71

A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

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Page 1: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating
Page 2: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

A Big dark hand

This track is synthesizing the impressions of a modern Middle Ages, based on an octachord scale, constantly teasing with tone changing.

The listener is made used with the setting through a hanging melody, and the introduction of the octachord scale. The first anxious theme is proposed by the baritone side of the band, to which are opposing the firm chords of the woods.

The second theme develops by elaborating the introduction, adopting the various tone chords like a sort of a two-voice game, typical of Middle Ages music.

The song continues with a second proposal of the first theme, but with a different cadency, creating a bigger anxiety effect; which brings to a most meditative visitation of the second theme, by playing on the different features of brasses and woods.

The track ends with the introduction of the octachord scale, which fades to high, leaving a taste of hope and good waiting.

Page 3: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

A Big dark hand3

3

3

3

3

3

3

3

6

6

6

6

6

Stefano Vecchiato9

9

9

9

9

6

6

6

9

9

9

3

3

3

3

3

3

3

3

3

3

3

3

3

3

6

6

6

6

6

6

6

6

6

6

9

9

9

9

9

9

9

9

9

9

6

6

6

6

9

9

9

9

Piccolo

Flute

Oboe

1 Bb Clarinet

Eb Clarinet

2 Bb Clarinet

3 Bb Clarinet

Eb baritone sax

Bb Tenor Sax

Bb soprano sax

1 Bb Trumpet

Eb Alto Sax

Basson

2 Bb Trumpet

1 Eb Horn

2 Eb Horn

1 Bb Trombon

2 Bb Trombon

Heuphonium

Basses

Snare drum

Percussion

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

34

Allegro = 120

Page 4: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

12

12

12

12

12

15

15

15

15

15

12

12

12

15

15

15

18

18

18

18

18

21

21

21

21

21

18

18

18

21

21

21

12

12

12

12

12

12

12

12

12

12

15

15

15

15

15

15

15

15

15

15

12

12

12

12

15

15

15

15

18

18

18

18

18

18

18

18

18

18

21

21

21

21

21

21

21

21

21

21

18

18

18

18

21

21

21

21

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

ansioso = 125

2

Page 5: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

24

24

24

24

24

24

24

24

27

27

27

27

27

30

30

30

30

30

27

27

27

30

30

30

24

24

24

24

24

24

24

24

24

24

24

24

24

24

27

27

27

27

27

27

27

27

27

27

30

30

30

30

30

30

30

30

30

30

27

27

27

27

30

30

30

30

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

vivace = 150

Triangle

3

Page 6: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

33

33

33

33

33

33

33

33

36

36

36

36

36

36

36

36

33

33

33

33

33

33

33

33

33

33

33

33

33

33

36

36

36

36

36

36

36

36

36

36

36

36

36

36

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

4

Page 7: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

39

39

39

39

39

39

39

39

42

42

42

42

42

42

42

42

39

39

39

39

39

39

39

39

39

39

39

39

39

39

42

42

42

42

42

42

42

42

42

42

42

42

42

42

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

5

Page 8: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

45

45

45

45

45

45

45

45

48

48

48

48

48

48

48

48

45

45

45

45

45

45

45

45

45

45

45

45

45

45

48

48

48

48

48

48

48

48

48

48

48

48

48

48

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

6

Page 9: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

51

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

7

Page 10: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

54

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

calmo = 80

8

Page 11: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

9

Page 12: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

60

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

10

Page 13: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

63

63

63

63

63

63

63

63

66

66

66

66

66

66

66

66

63

63

63

63

63

63

63

63

63

63

63

63

63

63

66

66

66

66

66

66

66

66

66

66

66

66

66

66

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

1.

11

Page 14: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

69

69

69

69

69

69

69

69

72

72

72

72

72

72

72

72

69

69

69

69

69

69

69

69

69

69

69

69

69

69

72

72

72

72

72

72

72

72

72

72

72

72

72

72

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

Rall .

2.

