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PPM01043 $3.00 E.S./(C.)
“All Saints, Rome”
SATB and organ
Bruce Saylor
PARACLETE PRESS®
Magnificat and Nunc Dimittis
62
62
men.
18
-
ritard. a tempo
- A - -
ritard. a tempo
66
66
men.- - - -
ritard.
ritard.
Man.
70
70
A men.- - - -
dim. molto
PPM01043
Ped.June 29, 2001
Do Not
Copy
Bruce Saylor
Bruce Saylor holds degrees from The Juilliard School and from The City University of New York, where he received his Ph. D. He has also studied at the Accademia di S. Cecilia in Rome under a Fulbright fellowship. The winner of more than 40 awards in his field, he has received honors from the Guggenheim Foundation, the National Society of Arts and Letters, the American Academy of Arts and Letters, the National Endowment for the Arts, the Ingram Merrill Foundation, and the Mellon Foundation. Saylor was the Brena and Lee Freeman Composer-in-Residence at Lyric Opera of Chicago (1992-94) where he composed the third of his four operas, “Orpheus Descending,” set to J. D. McClatchy’s libretto after the Tennessee Williams play. His orchestral music has been commissioned and performed by the Houston, San Francisco, Nashville, Saint Louis, and Yale symphonies, and by the American Composers Orchestra, Incontri di Musica Sacra e Contemporanea of Rome, and Musica Viva of New York. His vocal and instrumental chamber music has been performed in the US, Europe and Japan. The Yard has commissioned numerous dance scores, and Nine Circles Chamber Theater has toured with his operas and theater pieces. Saylor has produced nine cantatas and two major works for voice and orchestra. He has also composed large-scale choral works for Pope John Paul II and Benedict XVI’s visits to St. Patrick’s Cathedral, President Clinton’s Second Inaugural and Presiding Bishop Frank Griswold’s Investiture at the National Cathedral in Washington, and much sacred choral music. He has written the original music and arrangements for two holiday CDs of American soprano Jessye Norman and concert arrangements of the sacred music of Duke Ellington, the latter most recently performed at Miss Norman’s “Honor!” festival in New York City in March, 2009. Mezzo-soprano Constance Beavon has recorded four of his vocal chamber cycles. An award-winning teacher, as well, Saylor is a professor at the Aaron Copland School of Music at Queens College and at the Graduate Center of the City University of New York.
Notes about Magnificat and Nunc Dimittis “All Saints, Rome”
These settings were first performed separately at special services at All Saints Anglican Church in Rome, Italy, July 1, 2001 (Nunc Dimittis) and July 2, 2006 (Magnificat).
The Magnificat and Nunc Dimittis were first performed together at the Church of the Heavenly Rest in New York City at All Saints Sunday Evensong. November 6, 2005. Mollie Nichols conducted the Heavenly Rest Choir and Choristers. Steven E. Lawson was the organist.
Paraclete Press sheet music is available at www.paracletepress.com
52
52
unison
As it was in the be gin- ning,- is now and
17
unison
55
55
ev
hold back
er- shall be,
div.
world
ritard.
with out-
hold back ritard.
58
58
end.
a tempo unison
A - - -
a tempo
PPM01043
Do Not
Copy
39
39
16
ritard.
ritard.
43
43
Glo
a tempo ma poco piu mosso
ry- be
`
to the Fa ther,- the Son, and to the
a tempo ma poco piu mosso`
47
47
Ho ly Ghost;-
PPM01043
Copyright © 2010 by Paraclete Press, Orleans, MA 02653
Bruce Saylor
Magnificat
Soprano
Alto
Tenor
Bass
Organ
The Book of Common PrayerLuke 1:46-56
Allegro moderato = 80
Composed in honor of the ordination of Sara MacVaneAll Saint's Anglican Church, Rome
SATB and organ
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
Allegro moderato = 80solo trumpet
Gt.
3
3
PPM01043
Gt.
All rights reserved.
Do Not
Copy
4
4
2
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
6
6
For he hath re gard- ed- the low li- ness- of his
3
3
3
For he hath re gard- ed- the low li- ness- of his
3 3
3 3
PPM01043
33
3 3 3 3
26
26
To be a light to light en- the Gen tiles,- to be a
15
to be a
30
30
light to light en- the Gen tiles,- and to be
cresc.
the glo
broadendivisi.
ry- of thy
cresc.divisi.
broaden
34
34
peo ple,- thy peo ple- Is
ritard.
ra- - - el.
a tempo
-
ritard. a tempo
PPM01043
Do Not
Copy
14
14
word,
14
ac cord- ing- to thy word. For mine
For mine eyes have seen
18
18
eyes have seen thy sal va- tion;- which thou hast pre -
22
22
pared- be fore- the face of all peo ple;-
PPM01043
8
8
hand maid- en.-
3
hand maid- en.-
For be hold- fromhence forth-
For be hold- from hence forth-
solo
Gt.
