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The basics of conceptual diagramming.
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A FEW, WELL PLACED, LINESthe basics of conceptual diagramming
PAGE 105 PAGE 106 PAGE 107 PAGE 108 PAGE 109 PAGE 110
PAGE 112 PAGE 113 PAGE 114 PAGE 115
REFERENCE:
TTHEO JANSEN
PAGE 116
REFERENCE:
ARTHUR GANSON / MACHINES
PAGE 117
PAGE 111
PAGE 105 PAGE 106 PAGE 107 PAGE 108 PAGE 109 PAGE 110
PAGE 112 PAGE 113 PAGE 114 PAGE 115
REFERENCE:
TTHEO JANSEN
PAGE 116
REFERENCE:
ARTHUR GANSON / MACHINES
PAGE 117
PAGE 111
Where do I start?
PAGE 105 PAGE 106 PAGE 107 PAGE 108 PAGE 109 PAGE 110
PAGE 112 PAGE 113 PAGE 114 PAGE 115
REFERENCE:
THE O JANS E N
PAGE 116
R E F E R E NCE :
AR THUR GANS ON / MACHINE S
PAGE 117
PAGE 111
read it.
PAGE 108
PAGE 112 PAGE 115
REFERENCE:
THE O JANS E N
PAGE 116
R E F E R E NCE :
AR THUR GANS ON / MACHINE S
PAGE 117
PAGE 111
annotate [the hell out of] it.sketch; define terms; connect to outside ideas; engage
PA G E 108
PAGE 112 PA G E 115
REFERENCE:
THE O JANS E N
PA G E 11 6
R E F
AR T / MACHINE S
PA G E 11 7
PA G E 111
BUILDING
through
TECHNE
TECTONICS
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
swonk dna sah ohw eno :FEDnuon a :FEDhow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
Dwell
demo
oekos
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
can be
indicates
EXPL: remaining in aplace
indicates
DEF: Act of dwelling;a dwelling
DEF: Act of constructing a dwelling delimited by oekodomeo
DEF: [A dwelling + act of dwelling] +act of constructing
Constructed Entityforms a
EXPL: Gestalt
Joining
Fitting
Making
tecton
through
through
manifested by
EXPL: builder; carpenter
can be
Order Tectonic Presence Tectonic Experience
Material
Joint
Visual
describes
is an
from
EXPL: The nature, the essence;the formal properties
EXPL: procedures, puttingtogether.
EXPL: Visual statics of form;satisfaction of the eye
form allow
DEF: conveys both necessary and freedom out ofthe form-giving capacity of materials
TechnologyGadgetry
Play
Tectonic Rules Tectonic Fiction
EXPL: Sham experience appearingbetween form and necessity
EXPL: Concerned with useful andnecessary
opposite of evolve into
EXPL: Traditions like Classical, Gothic;retained and transmitted
reduced by
equated to
EXPL: “spoils the game”
broken by
diagram it.
Where do I start?
PAGE 105
Find keywords and descriptive phrases.
Find keywords and descriptive phrases.
descriptive phrase
keyword
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
Procedure
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanshipNature
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
ArtNature
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
CraftArtNature
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
CraftArt
techne
Nature
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
CraftArt
technitestechne
Nature
Find keywords and descriptive phrases.
descriptive phrase
keyword record sequentially.
ProcedureCraftsmanship
CraftArt
technitestechne
Nature
. . .
keywords.
Procedure
Craftsmanship
CraftArt
technitesRulesTypical FormSymbolhomo faberDwelloekodomeooekos
JoiningFittingMakingArchitecturetecton
Order
Tectonic PresenceTectonic ExperienceTechnologyGadgetryPlayTectonic RulesTectonic Fiction
MaterialJointVisual
Building
techne
Tectonics
Knowledge
demo
Nature
Intent
Constructed Entity
Procedure
posit.
Procedure
Craftsmanship
posit.
Procedure
CraftsmanshipEX: Making of a utinsil or tool
describe it.
Procedure
CraftsmanshipEX: Making of a utinsil or tool
describe it.EX: ExampleEXPL: ExplanationREQ: RequiresDEF: Definition
Procedure
CraftsmanshipEX: Making of a utinsil or tool
describe it.EX: ExampleEXPL: ExplanationREQ: RequiresDEF: Definition. . .
through
Procedure
CraftsmanshipEX: Making of a utinsil or tool
connect them.via action word or phrase
through
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
posit.
through
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
connect them.
through
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
connect them.express implied or explicit relationships
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
posit.suggest heirarchies in terminology
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
DEF: a noun
describe it.refer to and synthesize descriptive phrases
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
can be
DEF: a noun
connect them.
