A BIBLIOGRAPHY OF SIX FAVORITE BANDS (1949-1999) · a bibliography of six favorite bands (1949-1999) from the reader’s guide to periodical literature and the music index

A BIBLIOGRAPHY OF SIX FAVORITE BANDS (1949-1999)

FROM THE READER’S GUIDE TO PERIODICAL LITERATURE

AND THE MUSIC INDEX

When we were teenagers, we would visit Rodman Public Library in our

hometown of Alliance, Ohio and look at The Readers’ Guide to Periodical

Literature, which listed citations of articles in Life, Look, Newsweek, Time, and

other magazines.

In the Readers’ Guide, we could see the title of an article, if an author was

credited, what publication it was in, what the date and volume of the issue was,

what page number the article was on or started on, and if there were portrait(s)

or illustration(s) or a bibliography or notes about the bandleaders.

Chris, especially, would go to the table where the indexes were kept, sit on a

little wooden stool, and be endlessly fascinated, just reading the titles of the

articles shown in each volume, about so many different topics.

Some of our early research interests, namely Tex Beneke, Cab Calloway, Jerry

Gray, Ray McKinley, Glenn Miller, and Artie Shaw, were rarely mentioned in

the general press during the period 1949 into the 1970s. (Beneke, Calloway, and

McKinley not at all!)

But for those moments when Calloway, Miller, or Shaw (or other bands) were,

Chris would request on a little call slip for the Librarian to retrieve the

periodicals that Rodman subscribed to. If desired, he could make a photocopy of

the article, depending on whether he any money to do so.

The Readers’ Guide to Periodical Literature served not only as an

introduction to some of what had been published about the bands, but for Chris

the beginning of an appreciation of the writings of George T. Simon, Leonard

Feather, and others.

For our website, we have extended this bibliography through 1999, to make it

an even 50-year period.

CAB CALLOWAY

“Focus on Cab Calloway,” Harpers Bazaar, Jan. 1974, p.49+. il, por

“PW interviews; edited by J.F. Baker,” Publishers Weekly, May 17, 1976,

pp.6-7. por

H. Johnson. “Cab Calloway,” Ebony, Feb. 1983, pp.66-67+. il, pors

“Cab Calloway stable after emergency surgery in N.Y.,” Jet, Jan. 16, 1989,

p.65. por

“Cab Calloway saluted in New York gala during his ‘Day,’” Jet, May 28, 1990, p.52.

“Unforgettable Pearl Bailey,” Reader’s Digest, Aug. 1991, pp.153-158. il, por

R.E. Johnson. “[ Obituary ],” Jet, Dec. 12, 1994, pp.58-63. il, pors

“Play based on Caribbean author Ross Guy’s book opens at Cab Calloway

School of the Arts,” Jet, Mar. 15, 1999, pp.35-37. il, por

GLENN MILLER

“Glenn Miller: memorial week,” Newsweek, Oct. 19, 1953, p.115.

“Glenn Miller story,” Look, Jan. 26, 1954, pp.84-86. il, por

“Rise of the real Glenn,” Life, Mar. 1, 1954, p.76. il, pors

D.A. Weiss. “Glenn Miller story,” Coronet, May 1954, pp.132-136. por

S. Spaeth. “Theatre on the disc,” Theatre Arts, May 1954, p.13.

A. Foote. “Glenn Miller collection at Library of Congress,” Profitable Hobbies,

Jul. 1954,p.19.

Irving Kolodin. “Major Miller mood,” Saturday Review, Oct. 8, 1955,

pp.52-53. por

“T.Y. Crowell’s Glenn Miller latest 30s serenade,” Publishers Weekly,

Nov. 26, 1973, p.16. il, por

E. Keerdoja. “Britain swings to Miller time,” Newsweek, May 16, 1983, p.15.

D. Gates. “The Glenn Miller story,” Newsweek, Jan. 13, 1986, p.6. por

GLENN MILLER [ cont’d ]

Stephen Stroff. “Glenn Miller on video,” Antiques & Collecting Hobbies,

Feb. 1992, pp.29-31.

J. Gustaitis. “Glenn Miller,” American History, Dec. 1994, pp.30-39+. il, pors

ARTIE SHAW

“With a nail file,” Time, Apr. 25, 1949, p.62. il, por

“Let’s face it,” Time, Sept. 26, 1949, pp.47-48. por

“Name is familiar; big-name fellow traveler,” Time, May 18, 1953,

pp.25-26. il, por

“Facts, figures and no flamboyance,” Theatre Arts, Sept. 1953, p.13.

“Tables for two,” New Yorker, Oct. 17, 1953, p.147.

Bill Simon. “Cavalcade of Artie Shaw (recordings),” Saturday Review,

Feb. 27, 1954, p.72.

Robert Lewis Taylor. “Profiles,” New Yorker, May 19, 1962, pp.47-48+. por

“Grounds for Divorce; story,” McCalls, Apr. 1964, pp.120-121.

D. Gates. “Artie Shaw: swinging without his clarinet,” Newsweek,

Jan. 2, 1984, p.8. il, por

R. Lemon. “With retirement out of his system, Artie Shaw, minus clarinet,

finally lets them Begin the beguine again,” People Weekly, Oct. 29, 1984,

pp.93-94+. il, pors

Christopher Porterfield. “Last recordings (sound recording review),”

Time, May 18, 1992, p.76. il, por

C. Rothman. “Artie Shaw’s solo beat,” Vanity Fair, June 1999, pp.184-189+.

il, pors

“Billie’s blue notes,” Newsweek, June 28, 1999, p.42. il, por

“Reaping the whirlwind,” Newsweek, June 28, 1999, p.80. il, por

Also during the early to mid-’70s, while attending classes at Bowling Green

State University in Bowling Green, Ohio, Jay would consult a similar but even

more rewarding source, The Music Index, and copy down citations of articles

from Down Beat, Metronome, Billboard, Variety, and other magazines held at

the campus library.

By the way, we still have the papers on which we laboriously wrote down in

pencil these citations.

What follows next is many pages of a bibliography of Tex Beneke, Cab

Calloway, Jerry Gray, Ray McKinley, Glenn Miller, and Artie Shaw from The

Music Index, covering from 1949 through 1999.

All of this information shows some of what we were reading starting in the

1970s. If you are just now learning about the big bands yourself, you can follow

along with press coverage of the leaders’ careers or lives, including Beneke split-

ting with the Glenn Miller Estate, Calloway moving his talents onto the theatre

stage, the building of Gray’s band, McKinley re-forming a Glenn Miller Orches-

tra, the continuing interest in Miller’s music, and Shaw zig-zagging in pursuit of

his many interests.

TEX BENEKE

E. Ronan. Last of string mohicans, Beneke axes 10 fiddlers,” Down Beat,

Jan. 28, 1949, p.9.

S. Allen. “We junked the strings-but didn’t lay an egg by Tex Beneke,”

Melody Maker, Mar. 5, 1949, p.3. port

T. Hallock. “Beneke band mourns strings.” Down Beat, Mar. 25, 1949, p.2.

“Beneke band to use Miller style,” Variety, Apr. 20, 1949, p.38.

“Beneke reshuffles-no strings attached,” Down Beat, May 20, 1949, p.2.

“You’ll never walk alone; not with the Miller tag,” Down Beat, June 17, 1949, p.3.

“Beneke charges RCA brushoff for Flanagan; asks contract release,” Variety,

Mar. 15, 1950, p.50.

“Band reviews,” Variety, May 17, 1950, p.47.

John S. Wilson. “Beneke dragging out many old Miller instrumentals to cope

with copycats,” Down Beat, June 30, 1950, p.13.

“In person,” Metronome, Jul. 1950, p.20. port

“Tex Beneke’s musical style,” International Musician, Oct. 1950, p.15.

“Beneke loses Miller rights in Haynes split,” Variety, Dec. 13, 1950, p.55+.

“Beneke-Haynes-Miller team hits bumpy road,” Billboard, Dec. 16, 1950, p.14+.

“We’ll keep playing melodic music with a lilt in it...says Tex Beneke,”

Melody Maker, Dec. 23, 1950, p.11.

“Beneke, Haynes split; Tex loses Miller name, book,” Down Beat,

Jan. 12, 1951, p.1.

“Everything but sink attached by Haynes in split with Beneke,” Variety,

Jan. 24, 1951, p.35.

“Tex admits Miller debt, but wants independence,” Down Beat, Jan. 26, 1951, p.1.

“On the stand,” Billboard, Jan. 27, 1951, p.16.

“Beneke thinks he has the answer,” Down Beat, June 1, 1951, p.2. port

TEX BENEKE [ cont’d ]

Band reviews,” Variety, June 20, 1951, p.44.

Henry F. Whiston. “Glenn would have played advanced music if he had been

alive today (interview with Tex Beneke),” Melody Maker, Dec. 8, 1951, p.3.

“Band reviews,” Variety, Feb. 6, 1952, p.50.

“In person: Tex,” Metronome, Apr. 1952, pp.14-15. port

Leonard Feather. “Tex Beneke’s orchestra is no run-of-the-Miller,”

Down Beat, Apr. 4, 1952, p.4.

Tex Beneke. “’Hit the road, fellas!,’” Metronome, Aug. 1952, p.17. port

“Band reviews,” Variety, Oct. 1, 1952, p.114.

Ted Hallock. “Beneke band jumps while MGM platters gather dust,”

Down Beat, Oct. 8, 1952, p.7.

“The Miller man filmland forgot,” Melody Maker, Oct. 10, 1953, p.8.

“Recording artists’ roster,” Down Beat, June 30, 1954, p.89.

“Want to buy a band?,” Down Beat, Apr. 20, 1955, p.43.

“Band reviews,” Variety, Apr. 27, 1955, p.51.

“Want to buy a band?,” Down Beat, Apr. 18, 1956, p.45+.

“Want to buy a band?,” Down Beat, Apr. 18, 1957, p.41.

“Want to buy a band?,” Down Beat, Apr. 17, 1958, pp.43-44.

“Dance band directory,” Down Beat, Apr. 16, 1959, p.41.

“Desert Inn, Las Vegas,” Variety, Dec. 15, 1971, p.51.

J. Sipple. “Talent in action,” Billboard, June 10, 1972, p.12.

“Concert reviews,” Variety, Aug. 22, 1973, p.36.

“Tex Beneke was first authorized Miller band,” Variety, Feb. 6, 1974, p.48.

“Tex Beneke and his orchestra; discography (book review),” IAJRC, n3 1974,

p.13+ / Jazz Journal, Dec. 1974, pp.25 / Coda, n3 1975, p.33.

TEX BENEKE [ cont’d ]

“Concert reviews,” Variety, Feb. 12, 1975, p.73.

“Use of Glenn Miller’s name stirs ‘ad war,’” Variety, Sept. 17, 1975, p.61.

Dave Dexter, Jr. “Talent in action,” Billboard, Nov. 21, 1981, p.65.

“Record reviews: Loose Like,” Jazz Journal International, Jul. 1984, p.21.

“Video critique (Swingtime Video Presents Meet the Band Leaders),”

Cadence, May 1986, pp.65-66+.


“Tex Beneke foer Millers arvvidare,” Orkester Journalen, Oct. 1991, pp.19-20.

biog, ports

B. Fagerstroem. “Beprovead dansmusik,” Orkester Journalen, Nov. 1991, p.15.

CAB CALLOWAY

Cab Calloway. “Is dope killing our musicians?,” Ebony, Feb. 1951, p.4+.

