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8/7/2019 A Collection of Personal Thoughts centered on the theme of Philippine Gothic Pessimism, Magic Realism, Dark Hum
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A Collection of Personal Thoughts centered on the theme of
Philippine Gothic Pessimism, Magic Realism, Dark Humor
and related stuff
by rufus
1. The whole family was poisoned, after drinking from water taken from their well. The story
was that after the rain, juices from the decaying bodies in the nearby cemetery seeped
underground and made contact with the water supply. The family probably tasted something
weird with the water but did not make such a fuss with it, probably just boiled it or something.
This occurred somewhere in Masbate Island several decades ago.
2. Another story says the landlord-owner of this huge hacienda filled with miles and miles of
coconut trees is actually an aswang, a shape-shifting human viscera eater. The people rarely saw
him walking in the morning. Usually he comes out of his house by sunset, when the bats are just
flying out as well. Stories are told in the village about strange noises at night. People are
respectful of him and he often helps those in need. This was in Ilo-ilo.
3. There is a creature called a sigbin, which is a mythical sort of animal people speak a lot about
but no one has ever took a photo of, or a video. In the small mountainous town where my mother
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came from, there were talks of the death of some well-known manghihilot or someone who
massages those with ailments or uses traditional healing practices. This manghihilot, the people
say, has a pet sigbin which he keeps hidden. They say that a sigbin actually is a creature that
magically appears after one recites the proper incantations. The manghihilot kept a set of black
polished stones inside this handkerchief which he hides within the coconut clusters at the top of
this particular coconut tree. He was said to every now and then retrieve the stones. He would lay
the stones out, recite the words, and the sigbin would magically transform out of the stones.
4. My aunt was certain that the black thin dog that darted out of the bushes across the path they
were walking one night a long time ago, when she was just a girl, was an aswang. She said that
the dog had bright-red eyes. It is precisely for times such as what transpired, that people in her
village would never go out at night without carrying a bolo or sundang and a source of light.
Aswang can transform into any shape they like. Usually these are domestic animals such as dogs
or pigs or wild ones such as birds.
5. There are a lot of cults in the Philippines. Probably one of the weirder ones is this cult in
Ilocos which worships the dead dictator, human rights violator, and over-all bad guy of
Philippine history, Ferdinand Marcos. Of course there is an element of regionalism here. A
regionalism taken to a most deranged level. I don't know if they pray at Marcos, or pray to the
lord for Marcos, but in the end, there they exist, wearing white robes and bearing candles. These
cults are mostly derivations from several teachings of the Catholic Church. Another is the Apollo
Quiboloy 'Appointed Son of God Cult' in Davao. The leader of this group is a vindictive
megalomaniac who spouts various invectives against those who he claimed laughed at him while
he was down, while he was still poor and on his way to the top. What is interesting in this
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particular cult is that it has, like other several religious groups in the country, a good propaganda
machinery. They have radio and television stations with a lot of extremely badly made programs,
all talking about the greatness of Apollo Quiboloy, 'the appointed son of god.' Imagine Kim Jong
Il, only a Christian Kim Jong Il with delusions of being the messiah and of being persecuted,
then you have an idea about this guy. He only wears white, at least nowadays. I used to watch
him when I was younger on television, and he was 'normal' then - he wore barong tagalog, still
had a decent sense of humor. Somehow, something changed within that time span until his
current success (he owns a large mansion, helicopter, has hundreds of thousands of followers,
international scope of his ministry). One thing that is attractive about the Communist ideology in
the Philippines is that at least it is materialist and if it succeeds would not tolerate all these non-
rational things. However, given the history of the Philippines, with the more than three hundred
years of Christianity hammered on to the thought patterns of this society, it would be a long time
before the abandonment of the mythological mentality.
6. Urban legends can and must figure prominently in imagining a Filipino magic realism. The
problem however is on how to appropriate these into an original and organic whole. Something
that is natural, unartificial, or at the very least to successfuly present the appearance of being
natural, since 'nothing is more unnatural than the forced desire to be natural.' The writer then
must write 'out of' these knowledge and experiences, to re-imagine them and fit them into new,
relevant contexts. The writer must don the magic-realist mindset himself. The audience of course
must be able to understand the significance of this. And this takes a lot of thinking and effort. To
imagine a magic realist story in the Philippines would seem to be an easy thing to do, given the
already numerous examples above, besides the perceived cultural similarities with Latin
America, the place out of which the the style of magic realism developed (Garcia Marquez,
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Allende, Borges). But, what explains the lack of these types of stories? Why do they not exist
that much? I guess besides the inherent disinterest of the new generation in reading in the first
place, the socio-economic structure of the country itself is something to point as probable cause.