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
can be
Knowledge
DEF: a noun
posit.
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
can be
Knowledge
DEF: a noun
EXPL: Method and consistency
describe it.
through
TECHNE
Procedure
Craftsmanship
Craft Art
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
DEF: a noun
EXPL: Method and consistency
connect them.
through
TECHNE
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
DEF: a noun
EXPL: Method and consistency
Rules
Typical Form
IntentNature
Craft
Symbol
homo faber
posit.
through
TECHNE
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
IntentNatureEXPL: acts out of necessity
EXPL: acts deliberate
EXPL: rational CraftDEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
DEF: transcends purposeof useful object to becomeabsolutely familiar
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
describe it.
through
TECHNE
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
connect them.
BUILDING
through
TECHNE
TECTONICS
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
Dwell
demo
oekos
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
oekodomeo Constructed Entity
Joining
Fitting
Making
tecton
Order Tectonic Presence Tectonic Experience
Material
Joint
Visual
TechnologyGadgetry
Play
Tectonic Rules Tectonic Fiction
posit.page by page
BUILDING
through
TECHNE
TECTONICS
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
Dwell
demo
oekos
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
EXPL: remaining in aplace
DEF: Act of dwelling;a dwelling
DEF: Act of constructing a dwelling oekodomeo
DEF: [A dwelling + act of dwelling] +act of constructing
Constructed EntityEXPL: Gestalt
Joining
Fitting
Making
tectonEXPL: builder; carpenter
Order Tectonic Presence Tectonic Experience
Material
Joint
Visual
EXPL: The nature, the essence;the formal properties
EXPL: procedures, puttingtogether.
EXPL: Visual statics of form;satisfaction of the eye
DEF: conveys both necessary and freedom out ofthe form-giving capacity of materials
TechnologyGadgetry
Play
Tectonic Rules Tectonic Fiction
EXPL: Sham experience appearingbetween form and necessity
EXPL: Concerned with useful andnecessary
EXPL: Traditions like Classical, Gothic;retained and transmitted
EXPL: “spoils the game”
posit. describe.page by page; line by line
BUILDING
through
TECHNE
TECTONICS
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
Dwell
demo
oekos
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
can be
indicates
EXPL: remaining in aplace
indicates
DEF: Act of dwelling;a dwelling
DEF: Act of constructing a dwelling delimited by oekodomeo
DEF: [A dwelling + act of dwelling] +act of constructing
Constructed Entityforms a
EXPL: Gestalt
Joining
Fitting
Making
tecton
through
through
manifested by
EXPL: builder; carpenter
can be
Order Tectonic Presence Tectonic Experience
Material
Joint
Visual
describes
is an
from
EXPL: The nature, the essence;the formal properties
EXPL: procedures, puttingtogether.
EXPL: Visual statics of form;satisfaction of the eye
form allow
DEF: conveys both necessary and freedom out ofthe form-giving capacity of materials
TechnologyGadgetry
Play
Tectonic Rules Tectonic Fiction
EXPL: Sham experience appearingbetween form and necessity
EXPL: Concerned with useful andnecessary
opposite of evolve into
EXPL: Traditions like Classical, Gothic;retained and transmitted
reduced by
equated to
EXPL: “spoils the game”
broken by
posit. describe. connect.page by page; line by line; concept to concept
BUILDING
through
TECHNE
TECTONICS
Procedure
Craftsmanship
Craft Art
technites
EX: Making of a utinsil or tool
manifested by
can be
is a
Knowledge
engage a
DEF: a noun DEF: one who has and knowshow to use a techne
EXPL: Method and consistency
Rules
Typical Form
hasIntentNature opposes
EXPL: acts out of necessity
requires
EXPL: acts deliberate
EXPL: rational
has
can become a
Craft
produces a
through
DEF: takes raw natureand transforms it intouseful utensil/tool
DEF: a form by which the intendeduse is recognizable
Symbol
homo faber
Dwell
demo
oekos
can become
DEF: transcends purposeof useful object to becomeabsolutely familiar
is a
DEF: possess knowledge and skillwhich deepen our understandingof ourselves as makers and familiaritywith the world
can be
indicates
EXPL: remaining in aplace
indicates
DEF: Act of dwelling;a dwelling
DEF: Act of constructing a dwelling delimited by oekodomeo
DEF: [A dwelling + act of dwelling] +act of constructing
Constructed Entityforms a
EXPL: Gestalt
Joining
Fitting
Making
tecton
through
through
manifested by
EXPL: builder; carpenter
can be
Order Tectonic Presence Tectonic Experience
Material
Joint
Visual
describes
is an
from
EXPL: The nature, the essence;the formal properties
EXPL: procedures, puttingtogether.