Henry F. Whiston. “Senor Calloway is going South!,” Melody Maker,

Feb. 17, 1951, p.2.

“Cab re-forms big ork for trip to Uruguay,” Down Beat, Feb. 24, 1951, p.1.

“Three U.S. orks hits in Montevideo appearances (includes personnel),”

Down Beat, Apr. 6, 1951, p.1.

Henry F. Whiston. “Back comes the King of Hi-de-ho!,” Melody Maker,

Aug. 11, 1951, p.3. port

Henry F. Whiston. “Cab’s big band sounds great in Canadian tour,”

Down Beat, Aug. 24, 1951, p.13.

“Video means the rebirth of band biz, says Calloway,” Down Beat,

Nov. 16, 1951, p.3. port

“Birdland, N.Y.,” Variety, Dec. 5, 1951, p.60.

“Calloway debunks story of dope arrest in S. America,” Melody Maker,

Apr. 19, 1952, p.6.

“Cab Calloway arrives in London as MU considers axing ‘Porgy’ MD,”

Melody Maker, Oct. 4, 1952, p.1.+. port

N. Jones. “The man with the double profile,” Melody Maker,

Oct. 11, 1952, p.5. ports

“MU man watches as Calloway crashes British jazz package,”

Melody Maker, Oct. 11, 1952, p.6.

“Calloway shaken by Porgy closure,” Melody Maker, Feb. 14, 1953, p.7.

“Bandbox, N.Y.,” Variety, Oct. 7, 1953, p.69.

“Cab Calloway plans own series for new Negro radio network,”

Variety, Feb. 3, 1954, p.2.

“Cab won’t return to band biz, will do single,” Variety, June 2, 1954, p.49.

“Amato’s, Portland, Ore.,” Variety, June 16, 1954, p.53.

CAB CALLOWAY [ cont’d ]

“Cab’s Coast music dates after 2 years in ‘Porgy,’” Variety, Aug. 18, 1954, p.54.

“Cab forming small combo,” Down Beat, Sept. 8, 1954, p.1.

“Calloway gets Carver award,” Down Beat, Dec. 1, 1954, p.16.

“Cab Calloway voted ‘an inspiration,’” Melody Maker, Dec. 25, 1954, p.12.

“Mocambo, Hollywood,” Variety, Jan. 26, 1955, p.52.

M. Nevard. “The old man & the king of hi-de-ho,” Melody Maker,

Aug. 27, 1955, p.7. ports

“Latin Quarter, N.Y.,” Variety, Nov. 2, 1955, p.64.

Bob Francis. “Nightclub: Cab Calloway’s One for the Book,” Billboard,

Nov. 5, 1955, p.15.

“Calloway alumni form new band,” Down Beat, Apr. 4, 1956, p.6.

“Town Casino, Buffalo,” Variety, Sept. 25, 1957, p.63.


Steve Voce. “The Marquis of Harlem,” Jazz Journal, June 1958,

pp.9-11. port

Albert J. McCarthy. “The big band era,” Jazz Monthly, June 1960, pp.7-9+.

Otto Fluckiger. “Cab Calloway: discography and solography (includes

personnel of bands),” Jazz Journal, May 1961, p.4 / June 1961, pp.13-14 /

Jul. 1961, pp.11-12.

George Hoefer. “The hot box (includes Gillespie with Calloway discography),”

Down Beat, Sept. 14, 1961, pp.37-38.

D. Burke. “They don’t make days like they used to,” Second Line,

n.7-8 1963, pp.3-4.

L. Matteson. “Liten intervju Cab Calloway,” Orkester Journalen,

Dec. 1965, p.14. port

“Riverboat, N.Y.,” Variety, May 25, 1966, p.61.

“Eden Roc, M.B.,” Variety, Jul. 20, 1966, p.61.

John McDonough. “Record reviews: Cab Calloway Classics,” Down Beat,

Oct. 1, 1970, pp.21-22.

E. Kramer. “Record reviews: The Man from Harlem 1930-1932,”

Coda, n3 1971, pp.24-25.

“Rainbow Grill, N.Y.,” Variety, Feb. 14, 1973, p.83.

“Town Hall ‘concept’ shows in solid bow with ‘Cotton Club,” Variety,

Apr. 2, 1975, p.80.

“Of Minnie the Moocher and Me (book review),” Rolling Stone, Aug. 1976, p.17 /

Cadence, Oct. 1976, p.14 / Jazz Forum, n 44 1976, pp.82-83 / Second Line,

Fall 1977, pp.34-35 / Orkester Journalen, May 1978, p.2+ / Coda, June 1,

1978, p.14 / Jazz Podium, Apr. 1979, p.50.

“Cab unretired,” Down Beat, Dec. 16, 1976, p.10.

D. Nevers. “Les jours d’avant Cab,” Jazz Hot, Jul.-Aug. 1977, pp.28-30. port

J.P. Daubresse. “Cab Calloway,” Jazz Hot, Jul.-Aug. 1977, pp.30-33. ports


J.R. Hippenmeyer. “Cab Calloway; ou, Les nouvelles aventures d’un maître

chanteur,” Revue Musicale de Suisse Romande, n4 1977, pp.128-129. ports

J.R. Hoberman. “If youse a viper; pot luck behind the bandstand,”

Crawdaddy, Dec. 1977, p.18+. il, port

“’Immer first class’ Cab Calloway im Gespraech,” Jazz Podium, Dec. 1977,

pp.8-10. cover port, port

Radcliffe Joe. “It’s Calloway & ‘Minnie’ Again (disco version of song ‘Minnie the

Moocher’),” Billboard, Sept. 16, 1978, p.44. port

“Hi-de-ho Cab in paradise,” Down Beat, Jan. 11, 1979, p.12.

L. Birnbaum. “Milt Hinton: the judge holds court,” Down Beat,

Jan. 25, 1979, pp.14-16+.

“Record reviews: Soudntracks: Hi-De-Ho (1933) / Jitterbug Party (1934),”

Coda, Feb. 2, 1979, p.18.

“Record reviews: Cab Calloway,” Jazz Journal International, Mar. 1979, p.29.

P. Garland. “Early jazz in film shorts (recordings),” Stereo Review,

Oct. 1980, p.104.


“Record reviews: Jazz Off the Air, Vol.4,” Jazz Journal International,

Jan. 1981, p.31+.

Steve Voce. “Calloway days,” Jazz Journal International, Dec. 1981, p.10.

“Album reviews: Minnie the Moocher,” Crescendo International, Apr. 1983, p.28.

“Calloway subbing for Basie; K.C. pays tribute to batoner,” Variety,

May 16, 1984, p.109.

“Vine St. Bar Grill, L.A.,” Variety, May 22, 1985, p.93.

“Jazz en direct,” Jazz Magazine, June 1985, p.12.

“Record reviews: Cab Calloway,” Jazz Journal International, Sept. 1985, p.29.

2e edition: The Complete 1933-1934 Cotton Club Orchestra Sessions,

the 1949 Sides Plus Rare Items by Blanche Calloway (1931) and

Billy Banks (1932),” Jazz Magazine, Nov. 1985, p.49.

Chip Deffaa. “Swing-era survivors shine in concerts-Castle, Calloway, Goodman,”

Mississippi Rag, Nov. 1985, p.7.

S. Woolley. “Record reviews: Cab Calloway & Co.,” Jazz Journal International,

Feb. 1986, pp.23-24.

2e edition: Jumping and Jiving,” Jazz Magazine, Mar. 1986, p.46. port

“Talent in action,” Billboard, Apr. 19, 1986, p.25.

S. Woolley. “Record reviews: Jumping and Jiving-Vol.1,” Jazz Journal

International, May 1986, p.24.

“Record reviews: The Missourians and Cab Calloway,” Jazz Journal

International, Dec. 1986, pp.33-34.

“Record reviews: The Missourians and Cab Calloway,” Footnote, n2

1986-1987, pp.24-26.

“Concert reviews,” Variety, Jul. 22, 1987, p.76.

Jurgen Woelfer. “Dizzy Gillespie, bei Teddy Hill and Cab Calloway,”

Jazz Podium, Sept. 1987, pp.8-11.


B. Scherman. “80-aarige Calloway straalande vital,” Orkester Journalen,

Sept. 1987, p.31.

M. Rieth. “Das Festival frisst seine Vaeter und Muetter: Musik, Tanz und

Kunst-Eindruecke von den Achten Leverkusener Jazztagen,”

Jazz Podium, Dec. 1987, p.15.

U. Olshausen. “Jazzfest Berlin ‘87,” Jazz Podium, Jan. 1988, p.15. port

“Concert reviews,” Variety, June 8, 1988, p.68+.

Chip Deffaa. “King of hi-de-ho turns 80 in style,” Mississippi Rag,

Jul. 1988, pp.8-9. port

“[ portrait ],” Crescendo International, Aug. 1988, p.39.

J. Anders. “10. Estival Jazz Lugano,” Jazz Podium, Aug. 1988, pp.22-24. port

Ira Gitler. “celebrating Cab Calloway,” Jazz Times, Aug. 1988, p.13. port

“Record reviews-LPs: Singin ’n’ Swingin,” Jazz Journal International,

Oct. 1988, p.32.

“Record reviews-CDs: Cotton Club,” Jazz Journal International,

Dec. 1988, pp.17-18.

“Record reviews-LPs: The Missourians and Cab Calloway,” Jazz Journal

International, Mar. 1989, pp.35-36.

“Reissues: Big Band Jazz,” Cadence, Apr. 1989, p.24.

K.R. Bachmann. “7. Zeltmusikfestival in Freiburg,” Jazz Podium,

Aug. 1989, p.20. il

“Rounding up reviews: The Original Cotton Club Orchestras,” IAJRC Journal,

n3 1989, p.46.

“Concert reviews,” Variety, Oct. 18, 1989, p.89.

“Record reviews: The Most Important Recordings of,” Jazz Journal

International, Nov. 1989, p.26.

“Unit reviews (Gotta Sing Gotta Dance),” Variety, Apr. 18, 1990, p.63.


Jack Sohmer. “Big bands on parade (Best of the Big Bands),” Down Beat,

June 1990, p.41. port

Chip Deffaa. “Out & about in New York,” Crescendo International,

Aug.-Sept. 1990, pp.4-7.

K.R. Bachmann. “Freiburger Zeltmusik-Festival,” Jazz Podium, Sept. 1990, p.34.

“Record reviews: Best of the Big Bands Series / The Chronlogical Calloway

1930-31,” Jazz Journal International, Oct. 1990, pp.28-29.

G. Buhles. “Royal Philharmonic Orchestra in Ulm,” Das Orchester,

Oct. 1990, pp.1056-1057.

“Record reviews: The Chronological Cab 1931-1932,” Jazz Journal International,

Nov. 1990, p.29.

“Record reviews: The Chronological Calloway 1932,” Jazz Journal International,

Feb. 1991, p.33.

“Milt Hinton photo gallery,” Instrumentalist,” Apr. 1991, pp.83-84. port

“Record reviews: The Chronological Calloway 1932-34,” Jazz Journal

International, Apr. 1991, p.23.

“Reissues: 1931-1932 (CD),” Cadence, May 1991, pp.26-27.

“Reissues: 1930-1931 (CD),” Cadence, May 1991, pp.33-34.

“Record reviews: The Chronological Calloway 1934-37 / La Selection 1930-1939,”

Jazz Journal International, May 1991, p.28.