3
3
10
10
all gen er- a- tions- shall call me
all gen er- a- tions- shall call me
all gen er- a- tions- shall call me bless -
all gen er- a- tions- shall call me bless -
solo 3 Gt.
PPM01043
Do Not
Copy
12
12
bless
4
ed.- For he that is might y- hath
3
bless ed.- For he that is might y- hath
3
ed.- -
ed.- -
solo
14
14
mag ni- fied- me, and ho - - ly is his
mag ni- fied- me, and ho ly- - is his
and ho ly- - is his Name.
and ho ly- - is his Name.
Gt.
PPM01043Man.
Luke 2:29-32The Book of Common Prayer
Andante tenero = 84
Composed in memory of Giovanni Conticello All Saint's Anglican Church, Rome
Nunc DimittisBruce Saylor
13
Organ
Ped.
5
5
Lord,
AS
Lord, Lord, now let test thou- thy
TB
10
10
Copyright © 2010 by Paraclete Press, Orleans, MA 02653
ser vant- de part- in peace ac - cord ing- to thy
PPM01043
All rights reserved.
Do Not
Copy
59
59
end.
12
A
ritard e dim.
- - -
end. A - - -
end. A - - -
end.
ritard e dim.
Gt.3
62
62
a tempo
a tempo
ritard.
ritard.
- - men.
- - men.
- men.
men.
solo flute
strings
PPM01043
+32June 8, 2005
17
17
Name. And his mer cy- is on them that
5
3
Name. His mer cy- is on them that
3
And his mer cy- is on them that fear him
3
His mer cy- is on them that
3
Ped.
19
19
fear him through out- all gen er- a- tions.-
fear him through out- all gen er- a- tions.-
through out- all gen er- a- tions.-
fear him through out- all gen er- a- -
PPM01043
Do Not
Copy
21
21
T
6
He hath show ed- strength with his arm;
3
tions.
B
- He hath scat tered- the proud in the im
3 3
-Gt.
sub.
solo
23
23
He
marcato
hath put down the might y- from their
3
ag- i- na- tion- of their hearts.
3 3
25
25
seat. He hath fill ed- the hun gry- with good
And hath ex alt- ed- the hum ble- and meek. And the
Sw.
PPM01043
55
55
in the be gin- ning,- is now,
11
in the be gin- ning,- is now,
in the be gin- ning,- is now,
in the be gin- ning,- is now,3 3 3 3 3 3
33 3 3
3 3 3 3
57
57
hold back
hold back
and ev er- shall be world with out-
and ev er- shall be world with out-
and ev er- shall be world with out-
and ev er- shall be world with out-3 3
PPM01043
solo3
3 3 3
Do Not
Copy
51
51
be
10
to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
53
53
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
3
PPM01043
33
33
28
28
S
He
7
A
He
things,
T
he hath sent emp ty- a way.-
rich
B
he hath sent emp ty- a way.-
solo flutedolce
31
31
re mem- b ring’- - his
re mem- b ring’- - his
PPM01043
Do Not
Copy
34
34
mer
8dolce
cy- hath hol pen- his ser vant- Is ra- el-
mer
dolce
cy- hath hol pen- his ser vant- Is ra- el-
3
3 3 3
Ped.
( )
38
38
prom
as he prom
ised
ised
-
- to our fore fa- thers,- A bra- ham-
as he prom ised- to our fore fa- thers,- A bra- ham
A - bra -
A bra- -33
33
PPM01043
42
42
and his seed for ev- er,- for
9
-
and his seed for ev- er,- for -
ham- and his seed for ev- er,- for -
ham- and his seed for ev- er,- for -
solo
( )3 3
47
47
a tempo
a tempo
ev- er.- Glo ry-
ev- er.- Glo ry-
ev- er.- Glo ry-
ev- er.- Glo ry-
strings
solo trumpet
Gt.
3 3
PPM01043
( )Gt.
Do Not
Copy
34
34
mer
8dolce
cy- hath hol pen- his ser vant- Is ra- el-
mer
dolce
cy- hath hol pen- his ser vant- Is ra- el-
3
3 3 3
Ped.