EXPL: Visual statics of form;satisfaction of the eye
form allow
DEF: conveys both necessary and freedom out ofthe form-giving capacity of materials
TechnologyGadgetry
Play
Tectonic Rules Tectonic Fiction
EXPL: Sham experience appearingbetween form and necessity
EXPL: Concerned with useful andnecessary
opposite of evolve into
EXPL: Traditions like Classical, Gothic;retained and transmitted
reduced by
equated to
EXPL: “spoils the game”
broken by
boom. concept diagram.
What is the procedure, again?
read.
read. annotate.
read. annotate. diagram.
read. annotate. diagram.
find.keywords and descriptive phrases
read. annotate. diagram.
find. record.keywords and descriptive phrases
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit.
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe.
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaning
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaning
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaningr
What are other applications?
ARCHITECTURE RE-ASSEMBLEDEvan J. BurnettNewtonARCH 521-002
Review and Reinterpretation 2013 Garnham’s Examination of Architectural History
CONCEPTS:
Revisionists
CONCEPT DIAGRAM:
GENERAL NOTES:
Critical
Historians
Organic Architecture Optimism
Respond
Traditions
Space
Enclosure Monumentality New Brutalism
Formalism Mannerism
TEAM 10
Habitat
Identity
Open-Plan
Anchoring Spaces
Apprehension
Form Concept
RevisionistsCritical
HistoriansOrganic Architecture
Optimism
Respond
Traditions
HistoriographySpaceEnclosureOperative
Monumentality
New Brutalism
Formalism
Mannerism
TEAM 10
Habitat
Identity
Open-Plan
Anchoring Spaces
Apprehensible
Form Concept
split btwn
turned backon
Banham, Collins, TafuriIntensification of technologyagainst history
Zevi, Benevolo, TournikiotisImp. of history to architecturaldesign
appreciated
For the human being; warm,freqently local materials
stemmed
to
to reflect
Of the age“white heat of technology”
Recognition of the changeswithin society, culture, philosophy,science, and so forth
stemmed
Place
Largest space architect deals with
ideas of
through
Express functionwithin isolation
also dealt w/through
LK: Quality that imparts eternity;cannot be added to/changed
part ofideas
Implied an ethic, not aesthetic: responsibility,truth, objectivity - rtrn toearly modernist ideals
Largely American, rationalrelationships of form
not thesame as
50’s/60’s - Unprincipleddecline from canon
pushed back by
pushed
Against CIAM; againstrationalism
House Community
dealt with
moved against
by embracing
Bounding/Bounded
allowed for
Constructed entity
developed
Building’s essence should bedivined and drawn out
History Tradition Memory
Cultural Memory
Historiography
Time
Formlessness
Fragmentation
Sculpturalism
Deconstruction
Enlightenment
Instrumental Rationality Authentic Relationship
Me-Now Consumerism
Tradition
History
Culture
Tectonic Form
Reinterpretation Memory
Imprint
Loci
Bounded Space
The Bilbao Effect
Continuity
HistoryTraditionMemory
Cultural Memory
Historiography
Time
Formlessness Fragmentation
SculpturalismDeconstruction
Enlightenment
Instrumental Rationality
Authentic RelationshipMe-Now Consumerism
Dasein
Being-With-Others TraditionHistory Culture
Tectonic FormReinterpretation
Memory
Imprint
LociBounded Space
The Bilbao Effect
Continuity
Tale of the victors
is
helps form
expressed through
interrelatedby
[Modern culture] developed from
evolved into
Capitalism as tyranny over social life-world;Increase productivity, increase life span,increase comfort
has created
contrary to
Focus on novelty and glamour
is part of
requires
through
Not imitation
Tale of the vanquished
Stable references reinterpreted
Preservation
is described by
accessed through
EX: Order and sequence
PhenomenologicalSpatial Memory OverEphemeral Memory
exemplified by
encourages
is against
contrary to
antithetical to
is purely
as part of
promotes
EX: Eternal return of the seasons
blurs
disregards
“Not until the emergence of capitalist economics, for example, were yearly increases in production demanded: production for profit, not people’s needs; exchange value, not use value,” (197).
