A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])

7/17/2019 A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])

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Century

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iiussian

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\



BOSTON

:

THE

BOSTON MUSIC

CO.



COI'VKIGHT,

mil.

HV

(i.

S( HIKMER



A

Century

of

Russian

Son^

Tins

collection

of fifty

Russian

songs,

ranging

from

old-niastcr

(ilinka

well

nigh a

century

ago

to

present-dav

composers

like

Glazunoff

and

Rachmaninoff,

is

the

first

comprehensive

anthology

of its

kind

outside

Russia,

and

means the

opening

of

an

almost

entirely

new re-

pertoire

for

the

English

and

American

concert-hall

and

drawing-room. The

collector

of

these

songs

liopes that

those

who

read

these

direct

and

sincere

utterances of a

great

nation

may

derive

from

tiiem

a

pleasure

ccpialling

the

deliglit which he

himself

has

experienced

dur-

ing the

years

spent

in

collecting

and

selecting

them.

He

also

ventures

to

hope

that others

will

follow

his

initiative,

inasmuch

as

these

songs

are

indeed

a key to the

understanding

of

Russia's

great

symphonic

music,

so

familiar to

our concert

audiences,

and to

everything

that

is

national and based

on

folk-lore.

About my

leading

principle

in

the

selection

of the

songs,

I want to state,

that I

have not

tried to

find the

most

beautiful

ones

— a

very

vague

definition,

regarding

which every man

would decide

differently

—

nor

the

ones

that I

personally

like

best

(in fact,

tlie

limitation

of

space

excluded

some

of

the

well-known

and

still

beautiful

Rubinstein

and

Tschaikowsky

fiivorites,that are

already

available

in

separate

editions)

;

—

but

I chose

those

songs that

seemed

to

bring the most

characteristic

message to

the

Avorld,

that

are the

most direct

expression

of the

Russian

national

character.

Until

about

ten

years

ago

Russian

music

had been

identified chicHy

with

Tschaikowsky's

music.

Besides

Glinka's

operas,

which were

intermittently

taken

up in

non-Russian

opera

houses,

and

Rubinstein's

music,

which arose and

to

a

great

extent

vanished with the

brilliant

meteoric

career

of

this

virtuoso-genius,

no

Russian

music

came into

prominence

on

the in-

ternational market

before

Tschaikowsky;

yet

it was

not the

national

element

in

him,

not

his operas and ballets,

and

early

syiuphonies

deeply

rooted

in

racial

feeling,

that

a])pcaled

to

foreign

nations, but

it

was

the

later

Tschaikowsky,

the

polished,

cosmopolitan,

aristo-

cratic musician,

that

captivated

everywhere.

Strongly

perfumed,

highly

seasoned

music,

which dazzled and

agitated

the senses,

appealed

to the

emotions,

and seemed

a

particularly

characteristicexpressionof

our

modern

nervous

times (before R.

Strauss

offset

it,

of

course).

Symphonic

conductors

who

were in

touch

and

sympathy

with Russian

music

perseverea

S271U

(

vn

)

mmm

q

city

of

utw



viii

A

Century

of

Russian Song

here and

i\\i\\-

in

iiitrodncinj,'

works

1)\

Halakirtw,

Kiiiisky-Koisakoll . (

Jla/imoU :

some

con-

cert

singers

iiuliiilcd in llair

repertoire romances

l)y

C'ni.

Hoindine.

Aieiiskv;

—

yet

it

re-

mained

f<ir

the

discriminating

musicians

and

the

sympathetic

understanding

of

the p\il)lic of

Paris, in

the

past

fi\ e

years, to

iliscox

er

lliat

llussia's

greatest musician,

the greatest

musical

individuality

this Slavic nation has possessed, Modest

Petrovitch Mdussorgsky.

had

li\ril

and

died

in

misery some

twenty-five

years

ago,

unknown

to

the

outer

worlil.

vet

lea\

ing

a

marvellous

l)e(|uest to

his

nation and

to

the

world. compositions

so

strikinglv

new

and origi-

nal, that

they seem to rank ahead

ol'

the most modern living composers,

and which

it would

take

generations

thoroughly to

ahsorh

and appreciate. C'laude

Dehussv

and

.Mfred

Hruncau

ha\e

testitied to

his

glory.

Uaoul

Pugno

has

enlisted

his nohlc entlnisi;ism

in his

cause,

and

a

Hussian admirer

of

his.

Mme.

Oleiiine

d'Alhcim.

has

uiven

yeais

of

self-sacrificing cH'ort to

propagating Monssorgskys

nuisie

hy

lecture-recitals in France and Helgium

and hv hooks

and

pamphlets;

with the result that

noUadays

scarcely a

song-recital

in

Paris

or

London

is

given

without some

of

Monssorgskys music,

and

that

New

York is

fast

following on

the

trail.

The

lavish

production

of

his

opera Horis (iodounow

in

Paris

in

litOS

hv .Serge

de

Diaghileffand (Jahriel

Astiuc. with 'I'll.

C'haliapinc

in

the title-role, has

meant

a

complete

victory for

his genius, anil

most

of

the

European

opcni houses have

included

this

work

of

.almost Shakespearian

breadth and tragedy

in their

repertoires.

\\'hen

Sergei Kaehmaninofl

toured .Vmcrica

in

I'.tO'.i

10

as

a pianist,

this

occasion

was

seized

hy a few singers

to introduce

his

songs. He.

of

all living

Hussian

composers,

seemed

the

one most truly

gifted

in

the

domain of

song.

The

spirit

of

the

Itussian

landscape,

its

delicate

fragrance, its

vast

and

melancholy iniincnsity. speak from

the pages we have

col-

lected.

(ilinka.

the ff)un(ler of Hussian art-nuisic. who witii single-handed eflort

wakened

the dor-

mant

elements

of

Hussian folk-lore,

elevating

them

to

;ui

artistic

standard,

and

who

at once

established

the

national

Hussian

school

with all its characteristics

of

rhvlhm. h:u'mony.

and

instrumentation, is

represented by celebrated ini.is

from

his two

best

-known

operas,

nmsic

that

is closely

related

to

the

contemporaneous (ierman

music

of

Weber .iiid

Marsclmer.

but

which

nevertheless

speaks its

own idiom

distinctly

and

forcibly.

(ilinka's

and Dargomijsky's ballads

represent

the period

of

ronianlicism in

Hussian

music;

they

are

elegiac.

despairing.sentimcntal ;

thev were

written

to move

hearers to tears,

and

they

did

so

unfailingly.

W

Onderfnl

is

the

atmosphere of

the

Hussian salons of ISK) .50.

tlial

these



A

Centuiv

of

Russian Song

ix

ballads

exhale:

young

men

with

romantic,

lofty ideas;

hypersensitive,

scJnviirinerisclic

ladies;

desperate

passions and

intinite

longing. i\ll the

iiiilicii of

Eugene Onegin,

of which Push-

kin

and

Tschaikovvsky

sang.

—

It

is

strange to see

how

tlie

styles

of Heethoven

and Schubert

become

amalgamated

with

Russian melodic

strains, and

with w

hat

appealing

results,

as

in

Dargomijskvs

Elegy

(on a

Moonlight-Sonata

accompaniment),

or

in his

' Prisoner

in

Si-

beria,

who

apostrophizes the

heavenlv clouds

that

arc

banished

and

homeless like

himself.

Among

the many

songs

of Rubinstein

that

would

have

been

worthy to

enter

this collec-

tion,

we

felt it most important

to

call

the attention of

singers

and public

again

to

his

Per-

sian

Songs, those

strange exotic

blossoms,

full

of the

sensuous

charm and

vivid

imagination

of

the

Arabian Nights, that

he, being

of oriental descent,

was

able

to

give

posterity. These

songs

are so graceful

and dainty, and

so

beautifully written for

the

voice,

that

the

world

is

bound

to

take

them up

again.

Borodine,

though

born earlier than

Tschaikowsky,

C'ui,

and

IJalakirew,

represents more

fully the

ultra-modern ty})e

of musical

Russia. He was

never

a professional

nuisician,

and

his

music

aiwa\s

breathes

the spirit

of

aristocratic

leisure, refined

surroundings,

and

culti-

vated citv

life. Songs

like

the

iridescent

Sea Queen, the strange-scented

Flowers

of

Jôve,

the

mysterious

Sleeping

Princess,

the

short and poignant Dissonance,

show a marvellous

sense

for

coloristic

effects,

which

he

produced

by

an

harmonic

scheme

very

similar

to

wiiat

is

now

called

Debussyisni,

but

a

method

that he invented and practised

long before

Debussy.

In

his

Song

of

the

Dark

Forest

Borodine has

gone

back

to

melodic and rhythmic tra-

ditions

of

early

median-al

Russian

music (as preserved in some of Russia's

old

weird folk-

songs),

the

effect

of a

bard

reciting

a

ballad

being brouglit out with stirring and

overpowering

force.

Many

songs

of Cui and

Balakircw

might

have been included, but

their

message

did

not

seem so

important

or

characteristic, nothing that

the

other

composers

had

not

better ex-

pressed

or

more

strongly;

so

the

former

is represented

only by

the deliciously

humorous

Poet and

Critic

disguisetl as Cuckoo and

Nightingale,

the

latter

by

his

song

Oh,

come

to

me,

most

popular in

Russia,

but

little known

elsewhere,

a melody of

such

sweet charm,

that

no

one

having

heard

it

can escape its

haunting

loveliness.

More than

one-half

of

this

l)ook

is devoted

to

the

music of

Moussorgsky,

Tschaikowsky,

and

Rimsky-Korsakoflf.

fitly

termed Russia's

three

greatest song-writers.



X

A

Century

of

Russian

Soni::

(

)t'

thr

Vdim^vr

ircncnitioii tluit

followed

llieni.

none

lias

yet rcaclKd

the

liei-^lits

altaiiad

1)V

tlic-ni.

Aieiiskv. well

know

n

1)\

his

piano-eonipositions,

never

rist-s

l)eyonil

a

eeitain

salon-

atniosplien-

in

liis

sonys.

(ila/nnoll' lias yivm

his

ht-st

in

syni|)lionic

compositions

of

lallier

I'iiaraeteristii'

tendencies.

Their two

son^s

here inchided.

••

I

,iltle I'ish s

Sono-'

juid

Nereid,'

are

respectively

characteristic

in

their limpid

charm

and

Î'acei'nl niclodioiis contonrs.

Anionic

Tschaikow

sk\'

s

wt-ll-known

son^s.

it

was

a

(piestion

of

sclectinL;'

some

liiddi-n

i)e mties

that

st'iin worthx

of

heeoinini;

nnixirsal

propert\.

llow

ehaiininL;

is

the

sketch

i-alled

••

iMeninii',

that ev(»kes

the

picture

of

I

,ittle-liussian hilKidts

so

irrisistii)lv. such

a

sweet,

fraj^rranl

country pietuix. that

is

in

music

what

(ioyols

landscape-descriptions

in

his

novels

are

to pottry.

His weird

oriental

C'anaiy-Sonir

evokes

the exotic

splen<lors.

llu'

palms

and

iuos(|ues

of the far-olV

east:

and the

simple

folk-tune

like

1

.en'cnd,

so

poij^nant and

aj)|)ealinii\

more

simple

than Massenet's

complicated

Legend

of

the

Satê-

i)rush:

and that

settint;'

of

'I'olstoy,

At

the

15all. which

has nioxed and will

contiiuie

to

mo\c'

audiences

to

tears.

Himsky-Korsakoir.

the

prolilic

opera-composer

and

Lieiitlc-heartcd

old

wizard,

who

lived

lon<>'

enoui^h to

see

his

fame

spread

o\

tr the cntiri'

WDrld.

and who was

fe.istcd liki'

a

kiny'

of

music

when

he came

to Paris

a

yeai'

hefore his

death

(I'.iOSi.

was more

foilunate

than

his

comi'adc

and

hosom-friind

.Moiiss()r<> sky.

These

two

compost'rs

made

coimuon

canst'

in

seekintr

and

systeniaticully

giitherin<f

the treasures

of Russian

folk-souLi. Rut

while

Kimskv-

iôrsakoir shaped

his

nuisic

after

the pattern

of folk-son^-

in

a

somewhat

philistine.

school-

masterK'

wa\'. Moussorn'skx'. who

went

into

the

suhn'cl

heail

and

soul.

w;is

so

imhuid

unci

identiiied

with

the

national

e\j)ression,

that

his son^s

seem

almost

the

inianalions

ot

the

entire

race

standing behind him.

Of

Uinisky

we

jîve three early

soiifj's

(ISflfJ-Jiy),

the Southern

XiL;hf.'

the weird

•'lie-

brew

I>ove-Son<^',

and

the

melancholy

(K'oryi.'ui

1 1

ills.'

which

ai'c

nuieh

ni

Ihe s.uue

class

as

l?orf)(line s

sonos;

and

three

airs

from

his

highly

colored

faii-v

opeia

.Siu

L;ourolchka

(Little

SnowHake), full of imioccnt

charm and

dainlv

rlulhms.

I

should have

liki'd

to

t,nve

all

Moussovf^sky's

work,

but

in

the

choice

of eleven

son^s

I

hope

to

ha\e

shown

him

in

his

most

characteristic

aspect.

Tv\(i

cradle-son^s

of his

are

like

two

lienis

in

this

selection.

\ot beinn-

content

with

a

rocking',

lilting'

acconijiaiiiiiKnl

.'uid

a sweet. Hoatinn'

melody,

he

diavvs

thi'

interior

of

a

peasants

hut, the

niotlur with

infinite

tenderness

bendinix

<iver

her

chihl.

drcanfuiii

of

its

future:

he

makes us

hear the



A

Century

of Russian

Song xi

mother's sigh,

the

infants

breathing, the tieking of

the

large clock; we

feel

the

loneliness,

of it

all.

Marvellous

pictures

these

two,

of

which

tiie

Peasant

Cradle-Song

must

have

been

particularly

dear

to the

composer, since he itiscribed

it to

the

memory of iiis mother.

Here

he

finds

for the

angelic

vision at

the end harmonies of purple and gold, and draws

melodies of

mediit'val

Byzantine

outlines.

INIartha's

song,

from

his

last opera,

Khovanstchina.

is

an

original folk-song, which he

frames

from verse

to

verse

in

a new and richer accompaniment. The Divination

by Water

from

the

same

work

is

an

extremely

powerful

composition,

the opening

Invocation

of

the

Spirits

being

of almost

ghastly and hypnotic

effect.

And

now

the

vast loneliness, the des-

perate banishment of Siberia looms up

from

the throbbing of

the

downcast

and

muttered final

phrases.

There is

much sadness,

much melancholy in

Moussorgsky's

music,

as there

is in al

Russian poets

and

book-writers

—

Tiu'genieff,

Dostojewsky, Tolstoy; just

as

any

great art,

being sincere, must

mirror

the true

state

of a nation.

But in all art, I

know

of little

that

can

be

comjiared

to Moussorgsky's ' By the

Water, from

his song-cycle

Where

no

Sun

Shines, in

its

mysterious

fatality,

its

Hamletian

meditation over

the

deepest riddle of

life.

It

is

not surprising that

this composer, who

in his music

was

wont

to knock at the

very

gates

of

death,

should

have adopted

the

inspiration

of

his

poet-friend

Count

Goleni-

tchew-Koutouzow to write

a

cycle

of

Death-dances

according to

the conception of Holbein.

Of

these

four song-paintings

we

present

Death-

and

the Peasant

(Trepak). written on

the

weird

rhythms of

the Russian

peasant-dance.

Strange is the Epilogue

to

this

song, which

makes us

realize

the

majestic

indiff'erence

of

nature

to

the

misery of

the

individual. The

poor peasant lies

frozen

under the snow,

but

the sun shines

again, spring

comes

into

the

land, changing

the

rigid ice-fields

to laughing

rivulets

and pools,

and the merry lark

soars

to heavenlj^

heights,

singing

its

piean

of

happiness.

A

diffei'ent

peasant-dance is

the

Hopak, which

irresistibly

draws

us

into

its

wliirl, and

makes us

acquainted

with a savage Russian sister of

Carmen.

The

Siege

of Kazan,

a

bal-

lad

inserted

in the opera

Boris

Godounow,

gives us a wild

picture

of

mediaeval Cossack-life,

surely

inspired

by

Gogol's

master-novel, Taras Bulba.

The

Oriental

Chant,

which

fig-

ures in his

short Joshua-Cantata as

a middle

movement

for solo

contralto,

is

a

strain

that

he

caught

from the

lips of the

Jewish peasant-people,

most

characteristic

in its

wailing and

plaintive

melody.

ssrû



xii

A

Centurx

of

Kussian

Soii<i-

Not

the

least

important

aiiuuio

tlir

w ulr

and

diverse

fields

..f

Mdiissoi-frsky's

eompositions

are

his

imrsery-soiij-s.

<• '

which

wc ciiioti-

that

dainty

htth-

sketch

calkd

•C'hilds Snug,

coinparitiir

a

cliiid

to a

hh.ssoin.

and

••'111.

Hcctle,

telhng

of

a

child

uli...

playinn-

in

the

y:n(kn.

comes

face

to

face

with

the

i)rohlcm

of a

l)ceth- s

death.

A

liltino-

,v/ro/

to

liiis

collection

is

Hachmaninotr's

sellin- ..I

'I'olstoy's

Billowy

Harvest-

Held.

Mav

the

nohk-ii

.grains

of

these

Kussian

sheaves

fall

into

lerlile

soil, and

he

reaped

m

a

manifold

harvest.

In

order

to

facilitate

the

recital

of

these

sonnfs in

Kn<>lish-speakin.o-

countries,

especial

care

has

Ulvu

heslowcd

hy

Mr.

Ilc^m-y

i..

ChaiJUian

and

oIIhts on

the

translations,

u

hich

not

only

cover

the

poetical

idea

of the

orif-inals.

hut

also

closely

follow the

trend

of the

music.

Fifty

new

son.ys.

of

nndoul.tcd

vahi.'.

should

alVoid

ample

opjiortunity

to

promote

the

introduction

of

standard

nmsic

in

the

Kn^lish

l;m,<rua<;e.

There

is

every

reason

that Kn<,'-

lish-speakmn

countries

should

take

up

these

.songs

ill

their

ou

ii

lanyuaê

instead

of

in

exotic

translations.

KruT

Si

ii'Niu

i;ii

MuijJO,

I'.ill



Index

of

Composers

P\GF

212

68

62

64

70

ARENSKY,

ANTON

STEPANOVITCH

Little Fish's

Sony-.

(FUrhlrhi.i

Lied.)

High

KALAKIREW,

MILY

ALEXI^JEVITC'II

' ^h,

conic

to

me

(

^^

[7(7W

;«r.v

dr mni

. )

High

t5

BORODINE,

ALEXANDER

l'(

)RPn

V]ME\

ITCH

A Eissonance.

High

(orlMedium)

^,

Flowers

of

Love.

{Fleiir.'s

d'

Amour.

) .Afediuni

^

Sea-Queeii,

The.

{Ln

Rcinc

dc hi

Mcr.)

High

Sleeping

Princess,

The.

Aledium

Slowly

the

daylight

departs.

{,«

Lcntcniriif

bais.sa

lcJoiir'».)

From the

opera

•'Prince

Igor.''

High

(or

;\Iedium)

~(^

Song

of

the

Dark

Forest.

(Chniimn

dr

hi

Fork

Snmhrc.)

Medium

58

CUL

CESAR

ANTONOVrrCH

Poet anil

Critif.

^

XiirlitigaU

mid

K)d:iik.)

Medium

DARGOMLJSKY,

ALE.KANDER

SERGIEVITCH

Heavenly

clouds.

[Medium

(or Low)

Only

Love

[Xur

Hchcii

) [Medium

Ye

dear,

fleeting

hours.

{„Ihr

furhti<rm

Stinidcn''.)

High

(or

.AL-dium)

26

GLAZFNOFF,

ALEX.ANDER

K

Nereid,

'ihe.

High

ggQ

GLLNKA,

.MICH

AH.

IVANOVITCH

Ah. kindly

star.

•

i\,Dii

fnnifrr

Sfrrn .)

From

ihe i>[^pra

''

Ru.'i.^hni

,nid

Ijidmilla.''

High

3

How

swict

it

is.

when

Fni

with

you.

(..

U'ie .s-;/.?,? /.vr.f.

kuiiii

hri

Dir icli

.win--.

) High

(or

Medium

)

1

The

truth

is

suspected.

(..Sie

ahnen die

Widirheif.

}

Aria

of

Soussanine,

from

the opera

J

Life

for

the

C-nr .

Baritone

iq

MOUSSORGSKY,

.MODEST

PETROVITCH

Beetle,

The.

High

(or

.Medium)

g2

lly

the

Water.

Medium

-jQg

Child's

Song.

(Chan.soi)

(I'Knfiinf.)

High (

or

Medium)

100

Cradle-Song

of

the

Poor.

(La

lienru.se

dii

Puuvre.)

Medium

132

iim

(

-xiii

)

84

21

30



,-iv

Index

of

(

.()nii)OScr.s

Di-atli

.iml

111 '

IVit-aiil.

/-</

Mi t it

if

I'liy.siin.

)

'IVepak.

Ili.i;li

l<>r

Mi-cliuin)

116

l)i\iiiati<iii

liv

Watir.

i

/,«

DivimitUm

pur

I'vaii.)

Iroiii

tin-

opc-ra

K

hinanitUhimi

.

Low

lOS

Ilopak.

lliuli

or

Modiuni)

136

.Martha's

Sons;.

{Ch'iiit i/c

Martin:

)

rnini

tin-

uptri

'•

Khinitmtchinn

).

Metliuiii 0>r

l,<iwj

126

Orii'iital

Chant.

l.aiiifiitatioii

fnim the

cantata

''Jnstni

S'nv'mc

.

Mctliuni

152

Pojuijint ( radle-Sontt-

(Bcriruxc

thi

Piiyxan.)

Inini

the

drama

FVw/(Jv«/<i '.

Medium

87

Siege

of K.-izjin,

'The.

l ri)iii tlie

opera

' Boris

GoiUmmnc

\

Baritone

144

KACIIM.XMNOl

T.

SIIUiKI

\

.\SS11.I1 A

1T(

II

' Hetore

nn

window. ' Ili^li

23

I

low

sweet tlie jilace

I

'

Medium

232

l.ihus.

Ilinii

22(i

Morninii.

Medium

(or

Low)

22j

•()

thou

l)illo y

liarve.st

-field

'

Hiffh

(or

Medium)

285

KI.MSKV-KOUSAKOW. M(

OI.AS

ANDUK.IEN

ITCH

A

Southern

Nifjht.

(Xiiit

ituîdiimalc.) Medium

202

Hebrew

Love-Sonj;.

(Cfuiii.soit

hefiriiiquc.) Medium

190

Little

Snowflake's

Arietta.

From

the

fairy

opera

Siufrourotilikii.

lliijli

IHT

On tlie

(Jeorgian

Hills.

(Siir Ic.i

rol/itu-.s-

de

Georîe.)

High

(or

Medium)

1 )'J

Song

of

the

Sheplicril

I.clil.

I'roin llie fairy

opera

Sncîirotchka.

High

(orMe<lium)

1 )()

Svlvan

Honndelay.

I'rom I

lie

fairy

opera

Smjjôiirotrlihii. High

~l)()

i{iiu\<ii:iN.

.wroN

Hend.

lovely i)ud.''

(..Xn-r',

.srhnnv A'lio.yjc .)

High

• •

f

He

not

so cov,

mv

pretty

maid.

(

..'J'/iii' nicht

.so

.spr'odc, .srhntu-s

Kiml .)

High

I

feel

thv

breath

blow ro\md

me.''

(..Irh

/ iifdc

dciiifii

()dcm^\)

High

My heart

all

beauty lakes

from tiue.

(.,M(in

Ilcrz

.schmiickt

.sith m'lt

dir .)

High

4.S

Not

-vith

angels.

(,,Xiclil mit

Kiiffcln .)

High

42

When I

see those little

feet of

liiine.

(,,.S(7/

idi

driiir hlrhini

I'iUsr/nii

iiii'\

j

High

US

IX

II

AiKowsKV. j'l.ri.u

ii..nr(ii

4^

At

the

Hall.

(Iiimittin

dr.s

Jiallr.s.)

High

Hi

I

A

Legend.

(

lA-{rrndi-.) .Mediimi

HJf^

Canary,

The. (Ac

Ciiuiirl.) High

1^2

Evening.

(lA-Soir.) High (or Medium,

1

S

Springtime.

(FriUdhifr).

High

(or

Medium)

lb

Tis

evening.

I'rom

the

opera

/';7«(-/>«»/<-.

Duet

t or

Soprano and

.\lto

'(72

•::»

52



Index

of

Titles

'^^'A Dissonance.

(High

or

Medium)

Ah,

kindly

star.

(Higli)

A

Legend.

(Medium)

A

Soutiiern

Night.

(Alediuni)

At the IJaiJ.

(High)

Beetle,

The.

(Higii or

Medium)

Before

M_v

Window.

(High)

Bend, lovely

bud.

(High)

Be

not so

coy,

my

jiretty

maid.

(High)

By the Water. (jNIedium)

Canary,

The.

(High)

Child's

Song.

(High

or

Medium)

Cradle-Song

of

the

Poor.

(Medium)

Death and the Peasant.

(High or

iSIedium)

Divination

h}'

Water.

(Low)

Evening. (High or

Medium)

Flowers of

Love. (IMediiun)

Heavenly Clouds.

(Medium

or

Low)

Hebrew Ixne-Song.

(Medium)

Hopak.

(High or

Medium)

How

sweet it is.

(High or

]\Iedium)

How sweet the

place (Medium)

I

feel

thy

breath

blow round

me.

(High)

Lilacs.

(High)

Little

Fish's

Song,

The.

(High)

Little

Snowflake's

Arietta.

(High)

]\Lartha's

Song.

(IMedium

or

Low)

^lorning.

(INIedium

or Low)

My

heart

all

beaut}'

takes

from

thee.

(High)

Nereid,

The.

(High)

Not

with

angels.

(High)

22724

A.

BoitODINE

M. L

Glink.\

P.

TsCH.ÎKOWSKY

N.

RiMSKY-KoitS.AKOW

P.

TSC'HAIKOWSKY

.M.

MoiSSOPGSKY

S.

K.\CHMAXINOFF

A.

RrmxsTF.iN

A.

RlHINSTEIX

AL

MOT'SSORGSKY

P.

TSCHAIKOWSKY

]\L

MOUSSOKGSKY

M.

MorSSORGSKY

AL

MorSSORGSKY

AL

MOI'SSORGSKY

p.

TsCHAIKOWSKY

A.

BoRoniNF.

A.

S.

D.iRGOMIJSKY'

N.

RiMSKY'-KoRSAKOW

M.

MOTISSORGSKY

M.

I.

Glixka

S.

Rachm.\xinoff

A.

RUBIXSTEIX

S.

Rachmaxixoff

A.

Arexsky'

N.

RiMSKY-KoRSAKOW

M. MoUSSOKGSKY'

S. Rachmaxixoff

A.

RUBIXSTEIX

A.

Glazt'Xoff

A.

RuBIXSTEIN

PAGE

68

3

168

20a

10^

92

54

33

102

182

100

132

116

108

178

62

21

190

136

10

232

52

226

212

187

126

229

48

220

42

(

XV

)



XVI

Index

of

Titk's

(contiiuutl)

oil.

c'onif

to

mc (Ilisli)

Oiilv

lovi'

(.M(.(limii)

Oil

till'

(itoifrian

Hills.

(Medium)

Oricntiil

Chant.

(Medium)

O

thou

hillowv

liarvest-ficld (llifih

or

Mrdiiun

)

rcasiint

Cradle-Soiifi.

(Mrdiinn)

Poet

and

Critic.

(Mcdiuin)

Scu-Qucen.

Th-.

(llijilO

Siege

of

Kazan,

'riic.

(Baritone)

Sleeping

Princess,

The.

(.Medium)

Slowly

the

dayliglit

departs.

(Higli)

Song

of

til.'

Dark

Forest.

(:\Icdiuin)

Song

of the

Shejilierd

Lelil.

(Iligli

oi

Medium)

Springtime.

(High

or

Medium)

Sylvan

Kniindclay.

(Higii)

The

truth

is

suspected.

(Haritone)

'Tis

Evening.

(Duet)

When

T

see

those

little

feet

of thine.

(Higli)

Ye

dear,

fleeting

hours.

(High

or

Medium)

M.

M

Al.AKUtl'.W

.\.

S.

l)Alt(;<>Ml.lSKV

.\.

UlMSKV-KollSAKOW

.M.

.Mol .SSOHGSKY

S.

1{A(

IIMANINOir

.M.

.MolSSOKC.SKV

C.

.\.

Ci 1

.\.

MoltOlilM

M.

Morssoitc;sKV

A.

BOUODINK

,\.

BoUOIHX '

.\.

IJoiioniM

N.

RlMSKV-K()US.\K()\V

p.

'I'sillAIKOWSKY

X.

HIMSKY-KOKSAKOW

M.

I.

(il.lNKA

P.

TSCHAIKOWSKY

.\.

Rr

IIINSTKIN

.\.

S.

Daiu;o.muskv

PACK

15.1

30

1 );5

152

2.'35

87

84

64

144.

70

76

58

196

160

206

16

172

38

26

22724



Index of

Fîrst

Lines

Ah

come,

weary one

A.

All

liow

it

hurts

N.

Ah,

kindly star

M.

Ah, stay

with me

A.

And

by

day

and b}' night

I

fare

M.

Before my

window

S.

Bend,

lovely bud

A.

Be

not so

coy,

my

pretty maid

A.

By-bye, by-bye,

sleep,

my

pretty

boy

M.

By-bye,

lower

than

the humble

wayside

flower

,M.

Child

Jesus

in

his garden

P.

Cloudlets,

ye

heav'nly clouds

A.

For

to

go and

gather

berries

N.

Hear ye

Amorea's daughters

M.

Hi Ha Ha

The

Hopak

M.

How sweet it

is when I'm with you

M.