( )
38
38
prom
as he prom
ised
ised
-
- to our fore fa- thers,- A bra- ham-
as he prom ised- to our fore fa- thers,- A bra- ham
A - bra -
A bra- -33
33
PPM01043
42
42
and his seed for ev- er,- for
9
-
and his seed for ev- er,- for -
ham- and his seed for ev- er,- for -
ham- and his seed for ev- er,- for -
solo
( )3 3
47
47
a tempo
a tempo
ev- er.- Glo ry-
ev- er.- Glo ry-
ev- er.- Glo ry-
ev- er.- Glo ry-
strings
solo trumpet
Gt.
3 3
PPM01043
( )Gt.
Do Not
Copy
51
51
be
10
to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
be to the Fa ther,- and to the Son, and
53
53
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
to the Ho ly- Ghost. As it was
3
PPM01043
33
33
28
28
S
He
7
A
He
things,
T
he hath sent emp ty- a way.-
rich
B
he hath sent emp ty- a way.-
solo flutedolce
31
31
re mem- b ring’- - his
re mem- b ring’- - his
PPM01043
Do Not
Copy
21
21
T
6
He hath show ed- strength with his arm;
3
tions.
B
- He hath scat tered- the proud in the im
3 3
-Gt.
sub.
solo
23
23
He
marcato
hath put down the might y- from their
3
ag- i- na- tion- of their hearts.
3 3
25
25
seat. He hath fill ed- the hun gry- with good
And hath ex alt- ed- the hum ble- and meek. And the
Sw.
PPM01043
55
55
in the be gin- ning,- is now,
11
in the be gin- ning,- is now,
in the be gin- ning,- is now,
in the be gin- ning,- is now,3 3 3 3 3 3
33 3 3
3 3 3 3
57
57
hold back
hold back
and ev er- shall be world with out-
and ev er- shall be world with out-
and ev er- shall be world with out-
and ev er- shall be world with out-3 3
PPM01043
solo3
3 3 3
Do Not
Copy
59
59
end.
12
A
ritard e dim.
- - -
end. A - - -
end. A - - -
end.
ritard e dim.
Gt.3
62
62
a tempo
a tempo
ritard.
ritard.
- - men.
- - men.
- men.
men.
solo flute
strings
PPM01043
+32June 8, 2005
17
17
Name. And his mer cy- is on them that
5
3
Name. His mer cy- is on them that
3
And his mer cy- is on them that fear him
3
His mer cy- is on them that
3
Ped.
19
19
fear him through out- all gen er- a- tions.-
fear him through out- all gen er- a- tions.-
through out- all gen er- a- tions.-
fear him through out- all gen er- a- -
PPM01043
Do Not
Copy
12
12
bless
4
ed.- For he that is might y- hath
3
bless ed.- For he that is might y- hath
3
ed.- -
ed.- -
solo
14
14
mag ni- fied- me, and ho - - ly is his
mag ni- fied- me, and ho ly- - is his
and ho ly- - is his Name.
and ho ly- - is his Name.
Gt.
PPM01043Man.
Luke 2:29-32The Book of Common Prayer
Andante tenero = 84
Composed in memory of Giovanni Conticello All Saint's Anglican Church, Rome
Nunc DimittisBruce Saylor
13
Organ
Ped.
5
5
Lord,
AS
Lord, Lord, now let test thou- thy
TB
10
10
Copyright © 2010 by Paraclete Press, Orleans, MA 02653
ser vant- de part- in peace ac - cord ing- to thy
PPM01043
All rights reserved.
Do Not
Copy
14
14
word,
14
ac cord- ing- to thy word. For mine
For mine eyes have seen
18
18
eyes have seen thy sal va- tion;- which thou hast pre -
22
22
pared- be fore- the face of all peo ple;-
PPM01043
8
8
hand maid- en.-
3
hand maid- en.-
For be hold- fromhence forth-
For be hold- from hence forth-
solo
Gt.
3
3
10
10
all gen er- a- tions- shall call me
all gen er- a- tions- shall call me
all gen er- a- tions- shall call me bless -
all gen er- a- tions- shall call me bless -
solo 3 Gt.
