PUT ON A HAPPY FACE (from Bye Bye Birdie)Music by CHARLES STROUSE

Lyrics by LEE ADAMS© 1960 (Renewed) STRADA MUSIC and CHARLES STROUSE PUBLISHING

All Rights Administered by WC MUSIC CORP. This Arrangement © 2020 STRADA MUSIC and CHARLES STROUSE PUBLISHING

All Rights Reserved.

YOU’RE NEVER FULLY DRESSED WITHOUT A SMILE (from Annie)Music by CHARLES STROUSEWords by MARTIN CHARNIN

© 1977 (Renewed) CHARLES STROUSE PUBLISHING and EDWIN H. MORRIS & CO., INC.a Division of MPL COMMUNICATIONS, INC.

All Rights for CHARLES STROUSE PUBLISHING Administered by WC MUSIC CORP. This Arrangement © 2020 CHARLES STROUSE PUBLISHING and EDWIN H. MORRIS & CO., INC.

All Rights Reserved.

2

48378

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{{°

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Music byCHARLES STROUSE

Moderate swing tempo (q = ca. 132) (iqiq = qq ee)

Arranged byMARK HAYES

Performance time: approx. 4:00

Copyright © 2020 CHARLES STROUSE PUBLISHING,STRADA MUSIC and EDWIN H. MORRIS & CO., INC.

All Rights Reserved. Printed in USA.Sole Selling Agent for This Arrangement: Alfred Music

To purchase a full-length performance recording of this piece, go to alfred.com/downloads

HAPPY FACE MEDLEYfor S.A.B. voices and piano

with optional SoundPax and SoundTrax*

PIANO

4 5

7

4444

&bbbmf

E¨6 G‹11

K

C7(b9) F‹7 G‹7

?bbbPUT ON A HAPPY FACELyrics by Lee AdamsMusic by Charles Strouse

&bbbALTO

SOPRANO ∑Gray

mf

skies are gon na- clear up.

?bbbBARITONE ∑ mf

&bbbA¨Œ„Š7

f

F‹/B¨ E¨(„ˆˆ2) A¨Œ„Š7 G‹11 C7(b9)

?bbbmf

&bbbPut on a hap py- face. Brush off the clouds and?bbb

&bbbF‹7

bB¨7 F‹7 B¨7 E¨(„ˆˆ2) A¨Œ„Š7

?bbb* Also available for S.A.T.B. (48377) and 2-part (48379). SoundTrax CD available (48380). SoundPax available (48381) - includes score and set of parts for Flute, Oboe, Clarinet, Alto Saxophone, Tenor Saxophone, 3 Trumpets, 2 Trombones, Bass Trombone, Synthesizer Strings, Percussion, Mallets, Guitar, Bass, and Drumset. Visit alfred.com for digital scores and audio.

œj œ œj œ œ œ œ˙nb

‰ œœœ>b œœœj œœœ. œœœ.n

œj œ œJ œ œ˙ ˙ ‰ œ. œœ. œœ.

œj œ œj œ œ œ œ ˙ Œ

œj œ œJ œ œ œ œ ˙ Œœœœ œœ œœœ> œœœ Œ

˙œj œ œj œ œ ‰ œœœ> œj œœœœ.nb œœœœ.œœ œœ œœ

> œœ œœ.j ‰ ˙

˙ ˙‰ œœ

>.. œœ

. œœ.

œJ œ œj œ œ ˙. Œ œj œ œj œ œœJ œ œJ œ œ ˙. Œ œj œ œJ œ œ

œœj œ œj œ œn œ œ œ œœœ> ˙ ˙œj œ œj œ œ˙ ˙

œœ.. œ>j œ œ œ ˙

˙

48378

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&bbbcheer up. Put on a hap py- face.