“Record reviews: The Chronological Calloway 1937-38” Jazz Journal

International, Jul. 1991, p.22.

“Briefers: Hi de Ho,” Jazz Journal International, Jul. 1991, p.43.

“Record reviews: The Chronological Calloway 1938-39,” Jazz Journal

International, Nov. 1991, pp.27-28.

“Record reviews: Calloway and the Missourians 1929-30 / The Chronological

Calloway 1939-40,” Jazz Journal International, Dec. 1991, pp.22-23.


“Record reviews: Get with Cab,” Jazz Journal International, May 1992, p.22.

“Record reviews: The Chronological Calloway 1940,” Jazz Journal International,

Oct. 1992, p.29.

“Record reviews: Penguin Swing,” Jazz Journal International, Mar. 1993, p.23.

“Record reviews: Cab Calloway,” Jazz Journal International, May 1993, p.28.

T. White. “Music to my ears: Catchin’ Cab: the magic of Calloway

(Columbia-Legacy reissues: Cab Calloway-Best of the Big Bands and

Cab Calloway-Featuring Chu Berry,” Billboard, Aug. 14, 1993, p.3.

“CD reviews: Cab Calloway: Featuring Chu Berry,” Jazz Times, n9 1993, p.85.

B. Holland. “Three U.S. music legends honored by White House: Ray Charles,

Cab Calloway, Robert Merrill earn medals,” Billboard, Oct. 23, 1993, p.23.

“Record reviews: Featuring Chu Berry,” Jazz Journal International,

Mar. 1994, p.20.

C. Borzillo. “Heatseekers impact: Tommy Boy artist K7 has started to Swing,”

Billboard, Apr. 23, 1994, p.9+. port

“Classic reviews (June 1, 1990 issue),” Down Beat, Jul. 1994, p.84.

[ Obituary ],” Jazz Educators Journal, n2 1994, p.14 / Melody Maker,

Nov. 26, 1994, p.4 / Variety, Nov. 28, 1994, p.51 / Jazz Podium, Dec. 1994,

p.54 / Mississippi Rag, Dec. 1994, p.4.

I. Lichtman. “[ Obituary ],” Billboard, Dec. 3, 1994, p.10+. port

F.W. Sportis. “Cab Calloway, The Hi-De-Ho Man,” Jazz Hot, Feb. 1995,

p.16. port

D. Helland. “The end of three vocal eras,” Down Beat, Mar. 1995, pp.24-27. port

“Record reviews: His Best Recordings,” Jazz Journal International,

Jan. 1995, pp.20-21.

“Neue CDs: Hi-De-Hi-De-Ho,” Jazz Podium, Jan. 1995, p.82.

Eddie Cook. “[ Obituary ],” Jazz Journal International, Jan. 1995, pp.14-15.


“[ Obituary ],” Second Line, 1994, p.4 / Cadence, Jan. 1995, p.110 /

Jazz Magazine, Jan. 1995, p.11 / Jazz Podium, Jan. 1995, p.23 /

Jazz Times, n1 1995, p.114 / Orkester Journalen, Jan. 1995, p.37 /

Down Beat, Feb. 1995, p.13 / International Musician, Feb. 1995, p.10 /

Das Orkester, n2 1995, p.69 / Coda, Mar.-Apr. 1995, p.5 / Jazz Times,

n2 1995, p.24 / Crescendo & Jazz Music, n6 1995, p.26 / Notes, n4 1995,

p.1263.

B.J. Bonner. “[ Obituary ],” Living Blues, Jan.-Feb. 1995, p.67.

“Record reviews: Hi De Hi De Ho,” Jazz Journal International, Apr. 1995, p.25.

C. Gill. “T-Bone Walker: electrifying the blues,” Guitar Player, Aug. 1995,

pp.72-75+.

“Record reviews: His Best Sides,” Jazz Journal International, Oct. 1996, pp.22-23.

“The big band classics on Kaz: The Classic Tracks: Cab Calloway,” Jazz Journal


“Reissues: The Radio Years,” Cadence, Sept. 1997, pp.32-33.

Gary Giddins. “Weatherbird: Just say yes (pre-censorship films from 1929-1941),”

Village Voice, Sept. 2, 1997, p.70. port

“Neue CDs: The Radio Years 1940-45 (Orchestra),” Jazz Podium, Nov. 1997, p.94.

“Record reviews: The Hi-de-ho Man,” Jazz Journal International,

Feb. 1998, pp.33-34.

“Rounding up reviews: The Radio Years, 1940-45,” IAJRC Journal,

Winter 1998, pp.70-71.

“Reissues: 1942-1947 (CD),” Cadence, Aug. 1988, p.33.

“Record reviews: Cab Calloway and His Orchestra 1942-47,” Jazz Journal

International, Sept. 1998, pp.21-22.

JERRY GRAY

S. Allen. “Jerry Gray,” Melody Maker, June 25, 1949, p.4. port

“Gray given full big-name build,” Billboard, May 27, 1950, p.17.

George T. Simon. “Jerry Gray strikes back,” Metronome, June 1950, p.17+.

port

“Jerry Gray Band Starts On Summer Dance Tour,” Down Beat, Jul. 28, 1950, p.1.

JERRY GRAY [ cont’d ]

“Band reviews,” Variety, Aug. 2, 1950, p.42.

Charles Emge. “Gray Palladium date to affect West Coast’s dance biz failure,”

Down Beat, Aug. 25, 1950, p.1+. Ports

“Gray gives shot in arm to coast dance business,” Down Beat, Sept. 8, 1950, p.3.

Band reviews, Variety, Nov. 22, 1950, p.45.

Hal Webman. “On the stand,” Billboard, Dec. 23, 1950, p.16.

“Gray brings great dance ork to the Meadowbrook,” Down Beat, Dec. 29, 1950,

p.3.

“In person,” Metronome, Feb. 1951, p.20.

“Edgewater Beach, Chi.,” Variety, June 20, 1951, p.50+.

Charles Emge. “Dance band revival now reaching the West Coast,”

Down Beat, June 18, 1952, p.2+.

“Jerry Gray leads Fairmont Orchestra for guest acts,” Billboard,

Sept. 8, 1973, p.112.

“Jerry Gray dies of heart attack,” Billboard, Aug. 21, 1976, p.6.

“Start a Jerry Gray scholarship,” Billboard, Sept. 11, 1976, p.31.

“[ Obituary ],” Variety, Aug. 18, 1976, p.78 / Crescendo International, Oct. 1976,

p.3 / Orkester Journalen, Oct. 1976, p.5 / Down Beat, Nov. 18, 1976, p.19 /

Crescendo International, Jan. 1977, p.38.

“Hodgepodge & shorties: Live from the Hollywood Palladium,” Cadence,

Sept. 1992, p.23.

Harold S. Kaye. “The great ‘Goz’ story, part 5,” IAJRC Journal, n2 1993, pp.54-62.

bibliog, biog, ports

“Reissues: A Salute to Glenn Miller,” Cadence, Nov. 1997, pp.25-26.

RAY McKINLEY

“Ray McKinley and his versatile band,” International Musician,

Jan. 1950, p.15+. Port

George T. Simon. “Dixieland drums and drummers,” Metronome, Jan. 1952,

pp.12-13. port

“Ray McKinley disbands orch, cancels 25 dates,” Variety, Feb. 17, 1954, p.46.

“Biographies of Dot artists,” Billboard, Oct. 9, 1954, p.44.

“Ray McKinley to baton new Miller set-up,” Billboard, Apr. 28, 1956, p.20.

“New Glenn Miller orch (McKinley),” Variety, May 16, 1956, p.43.

“McKinley starts new Miller ork,” Down Beat, May 30, 1956, p.7.

“McKinley, off and running with Miller ork, is booked into August,”

Down Beat, June 13, 1956, p.7.

Dom Cerulli. “Glenn Miller’s back! With Ray McKinley at helm, the band

finds biz is great,” Down Beat, Oct. 31, 1956, p.14+. ports

“The bands swing back,” Metronome, Nov. 1956, p.21.

“The Glenn Miller Orchestra under direction of Ray McKinley,”

International Musician, Dec. 1956, pp.12-13. port

James Maher. “Miller-McKinley—a natural,” Metronome, Feb. 1957,

p.17+. cover port, port

“McKinley pulls,” Down Beat, Feb. 6, 1957, p.12.

P. Hill. “Miller magic,” Melody Maker, Feb. 23, 1957, p.8.

E.T. Marquis. “Yank jazz boffs Warsaw; local M.C. ribs Reds,” Variety,

Apr. 10, 1957, p.1+.

“McKinley’s band to play Red countries,” Down Beat, Apr. 18, 1957, p.11.

“Miller Orch (McKinley) mops up in East Europe; lays one egg in Yugo,”

Variety, May 15, 1957, p.57.

Dom Cerulli. “Curtain parts, lets McKinley through,” Down Beat,

June 13, 1957, pp.13-14. port

RAY McKINLEY [ cont’d ]

Lenny Hambro. “McKinley band recalls European experiences,”

Metronome, Jul. 1957, pp.6-7.

R. Grevatt. “Glenn Miller sound here again; interview with Ray McKinley,”

Melody Maker, Jan. 18, 1958, p.3. port

M. Burman. “A day with the Glenn Miller orchestra,” Melody Maker,

Jan. 25, 1958, p.5. port

“Glenn Miller-less orch just an echo in London,” Variety, Jan. 29, 1958, p.57.

“Waldorf-Astoria, N.Y.,” Variety, Aug. 27, 1958, p.55.

R. Grevatt. “Glenn Miller swings again under Ray’s fine direction,”

Billboard, Sept. 1, 1958, p.5.

“Japanese auds find no ‘ghost’ in Miller band,” Variety, Apr. 15, 1964.

“Mark Twain Room, N.Y.,” Variety, Jul. 14, 1965, p.52.

“Riverboat, N.Y.,” Variety, Sept. 15, 1965, p.75.

“Jazz Discographies Unlimited: Ray McKinley (book review),” Jazz Monthly,

Nov. 1967, p.17.

J.R. Nelson. “Jazz Club Hot Band,” Matrix, Dec. 1970, pp.8-9.

Ian Crosbie. “The Will Bradley-Ray McKinley orchestra (includes list of

recordings),” Jazz Journal, Feb. 1973, pp.14-17.

Alaun Morgan. “Welcome back Esquire (recording Glenn Miller’s Uptown Hall

Gang),” Jazz Journal, Feb. 1977, pp.38-40.

“Schallplatten-Besprechungen: The Glenn Miller Uptown Hall Gang (led by

Mel Powell Featuring Django Reinhardt),” Jazz Podium, May 1977,

pp.34-35.

“Record reviews: Blue Skies,” Jazz Journal International, Jul. 1980, p.45.

“Miller band meets the British royals (Reunion Band),” Variety,

Nov. 20, 1985, p.104.

Burt Korall. “Ray McKinley: swing pioneer (interview),” Modern Drummer,

Apr. 1986, pp.30-33+.

RAY McKINLEY [ cont’d ]

“Record reviews: My Guy’s Come Back,” Jazz Journal International,

Nov. 1986, pp.31-32.

“Reissues: The Most Versatile Band in the Land,” Cadence, June 1988, pp.24-25.