PPM01043
Do Not
Copy
4
4
2
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
and my spi rit- hath re joiced- in God my Sa vior.-
6
6
For he hath re gard- ed- the low li- ness- of his
3
3
3
For he hath re gard- ed- the low li- ness- of his
3 3
3 3
PPM01043
33
3 3 3 3
26
26
To be a light to light en- the Gen tiles,- to be a
15
to be a
30
30
light to light en- the Gen tiles,- and to be
cresc.
the glo
broadendivisi.
ry- of thy
cresc.divisi.
broaden
34
34
peo ple,- thy peo ple- Is
ritard.
ra- - - el.
a tempo
-
ritard. a tempo
PPM01043
Do Not
Copy
39
39
16
ritard.
ritard.
43
43
Glo
a tempo ma poco piu mosso
ry- be
`
to the Fa ther,- the Son, and to the
a tempo ma poco piu mosso`
47
47
Ho ly Ghost;-
PPM01043
Copyright © 2010 by Paraclete Press, Orleans, MA 02653
Bruce Saylor
Magnificat
Soprano
Alto
Tenor
Bass
Organ
The Book of Common PrayerLuke 1:46-56
Allegro moderato = 80
Composed in honor of the ordination of Sara MacVaneAll Saint's Anglican Church, Rome
SATB and organ
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
My soul doth mag ni- fy- the Lord,
Allegro moderato = 80solo trumpet
Gt.
3
3
PPM01043
Gt.
All rights reserved.
Do Not
Copy
Bruce Saylor
Bruce Saylor holds degrees from The Juilliard School and from The City University of New York, where he received his Ph. D. He has also studied at the Accademia di S. Cecilia in Rome under a Fulbright fellowship. The winner of more than 40 awards in his field, he has received honors from the Guggenheim Foundation, the National Society of Arts and Letters, the American Academy of Arts and Letters, the National Endowment for the Arts, the Ingram Merrill Foundation, and the Mellon Foundation. Saylor was the Brena and Lee Freeman Composer-in-Residence at Lyric Opera of Chicago (1992-94) where he composed the third of his four operas, “Orpheus Descending,” set to J. D. McClatchy’s libretto after the Tennessee Williams play. His orchestral music has been commissioned and performed by the Houston, San Francisco, Nashville, Saint Louis, and Yale symphonies, and by the American Composers Orchestra, Incontri di Musica Sacra e Contemporanea of Rome, and Musica Viva of New York. His vocal and instrumental chamber music has been performed in the US, Europe and Japan. The Yard has commissioned numerous dance scores, and Nine Circles Chamber Theater has toured with his operas and theater pieces. Saylor has produced nine cantatas and two major works for voice and orchestra. He has also composed large-scale choral works for Pope John Paul II and Benedict XVI’s visits to St. Patrick’s Cathedral, President Clinton’s Second Inaugural and Presiding Bishop Frank Griswold’s Investiture at the National Cathedral in Washington, and much sacred choral music. He has written the original music and arrangements for two holiday CDs of American soprano Jessye Norman and concert arrangements of the sacred music of Duke Ellington, the latter most recently performed at Miss Norman’s “Honor!” festival in New York City in March, 2009. Mezzo-soprano Constance Beavon has recorded four of his vocal chamber cycles. An award-winning teacher, as well, Saylor is a professor at the Aaron Copland School of Music at Queens College and at the Graduate Center of the City University of New York.
Notes about Magnificat and Nunc Dimittis “All Saints, Rome”
These settings were first performed separately at special services at All Saints Anglican Church in Rome, Italy, July 1, 2001 (Nunc Dimittis) and July 2, 2006 (Magnificat).
The Magnificat and Nunc Dimittis were first performed together at the Church of the Heavenly Rest in New York City at All Saints Sunday Evensong. November 6, 2005. Mollie Nichols conducted the Heavenly Rest Choir and Choristers. Steven E. Lawson was the organist.
Paraclete Press sheet music is available at www.paracletepress.com
52
52
unison
As it was in the be gin- ning,- is now and
17
unison
55
55
ev
hold back
er- shall be,
div.
world
ritard.
with out-
hold back ritard.
58
58
end.
a tempo unison
A - - -
a tempo
PPM01043
Do Not
Copy
PPM01043 $3.00 E.S./(C.)
“All Saints, Rome”
SATB and organ
Bruce Saylor
PARACLETE PRESS®
Magnificat and Nunc Dimittis
62
62
men.
18
-
ritard. a tempo
- A - -
ritard. a tempo
66
66
men.- - - -
ritard.
ritard.
Man.
70
70
A men.- - - -
dim. molto
PPM01043
Ped.June 29, 2001
Do Not
Copy