How

sweet the

place

S.

Hush

hush

with

lovely

eyes

A.

I

feel

thy breath

blow round

me

A.

I

know

not how

lovely

3'our

face

is

P.

I

love

thee,

dear

S.

In

the

vale,

oh

in

the

valley

j\I.

I

sleep

N.

Rlorning skies arc

aglow

S.

My

heart all beauty

takes from

thee

A.

Nana,

listen to

what

has

happened

M.

Not

with angels

A.

Now

melts the snow

P.

O'er yon

mountainous

height

N.

Oh,

come to

me M.

Oh,

I

love thee

so

madly

A.

(

xvii

)

22724

BOKODINE

RiMSKV-KoKSAKOW

I.

Glinka

Akexsky

jNIoi'ssorgsky

Rachmaninoff

Rubinstein

rubinstizin

moussougsky

moussorgsky

Tschaikowsky'

S.

Dakgojiijsky

RlMSKY'-KoRSAKOW

MoUSSORGSKY

jMoussorgsky'

I.

Glinka

Rachjianinoff

BoRODINE

Rubinstein

tschaikowsky

Rachjianinoff

MoUSSORGSKY

Rimsky-Korsakovv

Rachmaninoff

Rubinstein

]\ioussorgsky

Rubinstein

Tschaikowsky

RiMSKY-KoRSAKOW

Balakirew

S.

Dargomijsky

PAGE

64

187

3

212

126

223

54

33

87

132

168

21

206

•152

136

10

232

70

52

164

229

100

190

226

48

92

42

160

202

155

30



XVlll

Index

of

First

Lines

(eontinued)

On iovi'Iv

Taiiris' shore

O

tliou

billowy hftrvcst-fieki

Pale

is tlic moon

SIowlv

Hie

(iiivliglit

departs

Snowficlds

in

silence

Sj)irits

of

netlier

worlds

The li^ht

of dnv

is slowly

fading

The

mists

are hangiiiff

low

The

truth

is

suspected

Thro' the forest's moan

Thus

Zuleika

spoke

to her

canary

Thy

lips say,

I

love

thee*'

'Tis

evening

To

the

thunder

called the flying cloud

When

I

see

those

little

feet

of

thine

When

I

stopped

at

Kazan

When

woods

arc

dark

Where

tears

of

my

passion

lia\e fallen

Ye

dear,

fleeting

hours

A.

Glazi'nokk

S.

Rach.maninokk

.M.

.Mdl

SSOKGSKV

A. HORODINK

M.

MolSSOKC.SKV

yi.

.Mol

SSOKGSKY

I'. Tsc'HAIKOWSKV

\.

RlMSKV-KoKSAKOW

M.

I.

Gl.IXKA

A. BouoniNK

1'.

Tsc'HAIKOWSKV

A. HORODINK

I*. TsCIIAIKOWSK

V

N.

Hl.MSK'i

-KdllSAKOW

A.

Kl

HINSTKIN

-M.

.MoiSSOUGSKV

f.

A.

(11

A. HoitOIHNI,

A.

S.

1)

AKl.OMI.ISKV

PAGE

220

235

102

76

llfi

108

178

193

16

58

182

68

172

196

38

144

84

62

22724



A

CENTURY

OF

RUSSIAN

SONG





glish version

by

G.

Chapman

Ah,

kindly

star

„Dti

trauter

Stern

Song

from

the

opera

Russian

and

Ludmilla

(Pushkin)

8

Allegretto

agitato

/^

^m

Michail

Ivanovitch

Glinka

(1804-1857)

vibrato

^

^^

Ah,

kind-

ly

star,

hide not

thy

face

Be-hind

the

Du

trau-ter

Stern

in

dunk-ler

Nacht,

ver-hiil

-

le

^^=^

E

^

/Ts

-

J''

r

P

I

^

^

dolce,

con

anima

hH-H-

-&

^

m

hades

of

nig-ht

from me

Oh

Rat

-

mir,

still

thy

mis

-

tress

waits,

And

nicht dein

strah-lend

Bild

Rat

-

mir,

dei

-

ne

Freun

-

din

wacht,

ilir_

tEE^

r=r

m

r^JPPP

i

^

^

jO.

^

-er.

22

Z32\

-€»

P^

^^-^^

^

ll

her heart

is

Sin

-

nen nur von

M

filled_

with thee

Oh

Rat

-

mir,

still

thy

dir

er

-

fullt,

o

Rat

-

mir,

dei

-

ne

i

i

f

s

dE

T^

3?

i

T=f

5

y

^

iEE^

f=r

ffi

f

Copyright,

1911,

by

O. Sckirmer

T t

or iiiTif nr

iinn iinni



4

coil

passione

^^

^^

J.

L

Ji

^j

^

^^

hee .

fuUt .

For thee I

long

comeback

to

me _

Ich

har-re

dein

o

kehr

zu

-

liick .

On thee

my

thoughts,

ich

den

-

ke

dein

^

g

f^^f:

-f-

ff

~f:

#

V

*

i-tir

r

k

M

PP

'^^m

is:

^v

i

f

feL^

^^

^

trtr^T

^

or ev

-

er_

zu al

-

len.

dwell,.

-

My_

Stun

-

den, bei_

hope

is

all

dir

ist

all

in

thee

mein

Gliick.

For thee

I

Ich

har-

re

h

li ii

M)

ji

j>

I

r

^

p p p

long

come

back to

me

dein

o

kehr zu

-

riick

On thee my

thoughts

for

ev

-

er

ich

den

-

ke dein zu

je

-

der

22724



5

dwell,

Stund',

for

zu

^^

i

M

V

i) J' i)

ev

-

er

dwell

der

Stund'

For

thee

I

Ich

har

-

re

^

s

^S^

*

»

»

Efc3

S

?

long

dein

come

back

o

kehr

to

zu

me

riick .

On

ich

thee

den

-

my

ke

te=:jt

r=-f^

^^^^

m

^0^—

w—

J

3^

f

r

r

r

5E£

itfa

£

^

TT

=^-^

]^

^^

houghts

for

ev

-

er

dwell,

dein

zu

je

-

der

Stund',

'

\

^

I

I-'

ii

I'

^

^

or

thee

I long,

from

hour

to

ich

har

-

re

dein

zu

je

-

der

hour,

Stund',

:^P

f

F

1

P^^

M

'^

P

On

thee

my

thoughts

ich

har

-

re

dein

for

ev

-

er

dwell .

When

in



6

Ihou

dei

art

ner

near

Nah'

me,

g-e

17

p

I

sun

P

am

de

well,

ich,

when

in

^

^

=zm

^7

iî

m

i

I i

^'f:

î>p

dim.

^

^^

^

P

^

r

I

r

^

r

thou

dei

art

near

ner

Nah'

^

me,

I

g-e

-

sun

am

de

well;

ich.

Oh

^

^

Rat

Rat

mir,

mlr,

3

^

3

i^

^

Dift:

\>i^

PP

m

22:

is:

^

p

^

^=^=^

i

^^

still

thy mis

-

tress

waits,

And all her

heart is

dei

-

ne

Freun

-

din

wacht,

ihr Sin

-

nen nur

von

filled-

with

dir

er

-

^

hee

Oh

fiillt,

o

22:

m

T31

Rat

-

mir.

Rat

-

mir,

still

del

thy

ne

mis

-

tress

Freun

-

din

waits, And

wacht,

ihr

I

all

her

Sin

-

nen

5:

TS

-&

:5c

^

-(^

22724



heart

is

filled

with

nur

von

dir

er

thee

fUUt

F^lp

'ip

J>

^

I

p

^

s

For

thee

I

long- .

Ich

har-

re

dein .

come

back

to

me

kehr

zu

-

riick _

J'

tfJi

t|.h

j

'Ci

I

I'

^'f

p

i

—

On thee

my

thoughts

for

ev

-

er

dwell,

—

ich

den-ke

dein

zu

al

-

len_

Stun

-

den,

bei_

dir

ist

aU

mein

My

—

hope

is

all

in

^

^

=6

s:

^

P

^vT

ife

**

^^

thee.

Gliick.

f i) i) i)

i^)

i)

ii

I

r

For

thee

I

Ich

har

-

re

long

come

back

to

me

dein

o

kehr

zu

-

rUck

h

ii

}>

1^

#-

On

thee

my

ich

den

-

ke

f

'•'

^

? ^

thoughts

for

ev

-

er

dwell,

dein

zu

je

-

der

Stund',

for

zu

ev

je

^

^

er

der

dwell

Stund'.

'Twas

In



^^^

—

^~

i

^

n—

thine

arms

I

dei

-

nen

Ai-

-

men

found pro

-

tec-tion,

\Mien I

for

fand-

ich Frie-den,

als ich ver

^

i

P

sock—

my

liess— das

I

f

#==#

-y

—

?

r

'

[

r

f

r

^^

^

fa

-

Va

-

thers

ter

home. Ah,

haus; das

what

Le

to me is

life

with

-

out

thee?

Be

ben, ach was

ist's

hie

-

nie

-

den,

g-e

5-^

i

g^

S

:—

:

m

v^

92^

23

rîi

s

9-'

^

cow

forza

J

^

ii

jS

^

i'

J i.

I

<

^

p^^

lev

-

ed

Rat

-

mir, wilt not

come?

Come

back to

me

lieb

-

ter

Rat

-

mir,

oh

-

ne dich

kehr

zu-riick

Come

back

to

o

kehr

zu

^

^

^

^

me

riick

Ah, what is

life

to

me

with

das

Le

-

ben,

ach

was ist's

Me



9

}<

}>

i)

^=4=

me

riick

Come

o

back

kehr

to

zu

me

riick

i

jij

ijiê

b ^*

J

^

U

^

^

dim.

&'

&-'



10

How

sweet it

is

when

I'm

with

you

„Wie siiss

ists,

kann bei Dir ich sein

version

by-

Henry

G.

Chapman

Allegro

moderato

Michael Ivanovitch

Glinka

(1804-1857)

(iolciss.

^^

M

J

IJ

*

How

sweet

it

is

Wie

siiss

ist's,

kann

^^

J

P

\

'>--

], l

J

^

W

^^

i

^V r

4

T^r^.

^

-~s

?

i

-riLTZi-rm

^

^

j

M

p

p

^

^''

I

^

J

B p r

^

when

I'm

with

you And

si

bei

Dir ich sein

und

still

lent

-

die

Ge

lose

ev-'ry

feel

dan

-

ken

ver-sen

ing

Deep,

ken

in's

i

—7^:

—

9 :i~~^~*

^~z.:

^

-6

5J'

~G-

i

deep

Blau'

^^

^^fe^

^

^

in

your

e^'es.

Dei-ner

Au

-

so

blue

gen recht

tief.

The

joy

of

the

Die

Lei

-

den

der

^m

^3

s

-zr

*

m

i

Copyright,

1911,

by

O.

Schirmcr



11

p^p

p

'Z

^

heart, and

its

pain,

Will

oft

in

See

-

le,

die Gluth,

sie drii

-

cken

^m

the

sich

^

eyes

find

ex-pres-sion

aus

in dem

Au-ge,

When

wie's

m

i

^Jr^

^gr*

>

ff

^

J

i

J

^^

ords might

be

spok

-

en in

vain;

Wort

es doch nim

-

mer

-

mehr

thut.

My

heart

al

-

ways

Mein

Herz es

er

^

^F

'

^

^

^

a

ptacere

i

^

^

with

you

Dich seh'

trem-bles

be

-

bet

in

SI

-

im

Stil

-

lenceWhen I

ajn

len, so

-

bald

ich

rn?:FL^»r^r-

i^

--#-

?r

IP

—

a tempo

colla voce

PP

m

^^

tS*-*

^

^

J

J

Ti

\

W

^

P

^

=s

m



12

*

dolciss.

\

-

i

I

J

I

J

g

How

Dein

dear

An

is

the

blick, wie

sight

lieb

P

P

P

J^

of

your

face,

I

ist er

mir. ich

^

I

r

J

J

watch

se

for

he

3'our

Dein

smile

La

with e

-

mo

-

cheln

mit Won

tion,

ne

You

und.

^

3

P

1

s

5

«^

~:

w

w

m

i

s

J

/

J

y

all

eem

An

to em

-

muth

ver

bod

kor

-

pert

in

grace;

Dir.

No

Nicht

i

^

ance Id

lond

*

aid

moch

or

as

-

ich

sis

-

tance

I'd

lond

To

love

and its

Ifi

- stfMi Gp-wiihr dem Dran

- ge der

22724



''

r

p

^r

P

^

13

trou

glii

ble

-

some pas

-

sion,

hen

-

den See

-

le,

Dis-

Ver-

cre

nunft

tion

ich

I'll

ihm

fe^

ff

-^

i

J i

J

U

P

^

?

take for

setz

-

te

a

zur

friend,

Wehr...

But

Doch

love runs a

-

folg't

nicht

das

•

way

with

Herz

dem

dis

-

Ver

S 5

P

i*

-&-^

m

a

ptacere

i

g

H

C7

with

you.

Dich

seh'

ere

-

stan

I

tion

When

I

(.e, so

-

bald

am

ich

^j?ji7i

A

l^

^

^

^

^

^

r^-f

up

i*

i

^

#

W^~



14

|i

dolciss.

i

And

Als

^

so

wun

like

der

a

bar

^

S

£

fe

won

leuch

der

-

ful

star

You

ten

-

der Stern

er

1

0

3

««

^

f

-^

^ i

1

^^

g:

shine and

schienst

Du

my

raein

life

Le

j'ou

en

ben

er

light-

hel-

en,

lend

And

und

i

^

J

i

J

S>-

^

a

-

leuch

di

-

ance

test

mir

shed

fort

from a

nus

der

far;

Fern'.

So

So

^

k

p

lip

p

»^'

I

^

jj

send

an en

-

schein'

denn

und

:^

^^=¥

m

cour

-

ag

-

ing

beam

To one

wei

-

se

die

BaJin dem, der

un

-

nicht

-

ac

-

ver

-

^5

m

22724



15

^

r

p

^p

p

Jm

^

cus

wohnt

tom'd to

for

-

tune,

war vom

Glii

-

eke,

Who'd

dem

^^

ooked

Hoff

-

up-

nung-

on

ge

^jt-*-

-&

i

J

^

J

N

^

hope as

schie

-

nen

a

dream;

nur

Wahn

And

und

al

-

ways

my

Won

-

ne er

heart

ful

-

let

will

die

^=^

~^W

r

-&^

p

i>

i'

I

r

a

piacere

i

1*

bright

-

enWhile

I

am

le, so

-

bald ich

with

3 ou.

Dich

seh'

»'

r\

I

Ti

ii-

;^

,

j

J

?

i

^

i'

at

iEi

^

P

^

i

^

/^

, I I

^7J

J

p

/C\

^

r^=^

?



A

Life

for

the

Czar

(is:i(ij

Aria

of

Soussanine

The

truth

is

suspected

version

by

Henry

G.

Chapman

Adagio

non

tanto(J:6o)

Michael

Ivanovilch

Glinka

(1804-1857)

Recitative.

Maestoso

^^

^^^n-pp

\

t

,.

^

he

truth

is

sus

-

pect-ed

Light of

Sie

ah-

non

die

Wahr-heit

Mor-gen-

I r

I

M

r

P

^

\

r

yP

^

P

2^

^

day,

Break

soon

a-

cross

the

sky

And

swift

-ly

bring-

me

word,

that

safe

at

roth

Steig'bald

am

Him-mel

auf,

die

Bot-schaft

brin

-

gend

mir:

Ge-ret-tet

\'

r

^

r

m

last

is

the

Czar

sei

un

-

ser

Zar

a

tempo

7}

in

-f

—

n

t^^t^Y^j^^l

t

f

^

P

22724

Copt/right,

19H.

by O.

Schirmer



17

p

cantabile

spianato ed

espressivo

break

Mor

a

-

gain,

'Twill

gen

-

roth,

dann

be_

seh'

the

last

zum letz

time-

ten

HE

^^

<i:

^

-o-

-o-

0~

xr

^-#=#

^

^

ee

dei

^

the sun

nen

hoi

on

high;

den

Strahl,

For

death a

- waits

dann

war

-

tet

mein.

me then

der Tod

^

r

'd^

¥

r

s

r-ir

p

p

r

r

g

O

God,

when

a

-

go

-

ny,

0_

Gott in_

all

der

Qual

When

tor-ture

threat-

ens _

me,

Have

die

mir

die Mar

-

ter_ droht.

er

-



18

^

^

\r

i

^^

^2

i^'

*,

mer

barm'.

on

m^-.

moi

-

npr

pain

What

Noth

an

-

wpI

-

guish_

-

chei-

i

s

»

*

«d

f

r

=î

mzr^

»=i

S

t»=

m

V

f

m

-f

#

^

^

=p=

deep,

tie-

and

fe_

dumb

Oer

my poor heart doth come,

Schmerz durch-bohrt mein

ar-

-

mes

Herz,

When

ge

I

re

-

call

denk'

ich_ hei

m}-

home

math

-

wiirts

Ah,

what

a

wel

-

the.

fate_ that_

schwe- re

5

I

i:

Ttz:

~:

f

»^

f

TT

P

dim.

^

*,

*

?±

^

P P

I

Here

ail

a

-

Pein.

zu

ster- -ben

rt

/'

ten.

ten.

'<?«•

lone

must

so

al

-

die _

lein

.

If

P

I

fee

dim.

.

'

/i'//.

1

^j

M

/(?«.

'^^

^>p

/^».

^^«. ^<?;/.

ten.

ten.

ten.



19

r

P

p r

m

p

r

'

p

^

When_

the

day shall

break

a

-

gain, Twill

be

_

Brichst

du

an,

o_

Mor-

-gen-

roth,

dann seh'_

the

last-

time

zum

letz

-

ten_

^

^

:

w

^^

'J)

'

; J'^

3

i

±

?

'

LU

'

LL/

'UJ

'UJ

•'U

yj

•>

is>--

i^

^

m

i

I

Mai

Shall

ich_

see

dei

-

the

sun

nen

hoi

on

high,

den

Strahl,

For

dann

\>

y

j^^^^ ^_N

^

J

^

^

?

^

i

^

J^

J

i^J_^^^

tfiL^'cfEU

^trtif

^titftLf

'umziiEf

i

^^^^

fr^^-^

i

E

death

a

-

waits

me_

war

-

-

tet

mein der

.

then

Tod

Oh,

aw

-

-

ful

fate

Oh,

mis

-

er

har

-

tes

Loos

bltt'

-

res

3;

^^=^=t

s

r^

^

=1^

^

f

'tftLr'tftrr

i

=^

nnnnrnTif

rir

filT f

f T

WT H

VHOI



30

vn

r

^

P

r

p

I

r

^

p

r

r

I

J

c;

A

^2:-

^

5

i

y

My

need is great,

Be

near,

O

God,

to_

com

-

fort

Laid

MeinWeh

ist grossl

Halt,Herr,

mir dei-nenTrost be

me

Thro'

pain

that

leit,

und

stiir

-

ke

m

^

s

j

I

'J

I'J

I

^J

¥

—

*

—

•

#

S

^

F^^

2

^

i

now must come ere long, Keep

Thou

me strong Oh pit

-

3%

mich

in all der

Noth,

die

bald mir

droht Ja,

star

-

ke,

com-fort

me,

stiir-

ke

mich

fe

^

w:i:

m

m

1

^

/

/^

g

p^

T^

i

^

#^

^

*i^

^

#

^

42*

^

g^

riten.

assai

r\

f9

(^

S

s

a tempo

r\

r

^pp

pir

^^-^J

and

in_

make

mei

-

me

_

strong

Forsake

me

not,

O

God

ner Noth

Ver-lassmich

nicht,

Gott

22724



21

Heavenly

Clouds

(M. Lermontoff)

version by

G. Chapman

Vera Johnston

A.

Dargomijsky

Andante

fes

y

M

^

—

^

Cloud

-

lets,

ye

*

^

uj

J)..

,

?

p.

')

^

n

j

tl

^

^

rr^

M

r

«

i

^

-^JJiiJi

l

J-

.J;

l

heavn

77

ly

clouds,

Rest

less-ly

wan-d'ring free

*

i

i[J

^'7

SF^ff^

-»-

j^

i*-

t

L7p

J3

I

'J

M'

ZUl

-o-

r

r

^

doIce

I

I

j-

^J

TilT^

co/i

forza

f

^

J

r I

jg^

High in

j'on

a

-

-

zure sky

On pearl-y

wings

ye fly;

1

i

^^^

^

5

P

f

ttf

r

7

r~

f

^

ii^^

«

-5>-

Copyright,

1911,

by

G.Schirmer



22

dolce

W ^m.

m

0:i

ward

yo

has

Ion,

For

ban-

ished

you

are, like

I

#

i

p

1

m

m

E=

^

^7^

—

f

f

m

9-

Tl

i

^

^

¥

r

i>

r

^'

P

fe

3

Art'

//*.

/p«.

J

r

r

I

J

^

j

i

jjj

i

I

j;

^-^^^j

.

^^^*^^^^

me;

Driv'nfromyour

dear

northern

home,

To

the

south

y.^

f

Ê^

*

^

i

^

ome

Tell

me,

who

ban

ished

^11

jI

P^-

.

1^^

W

^

r

*

CT-

2272



23

dolce

risoluto

^^

^^

^>pr.J

?^

^

I

False friendships

treach

-

er

-

}•?

Hates

.

o

-

pen

*

^

S

XT,

f-

%

r

^

3

^^

^

dolce

ti^

^-j^-jH^J'

r

^^^^

en

mi

-

ty?

Or-

in some

cnm

i

-

nal

^m

^

^^

f

-r

#

F

^

^

f

/^

^

p

i

i

j:;jJ

r^Âiij^

N

r

r

i

j

^

J

j/LJ

jJ

*

deed have

ye had

.

a

share,

Or

are

ye

vic-tims of poi

-

son-ous

i

1=^

m

JE5

S

^

^

cr

dolce

e ad

ltd.

r

^

m

3:

w

cal

tf

um

-

ny

?

Se

^

a=si5:

i^:

f

J^

ra;

sz

5^

*

ff^

*

S^

k:

P

r

4i



24

^

Allegro

ritenuto

i

g

J

J'

P

I

Jo;

3E=5

?

^

a=;

-^^-^

=P^=q

=it^^

Nay,

on-ly tired

of

wide

bleak,

_bar-rt'n plains

are

ye,

Ye

*

fc

i g

^

>

j^

>

h

^

3

^5

i

^

—

5

»

ritenuto

i'

|

t>=

ii

M

ji

^

j^

te

^=^=^

^m

m

s

^f».

a

tempo

^^^^^^m

22

know not

pas

sion

'

I

t

^

j^^

j^

^^

Sor

a

tempo

rows

^

fe

^

-^=¥

-^^—

7

^

^=^

1

-)%-^

^

/•

Wi

#

ii*

S

i

w

^

£

E^

ad lib

.

#

—

•-

P

<7 tempo

dolce

r

i

i

^^

^^

I

J

'

j^

J

are_

^

to

you

un

-

known;

*

w

^^3

a

tempo

^

J^

^

^

Cold,

ev-er

cold

are ^-e,

s::zi

i

^

^

J^'

C0//o

liOC(?

/

ttf

^

^^^

E

_k

T'

Jl>

f

^S

^

row

forza

f. ^

ron

jorza

dolce

^m

te

s

Free

ev-or

-

last-ing

-

I}-; No land

is

home

to

you,

No

23724



25

ish

you,

no

land can ban-ish

p

fc

5E=53

î

?ES^^

r

—

3?

s

m

k

a

/.

I

k:

k

t3E

Se*

£

^

P

^

^l

|

^

ten.

^^

P

i

LXj-'i^'

L/U^

P

you, no land_

4

can

ban

ish

you, no

land

&^

^

s

s

i

j'

^

J

^

N^

/

V—

^

5

p

U

^

'

^

m

-

g-

f

^^^

^

^

can

ban

-

ish

you

ah

E

^

^^

^

^

^

^

W¥^

%

s*

*

^

jS^

^

P

f



26

Eng'lish

version by

Henry

G.Chapman

German words

by Bruno

Ye

dear, fleeting hours

.Jhr

fliichtigen

Stunden

Elegie

Alexander

Sergievilch

Dargomijsky

Voice

Piano

i

Adagio

V \

»

v< *t

^3

^^

7,f

>'-^\<''

^

ZZl

5

33r

^

•i

:i

Ye

Ihr

{

-e»

6^

331

f

r

te

rr

m

V

:=:4=^

2

^3

P

I

~=3CC

r

¥

^

p

£

g

^

dear,

fliich

fleet

ti

ing:

hours

g-en

Stun

full

den

&

joy,

vol]

himm

yet

li

-

how

schen

a

pÎ^p^

i

--

m

M'

JyV

^

*y-t*

'^

l. l

.

?'

i

i

»^

r

y

T

f

a

i

?

brief

Gliicks,

I

think

wie

donk

of

ich

3'ou

now

an

euch

in

in

22724

Copyright,

1911,

by

G.

Schirmcr



27

±fc^

te

m

sor

Weh

row

and

grief,

muth

und

Lust.

^

W^

How

glad

Wie

schaut'

were

mine

ich

einst

^=^

3=^

£

f

^S

dim.

c»

^

^

T~

-O-

^

S

S

32=^

?

eyes

froh

-

with

lich,

the

so

plea

trun

sure

ke

of

nen

i

»-tr-

*=

V*

f

r

r

resc.

1

27

#

te

?^

see

Bli

ing,

ekes

how

wie

glad

mine

eyes

schaut'

ich froh

with

lich,

the

so

feis

i

^

plea

trun

sure

ke

of

see

-

ing,

-

nen

Bli

-

ekes.

How

wie



#

X

m

W

î.-î'

l

lr

''w

^

ten.

^

J)M

Ji^p

^

high

beat m}'

heart

—

hob

sich

vor

Won

-

ne

for j03'

in m\'

breast

for joy

in

my

breast

Now

und Freu-de die

Brust,

vor Won-

ne die

Brust

Nun

/

17,

m

J:

m

5^

^

S

^m

^

speech-less and

still

in

-to

dark

-

ness I stare,.

star

-

re

ichstumm

ins Dun

-

kel

hin-ab,

No star

lights

my

way,

kein

Stern-lein

er-hellt,

i

My

er-

r

r

^h^

—

r

dim

\'^-

^\

r

r

r

p

^

r-

P

\

i

OS

f'-

iii)j^^

p

ir

^''

^f

p

i

Cjp

p

J

W)

cfc

heart

lies

hel

-

let,

in

sor-row No

star

lights

mywa^-,

er-hel-let,

kein Stern

-

lein

er-hellt,

No

btar

sends

a

ray

To

kein

Stern-lein

er-hellt, er

tt

^

^

^

-^'

^

-4=^

^

cresc.

^

1

f

T=^

f

1^

:ni



29

S

g

hY

p

l|iJ

itJv

>r

P

^p

'

light

-

en

my

way,

hellt

mei

-

nen Pfad,

My heart

lies in

sor- row,

No

star

lights

my

nur

Thra

-

nen

al-lein

sind's,nur

Thra

-

-

nen

al

F#=F#

i

^-^

3s^

it

f^^^T

'

zp»

•

cresc.

3

-5

IZ2Z

S5

F

^^

r^p

n

j?

^

^^

way,

My

heart lies

in

sor

lein,

undmeinHerz ist so trau

row,

my heart

rig,

so

trau

lies

in

rig,

so

S

r\

^

sor

trau

row

rig

matt

âsa

^m

r\

^

PP

3SI

zsznsz

^

—

:^~

—

o-



30

Eng'lish

version

by

Henry G.

Chapman

Voice

Piano

Only

Love

Nur

lieben

Song

Alexander

Sergievitch

Dargomijsky

^^

llegretto

i

1

y

J)

pip

i'

P

^

1

Oh, I

love thee

so,

mad-ly,

Wie ich lie -be

dich,

glii-hend

i-F

W=n

±fc

-/.

P

^

S

fcrS:

=?e

S

^

7lli

^

^'r

û

>>/

^

^^'l,

J)

j)

J^

y

-ji

p

I

p

p

jj_i

i

p

p

|l|

i'

p

j)

g

?

wild-ly,

dear,

And

to

thee

a

-

lone

is

my heart's de

-

sire, That

is

heiss

und

wild,

all' mein

Seh-nen ist

stets nur dir ge-weiht,

und

doch

rail.

n

p

I'p

JW)

J''

p

I

p

J)

i'

•>

J^'

iii'

I

p

•

}\

J^ y

iJ^'

iii'

no'or

ap

-

peased, so

1

wird es

nim

-

mer

in

great-ly fear.

That for

mir

ge-stillt,

und ich

ver

-

y

pain

1

ma^-

muss

ver-g-eh'n,

ach in

^^

t \fd

[]

t=t

P

T

r

r.ill.

^ ^ ^ ?

22724

Copyright,

1.911,

by O.ScAirmcr



31

g

^

^^

well

ex-pirel

Schmerz

undLeid.

a

tempo

y ;=^

^

^

7 1

£

?

All

my

Sieh' mich

7

7

s

f

fcS

r

^r

g

LJL/

r

j^

ifc^

^

^

^

^

^^ fe

p

I

^^'

p

p

g

=t2:

^

peace

is gone,

since

my

gram-er-

fiillt,

oh

-

ne

sad mis-chance;

Tho' thou

be not near, still I

Ruh undGliick,

im-mer

den-kend

dein,

ob auch

^

—

^

^

^=^;

f

s

W

s

/

V

f

*

^

fc

BE^S

^

E

P

l^j/P

P P

^

^

4^

think of

thee;

Just

a

lit

-

tie

word,

just a sin-

gle

glance

Fromthj''

fer

-

ne dir.

Drum

niir

ei

-

nen

Gruss,

ach,

nur

ei

-

nen Blick

aus

dem

rm-j

;.i

^

$

m

cresc.

Q

n.