Chip Deffaa. “McKinley spices drumming with humor,” Mississippi Rag,

Jan. 1991, pp.1-4+. cover port, ports

“Drummin’ men: the heartbeat of jazz (book review),” Modern Drummer,

Feb. 1991, p.134 / Cash Box, Apr. 27, 1991, p.9 / Jazz Times, n2 1991, p.48 /

Cadence, May 1991, p.18 / Percussion Notes, n3 1991, p.77 / Down Beat,

Aug. 1991, p.59 / Mississippi Rag, Sept. 1991, p.28 / IAJRC Journal,

n4 1991, pp.76-77 / Coda, May-June 1992, pp.35-39 / Council for Research in

Music Education Bulletin, Winter 1992, pp.86-88 / Orkester Journalen,

Dec. 1992, pp.42-43.

“Die raritaet: Borderline (Orchestra),” Stereoplay, Sept. 1993, p.182. port

“[ Obituary ],” Billboard, May 20, 1995, p.92 / Jazz Educators Journal, n2 1995,

p.15 / Cadence, June 1995, p.110 / Jazz Podium, June 1995, p.50 /

Mississippi Rag, June 1995, p.14 / Orkester Journalen, June 1995, p.37 /

Jazz Times, n7 1995, p.22 / Mississippi Rag, Jul. 1995, p.7 / Jazz Hot,

Jul.-Aug. 1995, p.5 / Down Beat, Aug. 1995, p.15 / Coda, Sept.-Oct. 1995,

p.12 / Crescendo & Jazz Music, n6 1995-1996, p.34 / Jazz Podium,

Jan. 1996, p.35 / Notes, n4 1996, p.1126..

Burt Korall. “[ Obituary ],” International Musician, Jul. 1995, p.12.

Eddie Cook. “[ Obituary ],” Jazz Journal International, Jul. 1995, p.20.

R. Van Horn. “In memoriam,” Modern Drummer, Sept. 1995, p.140.

“Record reviews: Glenn Miller in Paris (Men),” Jazz Journal International,

Oct. 1995, p.35.

“Record reviews: The Class of ‘49,” Jazz Journal International, Mar. 1998, p.38.

L.V. Mialy. “Histories: Ray McKinley (1992 interview),” Jazz Hot,

Apr. 1998, pp.16-17. biog, il, port

GLENN MILLER

Leonard Feather. “The great Miller revival,” Melody Maker, Apr. 8, 1950, p.3.

“Miller bands finished, believes Don Haynes,” Down Beat, June 15, 1951, p.3.

Charles Emge. “Haynes puts to rest rumors that Glenn Miller still lives,”

Down Beat, Jul. 27, 1951, p.1+. port

Leonard Feather. “The Miller melody lingers on,” Down Beat, Jul. 27, 1951,

p.1-2+. ports

H. Holly. “Former bandmate recalls Glenn in pre-Pollack days,” Down Beat,

Jul. 27, 1951, p.9.

“Glenn’s career showed one thing,” Down Beat, Jul. 27, 1951, p.10.

“Miller discography,” Down Beat, Jul. 27, 1951, p.16.

“What they say about Miller,” Down Beat, Jul. 27, 1951,p.16+.

“Glenn Miller off-air album waxed by RCA,” Billboard, Sept. 1, 1951, p.14+.

“The new bandstand; the memory and music of Glenn Miller,” Musicana,

Oct.-Nov. 1951, p.26.

“GAC files claim to Glenn Miller issues,” Billboard, Nov. 24, 1951, p.18+.

“Glenn Miller estate orders halt of ‘AFN’ army band LPs,” Billboard,

Mar. 1, 1952, p.16.

“Iowa station will honor Glenn Miller,” Billboard, Aug. 23, 1952, p.21.

“Glenn Miller week promotion gets under way in Waterloo,” Billboard,

Sept. 6, 1952, p.43.

“RCA buys rights to Miller air checks,” Billboard, May 16, 1953, p.15.

Charles Emge. “U-I makes real effort to recreate Miller style,” Down Beat,

Jul. 15, 1953, p.5.

John S. Wilson. “Miller in retrospect (review of recordings),”

New York Times, Oct. 4, 1953, sec. 2, p.11.

“Mrs. Glenn (RCA) Miller’s test suit on U biopic’s Decca soundtrack,”

Variety, Oct. 14, 1953, p.1+.


“Showmanship on wax (RCA Victor’s “limited edition” of Glenn Miller

and his orchestra),” Variety, Oct. 14,1953, p.72.

“Mrs. Miller sues over soundtrack music,” Melody Maker, Oct. 24, 1953,

p.7. port

“’Glenn Miller’ decision pends,” Billboard, Nov. 7, 1953, p.22+.

“N.Y. court rules against Mrs. Glenn Miller in suit to block Decca album,”

Variety, Nov. 18, 1953, p.51+.

Jack Tracy. “In this corner (Glenn Miller Limited Edition set assembled

by RCA Victor),” Down Beat, Nov. 18, 1953, p.2.

Irving Kolodin. “A tonefile of Glenn Miller,” Saturday Review,

Nov. 28, 1953, p.61+.

“Who’s sore? Nobody in rare Miller-Decca suit,” Down Beat, Dec. 2, 1953, p.1.

“’Down Beat’ readers put Miller in Hall of Fame,” Down Beat,

Dec. 30, 1953, p.1.

“Dig deep for angles in Glenn Miller burg,” Variety, Jan. 20, 1954, p.47.

“The Glenn Miller avalanche,” Variety, Jan. 27, 1954, p.46.

“Glenn Miller’s widow presents memorabilia to Library of Congress,”

Variety, Jan. 27, 1954, p.47.

“Collection donated to D.C. library,” Billboard, Jan. 30, 1954, p.23.

Max Jones. “Youngsters of the ‘30s,” Melody Maker, Jan. 30, 1954, p.3.

“Miller the jazzman,” Melody Maker, Jan. 30, 1954 sup, pp.ii-iii.

“The Glenn Miller Story,” Melody Maker, Jan. 30, 1954 sup, pp.i-ii.

“What they say about Miller,” Melody Maker, Jan. 30, 1954 sup, p.iv.

“The Glenn Miller film,” Jazz Journal, Feb. 1954, pp.14-15. il

“The Miller movement (LP’s and EP’s,” Music Dealer, Feb. 1954, p.9.

“The Glenn Miller Story,” Newsweek, Feb. 1, 1954, pp.76-77.

“Congress tribute to Glenn,” Melody Maker, Feb. 6, 1954, p.7. il


Jack Tracy. “In this corner (world premiere of The Glenn Miller Story),”

Down Beat, Feb. 24, 1954, p.2.

H. Holly. “Finegan cool, Sauter hot on ‘Glenn Miller Story,’”

Down Beat, Feb. 24, 1954, p.5.

“Musical sidelights from ‘The Glenn Miller Story,’” Down Beat,

Feb. 24, 1954, p.5+.

“Miller biography,” Down Beat, Feb. 24, 1954, p.14.

Charles Emge. “’The Glenn Miller Story’: a legend comes to life,” Down Beat,

Feb. 24, 1954, p.3.

George T. Simon. “The real Glenn Miller,” Metronome, Mar. 1954,

pp.15-18+. ports

Barry Ulanov. “The Miller I knew,” Metronome, Mar. 1954, p.19+.

“The Glenn Miller Story,” Metronome, Mar. 1954, p.22.

“Disk retailers may come under fire, for 1st time, in Miller piracy claim,”

Variety, Apr. 7, 1954, p.44.

“Disk sales prove Glenn Miller tops,” Billboard, Apr. 10, 1954, p.21+.

“G. Miller estate earns 400G from disks since 1944,” Variety,

Apr. 14, 1954, p.37.

“Miller band re-forming for concert,” Down Beat, Apr. 21, 1954, p.1.

“Was Coast concert final chapter in Miller story?,” Down Beat, May 19, 1954, p.1.

“Unique legal move by Miller estate vs. disk retailers to scuttle pirates,”

Variety, May 26, 1954, p.67+.

“Miller widow sues on radio b’dcast disks,” Billboard, May 29, 1954, p.31.

“Glenn Miller’s swinging B.O., Vol. 2 (review of recording),” Variety,

Oct. 6, 1954, p.52.

“Glenn Miller ltd. Ed. II better than I (review of recordings,” Metronome,

Nov. 1954, p.44+. port


“Court impounds AFN Glenn Miller masters,” Billboard, Nov. 13, 1954, p.14+.

“Glenn Miller band has lots more sides to go; new tapes discovered,”

Variety, Apr. 20, 1955, p.47.

John S. Wilson. “Jazz disks,” New York Times, Nov. 27, 1955, sec.2, p.14.

John S. Wilson. “Military manpower beefs up the third Miller memorial set

(review of recordings), High Fidelity, Dec. 1955, p.95. port

“A Glenn Miller discography (book review),” Melody Maker, Dec. 17, 1955,

p.13.

“Major Miller’s AAF orchestra; Victor issues Air Force transcriptions,”

Metronome, Jan. 1956, pp.22-23. cover port, port

“A Glenn Miller discography (book review),” Orkester Journalen,

Sept. 1956, p.25.

Bill Holland. “Miller name kept alive through active society,”

Down Beat, May 30, 1957, p.19.

“Here’s the concert everybody forgot (Glenn Miller concert played Oct. 6, 1939,

at Carnegie Hall),” Down Beat, June 13, 1957, p.15. port

S. Race. “The Miller heritage,” Melody Maker, Feb. 28, 1959, p.9. port

“Coronet target of new Miller LP suit,” Billboard, Oct. 26, 1959, p.4+.

“Glenn Miller estate wins case vs. disk co.’s typographical tricks,”

Variety, Oct. 28, 1959, p.43.

“Court reverses Mrs. Glenn Miller vs. Decca and U.,” Variety,

June 15, 1960, p.47.

R. Fairchild. “Miller at Pacific Square,” Jazz Report, Jan. 1962, p.27.

“The RCA Victor ‘airshot’ LPs by Glenn Miller and his orchestra,”

Matrix, Oct. 1963, pp.6-7.

John S. Wilson. “Unusual appeal (recordings),” New York Times,

Dec. 15, 1963, sec.2, p.20.


M. Nyholm. “Glenn Miller, masterarrangoeren,” Musikern, June 1969,

pp.6-7. port

Roland Taylor and others. “Magic of Miller,” Melody Maker,

Nov. 15, 1969, pp.20-23. ports

Syd Lawrence. Why I play like Glenn Miller,” Melody Maker,

Nov. 15, 1969, pp.21-23. biog, ports

S. Friden. “Glenn Miller,” Orkester Journalen, Mar. 1970, pp.8-10. ports

Sinclair Traill. “Record reviews: The Real Glenn Miller,” Jazz Journal,

Feb. 1971, p.36.

“Glenn Miller never died; he simply multiplied,” Melody Maker,

Mar. 20, 1971, p.33. port

Max Jones. “Jazz records: The Best of Glenn Miller,” Melody Maker,

Aug. 21, 1971, p.30.

D. Doubble. “Glenn Miller Anniversary Concert, Royal Albert Hall

(sponsored by Glenn Miller Appreciation Society),”

Crescendo International, Jan. 1972, p.1.

“Moonlight Serenade: A Bio-discography of the Glenn Miller civilian band

(book review),” Jazz Research 1971-1972, p.268 / Coda, n9 1972, p.34 /

` Variety, Feb. 16, 1972, p.59 / Jazz Digest, Apr.-May 1972, p.19 /

Gramophone, June 1972, p.24 / Down Beat, June 8, 1972, p.37.

“Revive Glenn Miller Army Air Force Band,” Variety, Dec. 6, 1972, p.55.