?bbb

&bbbG‹7 C7(b9) F‹7

bB¨7 B¨‹7 E¨7

?bbb

&bbbTake off the gloom y- mask of trag e- dy.- It’s not your

?bbb

&bbbA¨Œ„Š7 D7

#nG7

nnC7

bnF7 B¨7

?bbb

&bbbstyle. You’ll look so good that you’ll be glad you de -

?bbb

&bbbE¨Œ„Š7 E¨7/B¨ A¨ D7

#nG7

nnC7

bn?bbb

œ œ ˙ Œ œJ œ œj œ œ ˙b . Œ

œ œ ˙ Œ œJ œ œJ œ œ ˙b . Œ

‰ œœœ> œœœj

œœœœ.nb œœœœ.œœj œ œj œ œ œb œ œ œ œ œ œ

˙‰ œ>. œ. œ. ˙

˙ œœ..œœbJ

˙

œj œ œj œœ# œœ œœnn œœ œœbn œœ œœ œœ Œ œœnb œœb œœ

œJ œ œJ œn œ œ œ œ œ œ œ Œ œ œ œ

˙ œ œ œœœ.. œ œœœJ ˙œ œ œ Œ œœœnb œœœb œœœ

œ œ ˙nœœ..

œœJ˙

˙˙

˙.œ. œbJ œ Œ œj œ œj œœ# œœ œœnn œœ œœbn œœ œœ œœ

˙. Œ œJ œ œJ œn œ œ œ œ œ œ œ

wœ œ œ œb œ œ œ ˙œj œ œj œ œ œœœ.. œ œœœJ ˙œ œ œ

˙ ˙ ˙ ˙nœœ..

œœJ˙

48378

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&bbbcid

f

ed- to smile. Pick

mf

out a pleas ant-

?bbbf ∑

&bbbf

F7

nbA¨Œ„Š9/B¨ B¨7

mf

E¨Œ„Š9 F‹9

?bbb

&bbbout look.- Stick out that no ble- chin.

?bbbPick

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out a pleas ant- out look.- Stick out that no ble-

&bbbG‹7 C7(b9) F‹7

bB¨7 F‹7 B¨7

?bbb3

&bbbWipe off that “full of doubt” look. Slap on a hap py-

?bbbchin. Wipe off that “full of doubt” look,

&bbbE¨Œ„Š9 F‹9 G‹7 C7(b9) F‹7 B¨7

?bbb

œœnb œœ œœ œœ ˙.œ. œJ œ Œ œj œ œj œ œ

œ œn œ œb ˙. Œ

œ œ œœœ œœœœ wœœœ œ œ œ œ œ œ ‰œœœœ> œœœœ

jœœœœ. œœœœ.

˙ œœœœ œœ.. œœJ

˙˙ ˙

œ œ ˙ Œ œJ œ œj œ œ ˙. Œ

œj œ œJ œ œ œ œ ˙ Œ œJ œ œJ œ œ

˙ ˙nbœœj œ œj œ œn œ œ œ œ ˙

œ œ œ œ œn œ ˙˙

˙˙

œj œ œj œ œ œ œ ˙ Œ œJ œ œj œ œ

˙. Œ œj œ œJ œ œ œ œ ˙ Œ

‰œœœœ> œœœœ

jœœœœ. œœœœ. ˙ ˙nb ˙b ˙n

˙ ˙ œ œ œ œ œ œn ˙ ˙48378

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&bbbgrin. And spread

f

sun shine- all

?bbbhap py- grin. And spread

, f

sun shine- all

&bbbB¨‹7b E¨7

f

A¨Œ„Š7 A‡…‹7 C‹/B¨ E¨/B¨ C‹7

3?bbb3

&bbbo ver- the place.