7. Humor. What is the current state of literary humor in the Philippines? The only book which is
humor of the literary type in the Philippines that I have read is a collection of short pieces by
Eros Atalia called 'Taguan-Pung: Manwal ng mga Napapagal.' This is excellent dark humor,
something that is very rare in Philippine literature. The various methods by which someone of
the depressive mindset or just plain suicidal would go about his business is the main highlight of
the book. A book in the Philippines about funny suicides? Need I say more? The various
ingenious plans the author devises for those who wish to end their lives in a most interesting and
even socially significant maner warrants our attention because underneath the humor, the
particularly dark humor, is a searing social commentary. Some prominent literary person
commented on this work that underneath the various shenanigans it is actually a serious political
work. Reading the book, there is a feeling of disgust over the political and social situation in the
country. By making fun of these ills, the reader takes time to think about them, to understand
them in a new light. Things are so bad in this country that the only option left to be serious is not
to be serious, or something like that.
8. There is this scene in this movie where the crazy rich beautiful lady is hysterical - screaming,
crying, screaming while crying. We know she is rich because they live in this large house. There
is her husband who is very handsome. And they have a lot of servants. She is wearing a white
sleeping dress, and in this particular scene we see her hunched up on the floor near the fireplace,
her arms wrapped around this kinda large pot filled with soil out of which is stuck a small palm
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tree. Then she starts eating the dirt from the pot. It is only the two of them in this room with the
fireplace. They are arguing while she is eating, or rather, the man is shouting at her. He wrestles
her down so she would let go of the earth bunched in her palms. She then collapses and the man
calls the servants to tend to their mistress. I don't know if it's our television screen or the actual
video itself, but the grainy quality was much effective in conveying the mental atmosphere of the
movie. It is dark and depressing. There are hints of suicide and all other non-wholesome things
in the background. It is a sort of grotesque elegance.
9. The setting would be an old, decrepit library with a lot of decaying old books. This is a large
two-storey building and it was abandoned several decades ago. Somehow the books are still
there. The protagonist finds himself sitting on one of the few chairs still intact. Dust is
everywhere. He inspects the collection and finds that these are mostly philosophical, religious
and literary books. Some encyclopedias. Another setting would be a cemetery. Large cemetery
by the side of a Church. At the center of the cemetery, there is a sort of small jail-like structure in
which are interred all these human bones, several decades old. He remembers as a child that he
used to look at all the skulls. He has memories of collecting the wax from candles at the top of
the graves. He remembers that most of his ancestors by his mother's side were buried here.
Somehow he feels a sense of belongingness. There is a huge tree near the centre of the cemetery.
At a certain time during the late afternoon, the shadow from the tree would fall onto the jail-like
structure housing the bones.
10. The importance of the anting-anting during the Philippine Revolution of the late nineteenth
century, as well as other radical mass movements - Pulahanes, tad-tad, etc. Macario Sakay wore
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this vest made probably of cotton or other cloth, on which is written various latin passages, and
are drawn several figures with magical properties. Magical bulletproof vest basically.
11. I am reading this book about magic realism entitled Magic(al) Realism by Maggie Ann
Bowers. On page 38, she references the Nobel Prize Lecture of the COlombian novelist Gabriel
Garcia Marquez 'The Solitude of Latin America.' I found the the full text of this lecture, which
was delivered in 1982, online in the Nobel Prize Committee's website. This is a wonderful read
and Marquez talks about the 'solitude' of Latin America, adrift, abandoned like a child by its
European parents. This struck me because if we talk about isolation and solitude, the history of
the Philippines, this little archipelago on the Pacific Ocean, speaks greatly about this condition.