/^

,

>

r^

fe

^

^

^

POJI^

hp

J^ J)

V

iJ-'hi'

Ip-

ilj-

l

7

|J)|>

t

•

^

^

ten-der

eyes_

sweet-ly

send

to

me;

Just

a sm

sanf-ten Aug-'

sen

-

de

freundlich mir,

ach

nur ei

±^

%

p

7 7

^^

^ft

^r-

^r-

^

^

p

gle glance,

just

a

nen Blick, ach,

nur

^

^

*_

rail.

P



32

i^''^' n'

ili:

i

risolufo

i

^

y

J

)

z

I

ft

sin

ei

gle

glance

nen

Blick

Tho'

this

Die

-

se

^

a tempo

S

T^

g

i^^^^^

f

^

¥

OJ

r

j

?

*f *f

f

^

?^

^

i

J^

'

i

,

I

i

'

ii

ji

i'

^

ji

^'

I

r

p

p

P

tj

^^

ove

of

mine—

so

dis

-

as

-

trous

be,

That its

cru

LieV zu dir,

ach,so

schmerzen-reich,

weiht

er

-

bar

el

pain

soon

my

men-los

bald dem

i

S

^^

i

I

J

^

I'i^j

\

*=i

f

^m

^

p

¥

dj

f^

^^''''

:^-

p

p

^

J'

J'

N'P

p>

r

^'

1^'

^'

^'

î

;n^

death

must

prove,

Yet,

O

dear-est child,

Saint in

To

-

de

mich.

Und

doch,

sii

-

sses

Kind,

hold und

pu

-

ri

-

t3'. Yet

I

en

-

gel-gleich,

kann

nicht

*

s

dim.

P

r

^F^

%

i

i

^

?

¥

T

r

i

Jr:

rail.

lh\

p-

i^j^.iJV'

i

p-

jiîi

^

tip

I

f

^^

^

3

hate thee

not,

I

can

on

-

ly

love,

has-

sen,nem,

kannnur

lie

-

bendich,

I

can

on

-

ly

love

kannnur

lie

-

ben dich

3

F^^

S

7U

l

|

^

P ?

f_

227^4



33

Be

not so

coy,

my

pretty

maid

„Thu

nicht

so sprode, schones

Kind

(Mirza-Schaffy)

i(

English

version

by-

Henry

G.

Chapman

words

by

F.

Bodenstedt

Anton

Rubinstein. Op.

34,

N9

11

Con

moto

^

m

m

Be

not so_

coy, my

Thu'

nicht

so_

spro

-

de,

i

m

1^1

P

*

*

Iff

-

#

#

rrt

9W^

^m

iEk ^

^

m

w

ZH

pret

scho

ty-

nes_

maid,

Kind,

When

in

wenn

ich_

the_

dusk

noch

spat

I

vor

pass,

ii

-

thy

-

ber

kfe

m

m

^

ill

t t

i

P

te

m

^rr

^^^

^

d

•

door,

And

hav

-

ing

a

soft

geh'

iind

fas

-

se

dein

wei

white

hand

way

-

laid,_

ches

Hand

-

chen

Iind,.

A

und

Copyright,

1911,

by

O.

Schirmer



te

m

m

^

zat

kiss

Kuss_

im

-

plore.

er

- fleh'.

tm

i

. £

^

^

)t=m

feM

^

«=«

a

^

^

,

Dpi-

who

such

dir_ so_

h

^

f

î

i

i^

r^

i^

ICj 35

^*

^



35

±±t

court

scho-

ly

ne

hom

Hul-

r

pp

i

r

^^^

age

di-

pay, -

gung'

_Whose

love

in

_

ge

-

bracht in

per

rei

feet

nem

r=iF^^

III

1=^

t t

iiEElE

H

r r r

—

hon

Lie

or

bes

stands,

schmuck,

Should

not

for par

-

der braucht

woM

nicht

don.

Ent

^

S

^

i

I f=^

^ i

^^

P

H

r J

^^

'

r

r

^

need

to

pray

schul

-

- di

-

gung

.

Just

for

a

fiir

ei

-

nen

kiss

_

or

touch

of

Kuss_ und

Han

-

de

h

W

fJ

^

^

hands,

druck,_

{ j

:?nc

rz;

^f f

P

|

>

z:

Ja:

i

i

f

^

P



just

fiir

for

ei

a

nen

kiss

Kuss

or

iind

^

&

ouch

_

Iliin

-

of_

de

hiinds.

druck.

m

i

r r

f

^

^^

te^

?=e

^#

rr^

rr^

fe^

^

^J

-1^

^

s:

m

i

^

ow

ev -

'ry_ kiss

I

take from

Es

wird

eiii_

je

-

- der

Kuss

von_

te

^

î

i

i

r%

rt

i

1

^

^

Cr

3Z

«••

-9-'

^

pp

i

r

m

d

^

d

thee

dir.

In sinpT

ein kiln

ing--

g-end

songs

Lied

my

in

fe

t^

til

S

lips.

mei

shall

nem

use,

Mund,

.

i

i i

i

?

i

i



37

I'

r

r

r

And

when

I

und

je

-

der

press

Han

thy-

de

-

^^^^^

E^

^

i

hands

druck

'twill

g-iebt

be_

rair.

But

for

an

-

zu

ei

-

nem

^

^

S

^

iEEt

2=E

ife

P

I

;

r

.

cuse.

Grund.

^''i>

j j j

j

*

*

5f

»

m

» m.

r

^

^



38

When

I

see those little

feet

of thine

words

by

F.

Bodenstedt

English

version

by

Henry

G.

Chapman

„Seh'

ich

deine

kleinen

Fiisschen

an

(Mirza-Schaffy)

Anion

Rubinstein.

Op.

34,

N9 3

P

on

moto

^

/

Y

^

^

When

I

ê those lit

-

tie

feet of

thir^,

Seh' ich

dei

-

iie

klei-nen

Fiiss-chen

an,

P

P

P

M

p

I

P

P

^

-C-'

I

ij

.

''

,

j^

J^

w^

^

I

can

scarce

be

-

lieve,

my

pret

-

ty maid

-

en,

so

be

-

greif

ich

nicht,

mein

sii

-

sses

Mad

-

chen,_

That

so

much

of beau

-

ty

wie_

sie

so

viel

Schon-heit

J^g

V

^

^

-'

f

*

J)

i';j I

Ji

j>

^

.7

^

n

—

they—

can

tra

-

gen

car

kon

0'>-

nen,.

So

much,

so

so

viel,

so

much

viel

_

beau

Schdn

heit;

-s-^

»

d

T

'

^

îr—t

^

^

f

-s-^

Copyright.

19ii,

by

G.

Sckirmer



39

p

'

9

^

p

^

m

When

I

see

those

slen

-

der

Seh'

ich dei

-

ne

klei

-

nen

^

P

hands

of

thine,

Hand-chen

an,

f

P

P

P [

^

can

scarce be

-

lieve, my

so be

-

greif

ich nicht,

du

j

i t

S

^

p

n

m

-f

t

f

f

f

#

•&-•

t

P

P

'-

^

^

E

K

i) i)

J^

^

S

pret

-

ty

maid

-

ea,

sii

-

sses Mad

-

chen,

«:

That- such

cru

-

el

blows

they

wie

sie sol-che Wun-den

3

can

de

-

liv

-

er,_

schla-gen

kon

-

nen,-

3

1

Pi

—

p

5

^

g

^

^^

I

f

f

^

H

p-

p

P

Cru

-

el blows

can_

de

-

liv

-

er

sol

-

che, sol

-

che_

Wun

-

den;

ft:

When I

see

those ros

-

y

Seh'

ich dei

-

ne ros'

-

g-en

I

i i

i

i

i

v^

i.

t

f f f

^

^

^^

P

P

p

|7

P

^^

lips

Lip

^^

t

of thine,

pen

an,

^

I

can

scarce be

-

lieve,

my

so be

-

greif' ich nicht, du

*

w

pret

-

ty maid

-

en,__

sii

-

sses

Mad

-

chen,-

=#=

: 2:

f-



40

i

rt

h

\^

2> i.

JH

Jl

j^

JT

J

J

I

J^

^

^

^

ow_«ne

lit

-

lie

kiss

they

can_

re

-

fuse_me,_

\^1e_

sie

ei

-

nen Kuss

ver

-

sa

-

g-en

kcin

-

nen,.

.9

How

re-fuse

one

kiss.

ei

-

nen

Kuss,

ei

-

nen

Kuss.

j

j~3

n

^

t^-t:

P

f—

A

•

I

J J

4*

—

*

g

^

p^^

I

I

^

1

^^

hen

I

see

those

know

-

ing

Seh' ich

dei

-

ne klu

-

gen

eyes of

thine,

Au

-

gen

an,

I can

scarce

be

-

lieve,

my

so

be

-

greif

Ich

uicht,

du

f

%

S

^^

^^

^

\\

i)

i) i)

g

J^

J-]

I'l

I

pret

-

ty maid

-

en,,

sii

-

sses Miid

-

chen,.

How

for still more love they should

be

ask

-

ing

wie

sie nach

niehr

Lie

-

be

fra

-

gên

kon

-

nen,

i

t-'

Z^

p

^

Vr-^

^

^

^ m 9

a:

ii

i

.?

^

rit.

?^

^

m

W=F

m

^w

Than

als_

_

I.

ich.

P \

J-^

f^

^t

.^

give

thee:

fuh

-

le.

Ah,_

Sieh'.

be

kind.

raich- gna

to me

dlg-_

an

i

%

J

J

—

w

—

f-

f

r/V.

3=«:

ii^sg

22724

^

j» M.

g:



41

?

»p 1'^

h

j\

J)

jl

}'

\

-^>-#

?

s

<>

*

'J

J'J

I

^^

'f rr

*:

fe

Warm

-

er

heart than

mine,

my

\Var-nier als

main

Herz,

du

*

pret

-

ty maid- en,

sii

-

sses

Mad- ah.en,_

.9

Ne'er-

wird _

will

beat for

kein_

Men

-

schen

i

i;

¥

3,H^H

I

^^^

fe

i

ii

p p

^

3

3

ad

lib.

tip

'Jl^f-^^

^

thee

in mor

-

tal bo

-

som;

herz dir schla

-

gen kon

-

nen;

m

9-

Hear the song'

of

love I

give-

Hoi'

dies

won-

ne

-

vol

-

le Lied

2I

-

to

Chen

32:

i

i

i

f

'

it.

colla

voce

P

-&-

,

a

tempo

^^

W¥^

^s^

J^JJJ

I

J

J

*

=»^

thee

an

a tempo

Sweet- er

than

my

lips, vay pret-ty

maid-en, No—

oth

-

er.

i

^

Scho-ner als mein

Mund, du

sii

-

sses Mad-chen, wird_ kein_

Mund_

3

^J{

^

d

[

^

it

it

-•

—

P

=^^

3 3 3 i

3

3

3

^

JIljj]iJ]

|

.rJ

s

lips

_ of

their_

love

will

tell_

dir_Lie

-

be kla-gen

kon

J

.1

J

*^1

thee,

nen.

3

m

^J71^

^^JT^

1

i

i

I

iS

ii

177?~

f



48

German

words

by

V.

Bodonstedt

English

version

by

Henrj' G.

Chapman

*'Not

with

angels

„Nicht mit

Engein

(Mirza-Schaffy)

Allegretto

Anton

Rubinstein.

Op.

3i,.V'

1

Piano

?v^

s^^

iE^

1

1

»

J.

*

±

J. J^

-t

i

IE

^

«==*

^^S

^^^p^rrp/T^^

3^3

^ J.

rit.

r\

^

aL ^

^

^

^

m

TT

Andante

^

^

^^

^-

^

:^r

f

I

p

J'

p

p

f;

^

p

p

''^'

Not with

an

-

gels.

Nicht

mit

En

-

g-eln

in

heav-en's

vault

so

blue,,

im

blau-en

Him-

mels-

zelt,.

Not

with ros

-

es_

nicht

mit

Ro

-

sen_

fefe

i

^

-m

—

w

P

W

i i M

*

*

r=i-

L'^

r

p

ri

e

s

^r?

3E

in

flow

-

'rj'

meads

that grew,

im

duf

-

ti

-

gen Blu

-

men

-

feld,

Not

with

th'e

-

ter

selbst—

mit

der

e

-

i

S

JL^

-^4::

J-

J).

J

^W

i

îi^ît-

c

r

rr

a

—

^^

^^g^^

J

f

ff

p

«

it

^

22724

Cop /

right,

1911,

bij

G.

Svhirmer



43

nt

^

f)

p

^p

rTr

cjr

cj^'ôj^

t

#^

nal

sun

-

lig-ht

there,

wi-gen

Son

-

ne

Licht,.

Not

with_ tWe-ter

selbst mit—

der

e

nal

sun

-

lig-ht

\vi

-

gen Son

-

ne

$

jj

J i

m

?

1/

l^^^

^

^

1/

^

^

'

W d

i

^

M

r

P

^

.?

2==^

there,

Licht

iH^-^

g

îÔ^J.

i)

J

Will

I

my

Zu

-

1^'

ver

-

g-leich'_

ich

Zu

-

lei

m

m

r

ST

M

»

g^

a

/•

P

3

cj.

r

cj,rcfr^

p

p

i

rcfr

r~

^

^^

a, my

kha, mein

lass^

Mad

com-

chen,

i

77

T?

—

Si:

ST

13:

ST

3

DCC

JC

'^

1; g

pare,

nicht

m

^N^

^

.ifTi

i—

i

J

^

^

i',

^

m

i

^

iE^



44

M

Allegretto

[j

I

|

-*

wi

—

z

at

I

^

^^

i

—

al

\

al

I

^

I

*

==

i

J J

4=4^

^

N I

«

^S

3x:

XE

^

*

• t^

I;

—

^

-

^

—

^—

«

l--

N^

^

1=^

t^VT^

/•//.

_• •_

^

3i:

ndante

^

^

:

r.

^^

I

t l»

P

f

'i'

For

an

an

-

grels

heart

is

iove-less

and

for-

lorn,

On

the

rose

grovrs

Denn

der En

-

gel Bu

-

-

sen

ist lie

-

be

-

leer,

un

-

ter Ro

-

sen

f^hl'

j

j j

^

i

•m

^j

J J J

4

j

—

f''i>-Ji'ij.j-

i,

^^

an-y

a

dan-g-Vous

thorn,

dro-hen

die

Dor

-

neu

her,

And

the

sun

at

night

und die Son

-

ne



45

F

^P ' i

T ,

V

^

''

'

l.J^'^^J''

J-

^

for

-

g-ets

to

shine,

_

and

the sun_at

night,

at

night for-gets

to

-ver-hiillt des

Nachts

ilir

Licht,_

und

die

Son

-

ne

ver-hiillt

des

NacMs

ihr

1

J

J

ib^

d

—

^

—

eJ

I

^^CZ

tr-t

^d

j

f

k^

tM

^

7

M

r

r^

pi

shine,

^

Licht;

J

y

k'^'Tn

J.

A

They

none,

sie

al

-

r

r

r

r

Ie

1

_

com

-

pare.

-

le

giei

-<9

2s:

y

^^

—

^'^

•y

_

.?

^^P^

.?

m

m

'

m

cc/

i

CTj-r

r

r

fcbr

with

Zu

Chen

Zu

lei

lei

ka

kha

S

*

—

a:

3r

3i:

35=

mine,

nlcht.

I7îk~-4: A

J

i

fc^

p

p,

J

P

a

^ i^



^

Allegretto

I

t^

m

^

^

m

J

IL

J-J-J^J-J

Xt

^

/TN

^^

r\

m

1

*

^^=r

d d

i

1

^

i i

i

i

%

%

^

Andante

U't'U^

p

p

^

i'^r

c:^

^

aug-hl the

eye

can

see_

Nichts

fin -

den,.

—

in

the

world

a

-

round,

so weit

das Welt

-

all reicht,

To

lik

-

en

to

my_

die Bli

-

-

eke,-

^m

J J

J J

P

'y-i'^>

j j

j

^

^

i,

j,

^

^

^^

z2

te

S

Zu-lei-ka

can

e'er

be

found;

.was

mei-ner

Zu

-

lei

-

kha

g-leicht,

Sweet,_ thorn

-

less,.

schon,

dorn

-

los,_

t

P

v'^rj-^

=

:

r

rr

v=s=





My

heart

all

beauty takes

from

thee

words

by

F.

Bodenstedt

English

version

by

Henry

G.

Chapman

Con

moto

„Mein

Herz

schmiickt

sich mit

dir

(Mirza-Schaffy)

Anton

Rubinstein.

Op.

34,

W

Z

#•

anza

ru

I

:

u.

^

J

J

U

i

V

S

J\ i)

j) '

p

r*

r

I

^

^

heart

all

beau

-

ty

takes

from

thee,

As

heav

-

en

from the

sun

its

light,

My

Herz schjniickt

sich

mit dir, wie sich

der Him

-

mel

mit

der Son

-

ne

schmiickt,

mein

t.

ji A

ji

|J

I

j

i

^'

I)

r'

p

I

p

p

1^'

^^

T.

eart

all beau

-

ty

takes

from thee.

As

heav

Herz sclimiickt

sich

mit dir,

wie

sich

der

Him

en from the sun

its

mel mit

der

Son

-

ne

^^^^î

^

j

*

irai:

z-«

m

>

mi d

m d

i

d—d

>

>

^

Copyright,

lyn,

by G.

Schinner



49

^

^

h

Ji

l

F^

^

^

^

ight;

scluniickt:

Thou

art

its glo

-

ry, and

'twould

be

du

giebst

ilun Glanz ,

und oh

-

ne dich

Lost,—

but

for

bleibt—

es

in

?

d

?

i

J

||£

i[

j^

^p

p

?^

CZB

^

J>

i'

j)

p

r

I

f

^p

tfJ'

i-^'-

-^1

r

^

fe

^^^

thee,

in

end

-

less

night;

Thou

art its glo-rj'

and.

dunk-le Nacht

ent-riickt,

du

g-iebst

ihm Glanz

,

und

'twould

be

oh- ne

dich

Lost,

but

for

bleibt

es

in

3^

W=^

^=ffrt

4

^

k3

=

$

J-

j^'

ji

ti

^

^

s

^

thee,

in

end

-

less

night.

dunk

-

le Nacht

ent

-

riickt.

Ah .

Ah .

g

J-

i

^

q^JJ^

^

i

f-

i

S

i-'i

i

dim.

^g^

^

iEfe

PROPERTY

Of

CITY Of

E m



50

^

1^

I

-y

-

Sûij;

/•

«

m-m^m

M

*—

*

'—

g:

^

::i:w-^

<

i

i

^

^y

i

i i

^

j^

^^3

^-«3i^

f

^1*

•>U-J^vJ-t

1^

And

Gleich

i

^

^^^

i

5^1

«*•

*

rt

^

±^

4

>•

;i

J

lu

L

l

j

jn

f

P

I

f

p

^-

•^^'-

^1^

^

î>

e

-

veil

so

the

world

con-ceals Her face

when

dark-ness falls

a

-

while

,

And

wie

die

Welt

all

ih

-

i»

Piacht

vei--hullt. w»imi

Dun-kel sie um-l'liesst,

gieich

*

^m

^

^^^^^^^

h-

it

J).

}\'

e

-

ven so the

wle

die

Welt all

worlds

con-ceals

Her face

when

dark

-

ness

falls

a

-

ih

-

I'

Piacht

ver

-

hiillt,

wenn

Dun

-

kel

sie

uiu

-

i

f

-1=^

-H

^

•

mât

I

^m

i

5^

P^

UTii



51

while,

fliesst,

And

on

-

ly all her grace re

-veals,

und

nur, wenn

ihr

die Son

-

-

ne lacht,

y

I

When

zeig't,

^

^

once

a

-

was sie

^:^:

^^t^pL

-•'-

-0-

2Z

^

r-y

S

d

^^

^

^

^^^

^

^

fe

e

^^r^

?

^^f^^'p'p

i

r

^pft

When

once

a

-

zeigt,

was

sie

g-ain

her

sun

will

smile,

And on

-

ly

all

her grace

L_

re-veals,

Scho-nes

in sich

schliesst, und

nur,

wenn

ihi'

die Son

-

-

ne lacht,

m

^

$

s

i-H^J=r

^

-cr

^

k

^Ê£

^

i

^

P

m m

m

=-t

W

»

*

-jH

ii

j^

ti^'

I

^J-.

I

-^

vJ^W^

-221

gain

Scho

her

sun

will

smile

nes in sich

schliesst.

Ah .

AhL

^

P=#:

^

^

hL

Ah -

^

'

dim.

f

Ê

A4^^

«r

I

ri

i

i i^

^^

iS;

='-

—

-^



words

hy

F.

Bodenstedt

English

version by

Henry

G.

Chapman

I

feel

thy

breath

blow

round

me'

,,Ich

fuhle deinen Odem

(Mirza-Schaffy)

Voice

i

Moderato

^

fe

pp

^

f^

Anton

Rubinstein.

Op. ai,

N9 6

^

P

^

I feel

thy breath

blow

round

me

Ich

fiih-le del

-

nen

0-

dem

^

^

Zt

If

^

^^

PC=P

^#S#T

F

^

^

?

*

a

^

^

^

P

Wher-ev-er

I

may

be,

mich

ii-ber-all

um

-

weh'n,

WTier-e'er

my

eyes may

-wan-der

•wo-hin

die Au

-

gen schweifen,

^rn^

r

^

vfUJ-p

i

r

2

Jfcfc-

S

»^»=

Fl I

r

rl I

r

f

?^

I

I

^^

i

^^^

Thy

face I

seem

to see.

wahn' ich

dein

Bild

zu seh'n.

And

in

the

sea

of

my

spirit

Im

Mee-re mei-ner Ge

-

dan-

ken

Copyright, 1911.

by O. ScAirmcr



53

fei

^m^

^^

n

^

p

The

thoug-ht

of thee

ne'er

dies,

kannst

du nur

un

-

ter

-

g'eh'n,

But

like the sun

at

mom-ing

um

wie die Son

-

ne

Mor-g-ens

m

h

m

m

^

f

m

p

p

p

r

r

1

'^

S

m^^^

zzz:

In

beau-ty

to a

-

rise.

schon

wie-der

auf-

zu

-

stehn.

Ah .

Ah .

'{lî^\

*

s

tzrc

331

^»-

P

^^

m

m m

f

y

JJIJJJ

^r

r.

f^

-^^Q.-Q'g

CT~

^^

Ah

Ah

~<T~

-O-

Ê^

o-

i

7

S

*.

^

^

i^f^

f

WW

r

-•

mr

5



a

Bend,

lovely

bud

?)

„Neig',

schone

Knospe

(Mirza-SchaffyJ

English

version

by

Henry

G.

Chapman

words

by

F.

Bodenstedt

Allegro

Anton Rubinstein.

Op.

34,

V?

H

^

3

p=^

p

w

^

f

f

i

u^—

^^^^

-^

IM

p

Ê^

f

?

'

tf*

^

p

^

Coptif'^ht,

1911,

by

Q. Schirmer



Moderate

assai

IS^

'

\

u^

P

Bend,

Neig'.

love

scho

ne

bud,

Knos

.

thy

pe,

head,

dich-

i

TS?

T

P

4

^m

^^^^

is:

?

^

.i*

^^m

IZZ

to

zu

me,.

mil-,

And

und

what

.

was_

^

ra?

m

^

?^

^

^1=^

m

ZL

uiTrto

ich_

ask

bit

thee,

te,

grant,

das _

^

me,,

thu'

-?

3?

^

i

^*

^

?^^

;^^

?

f

-#-

mir,

For I

would_

ich

will dich

love

pfle

thee

gen

and-

hold.

und_

hal

-

thee,

ten,

^^

3'

^;

»[

P

r

^

^

^

Pi

ife^

^



a tempo

%

i

^

^^

^±L

Thou

Du

a

teinpo

\n

sollst.

my

bei

arms

mir

Shalt

er

warm

war

-

»

r.

:3s^

P

i

i

m

^

^

^

^

.?

cjji

r[rj3

thee,

men.

And

iind

hero,_

sollst

3=

^

^

|:

is:

^

^

ss^

^

^

J



57

m

^

J-

j')

i

where naught shall

in

mei- -

nen

harm

Ar

-

3;:

5P

i

i

^

i^

?

^

^

i

rrr

il;

^^^^

.^2-

^

3Ea

±

thee,

men

Shalt like

zur Blu

-

me.

flowr

dich

un

-

ent

-

fold,

fal

-

~o

thee,

ten,

Shalt

zur

^

tt

F*Pf

is:

fT^

-fS

2;:

^

ki

3t

xz:

*f



. ,s

Song of

the

Dark

Forest

Chanson

de

la

Foret Sombre

English

version

by

Henrj-

G.

Chapman

French

version

b_v

M.D.Calvocoressi

A.

Bomdine

Molto

moderate)

Piano

(

<-):U

7

o

G

•

—

O

6

•

—

hS

^:^

O

K

^

„

a

•

o

cJ

•

o

O

pesatite

-^0-^

^

^-s^^

/

^r

A

—

^

1

4

.

-.

-^

5

-

F

^

^

^

[5

—

1

t

••

5

\

\

^

^

e

?j=

e

^

/TN

Thro' the

La

fo

for

-

est's

moan,

thro'

the

ret fre

-

mil,

la

fo

')-U^

^

j

i

n:

u

[

n

t

for

ret

est's

sigh,

qui

bruit

^

m

^

/Ti

i

^

^

i

fTi

^

3ir

5

i

= *•=:

1^

;^

*ft

J'W

^

^

^^

^

^

a

runs a

song,

chante un

chant.

'Tis

an an

-

cient

tale, sung

of

Un

chant

d'au

-

trp_fois,

un

tres

M?

f

P P

m

-f-w

g=^^

^^^

da3's

gone

b^-,

vieux

re

-

cit;

0^-

w-f-

3

^

^

^

^

ga?

^

F^

=: ^^:^

^

*^^

28721

Copyright,

tHli,

by

0.

Scht'rmer



59

*^

^=^

fc±

f

*

Tell-

ing

us

how

men

once

lived

in free-dom,

et

nous dit com

-

ment

on vi

-

vait li

-

bres,

free

-

li

-

men

m

bres

tous,

W^'-

fcgg

0^-

W^

ItZ.

f

^t^ :zt

E

^

±

?F

?=

^;

E=t^

^:

^

ii*

»:

^5

§3

i'5

W:.

^

^J

J'W

^

^

i

-

i^

^

J

^

^^

f

^

lib

-

er

-

ty.

li

-

bre-raent.

Here

then

grew

up

a

peo-ple,

great

were

they,

La

se grou

-

pait un

pen

-pie,

peu

-

pie_

fort,

s

Ei

P2

I

SEl

^;

J

r

1^

f

-6^

^9^

S=

f

?F

5^

^^^r^r^:

i^^

*i

^

P

7

S

^^

t=ri

a

•

^

strong

were

they.

peu

-

pie grand.

Here,

too,

lib

-

er

-

ty

pros-pered

Et

la

li

-

ber

-

te

al

-

lait



ff

(

p\hi

}

J

I'u

J

J

li

y

r

pr r

1^

ry

r^

^^

^

i'^

stead-

i

-

ly,

s'ac-croissant,

And

this

might

-

y

folk grew

more

pow-er-ful;

Now

in

Et

le

peu

-

pie fnrt de

-

ve

-

nait

plus

grand,

Kt

wn

lifc

i

^

SS

?F=^g

S

M

%

t

3?:

'9

^

-^

^2

S

1?77

•

afe

jS^

^4

i

4

u

4

^

^

1

eb^

«=

FS

§

I

,ii

i»|

ii*

bi

bif

I

^

i

b?

ftitt;,

^r

I

'

*

I'j'

iJ

i

|

j

i

if

r

1^

r

''cJ

'

'^

1

^

ven

-

geance they

geurs

puis

-

sants,

i=k

fell

on

tho

cit

-

>

ils

ont pris

la ci

folk,

Hnd_

the^-

te, ils

y

^

m

a

p

QV

^

rii;

CJ

r

r^

s

i

i

^

/g-

\>

9-

ZC

feS

^

£

S

f

^

£

»

#

#

slaugh-tered

them,

and their en

-

e

sent en

-

tres

et

les

en

-

ne

mies

did

the3'

laugh

to

scorn,

and

they

mis, ils les

ont

rail

-

les, ils

se

fcS

^

f^p^

w=^

>

<s>-^

r

î

i

rr

vresc.

iE

?

^

?~*

^:

±

•0-

^

-m-

-m

9-

ffff



61

g

r

u

J

r r

^

leep'd

them-

selves in

the

sont

gri

-

ses de

leur

^

blood

that—

ran:

sang

mau

-

dit,

^3;

curs

-

ed

flood

a

grands flots

4:

frail.

s

^

^

Free-dom, lib

Li

-

bres,

li

er

-

ty Peo- pie

bre

-

ment,

peu

-

pie,

*»

r

r

^

J^^^Hi

r\

i

great

and

free

peu- pie grand

*t

1

7

o

o-

^:

3

t

-o-

-cr

-o- o

_.

^¥

i3i3§i

^¥i^



62

Flowers of

Love

Fleurs

d'Amour

English

version by

Henry

G.

Chapman

French

words

by

Paul

Collin

A.

Borodine

Voice

i

*

Allegretto

P

s

^

^

r

I

r

s

Where tears

of

my pas

-

sion have

fall-

en,

Full

Mes

liir

-

mes

d'a

-

mour ont

fait

nai

-

tre

des

^ il^

I

^

m

pp

^:

^^

3

i

i

i

^£eJ

S

^

^

S

^

=^

-fir-

man

-3-

a

flow

-

er

has

sprung,

fleurs

au

par

-

fum

tendre

et

doux,

<?^l

tt

^

^

W^

I

^

^

^^

3:

^^

3

j;

/

%

^^t i

^

^

r

s

f

M

i

i

p^

^

^^

^

i

5

And

man

-

y

a

sigh

I

have

ut

-

tered

The

night -

in

-

Mes

tris

-

tes

sou

-

pirs

ont

me

-

le

leur

mur

-

mu

-

re

aux

^

^

^^

^

^^

2272^*

Copyright,

19il,

by

0.

