines Elizabethan and Jacobean drama.
Edward II is the first play to dramatize English history as a conflict between real characters.
He died shortly before Shakespeare became popular.
His career in drama only lasted 6 years, and did not carry many works.
CHRISTOPHER MARLOWE
Christopher Marlowe
William Shakespeare is often considered the greatest playwright of all time.
His first plays to be preformed were the three parts of Henry VI.
Shortly after, London theatres are closed because of the plague, but his career accelerates afterwards.
He was a part of the Lord Chamberlain’s Men, which later granted royal favor by James I and renamed the King’s Men.
Some of his most famous plays are: Hamlet, Romeo and Juliet, A Midsummer Nights Dream, Othello, and Macbeth.
All together, he wrote 36 plays which were published by two of his colleagues in the First Folio (1623).
Shakespeare’s plays are still widely read and preformed today.
SHAKESPEARE
17 th Century Involved melodrama and
large gesturesOver-the-top scenery and
costumes Included the restoration
periodHad strict guidelines as to
how plays were to be written and how actors were to preform.
Important Works: Le Cid by Pierre Corneille Tartuffe by Moliere Andromaque by Jean Racine
NEOCLASSICAL THEATRE
In 1642, the Puritans close all English theatres.
In 1660, the theatres are reopened and the Restoration Comedy emerges.
The Restoration Comedy refers to the British comedies that were preformed in response to the reopening of the theatres.
They were known for their sexual explicitness, encouraged by Charles II.
This period also saw the first actresses and the first professional woman playwright, Aphra Behn.
RESTORATION COMEDY
A movement among German playwrights in the 18 th century
Translated as “Storm and Stress”Focused on Nature, feeling, and individualityA response to the rationalism of the enlightenment Important Works:
Götz von Berlichingen mit der eisernen Hand by Goethe- first success
Die Räuber by Friedrich Schiller- last success
STURM UND DRANG
19 th CenturyDealt with everyday life, and used contemporary
settings. Involved science and human behaviorSocial problems were the main subjectA lot of feminist works emerged during this time
period. Important Works:
A Doll’s House by Henrik Ibsen--- feminist themes; considered the father of realism
Mrs. Warren’s Profession by George Bernand Shaw--- prostitution
Three Sisters by Anton Chekhov
REALISM
A Doll’s House
Mrs. Warren’s Profession
Three Sisters
Late 19 th to early 20 th century.Attempted to mimic reality.There were detailed sets, everyday speech, variety of
classes, normal characters and settings, and a lack of divine intervention.
More extreme version of Realism Important Works:
The Power of Darkness by Leo Tolstoy--- banned in Russia until 1902
The Father by August Strindberg--- misogynistic themes Therese Raquin by Emile Zola--- "study temperaments and
not characters"
NATURALISM
Therese RaquinThe Father
Possibly the most famous acting theorist.
Began as an actor, and was sick of seeing mechanical and over acting.
Developed a system to help actors discover their characters
The inspiration for his method came out of the realist and naturalist periods.
Thought acting should be honest instead of over-the-top
His “system” is still widely used today.
CONSTANTINE STANISLAVSKI
Contrasted with Stanislavski’s method
Bertolt Brecht was the father of it
Thought that Stanislavski was providing an escape for the audience
The audiences of Epic Theatre performances always knew they were watching a play.
Characters often break the “forth wall”
EPIC THEATRE
Early 20 th century Began in Germany Deal with spiritual awakening and
suffering A popular theme was the conflict
between bourgeoisie values and established authority.
Not focused on reality, but emotions.
Important Works: Murderer, the Hope of Women by
Oskar Kokoschka--- first expressionistic play
The Beggar by Reinhard Sorge--- Bourgeoisie vs. government
Parricide by Arnolt Bronnen
EXPRESSIONISM
Parricide
A cultural movement that peaked around 1916-1922.
Involved the visual arts, not just theatre
Anti-war, anti- bourgeoisie, and anarchist.
Believed the ideology of the bourgeoisie had started WWI.
Some described it as “anti-art” because it was not aesthetically pleasing.
Important Works: The Gas Heart and Handkerchief
of Clouds(“ironic tragedy”) by Tristan Tzara
DADAISM
The Gas Heart
Began in 1920’sParis was the center of
the movementDeveloped out of DadaismSeeks to surprise the
audience by using unexpected juxtapositions.
Important works: Les Mamelles de Tiresias by
Guillaume Apollinaire--- first surrealist play
When Five Years Pass by Frederico Garcia Lorca
The Mysteries of Love by Roger Vitrac
SURREALISM
Les Mamelles de Tirestas
Came about because of World War II
Embodied meaninglessness of human existence
Abandoned traditional dramatic devices
Sought to convey the feelings of humans during and after the war.
Important Works: Bald Soprano by Eugene
Ionesco Waiting for Godot by Samuel
Beckett
THEATRE OF THE ABSURD
Similar to the Theatre of the Absurd
Sought to “assault the audience with movement and sound”
Brought about an instinctive, rather than intellectual, reaction.
Again, this was in response to the violence of WWII
Important Works: Look Back in Anger by John
Osborne Marat/Sade by Peter Weiss-
class struggles
THEATRE OF CRUELTY
Marat/Sade
Mid 20 th centuryReaction to modernismThere is no definite truthEncourages the audience to
reach their own interpretationRaises questions instead of
supplying answers. Important Works:
Hamletmachine by Heiner Muller--- not a conventional plot
4.48 Psychosis by Sarah Kane--- No characters
A Mouthful of Birds by Cheryl Churchill--- No scenes, just vignettes.