L. Henshaw. “In Miller’s memory,” Melody Maker, Mar. 17, 1973, p.46. port

G. Irving. “Glenn Miller buffs in Europe tracking down rare radio broadcasts,”

Variety, May 29, 1974, p.45.

Les Tomkins. “The truth about the Miller sound-by clarinetist Johnny Mince,”

Crescendo International, June 1974, pp.24-25.

Cecil Madden. “Glenn Miller-the last six months,” Crescendo International,

June 1974, pp.26-27 / Jul. 1974, pp.26-27.


“Glenn Miller and his orchestra (book review),” Variety, Jul. 24, 1974, p.54 /

Music Journal, Sept. 1974, p.20 / Billboard, Oct. 5, 1974, p.59 /

Stereo Review, Nov. 1974, p.16 / Popular Music & Society, n4 1974, p.340 /

High Fidelity - Musical America, Jan. 1975, pp.6-7 / Crescendo

International, Feb. 1975, p.35.

“RCA marks 30th anni [ sic ] of Glenn Miller death,” Variety,

Nov. 27, 1974, p.71.

L. Dumont. “Historical tape recordings radio and TV: Glenn Miller,”

Hobbies, Aug. 1975, pp.58-59+.

“In the mood,” Melody Maker, Jan. 24, 1976, pp.40-41. cover port, ports

“Glenn miller tribute tour,” Crescendo International, Feb. 1976, p.12.

“Glenn Miller craze triggered in U.K.,” Billboard, Feb. 21, 1976, p.3+.

P. Jones. “Glenn Miller craze; feud between fans and promoters surges in U.K.

over concerts,” Billboard, Mar. 6, 1976, p.57.

L. Henshaw. “Miller magic—or is it? (proliferation of bands playing Miller

music),” Melody Maker, Apr. 24, 1976, p.44.

A. Stevens. “Miller magic—yes it is! (interview with Peanuts Hucko),”

Melody Maker, Apr. 24, 1976, p.44.’

J. Carter. ”Stand up the not quite real Glenn Miller!,” Crescendo International,

May 1976, p.18.

“Jazz albums: Glenn Miller and the Army Air Force Band,” Melody Maker,

Nov. 27, 1976, p.32.

“Jazz albums: The Carnegie Hall Concert,” Melody Maker, Mar. 19, 1977, p.32.

“Glenn Miller’s town wants 50-year stamp,” Variety, June 15, 1977, p.64.

G.M. Erskine. “Irving Fazola and the Glenn Miller sound (discussion of

recordings),” Second Line, Winter 1977, pp.43-45.

“Glenn Miller music swings again in U.K. in benefit reunion,” Variety,

May 31, 1978, p.81.


“Miller estate executor asked to return $800,000 to heirs,” Musical Trades,

Sep. 1979, p.94+.

“Judge tells exec to return money to miller’s kids,” Variety, Sept. 5, 1979, p.91.

“$800,000 to Glenn Miller’s kids,” Billboard, Sept. 22, 1979, p.46.

“Record reviews: Glenn Miller and the Army Air Force Band,” Jazz Journal

International, May 1981, p.37+.

“Record reviews: Glenn Miller Army Air Force Band, 1943-44 Vol.3:

Rare Performances,” Jazz Journal international, May 1981, p.39.

H. Francis. “As I heard it (review of film The Glenn Miller Story),”

Crescendo International, Oct. 1981, p.14.

“Court upholds decision on Glenn Miller royalties,” Billboard, Jul. 24, 1982, p.6.

“[ Suite for trombone and percussion, No.1 ] Premieres,” International

Trombone Association Journal, n3 1983, p.61.

John McDonough. “Record reviews: Old Wine, New Bottles,” Down Beat,

Sept. 1983, pp.37-38.

“Record reviews: Swing & Sweet (Army Air Force Band),” Jazz Journal

International, Nov. 1984, p.28.

Raymond Horricks. “Record reviews: In Concert,” Jazz Journal International,

Dec. 1985, p.24.

Raymond Horricks. “The Swinging Mr. Miller,” Jazz Journal International,

Jan. 1986, p.26.

“2e edition: On the Air,” Jazz Magazine, Jul.-Aug. 1986, p.62. port

“Das Glenn Miller Revival Orchestra,” Musik International-

Instrumentenbau-Zeitschrift, Aug. 1986, p.3.

S. Quaver. “The other Miller,” Crescendo International, Feb. 1987, p.15.

“Record reviews: Early Glenn Miller,” Jazz Journal International,

Mar. 1987, p.36.


“Record reviews: The Legend Vols. 1-3,” Jazz Journal International,

Apr. 1987, p.26.

“Reissues: In Hollywood,” Cadence, June 1987, p.30.

“Record reviews: On the Air Vols. 1-3 (Orchestra) / Uncle Sam Presents,”

Jazz Journal International, June 1987, p.28.

“Record reviews: Stardust,” Cadence, Jul. 1987, p.76.

George T. Simon. “War ueber seinen Erfolg selbst ueberrascht: Glenn Miller,”

Jazz Podium, Nov. 1987, pp.3-5.

“Compact discs: The Army Air Force Band 1943-4,” Cadence, Jan. 1988, pp.65-66.

“Glenn Miller: sein Leben-seine Musik (book review),” Jazz Podium,

Feb. 1988, p.58.

“Next to a letter from home: Major Glenn Miller’s wartime band (book review),”

Jazz Journal International, May 1988, p.13.

“ [ Herb Miller Obituary ],” International Musician, May 1988, p.22.

“Record reviews: On the Air, Volumes 1 and 2 (Orchestra) / The Complete

V-Disc Sessions, Vol.1,” Jazz Journal International, June 1988, pp.32-33.

“Briefers: A Tribute,” Jazz Journal International, June 1988, p.42.

Record reviews: Live-1940 Vol. 1 / Live-1940 Vol. 2 / Glenn Miller-A Tribute /

“The Complete V-Disc Sessions, Vol.1 (Army Air Force Orchestra),”

Cadence, Aug. 1988, pp.73-78.

“Record reviews: Live, March 1938 & November 1939 (Orchestra),”

Jazz Journal International, Aug. 1988, p.28.

“Reeditions: Glenn Miller and His Orchestra, Live from the Paradise Restaurant

and The Meadowbrook,” Jazz Magazine, Sept. 1988, p.44.

Eddie Cook. “The Miller saga,” Jazz Journal international, Oct. 1988, p.2.

“Record reviews-CDs: The Army Air Force Band,” Jazz Journal international,

Oct. 1988, p.24.


“Record reviews-LPs: Live from Glen Island Casino and Café Rouge (Orchestra),”

Jazz Journal International, Mar. 1989, p.35.

J.M. Fain. “The Glenn Miller legacy,” Instrumentalist, Apr. 1989, pp.20-26.

“Reviews: Glenn Miller Revival Orchestra (LP),” Cadence, May 1989, p.69.

“Miller band breaks entirely (reprint),” Down Beat, Sept. 1989, p.29.

Stephen Stroff. “Glenn Miller: an American icon, part 1,” Hobbies,

Sept. 1989, pp.44-47+. biog ports

Stephen Stroff. “Glenn Miller: an American icon, part 2,” Hobbies,

Nov. 1989, pp.60-63. biog, il, ports

“The Glenn Miller Army Air Force Band, Vols. 1 & 2 (book review),”

Cadence, Feb. 1990, pp.23-24 / Down Beat, Oct. 1990, p.53 /

Jazz Times, Nov. 1990, p.36 / Jazz Journal International, Jan. 1991, p.19 /

IAJRC Journal, n3 1991, p.71 / Notes, n3 1991, pp.792-793.

“Reissues: Live 1940 (CD),” Cadence, Feb. 1990, p.34.

“Record reviews: Live 1940,” Jazz Journal International,” Feb. 1990, pp.42-43.

“Hodgepodge & shorties: Live at the Meadowbrook Ballroom 1939,”

Cadence, Mar. 1990, p.27.

“Reissues: The Popular Recordings (CD),” Cadence, Mar. 1990, pp.62-63.

“CD & record reviews: The Popular Recordings (1938-1942),” Jazz Times,

Apr. 1990, p.42.

“Record reviews: I Sustain the Wings Christmas Programme,” Jazz Journal

International, May 1990, p.40.

“Hodgepodge & shorties: The Glenn Miller Orchestra Vol. 1 and 2,”

Cadence, June 1990, pp.16-17.

“Hodgepodge & shorties: Glenn Miller Army Air Force Orchestra,”

Cadence, Aug. 1990, p.62.

“Hodgepodge & shorties: Glenn Miller and His Orchestra, Vol. 1:

Pennsylvania 6-5000,” Cadence, Jan. 1991, pp.31-32.


John Kuehn. “Wilbur Schwartz: the clarinet sound of the Glenn Miller

Orchestra,” Clarinet, n2 1991, pp.34-35. bibliog, il

“Briefers: Remember Glenn Miller (Orchestra),” Jazz Journal International,

Apr. 1991, p.47.

“Reissues: Sustaining Remote Broadcasts, Vol. 2: Tuxedo Junction (CD),”

Cadence, June 1991, pp.25-28.

“CD reviews: A Legendary Performer / The Complete Glenn Miller,” Jazz Forum,

n136-137 1992, p.56.

“Schallplattenbesprechungen: A Legendary Performer / Chattanooga

Choo Choo-the #1 Hits,” Jazz Podium, Feb. 1992, p.72.

“Reissues: Chattanooga Choo Choo-the #1 Hits (CD),” Cadence,

Mar. 1992, pp.30-31.

“Rounding up reviews: Live in Hi-Fi-Christmas Time at Café Rouge / Army Air

Force Band, 1943-44,” IAJRC Journal, n2 1992, pp.57-58.

“Record reviews: A Legendary Performer / Chattanooga Choo Choo-the #1 Hits /

Rarities: The Legendary Broadcasts 1938-1940 / Rarities: The Legendary

Broadcasts 1940-1941 / Rarities: The Legendary Broadcasts 1941-1942 /

The Essential V-Discs II,” Jazz Journal International, May 1992, pp.38-39.

“Reissues: Sustaining Remote Broadcasts, Vol. Three: Little Brown Jug,”

Cadence, Jul. 1992, p.25.

“Reissues: Live in Hi-Fi at Glen Island Casino,” Cadence, Jul. 1992, p.108.

“Schallplattenbesprechungen: Overseas Orchestra,” Jazz Podium,

Jul.-Aug. 1992, p.97.

“Die raritaet: The Complete Bluebird Recordings (Orchestra),” Stereoplay,

Oct. 1992, p.176.

“Reviews: Live 1943-44 (CD),” Cadence, Jan. 1993, pp.83-84.

“Record reviews: String of Pearls 1941-42,” Jazz Journal International,

Sept. 1993, p.40.


“Schallplattenbesprechungen: The Original,” Jazz Podium, Mar. 1994, p.74.

Dave Dexter, Jr. “I don’t want a jazz band-Glenn Miller (Feb. 1, 1940 issue),”

Down Beat, Jul. 1994, p.22. port

“Classic reviews (Mar. 15, 1943 issue),” Down Beat, Jul. 1994, p.84.

“The end of World War II...looking back with Vito Pascucci-parlaying a stint

with Glenn Miller’s Army Band into a major force in the band instrument

market,” The Music Trades, Aug. 1994, p.70+.