12

Page 15: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

75

75

75

75

75

75

75

75

78

78

78

78

78

78

78

78

75

75

75

75

75

75

75

75

75

75

75

75

75

75

78

78

78

78

78

78

78

78

78

78

78

78

78

78

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

13

Page 16: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

81

81

81

81

81

81

81

81

84

84

84

84

84

84

84

84

81

81

81

81

81

81

81

81

81

81

81

81

81

81

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

14

Page 17: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

87

87

87

87

87

87

87

87

90

90

90

90

90

93

93

93

93

93

90

90

90

93

93

93

87

87

87

87

87

87

87

87

87

87

87

87

87

87

90

90

90

90

90

90

90

90

90

90

93

93

93

93

93

93

93

93

93

93

90

90

90

90

93

93

93

93

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

15

Page 18: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

96

96

96

96

96

96

96

96

99

99

99

99

99

99

99

99

96

96

96

96

96

96

96

96

96

96

96

96

96

96

99

99

99

99

99

99

99

99

99

99

99

99

99

99

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Maestoso = 80

16

Page 19: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

102

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

17

Page 20: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

105

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

18

Page 21: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

108

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

19

Page 22: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

111

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

20

Page 23: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

114

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

21

Page 24: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

117

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

22

Page 25: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

120

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

23

Page 26: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

123

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

24

Page 27: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

126

126

126

126

126

126

126

126

129

129

129

129

129

129

129

129

126

126

126

126

126

126

126

126

126

126

126

126

126

126

129

129

129

129

129

129

129

129

129

129

129

129

129

129

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

Leggiero = 90

25

Page 28: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

132

132

132

132

132

135

135

135

135

135

132

132

132

135

135

135

138

138

138

138

138

138

138

138

132

132

132

132

132

132

132

132

132

132

135

135

135

135

135

135

135

135

135

135

132

132

132

132

135

135

135

135

138

138

138

138

138

138

138

138

138

138

138

138

138

138

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

26

Page 29: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

141

141

141

141

141

141

141

141

144

144

144

144

144

144

144

144

141

141

141

141

141

141

141

141

141

141

141

141

141

141

144

144

144

144

144

144

144

144

144

144

144

144

144

144

Picc

Fl.

Ob.

1 Bb Cl.

Eb Cl.

2 Bb Cl.

3 Bb Cl.

Bb sop. sax

1 Bb Trp

bar. sax

Tnr Sax

Alto Sax

Bs.

2 Bb Trp

1 Eb Hn

2 Eb Hn

1 Bb Trb

2 Bb Trb

Heuph

Bs

Sn drum

Prc

27

Page 30: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Piccolo

69

A Big dark hand

78

54

72

Stefano Vecchiato

66

75

81 84

93

87

141

96

90

144

129

34

44

68

68

44

16 12 25

12

2

31

12

Allegro = 120 ansioso = 125 vivace = 150 calmo = 80 .Rall

Maestoso = 80 Leggiero = 90

2.

1.

Page 31: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

FluteA Big dark hand

9

18

24 27

12

21

Stefano Vecchiato

15

30

33

54

45

36

57

66

72

84

75

87

48

39

69

51

42

78

90

81

93

34

44

68

8

3

7

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall .

1. 2.

Page 32: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

96 102

105

108

111

117

120

114

123

129

126

141 144

44

2 4

12

Maestoso = 80

Leggiero = 90

2

Page 33: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

OboeA Big dark hand

9

18

30

12

21

Stefano Vecchiato

15

24

33 36

63

81

48

39

72

66

54

75

84

102

93 96

42

60

78

87

69

45

90

34

44

68

44

8

4

5

6

2 4

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall .

Maestoso = 80

1.2.

Page 34: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

105

108

111

117

114

120

123

126 129

17

Leggiero = 90

2

Page 35: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Eb ClarinetA Big dark hand

9

18

36

27

12

21

Stefano Vecchiato

15

24

30

39

33

42

54

45

66

60

48

75

90

81 84

93

69

51

63

78

72

87

96

34

44

68

44

8

6

2

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall.

1. 2.

Page 36: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

102

105

108

111

117

120

114

123

129

126

141 144

44

4

12

Maestoso = 80

Leggiero = 90

2

Page 37: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

1 Bb ClarinetA Big dark hand

9

18

27

12

21

Stefano Vecchiato

15

24

30

33

66

45

54

36

60

75

87

78

90

48

39

63

69

51

42

72

81

93 96

84

34

44

68

44

8

3

2

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall.

1. 2.