POSTMODERNISM
A Mouthful of Birds
Theatre after World War I I took included many different styles from previous centuries.
Experimental theatre emerged in the 1960’s, such as the Polish Laboratory Theatre
The theme of many dramatic works focused on issues at the time
Popular themes included: women’s rights and gay l iberation
Important Works: Top Girls by Cheryl Churchill Bent by Martin Sherman Mean Tears by Peter Gill
OTHER THEATRE AFTER WWII
An English composerHe’s won seven Tony
Awards, three Grammy Awards, an Academy Award, a Golden Globe award, and many others.
Some of his famous works include Cats The Phantom of the Opera
ANDREW LLOYD WEBBER
Cats
Phantom of the Opera
ht tp : / / en .w ik ip ed ia .o rg /w ik i / Pan ta lon e ht tp : / /w ww.c low n b l u ey. co .u k / c l ow n - b lu ey- c l ow n s -h i s to ry.h tm l h t tp : / /w ww.d e lp ia no . com/ ca rn i v a l / h tm l / ca p ta in .h tm l ht tp : / /w ww.d a i l y ma i l . co .u k / t r av e l / h o l i d ay ty p esh u b / a r t i c l e - 61 5 1 0 2 / Ca p i t a l - g a i n s -Take - c ru i se -h ear t - Lon d
on .h tm l
ht tp : / /w ww.eg o4 u . c om/en / rea d - o n / co u n t r i es /uk / l o nd on / g l ob e - th ea t re ht tp : / / l a bsp a ce .o p en .ac .u k /mo d / reso u rce / v iew.ph p ? i d= 4 3 9 1 1 6&d i rec t= 1 ht tp : / / l i g h t sofl o n do n pro d u c t i o ns . c o .u k /S ha kesp eare in S h ored i t ch .asp x ht tp : / /w ww. l i s t a l . c om/v iew imag e /4 69 2 2 4 ht tp : / /w ww. fa mes tep s . com /ce leb r i t i es / w i l l i a m_ sh a kesp eare_ g3 7 0 0 68 / ht tp : / / en .w ik ip ed ia .o rg /w ik i /H i s to ry _ o f _ th ea t re ht tp : / / en .w ik ip ed ia .o rg /w ik i /C h ar l es _ I I _ o f _ E n g lan d ht tp : / /w ww. fa n p op . co m/sp o t s /g i l l i a n - an d e r son / i mag es / 11 1 0 1 1 72 / t i t l e / d o l l s - h ou se - p h o to ht tp : / /w ww.s ta gez in e . c om/mr swa rren p h oto ga l l e r y.h tm l ht tp : / / j o emad e r.w o rdp ress . com/ 2 01 1 /0 5 /1 1 / t ro i ka - t r av es ty -b er ke ley - rep %E 2%8 0 %9 9 s - th ree - s i s te r s / ht tp : / /w ww.b enc h th ea t re .o rg .u k / p lay s9 0 s / f a th er.p h p ht tp : / /w ww.b u .ed u / tod a y /2 0 0 9 / s in g in g - o p era %E 2 %80 %9 9 s -p ra i ses / ht tp : / /w ww.ed gemarcen te r. o rg /b l og /2 0 1 0 / 0 8 /0 5 /7 2 3 / ht tp : / /w ww. th edr ama teac h er. co m/b rec h t s -ep i c - thea t re - co nv en t i on s - p a r t - 1 / ht tp : / /w ww.a n dreasp ie t s ch man n . co m/ th ea te r _ v a te rmo rd _ gb .h tm l ht tp : / / v i c to r i sau r uss . tu mb l r. co m/p os t / 36 0 6 5 38 1 0 5 / t r i s t an - t za ra s - th e -g a s -h ear t - c os tu me- d es ig n ht tp : / /w ww.w eb th ea .c om/ ?Les -M ame l l es - d e -Ti res i a s -d e ht tp : / / s i p sey s t ree t i r reg u la r s .b l og sp o t . c om/2 0 1 1 /1 0 / v la d i m i r- an d - es t r a g on - aw a i t - o ffic e- o f. h tm l ht tp : / / en .w ik ip ed ia .o rg /w ik i / Fi l e : Pe te r _We i s s%2 7 _M ar a t _ S ad e_ a t _S UN Y _2 0 0 8 . j p g ht tp : / /w ww.d o ug p au l so n . i n fo / b lo g /w p -co n ten t / u p lo ad s /2 0 0 7 /11 / img_ 0 9 6 9 . j p g ht tp : / /w ww.mcke l l en . co m/s ta ge /0 0 07 5 .h tm ht tp : / /t h ea te r. n y t imes .c om/ 20 0 8 /0 5 /0 8 / th ea te r / rev i ews /0 8g i r l . h tm l ht tp : / /an d rew l l o y d web b er. tu mb l r. co m/ p ag e /2 ht tp : / /w ww.h u ffin gto np o s t . co m/ jam es - s ca r bo rou g h / ca t s - mus i ca l - t hea t re -w es t _ b _ 8 22 3 6 2 .h tm l ht tp : / / f a n do man ia . com/ ad ap ta t i on - an a l y s i s - 5 -p h an to m- o f- th e - o pe ra -mu s i c a l/
PICTURE SOURCES