“Record reviews: Jazz Archives Masterpieces 4,” Jazz Journal International,

Oct. 1994, p.31.

D. Russell. “Miller heirs sue EMI cos. over publishing pact,” Billboard,

Jan. 29, 1995, pp.19-20.

M. Ginsberg. “Canadian scene (tribute),” International Musician,

Mar. 1995, pp.17-18.

“Record reviews: Glenn Miller and the American Army Air Force Band,”

Jazz Journal International, Mar. 1995, pp.30-31.

“Record reviews: The Lost Recordings,” Jazz Journal International,

Apr. 1995, pp.38-39.

“Record reviews: We’re Still in Love / The Swinging Mr. Miller,”

Jazz Journal International, May 1995, pp.31-33.

“Stereoplays CD-Tips des Monats: The Lost Recordings,” Stereoplay,

Jul. 1995, p.136. port

“Neue CDs: The Spirit Is Willing,” Jazz Podium, Jul.-Aug. 1995, p.86.

“Record reviews: The Army Air Force Band V-Disc Sessions / On the Air,”

Jazz Journal International, Sept. 1995, pp.37-38.

“Neue CDs: The Lost Recordings,” Jazz Podium, Nov. 1995, p.88.

“Record reviews: The Missing Chapters, Volume 1: American Patrol /

The Missing Chapters, Volume 2: Keep ’Em Flying,” Jazz Journal

International, Dec. 1995, p.34.


“Leblanc turns 50; how Vito Pascucci turned $15,000 and a box of clarinets

into a leader in the school music market,” The Music Trades,

Jul. 1996,pp.134-136+. il

Burt Korall. “Pop & jazz scene: Glenn Miller hits the road (U.S. Postal

Service’s Legends of American Music stamp series), International Musician,

Sept. 1996, p.20.

“Classic interviews-Glenn Miller: I don’t want a jazz band,’” Down Beat,

Oct. 1996, p.36+.

“Reissues: V Disc Sessions, Vol. 1 / V Disc Sessions, Vol. 2,” Cadence,

Nov. 1995, pp.44-45.

Burt Korall. “Pop & jazz scene: More news items (Glenn Miller remembered

in various concerts),” International Musician, Nov. 1995, pp.6-7.

“Glenn Miller in Britain then and now (book review),” Jazz Journal

International, June 1996, p.16.

“Popular music: The Lost Recordings,” Stereo Review, Dec. 1996, pp.104-105.

“Rounding up reviews: The Lost Recordings,” IAJRC Journal, n4 1996, pp.79-80.

“CD reviews: The Secret Broadcasts,” Jazz Times, n2 1997, p.83.

CDs: V-Disc Sessions Volume One,” Mississippi Rag, Apr. 1997, p.29.

“Reissues: The Secret Broadcasts / Vol. Three: All’s Well Mademoiselle /

Vol. Four: The Red Cavalry March / Vol. Five: The Complete Abbey Road

Recordings / Vol. Six: Blue Champagne,” Cadence, May 1997, pp.25-26.

John McDonough. “Glenn Miller joins JFK and Roswell in catalog of

government cover-ups,” Down Beat, Oct. 1997, p.14. il, port

W.E. Studwell. “Intergenerational flow of popular music: the positive example of

Glenn Miller,” Popular Music & Society, Winter 1997, pp.1-5. bibliog, notes

“Rounding up reviews: The Secret Broadcasts,” IAJRC Journal, n2 1997, pp.70-71.

“Neye CDs: Candlelight Miller,” Jazz Podium, Jan. 1998, p.68.


“Record reviews: The Chesterfield Broadcasts Vol. 1 (Orchestra),” Jazz Journal

International, June 1998, pp.21-22.

W.E. Studwell. “Intergenerational flow of popular music; the positive example of

Glenn Miller (big-band era arrangers often re-used music of previous

generations),” Music Reference Services Quarterly, n3 1998, pp.59-63. notes

GLENN MILLER ORCHESTRAS

DIRECTED BY BUDDY DeFRANCO

“DeFranco to baton Glenn Miller Orch.,” Variety, Dec. 29, 1965, p.40.

“Buddy DeFranco / Glenn Miller,” Jazz, n6 1966, pp.8-11. port

“Buddy deFranco takes helm of Miller band,” Down Beat, Feb. 10, 1966,

pp.12-13.

Pete Welding. “Buddy DeFranco—on the road again,” Down Beat,

Apr. 21, 1966, pp.22-23.

“Riverboat, N.Y.,” Variety, Mar. 29, 1967, p.75.

A. Stevens. “Miller sound is revived in Manchester,” Melody Maker,

Dec. 7, 1968, p.19.

Doug Le Vicki. “The Glenn Miller Band Today,” Melody Maker,

Nov. 15, 1969, p.20.

“Herb Miller, Glenn’s kin, turning disk maestro,” Variety, Mar. 25, 1970, p.1.

“’Glenn would have junked the Miller sound,’” Melody Maker,

Apr. 18, 1970, p.15.

“Glenn Miller Band swings at Brit. B.O.; could be the start of something old,”

Variety, Apr. 22, 1970, p.55.

T. Ward. “Caught in the act,” Melody Maker, Apr. 25, 1970, p.16.

S. Keyava and B. ide. “Glenn Miller revisited,” International Musician,

Sept. 1970, p.6+. port

J. Gibson. “Caught in the act,” Melody Maker, Oct. 31, 1970, p.22.

J. Staples. “Glenn Miller / Buddy DeFranco Concert, Dome, Brighton,

Mar. 17,” Crescendo International, Apr. 1971, p.1.

R. Dahlgren. “Millerkonserten trist,” Orkester Journalen, Apr. 1971, p.7.

J. Dawson. “Caught in the act,” Melody Maker, Apr. 3, 1971, p.18.

J. Staples. “Meeting DeFranco’s buddies,” Crescendo International,

May 1971, p.16.


DIRECTED BY BUDDY DeFRANCO [ cont’d ]

Les Tomkins. “Inside the Miller band (interviews),” Crescendo International,

May 1971, pp.20-23.

H. Schade. “Reminiszenzen an den Silbersound, Glenn Millers Erben auf

Deutschland-Tournee,” HiFi Stereophonie, June 1971, pp.460-462.

“Concert reviews,” Variety, Jan. 26, 1972, p.50.

I. Dove. “Talent in action,” Billboard, Feb. 12, 1972, p.14.

B. Oxford. “Caught in the act,” Melody Maker, Mar. 4, 1972, p.42.

A. McCandless. “Glenn Miller Orchestra directed by Buddy DeFranco,

Royal Festival Hall, London,” Crescendo International, Apr. 1972, p.27.

“Disques du mois: Glenn Miller Orchestra Directed by Buddy DeFranco,”

Jazz Magazine, Nov. 1972, p.41.

“Caught in the act,” Melody Maker, Mar. 31, 1973, p.49.

A. McCandless. “More modern stylings from DeFranco / Miller:

Glenn Miller Orchestra directed by Buddy DeFranco,”

Crescendo International, May 1973, p.4.

“Glenn Miller estate fights unauthorized use of name on bands,” Variety,

Oct. 17, 1973, p.34.

DIRECTED BY PEANUTS HUCKO

“Glenn Miller Band under Hucko’s baton,” Variety, Jan. 16, 1974, p.76.

Leonard Feather. “Peanuts Hucko swings with the Glenn Miller Orchestra,”

International Musician, Jul. 1974, p.4. cover il, il


DIRECTED BY JIMMY HENDERSON

“Concert reviews,” Variety, Aug. 6, 1975, pp.46-47.


DIRECTED BY JIMMY HENDERSON [ cont’d ]

“Caught in the act,” Melody Maker, Apr. 17, 1976, p.47.

“Caught in the act,” Melody Maker, May 28, 1977, p.20.

G. Holmberg. “dansfest med Miller-bandet,” Orkester Journalen, June 1977,

p.7.

G. Holberg. “Vaesterass aelskar Glenn Miller,” Orkester Journalen,

Dec. 1978, p.24.

R.J. Robbins. “Glenn Miller Orchestra,” Crescendo International,

Apr. 1979, p.4.

Gary Giddins. “Weatherbird: Big bands in another country (Bottom Line

five-day festival of big bands),” Village Voice, June 25, 1980, p.69.

DIRECTED BY LARRY O’BRIEN

“O’Brien leader (of Glenn Miller ‘ghost’ orchestra),” Billboard, Jul. 25, 1981,

p.35.


“Second Glenn Miller unit will again play abroad,” Billboard, Sept. 11, 1982,

p.33.

“O’Brien keeping the Miller sound alive,” International Musician,

Feb. 1984, p.5.

“Hodgepodge & shorties: In the Christmas Mood,” Cadence, Dec. 1991, p.19.

ARTIE SHAW

“Hudkins’s Shaw tag forces AFM plaint,” Billboard, Jan. 1, 1949, p.14.

“Artie Shaw beefs to AFM, another using his name,” Variety, Jan. 5, 1949,

p.198.

“Shaw-Hudkins round no. 2,” Billboard, Jan. 8, 1949, p.14.

“Artie Shaw’s gonna let his hair grow,” Variety, Jan. 12, 1949, p.1+.

“Hudkins drops Shaw name when Petrillo waves club,” Billboard,

Jan. 22, 1949, p.18.

“Shaw dickering for tour abroad,” Billboard, Jan. 29, 1949, p.18.

“Shaw to concertize,” Symphony, Feb. 1949, p.2.

“Shaw to play series music: performs Mozart Concerto,” Woodwind Magazine,

Feb. 1949, p.1+.

“Shaw turns classic,” Music News, Feb. 1949, p.22.

Shaw ‘through with dance bands,’ to play longhair,” Down Beat,

Feb. 25, 1949, p.1.

Artie Shaw. “No categories, please!,” Woodwind Magazine, Mar.1949, p.1+. port

“Artie Shaw signed to Col. Disk contract,” Variety, Mar. 2, 1949, p.50.

“Artie Shaw into Bop City N.Y. Variety, Apr. 6, 1949, p.41.

“Longhair sides cut by Shaw,” Down Beat, Apr. 8, 1949, p.1.

“Artie Shaw’s Bop City hop a flop,” Variety, Apr. 20, 1949, p.39.

“Develop popular music, Shaw asks,” Down Beat, Apr. 22, 1949, p.1.

Bop City, New York. Billboard, Apr. 23, 1949, p.48.

Shaw’s symphony proves B.O. hyp for Bop City Club,” Billboard,

Apr. 30, 1949, p.3.

Mike Levin. “This is Arty? P’Shaw, says Mix,” Down Beat, May 20, 1949, p.1+.

“Much confusion as Ella, Shaw open up Bop City,” Down Beat,

May 20, 1949, p.16.

“Shaw to make 1st pop disks for Col.,” Variety, May 25, 1949, p.36.

ARTIE SHAW [ cont’d ]

“Shaw sets new crew,” Down Beat, Aug. 12, 1949, p.6.

Barry Ulanov. “Elder statesman returns,” Metronome, Sept. 1949, p.13+. port

John S. Wilson. “This time Shaw will play as dancers ask, he says,” Down Beat,

Sept. 23, 1949, p.3. il

“Artie Shaw,” Billboard, Dec. 31, 1949, p.31+.

“Some like it cool,” International Musician, Mar. 1950, p.11. port

Mike Levin. “Shaw’s new ork proves ‘can’t turn clock back,’ Down Beat,

Apr. 21, 1950, p.8.

“Artie Shaw,” Metronome, May 1950, p.28.