Page 38: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

105

108

102

111

117

114

120

123

126

138 141

129

144

44

4

8

Maestoso = 80

Leggiero = 90

2

Page 39: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

2 Bb ClarinetA Big dark hand

9

18

24 27

12

21

Stefano Vecchiato

15

30

33

60

69

45

36

63

72

78

90

81

48

39

66

75

54

42

84

93

87

96

34

44

68

68

44

8

5

6

2

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall.

2.

1.

Page 40: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

105

108

102

111

117

114

120

123

126

138 141

129

144

44

4

9

Maestoso = 80

Leggiero = 90

2

Page 41: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

3 Bb Clarinet

15

A Big dark hand

9

18

24

12

21

Stefano Vecchiato

30 33

45

36

60

69

39

48

63

78

42

54

72

66

75

81 84

34

44

68

68

8

4

5

6

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

.Rall

2.

1.

Page 42: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

87 90

102

93 96

105

108

120

111

126

117

138 141

123

129

114

144

44

44

4

2

9

Maestoso = 80

Leggiero = 90

2

Page 43: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Basson

21

A Big dark hand

3

15

24

30

6

18

27

Stefano Vecchiato

9

33

39

48

36

45

51

54

42

57

34

44

44

4

2

3

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Page 44: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

60

78

66

81

69

84

93 96

72

87

63

75

90

102

108

114

105

120

129 132

126

111

117

123

135

68

44

2

4

10

Rall.

Maestoso = 80

Leggiero = 90

1. 2.

2

Page 45: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Bb soprano saxA Big dark hand

3

45

51

Stefano Vecchiato

48

54

75

69

60

90

84

78

96

63

72

81

87

93

66

34

44

68

68

44

12

12

15

6

Allegro = 120

calmo = 80

ansioso = 125 vivace = 150

Rall.

2.

1.

Page 46: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

102

105

108

111

114

117

120

123

126

138

129 132

141

135

44

4

3

5

Maestoso = 80

Leggiero = 90

2

Page 47: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Eb Alto Sax

A Big dark hand

3

12

27

42

6

15

Stefano Vecchiato

9

39

45

54

66

51

57

69

72

78

48

60

75

81

34

44

68

10

8

6

Allegro = 120

vivace = 150

ansioso = 125

calmo = 80

Rall.

1. 2.

Page 48: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

93

87

102

108

90

96

105

111

120

126

117

135

114

123

129

138

44

5

4

4

6

Maestoso = 80

Leggiero = 90

2

Page 49: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Bb Tenor Sax

12

A Big dark hand

6

15

27

42

9

Stefano Vecchiato

39

45

54

69

48

63

57

66

75

81

51

72

60

78

84

34

44

68

4

10

8

3

2

Allegro = 120

vivace = 150

ansioso = 125

calmo = 80

Rall .

1. 2.

Page 50: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

90

87

96

105

102

93

108

117

123

114

129

111

120

126

135

44

4

5 10

Maestoso = 80

Leggiero = 90

2

Page 51: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Eb baritone sax

3

12

A Big dark hand

6

15

21 24

9

18

Stefano Vecchiato

27

39

30

54

48

33

42

60

51

57

36

45

63

34

44

44

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Page 52: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

66

81

75

84

90 93

69

78

87

72

96

108

123

102

117

111

126

132

141

120

105

129

114

135

144

138

68

44

44

4

3

Rall.

Maestoso = 80

Leggiero = 90

1. 2.

2

Page 53: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

1 Bb Trumpet

21

A Big dark hand

6 9

24

48

27

Stefano Vecchiato

18

45

51

66

75

54 57

69

78

84

93

63

72

60

81

87

96

90

34

44

44

68

44

4

15

7

3

Allegro = 120

vivace = 150

ansioso = 125

calmo = 80

.Rall

1. 2.

Page 54: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

99 102

108

105

111

132 135

120

117

114

123

126

138

129

141

44

5

Maestoso = 80

Leggiero = 90

2

Page 55: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

2 Bb TrumpetA Big dark hand

6

21

36

27

39

30

9

24

Stefano Vecchiato

18

42

33

45

48

72

66

51

81

93

87

54

75

69

84

63

78

90

96

34

44

68

44

4

7

9

Allegro = 120

vivace = 150

ansioso = 125

Rall.

calmo = 80

1. 2.