Schinner



63

Piu

animato

e

cresc.

i

^3E3:

F^

^

g'ale

has

sung,

chants des

oi

-

seaux.

And

couldst

thou,

couldst

Si

tu

veux

m'ai

-

s

iEEi

Se^

3eS

3e^ 3e^

«=^

(2.

J^?

V V

p I r r

^

i

j=^=

^ ^

>

:

^

For

thee,

dear,

the

flow

-

ers

would

mi

-

gnon

-

ne, les

fleurs

sont

pour

thou but

mer

a

love

me,

ton

tour,

*

m

t

e13

«=z=

f

^

te

P^^^

*-*

te

l

l

^

ii

I.»T*

:z2z

^

rail.

S|E^^=^

^^

pring,

toi,

J i.

And

un

-

der

thy

win

-

dow

for

ev

-

er

To

et sous

ta fe

-

ne

-

tre les

doux ros

-

si

^^

^^^

tt

5==F

^

y

W

J

i-

J.

2^

P

^=T

^=f

^^

/CN

^^

^

=^

thee

would the

night

-

in

-

gale

sing

gnols

chan

-

te

-

ront nuit

et

jour

m

^-t^-^

^

^

m

e

^

-^

rzL

TT

J

1^1

J

J

P

y-

^jt?

^J-

t|J- »J'

^

^=^=T

^

^

^

17'



The

Sea-

Queen

La

Reine de

la

Mer

version

by

iiry

G.

Chapmaji

words

by

Grandmougîn

Moderato

i

r

t=r

i

r

A.

Borodine

i=r

P

i

^

h

Ac-

come,

cours,

wear

-

y

one,

voy

-

a

-

g-eur,

^

make

ac

^4^1HS

3

22

\

r

^ r

i

i

r

^

T=T

aste,

cours,

^

i

it

is

eve;

c'est

la

nuit;

^

t»-

Thy

ton

heart

coeur

is

throb

-

bing

for

est tout pal

-

pi

\

r

rr

Copyright,

1911. by O.

Svhirmcr



65

M^

i

me;

tant;

Here 'neath

the

sous

Teau

qui

wave

fuit

i

waits

my

mon roy

irrfTrTf-r'iTT

^^

'^-T

1*

T t

T T

1^

.

^

It

dim.

3^

-St-

1

^

*^

*^

^

1^^

king-

au

-

dom

me

for.

t'at

thee

tend

¥

îîî

i:

^^

i

m

»

'

^

-^

ft

rJ

•:

^

r

:2i

t=T

r

^

r

Come

Viens

^

-^^

â

^

?*^

T

•

J^

S

i=r

r

i

r

i

r

«*

^

i

^

^^^-f

?^

hith

-

er

and

rest,

te

re

-

po

-

ser

For

sous

cool

is

my breast, And

mon frais bai

-

ser,

g-lis

I

I

I

^' ^

J-^ J

-^

j

^T^B

=i=zi

f=*^

-^

^1'

b

^

if

i

eb

^



r

r

r

'T

^

r

ly

s

/^/'

wan

-

der

at will fhro'

the

sant

sur

les

flots sans ef

^

deep;

fort;

Whon

^jL^>^^>j^ji

^LLLj4

I

^ ^

^^

^

BI^

^ B—

^

—

^

—

^

^^

-^

^y^

W^

2Z

J

r

J

r

i

r

^

r

s

^

r

I

r

r

P

thee I have

kiss'd,

ce'

dans

mes

bras

tf

Thou'lt

call

tu

me

be'

me

blest;

I

ni

-

ras,

je

a

»< -.

r

^

T ^

F

t F

^

r^

FiFf F

=^^=t=^=t

^

W

^

r

r

f

12:

love thee

Ail's a

-

sleep

t'ai

-

me

Viens,

tout

dort.

u

Piu

animate

e cresc.

J

.?

J

J

It

Sur

'

îî

m

22724

^

cresc.

i

r

i

r



67

T

^^

r

'

—

is

the great Queen,

la

gran

-

de

mer

5

P

^

5

P

Whose

vi

-

sion

is keen,

la

reine

a I'oeil

clair

That

t'ap

\\<'

m

'I

f

'I

f

rail.

^

^

^

calls

thee a

-

cross

the great

sea;

pelle en

na

-

g'eant

dou

-

ce

-

ment,

Ah,

ah

J3*W^

-

s^

=^

^

J2

tn

'lf=^

p

rail.

t

€*-*

^^

i

r

M

Tempo

I

±'

—

^*

—

^

^

^

i

^

jS

^^

ome,

oh

my friend

Ah, hear

viens, doux

a

-

mi,

en

-

tends

and at -tend I 'Tis

heavn

that I

of-

fer

men ap-pel

je

veux

te

don-ner

le

m

J^^jy i

>1^

YfTyy\^m

1^

^

i

^£1

Mii^^

^

Jr

^

a

5^^î

«»^

?

^d

^

r

r

r

r

r

r

/^

thee

del

iUS

^^

s

r\

dim. e

rail.

^^

3CSj

g

P

s



Dedicated

to Modest P.

Moussorgsky

A

Dissonance

Romance

version

by

Kurt

Schindler

A. Borodine

Voice

^m

•\ndantino

?

î

p

I

p

p»p''p

J^'

(T

Thy

lips say, I

love

thee, be

-

^nii

i

i.jj^.

p

:m^J

i '<i

i

miu-

m

.

m

-

i^-^r

zi

g

t w

^'ji

i

j\

^ji ji

j^^

j,

^

P

lieve

meV

And

yet, in

the

sound

of

thy

112

IJ2^

^^^^^

f

ff

TtXITlF

-0-

-0-

-m-

-0- If-

bt^

i t:

l:

^

t^

^

^

s

W

,

m

4

4

P

Copyright, 1911,

by

O.

Sckirmer



69

mf

f

^

p

I

r

p

r

p

p

I

i

^fe^^^^

voice

A

false

note

ring's,

that

doth

grieve

me,

It

^

=3=1

F=^;

F=

=^=1=1=1^

in

^

^

/•

.^ ^

rail.

i

l^

I J\

^ i. J^

h

J)

ii

I

P

P

P

^

PP

^

is

in

thy smile,

in thine

eyes

Thou

know'st, thou

canst

not

de

-

4

I

I

^

1

gF^FlFlF^FEi;

f

ff

^

^

^—

J

.^



Dedicated

to yicolaj

A.

Rimsky-

Korsakoff

The

Sleeping

Princess

BaHade

version

by

Henry

G.

Chapman

oice

Andantino

A.

Borodine

*

1.N',

,

r

pp

legato

f

î^

*^-# 3

^^Tr

•fe).

^^

I

J.

I

JH

rj

^^

7±

^ ^

^^

2

Hush

hush

With

love

-

ly eyes

Closed

in

sleep, the

>''|-^4J,J„

i

Mj,

i

i

4i~

i^;

;î.

^

rr

jf

w

'n''i>

r

r

r

^

r

I

r

r^

—

s

^

^

^

Prin

-

cess lies, By

a

fair

-

y

charm en

-

chant

-

ed,

m

li,.iijlkl^^

.L

.

L

I

r

r

r

r

' r

r

'

m

n

^

r

'

r

r

I

r

r

I

r

d2^

Copyright,

19H,

by

G.

Schirmer



71

r

f

L^f

m

\^

J J J

J

^

si

-

lence break

-

ing-,

Laug-h-

ing-,

shout

-

ing,

mer

-

^'V'

U JJ

-^

i s

V

J.

1

,^>

^

g^

5

ry

-

mak

-

ing,

^5^

i

cK

li

S3

I

^

/«//.

V

s

-^

—

=^

Thro'

the

gloom

the

wood-nymphs

sweep,

Yet they

do not break her

sleep.



P

m

^5

M

4''

I

i i

'

PP

-^z^ z^

•>

rail.

Y

i-h^J-J^

T

r

F

f

Tempo

I

9-

XT

m

^

^

^

^

Pale

and

\\^n, as dead she

were,

Sleeps

the

Prin-cess

ev

-

er

there.

m-m

^

TtT^

rrt

7r^

1^

*^-^

^

•>^î>

•

r

'

r

^^

^^

?

Piu

animato

ctvsc.

poco a

poco

1-''|> J. i)

J

J I J J J

r

i

r

r

f

^

ome do

say

that

on

a day A charm

-

ing- Prince, true

22724



73

2ir

^^m

P

^

heart

-

ed,

brave and

g-ay,

To her

his

way

will

make,

^^^

ii

^

s

^*=»

*

—

»

—

5:

J

izi

/

^

»i

m

r

r

^r

f

r

r

i

>

J

J

i

iJ-

i'

I

r r

^

^^

And

the sleep

-

ing- beau

-

ty

wake

> ^

I

^

With

a

kiss, and

k

^

5

S

^r^

^^=*=^=f*=*

ij*

*

v-î'k^ ^

ii^

^

N^

7

r

I'all.

Y

r

r

f

^

i

et

thus the

fa

-

tal

spell

will

5

I

5

5

^

f

f

f

f

ins

r

7

^^

ra^/.

^-i

^J

=

J

if

^

0

Piu

lento



a

^

days

g

t

1^

i

y

js

i

ttJ-

Ji

J-

M

go

by, a

-

las

Like a dream

the^'

seem

to

hi

i

^.

i

i'^

^P

r

77

P

i'

P

*

^

:;^

W

2±

h

j>

I

llJ

}'

s ^^

±

«

iSl

»»

m

pass,

Yet

no Prince has

ev

-

er come

To

in

^^

j—

^j^

^

r^^jr

-

p

#

s

E

^^Z|P

Co:

W

^

m

m

s

vade

the for

-

est's

gloom.

i

i

i

m

h

5

^^

:3f

r T

V

E

i

^

5

E

^^

empo

I

—m:

—

4-

:«:

XT

s

^

i

^

^

Fast

a

-

sleep

the Prin

-

cess

lies.

Wrappd in mys

-

ter



75

^

2t

P

^

^

P

y

her

eyes,

By

a fair-

y

charm

en- chant -ed, Doom'd

to

dream in

^

rrrf

rrrf

rr

b'l^

f

f

r

^m

^

^^

^

^

-SM-

for

-

est haunt-

ed Hush

Hush

«—•'

rPT

r

r

T

r

r

r

'r

^

r

^

n

i^/)

i

J^'-^'

i

J-

J\

iî^s

-)

—

-;

ai-r

Ss

^^

\

I

fi

m

'

m

Bale-ful

charm

and

slum-ber

fell:_

i*

S

^5

5

Will

she

wake?

Ah,

none can

5

>i/.-,.

i^p

izm

^

7lro~

I

;

»¥

r

T-r

r f r

#

/C\

tell

-•—

•-

&

WWW^

m.

-f

=

P

n\

^

rS-

-^

±d£

3x:

jcn

Tjr

f

r

'^

r

r

^



version

by

G.

Chapman

Slowly

the

daylight

departs

«Lentement

baissa

le

jour>>

Recitative

and Cavatina

from

the

opera

'Prince

Igor

i

i*

Andante

(J =

gh)

^

Vladimir

Alex.

Borodine

1834-1887

^S

^

.?

r

r

r

r

r

r

^^

Slow

-

ly the day

-

light de

Len

-

te

-

ment bais

-

sa le

parts,

jour

i

^

/r\

^^

F=^

J?

dolce

^^^

TT77

f

sewpre

legato

e

poco

a

poco

cresc.

XE

.?

3

•

_

^

^

^

^

^

^

Red g-lows

the sun thro' the

Sur

la fo

-

ret

te

-

ne

for

-

est;

breu

-

se;

Gone are the last

rays

of

L'oni-bre

va.

mys

-

te

-

ri

-»tg-

321

g

31

^

31 It

«-

K»-

^

fi

#

^

^^

r

r

r

j^

^

>.

sun

-

set,

eu

-

se,

Dark

-

ness

on

earth

is

de

E

-

veil

-

ler

1

e

-

cho

da

scend-ing-;

nig-hl

-

la

-

den

mour

E

-

cho

di

•

^

^

o[^_^r

3

\rf^

P

^

9-

Copyright,

1911,

by

O.

Schirmer



77

:fc r

^

and val

-

ley

ten

-

dres

-

se,

^^

i

shad

-

ows

vres

-

se,

shroud

hill

Chant

de

In veils of

dark-ness.

Qui nous ca

-

res

-

se

rail.

^^^

^2

a

tempo

I

cresc. poco

a poco

I

^

^

h

balm

-

y

nig-ht

of the

South

Tie

-

de

nuit

d'a-mour,

Ah

What dream of

love

Mai

-

gre'

I'ar

-

deur

ii^

dost

thou

de

ta

^

i

721

2Z2I

©-

2:

a

tempo

Jjpp

crest: poco

a

poco

^

^

|i,p

p

I

J

^

J-^

p

waft

us?

Thou

a

-

wak'st

de

-

sire

in

our

hearts,

to

love thou

call

-

est

flam-me,

Tu

m'es

doux,

6 reve

et la

foi

rem-plit

men

a

-

me

7n

f\.

animafo

ed

appassionato

f

I

p

^'

J'>

J

j^

J->

^

Wait'st thou

for

me,

Che

-

re

bien

-

ai

O

dear-

est

heart's de-sire?

me'e, une e'

-

toi

-

le

luit

^

zs

mr.

zcn

^s

IZZ

35:

fp

mi

f^

#

b

5

i

^

z.

r=y=^

3CSI

rO-

y

^

7

PRDPERTY CF CITY

OF

M

YORK



a

tempo

'f

J

i

^

2zz:

^

in:

22

3E

Wait'st

thou?

An

-

g-e

Well

my

heart feels

and tells

me

'tis so

tu

mat

-

tends et men

coeui'

me

le dit

5

^

m

E^^

0®:

T^

±^

ro-

ro-

J:

jO

ff

tempo

n \>r-j

i

o-

ô-

JCC

»

vt

sempre cantabile

dolce

ed espressivo

<9-

jrp

^

zoc

^

^^

n~

where

viens,

o

art

ah

thou?

viens

Must I

Viensv- re'

call

ponds

on

au

thee in

tendi'e_

ap

m

^m

^^

f

if

^~i

t—t

^^

^^

o- -e^

W

n~

r»

VUJ).

(wherever

harmonies

permit)

-r

±rt

^^

^

^^

I

r

r^j\r

a.v

vain?

Ah,,

pel 0_

how

im

-

pa

-

tient

-

ly

do I

chere a

-

man

-to,

le doute,

he'

wait,.

las _

love, for-

est

cru

J I

J-nî

i

^

^

:^

T

rrf

^m

TfTf

^

—

•

—'=»

^r^

^

fl

~n~

So=

^

H

^



79

crese.

I*

fcz

thee

el

m

331

^

^

Come to

me

Viens,

re'

-

ponds

O

quick

-

ly

a

mon

ap

come

My

pel

Dou-

m

#

r

mf

^

i^

3t

»

cresc.

ffw

^

c

•

33=

ra//.

e

dim.

?t>

W

#

a tempo

^

P

fe

cr

^

W

eart,—

sweet

maid,

calls to thee

ter

d'un

coeur

est

cru-el

Know'st thou

Vlens

how

the

Ton—

a

#=N

i

9=^

£

^

i

^=n

f

fTr?

^

w*

a/^. e dim.

a tempo

_o

cresc.

P

-o-

^

33=

-o-

W'

3

i;

i^^

^3

cresc.

pocq

a poco

I

-^HV-

S

^^

pain

of

mour

love

glows

in

est

ma

vi

my

heart?

e.

A

Warm,

toi

in

tou

tE^^

S

^

^

F^

^

cresc.

poco a

poco

-o-

^^:

o-

TT

te

-X»_

a

¥

^

me

jours,

glows

tendre

for

a

thee

mie

my heart, sweet

love

En

-

tends

ma

voix

m

m

g

i

^V^

±L

^=^

rf

J

f

J

ifcl^

^^^

is:

X3=



80

P

rail.

W i

^^

^

Glad

-

ly_

Viens,

ah.

^^

-+-

±

m

a

tempo

zsxz

would

I give.

viens,

e

-

toi

my

life

for

thee

la de

mon

ciol

^^^M

^^

i

*

^^

m

M

^

p

^

rW

I

rail.

'

f=

a

tei/ijjo

-o-

^

O

p

^

^+v

—

^

1:

6

then

tar

ma

Men

riest

thou,

ai

-

me'

Love?

e,

iM^

f

Wf

^j-^^

ff^

«?

pf

iS^.

Haste

thee, haste to

Lais

-

se

-

toi

fie

^

i

f

^^

d±;^

f?

Efc

T

^^

rT

k

i

^

^

i

^

Hr=f

JOZ

M-f

fi

•7:3

me:

chir.

Come

with

-out

fear.

Que

crain-die dans

the

world

is still

now,

I'ombre

em

-

bau

-

me'

-

e?

I

^

i

J

fv-fTf

-

7T^r^

^

f^p^

^

i

f

M

^

^

i

\[J

^

J

it

^^f

-^

-o-

and sunk

-en

Tout

dort

en

^^

f

deep

paix,

in

tout

Slt'i'p

dort,

rests

in

the

sous un ciel

T^^^

= =^

^^^WTf

ftf

'f

^^

'f'f^f

i

i

^

22724



81

te

o

arms

de

-o-

of

sa

-o-

night.

pMr.L

i*

\<^0

»

i

^W

^fWw

WW

WW

Tfff

f

f

crest:

cresc.

i

J

3Z

^

f

-^S*-

/T\

Pr\

P

t»

TT

^

SI

-^

#

7^^-

Where art thou, say?

Ail

viens, ah viens

Must_ I

Reponds

en

m

iEiEk

f

=^=^

Wvf

TtT

±

iO-

dim.

ppp

t

*

i

^

^^

o-

-e?

si:

TT-

^dr

3x:

-5>-

zee:

\J

xs

?f^r=p

£

dim.

S

^^

?

call on

thee

in

fin

a

men

ap

vain?

When,

pel Ah _

with smiles wilt thou clasp me

pour

moi,

oui,

pour moi

le

^''

i

>

i

J

i

^

t

^^

^

J'

-

*

:

TfTf

^

wn

rpT

i

^

^

3x:

-^

3CE:

EF

s

i

^

3i:

JCE

±JE

^

^

J

i

soft

-

-

ly, whis

-

pring

of love

dou

-

te se

-

rait

trop

cru

-

el

Come,—

ah.

Ah

re

come

ponds

5

iâ

TTT

If

if

^-t

^^^

cresc.

i

\

?

fi_,.

351

-G-



82

if(i

dim.

^

g^

^

1721

r^:^

to

A

me:

toi.

My

ce

heart,

_

coeui-

__

sweet maid, calls

biu

-

laiit

da

lu

^.

^

>—

I

-^v-

xn

^

»^-w

rrrr

-©-i-

J »i

i

Tir-

dim.

i

*i

^

p^

^

?

t^

^

P

^

?^

3i:

thee

mour

O

come,

the

night

La

uuit

de

-

te',

thy

flight

sous

ses

shall

cov

long-s

vol

't

''I.

MM

i

t9-^

Tf^

Wf

w^

*r

T

P

PP

rn i>

J

J

i

m

m

SL

Wi

s

p

^

XE

er,

When

all

save

dreams

les,

Pour

nous an

-

non

-

at

ce

rest

son

shall

be.

re

-

tour.

i

?*

1

1©-^

^dz

i

fe

When

hearts with

II

nest

i

love

ci

are

que

^^

f=^

^^

^^

:z±

2272*



83

^^

And heav'n

a

Ces yeux

du

^^

\>o

'

lone

ciel

is

there

tout

plains

^

I K\

to see.

d'a

-

mour.

The

world

is

Vols

des

beaux

i

^

i'

f

i

f

tm

rm

Wnf

r

?

^ ^

?

r.

za.

122

i^

JQI

-O

nights s^nis

sa

-

phir,

still,

soirs

and in

le doux

all

Tout

tffpi

J

-o^

TfTT

f^fif

-o^

fypi

T

T

1-*

^

i

^

?

} rj

^^=^

311

rs:

things

va

sleep ,

dor

-

mir.

Oh

Oh

'TTT7

rf

^nr

resc.

s

^=1^

i

*

i*

cresc.

i

^^

7

r

j

/TN

come ,

viens

WWW

^W

i

fif

ditn.

Jfjf

w^r

ifw

/T^

3

^

?

r

y

f

~n~

31:

22724

^^^f

0>r AiTir

nr

iirvf

l iW



version

by

G. Chapman

words

by

L.

Esbeer

Andantino

{J-(J)=

72)

Poet

and

Critic

Nachtigall und

Kukuk

(A.

S. Pushkin)

Cesar

Anlonovitch

Cui.

Op. 57,

N'.»

22

€^

%

i

r

^

^^^

J-

i'v

^'

m

^^

hen

woods

Es

sing-t

a re

dark

der

SJin

and

late the

hour,.

g«r

dunk

-

ler

Nach

te

A

^t

^m

^

^

^

min

-

im

Wald

strel lauds,

das Lob_

the Spring-

-

tides

pow

der

Friih

-

ling-s-mach

er;

te.

^

>

p

r

i.

I

i

jj^J

p

^m

^t^

He

trills,,

Er

rullt,.

he

war

er

tril

bles,

lert,

won

pfeift

drous

bird,

und schlag-t.

Copyright,

i9U,

by

O.

Schirmer



85

tf

m^

__nf_

m-^

•L

i

ip

F

p

r

The cue

-

koo

Doch ist

der

then

comes forth

to

bel - low,

Ku

-

kuk

auch

zur

Stel

-

le,

j.^-

llj

M

I

i

h

i)

i' i^ tfp

P

I

p

i^ ^ i'

p

p

r

The sil

-

ly,

chat

-

ty,

nois

-

y

fel

-

low,

der schwatz-haft

al

-

ber

-

ne Ge

-

sel

-

le,

And

shouts

his

Cue

und

schreit

sein

Ku

r

p

^

p

r

'

^

\

^

^

^

^

5

5

^

•

koo

un

ku

un

de

-

terred.

ent

-

wegt.

And

scur- vi

-

ly does Ech

Das E

-

cho

weiss

den

Ruf

o serve us,

zu

niit

-

zen

U

1£

%

^

^^

%

1^=5=

-1^-r

iQ:

1^'^*



^£

i^

^

or

she

re

-

peats

him

o'er

and

und wie

-

der

-

holt

'

ihm

iiu

-

mer

I

r

M'

p

^

^

o'er,

E-ter- nal

-

ly

zu

zum

U

-

ber-diuss

-%E^

jf.

^^

^

he

Lord pre- serve

us

Mag- Gott uns

schiit

-

zen

From such

a

vor

solch' e

¥ll

i

JH

j^

i

JH

j^

i

J)

\

J)

rn

-f

^^trj

^

CCr

^

•

r

•

Sits

C

i^

^^^P

I

mel

-

le

-

an

-

Choi

-

>•

g-i

-

schem Ku

bore

ku.



To

the memor'y

of

my mother

Julia Ivanovna Moussorgsky

87

version

by

G.

Chapman

version by

Hettange

^

Peasant

Cradle

-Song

Berceuse du

Paysan

From

the

drama

^Voyevoda, by

Ostrowski

Adagio

Modest Moussorgsky

?r-iv

5^

P

fct

'^Sl

p

'^

k i>i,

'-

^

s^

'

^

^ [

f

f^ff

ff

m

f^r

f^

c

cT

Ejir

dim.

^

^^

»

#

'^

ni^

^^^

^

ct

By

Do

bye,

by

-

bj-e,

sleep,

my

pret-ty

boy,

do, do

- do,

mon bel

et

beaug-as,

^w

p

r

r

[rr

J

.

J

J

A

Jj

j

j^m-^

r-=

r=

K^

^

5

jV-

i

*^^*=ES

-r

p-

r

^

f=^

?

fete

ffiEi

m

iS

^^

»

±

^

S

Sleep,

lMleone,sleep,thou hum-ble

toil-er's

babe.

Dors,

en-fant,dors,en

-

fant

du

la-bou-reur.

By

-

bye,

by

-

bye.

Do

-

do,

do

-

do.

2:Si±a:

£ £

^^

^

-d

dim.

r

^

=s

Copyright,

1911,

by

G.

Schirmer



s

In

the

bright-er

days

_

Dans

Tancien

temps,

of

bur lot

was

not so

I

yore

on a

-

vait

moins cle

.

i^

'^h

f

r

tJ'?

?

I

ff

UM

hard

But

now a

-

las,

the

mal

Main

-

te

-

nant,

tout

le

happy

times

are

oer

Dis

-

tress_

and

long-

des

longs

jours,

le

noir

sou

^

s=±

i

s

^

M

—

-»-m-

j'

M

'

'

r

r r -

'

i-i'i.

j

Lr

r

M

f

?

^

îjî^rg

p

^

M^

^^

M

^

griff

ci,

And

des

-

pair

les

en

-

nuis

have

cru

we,

els.

And

there's

no

la mi

-

se

re

-

re

nous

ffiF

J'JV.

i'

i

lief from

our mi

-

trji

-

vail-lentsans

se

-

ry.

re

-

pit.

i

^

frTi

'S

i

>•

i^^

^

p^''^

^J^Ji.^

a

I

at?

M

^j^r-T^'

i

dim.

a

22724

1

>

b

J

'

:

i

>-«

liB

r frLrrrr

f

'f^



$9

By,_r

by

bye,

fe^

ii^

Do

-

do,

do

-

do,

Sleep,

my

pret

-

ty_

boy,

mon

bel

et_

beau

gas.

^

u

•

i i

i

^=§

T

T

cresc

.

- ii'i

^p

r

T

r

m

tif-H*

.^

^

^

?

E5

TJ^

n

£

i

3E

^

'

m

Sleep, ba-by,

sleep,

thou

child

of

Dors,

en-fant, dors,

en

-

fant

du

low

-

ly

birth,

la

-

bou

-

reur.

By

thy

Tu vain-

fiEE^SS

^^

i

»

a

s

r

?«,

if-

^

J

J Jl

^^^

*

r*

>,

>

•

7?

F

^r

r

^M

i

-Irr^

7

p

p

icr^

^

^

^^^

hands_ a

-

lone

Thou

shall

earn

thy

.

eras le

mal-heur

en

tri

-

mant

des

bread,

All

thy

days on Hie

fields

that

are

bras,

tousles long-s

jours,_ sur

des_

jMr^^

f^

a)

MJ

J

J^

w

^

not

thine^

own,

While

with fie

-

ry rays

The

hot

sun

shall

blaze,

terrespas

a_

toi,_

quand

le

chaud so

-

leil

dar-de

-

ra

ses

feux,_



J J

;;

i

M

1

the hot

sun shall blaze,

dar -de

-

ra

ses

feux.

kfe

^^^^

g^^-TTf

i

^

E

^^

\,

,

^

h

^

^

^*-*

W

^

dolce

dim

.

K

J

'

'^

^>

J

J

g

^

y

r

«

?^

^^^

r

i

^^

r

r

/

p ?

^

^T

Now,

while

sleep.

Le

som

-

meil _

doth thine eye

-

lids

en

-fold,

a

fer

-

me

tesbonsveux.

jS

.

f

b

^

^

^

^

^

^

^'

^

n

'

J

E

i

Sir

4f

Ne

f

^^

^

^

^^-^

•

h

^^5

i

?

I

Thy

Ta

soul_

douce

far

aine

a

a

way

from

the earth

pris

sa

vo

-

lee

may

au

$

£\A

^

^

^

s



91

E

Qir

fT

fT

p

V

Tri^

J)

J^^^^^

fly, And

yet

loin. No

-

tre

the_ Lord watch-es

ev

-

er

nigh,

Sei

-

g-neurveille

au-presde

toi:

An-gels

o

L'an-ge

t'a

ver

cou

i

* t

I

^

•<

l

i

p

'g

^>

£

i

^

de/»

suonato

mi^m

m

ij

un poco rit.

a tempo

^m

A

mi

i

f

=«

J

[

p

p-

JMJ^v

J

5

E^^

'

»

thee spread their

wings

of gold,

vert

de

son

ai

-

le

d'or,

spread

their

wings

of

gold

.

de son ai

-

le

d'or.

r\

^

I

^

—

^

PPP

r\

^

^

^

i

'

dim

pTs

S§

i

^

—

f

f

r\



English

viTsion by

Henry G.Chapman

The

Beetle

Le

Hanneton

Allegro

non

troppo

f

M.

Moussorgsky

From the

cycle,

Nursery Songs

Voice

Piano

i

5

\\i

\

\

ff

iJl

^

E

^^

^

what

has hap

-

pend

Lis -ten,

Na

-

na dear

'>J

^

^

S

eE

^^^

^

i)

rrrrrrrr

^

i'

p

^p

p

i'

p

iJ-'

p

i

ijJ^

p

^p

p

J''

p

^

#

In the sand

there

I

was

play-ing;

in

the gar

-den, by

the

birch-

tree,

i

i '

T r T r

s

E

P

^=1

IeeI^

^ ^

f

Y

^ ^

M

g

p

fe

w

^

Build

-

ing

hous

es

with

my

pret

-

ty

4^

'fTTrHr^

rjj.

J

J,

J

5

C1X

\

LL

f^

^

b

Ti

-i

^^

^

^

-o-

-«*-

?^

2272

4

Copyright,

1911,

by

O.

Schirmer



93

P

•

ar

32=

^

blocks of

ma

-

pie, those

Moth

-

er

made

me,

i^^

m

^

a?L

fl?L

i*

^

r

P

P

P

•

o

?

dar

-

ling

Moth

-

er,

and so nice

-

ly.

And

my

lit -

tie

p^^

d

jt

jtt.ii«^Y''f-

fct

^^

^

i2?L

^^

iS^L

i^

^

tSl^

^

^

f

7

(

*

house

was

fin

-

ished

with the

roof

on,

just like

an

-

y

4

i

«

1

t

«

=i

1-*

*

^

f ffff ff

f-f

F F I »

i

^^^

/>

g

real

one.

Ah

>*#

^

t

EJEEE^

i^^

cresc.