“Although reason played a key role in political emancipation, imporved health and human betterment, nevertheless traditional skills and meaning in work were dimnished. (Ruskin and the Arts and Crafts movement recognised this and tried to resist. Loos wore brogues.),” (201).
“Architecture should respond to the spirit or history of a place and to human needs, using technology
appropriately rather than giving it rhetorical expression,” (153).
“Rather than directly emulate historical forms, he [Louis Kahn] engenders a sense of historical monumentality by exaggerating the scale and producing ‘imageable’ massive forms,” (165).
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaningr
electives.deriving understanding
F2013
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaningr
electives.deriving understanding; formulating positions
THEORIZING A NEW AGENDA FOR ARCHITECTUREEvan J. BurnettNewtonARCH 521-002
Phenomenology 1996 Nesbitt’s Collage of Essays Regarding Place
CONCEPTS:
PHENOMENOLOGY
consists of
CONCEPT DIAGRAM:
GENERAL NOTES:
Riveted
Robyn Sarah
It is possible that things will not get betterthan they are now, or have been known to be.It is possible that we are past the middle now.It is possible that we have crossed the great waterwithout knowing it, and stand now on the other side.Yes: I think that we have crossed it. Nowwe are being given tickets, and they are nottickets to the show we had been thinking of,but to a different show, clearly inferior.
Check again: it is our own name on the envelope.The tickets are to that other show.
It is possible that we will walk out of the darkened hallwithout waiting for the last act: people do.Some people do. But it is probablythat we will stay stead in our narrow seatsall through the tedious denouementto the unsurprising end - riveted, as it were;spellbound by our own imperfect livesbecause they are lives,and because they are ours.
Concrete Phenomena Intangible Phenomena Tools
Landscape
Place
Atmosphere
Taking PlaceIdentity
Man-Made Phenomena Settlements
Paths
Cultural Landscape
Foci
Genius Loci
Boundary
Lived Space
Space
Prepositions Adjectives
Symbolization Bridge
Orientation Identification
Environmental Image Systems of Orientation
Perceptual Schemata
Protected
Vocation of Place
Thingness
Dwell
Language
Poetry
Inhabited LandscapesFourfoldAdmittance
Installment
Rift
Technological RationalizationProduction of Place
PlaceProduction
Dialectic
States of Existance
Elementarist
Phenomenology of Architecture
Primary Feelings
Looking At
Pure looking
Memory
Concrete Phenomena
Intangible Phenomena
ToolsLandscape
PlaceAtmosphere
Taking Place
Phenomenology
Identity
Man-Made Parts
Settlements
PathsCultural Landscape
FociGather
Character
Genius Loci
Boundary
Lived Space
SpaceExtension
Enclosure
Typology
Gestalt Theory
How . . . ?Prepositions
AdjectivesSelf-Awareness
Translation
Bridge
Stabilitas Loci
Orientation
Identification
Environmental ImageSystems of Orientation
Objects of IdentificationPerceptual Schemata
Protected
Vocation of Place
Thingness
Dwell
LanguagePoetry
Inhabited Landscapes
Fourfold
AdmittanceInstallment
Rift
Emergent
Technological Rationalization
Production of Place
Place
Production
Dialectic
States of Existance
Elementarist
Phenomenology of Architecture
Primary Feelings
Common Images
Looking At
Pure looking
Memory
Sensorial
Experience
DEF: People, animals, trees, forests, towns, sun, moon, seasons, day, night
DEF: feelings. The “givens”, “content”of our existance
DEF: Everything Else, atoms,molecules, data; aka abstractions
Everyday Life-World
which form
DEF: A comprehensive interrelationof complex and contradictoryphenomena
leads to
DEF: Phenomena that forms an environment for other phenomena to relate; concrete term
described by
DEF: Determined by the concrete thingsthat describes place
which is a Total Phenomenon
DEF: Qualitative; to reduce to compositionalproperties would be to destroy its totality;cannot be reduced to constituents