Especially now that knowledge of the Spanish language is almost absolutely gone from the
general population (not that it was that popular to begin with), added to this 'isolation' therefore,
is a 'forgetting,' further severing the ties with the Spanish colonial past. This is a real problem
with regards to historical research since most of the documents, the primary documents for any
serious historical researcher in our country is in Espanol. God knows the numerous times I have
heard my teachers complain of the deteriorating knowledge of the SPanish language among the
history majors in the University. But the issue here is that if we want to write about issues of
magic realism, of isolation and solitude, there is more than enough of these stuff in the
Philippines. We have only to look at the convoluted history of this country, of the numerous
peoples that inhabit it, of the tragicomedy of Philippine political life, among other more unusual
occurences and beliefs, to realize that we share with Latin America almost the very same
sicknesses and qualities. Part of this, of course, is that we shared the same colonizers with Latin
America. An example of this great irony is of the name itself - Philippines, for several peoples to
be lumped together and named after some ancient and dead European king. Even now, writing
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this, I have a great problem identifying myself with the word 'Filipino.' Since I really do not find
much content and/or connection with the word, that's what it remains for me - a word. Thus it
would seem that I have no identity beyond my last name, that of my family's. The family then is
the basic structure of society in the Philippines. Marquez's most famous novel, Cien Anos de
Soledad, is about the history of the BUendia family of Macondo. Magic realism therefore, if it is
to emerge in the Philippines, goes beyond the idea of a nation, and onto something far more
authentic. This is not to say that it would be anti-nationalist. Far from it, the magic realist genre,
as it appeared in Latin America, has a strong social awareness, and it is strongly grounded in its
historical realities - those realities that are so unbelievable that they appear magical, fictional.
The tragic thing however, is that they are real.
12. Murders. I have recently read Ambeth Ocampo's latest book. I think it was entitled 'Dirty
Dancing.' (yes, this is truly the title of that book). And one curious thing that it mentions, among
others, is of this murder in 1617 of a friar by two or three other younger friars. The gruesome
details of this affair was described by Ocampo. In my own researches, specifically, of the Blair
and Robertson Volumes, there were several very interesting events, all tragic. During the late
eighteenth century, there was this incident where a young woman of around eighteen years old
jumped to her death from out of the window of a beaterio. Not much detail was given, other than
that she was mestiza. My imagination run wild with this, and I speculated that she jumped
because this lecherous old priest was chasing her and that instead of surrending her honor, she
chose death. (Noli me Tangere of Jose Rizal, the death of Juli, I know). Another curious event is
the murder of this governor-general of his wife, who was having a secret love affair with this
man who they later found out was a friar. It was all very dramatic and exciting, tragic of course.
I should have remembered the actual names of the documents, their volume numbers and other
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bibliographic stuff, but I reserve that for when I am to write really something serious about these
things. In the meantime you'll just have to trust me on these information.
13. Another story idea. There was this NPA soldier who was tasked by a village he has been
assigned to, to chase after this mysterious creature which has been wreaking havoc over several
villages in this remote mountainous town. After several days, weeks and months of pursuing this
monster, he finally manages to kill it. Going home to his base after this heroic feat however, he is
met by several military soldiers and is killed. The end. The character muses a lot about various
doctrines of communist ideology - 'being determines consciousness' etc. NPA soldiers are known
to set their camps and bases deep in the mountains to evade the military. It would be easy
therefore to imagine that they would come into contact with kapres, duwendes, aswangs, and
other creatures. Now, besides evading the soldiers, they have to contend with these creatures at
night.
How about: an NPA soldier who gets separated from his unit helps this old woman. As a gift, she
gives him this magical black stone, an anting-anting, making hiim skilled in combat and just
plain lucky and other benefits. Due to his abilities, the decades-long communist insurgency in
the Philippines finally succeeds. Jose Maria Sison, in the Netherlands, however dies, and the
Politburo appoints the NPA soldier as the General Secretary of the People's Republic of the
Philippines. Over time, he grows dictatorial, ordering secret executions of critics within the
government. Sort of like a Stalin or Mao or Kim Jong Il. An anarchist resistance grows
underground and finally ends up assassinating him, sort of like what happened with that Tsar in
Russia assassinated by the nihilists. The country descends into civil war as two factions vie for
power - the anarchists, a loose group of like-minded individuals , and the hardline communists
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who are much better organized (Spanish Civil War, 1930s). The communists win and the
government is restored. Meanwhile, hiding deep in the mountains, is a harried unit of anarchists.
One of them, a young woman, gets separated from the group. She happens upon this old woman
whom she helps. And in return the old woman gives her a magical black stone.