#

f^s

#

^

ff f f



94

*

P

fe

g

bee

tie

^fe

i

i

i

\^

i

g

I.*

^

^^^^^^^^^^^^^^

jûî

j

j^b

f

t^

J^J

'

4

^^%

^

^

^^^

y-Lî^'y

g

¥

And reached

out

his

feel

-

ers,

^^

r

ttr

f

i

i

^

J

i^

J^'

^3

^

3

,M

J

'

'^^^''^^

i

^§

^^^

Hi

H

^»>

^

Vl

i

^tf

22724



95

glar

^

232:

^r=^

f

ing eye

balls

#

^

^

i^

f

r^

p

/

#

=fe

ew^^^SKf

^

/-

^

Wi

/*

=

:b^

^

^

Oh,

how scared

I

was

The bee

-

tie

^-

fefei

f

^^

^

l>li^

»

^

-^

-^-in

7

-

^

I

^J

\,J

buzzed

fierce

-

ly,

And

he

spread

his

U

^J

^J—^

^

Jl,

b^=î)

»i'4

î

''^~^^'

o-

p

irrr

cresc.

J

/it



96

^

''

irj

i.j~lM^ri

't

i^r

-^l9^

i

wings

out, and

then he

tried

to grab

me-

S^

^^

K^lJ

l-^^J

i^m

^

s

^

^

&b^

//•

fe

^32

^

yzO-

^

,

tr

^m

»-

1

^^;.

pi^^p

i

|,r

^g

5

m-

ni

>

•v^^^^^'^-^'^-^'^'^'^'^'^

*

/,

^

i

,

i,

i

i

I

^r

^

^

i

^

Then

up he

flew,

and

struck

me

up

-

on

my

fore

-

head

*

pp

\

^r

I'

I

^

T

r

r

I

held

my

breath then,

Na

-

na,

kept

still,

^r

^

^

r

IT

^p

^

^

p

p

p

^

^

^

fraid

to

move

a

4

22:

fin

-

ger

'l'----i

But

out

of

just one

eye

I

peep'd

at

y

-

f l ]

P

^

uîLj^

F

3C

22724



97

i

^^ E

him.

And

Na

-

na. O

Na

J)

J)

J)

J)

na,

think

of

it

/0\

/^

i

k

i

ic\

^F

^

-iS-

^

i'

p

^p

p

i'

p

iJ-.

p

|

fiJ>

p

^

p

p

i'

p

^

n his

back

there

lay the

bee-

tie,

ver

-

y

still,

with legs

all

droop-ing,

feEt

Tzr

?

no

long

-

er

an gry. And he did

not

^

*

^

^

-J

4

k

o-

-«*-

1

^

r

2?z:

?

F=^

move

his

feel

-

ers.

and

was

not buzz

ing:,

f^'p'p

^

^

*

p

s^^

^

-^

5^

—

o-

Â

r



98

^^

P

P

just

his

wings

were

wav

-

ing

gen

-

tly.

^

Was he

J

,

^

J^

J

J^

=3=^

^

J^

J

J^

^

TTJ.rrj

I

I

o

p-

g

't

F

f

^=^=#

c*.

s

^^

^

r

*

cresc.

i

^^^^^^

dead,

then?

Or

just

pre

-

tend

-

-

ing?

4^

i''-

r^

s

J

w

J

s

^

^

^=r

f^?^

s

i

fe

f

i

/

^

r

'

It

r

r

r

^

^

Tell

me,

how

was

that?

Do

toll me,

Na

-

na,

^

P

^^

^

3

J^

jj

jj

^

i^5^

f

/

^^m

=^

•»

—

m

—^

i

J

|

J

N

,

J

22724



99

^^

m

-ar

P

^

-

bout

this

bee

tie .

The

bee

-

tie

^

F^f^

^^

-•

m

—

•-

P

-1

I

-77-

Ccr

XJ

^^

eE^3

^

struck me,

but he fell

ver

^

^

J

*

^^

-*

#

^

dun.

ritard.

r\

^^

r

r

r

ir

r

^

^

Tell

me

why

he

^

^^

^

P

f

f

r

f

lay

there,

poor

ritard.

J

J

J

J

Jb

J

J

J

f

r

f

f

bee

-

tlel

S

ii

S

^

M

^^

^

^^

i?P

\y

r\



English

version by

Henry G.

Chapman

words by

Hettange

Child's

Song

Chanson

d'

Enfant

(L.

Mey)

Modest

Moussorg:i;ky

i^

U

Andantino tranquiUo

^

r

r

LT

^s

\

^

u

^

In

the

vale,_ oh

in the

Dans lo val,.-

ah

dans

le

val

-

ley,

val

-

Ion,

ft:

cresc.

}^

r

r

IS

^

^

¥==

Grows

a lit

a

pous

-

se'.

U

^^

tie

la

bcr

mu

re.

-J J

n

Ri

-

Le

pen'd

by

so

-

leil

the

la

^^

^

^

4A\

r

r

r

^^

£

^

I

cresc.

^

a

~sr

i

i

^

^^

^

^

^

un

-

ny

fait

hours,

ro

-

se,

Glad-den'd by

the

L'eau du

ciel

I'ar

show

-

ers.

It)

-

se.

yTT^

rj

i

ii^

s

I

^

j^

^^

44^ji

^H

J

i

ij.iiJiij

g

^

h

f

riffu.

4''^-^-¥=R

E

B

Copyright,

1911,

by

O.

Schirmer



101

fe

^

^

a

tempo

In

Dans

the

le

lit

-

tie cha

-

let

clair

sa

-

lon_

<^

-

r^

:y

r-Vv\'^\

^

lyy^j-j

P

cresc.

<.

-

f

;^

i^^

^

J

r

^J^

p

r

r

I

^

r

T

p

r

I

r^

See

a

Lives

a

un en

maid-en

mer-

ry,

fant

mur-

mu

-

re,

Whom her

Son pa

fa

-

ther spoil

-

eth,

pa

I'a

-

pai

-

se,

fcft:

ig

^

4

^^

fw

m

ts

W9

W

pp

cresc.

n

r^j

f-pf-

r

'

p

^

fct

^

rifen.

=—

^

/r\

^^

^ ^

For whom moth-er

Sa ma

-

man

la

toil

bai

riten

eth.

se.

a tempo



By

the

Water

(Count

A.Golenistchew-Koutouzow^

Enprlish

version

by

Kurt Schindler

^^

ndante

molto

Modest

Moussorgsky

From the Cycle: Where

No

Sun

Shines'

cantabile con

meditazione

jm

p

^

^fe

Pale

is

the

PP

W:

^te

iVtf'^

jjirdi^

i

W

;i*J:*i*i*iViJ:iVili

^

M

moon,

and

the

stars

from

the

f

^

^

^

f

^fe

I

^^:

5

im

-

-

pid

skies

Mir

ror

their

m

poeo

rail.

r\

w^

^

f^

yy

rays

in

the

floods

of

the

\\m

)

{

^^

f

crt'.sc.

%

f^

i

i

iiJTj

J^JTi

J3~

H

n

sleep

- inglake;

poco

rail.

r\

¥

f

j,^

.

T_r

.

._^

.

_^

.

_

..

_^

,

_t

22724

Copyright,

1.911,

by

O.

Schirmer



103

^fe

tempo

MtA

^

^

;

Si

-

a tempo

lent I

.

^

i

w

gaze.

on

the

t

^

l l

ft

|l'^

i

|

i

m

^

:5

S

E

tide,

while

a

lone-

4

to

a

-

wake,

^S

:

ii^-

^

ii*

^

I

P

#

ItTtf

[i

«

m

i

iA^

g

in

my

\^

\

w

—

fore

nd

soul strange

^;

W^

^F

11:

^

i

^

'

^

'

:i'

i

'-'

^1'—

p—

pp

^^

^

ings

of

od

fate

a

-

rise.

efe?

IS

ii

^

p*

•>

-

r*

J'>^

^

^mr



^te

^

^

oft

Iv

the

^

a

I

'

'Jj'Ji^Jj

rip

pies

are.

?=ir

cresc.

^^r

în

^1^

^n^

^1^

S

*

?i

S^

ii

%VfjF

flash

^^

r

/^1

U

^

ng in

.

sil v'ry

—

light,

i

ftf

^

_ a'^

^^

-

5=

3

dim.

^^^^^^^

^^

On

balm

breez

es

there

I

-

^

resc.

nH

k^'y-\

¥*

?* ?*

^^

ii

i^^

trem

-

j>

J

i

^

bles

ma

-

gric

spell;

^

i

2:

T-

B

S

t

^te

«'jj^^jj3-jj



105

^

con dolore

IRff^

S

vn

Dreams

of

sweet

pas

sion the

Ai

fi

m

r

\^

S

\i

n

A

a

^

m

«f

resc.

dim.

^

^

f?=1^3^??=.^

I*

^p

i

^^

calls

with

my

i

ste

rious might:

g

îr^

221

»*

^S

î

^

^î^



y^

poco

a poco

cresc. e

accel.

i

?

^^

i)

^

^

jV

Spell

bound

lis

ten,

en

'I

''

I'll

III'

j

ij

ij

1^

f'^:^

\i

1-^

^

A

jDOco a poco cresc.

e

accel.

^

I

^^l^f^^

îp^^^^

S

rs

^

5

W '

9

thrall'd

by

em

un knowTi fear,

—

^

rs

^m

^ ^

nimtT^

fefar^

i

|^

aj)

i'

hfj

^

:

If

it

should

bid

me

stay,

t>'

f

|l

tti,l

l

a \

^=^.

$^

f

i^?^

s

¥=;35=»

J*.Il r

..^

f

jM

i^^jjjij^ji^

'

^j^^î^

^^



ID'S

rs

^r

p

i

r

5

:5;:

i

hence

,

should

fly

with

a wound

-

ed heart;

m

^

i

^1

r\

5;

f

^

')

tfiAjL

aw

\

m

mm

mm

1

m

i

'

^

JiiiJi^stdiJî/

rtS

j»oco

ra^;.

ff tempo

%

Y

tfi)^'T

p

^r

r

I

'

l

f^s'=^

roniHDTV

nr itv nc

inrrr

vnoir



08

version by

Kurt

Schindler

version

by

Hettange

Divination

by

Water*

La

Divination

par

Teau

From

the

opera Khovanstchina

mm

ndante (J 260)

Modest

Moussorg-sky

*^

S

^-ihH

ttf^

„.,

pp.

^

W

*-r

^^

3

zs:

fffJr

ffff

ict

r

r

^

/O

/•,

J

j^. il

P-

w^ ^^

U

g

/CN

Spi

-

rits

of

neth

-

er worlds, Hid

-

den be

-

low

the floods

vous,

es

-

piils des eaux

vous, es-prils

sub-tils

^

—

t^s-

«

-o-

W

rr

t/ :

^

m

*

0-

S3

^^

P r

I

-

r'

p

ns

p

F

P P

r

I

r

^

Bound

b}- a

ma-gic

spell

Deep

in

the

dark

and void

Hear I

call

Ma

-

nes

per-dus

au

loin

dans

le

noir ne'-ant,

jf

vmis

man-

ye

del

-Hl»^

^

^

O

^

m

i^

^

:k

m.

-f

^

*

./

HE.

^[\-

-M

^M

r^

Vi/

a young:

woman

of the

sect of the

Old

Believers','

fftfted

with second-sight,

reads,

in

a

silver hasin filled

with

the fortune of Prince Golitsyne.)

Copyright, 1911. by

O. Schirmer



109

I

^^-^\J\

>

J

I

J

ji

»S^^-

^^^

J

'

^

^''

''^^'-

^''

^

*S

Poor, per-ished hu

-

man

souls

Vic-tims

of

des

-

ti

-

ny

Ye that

to mor

-

tal men

Pau-vres

hu-mains

noy-e's

Tris-tes

es-prits de'-chus

Yous

qui

pou-vez tra-hir

&

i

s^

*

s*

35: t>

I

^

11

^

fgl

f^

u

m

^

^

iiJ.ii^

^

J

^1

J^

Jx^^j

^

:^

Fate's

se-crets can be

-tray,

Hark

to

me

tous

les se-crets du sort, e-tes-vous

la?

Tell

me

what life

will

bring-

De

ce sei-gneai

trou-ble',

i.

^^.^ttiij

Ij

iîiîiJ

I

tfJî'J.^'-

^^

Un

-

to

the

proadBo

-

iar.

Who

in the

grasp

of

fear

Dread-ethhis

fu-ture

lot.

What

de ce

bo

-iar

fie-vreux

que

I'a-ve-nir e'-meut,

et que

la crainte e'-treint,

quel



^f^

^

.^1

j>

V ^

fatt

IS

his?

est le

sort?

i

EEEi

poco

-^

pp

.^

dim.

^^ p

SJÎJ}^

JTJJTIJTIJP

:

*^

^g

s

bJ ai>

ji

l

i^^

s

^P^

Lim-pid

the wa

-

ter

and crystal clear,

L'eau

est lim-pi

-

de comme

un cris-tal:

^

A

i: S

te

Yet'neath

the sur-

face

I

El

-

le

bra-sil

-

le

de

P

7

*^:iAjj

1

rz

poco

sf^

pp

p

1

^^^J^

J

3i;

w

^m

«v

7

3

^

^P

jrJ^

tr^'

^'

hi'

J^

Prince

See

the

wa

-

ter-

spir-

its

Prin

-

ce I'es-pjit

des

eaux

see

mys

-

te

-

rious

flames.

feux

e'

-

tin

-

ce

-

laiits.

*•

m

&

M

:z2_

T±

22-

-xt

^

Jn

poco

^

If

^

^^

XE

PP



Ill

*

i

^

F^^

^

J'

^'

i

haste

a

to

my

en

-

ten

sum

du

mon-

in^

ma

voix

Prince thou

art

now

to

learn.

Prin

-

ce

tu va

sa

-

voir_

Z2I

2'

rrTi

I

i

3x;

'2>

(sinister)

^

,1

2^

(sinister

j

fciS

f

All

the

se-crets of thy

fate.

A

-

round

les

mys-te

-

res

du des

-

tin. Je

vols,

thee

I

see

pres

de

toi,

treach'- rous

des

a

-

s±

;^=^

A.

f

r

^

^

p^^^^

T

p-

j,y

1^

^

te

friends,who

mock

thee now, yea,

I

see

mis aux

yeux

moqueurs,

je

les

vois..

They

draw

near-

er

and

near-

er

thee,

lis ap

-

pro-chent plus pres de toi.



accelerando

(

urg-ing-)

*

j>-

4\

\

^

p-

p

I

r

r

P

y

They

ils

kl

sum

mon thee

font

voir

Q

1'^

^

f

î

to

u

a

long-,

ne rou

wear

to

y

jour

loin

-

tai

ney:

ne.

^

p

f

s

^

^'

7

r

'f

r i

r

r

r

r

r i

r

i

a/LU

L^^

•^

rtcee/.



113

*»

Tempo

I tranquillo

^

-V-

?

5^^

^

In

La

shame

noi

and

dis

-

grace-

re

dis

-

gra

I

be

ce,

la

*4

trj'

r

\

i

H

'

u

J}

'

tranquMo

r

r

^

3::

^

M

i

^^

^^

^^

coun

tai

try,

ne,

ITe

-

spised

and

for

-

g-ot, where

all

I'ou

-

bli,

le

me'

-

pris,

la

dou



1

1

'I

^s

a

s

*

E

^

g

^

S

^

^

hee, Nei- ther chance nor thy

will;

ver,

ni

ha

-

sard, ni

vou

-

loir:

Thou

wilt

strivo,.

tes

ef

-

lorts

_

but

in

se

-

rent

U:

^'

J'

^

J

^¥==^

•u

^

is

de

I'a

vou

vain,

vains.

Thy

Le

fate

sort

creed,

lu.

O

Tu

^

fiMfi

^

E^

jl:

^^-

22724

^

-K

I

m\jL.?-M

K

•

I

^

r p r^



115

Prince

dois,

thou Shalt hun

6

sei

-

gneur,.

ger

and

su

p

r

r

M

I

thirst, Cru

-

el

want

bir

le

mal-heur,

shall

be

le be

m

^

W^^^

r

^

g

^5

s

s

#:

1

$

^

;

r

r

r

^

tears

,

through burn

yeux, sous

les

lar

U.

ing

tears,

Thou'lt

look

mes

bru

-

Ian

-

tes,

vont

on

the

en

-

tre

S

U

i

'

^~

w

r

M:

n\

^^Tî

i-

'

*ft

world

,

voir

Know

ce

ing its

quest

le

sor

mon

row

de.

r\

^

-^

g

r

^

S

m

5

-^»-

~rr

•&i

'^

nnnnrnTV

nr

nitii

^m^

vnoi



English

version

b}'

Schindler

and

H.G.

Chapman

French

words

by

Hettange

Death

and

the Peasant

La

Mort

et

le

Paysan

Trepak

(Count

Golenistchew-Koutousow^

ice

Lento

assai,

tranquillo

r

^'^

r

Modest

Moussorgsk}'

Fi<im

the

Cycle:

Songs

and

Dances

of

Death

^

Snow

-

fields in

si-lence.—

3ois,

champs

et

plai-ne

So

s'al

cold

is

the

night.

lon-g;ent

de

-serts.

3

5^

m

m

^

:i

^

^'f

±:k

p.

m.

JL.

PP.

r\

^^^^

nL

^^^

^

^

i J> J^

^

fe5 £

ing,

ve.

And

the

La

ra

-

^

i>

i

-

cj'

fa

-

le

north

-wind is

wail

pleu

-

re, s'e'

-

ner

Bro-ken-ly

sob-bing,

On

di-

rait la

-

bas,

i^

h^'î

m

^

22

^:

^

^

a

^

p

^^S^

as

la

though a

-

bas,

,

r r

.

i

ghast

dans

ly

dirge,

la

nuit,_

-^

O

-

ver

the

plain

-

tes

au

22

^

^

-L-L

M

'

J

-U-L

tf

^^

^

fl'?//;.

i-J

hîi

Copyright, 191t. by

G.

Schiriner



117

^*^^

i

^

^

^^

graves

it

was chant-ing-.

pres

d'u-ne torn

-be..

Lo

oui

^—

^r^

O

be

-

hold

C'est ce

-

la

^

V

a

^^

,â

i^

'^

o

¥VW^

PP

LITLIT

Jp

poco

a poco

piu

tnosso

m.

%

f

^

anere

pai

£

Through

Dans

the

la

night

nuit,.

strange p&ir

ap

- proach

un

pauvre hom

es,

me...

^

poco

a poco

p%u

tnosso

w

),

g^=r

i

J'

V J'

i'

s

;

>

L_EJLl/

L^LI/

LXr

_£/

LXr _£/

Eli

^

i

p p

It

^

p

Death holds an

old

peas -ant fast

in

his

clutch

La

mort I'e

-

treint,

le

ca

-

res

es.

se.

;>

V iJ

i

^^

--^

^

^^^^ff^

^

LXTLJ

L-LI^LJ

LXi*C-j'

LXI'LJ



^

jMip

I

J

J^

r

1

^

^^ p

I

^

^^

See,

El-

now the^'

dance

the

tre

-

le Ten

-

traine

a

-

vec

pak,

el

-

do

the

le

si

pair,,

loin .

i

fe

£J^^R

l^f}

I

[Jîfi

^

p

fJ'JJJJJJJI^JjgaaiJ JJJJ jjj

^

j^^

^ ij

p

'

p

'

p

'

?

^

p

^

^

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^

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Allegretto

moderato

e pesante

P

'

P

'

^

'

-P

'

i> J

Jw

I

J J^ J'

'

J^

.

IJ J'' i)

f

^

f

ia-ht'K

Hey, poor

old man with

a head so

pau-vre vieux, pau-vre

vieux sans

light.'L

Too much

you

drank

on

the

te

-

te

Ah il a bu,

il

a

-m

'

'

m-^

n«

-

fefe

^

^^

i

r-p

i

s

#

•#

X

(a

3

battute)

^^

i»

(»

E

^

night ^

rou

-

te

road to

bu en

And

the

Mais

le

lash

-

ing

vent,

la

snow-flakes set your head a

-

nei

-

ge

tour-nent,

vi

-

rent,

f-

f

W

i

•'if-

f

i

^

rr^

f

Sa:

^^



119

P

tE^

^

^^

^

irmi

^

1

reel

-

ing, That you

went

a

-

stra

y

with

-

out

sense or

feel

-

ing

vol

-

tent,

ils le

chas

-

sent, ti

-

rent

loin

de sa

de

- meu

-

re

Ira

i

t

t

^

^t^

'9-9-

i^^^:

;

t^^

k^

k^

*

(a

5

battute)

mf

poco

meno

mosso

^

^^

^

i^

5

w^

sor

-

row?

fai

-

ble

Were

you

so bro

-

ken

by

want

and

Ah

pau

-

vre

vieux, U souf

-

fralt,

si

Lie

Viens,

i^^

K^

i^-

>.

iM

down and

ecu

-

che

¥

p

poco

meno

mosso

P

i

f

(a

3

battute)

^5

fsm

3

?^

^

—

^

t.

9

mor- row

leep,then,

un

-

til

to

toi, en

-dors-

toi,

bon

-

horn -me

Oh,

poor

Viens a

fel

-

low,

let my

thick

white

moi

Pour

te

chauf

-

fer,

voi

-

^

:1=^

î^

^

F^

f^

P^

2Jp

^

^^^^

^^

T

r

t

^

^^

p^

^

^

blan-ket

warm you, Let

the_

ci la

nei

-

ge, pour

ecu

snow-flakes

danc-ing

round us

cheer

and

charm

you.

vrir ton

corps,

voi

-

ci

la

nei

-

ge

blan

-

che.

A

.

Efe^

«

^

¥

i

i=±

^

^

^



Ancora

piu

sostenuto

^

k

S

(a

5

battutt

Heap—

Fais

-

him

lui

a

son



121

for

dan

a

se

^

dance,

•

lui,

te

for

chan

9

a

te

I

23

s

Meno

allargando,

mosso

i

^

Jmh

J

:

^^

?

;

Sing your

Un jo

(a 3 battute)

songs,

ye night

-

winds,

li re

-

frain

Storm-ing

from

the

qui

Ten

-

dor

-

me

P

iJJjIJJ^

:

^^S



^

^m

West ,

bien

Till

un

the

jo

-

^

drunk-

li

a

en

re

-

peas

f

rain

J:

anl

(

^

^

^ :1fc«

I^±«

îJUJJJ^

it ^

g*J

»

-g^

^(a 4

battute)

^^

^

^

f

wind

-

-

y

nuit

sans

reach

-

es

lu-

-

ne

Hear

me, ye

cloud

-

-

banks

and

Oh

jet

-

te

-

lui,

jet

-

te

-



133

(a

3

battute)

E

^

1

-

lui

cy

en

stretch

ha

-

es

te

Turn

sur

your

les

selves

bras,

to

I'e

£

ft

g

p

r

r

—0

white

les

swans

pau

-

down,

.

le,

Make

sur

a

les

snow

reins.

cov

-

jam-

er,

bes,

s

^

h

i{J

J

i^

^

3

;E3

^

And

the

XL

-

-

ne

5^

gray.

,

nei

-

beards

§•6

era

blan

die

che,

1_

I

will

u

-

-

ne

?L

—

m

1

m n

-#-

<p

—

*

m

r-

i

^

^

draw

man

it

te

i

o

-

-

ver

lour-

- de

r\

^

riten.

I'

JJJJ

^*

'^

^

i

j T]

m

m m

~3

\J



Andante

tranquillo

-4m

^

g

^

^

£

Sleep,

Dors,

friend,

mon

m _

;i

-

peace,

mi,

close your

ej-es

dors

en

paix,

for

sans

^

^

f

rpi

fPi

f

:if

<

—

#

•

a tempo

^^^^^^

'ou'll

see

it

riev

-

er

nir les

beaux

jours .

^-^

pxu

mosso

^

rail.

d

dm

#-

—

-#

5

s

j.jj jjj

?

4~^-m

i^d *^-d-

P

P

'

P

a tempo

P

^

i'

IJ^

J'

i) J^

^

oon

the

Sur

sun

les

up

-

on

jt^rands

sci

the fields

will

fijps;

et

les

smile;,

bles

P

$

P

$

=^

w

—

=

: r

g

*

i't

f

Êt

^

tw

d tempo

m

S3:

t

w

—

1

—

t-

T^

i



125

i

F

?

g

^

^

the soil,.

flam-

P

nd

clair

the

so

peas

leil

ants

come

to

till

Tout

be

1^

^S

£

3

5

S

3

^

^^^

j',

V

I

V

I,

Jl

J)

J)

^^

^

f

o

Et

the

cloud

-

less

les

chants

s'e'

.

skies,

pan

-

dent,

mer-ry

larks

a

re-dl-sant

la

rise .

jol

-

e

m

a

W^^^

1

3

^

w^^

i

^

^d

W^^

i

^

gy

j

9

•

-a^

'^

'»»')

//7 y»/V

^^^^^^âmm

m.s.

'

2>p

a tempo

n

f

f

_p

nif

ritard

p

^^

r^

j'^j.

,y,'

jr

:

.

^

^

p

'•

ti[_lP

i*

ritard.

^^^

P

m

a

tempo

PP

22:

r2r

WW

'^Z

7^^

^



version

by

G.

Chapman

version

by

Hettange

Martha's

Song

Chant de

Marthe

From

the

opera

Khovanstchina

i

Andante

con

moto

e

lamentoso

(J =

96)

<:

£

'

)«*}

•

^^^

r^^rn:

jfjfj

r

Modest Moussorgsky

^^

^m

^

E£

t

And

by day

and bj-

niprht

T faro

Et

de jour

et

de nuit

je

vais

s:i

^^

i i

i

^

J

:

^

€^

O'^

X

^=f

7 /

-

i

i

^

*

s

c

3E

—

s?

ow,

verts,

O

- ver

moun

-

tain

and

par

les

champs

et

les

mead

pres_

o

-

ver moun

-tain

and

pai- les

champs

et les

S

S

:

:#

-^ -&i

=r

i5>-^

1

it-

131

m

i J

^

Copyright,

1911,

by G.

Schirmcr



137

i

mead

pres

_

^

^

poco riten

g

^

i

i

ow,

Thro'

the

verts,

par les

woods

and o

bois

et par

ver

the

les ter

burn

-

ing

sands,

rains bru

-

les.

3ee^

\^^

i i

f

£

^

G^

I

poco

riten

.

^

y

i i

'A-

i^£

^

^

*

a

tempo

i

S

^

^

?

On

the

bram-bles

IVe torn

Aux

buis-sons

j'ai g'rif

-

fe

my

hands,

mes mains,

Worn my

feet

so

they

sur

le sol u

-

i

i

scarce

will

move,

se

mes

pieds.

Ev

-

er

I

seek_

the one

I

love, Yet

I

Tou

-

jours

cher

-

chant men

bien

-

ai

-

me,

je

n'ai

#

^

m.

^^g

3

I

^^

^m

p

r

r

fl^

r

J

^^

W

*

i

^

poco

riten.

S

J

^^^

^

me

ris

find

pas

-

not

re

him

that

trou

-

ve

is

ses

dear

traits

to

che

tfF.

f

r

g

^

^

*:

m

>

> >

^

ôco

riten.

m

^^



a

tempo

^

^

m

a*

-•

Once

to

his

pal

-ace I

dared

-&-

J

?

je

m'a-ven

-

tu

-rais vers son

to

go:

pa-lais:

Ah,

I crept

there

so

je me

g'lis

-

sui

I'ur

I

fci

m

^

^

t=î

-

U%

^^

a tempo

i

S=a^

a

^w

'

^

i

u

'

J

f

pizz.

*=

^

^

*

c?

tive-lj

ve-ment,

S ^

fur

ti

First

I rapped at

his

je heur

-

tai sa

fe

win

ne

dow, Then

I

ti-e,

je

son

%

/ ff

P

*i*

i

m

a

;:a:

f

{f

*

^=

5=a

^

^

it

li*

^m

i

j»oco

riten.

^

^

^

^

J

^^

struck

nai

on

du

the

sil

mar

-

teau

ver

d'ar

bell

_

gent

_

a

tin

blow;

tant

^^

^

%

^^

=^

Ê3E

a=^

r

sf

?/•

y>

/)(n-()

riten.

55n=

§

1

?Ê

^^S^

^

1^



129

*

a

tempo

i

Dost not re-mem-ber,

my

Sou -viens-toi,

sou-viens-toi,

^

dear

che

one?

ri

i

p^r

;

^

^

y

Ah,

call

to

mind

all

you

Oh, sou-viens-toi

de

tes

Li

m

t

p

I

i

iî

^ ^tt

3=*

pp

a tempo

JT

J

r

J

r

J

j'T

J

r

J

r

I

-j'T

J

r

s

*

5^

S

?

ised

me

raents

prom

ser

Of

-

ten

a

-

lone

in

the

Seu

-

le,

j'ai son-ge

des

night

I've

thought of thy

Ion

-

erues

nuits

a

tes

*:

* t

%

%

f

i

P¥^^

i'T

J

r

J

r

i

>r

J

r

J

r

^

if

J

r

J

r

^

f

i

poco

riten.

^

words

mots

of

d'a

love

and

mour,

tes

thy

ser

burn

ments.

f

g

^

ing

bru

vows,

lants.

^

f

I

jr

7»oco

riten.

i

s

^



130

Poco

meno

mosso

mistivo

^

^

13

—

Like

Tels

—

•

two

les

ta

cier

pers

ges

^

of

du

a.

the

Sei

Lord,

gneur

:*=&

6^

^^

^>tf

^

-<i^

-&-

Z7

w

^

J

J

J

I

i

*

C7

of ligrht

flam

-

ber

Thou

and 1 shall

be

nous

al

-

Ions

tous

deux

flames

clair

-

E

-

ven

chil

-

dren of

Fil -

les

du

Christdans

tt

~

,

i

^^^

J

^

^^

22

*

m

F

^

£

1^1

w

T^

_

f

P

^r^

r#

fs

77

^g

•^

poco riteti.

r

r

'

^

^

J

I

J

J

-

J

i

TO

Christ

la

in

ra-diance,Our

souls

in

Iht-ir

fire

shall

be

lu

-

mil'

-

re,

et

dans

le

feu

nos

a

-

mes

lift-ed

(in

high

s e

-le

-

ve

-

ront

-€>

^

i

.^

i

JVl-^-^.