contrary to
DEF: Quantitative, functional sense;abstraction of the given; objective;reductionist
eliminates
which causesCrisis
reinforced by
has an
Spirit, qualitative
composed of
described as
connected by
creates
which become
Character is condensedand explained by these
ConcentrationEnclosure“Gather” What is Known
Natural PhenomenaThe “Earth”, the “Sky”
Dwell[ing]
allows for
DEF: “The way in which wehumans are on the earth”Men dwell in “insides”
is the
Essence of a placeAn “opposite” that mustbe reconciled by manin order to dwell
structured by
Space defining elements; not where stops, but comes into the presence of
ExtensionEnclosure
Defined by Figure Ground Relationship;Loss of identity can result if corrupted
is part of
Character
Function of time;Mode in which the world is given:Formal and Material
denoted by
denoted by
precisionto define
relate toeach other
Visualization
Gathering Experienced meaningsto make microcosmos
Translation intounderstanding
Builds what he has seen;make structure precise
which are
Building which makesenvironment aunified whole
depends on
Orient himself . . . Identify himself . . .in relation to the environment (how he is)
contitute
perceived interrealtionship; givesa sense of emotional security
developed by
Spatial structures which are developedby cultures
part of
Child acquaintance with environment;forms future experiences with environment
indicates
architecture is
Gather properties of place and bring them close to man
described by
DEF: “Before they were just transientphenomena, but the names keep themand the world is opened up,” (433)
mediates
Man dwells in language to openup the worldAuthentic existance
is
Speaks in images
mediates
Revealed to us, truth
allowsof
through building
play of
“Simulataneous opening and keeping . . . a conflict. . .intimacy . . . does not letopponents break apart,” (436)
The things themselves
Modernism SemioticsPhenomenology
Scientific, Abstraction
Things Themselvesas they are
Object/ telling,signalling
enabled bySelf-alienation of man
partof
Technotopic myth of unlimitedprogress
forms a
between
StabilityAppropriateness/richness ofsociocultural experiences
Utilitarian tyranny of techniqueHow and to what end
combated by
1) Status as organism of primal need2) Status as sensate, hedonistic being3) Status as cognitive, self-affirmativeconsciousness
which is
Reduced soley to visual sense,ocular-centric
composed of
is
Examining through experiencingbeyond ocular-centricity
Child likeEX: The movie director
Basic vocabularyEmotional feelings linked with our souls (451)
through
CRISIS OF LIFE-WORLDRelation to Jane Jacobs; It is okay tobe okay; unexceptional, it is life.
“Modern man for a long time believed that sicence and technology had freed him from a direct dependence on places. This belief has provedan illusion; pollution and environmental chaos have suddenly appeared as a frightening nemisis,” (423)
Norberg-SchulzAbility to make the environment meaningful through the creation of specific placesArchitecture clarifies the location of human existance
FramptonFailure to distinguish between building and architectureOperations of capitalism, emphasizing short term planning, have produced a motopic suburban spral of maximum profit and maximum consumptionof land and energy
PallasmaaThe experience of architecture is synthetic, operating at many levels simultaneouslyExperience, imagination, the unconscious
F2013
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaningr
studios.applying knowledge
MAPPING DISORIENTATIONEvan J. BurnettLeClairARCH 557-001
Describing the American Southwest February 7, 2014
PHENOMENOLOGY
consists of
Concrete Phenomena Intangible Phenomena Tools
Landscape
Place
AtAtAAtmomomommomospsppspspspphehehehehehererererereee
Taking PlaceIdentity
Man-Made Phenomena Settlements
Paths
Cultural Landscape
Foci
GeGeGeeGeGeGenininininnnn usususus LLLocococoo iiiii
Boundary
Lived Space
SSpSSSSpSpSppSSSpSpSSSSSSSpacacacacaaceeeeeeeeeeeeeeeeee