“Shaw and Hudkins battle over library,” Down Beat, June 2, 1950, p.2. port

“Shaw shuffles up whole band,” Down Beat, Jul. 14, 1950, p.7.

“’Strictly for the loot!’—says Artie Shaw,” Melody Maker, Nov. 18, 1950, p.3.

“In person,” Metronome, Dec. 1950, p.18.

Leonard Feather. “I finally know what I want to do, says Shaw,” Down Beat,

June 29, 1951, p.3+.

E. Borneman. “This is what makes a farce of jazz...interview with Artie Shaw,”

Melody Maker, Sept. 22, 1951, p.3. ports

“Artie Shaw gives up recording project; returns to U.S.,” Melody Maker,

Nov. 10, 1951, p.1.

“U.S. batoneers, disking with foreign tooters, balked by AFM; Shaw chilled,”

Variety, Nov. 21, 1951, p.39.

“AFM ban means end of all British sessions under American leaders,”

Melody Maker, Nov. 24, 1951, p.6.

“AFM bars Shaw wax date in G.B.; no reason given,” Down Beat,

Dec. 14, 1951, p.1.

“The Trouble with Cinderella: An Outline of Identity,” Down Beat,

June 4, 1952, p.1.


“The Trouble with Cinderella: An Outline of Identity,” Metronome,

Sept. 1952, p.17.

“The Trouble with Cinderella: An Outline of Identity,”

International Musician, Oct. 1952 sup, p.XII.

Artie Shaw. “The Trouble with Cinderella,” Down Beat, Dec. 31, 1952,

p.3+. port

“The Trouble with Cinderella (serialization of the book),” Down Beat,

Jan. 15, 1953, p.3+ / Jan. 28, 1953, p.2+ / Feb. 11, 1953, p.4 /

Mar. 11, 1953, p.6+ / Apr. 8, 1953, p.18 / May 6, 1953, p.18 /

May 20, 1953, p.18 / June 3, 1953, p.26 / June 17, 1953, p.18 /

July 1, 1953, p.18 / Jul. 15, 1953, p.22 / Jul. 29, 1953, p.18.

“British musicians incensed at Shaw ‘grilling,’” Melody Maker,

May 9, 1953, pp.6-7. port

“London press, musicians rap Artie Shaw grilling,” Down Beat,

June 17, 1953, p.1. port

Artie Shaw. “The same music isn’t always the same!,” Metronome,

Sept. 1953, p.20+ port

“Artie Shaw leads again: new debut opposite Sharon trio,” Melody Maker,

Sept. 19, 1953, p.8. port

“Band reviews,” Variety, Oct. 14, 1953, p.78.

“Gramercy 5; show unveils commercial, cooler combo,” Billboard,

Oct. 17, 1953, p.20+.

D. Watt. “The Pied Piper,” New Yorker, Oct. 17, 1953, p.34.

“Native’s return,” Time, Oct. 19, 1953, p.88.

B. Rolontz. “Dorsey, Goodman, Shaw and Miller still make big news,”

Billboard, Oct. 31, 1953, p.15+.

Nat Hentoff. “Shaw’s new Gramercy 5 ‘not just copy of old,’” Down Beat,

Nov. 18, 1953, p.1+. port


“Artie Shaw,” Metronome, Dec. 1953, p.19. port

“Artie Shaw rides again (review of recording),” Metronome, Feb. 1954,

p.26. port

“In this corner,” Down Beat, Mar. 10, 1954, p.2.

“’Bad boy’s’ progress,” Newsweek, Mar. 15, 1954, p.66.

“Shaw denies missing dates,” Down Beat, Apr. 7, 1954, p.16.

“Recording artists’ roster,” Down Beat, June 30, 1954, p.125. port

H. Lucraft. “Jazz among the one-arm bandits,” Melody Maker,

Jul. 3, 1954, p.3. port

“The Trouble with Cinderella,” Jazz Journal, Aug. 1954, p.24.

“Gli autori dei temi,” Musica Jazz, Oct. 1961, pp.28-29. biog

R.L. Taylor. “Profiles,” New Yorker, May 19, 1962, pp.47-48+. biog, port

“After 25 yrs. With Victor Artie Shaw gets 8 gold disks at N.Y. luncheon,”

Variety, Nov. 7, 1962, p.41.

“Better late than never,” Down Beat, Dec. 20, 1962, pp.13-14.

“Artie Shaw says music listening painful,” Down Beat, Jan. 17, 1963, p.12.

Frank Jacobs. “Non-stop Flight; re-appraisal of the music of Artie Shaw,”

Jazz Journal, Mar. 1967, pp.8-10. port

J. Burns. “Artie Shaw,” Jazz Monthly, Nov. 1967, p.2+.

Burt Korall. “Random reflections on 1968,” Down Beat, Feb. 20, 1969, p.14.

Owen Peterson. “Artie Shaw,” Jazz Journal, Oct. 1969, pp.14-15+. biog, ports

John McDonough. “Artie Shaw: Non-Stop Flight From 1938,”

Down Beat, Jan. 22, 1970, pp.12-13+. port

John McDonough. “Record reviews: Swing with Artie Shaw,”

Down Beat, Jul. 9, 1970, pp.27-28.

“Artie Shaw, 1935-1955 (book review),” Jazz Journal, Aug. 1971, p.11.


“Artie Shaw sues Merrick, also Ober; claims plot to break ‘Gatsby’ rights,”

Variety, Dec. 22, 1971, p.2+.

“Artie Shaw, 1935-1955 (book review),” Orkester Journalen, Jan. 1972, p.2.

“Shaw en process; le clarinettiste attaque le groupe Time-Life,”

Jazz Magazine, Feb. 1972, p.8.

C. Bosseray. “Artie Shaw: Les Sounds of Swing, la disco de A. Robertson,”

Point du Jazz, Mar. 1972, pp111-112.

“Schallplattenbesprechungen: This Is Artie Shaw,” Jazz Podium, Apr. 1972,

p.134.

“Record reviews: Big Bands,” Coda, n11 1972, pp.15-18.

“On record: Concerto for Clarinet,” Jazz & Blues, Feb. 1973, p.18.

“Artie Shaw disputes ‘Gatsby’ rights, says Merrick stalls pre-trial exam,”

Variety, June 20, 1973, p.6.

Vladimir Simosko. “Artie Shaw and his Gramercy Fives (discussion of

recordings plus discography),” Journal of Jazz Studies, n1 1973, pp.34-56.

“Artie Shaw; a bio-discography (book review),” Jazz Digest, Nov.-Dec. 1973,

p.41 / Jazz Journal, Dec. 1974, p.25.

“Record reviews: Artie Shaw, Vol. 2,” Jazz Journal, Feb. 1974, pp.65-66.

“Artie Shaw wins round in action versus Time-Life,” Billboard,

May 11, 1974, p.1+.

“Jazz albums: Sixteen Big Band Greats,” Melody Maker, Jul. 3, 1976, p.24.

J. Sippel. “Royalties are the issue of Artie Shaw RCA suit,” Billboard,

Jul. 10, 1976, p.59.

“Record reviews: Melody & Madness, Volumes 1 & 2,” Jazz Journal,

Sept. 1976, pp.37-38.

“Jazz albums: The Best of Artie Shaw,” Melody Maker, Mar. 26, 1977, p.22.


“Waxing on: Live 1939, Volume 3 / Live 1939, Volume 4 / The Complete:

Volume 2,” Down Beat, Oct. 6, 1977, p.36.

“Record reviews: Artie Shaw, Vol.2 1939,” Jazz Journal International,

Oct. 1978, p.67.

“Record reviews: At the Hollywood Palladium,” Jazz Journal International,

Jan. 1979, p.73+.

“The Trouble with Cinderella (book review),” Radio Free Jazz, Jul. 1979, p.25.

“Record reviews: Artie Shaw Vol.2 1941-45,” Jazz Journal International,

Dec. 1979, p.44.

H. Francis. “Thanks for the memory,” Crescendo International, Jan. 1980, p.12.

“Album reviews: Artie Shaw and His Orchestra 1938 Volume 1,”

Crescendo International, Jul. 1980, pp.25-26.

“Record reviews: Artie Shaw 1938-1939,” Jazz Journal International,

Sept. 1980, p.39.

“Artie Shaw: the man and his music (book review),” Orkester Journalen,

Sept. 1980, p.2.

“Waxing on: The Uncollected Artie Shaw Vol.1 and 2,” Down Beat,

Nov. 1980, p.42+.

“Record reviews: Melody and Madness Vol.1,” Jazz Journal International,

Mar. 1981, p.41.

“The films of Artie Shaw, Glenn Miller, Tony Pastor: a filmo-discography

(book review),” Jazz Journal International, June 1981, p.30.

“Record reviews: I Can’t Get Started,” Jazz Journal International,

Jan. 1982, pp.38-39.

“Artie Shaw batons again after 30-year hiatus,” Variety, May 19, 1982,p.2+.

J.D. Pierce. “Pierce’s popourri,” Clarinet, n1 1983, pp.3-4.

“Record reviews: Melody and Madness Vol.5,” Jazz Journal international,

Sept. 1983, p.37.


F. Meyer. “Glen Island Casino comes back with Artie Shaw, big band sound

(Orchestra),” Variety, Dec. 21, 1983, p.2+.

John Lissner. “Licks: Artie longa (and 16-piece swing orchestra at Glen Island

Casino, New Rochelle),” Village Voice, Jan. 3, 1984, p.69.

Fred Bouchard. “Artie Shaw band back in action; clarinetist Dick Johnson

fronting reborn ensemble,” Billboard, Jan. 28, 1984, p.53.

Burt Korall. “Pop & jazz scene (return with new band),

International Musician, Feb. 1984, p.8+. port

Leonard Feather. “Big bands blast from the past,” Down Beat,

Mar. 1984, p.10. port

“Live review (Academy of Music, Philadelphia),” Crescendo International,

Apr.-May 1984, p.8.

“Soundings: Honors and kudos,” Jazz Times, May 1984, p.7.

Patricia Willard. “West Coast notes,” Jazz Times, June 1984, p.12+.

W. Royal Stokes. “Artie Shaw returns on the road with a new big band

(interview),” Jazz Times, June 1984, p.18. port

“In performance (Park Plaza Hotel, Boston) (Orchestra),” Coda,

June 1, 1984, pp.31-32.

“Concert reviews (N.Y. Kool Jazz Festival),” Variety, Jul. 4, 1984, p.68.

“Record reviews: Artie Shaw,” Jazz Times, Oct. 1984, p.21.

B. Knight. “Shaw doubts new big band will pay its way in long run,”

Variety, Oct. 31, 1984, p.2+.

“Reviews-jazz: A Legacy,” High Fidelity-Musical America, Nov. 1984, p.96.

Rod Soar. “The Beguine begins again (interview),” Jazz Journal International,

Dec. 1984, pp.8-9.

John McDonough. “Caught,” Down Beat, Jan. 1985, p.49.


Henry Duckham. “A masterclass with Artie Shaw,” Clarinet, n1 1985, pp.10-17.

biog, cover port, ports

A.E. Stanek and L. Dennis. “The International Clarinet Society Annual

Conference, Oberlin Conservatory of Music, July 22-26, 1985,”

Clarinet, n1 1985, p.8. il, ports

J. Reda. “Un drole d’oiseau: Dodo Marmarosa,” Jazz Magazine, Feb. 1985, p.5+.

G. Endress. “Artie Shaw, classical American music (interview),” Jazz Podium,

Feb. 1985, pp.4-11. ports

“Film reviews (Artie Shaw: Time Is All You’ve Got),” Variety,

Mar. 20, 1985, p.18.