*£

J^

:z2

M

it

^^

g

^

^

^

*

tf

iz:^—

??

I*-

povo

ritfH.

S

S

S

^

rn:?'

^

ffi

^'

^^



131

Tempo

I

J

J

''

^

1^

False

one, thou

hast

my

Faux

a

-

mi, tu

m'as

1r

tr

love

des

tr

~Q-

be

-

trayed,

ai

-

me,

Light

tu

I

^

^

ly

thou

with

my

t'es jou

-

e

de

S

/r

tr

tr

^

_a_

:z2:

-^^1-^

-^

-O-i

-|^

*:

^m

^

EEJ

pF=g^

—o

—

hand

eart

hast

played.

mon_

a

-

mour,

tr

tr

But

the

time is at

tu con

-

nai -tras

bien

to show

I

tr

tr

tr

f

m

tot, cru

-

el,

tr^

the

de

la re

M

r

^^^^

o-

^

J J

J

J

i

:

r

»f

kf-^

-^

f

allargando

^

h

^

^

^

^1

(•«^

f

ter

-

mined

faith

of

a

bel

-

le

fil

-

le, dont

le

true Rus

-

sian maid,

coeur est

mort.

tr

tr

^\

i

#

^

1

i i

allargando

ra:

^J

J~-j

:i

^

^

—

-

r

T

r

-

f



132

French

Words

by Hettang-e

Enplish

version

hv

Henry

G.

Chapman

Cradle-Song

of the

Poor

La

Berceuse

du

pauvre

Voice

Piano

*

^

Adagio

(Nekrassow)

P

Modest

Moussnrg^sky

T^

i

I

-I''

J^

J'.l

J'

'

>

-

S

By

-

bye

, by

-

bye

D(»

-

di). (In

-

do.

*tB

^^

m

'>'¥

1

V

tij

kim

f

^

i=^?

r

r

r-

^m

^

^

nJ

îi

J

Jl

I

m

-1^'

iiJ^

-T^l

J'

'

iii'^ji

J>j^

J)

.^

^

^

Low-er

than

the hum-ble way-side flow'r

BaSjplus

bas

que

rhiimblefleurdes

champs,

By

-bj'e,

by

-

bye

do

-

do, do

-

do.

^5

i

jd^

3_3

^^

in^

i^

f

5

^

^

-'^

—

1

m

^

^

^

^

r*

v

—

:s~r^

P

r

7

y

^

^

^

^

0E^^

iÊi

S5

p

s

^

£5

'

m

Bowed

my

I

-van's head

must

be,

il

de-vra

courher le

front,

If

this

child

of low-ly folk and

poor

mon I

-

van,

1

'enfant

des

pan

-

vresfrens.

22724

Copyright.

19W.

hy

G. Schirmer



133

'i^^^

p

pp

5fe=5

P

P

iiJ)i.-'^'^VîJ^'-'^^J

'

-^,

dim.

r\

P

w

fe

Is to

live

from

in

-suit

free,

s'il

veut

vi-vre sans af-front.

M

^

:2s

By-bye by

-

bye

By-bye

by

-

bye

Do-do,

do

-

do,

do -do,

do

-

do.

id

J

ik&Sî^

w

ybe

f=^

r

r'

r

y r r

'ppp

to

ft*

3<

ss

ff

S

'

.

;-

gppp

:;

P

tedi^

4

71

p

p

p

p

-p

^'

p

p

^^j

I

^p

p

'p

•'

r

^^f^

^

^

As

the

grain

must

bend

be

-

fore

the wind,

Bow, my

son, bend with g'ood grace;

Tel le

ble

qui ver

-

se

sous

le

vent,

cour-be-toi tant que tu peux,

t^

^

i^

\

>>

^

p

Vfi

^fa

\fm

l±~M.

i

t

^t

^

V

^f>^

^

j

*/

'^P

•/

'^

^=T^ ^

•/

p ?/''f?^y v~b

^=^=^

T

-^

^

^

p

p

^^'

T

^

P P

-L^

I

''^'

^'»^

'^[^

tfj)

i^

i

^

So

some

day

the

great

will sure

-

ly

find

'Mongst

them

-selves for

you

a place,

et

bien

siir,

les

ri

-

ches,

mon

I

-

van,

te fe

-

ront__

place au-pres

d'eux.

^1

^3

\>

i

^

*

:V

P*

1

S

%

'Ig

#{

w

m

5i

r

^=4

i^

^^

^-i»^

?

^?^

^

1-

^9)

*

p^^

I



*

dim

.

i'j: J.I

J'

^

J''

j^

Ji

J^

^

II

;i

^^

By

-

bye , by

Do

-

do,

do

bye By

-

bye,

by

do,

do

-

do.

do

bye

do.

?

rt^

m

*

^#-«

•sj.^

\i^

'j^

cresc.

1

1>

r

t

r

III

ia

-^^

u-

*i

ll

''

'^

p

J'

J''

J.

J:

^

i

^

2

M

^'

i'

No-ble court-ifTs

ev.er

nigfht

and da3

Le.s plus no

-

bles,

et snir

et

ma-tin.

To

my

1

-

van

will paycouit,

te fp-ront

ci

-

vi

-

li

-

tes,

^M

cresc.

^

^

P

J

î

W

E

La

-

dies

drosl

in

silk

and

sa

Chez

les

bel

-

les d;i

-

mes

en

m}

}

cresc.

^m

%=i

y

tins

sa

%

gay,

tin

=|S^

liTi\



135

fe

Will

be

his

for

love

and

sport;

tu

prendrasdesli

-ber-tes;

Andmylit-tle

I

-

vans life

will smoothly run,

et joy-eu-se-ment,ahah.'commeau

fil

de

I'eau

îk\

i

i-pJ

.

^-

k^^'l'j

rwyr

tJf

fe

I

Ji

pp

i)

J^

^' M

^

J^

K

,

V

^

J

^^

¥

Like

a thread from

spin

-die

spun,

ecu

-

le

-

ront_

les

jours

d'l-van.

By

-bye, by

Do

-

do, do

bye

do,

to

Jprprp,

r\

^^

By

-

bye,

by

do

-

do,

do

bye _

do._

rt#

F^

^^

/C\

g

ppp

F

f

| l

ti^l

^t

^

r\



words

by

Hettange

English

version

by

Henr>'

G.

Chapman

Hopak

Modest

Moussorgsky

'iano\

Allegro

quasi

pizzicato

f\a

a

quasi

pizzicaio

^

:

—=

>

=

a

=

j-

'

J'

'

j'

'

i^

3

^

w

w

^3

r^=#^

V

r

^

rrrr

'j'j'j

j

^

^

;tp

^

p

^

Hi

Ha

Ha

HoY

hop

hop

i

tf

£3

ffl^

^m

:^5

p

w

w

k

^

a

—

:

'/-

i

is:

^

.^/

»«

iîl^

.hj'

•,

r r

y

r

s

the

Ho

-

pak

au

Ho

-

pak

I'm

the

wife

of

Je

suis

fern

-

mo

a

dun

Ko

-

sak

Ko

-

sak

Copyright,

1910,

by

O.

Schirmer



137

N

J

J

n

-^=^

Laugh he

II

rit

won't,

for_

peu,_

mais

f

S=*=

J J

n

-^f^^

he's

too_

crust

-

y,

il

se

ri

-

de,

Red

his

head, his

il est

roux

jus

-

fcS

^

i

^^

od

-

y

rust

-

y:

qu'a la rouil

-

le...

Ah,

my

fate,

my

luck-less fate

Yah

Ah

men

sort, mon

tris-te

sort

Hoi

|

jTj

^

M

9

W

W~^

W

•

W—\

J.

*

*

w

w

M

r

r

^r

r

M

h.i>.i).-hi

Eh,

but

I'll

not

A

quoi

bon

ver

K

a

%

a

=jt3

*

'yyyii

m:

€

'J'',

^lJ:

^

V

=

-f

.

1

»/

/

^

tf

a

i^

^^^^

cry

for

ser

des

3

P

ev

-

er.

Go,

my

friend,

lap

lar

-

mes?

Va, mon

vleux,

a

up

la

the

fon

riv

-

er

tai

-

ne

s

y^

rf

k:

_B

«

•-

M

m

-fr-

^f

tf

P

sf

tf



When

Moi,

the

tav

ern

shall

ta

zzzz

pass,

vpr

?

ne:

fet

at

i

—

—ar

—

1

* *

sfe^Q

J^J'

i

*

*

P

^

f

^

f

j/ =-^

P^

r r r r r

g

tM

^

g

S

P

I'll step

pren

in

drai

and

le

gel

ver

a

re en

glass,,

main..

y

S5

^^

I

I

I

»hf^

tt==at

*

*

7

^^

J^r

^^

^^

*4

S

r

J

^

^^

Then,

my

et,

voi

friends,

we'll

sins,

trin

drink,

and clink,

and

quons, trin

-

quons,

trin

M

/

—

0-

*

^

^^

link,

quons,

and

trin

drink

quons

•

|^#*^

\m» m

\

m»

d^

0^

d

^

i

.^j.—

The)'

will

pour

a

Je

boi

-

rai d'a

f

tf-

glass

for

me,

bord un

coup,

2f:

y.



139

*8

r

r

r

r

^

1

s

^

r

^

P-

La

-

ter one, and

two,

and

three

When

the girl gets

up

to

go,

puis en

-core

un,

deux_^ et

trois

Et

la

femme

a

-

lors s'en

va,

i

a

^fe

U-

I

M

«7=

>

4

'/

V

%

>'f

r

i.tf

J.

n

g

w^^

E^

ci

it^

1^

^

?g^

P

She

will

have

a

un jeune hem

-

me

man

m

sur

ses

fef^

l

^

«M

s

tow;

pas

To

Le

her jeal

ma

-

ri

-

ous

ja

-

^5

11

f=i

^^^^^

f

^

£

*|ft:

^

^

g

^ ^

^

M

hus

-

band's

call

loux

I'ap

-

pel

-

le,

She will pay

no

heed at

mais

il

n'a

qu'un

pied

de

all..

nez.

S

Ji.

^.

9-

knA

11

i

=d

•

d

zs.

£

1*

9#^

^

:^

4te

^

g

f

^^

i^H^

J^

i-

J-

.

J'

h

i^ J^

ff

J^

^

E^^

^^^^

Hey, my man,

if

yours I be,

Si

je

suis

a

toi, mon

vieux,

See that you pro

-vide

for

me:

tu

me dois pour-voir de tout:

Yes, Sir

oui -

da

*4

j j j i

^

I

*

*

i

i

i

hnnnrriTu

rr niTW tw

vwsn

vnni



p

P

P

P

p

[^

r

I

p

p

P

p

^

p

r

I

^

J--

Get

this

al

-

so

thro'

your

head,

Chil-dren must bo

cloth'd

and

fed

Just

so

II

te

faut

soi-prner

I'en-fant,

le nnur-rir et

le

ve

-

tir:

oui,

oui

.-TT-3

I

r

i

J J J

I

V

J

W

f--

f f

f

1=^

i

^

P f

f

1^

^

^

^5

^^

^

/

S

^^

^

£

-^

#

Tru

-

ly

oui

-

da

Now, un-

less

these

things you

do,

Ou

si

-

non,

e

-

coute

un

peu:

i

f

I

shall soon

get

rid

of

jou:

je

me

pas

-

se

-

rai

de toi:

P

U

Ie4e4

I

£

^f

^f--

^

—

•-

I

^j?

ji

i^

p p

i' J'

J

I i' i'

p

p

J' J'

f

^

Yes, my

friend,

the

ba-

by's

there,

Le

pe

-

tit

est

la,

monvieux:

Wash

his

face

and curl

his

hair There, now

la

-

ve

-

le,

bi

-

chon-ne

-

le:

oui,

ouil

t

dolce

S

^

Just

you

mind

now

what

Mais

vois

-

tu,

prends

tîirde

say

toi

Do

not

try

to

Ne

vas

pas

quit

t

I

% I

p

^^m

^

^^*

ÊÊ^



141

U

1^

^

run

ter

a

-

way

I'en

-

fant:

Hear me

Sans quoi ...

^

Watch

it,

heed

it,

Veil

-

le,

ber

-

ce,

fcM

.p

[J

frr

frff

^

Sg

rfr

r

r

¥=^

w—f-

^

^

? ^

^^^^

r^^

r

^L^

eno

mosso

J^^^F^

^ ^

^

In the

days that

Au

-

tre

-

fois

au

now

are

gone,

bon

vieux

temps,—

Days when

I was

quand

j'a

-

vais

twen

-

ty

-

one,

mes

vingt aus,

*fc

^^

m

J

J

J7]

f

%

f=^

»~5

Er

^-^

m

m

p

E&

I

&E

m

f

f

r^

'/I

fcft:

i

^

^

^

%

I

would sew

be

je

bro

-

dais

a

side my

win-dow,

And

when

all

my

work was

done,

ma

fe

-

ne

-

tre, puis

I'ou

-

vrage

a

-

che

-

ve,



3

P

With

a

cry

je

cou

-

rais

out

sur

up

-

on_the street

I'd

la

rou

-

te,

je

cri

d

ti»

*

run,.

ais_

Gai

-

)•

call-ing,

a

vnix

hnu

-

te:

L.

J

^^J

i^^

^

§

^j:ft.ll'^^'

^

^

y^

,i,

J

1.

^ J J

sg

tf4

Piu

mosso

^

m^

^=B==gt=m

g

Hey

there

Si

-

mon,

Mi

-

chaeljohn

Hoi

Si

-

mon, I

-

van, Mi-chel

Get

your fin- est

waist

-

coats

on

ga,

met-tez

vos

beaux

ha

-

bits

W

poco

a

poco

accel.

^^n

m

=^^3^

^

3ts

^^

*

Off

we'd

hur

-

r3',

shout- ing,

pranc-ing, To the mu-sic and

the

dancing:

Qa, plus

vi

-

te

que

I'on

cau

-

se,

que

Pen

dan-se,

que

I'on

chan-te:

^sN=^

P

^m

iEE^^

rtfeolln

§

§

^

voce

r

^j

[77]

l

^g

;

i*

sfcifc

s

*:#

ij

V.J

Jy

vJ

^

?^

^^

^t^

»n^

Is^

^^

i9-^

1

i

2

Hi

Hoi

Hi

Hoi

^

ê

J.

s

^

^

^S

Hi

Hoi

:

a

•

—

Hi

Hoi

m

I 1

'/i

^^S

*

w-



143

«4

Tempo

primo

^

^

W

m m

—

w

P

Ha,

Hoi,

ha,-,

ho'i,.

ha, ha, ha, ha,

ho'i, hoY, hoY,

HoY

M

ha, ha

the

Ho

-

pak

hop, hop,

au

Ho

-

pak

^

M

^

a=%=«:

$.

f

5

f if

t

i

tf

if-

M

^

^

I'm

the wife

of

Je

suis fern

-

me

a

Kg

-

sak

d'un Ko

-

sak

Laugh

he

11

rit

won't,

for

peu,

mais

M^

^

k

rj'j

J

miTTji

J

if

3=^

r—

if

if

ifT

g

fci:

P

J J

nn

f

^

g

i

=«

fciat

he's

il

too_crust

-

y,

se

ri

-

de,

Red

his

head,

his bod

-

y

rust

-

y.

11

est

roux jus

-

qu'

a

la

rouil

-

le.

J'

J

«

J

*

gît

^

^^

^

fz

• m

ifz

^^^

^

/T\

^^

Ah

my

fate,

my luck-less fate

Ah

mon

sort

mon tris

-

te

sort

Yah

HoY



144

The

Siege

of

Kazan

Ballad

From

the

opera

'Boris

Godounow

English

version

by

Henry

G.

Chapman

Allegro

(J= li-i)

Modest

Moussorgsky

Voice

^m

F^

^

Mb

*'^*f^,

m-^-

e

^5

^

i

^

^;

^

Piano

/

^S

Ê

Pi

Sfl

^5

n^TY.

^^

*^?

îi?

/

p:j,,>

r r

if

1^?

|T^

^

^^

When

I

stopped at Ka

-

zan,that fine

old

cit

y,

w

s

^

^3^

^*:^:

':

T'

^

t?

ptS

/

*

/

^^^:

*^

#

:^

^

f=l=#

There

the

Ter

-

ri

-

ble

^^^^

^^

Jz*

^

^

^

^

J»

/

^

2272*

Copyright,

19it, by

O.

Schirnwr



145

> i

i>

^

^

P

P

^

Czar for

plea-sure

tar

-

ried.

^

\*

\>*

V

S

ffi

^

^

i /

SS^

^f:

''^

i

I,;

tei

^r

^r

i

TT

f^P

fefe

^

It

How

the

Ta

-

tars then

he har

-

ried.

^)

1^

a

^

fc?

^r^

fe

*

= f

^^ ^^

ei

î

>—

^

^

I

tip

\

\

tit

How

he

scourged

them

with

-

out

pit

-

y

Let

no

one

^

tai

^

^

is;

^^

In

^^=5

'1^

^«

p

s

Mt=i?

^

clE

f i f

V

say.

word

#^

.#-

iî

î

^^^^^^^

zft-

5

/.

r

2734



0--M

^

V

^

V

\

'^'

^

^

fi

:;

:

P

^^

night

by

stealth Czar I

-

van drew his

men

round Ka

-

zan-,

Ring

the

^'' >

•'

j'

V

j'

m

^

it

.»

^

/-*

5

.f

*

^>

>,>

f

^

^ V

\^

V

^

p

I

'r

p p

I

r

^

I

i

^^

town and

drive his mines be

-low

the

riv

-

er,

his

plan

Proud -ly

kfe

a:^^

i

i:

^

I

î

.#

i

/

i:

5

ii

'

i

q*

^

^

r

^m

strut -ted

thro'

the

cit

-

y

Ta

-

tars

bold

from

near and

far,

^'-''^

^

ijj'

-<

j'

M:J.,>

r^

,j:^

22724



147

^^

P

P P

I^P

P ^f P ifTr

^

We

will

send to hell';

said

they

this ter

-

ri

-

ble

Czar

Cru

-

el

\^

-,

.i

i^^

fe

S

^^^^

^

î^=^

rb^

, r->.

>

n^ I:

;

'

^p==e:

^

«

ri'

ie i

f

iT f

i

Ta

^

tars

were they L

i

I

£

^

E

^^

^3

p=^

^

/_

m

w.

m

s

^

^

r

r

if

^

=T

Then

Czar

I

van

lower'd

his

lord

-

ly head.

£

f

1^

,

>

t

T

p

f

^

^ft

*

ftl'p:

li

i

^^^=#

#

i

=t

i

r

r

i

i^

f

Ê^

^

^

s

loom-

y

and

dark his face be

-

came with

rage as

he said:

f

te

II

f

>

l-f

ii]

^

*

f^

¥=^

^p

^

^̂

/

^

Eg



148

V

^

*

*

\^\

I^lI'T^

Now,

brave

can

-

non

- iers, be

-

- gin your

prame

^^

#=^

%

1

i«_Jt

m.

;»

^f

,

^y

1^1

^

^t

t^f^^Mp

I^^Jt ^M,j^

*

g

fi

*i

^^

.P^^^

'

, >

^

;

^

\

p

^P

f

|fy

^#=^

./

£

Read

-

y

\Â

^^

withj-our fus

-

es;

strike

your

flame Can

-

non

-

«

*8

i

S

F^

II

>

i>i>

^^

v'^^-r^

h

^

.

jL

-

i'

^

j

^

jl;j

^

^^

J£

f;

It

^S

¥ iV

f

s

i

ir

iers,

strike

your flame'/'

i

U

^

>

J^

>

J'l

S

^m

^

/.

'•f^

p^

dimin.

^

^

^

^

fT

^^

Poco

meno

mosso

(J

-

lae)

••f

r

if

f

T^

i

?

t^p

2F

fcE

From

the tin der

the

wax

-

en

ta

-

pers

catch the

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149

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r

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\

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m

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the

kegs

^

fly

the

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ners full of

tr^

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,

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^

^

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I

r i

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y

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Oriental

Chant

(Lamentation)

From

the

cantata

Josua

Navine

version

bj

G.

Chapman

ice

^

argo

(d.

=

5o)

Modest

Moussorg'sky

Arr.

bv Kurt

Schindler

P

19-

^

h

I

\

-i-

-iJ

I

Hear

3-e

A

-

mo

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re

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a's daugh-ters,

hear

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I

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^^

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o

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.

tl

•

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^

Xk_

fg:

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la

-

men-ta

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tion

un

-

to

Ca

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naan,

Un

-

der Ga

-

U^

K

J

ems.

^ s

^^

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;ffi

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o

pin cere

/T\

i

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m

• d

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m

^

m

'

m •-^m

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rw

ten.

^^

SS

*^

aw

-

ful,

dark.

and

tl)reat

ning

:§=

^

^

co//a voce

ll '8

=

^^

Copyright.

(910,

by

O.

Schirmer

I



153

^

M

ters,

hear_ their

221

£

=^±1

^f—d

daugh

&-

la

men

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ta

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tion un

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to

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tf

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basso

*



f,

'

ena voce

V

r

I

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r'

^

r

^

?

'Neath the

walls

of

Ga-va

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o

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na, Falls

the

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^

;

,

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bro-ken

crown

of.

A

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flow

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y

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155

(i

version

by

Alma

Strettell

French

words by

D.

Calvocoressi

Oh come

to

me

(A. Koltsow)

«Viens

pres de

moi»

M.

Balakirew

fefe

p

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I>

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^

ggg

—

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6

(

V

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lens

come

to me

when

breez-es

pres

de

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que

la

1

1>,

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£ S

stir

The

si

-lent

trees

brise

in

-

cli

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ne nôl

with

lan-guid sigh

le

-

ment

les ar

ing, When

field

and

bres, lors

-

que

le

I

i

f

w

w

i.

^

sE

mrn

^

mi

m

'j

Copyright,

1911,

by

G.

Schirmcr



y

;>

J

=^ f

^

s,

wood,

.

the

plain,

ciel,

le

steppe,

the

world,

le

momle

In

drf'am-y

robe

of

mist

are

en

-

tier

s'en-

dor-

ment

dans

la

^

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m^

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i

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I

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m m

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i

te

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^

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bru

ing.

me

Oh

come to

me

Viens

pres de

moi,

what time

the

lors

-

que

la

te

i

J

^

J

^

^

51

^ty

f

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>

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p

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p

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moon

lune

Swift div

-

ing

thro' the clouds

doth

wend

her;

on

-

dule au

mi

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lieu

des

nu

-

a

-

ges,

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from

her

quand, du

ciel

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match-less

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n

^^

i^

Oh

come

to

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pres

de

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jn^

^

^

^

£

^

A

-

wakes in

us

fait naitre

en nous

me when

might

-

y

Love

moi, lors

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que

I'a

-

mour

his

fer-

vent

la

jeune

i

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tete

feS

I

^

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cii

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i

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za

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f

fire,

And when my

soul

vres

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se,

lors

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que

men ame

in

rap

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ture

est

en

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flam

burns,.

mee,_

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et

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te

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piu

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p

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sports

and storms

in

young de

que men

coeur fre

-

mit

d'ex

sire

Oh

come to

me,

ta

-

se

Viens

pr^s do

moi,

for

one

with

rav-ons

u

-

ffi

f

1

i

jjjjj

J

j

r

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r

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J

N

I J

I

S

^

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ffi

j '

J.

J^

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^

hee

nis

I

fain

would

taste

Je

veux g-ou

-

ter

life's

keen-est

sa

des joies

sans bor

vnr,

And.crush'd

a

-

nes,

jo

vpux,

blot-

fete

a

^^

^

f

^•i*

-i

*

^^

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'>M'

^TF]^

^

s^^

jyjp ]

rp

/

^^

J'' p p I

f

^

? ?

^

gainst

that

fair young breast,

ti

con

-

tre

ton

sein,

Would hold

thee

close

t'ai

-

mer,

t'e

-

treindre

in

love

for

a

-

vec

de



159

fe

r

r

' P

i

pi'TTn

j-i

J'

t

-m-^

^

:i:

-ff

poco riten.

ev -

er Ay, crush'd

a

-

gainst

that fair

young

breast,

li

-

ces

Je veux,

blot

-

ti con

-

tre

ton

sein,

I'd

hold

thee

t'ai-mer,

t'e

fete

a tempo

h

I

J^

;'

^

t

m

close

treindre

in love for

a

-

vec

de

ev

-

er

li

-

ces

^

5

^

^

^

V

^

-•

a

tempo

i

m

tr^=^

^^

^

%

r

p

A

t-

i

f=r^

4

^

•m

m

[i/lL/

t



160

English

version

by

Henry

G.

Chapman

Springtime

Friihling

Allegro

anixTiato

c\ 'f

H^

'1

P.

Tschaikowsky.

Op.

Si,

N'.' 9

From

the cycle,

Sonjfs

fur

Young- People

Voice

[i

p

J^

i

r

f

?p

p

iA\'-

g^^

Now melts the

snow,

old Win-ter whines,

But

Der

Schnee zer-

linnt:

der

Win-ter weint,

der

5

^

^^

^^r^=^

p

^

illj^^j

^

^

X

i.

Jl

i'

S

^

5

*

Spring

at

last is smil

-

ing

sly

-

ly,

_

Fiiih

-

ling-

a

-

ber lei

-

se

la

-

chelt_

And

bright

and

clear

the

sun

he

So hell

und klar die

Son

-

ne

^

s

s

£

s

=^^-

3Lj

1-*

«

E±

r~»

s

g

^

«i

>ni

^

f

f^

T

i

^

s£

gli-^

^-

j,

i,

j>

^

shines,

scheint,

And

soft,

warm

breez-es

fan

me

coy

-

ly

The

woods

will

so

welch

und warm das Liift-chen

fa

-

chelt Bald

webt

der

^^f

s £

i

#

ZZ

*

*

7

'

T

v«r

p

r

T

p

gg^

i

^

^3^

i-^

r

^

f

r-

p

r

Crîr

=^

^

f

^

eave

their sum

-

mcr

dress,

Wall

iuich

neu sein

Kleid

-^

i

Soon

birds

will

sing

in

ov

-

'ry

cov

-

er,

And

und

tcint

von

fro

-

hem

Vo-g-el-

san

-

ge, und

-^

,

J

^

^^

ytr

cresc.

^S

f

i

^

£S

1;

^

22724

Copyright,

1911.

hi/

G.

Sckmner

I



161

Ê

^

^

all the

win

-

ter's storm

and

stress

all'

die

schlimme

Win

-

ter-

zeit

For man

-

y

a

day

will then be

ist

wie-der-um

vor- bei fiir

^

^:

=fe:

¥

1^

^

f

u^«i^

^^

:i

^1^

o

-

ver.

Ian

-

g-e,

?

P

5E=5E=5

•

'

*

S £

Now

hearts

a

-

bout one

ev

-

'ry

-

where

With

sud

-

den

und

auch

das

Herz im

Bu-sen drin

be-g-innt so

^

1

Js

5Et

5±

23

2

ff

i±

I

^

ritenuto ad lib.

P P

ff

iJ'

J)

J^

P

vim

be

-

gin

to

quiv-er,

un

- g-e-stiim zu

sclila-gen,

As

if,

for-

sooth, all

hu-man

als

war'

nun

al

-

les

Weh da

-

^:

§5

Pi

5:

Q

1^

\^rJ

g

)

w

ciêsc.

b^f

22=g:

zzz

Hg^

^

riten.

colla voce

th

care.

hin_

}

7

I

v'P

P

ff

J)

nil

i

^

With win-ter days

were

gone for

ev

-

er

fiir

im-mer

mit den

Win-ter

-

ta

-

gen

irt

*

f

r\

'Tis

hope

that

Wie

Al

-

les

^

\.C\=

X

4-hM

I

^

^fe^

Y-

351

i. i

i-

'

||

>:

=^^

III I

lil'

I Wili k



a

tempo

r ? r

'CF

m P

^

^

akes

all

hearts so

—

gay:

sich

der

Hoff

-

nung- freut:

'Tis

Spring-,

on ev

-

'ry face

is

,,'sist

Friih

-

ling-

steht

in

je

-

dem

writ

-

ten,

Bli

-

eke;

And

e -

ven

those

are glad

to

-

day,

ja,

der selbst fiihlt sich gliick-lich

heutj

Whom

dem_

^

i

1

r

hf

f

T

^

T

t

i^T^TT

S

22

^^

^

^

J

.

nif^

fate

with

naught but grief

has

smit

-

ten.

Loid

ver-

lieh'n

nur

vom Ge

-

schi

-

eke.

We

all

de

-

light in Spring,

O-

Doch

wie

den Lenz

auch

Je

-

der-

i

i

^

i

#

f

f

''f

»r

^

1

•^

mi

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P

I

J

i

^

7

1/

cresc.

/

^

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i

I

p?^^

^.

^

^^

p

p

p

i

i

r

liss

But

birds'

and

chil-dren's

mer

-

preist,

im

Vo

-

gel-zwit-schern,

Kin

-

J.

ry

— voic

-

es

der

-

la

-

chen

Show plain e

-

nough

zeigt

deut-lich

sich,

i

i

m

\>^

r

s

*

»-

>

1i^

mp

cresc.

r

%

^

i

tr



163

•

>

^

t)J

''

'

Pm^

ifi:

h

il

J)

J^

»

'

•

^

I

f

P

M^

just

wem

who

it is,

That

Na

-ture's

wak-ing most re

-

joic

-

es,

doch

zu-meist

will

-

kom

-

men

der

Na-tur

Er

-

wa

-

chen,

Show

plain

e-nough

zeigt deut-lich sich,

i

m

^

^M

A.

t^

3

=t

19-

Z7

mj

•f

m

if

^

P

&

©

¥^

SI

r

P

p

J

>P

h

i)

i'

^'

p

,4/

te

TV-

just

wem

p.'