PrepositionsPrPrPrrPrrreeeeeeeeppeeeepeppososoosooosoosososossossosososssssossssitiititititititittttittttttttttioioiooioioioioioioioioiioioioooonnsnsnsnsnsnsnsnsnsnsnsnnnnssnnnnnnns AdjectivesAdAdAdjejej ctc iviveseses
Symbolization Bridge
Orientation Identification
Environmental Image Systems of Orientation
Perceptual Schemata
Protected
Vocation of Place
Thingness
Dwell
Language
Poetry
Inhabited LandscapesFourfoldAdmittance
Installment
Rift
Technological RationalizationProduction of Place
PlaceProduction
Dialectic
States of Existance
Elementarist
Phenomenology of Architecture
Primary Feelings
Looking At
Pure looking
Memory
DEF: People, animals, trees, forests, towns, sun, moon, seasons, day, night
DEF: feelings. The “givens”, “content”of our existance
DEF: Everything Else, atoms,molecules, data; aka abstractions
Everyday Life-World
which form
DEF: A comprehensive interrelationof complex and contradictoryphenomena
leads to
DEF: Phenomena that forms an environment for other phenomena to relate; concrete term
dessdesd scricricricribedbedbedbed bybybyby
DEFDEFDEFDEFDEFDEFDEFDEFDEFDEFDEFDDEFDED : D: D: D: D: D: D: DDeteeteeteeeeeetetermirmirmimirmimimminednednednedned bybybybbyyy thththhthe e econconconconconconconoconnncconcrecreccrcrecrcrecrecrrec tte te ttette thithithithithith ngsngsngsngsssnnthathathathahahahahahahat dt dt t dt dt dt dt dtt ddescscescescscesceseeseee ribribbribribribribiibees es esesee plaplaplplaalaacececece
whiw ch is a Phenomenonl Total
litative; to reduce to compositionalaDEF: Quas would be to destroy its totality;epropertiee reduced to constituentsbecannot b
contrary to
DEF: Quantitative, functional sense;abstraction of the given; objective;reductionist
eliminates
which causesCrisis
reinforced by
has an
Spirit, qualitative
composed of
described as
connected by
creates
which become
Character is condensedand explained by these
ncentrationonCoclosurencEnather” What is KnownGa“G
Natural PhenomenaThe “Earth”, the “Sky”
Dwell[ing]
allows for
DEF: “The way in which wehumans are on the earth”Men dwell in “insides”
is isis ssis iis ththethethe
EEEEssEssEssEssEEsEE eenenceencencncencencencnncnennn e oe oe ooe ooe oe oe oe oeee of aaff aff aaaaa plplplplplppplplplaceaceaaceacaceacaceacaceccAAAAn An nAnAAAAn “o“op“o“opopopop“opop“o“oopoppospospospospospospoposposposposopospp iteiteiteiteiteiteitetette” t” t” t” t” t” thathhathathatathata mumumumumumumumumumuststststststtststtttsbbbbbebebe be e e bbbbbbb rererecrececececceceeeeeececccce onconconconconconconconconcnconccconcccooncoo ileileileileileileileleeileileil d bd bd bd bd bdd bbbbdd bd bby my my my my my my my my my my y mmmy yy ananaananananaaaininininininnnnnininnnnn ordordorddorddddrdorddddrdererererer r erereerrrr totooo ototoooto tto dwedwedwdwedwedwedwewedddddd llllllllllllll
structured by
Space defining elements; not where stops, but comes into the presence of
EExExExExxxExExxxtxtxxtExxExxxtxx ensensensensssionionononononnnnonioonnnonnnnoonnnonnni nnnnnoEEEnEEEnEncEncEEEEnEEnEEEEEnEEEEncEEEEEEncEEEEncEEEE losososloslooso ureurururureureurerereureureuurerereurereeurrereeuruuurereeuuuureuur
Defined by Figure Ground Relationship;Loss of identity can result if corrupted
iiis isisisiiiisiss parparparparparpaparpararpp rpparpparp t ot ot ot ot oot ot oofffffff
CharacterChChhhhhhChaarararacaaacctetteteterr
Function of time;Mode in which the
denoted bydendendende oteoteott d bddd bdd bdd bd bdd yyyyy
ddddendenddendendenddddd oteoteoteoteoteeteeoteeteeoteeeeed bd bd bd d d bd bbbbd bd bb bd bd bd bd bbd bd bd bbbbbd bbd bd bbdd bd bd bbd bbd bbbdd yyyyyyyyyyyyyyyyyyyyyyyyyyyy
relate toeach other
Visualization
Gathering Experienced meaningsto make microcosmos
Translation intounderstanding
Builds what he has seen;make structure precise
which are
Building which makesenvironment aunified whole
depends on
Orient himself . . . Identify himself . . .in relation to the environment (how he is)
contitute