,

Just put on a

?bbb,

&bbbF‹11 F‹7 B¨7 G7(#5)

nG7 C7(b9) F9(“4) C‹/F F9

?bbb b

&bbbhap py- face.

mf ∑

?bbbmf ∑

&bbbA¨Œ„Š9/B¨ B¨13(b9)

mf

E¨6 C‹7 F‹7 B¨13(b9)

?bbb3 3

˙b Œ œœ w ˙b œœn ˙ œœ

œ œ œ œ ˙ ˙n œ ˙ œ

œ œ œœœ œ wœœ œ œ œ ˙b œœœn ˙ œœœ˙ ˙b

œ œ œ œ ˙bn ˙n˙

œœ œ œ œœ ˙.œ œ œb œœ œœ ˙ œœ

œ ˙ œ œ œ œn œ œ œ œn œ

œ ˙ ˙ œ ˙.œœ œ œb œœ œœœ ˙ œœœ

˙˙

˙˙n ˙∏∏∏∏∏∏ ww ˙n

˙ ˙ ˙ Ó

˙b ˙ ˙ Ó

˙ ˙b ‰œœœœ>n œj œœœ. œœœ. œœœ œœœ œœœœ>b ˙

œœb œ˙

œ œœ.

œ. œ œ œ> œ œ œ œ œb œ48378

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&bbb ∑ ∑ ∑

?bbb ∑ ∑ ∑

&bbbE¨6 C‹7 F‹11 B¨13(b9)

”“ E¨6

?bbb(solo)

&bbb ∑Put on a hap py- face.

?bbb ∑

&bbbG‹11 G¨9(b5) F‹7 B¨7 F‹7 B¨7

3 3 3 3 3

?bbb

&bbb ∑ ∑Put on a hap py-

?bbb ∑ ∑

&bbbE¨6 G‹11 C7(#5) F‹7

bB¨7

?bbb

‰œœœœ>n œj œœœ. œœœ. œœœœ œœœ œœœ œœœ œ œ œ œ ‰ œJ œ. œ.

œ œœ.

œ. œœ..œœœbJ

˙˙ œ

œœœœ.nœ

œœœœ.

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œJ œ œJ œ œ ˙. Œœœœœ .... œœœœ

>bJœœœœ œ œb œ œ œœj œ œj œn œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œœ>bb ˙ œ œ ˙

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œœœœœ.

œœœœœ. œ œ œ œœ

> ˙œ œ

œœ œœ48378

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49

52

&bbbface. And

mp

if

lightly, detached

you’re feel ing- cross and bick er- ish,-

?bbbmp

&bbbB¨‹7b E¨7

mp

A¨ D7 G7 C7

?bbb(end solo)

&bbbdon’t

legatomf

sit and whine. Think

lightly, detachedmp

of ba nan- a-

?bbbmf mp

&bbbF7

mf

B¨7

bE¨Œ„Š7 E¨7

mp

A¨ D73 3 3

?bbb

&bbbsplits and lic o- rice- and

legatomf

you’ll feel fine.

?bbbmf

&bbbG7 C7

mf

F7

nbA¨Œ„Š9/B¨ B¨7

3

?bbb3

˙b . Œ œj œœ œœj œœ.# œœ. œœ.nn œœ œœbn œœ œœ œœ.

˙b . Œ œJ œ œJ œ.n œ. œ. œ œ œ œ œ.œ œ œ œ œ œ œ œb œ.

Œ œœœœ.nn# Œ œœœœ.nn ‰ œœœ.bnj Œ œœœ.

˙ œœb œ œœ. Œ œœ.n Œ œ. ‰ œ.j Œ œ.

Œ œœnb œœb œœ ˙.˙ œb Œ œj œœ œœj œœ.# œœ.

Œ œ œ œ ˙. Œ œJ œ œJ œ.n œ.

œœœœ.nbŒ œ œ œœ œ œ œ œ œb œ œ œ œ œ œœœ. Œ œœœœ.nn# Œ

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˙.˙ œ Œ

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œ. ‰ œ.j Œ œ. ˙ œœœœ> ˙ œ œ œ œ

48378

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&bbbYOU’RE NEVER FULLY DRESSED WITHOUT A SMILEWords by Martin CharninMusic by Charles Strouse∑ ∑

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91

94

97 Slow kick tempo (q = ca. 104)

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48378

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