:2i

who

it

is,

That Na

-

ture's wak-ing most

re

-

joic

doch zu-meist

will-kom

-men der Na-tur Er

-

wa

es.

chen.

f

m

fffffff

i

t

^

1=

-

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r.

J

r

r

r r

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i=t

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—

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fe

^

^

^

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rs

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ffi

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u

U

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p

IJ

m

1 1

'

J-J

^[7f

^p-cj-^r

r

r

p-f

r

r

r

p^[?r-ff

ff^

V Pr



version by

Henry

G.

Chapman

words by

Gunibert

^^

Moderate

^^

5

p

^^

I

At the

Ball

Inmitten

des

Balles

(a.

Tolstoi)

P.

Tschaikowsky.

Op.

38. N ?

3

fe

¥

^

*

:s=

^

^

^

s

i|^

^

^

xU.

^

^

^

COM

tristezza

J)

I

V

7

P

J^

I

^ ^

i)|

r^

:?

^

:2^

I

know

not

how

lovo

-

ly

In

-

mit

-

ten

des

Bal

-

les,

your

face is,

ohn'

Ab

-

sicht,

For

that,

when

I

um

-

g-e

-

ben

von

m

m

m

^m

ê

mm

m

^

^

^ ^

^

^

M

Jit

j,ir

K

i

^ V

^j^

r

vp

mi't

you

by chance,

Was hid

in

the

liir-

men-der

Welt,

sollt'

Ich

dich er

cloud

of

bli

-

cken,.

your

lac

-

es,

ein

Riith

-

sel,

A^

you

das

-^

^

^

^;

B

U

U-

poco cresv.

Copyright,

lf)lf, by

O.

Schirmer



165

J'

J^ J''

I

j^

;s

sped thro'

the

plotz-lich

g-e

whirl

of

the dance,

fes

-

sell

mich

halt.

^

-^h^f-

;S

f

f--^^

fc

Yet spite of

your

flut

-

ter

Nur

schien mir dein

Au

- g-e

J

J.

n

F

m

^ f

-^f-^

^

^

>^

I

p

p p

I

p

p

^

7

y

^

1^

i^^

Î^Jn

and fleet

-

ness,

so trau

-

rig-,

Your

beau

-

ti

-

ful

eyes

I

di

-

vined;

One

die

Stim-me

so

weh

-

mii

-

thig-

schwer,

wie

^

t

W^: W=:

Êi

3

m

^

poco cresc.

^

i^

p

J''

piii

f

ii

I

^

T'

i)

^

e

S

P^

-^^^^^

son

-

or

-

ous

note full

Ton der Schal

-

mei

-

e,

of

sweet

-

ness

so far

-

ne,

Your voice in

my

wie Plat-schern der

t-

V

n

^f=*

m

±:^

:5i:t

^

poco

piit

^

^

i?

P

I

MM

^^P

^

^p

^p

?

^t-^

heart

left

be

-

hind.

Wei

-

len

im

Meer.

Your

fig-

-

ure

was

grace

-

ful

and

charm

-

ing-

So

schwar-me-risch

war

mir dein

We

-

sen,

t

^f

^

k

J.

^

i-

22724



V V

K

P

p

M

P

p

P

^

cresc.

7

V

P

And

gra-

cious

your

air, yet

a

hold

schwe-bend die schlan-ke

Ge

part,

stalt,

Your

dein

•

at

•

laugh

-

ter

so

La

-

chen so

(^^

^fp

f

^

r

«=^

9

^

i

^

&

1.

^

i-

^/^

^

n

m

^

i^^t

^

frank and dis

-

arm

-

ing-

hell und so

selt

-

sam

It

al

-

ways

will

ring- in

m^' heart,

ist

nicht mehi'

im

Her-

zen

ver

-

hallt .

g

i ^

\>

1

M

^

^=^

^±^

p

4

^t=^t=^

r

f

P

\>

1*1

^

^

IE

^

i)

I

^

^

J^

^

B

tj

At

nig-ht,

when

I

sit

a

-

lone,

In

niicht

-

li

-

chen

Stun

-

den dann,

wear

-

y,

ein -

sam,

There

will

in

the

leg-'

ic'h

mich

er

-

^

i

3

%

a

â^:

^

dr

spres.?.

P

^

ife

m

^

g5

2

r

p

i

p

^

^5

i

-T-^

m

dark-ness

ap

-

pear

Two

beau-ti-ful

eyes that smile

rail

-

det

zur

Ruh ,

dann seh'

ich

und

ho

-

re dich

kind

-

ly,

e

-

wig-,

m

^

i

f

-

jfv^

^>

*?

i

^

E

The

und

E

^



167

\>

}' }'

i^

I

i)

^

Poco

meno mosso

^

i

m

I

y

sweet, est

of

vor mir wie

voic

-

es I

hear,

da

-

mals

steh'st

du.

And

oft

thro' my

Und sink'

ich

vor

slum

-

bers

Mat

-

tigr-keit

^

^

i'

^m

m

f=i

-f—^

s

m.

if

P

^m

^

p

espress.

•^.

^

f

-^^-^

^

^

7

^

p

I

Jl

J'

îl

|

»^'

p

P

I

P'

it

j^

l||ilT

^

your im

-

agB

Like some

fleet-ing-

vi

-

sion

will

move:

dann

in Schlum-mer,

wie qua

-

len die

Traum-bil-der niich_

piuf

p

I

P

M

l

p

^

V

riten.

p-

ili

|

i)

J\

^

=^z

-^t^

Can

this

then

be love,

dear,

I

won

-

der?

Ich weiss es nicht, was

mir

ge

-

sche

-

hen,

Ah

yes, I sup

-

pose it

is

ich

g-lau-be

gar:

ich lie

-

be

3E3

^

m

•a

^

ti*

^f^

m

-f

riten.

Tempo I

/T^

-^^-^

love -

dich .

i^

s

^

*

s

^3

p

=

?^

-i

^

P

W

A

^

p



version

by

G-

Chapman

words

by

Paul

Collin

Moderato

A

Legend

Legende

(Plestchejew)

P.

Tschaikowsky,

Op.

54,

N9 5

From the cycle,

Song^ for

Young-

People

r\

nf

^^

^

r\

Child

Je

-

sus

Leu

-

faiit

Je

J

r-j

in

his

sus

dans

fe

gar

son

den

jar

^^

dim.

f^^^^^^

f

P

r^

mi

1

i=^

w

^^

^ f^=f^

*:

f

^

P

^

-«^

fair

din

Some

A

-

sweet red

Vidt

plan

ros

te

es

do

once

had

bel

-

les

fc

^^

grrown,

roses.

^^

i

^

r=?

yl=^

WJ

i'

J==i

1^^

i

i^

r^

Copyright,

1911,

by O.

Sckirmer



169

i:

P

He

II

tend

-

ed

les

soi

:s

them

with

lov

g-nait a -

vec

ing-

a

care,

mour,

^

hink

-

ing-

to

Vou

-

lant s'en

^

?

*

5

* *

^^

f

?

^^

s

_mf_

?

i

^

FT

wn.

'

make

him

faire

u

self

ne

a

crt

cou -

ron

-

ne.

A

Mais

las,

des

some

en

J

^

chil

fants

dren

du

5

^

^

^''

—

f

?

-1

^^^^^

^^

St.

f

fe

i*

r r

I

J) j>

^

p

I r

^

from

the

voi

-

si

tf

J J

vil

-

lage, Who one fine

na

-

ge

E

-

tant ve

morn

nus

ing-

came

un beau

that

ma

i

i

^

^^

f

^^^

rP^

CL

?<

f

7/MO

^

i'

g Xf

=f f==^

*:

?<

^

j)

j)

;

>

^

iS*-

way,

tin,

1

Did

Je

-

sus'

Ont

mis

les

^*

ros

ro

es

ses

put

au

to

pil

I

pil

la

lage,

ge

P

r

Lj

^

i

f



4:

f

,

H

i) I

J-

;i

[7

g

I

J-J)

^

And

all

the gar

-

den dis

-

ar - ray.

Et

de-vas

-

te

tout

le jar

-

din.

'How

now

shall

your

poor

Pau

-

vre cou

-

ion

-

ne,

com

-

IS*

f

g~r

*

i„t

g

(9-

^1

'^

//

?^

P

^

p

f^

^

?^

^

^^

e^

T-r

made?

fai

-

re?

-&

you

fleurs

crown be

ment la

They

have

Les beaux

not

ro

left a

siers

n'ont

t

^

flowr

for

plus

de

^

22

f

«

i

f

-5.

is

w/

/•

^

^

*

*f

il

a

F

f

f

7

'

S

i.

I

J-

i)

M

J

^

i)

)

J^

J^

said,.

The

thorns are

left,''

Child

Je

-

sus

'Mais

les

e'

-

pi

-

nes

sent

res

te'

-

es,.

'The

thorns

are

left,

and

re

-

pond

Je'

-

sus, ce

-

^

%y



171

*:

^==^

wove,

sant,

And

Sur

f

on

ses

^^

1

his

che

head

veux

he

il

put

la

the

crown.

po

-

sa.

^

7

j^

7

^

^

1

s

£

P 7

«*

i*^^

t

r

3

*J;

f

f

%&.

^

^

^

*

Wlj

S

f

^

te

r p p

-=-

Lo,

drops

of

blood,

Gout

-

tes

de sang ,

his

brow

a

au

lieu

de

bove,

More

red

than

ro

-

ses, Sou

-

dain

bril

zzi

^

7

i)

7

¥

#

e

f

r-

r

w

2/

i

s^

%is.

^

^.

^

%i.

^

^.

^

^

^

ros

le

4=^

es burned

rent

sur

and

son

shone.

front

^^

^m

5

f

):tf

j

^

iJ^

:

f=

f

tl



version by

Henry G.

Chapman

Duet

From

the opera

Pique-Dame

'1890'

Andantino mosso

1

I

J

I

I

f

^

k^^

j=ti

ij

k

•,

j'

.

^

T

m

i

['

,

i'

V

^_

*•

M

P.

Tschaikowsky

i

^J

tJ'

/^'

4

i

^

J^

ri^^

^-f

t

J

i

'

T

Jt^

<4»;^

^M

*

ftp

if

I

«§<4

^

Aii#^

If

y

^

^

Lisa

fc

fe

J>

j) I

,1

^

^

P

^

*

and the

hues

that made

lh(>

clouds

so

bright Now

^

^

Ji

J^

J'

J^

S

*

2

and

the

hues

that made

*

thi' (iduds

so

bright

Now

i}

i

i

%

TB

*-

L

i

^

i

h-

s

^

^^

Copyright,

1910,

by

G.

Schirmer



173

FP^

rp

M

p

T

^-

swifl

-

Iv

fade, for

now

the

suns

last

rays

are

dj-

ing ,

r- M

p

P

M^

^'

^-^^

i

swift

-

ly

fade, for

now

the

sun's

last

ra3-s

are

dy

ing',

ft:

I

I

t

*

1*1*

V

l\

1

^^^^

*

^^^^

^

^

^

One

pale

grey

cloud

-

rift

lies

}

i

-J-

Ji

ai'

-^

One pale grey

cloud

-

rift

lies.

±EE|i

I

i

|l

i

j

i

JF?

i

I

Tt

—

•

—

a:

«—

^^

m

i

^

pf^

fe

X.

^

rrff^

;

:

p

^^

ross

the

sun

-set

lig-ht.

Like

streaks

of

foam

*

4

up

-on

some

W^

^

s^fP

r

ip

P

^

ross

the sun- set

light,

Like

streaks

of

foam.

ti

'n

s

up

-

on

some

iiii

1

m

'*'t

k

m

V





175

breeze

is

blow-ing from the

moun

^^^^

P-^^T

rorr

î

tain,

m

:S

And

thro'

the

win-dow

^

^=^

#

g^

breeze

is

blow-

ing from

the

moun

tain,

And

thro'

the

win-dow

fume

of

the

rose,

And

soft is heard.

^

sS^

^^

P.

blows the per fume of

the

rose,

And

soft

is

heard.

*

I

i

*%^

t

^-

i

*

iî'*'

I—

?=^^

;5EE

;i

if

»=^

K

1

ri'

V

^



^

^

J

How

H.nv

|^

Qf-T

^

-

tf

til

nf^f

^

PIJ4J4

<

J>

ft

ff

J'

l r-

ft

JW'

P

P

^

I

f

lies

the

vale since

all

^

^

peace

-

ful

the

clouds

are f

lod

No

J

j

1

^

j^

^

^^

E8

peace - ful lies

the vale since

all

the

clouds

are

fled

No

t

j-jjj

j.»^

**

;

-I

r''

5 i

h -h

*f

*

;

*

h-

»*«*«'

5

fc

R

^^

3 3

rp

M

p

p

ound

dis-turbs

the

si

-

lence

of

the

wood

or

thick

i^

J^

* p

MM

M

-^

et,

^

sound

dis-turbs

the

si

-

lence of

the

wood

or

thick

et,



177

*:

i

i

1

S:

^

No

nest ling

from

P

its bed

need

h -h -h

^

*

iSL

No

nest

lina:

from its bed need

m

i

^

^

'

y

t]

j

1*1^

#=*

SE;;

P t f

^ S

^^

1

^

^^

X

^

^^

aise

its star

-tied

head,

And

in

the

grass. a

-lone

is

&

^^

^

iJj

P

^^

aise

its

star

-

tied

head,

And

in

the grass.

a

-

lone

is

P

j

ijjj

j

I

j

i

jij

i

h

V

J

'

T

|

:

«

*|

»

r^

^

f

^^:^^

in

s

^

S-/

I

J^

-/

J^'

s

3^

= ^

^

L

7 ^

7

r^r^

rr

t7-

^^

/CN

f^—

H-

^

^^

1

heard

the

chirp

of

crick

m

tr

et.

r\

r\

^^

^3E^^=^

heard

the

chirp of

crick

et.



178

version by

Kurt

Schindler

French

words

by

Paul

Collin

Evening

Le Soir

p.

Tschaikowsky.

Op.

27,

No 4

^

Moderate assai

5

^

^

±

^^

he light

of

day

Dii

jour de

-

cli

is

slow

-

ly fad

-

ing,

ne

la

lu

-

mie

-

re.

^ ^

^

E^

F

The peas

-

ant leaves the

stub

-

born

plough,

Le la

-

bou

-

reur quit

-

te

les champs

^

^

nJî-i

J^'

J^

y

js,

y

I I S

J

i

I I

<'^

i

poco

piu

f

S

S

And

home-ward

turns

with wear-y

Et

chez

lui

re

-

vient

a

pas

brow,

lents.

While

En

in

the

I'at

-

ten

i

R=

t

-«

W

¥

^

r

if

f

^

r=v

f

Copyright,

lUil, by

G.

S'lAirmcr



179

M

p

r

r

M'j

J

J

h

i)

j^

i)

low- ly

cot-tage

wait

-

ing,

dant,

a

la

chau-mie

-

re,

His

wife

pre

La

fern

-

me

^

^

V

pares

the sup

-per

now.

ne perdpas

son

temps.

m

3

2:

A

^

P

—

9-

P.

D5

i

fm

i

^

=^

ZT

^

#-#

i'i'i

A

A

p^

r

^r

r''f

i*

^P=5

£

zz

1^

-round the

board

Pour le

sou

-

per

w

i

go

deck'd

out

so

de la

fa

^^

jyp

^

i

E

3t^

r

T

t

S

P

=P^

:^5

5=5

3^

neat

mil

ly

The

house

le,

De

-

ja,

hold

ga

la

table

ther in the hall;

est

tou

-

te

pre

r> niTV nr rri'f

vno^



>

-'

i

J'

P

p

J' J^

^

^^

J^

I

I ..1

^

S

The

come-ly

daugh

-

La jeu

-

ne

111

ter waits

on

all,

le

va

sei'

-

vir.

ir7

m

r

rl^

J1 -

i

m

^

m

r

i^p^

r

S i

^v

M

^

^

b

^'-

7

ji

Ji j)

>

> jw^ I ff

JW

v-ji^j,

|

i,i'

h

K K

I i

And

while

the

stars are peer-ing

sweet-ly,

Et la

pre-miere

e

-

toi

-

le bril

-

le;

Thenight-in

-

gale pours

forth his

call.

Le

ros-si

-

gnol chante

a

ra-vir .

^

^

i

m

m^^

^Jr

T

-y

g

i

^

i

f

i

±

kS

^

f

f=

irzz:

P

'

J '

p

J'

I

p p

^

» »

J

^

I

^

T^

5>-

Then,

o'er

the mead-ows

per-fume-la

-

den,

Puis, dans

la

cam-pa-

f^ne inu

-

et

-

te,

^

S

2Z

?*

KP

^

^

J

—

i

W

-5

-O-

f

^

^

^

?

S

#

No sound

is heard,

how- e'er so

slight,

On

n'en

-

tend

phis

le

moin

-

dre bruit;

22724



181

'•

V

J) J) i

1

5

*'

*'

^

And

all is

Tout fait

si

si

-

lent,

all

is

lence

et

tout

s'en

^

^^^^

Save

the

night-in

Seuls

le

ros

-

si

i=i.

1

^

^

m

^

^

^

T

w

gale,

gnol

he and

the

et la

fil

maid

-

en,

let

-

te

fe:

I

ds

^M

s

f

—

•

—

te

><p

^^5^

Ê^

^^

hey still

are

sing-ing

in

the night

Chan-tent

en

-

co

-

re dans la

nuit

tr^

rp

rcum.

f

^

f

^f

—

t

i

g

rs

4 :^

:^

/Cs

^F=^=

P

_7

^

P

j-

,^

r\

^

i

^



English version

by

Henr>'

G. Chapman

French

words

by

Paul

Collin

The

Canary

Le

Canari

(Mey)

Moderato

P.

Tschaikowsky.

Op.

2o,

N'.'

4

iano

<

itif

espress.

I

g

g^

E

^

p

r

L-j^j

i^

i

^^

i

fe

^^

J r^

n

^

J

J

b

JJJ

=Q

^

^?^^

dim.

^

E

^

*

o

t

f-s^

m

fe^

7

p r r

^^^^

s

H

^

i

semplice

/5

-^t^mpuvt

rs

Thus Zu

-

loi

-

ka

Zu

-

lei

-

ka

di

spoke

to

her ca

salt

au ta

-

na

na

-

ry:

ri:

22724

Copyright,

1911,

bij

O.

Schirmcr



183

r

r

tm

Pret

«Bel

ty

bird,

oi

-

seau,

your

wing-s

why do

3'ou

flut-ter?

n'a

-

gi

-

te

pas

tes

ai

-

les;

S

iitw^

Soft

the air,

L'air est

pur

and

sur

r

a-''''p

p

i

^m

p

I 'ji

ît' p

^p

w

^

peace

lies_

all a

-

bout you, Where

-

fore then

pre

-

fer

the

air-

y

spac-

es?

ces cal

-

mes ri

-

va

-

ges;

A

quoi

bon vou

-

loir

fran- chir

I'es-pa

-

ce?

2?^

r

''M

f^

^

1

jr-^j)j'

Keep

Res

^

r^r7»7^r

^

with

-

in

your

cage,

and

te

dans

ta ca

-

g-e

grazioso

^

7 'r=^

r

»

mM

=^

p

p

M

n

M

^

M

^

I

will

care

for

par

mes soins or

you;

—

ne'

-

e

Stay,

and war

-

ble me

the

Et

ga-zouil-le

-

moi

tes

^^^^f

£^

:;?=

J

T^

1

f

f

f

m



>\

P

P

i^

P

^

ti-b

1-^^^

songs

you

sang:

so

sweet

-

ly.

Where will skies be found

that—

are more sun-ny?

chan-sons

les plus dou

-

ces: Sous quels cieux est

-

il

plus_

de

lu-mie-re?

:

^

p

£;

f''''P

p

^?w

y

^

:fci?

i^

rr^^

2^

^

;f

'

7

Gar

-

dens

where

are cool

-

er,

fresh-er

shad-ows? Where

wilt

find more

Quels jar-

dins

ont

de

plus_

frais

oin-bra

-

ges?

Ou

trou-ver des

It

£^^

^

^r

^

rr^^'

ITCJ

I

'>\nr*f

p

^

^

p

^

—

'm

^

1

'>7i(

E^

^^

zn

^

ib

a'-p

^^^

p

^

n=i=

^

sweet

-

ly

scent

-

od

flow

-

fleurs

plus

-

em

-

bau

-

me' -

ersr

es?

Where

Ou

wilt find

re

-

ver

r

^

^

\fTr

^

'i

'

,);[7f

f

^

r

^^'

b

rT

^rr

j:

7 ±.

.Tt

Vil,>r

=

''p

t^.ffl

p

^p

r

1.

^

rf

^

mis

-

tress half so lov

-

tres

-

se

plus ai

-

man

ing-r

te?

Sing

Chan

me

now

te

-

moi

the

tes

1

'£

V

^

^^

W—

?

-rr-m

^

72

'»

4



185

g

fc=2

p

n

^

1

p

^ £

ii

J'

j^

i'

songs

you

sang-

so sweet

-

ly.

chan-sons les

plus

dou

-

ces.»

And

the bird

re

-

plied to

his

sul

-

ta

-

na:

Et

Toi-seau

re

-

pond

a

la

sul

-

ta

-

ne:

1S2M

^ês

^^

t.

^

Ah

«Ah

I

pray

n'in

-

sul

you,

do not— mock

my

sad

-

ness,

te pas

a

ma

tris-tes

-

se,

£

m

^=^

^^^

i

fe^^

w:

^

i

v..

^^^J

p

\?\>

^



n

r^f

P

f'

T'

I

\'m^^

fcfe

joy

sons

-M-^

ous— car-ols?

jov

-

eu

-

ses.

O

L'o

da-lisks

da-lisque

frrr

m

P

to

-

•

in

in

-

do-lence

may

dA\ell

here,

y

vit

dans

I'in

-

do

-

len

-

ce,

,1.

^

m

^

^

7

^

a

=

>

f

H

^^

*

Ji

f

I

p^

f

i*

i

^ » • l

i

P

zpc

^

?

^^

or

re

-

gret the free

-dom

that

they

for

-

feit,

But

a

bird,

more

Sans

pleu-rer

sa

li

-

ber- te'

per- du

-

e, Mais I'oi-seau,

plus

proud,

less

vain,

less thought-less. Can

-

not sing

when he is_made

a

slave

fier

et

moins

fri

-

vo

-

le,

Pour chan-ter

ne

veut

pas_ etre

es

-

cla

-

ve

J2724



»

Little Snowflake's Arietta

From

the fairy

opera

Snegourotchka

(A.

Ostrovsky)

version by

G.

Chapman

Nicolas Rimsky-Korsakow

Adagio

iJ^z 92)

a^fe;

fff^

rr

.^

I

i'

?

i'

L^

Ah

how

it

hurts

and

oh.

how

sad

my

^^

^r^rv

rpp

ni^''

n\i'~i

*

> 1

1.

|

I,

4 «

7

I

*

^=^=

^

niz'

ni

cresc

^F=^

^

^

M

P

P

fl P

^m

ei^M'

:^S

f

heart

is, for heav

-

y

as a moun-tain

lies

up

-

on

it

this

J

LJ

J^

S

I)

ii

J^

i).K

^

=ii

^

poor

dear

flow-

er

Lehl

so

light -ly

threw

a

-

way

fefe

t?=^

^:

^^S

1^

^^

î^

J

*

4

i

^

^

^

/

m

^

*/

i

I

i

Copyright,

1910,

by

G.

Schirona



I

liolce

t_4..^

^

^ ^

Now

off

to

oth-er

maidens

hzis he

run,

WTioselaughterandwhose lipseire

warmer

Ihjin

M=

a

tempo, espressivo

i,^

J_j?3 ^'J^ |

JV'Jj1

[

;

^

P

^

^

mine Ah,

a

tempo

here

am

I

in

tears,

and oh, so lone

-

Ij'lfor

Lehl

he has

2dz

mii'

^^'j

^

cresc.

'^

5^

jn

J J.J

=^

Js,.

i

J'

^

^

^^^

'/

/

dim.

t^

^^

i

J^^

^

I

^

- dolce

^

scorned

me

and

left me

a

-

lone

Ah, dear-est

Lehl,

I let

you

go where love

'''

tay^

îi

niî

'

^

i)^

i

J^^

{

331

^

'

^~^

Jij^

J^.î'

p

P

P P

p/lJ

l J

^^'p

^p

P-

^^

is;

yes,

go

to

thosewho will

know

how to

love you

But why must

I

be

al-waj-ssad-



189

J*

_

at

heart and

cil-wavs cold and

i-cyinmv pas

-

sion?0 Father

Win-ter.thouhastdonem

M 7p i; I,

^5

v

1'

^^

'm>i>

,

r^

^

^

?^5î

r

fe

^

r«7.

a

tevfipo

\r.

\\

^ 11

^'

^

V,

%

h

i).

ii

•y^'n^pp-

p

pT'

^

di

[^

^>

J)

^

wrong

Dear Mother

Spring,be kind and send

to

me

one

ti

a

tempo

ny

spark

of

ipp

Tit.

te

i,^

i

ÊJ

5

(C\

^

J\

it

J'l

^^

?^^P^PIP-

P

^

fe

burn

-

ingheat

and

flame

at

which

to melt

this

fro

^

?

•

ft*.

zen heart

of

n\

tr

^

5

S

^^

*^

^

^:-:p^f

^

^

^s;:

Cs

7

?

^

mine

£=.4

£

^

£

rt^

î

dim.

J3?^

^

:

^^^

^^

/r\

^^^^^^



190

English

version

by

Henry

G.

Chapman

French

words by

J.

Sergennois

Hebrew

Love-Song

Chanson

hebraique

(L. Mey)

Voice

(^^^

A

Adagio

(J

=

60)

Piano

I*

-

^^

P

tei^

N.

Rimsky

-Korsakow.

Op.

7

(1867)

m

¥

«^

-iS-

i

zc:

-G-

^^^

:ni

zc

iz2;

^

^

=r=^5

/^

22:

:p:

I

Je

*

«

-/'a

pi

acere

i

^^

s

M(^

LLTP

,y

^N

fe

i

*

sleep; mj-

heart

at

break

of

day

can

dors;

mon

coeur, au

point

du

jour,

ja

nev

-

er^

ma

is ne.

sleep:

dort..

m

s

i

ft

h;

titiJ^

p

r

If?-

iH'

u

p

^^^^m

?=?

^

At

my

thresh

-

A

ma

por

-

i

s

old

waits m^- love,

and calls

to

me:

te

mon„

ai

-

me

m'ap-pel

- leet dit:

22724

Copyri,^ht, 1911, by

G.

Srhirmcr



191

:*

rpp

a

tempo

£/

r

M

£J

O

-

pen,

my

dear_

Ou

-

vre,

mi

-

g-non

^^

^^

P

one,

ne,

rise_

for him

who

lov

-

eth

thee

le

- ve

-

toi

pour

ton

a

-

mi

P

i

^

i

i

r

f

f

«£/

r

p

I

£/

^

^^

^

p ff

^^

^

Morn

-

ing

breaks;,

L'au

-

be crois

-

san

«

U-

the

moun

-

tain-peaks are

all

a

te

sur_ les

monts

rou

-

git

de

i

glow;

i

^

*^

ie:

«*

nt.

/

i

i

s^

y

r^

f-

*

^

^

^fe

^

W

I

cj^

i

From.

Aux_

the_

brins

grass

-

es,.

d'her

-

be,.

from the

sur_

les

moss

-

y

trees,

troncsmous-sus,

^m

t«

»

^^^^^^

i

MEi:

W^

T

i? :

r

f

'

*:

Lf

p

I

IH'-

>

j90eo

r?Y

1

a

tempo

g

^

^^

Drops of

Pend en

dew like pearls

are

per

-

les

la

_

ro

hang

se

ing,

:#

i

^^

And

their

tears

_

Et ses

pleurs-

a tempo

I

i

m

^

3»

poco rit.

^

^T

t

±^



192

i^j;tfiiw77rp-i^^ ^

»-^-

^

^

g

f

^

*-

r

—

Have

be

-

Ont

mouil-

of

fire,

bril-lants,

gems-

joy

of

the

dawn,-

aux du jour,

_

^

^

r=^

:

if

S5«

1?^^

1^

'ft*

Pi

<S*

FT-

S

^

^^

i

-rr

i?^

pp

P^

-'

?

>

^r

*

rj

j^ ji

j^

^

^p^

door

and

come,

O

por

-

te,

viens,

6

fair

-

e.st

love

ma_

beau-te

^

V=K||l p P

p p

p ^

*

^

a^

P

^

£

*

w

•''•

II

l^JJJv

2^72 4

r

f-

t

ppp

A



'iy<j

version by-

G.

Chapman

words by

Sergeiuiois

On

the

Georgian

Hills

Sur

les

Collines de Georgie

(a.

S.

Pushkin)

^fe

Moderate

(J

-

so)

N.

Rimsky-

Korsakow.

Op.

3

(1866)

P

P

^

P

zzs;

%

•x

^^

The

mists

are

La

bru

-

me

hang-ing-

low

a

-

bove the Geor-gian

pla

-

ne

sur les monts de I'E

-

ri

-

i

ih

i^

f

ggfeft

1

i

i9-

Sl

&-

^

«A

%

]•

—

m

P-JLM4^

A J'' J-

f

h

j^

jV

^

hills,

van;

The yel

-

low

As

is

L'A-ras mu

-

git.

roar

-

ing-

sous

in

ma

the

fe

Copyright,

19il, by

G.

Schirmer



p~rh

t

y

JH

jy

;5

^^

dull'd,

since

hope

is

ône_

mor

- ne

et

sans tour

-

ment,

Still finds

in

thee

its whole ex

-

Je

vis

en toi, c'est

tout

mon

^'A

.^

^-

1

'^

iVh.

j

ft

3X

^

xx:

'f§°

f-

f-

-

^

P

m

-f

f

^

^

M

M

r

-^

IS

e

tence,

tre...