perceived interrealtionship; givesa sense of emotional security
developed by
Spatial structures which are developedby cultures
part of
Child acquaintance with environment;forms future experiences with environment
indicates
architecture is
Gather properties of place and bring them close to man
described by
DEF: “Before they were just transientphenomena, but the names keep themand the world is opened up,” (433)
mediates
Man dwells in language to openup the worldAuthentic existance
is
Speaks in images
mediates
Revealed to us, truth
allowsof
through building
play of
“Simulataneous opening and keeping . . . a conflict. . .intimacy . . . does not letopponents break apart,” (436)
The things themselves
Modernism SemioticsPhenomenology
Scientific, Abstraction
Things Themselvesas they are
Object/ telling,signalling
enabled bySelf-alienation of man
partof
Technotopic myth of unlimitedprogress
forms a
between
StabilityAppropriateness/richness ofsociocultural experiences
Utilitarian tyranny of techniqueHow and to what end
combated by
1) Status as organism of primal need2) Status as sensate, hedonistic being3) Status as cognitive, self-affirmativeconsciousness
which is
Reduced soley to visual sense,ocular-centric
composed of
is
Examining through experiencingbeyond ocular-centricity
Child likeEX: The movie director
Basic vocabularyEmotional feelings linked with our souls (451)
through
MEASURES OF FAITHTake Measure Across the American LandscapeJames Corner, Alex MacLean
“In the vacant luminosity of the arid desert, is a metaphysical
emptiness of immeasurable dimension,” [149].
adj. Full of light; emitting or casting light; shining, bright.OXFORD ENGLISH DICTIONARY
n. Science of being and knowning; substance, time and space, causation, change, identityOXFORD ENGLISH DICTIONARY [Metaphysics]
adj. Designating that which is immaterial, incorporeal, or supersensible (especially in explicit contrast to physical).OXFORD ENGLISH DICTIONARY [Metaphysical]
n. The state of being void of certain specified contents, or of a specified quality.OXFORD ENGLISH DICTIONARY
What do Corner and MacLean mean?
MEASURES OF FAITHTake Measure Across the American LandscapeJames Corner, Alex MacLean
“gestures by humankind . . . to sound-out the void . . . manifesting entire cosmography across myriad of scales,” [149].
Read Taking Measure Across the American Landscape.
Lightning Field, Walter de Maria, 1977, Catron County, NM Pueblo Bonito, Pueblo People, 800-1100 CE, Chaco Canyon, NM
n. A description or representation of the universe or of the earth in its general features.OXFORD ENGLISH DICTIONARY
For An Architecture of RealityMichael Benedikt
emptiness : “purposelessness . . . an accident,” [52]emptiness : magnetic; the pull to inhabit because we are a part of it [52].
2
1
All-American Canal, California, Photo by Circle of Blue
PULSE(PPT)
SOILWATER
EFFECTS ON
FT(1)
FT(2)
FT(n)EFFECTS ON
RESPONSESTO RESERVE
(SEEDS, ROOTSSTEMS)
SLOWDRAIN
ALLOCATION
C) REYNOLDS ECOLOGICAL PULSE MODEL
AN EVENT TRIGGERS A PULSE OF ACTIVITY.LOSS OCCURS DUE TO CONSUMPTION ANDMORTALITY, AND THE REST IS RESERVED FORTHE FUTURE. THE PULSE DEPENDS ON THESEASON AND RAINFALL QUALITIES [SIZE,DURATION, AND SO FORTH].
THE PULSE IS NOT A PULSE OF GROWTHBUT EQUATED WITH PRECIPTIATION; THEPULSE IS THE PRECIPITATION. THIS THENSTIMULATES GROWTH, CAUSES LOSS, AND SUSTAINS.
THE PULSE TAKES A BROADER PERSPECTIVEOF THE QUALITIES THAT INFLUENCE THEEFFECT OF THE PULSE BY APPLYINGTHE CURRENT STATE OF THE SOIL ANDTHE FUNCTION OF THE ORGANISM.
This PULSE diagram was adopted from the text “The Biology of Deserts” by David Ward.
This PHENOMENOLOGY diagram was derived from Kate Nesbitt’s “Theorizing a New Agenda for Architecture,” by EJB, ARCH 521, F13
find. record.keywords and descriptive phrases
read. annotate. diagram.
posit. describe. connect.build complexities; discover meaningr
A FEW, WELL PLACED, LINESthe basics of conceptual diagrammingEvan J. Burnett, Spring 2014