H. Mandel. “Waxing on: Concerning clarinetists (record reviews: A Legacy),”

Down Beat, Apr. 1985, p.42.

“Talent in action,” Billboard, Aug. 31, 1985, p.59+.

“Record reviews: The Uncollected Artie Shaw: Vol.5,” Jazz Journal

International, Sept. 1985, p.35.

Burt Korall. “Pop & jazz scene (his orchestra plays at the Blue Note),”

International Musician, Oct. 1985, p.6+.

Chip Deffaa. “Artie Shaw is back with the big band at 75 (interview),”

Mississippi Rag, Dec. 1985, pp.1-3. cover port, ports

M. Ullman. “Dick Johnson / Artie Shaw: 2nd chorus (interview),” Coda,

Dec. 1, 1985, pp.21-23. port

M. Glassman. “Artie Shaw: Time Is All You’ve Got,” Coda, Dec. 1, 1985,

p.23. biog

John McDonough. “Artie Shaw’s big band obsession,” Down Beat,

Feb. 1986, pp.26-28. biog, discog, il, ports

Eddie Lambert. “Record reviews: Artie Shaw and the Rhythmakers, 1937-1939,”

Jazz Journal International, Mar. 1986, p.32.


“Record reviews: The Complete Artie Shaw and the Rhythmakers, 1937-1939,

Volume 1,” Cadence, Apr. 1986, pp.86-88.

R. Nissim. “Un incontro storico: Horowitz-Tatum,” Rass Mus Curci, n3 1986,

pp.26-27.

Burt Korall. “Artie Shaw,” International Musician, Sept. 1986, p.7+.

J. Carter. “Album reviews: Rhythm Makers (orchestra),” Crescendo International,

Apr. 1987, p.28.

“Record reviews: The Complete Artie Shaw & The Rhythmakers 1937-1938,

Vol. 2,” Cadence, May 1987, p.85.

“Record reviews: The Indispensable Vols. 5 & 6,” Jazz Journal International,

Jul. 1987, p.33.

T. Hirai. “Homage to Artie Shaw,” Clarinet, n4 1987, pp.30-32. mus

Henry Duckham. “Artie Shaw’s cadenza from These Foolish Things

(includes transcription by Dick Johnson),” Clarinet, n4 1987, pp.32-33.

“Compact discs: Artie Shaw for You for Me Forevermore,” Cadence,

Oct. 1987, p.32+.

Rod Soar. “Artie Shaw update (interview),” Jazz Journal International,

Nov. 1987, pp.6-7.

“Record reviews: You Do Something to Me (Orchestra),” Jazz Journal


“Compact discs: Begin the Beguine,” Cadence, Jan. 1988, pp.65-66.

“Record reviews: Volume 1 (Orchestra),” Jazz Journal International,

Mar. 1988, pp.28-29.

“Record reviews: 22 Originals from 1938-1939 (Orchestra),” Jazz Journal

International, May 1988, pp.39-40.

“Record reviews-CDs: Begin the Beguine (Orchestra) / 16 Top Tracks,”

Jazz Journal International, Sept. 1988, p.26.


“Record reviews: A Legacy,” Cadence, Nov. 1988, p.75.

“Reviews: The Complete Artie Shaw and the Rhythmakers 1937-38, Vols. 5-8

(LP),” Cadence, Feb. 1989, p.68.

“Album reviews: Thou Swell (Orchestra),” Crescendo International,

Feb. 1989, p.10.

“Special CD report: Free for All,” High Fidelity, Apr. 1989, p.80.

“Night club reviews (Orchestra),” Variety, Apr. 12, 1989, p.104.

“Reissues: The Complete Gramercy Five Sessions,” Cadence, May 1989, p.34+.

“Record reviews: The Complete Gramercy Five Sessions,” Jazz Times,

June 1989, p.39.

“Record reviews: Thou Swell (Orchestra),” Jazz Journal International,

Aug. 1989, pp.32-33.

J. Kuehn. “Benny and Artie: a stylistic comparison,” Clarinet, n4 1989,

pp.19-20. bibliog mus

Stephen Stroff. “Artie Shaw: a man and his dream,” Antiques, Jan. 1990,

pp.63-66. biog, il, port

B. Laber. “Artie Shaw: the restless spirit,” Instrumentalist, Feb. 1990,

pp.67-70. ports

“The Best of Intentions and Other Stories (book review),” Jazz Times,

Apr. 1990, p.33.

Scott Yanow. “Syncopation: a jazz trivia quiz,” Jazz Times, Apr. 1990, p.48. port

“Ava’s men: the private life of Ava Gardner (book review),” Variety,

Apr. 18, 1990, p.72.

Burt Korall. “Pop & jazz scene (new book, new recording),” International

Musician, May 1990, p.18. port

“CD & record reviews: 1949 (Orchestra),” Jazz Times, June 1990, p.61. port

B. Rusch and B. Jenne. “Irv Kluger interview,” Cadence, Aug. 1990, pp.10-11+.


“Records and CDs: The Complete Gramercy Five Sessions,” Mississippi Rag,

Jan. 1991, p.24.

“Record reviews: Artie Shaw 1938,” Jazz Journal International, Mar. 1991, p.44.

“Record reviews: Blues in the Night,” Jazz Journal International, May 1991, p.44.

C. Nilsson. “Shaw-show,” Orkester Journalen, June 1991, p.9.

“Record reviews: Artie Shaw & His New Music / Benny Goodman & His Orchestra

1935,” Jazz Journal International, Jul. 1991, pp.37-38.

“WeatherBird: Shaw ‘nuff, Artie Shaw opens the vault (Musicmasters 2-CD box:

The Last Recordings),” Village Voice, Feb. 4, 1992, pp.84-85. biog, port

“Artie Shaw in London,” Crescendo & Jazz Music, n2 1992, p.7.

“Reissues: Artie Shaw (CD),” Cadence, Apr. 1992, pp.25-28.

“Record & CD reviews: The Last Recordings,” Down Beat, May 1992,

pp.34-35. port

“Record reviews: Artie Shaw and His New Music,” Jazz Journal International,

Jul. 1992, p.33.

“Reviews: The Last Recordings,” Cadence, Aug. 1992, p.91.

“CD Reviews: The Last Recordings: Rare & Unreleased,” Jazz Times,

n3 1992, pp.51-52.

“Reviews: 1938-1939 Old Gold Shows (CD),” Cadence, Oct. 1992, pp.79-80.

“Reissues: Thou Swell (CD),” Cadence, Nov. 1992, pp.31-33.

B. Gladwell. “Artie Shaw conducts: Royal Festival Hall, 11th June 1992,”

Crescendo & Jazz Music, n4 1992, p.12. port

“Harold S. Kaye. “The great ‘Goz’: the Conrad Gozzo story, part 3,”

IAJRC Journal, n4 1992, pp.76-83. biog, ports

Doug Ramsey. “On art and popularity: a few words with Artie Shaw,”

Jazz Times, n4 1992, p.29. ports

“Reissues: Personal Best (CD),” Cadence, Dec. 1992, pp.32-34.


J. Snavely. “Compact disc reviews-Artie Shaw: More Last Recordings-the

Final Sessions (Music Masters, 2 CDs),” Clarinet, n1 1994, p.72. port

“CDs: Personal Best (Orchestra),” Mississippi Rag, Feb. 1993, p.32.

“Record reviews: In the Beginning,” Jazz Journal International, Aug. 1993, p.25.

“CD reviews: King of the Clarinet 1938-39: Live Performances,” Jazz Times,

n9 1993, pp.75-76.

“CD reviews: It Goes to Your Feet,” Jazz Times, n9 1993, pp.90-91.

“CDs: The Last Recordings Vol. II,” Mississippi Rag, Oct. 1993, p.30.

“Record reviews: Live in 1938-39 Vol. 1,” Jazz Journal international,

Nov. 1993, p.43.

J. Haskell. “The Electronic Encyclopedia of American Jazz ™:

the recordings, performers and history presented in interactive

multi-media--the development of a national treasure,”

International Association of Jazz Educators Jazz Research Papers,

1994, pp.77-84.

“Record reviews: Begin the Beguine / It Goes to Your Feet,” Jazz Journal

International, Feb. 1994, pp.42-43.

“Record reviews: King of the Clarinet 1938-39,” Jazz Journal International,

Mar. 1994, pp.38-39.

J. McLeod. “Artie Shaw: victim of success, part one (interview),”

Jazz Journal International, Apr. 1994, pp.12-14. ports

J. McLeod. “Artie Shaw: victim of success, part two (interview),”

Jazz Journal International, May 1994, pp.16-18. ports

A.J. Garcia. “In tribute: Ella Fitzgerald,” Jazz Educators Journal, n2 1994,

p.25. discog

Bob Blumenthal. “First-person memories of swing,” Down Beat,

Jul. 1994, pp.18-20. port


“Compact disc reviews-Artie Shaw: the Last Recordings-Rare and Unreleased,”

Clarinet, n3 1994, p.42. port

R. Salman. “Compact disc reviews-Artie Shaw: the Last Recordings -

Volume II: The Big Band,” Clarinet, n3 1994, pp.43-44. port

“CD reviews: More Last Recordings, the Final Sessions,” Jazz Times,

n3 1994, pp.72-73.

Leonard Feather. “Before & after,” Jazz Times, n4 1994, pp.14-15. port

“Record reviews: The Astonishing Artie Shaw,” Jazz Journal International,

Nov. 1994, p.44.

Chip Deffaa. “Out & About in New York,” Crescendo & Jazz Music, n1 1995,

pp.16-18. port

“CDs: The Last Recordings, Rare and Unreleased / The Last Recordings,

The Final Sessions,” Mississippi Rag, Feb. 1995, pp.26-27.

“Record reviews: His Best Recordings 1937-1942,” Jazz Journal International,

Mar. 1995, pp.36-37.

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International, Mar. 1996, p.42.

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Down Beat, Aug. 1996, pp.24-25. port

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in English),” Jazzforschung/Jazz Research, 1996, pp.52-62.

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International, June 1997, pp.46-47.


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Vol.2,” Jazz Journal International, Dec. 1997, pp.46-47.

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International, Mar. 1998, pp.6-11. il, port

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International, Apr. 1998, p.44.

Michael P. Zirpolo. “Artie Shaw and his symphonic swing-1941, part one,”

IAJRC Journal, Spring 1998, pp.20-27. il, port

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May-June 1998, pp.52-54. bibliog, discog, table

Michael P. Zirpolo. “Artie Shaw and his symphonic swing-1941, part two,”

IAJRC Journal, Summer 1998, pp.16-19+. il, port

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International, Mar. 1999, pp.39-40.

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Spring 1999, pp.93-94.

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Journal, Winter 1999, pp.9-19. port

SOURCE ACKNOWLEDGEMENT

The Music Index. Harmonie Park Press, Sterling Heights, Michigan.

Readers’ Guide to Periodical Literature. The H.W. Wilson Company,

New York City.

Popa Family Collection.

IMAGE ATTRIBUTION

Popa Family Collection

Documents

A BIBLIOGRAPHY OF SIX FAVORITE BANDS (1949-1999) · a bibliography of six favorite bands (1949-1999) from the reader’s guide to periodical literature and the music index