In

thee,

Qui,

toi...

and

thee a

-

lone,

toi,

rien que

toi...

i

SiÂ^

31:

f

f

DCE

O

ft

Poco

meno

mosso

^

In

my

En

mon.

^

r-1 ;-i

P

i

l

J

I

J'l

ff

J''

^

1

de

-

spon

-

den

a

-

bat

-

te

cy

ment

TT

22724



195

5^5

h

J'

'

ff

i'

J) I

J

^

?

^

poeo string.

^^

y

I

feel

no

pain,

nor

would

re

-

prove thee;

Au

-

cune,

au

-

cune

an

-

g-ois

-

se ex

-

tre

-

me.

If

e'er a

-

Si de nou

gs3^

^Cj

-

^

f

m

poco

string:

f

t:r\

r^ ^

f

riten.

Ji

ii.^

^

Tempo

I

?

I

p p

f

p

i'

p

4

gain my

heart

sliould

wake to

life

in me,

veau

men

coeur

e'

-

prou-ve quel-que e'

-

moi,

'Tis

that to

live

it

needs

must

C'est

que pour

vi

-

vre

il

faut

qu

11

A

e=g

l

s

^

riten.

f

P

#:

.^

3i:

«»

—

r\

love

ai

thee,

me.

^sm

«

/Tn

^.

It

K5

ffl

/

i^

morendo

r:\

Tj-



196

English

version

by-

Henry

G. Chapman

i

Song- of

the

Shepherd

Lehl

From

the

fairy opera

''Sne'gourotchka'

(a. Ostrovsky)

Alleefretto

p-iocoso

(J.

ins)

°

Lehl playing- the

shawm

Nicolas

Rimsky-Korsakow

Piano

(

'

' >

^

i

r

p

^m

^

^

^^

n

y

f

V

:*

if^

S.

te

m

?

s

/>•

^

js:

i

^

r^'f'.sY-

.

^S

cb

#

Lehl

Piu

lento, maestoso

j2l

^''

i

>

T

J'

JM

J-

,

^

^^

s

wm

f

To

tho

Ihun-der call'd

the fly

-

ing-

cloud, Rum-ble, grum-ble,while

I

I

i*

/Cn

s

^^

liing'a

poco

riten.

5

^

Tempo

I

i

i

s

i

£

P

5

m

the

plain,

Hap-py

cat

-

tor

xny

rain,

Spring--time

show'rs

shall

re

-

fresh.

fe

^

^

ro/ô

parte

SS

^

^/>

^

sl

r

22724

Copyright,

1910, by

O.

Schirmer



197

2dr

^'-

p

p

nr^ppN

jJi^'-

p

pMr'^pp

i

J

pr

flowrs

once

more

to life_

shall

spring-, All

the

girls

will go

a

-

ber

-

r}'

-

ing-,

All

the

^

^

i

i

i

^

See^

iEikd

iE^

3=i

^^^

^T

f=T

f=f f=^

f^

r

poco

riten.

a tempo

p

p

pp

Mj^ i

r

p

nfri^

^

5Ê=^

lads

will

fol-low

in

their

train:

Lehl,

my

Lehl, my

love,

my

love,my

LehlKheplays)

l'|>

V

J^

V

jl

fe^

^^

I

^

i

p

^

poco riten.

a

tempo

P

^

m

^

^

=1^

kfe

s

4i;

h

g

i^

^

h b

^t^^

^

jS

^^^

h

^feS

f

h

1

%

t

^

sgp^

3

r

f

f

f f

^

Lphl

Piu

lento

^^

^

S

ît^

^

Thro'

the

â

%g

^

f^

I

>

»

V

M

h

i

»

>

M

h

N

jS

f

^

^

'^

^

W^

r



l>'l>

J^

h

J

'

S

^

^

^

¥

woods

the

girls

a

-

mong

the

trees

Far

and

wide

are pick-ing

i

^^

';/

^ê6S

i^^

2M

pocorit.

3

s

^^

^

cb

i

straw

-

ber

ries,

Dells and

glades

with songs and

laugh

- ter

re

^

^

^

i^

^

ôro

r;Y.

^^

^

Tempo

I

ri>

J

i,

;i

3^

J

i.

J-'

^

^

sound. All at once

one maid-en

cant

be

found;

All

the

^^

IJ

-^/

P

^

w

pp

f

|3

4^

^^

m

^^=^

T=T

Â

z

izr

i^

f=^

^

^^

J r

f=f

^^

i

^

^

P

MP

P

p

p

oth

-

ers,

weep-ing

sad I3-,

cr)',

She's

been

eat

-

en bj-

some

(p\^

,ff2

,^

^S

^^

r

iÊ^

i ^

^^P

i'

m

^^w

22724



199

kfe

^

poco riten.

a

tempo

^^

i

fe

r

i_r

N'-

P

J'

J

wolf

near

by

O

my

Lehl,_

my-

love,

my

love,

my

'eeSe

w

^^^

*

^^

^

^w

i/oeo riten.

a tempo

m

Lehl

(he

plays)

^

SE5;

?^

i'

^^

I'

1

-

h

^-rj

'

V

r

1

jS

i^^

h

l>

P

^

^

JOI

fefe

:j*^^

1=^

^^

r

T

h

•>

J

1

k

U=.

^

^

*y

y

y

DpJL-

f f

>

n

r

te

a

' >

P^^

^

f

^

^

^

^

f

V

»

•»

>_ki

h

*

1

3

h

iU

jS

[^

[;

—77-

P

^

*

^

hf

?^^^



i.phi

Piu

lento

|^''

l

>

J'^ .N

i'

p

fei

fe*

£^

?

33

?

maid-ens,

still

in

an-g-uish

and tears,

Lo,

a

wild^

a-ged

stran-ger

ap

fefe

/r^

i

£

P

zz:

f

??9

^

4*

*

i

jooro r?Y.

^

^

Tempo

I

J

i,

;

P

P

P p

t

f

pears;

Sil

-

ly

^

tr

maid

-

ens,

have

j-e

lost

3'our wits?

quoth

he,

Whj' stand

V

tr

P

^

tn-

tf'

t

^

^

tr

iT^^tr

r\

^

s

*

poco

rit.

P

cnlla

parte

4

;

VP

f

i

*^=P

tei

^

^

5

m

^

eep

-

ing

here

so

fool

ish

-

ly? Weep-ing,

call

-

ing

her,

will

^

I3Z

^

—

S-

-m^

1

1

P^

S

f

^



201

kfe

do

P

H

^

P

P

I

P

M

p

^

no

good,

Bet-ter

look a

bit

a

-

bout

the.

1'

ME:

^

P

J*

-f»-^

^

^

t

W^

a

tempo

L

^

f

kfe

riten.

nssai

^m

^

^

O

^

1^

f

wood Lehl, my

Lfhl,_

my

love,

my

love, my Lehl

^

P

5E±

^

iten.

assai

i

ffl

n

tempo

^

?>

5^

F^

s

^

fhe

plays)

S

^^

^^

^

^^:

*

^

^

ia

f

^

h

Z2I

f f

^

^ffltp

^^

I

1

^

^

t>

V

It

S

1

»

^

J;*

h

f

^P

i)

J^

i

:^

t

^

J^

t^

?=^

s

^

i



version

by

Henry

G.Chapman

words

by

J.Sergennois

A

Southern

Night

Nuit

m^ridionale

(N.

Stcherbine)

Allegro

(J-

-

N.

Rimsky-Korsakow. Op.

3

(1866)

:^

^

3EE3E

^

Rides

the Queen

of

the

Night,

Bril

-

le

I'as-tre chan-g-eantj

And

the

Uo

-

li

-

^s

mf

£^

S

^

;«

ol

-

ive

in sil

-

ver is

drest;

vier s'en

-

lu

-

mi

-

ne

d'ar

-

g-ent

And

the sea as it

heaves

To

the

Dansleur flux obs

-

ti

-

ne, Cou-rent,

Copyright,

1911,

by

O.

Schirmer



203

i

^

m

^

^^

3t—

i:;

i

-

i

swell

of

the

waves Is a

mon-tent

les

f

lots

Pail

-

le

flame with the

gems on

its

breast,

tes

de leurs ri

-

ches gre

-

lots.

g

p

S

fc

êe£

^

^

Ah,

mi

Ces pro

ra

-

cu

-

lous

nights Ah, mys

di

-

ges

des

nuits,

Ce

mys

m

mf

S

5±

SEE£

^

te

-

ri

-

ous

lights

All

my

te

-

re et

ces

feux

,

Tout

en

blood, all my heart

is a

-

fire;

flam-me men sang

et

men

coeur;

I

have

Les

flam-

S

ZZ-

ZZl

WX

\cresc.



^

ga

-

thered

Ihee

flow'rs For

beaux

sont

bril

-

lants,

J'ai

?

our

cueil

flame

-

light

li quel

r

p

V

d

bowVs;

Tar

ques

fleurs,

Ha

te

*

ritard.

'm

^^=r

^

?

not,

O

toi

vers

mj'

Love,

m}-

mes bras

a

De

mou

sire

reux

Tar

-

ry

te

*

I I

-

^

i

^

p

I

J

J

J

J

\

Soon the night

will

be

o'er,

Get

-

te nuit

va

pas

-

ser,



305

iî

J

r

^

J

I

J

mi

f^

i

And the

waves

call no

Et

la

va

-

g'ue

se

more

tait

'Neath the

pas-

sion-less

eye

of

the

Sous

les

yeux

im

-

pas

-

si

-

bles

du

sun;

jour,

And I

feel

how

a chill

Et

le

froid

vient

d'en

-

trer

All

my

bo

-

som

doth

En mon sein

in

-

qui

-

1

^

i

m

/:

w

¥

\ i

ipp

subito

.8*

^

o:^

1

nf

Ê£

i

-

i

r r

I

r

lone?

mour?

:*

fill:

et..

Wilt

thou

guess

how I

love

thee

a

Sau

-

ras

-

tu

de

-

vi

-

ner mon

a

S

i

-

i

F^=

3

m

'f=9

/

t

\.r^

^

^

^^

\

-

\

fe

^

--(&

f^



206

Eng^lish

version

by

Henry

G.

Chapman

Air

Sylvan

Roundelay

From

the

fairy

opera

Snegourotchka

<A.

Ostrovsky)

Allegretto

capriccioso

rit.

pnco

a

pnco

Nicolas

Rimsky-Korsakow

Piano

^^

V ^^

Little

Snowflake

poco riteii

a

tempo

a

piacere allargando

For

to

an-swerolh-er

maidswith joy-ful hal-lo,

Hal

I^H

^y

%

n

'i-\h

i

H

^

^

ii

j^

>

\

>

^

in

F

^

P ^

v=^

p.

^g

If-'

l^^î'J^

fl

tempo

^

^

i

lo,

hal

-

In .

^

^tt

I

^-#^

i

m

^^

^

]

22724

Copyright.

19t1.

by

G.

Schirmer



«07

*S

^

P

P

P

^^ i'

l i^

^^

r^

poco

riten.

^^

^

For to

dance

the

mer-ry round,

and

one

of

them,

With the

cho-rus

led

by

M$

^

h

r\

fes^

^;iy7

i

^^=p

^

y^

w

F-tHt

?

;>

7

P

^

^

P

V- P

^

^

¥'tf

p

V

^

^

^

^

^

^

'y

i

M'>

^^p

pp

^ tempo

a piacere

allargando

a

tempo

shep-herd

Lehl to

fol-low:

Hi,. La-do Lehl

^'î-7

^p

^

^3^

Fij^

?

^

sA^

¥tt

P

.y

P

^7

P

;y

r

i9-

:2Z

«P

i

^

*i

e

Poco

animato

^

»

I

ft

•

£j

I

^'

^

P

'Tis

this

your

daugh-

ter

would

pre

-

m

d

k

h

—

^s

^T

j

-^'T

^

T

i

^

'''

r=?

^

7 aitmn

^

^^

if'

^

^7^^^

7

:

^

v-

^

J^

^

&J

I

^'

^

p

fe^

fe^

fer,

Or_

life—

is lit

-

tle_worth

to_

her.

A

k

i

h

^

m

f

1^^

^^

i

^^

tty'tf

p

^

T

P

^

-

E

V

^y

J'

^

/

P

K

fe



208

:«:

P-

?

T

P

When

you

re

-turn

with

win

ter

-^

S

5i-

f^

S

tM=ini

P

^P

P

P

P

&

t

to

re

-

side,

With

-

in

these gloom

-3'

woods,

at

M

kfe

Adag-io (J

=

5n)

a

^^

g

f

^

fcE

S

en

-

tide,_

I'll

sing _

to

J'ou,

%

w

^m

I

f

_^^

1^^

^

32

r r

M'

I

P

M

M

P

p

p

[7

g

Sing-

3-ou

a

^3

song-

tho

whilp the

storm

-winds

pipe

and

P'h}',

I

J

^^

-*

^S

p 1^

22724

r

L^

^

;J

i



209

poco

riteii

m

^

^

^^^

^

Poco

piu

animato

fi

tempo

^

Sing-

I

song that's

blythe.

and gay,

^

^

e

7

^

I

poco

riten.

VP

^

i

i^

^y

string.

a

ptacere

r

p

tfp

U

p

p

p

[ P'

lJO^

.

||

A^¥tf

-

To

learn

it will not take me long.

1

^^

I

,

i^,^'^»-

A#r

r^

M*

^

h,.

f-

r-

my_

fa

-

ther

EEi;



210

Allegretto

capriccioso

r

I

tenu to

assai

<

^^/^]

n

p

p

i'

Jl

I h

I'l

p

i'

:

^

I

J)P

p

p

^

or

to

g-o

and

g-a-thpr

bcr-rit-s

in

the

woods,

For

to

an-swer oth-er

@

A=^'^-

i

r\

^^^

^

i- ^

f

^

rr7/>

riccwsn

'>''î^

P

r

i

^

i

^ 4^

/C\

ro//a

parte

t

i

p

*

^

J-^

^

P

P

^

Tempo I

r/

pin

cere

scherzando

^lteIL-

I

'?^

maid'-

with

joy-ful

hal-lo

Hal

lo,

hal

k

t

^Jr-i.h t

^

^

M

=0

^-

^

^

pti-4

r^p^'

«

tetnpo

\

P P

P

>

J^

l

Ji

.^

/r\

^

lo For

to dance

the

mer-r}'

round.and one of

thom,

m

e

h

/0\

^m

m

^3

^

r

r

Ml

^

1^

I

^

P^^

^

ritenuto

assai

p^

J,

P

^P

p

^^M

jiff-S

P P

Tempo

I

With the

cho-rus

led

b}-

shep-herd Lehl

to

fol

-

low:

(o

^^ ^

\

^

1

ritenuto assai

'

>--\h

i

t

i

fc

i

^

^

-5^

22724



.cxx

a

piacere

allargando

«A

tt

fr

|t|

a

tempo

ft

ff

7

^

p

£jir

p

Hi.

*

A

La

-

do_

Lehl _

a

tempo

i

S

tt

^

VP

9^#

co/â

parte

4

5£

Poco

animato

lî

i

^^---

^

/ Ê

/iP

&p

^

i

J':^Pe

;ip

e

jp

î

'Tis this your

daugh-ter

would pre

-

fer,

Or_

life_ is_

lit

-

tie

worth to_

poco

string.

^

H

u

poco string

her,

Vivo

^

^

£^

|

P

^p

or_

life is_ lit-

tle_

*S

S

^

fe

s

^

ooco cresc.

^

V

Jl

il

^

=j

—

,1—l -

^

P

Y

^

^^

orth to_

her, oh

fa

ther

^

^^

n\

5

N

^^

5^

^

V'

jn

J

^

# .

h

?

7

J

7



English

version by

Henr}'

G.

Chapman

words

by

L.

Esbeer

The Little

Fish's

Song

Fischleins

Lied

A.Arensk>-.

Op.

27,

N9

1

Allegretto

Copyright,

tfffi. bij O.

Schirmcr





I

<»f

w

J

J.

J':

M

H

r

p

^

I'll

call

my

sis

Die

Schwe

-

stern ru

ters here

and

we

_

fe

ich her

-

bei,.

Will

wir

^

*

thee,

_

Tanz,.

whirl

schwin

and

dance for

gen

uns

im



215



1)

J

^

'

J^' l

b

here,

aus,

so

soft shall be

thy

dein Pfiihl

ist

ja so

^

bed,

welch,.

?

So

die

:*

cresc.

]

x

^yfj

^

e

droams

Z.-it

wilt

ill

thou

mt'i

for - get

npm

Reich,

How fast

the

du

traumst,

wirst's



217





219

23724



220

The

Nereid

(A.Pushkin)

English

version by

Henry G.

Chapman

Voice

Piano

fe

Andante

(Jr

72180)

Alex.

Glazunoff.

Op.

60,

NPS

i

^g=3=

[Q

^'

A

£

*f

P

9^r

m

i»f

f-

^

-4^

I

^

f2I

^^^

^

^3

^

:

^^

m

On

lone

-

ly

Tau-ris'

i

*

ps

-5^

S

ff

T^=E

;e

m

:-

J^^

^^

^y^

g

*

s^ ^

y

—

Ti

—

F

^v_*

—

ft

^^

In

<

f

'

/

f=

shore

at

ros

-

y

dawn

a

-

stray

s

ing,

S

i

=fa :

rc

S

^

J^^3M^

*:

*-&^

22784

Copyright,

i9H, by

G.

Schirmcr



231

*

tl

n

ff

n «

o

-

cean's wa

-

ters

green. I

saw

:S

Y

Ne

-

reid

i

^g:

play

i

f

l'

\

.h

Ji

Jj

^

<S-

ing.

«

In

shel-t'ring reeds

un-seen

8-

m

m,

f

S

•9^*

*

doles

^

H'

M

^

^^^

I

let

my

vi

-

sion

roam.

From em

-

'raid

#-

i

^

^

w

-f

i

Si

-J



M

«

a

P

P

P

P

P

^

0h

she

wrung

the pearl

-

y

foam.

82724



Before

My

Window

(G.Galina)

version

by

G.

Chapman

Lento

(Jz5o)

emit

ab

He

^

T^ _ c

.,,;«

A

s

Sergei

Rachmaninoff.

Op.

26,

N?

10

f

Be

-

fore

my

win

-

dow

blows

scent

-

ed

al

-

der

-

*

-

===—

or

esc.

' ir_r~

I

tree,-

Who

wears

with

se

-

rious

grace

his

fes-tal

robe

of

flow

-

ers;

la

melodia

ben

*

m.

£

^^P^

^=j;=J^

?

i'

^

V*'

•>

J

-

^

Some

perfumed

branch-es

now

he

low-

ers,

He's

greet

-

ing,

call

-

ing

mar

cata

Copyright,

1910,

by

O.

Schirmer



224

*

dim.

-JOL

me.

\

^^

-T

?

3

r-p

P ^

^''

^

And

as the

scent

from

frail and

tn-m-bling:

blos-soms

i

»:

i

^

-s^-

W

^

///

'/•

^;:ft ^

r>i~^

^

Ê^

^^

r^

4

*

F

^'

P

M

P

^P

M

^

flies,

I catch the

in

-

cense

sweet so

glad

-

ly

heav'n

-

ward

i

*

^^

,

^

n

^rm

,j

Ê^

(9-

^

f

rfm

.

S

n ^

^ri

^

p

_ P

£

i

p

t

ere

so.

^

X

P

P

P

ff

^-^

^

2^

soar

-

ing-,

I feel a fra

-

g-rant

breath

mv

sens

-

es o

-

ver

3

rrr^

M

8-

^

^ i

r

n

r

^

_

P

^

?

.?

^

'j^.

227Jt4



ten.

that

needs

no

words,

a

-

rise..

^

3Et

1

^^m

—

r^

*^

cresc

.

1

^^s

:^

/«/•

cresc.

WW

m^

22784



Lilacs

(Kath.Begetoff)

English version

by

Henry

G. Chapman

Voice

Piano

^

llegretto

Sergei

Rachmaninoff.

Op.;il,

N'9

5

sempre

tranquillo

r

s

^

orning:

skios

Mor-gen

-

rot

are

a-

plow

schon

er-gliiht,

^m

m

^m

p

w~^

un

poco

ten.

1>

^

J

J

J

^

^

^

While

the

li

-

lac

-trees

blow,

und

der

Flie-der-buschblliht,

And

I breathe

of

the

fresh morning

und ich

at

-

me

so

frisch

Mor-gen

^

^=F

E^

s

mj

cautabile

±

^^

-o-=-

te

P

^

^-

i

r

r

r

r

r

f

wind;_

wind;.

Hy

the shad-ow

-

y

pool,

nach

dem schatt-gen

Ge-biisch,

l^

^

,f7^r

ZZi

P=2:^r=—

11

zz:

z.

r

fe^

^m

z^

jujfL.

fcte

^^

^

—

-r

Copyright,

1910, by

G.

Schirmcr



237

a^

r

r

r

r

i

^

Where

it's dew

-

y

and

cool,

das von Tau-trop-fen

frisch,

^

must

see

if

my

for

-tune I'll

schau'

ich,

ob

dort

mein

Gliick

ich

nicht

i i

-

find.

find'.

te

13

^

if

*-^

jt?^

te

^

iS^

^

E

?

Ah,

of

luck

there's

scant

dole,_

Ja, des

Gliicks

g-ibfs nicht

viel,.

Yet

it's

ev

-

'ry

-

one's

und

doch

ist's

al

-

ler



228

ffi

rail.

p

i

p

^^

^

r

r

i

fg/t.

a

tempo

^

zpi

^^

^^

R'oal,

And

my

own

lies

out

thorp

in

tho

dfll;

Ziel,

doch das

mei

-

ne ist dort aufdem Strauch,

n

tempo

VP

Hid

- df'n

thorn

all

a

wo

im duf

-

ti

-

pen

^

^

JJ^J^^'^

^'

i

•=F=F

^

colI

(I

parte

VP

^^

in.

^

^-

i

^

f^

^

dtm.

^

?2G

gf^F

i

^

^

^

round

Griin

Cluster'd

li-lacs are found, And

my

li

-

la

Trauben

er

-

bliihn, und

mein

own

lit-tle

for

ar-mesGliickblii

tunc,

as

het da

|^''|^

ccS'cffl

m

_,•

^S

^^

^

^'

i9-'

E^

mf

^

- -

i

(?±

g

«*•

i

te

i?P

^

well.

auch.

^

p_»

^

^

rf//M

.

:KP

m

m.d

.

3

b

-;

J.

*

•

J

_i

O^

*

ZiTi\



2'49

Morning

(M.L-.Jiinoff)

version

by

G.

Chapman

i

Moderate

=

^F=^

^

Sergei

Rachmaninoff. Op.

4,

No.

a

^

S

S

S

I

love

thee, dear

i

*

.'/

said

.?

^^-^-

IW

«^

V' M*.

-

j?

{[.

F

I

I

I

I

I I

I l=f

ppp

J

*

E

1^

^^

f

^

^

-f-^r-

Morn

-

ing

to the Day,

And

with

him in

her

arms

3

grew

3

*

&

T^^

> > >

i

I

I

g I I

f

f

I

I t

I

LiJ

^'

r

B:

w/*

espress

.

V

um

i

dim.

2?:

i

^

^^

¥

h

^

i

^

ros

-

y

3

:L

in

con

-

fu

3

sion;

i

i

h

The

llf

l

tlllll

^-1-

^

XS

»nL.

w:

#

S3

T-

331

J

tt

tt

ttt

t t

->

i

r

Copyright,

1910,

by

G.

Schirmer



$

J

i

J-

7

Ji

J'l

^^

f

^

1

zz:

^

sun

lit

up

the

world with

am

-

Yous ray,

.y

And

.y

4—i-d

f l<i

i

i

i

i

i

t i

3BE

t t 1

1 1

t l

ilt

^-

t-

tH

f

/-^se

.

12.

T

=

>-

J^;xi

^

^

^

^^

J)

J

tf

i^

e

^

^

1^

with

her

burn

-

ing

kiss

.y

^

es

smilfd and

.y

:i

took

pos-ses -

sion.

ffp:

gj

la-

iiL ;H£p

/>/>

i

^

^^^

9-

*:

yf

^

P

iiJ>

Ji

^^^^5

fe

*

'

*

1^

*i

»

as

tho'

he still

at

heart

mis

-

trust

ed

Tho

truth

of

pi

d

i

ll

1

1

l

i t

%

*

3z:

=^

;£

^3

lat:



231

t^J

J)

J)

J' J'

J)

^J yi)

^

22

^^^

^

itard.

^

ught

the

dream-y

Morn

might

do or say,

.y

,y

.y

.y

i^

iTTi'

iH^

fTr

^19

^

^

Dropped swift

-

ly

ritard.

W

f

m

vp

y

.y

11

an

SE

^n^'

w

^£

' L

^

a

tempo

m-

5

'£_

^^

i

W

i

sgf

^

down

to

earth,

and with a smile

he dust

-

ed

Au

«=^

a tempo

P P

^

^—^

m

0L

4

£

.y

*

w/,

'/

.y

.y

i^

y

cf

m

^^

t?|

o

p

^p

J''J'7

-'P

I

f

^

77^.

:^

way.

ro

-

ra's

my-riad wealth

of

dia

-

mond tears a

#

»

*-

^

i

^

ff

^F^F

-^pqs

gf

*£f' m'

;:^

.?

J

s=^^

&

in

»/f.?

si

»/'

,

^

;)^

v^

//?,

^M

:

'#

Fs^

' 7

^

J

ÛUP

pp

r:\

^-s-



How

sweet

the

place

(G.

Galina)

version

by

Henry G. Chapman

Sergei

Rachmaninoff

i

Moderato

J)

dolce

ed

espressivo

M^

-

^

^

^

How

sweet

the place

^

Far

dis

3Ei ^ 3Bi

PP

v%<^

-

^

* ^f *

—

=2St

\

.

.

S=5

^^

^^

^^

aJ

^

J)

f

E

tant gleams

The

riv

-

er

in the sun;

The

grass

-y

iiii

XiM

f

2

LJg

J.

j>

j)

h

I

''-

J

^

^^

\

i\

Ji

mead

-

ows

at

my

a

/TlJ

j

feet

X r

E

With flowVs

are

o

-

ver

^

te

1^

K

-i-

y

-

3

Ccfpy

right, 1911. by

G.

Sckirmer



233

E

run.

^

^

^ ^

^

f f

,

f

^

i

^^^

IS

No

one

is

fr>

i/-

^

w;

2^

m

S

?/i^

/a

melodia

ben

marc.

f

^

^

^^

fe

^

near but God and

I,

&

r.-

i

J

J

J

^

*

^

The

dis

-

tant,

hi4jj-îi^B

s

T^

,^-,

7>

r

r^

i

J

^

UJ

J

Mw

ôco ê?i



234

fe

lone

-

i£

J^

'

i>

p

P

I

p

(en.

¥^^

-

ly

pine, the

host

of flow'rs,

And

r^

22724



235

O thou

billowy

harvest-field

(A.Tolstoi)

version by

G. Chapman

Serg-ei Rachmaninoff.

Op.

4,

N9 5

Lento

i

:*

g^Pg

*

^m

^^

Û^

E3

^

3X1

^

o_

p

^

pfTf

^^

^

-o-

^

ffW

^

f^

3

«/

^^^

O thou

bil-low-

y

^.

-•

^

^^

f^

It

^#*

9fcS^

^yu

7i

-

^

^^

*

i

P^^5

sSir

:i

i

^»

^1

g

cj

r

r

Miij

J'

f

p

r

'^^îf^r

har-vest-field

of

grain

Nev-er

may st thou be

mown

at

a

sin -gle

swath,

i

^

_o_

^

s

7

p

•

19-

T5^

^

^

-^

^

Copyright,

1911,

by

O.

Schirmer



:*

ni r

Q

D

r

r

^'> tJ-

^

Nev

-

er mayst thou_

bo

bound

in-

a

sin

-

gle

sheaf

:»

=^

r-r

w

^^

-o-

^

3CC

S^-

cy-

4

ttM

ôro

cresc.

i

r

^'Jni^r

[^

r

lt

r r

^

Ah,

yf thoughts

and

ye dreams so

fraught

with care .

/

^

^

ai

S

P^^

'

»

Who can

gar

ner 3'ou

in

heart

or

mind

*

'

'

mT

^

f

w

/^

•a.

?i

23:

4



XS1

is

«

i

i

i

1^

^

ritard.

±

Who can

grasp you or bind you

up

in words

l\

-MTj-yiTj-y

ritard.

4

J

m

^

13^

ij*

—^

^1'

^

:^

J-

-J.

s

r-

f

r

r-^

f

«

i

/

i

^

£

^

^

^

o

ver

thee,

O.

field,.

hur

-

ried

a

i

*

•

*

^

•

^

:i

*

w

»/

^

«

^

^

^

'

f

^

r

?^

±

driv

ing storm,

Down

it

bent all thy har-vest

of



*F^

=^

^

?

^

ne

T-t-^m^—m

a

- mong- ^-nu has_ falln to parth,

TTj33-^]1^J^pP^#?^

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i

T5

i

Z2:

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î=^



239

^

^

?,f

M

r

P

p

i

r

M

p

p

r

I

M r

r

P

i

There

have sprung-

from

the

soil

weeds

of mis-

er

-

y,

There

has

flour-ished the

*F

U

w

R

t

S^S

i^

2?r

77

22

W

i

:0

M

¥

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m

f

jS

HS-

21

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a-

r^

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'^

r

p

p

p

p

r

^^

^rrrr^^rd^

r'-rrii*rrr

n

*^

bit

-

ter-

est hearts

dis-tress

Ah

*i

r\

u

^

r

::

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1

XT

/^

x>

;«;

-o-

:2:

>

«-

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r\

p

^^

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i

i

J

J

J

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tc:

f

1^

mf

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-

22:

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^

^

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fEi*

hjJJ_JvrJ

-o-

1

¥

i

^

^^

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VP

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= ^ l;>;ii;l;i]iJil i |iilliPii

Documents

A century of Russian song, from Glinka to Rachmaninoff - fifty songs collected and edited ([c1911])