Page 56: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

102

105

108

111

114

117

120

123

135

126 129

138

132

44

4

3

2

6

2

Maestoso = 80

Leggiero = 90

2

Page 57: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

1 Eb HornA Big dark hand

3

12

21 24

42

27

6

15 18

Stefano Vecchiato

9

39

45

51

48

66

72

78

54

60

69

63

57

75

81

34

44

68

10

3

Allegro = 120

vivace = 150

ansioso = 125

calmo = 80

Rall.

1. 2.

Page 58: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

84

90

96

102

87

93

99

105

111

108

117

123

129 132

114

120

126

135

44

9

Maestoso = 80

Leggiero = 90

2

Page 59: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

2 Eb Horn

9

21

A Big dark hand

12

24 27

48

42

51

15

Stefano Vecchiato

18

39

54

45

72

63

87

102

75

90

78

93

105

114

126 129

117

66

81

69

96

108

84

111

120

132 135

123

34

44

68

44

8

10

7

3

4

10

Allegro = 120

vivace = 150

ansioso = 125

calmo = 80

Leggiero = 90

Rall.

Maestoso = 80

1. 2.

Page 60: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

1 Bb Trombon

A Big dark hand

3

15

27

33

9

18 21

Stefano Vecchiato

12

30

24

36

54

42

51

48

69

39

57

45

63

66

72

34

44

68

68

4

6

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall .

2.

1.

Page 61: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

75

81

87

93

78

84

90

96

102

117

108

114

123

129

105

120

111

132

126

44

4

14

Maestoso = 80

Leggiero = 90

2

Page 62: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

2 Bb Trombon

18

A Big dark hand

3

21

36 39

30

6

24

Stefano Vecchiato

9

27

42

33

45

54

69

48

57

72

90

81

93

84

51

66

75

63

78

96

87

34

44

68

68

44

8

2

5

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall .

2.

1.

Page 63: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

102

99

105

108

114

123

111

120

129

117

126

132

44

13

Maestoso = 80

Leggiero = 90

2

Page 64: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Heuphonium

A Big dark hand

3

15

21 24

6

18

Stefano Vecchiato

9

27

33

30

42

45

51

39

36

48

34

44

44

4

Allegro = 120

ansioso = 125

vivace = 150

Page 65: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

54 60

66

72

78

69

75

81

84

96

105

90

108

117

132

120

135 138

93

87

102

111 114

123 126

141

129

144

68

44

6

4

4

3

calmo = 80

Rall .

Maestoso = 80

Leggiero = 90

1. 2.

2

Page 66: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

BassesA Big dark hand

3 6

15

21

30

24

9

18

Stefano Vecchiato

12

33

27

36

54

48

39

60

63

69

42

51

57

45

72

66

34

44

44

68

68

3

Allegro = 120

ansioso = 125

vivace = 150

calmo = 80

Rall.

2.

1.

Page 67: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

78

93

99 102

96

90

105

114

108

123

129

117

132

138 141

126

111

135

120

144

44

44

10

Maestoso = 80

Leggiero = 90

2

Page 68: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Snare drum

A Big dark hand

30

39

48

33

42

Stefano Vecchiato36

45

51

75

54

81

72

66

87

90

96

78

69

84

93

34

44

68

44

16 12

12

Allegro = 120 ansioso = 125vivace = 150

calmo = 80 Rall.

1. 2.

Page 69: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

99 102

105

108

111

126

117

114

120

123

129

44

2 17

Maestoso = 80

Leggiero = 90

2

Page 70: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

Percussion

15

A Big dark hand

6

18

27

9 12

21

Stefano Vecchiato

24

30

39

36

51

48

33

42

45

34

44

4

Allegro = 120

ansioso = 125

vivace = 150Triangle

Page 71: A Big dark handnuv4.x10.mx/score/a_big_dark_hand.pdf · the baritone side of the band, to which are opposing the firm chords of the woods. The second theme develops by elaborating

54 66

75

69

78

84 87

72

81

90

93

108

102

96

111

117

123

105

99

120

114

126 129

68

44

12

2

17

calmo = 80 .Rall

Maestoso = 80

Leggiero = 90

1. 2.

2