40 years of St Andrews Fine Art: The Complete Collection | 13th February 2013

40 Years of St Andrews Fine Art:The Complete Collection

Wednesday, 13th February, 201333 Broughton PlaceEdinburgh EH1 3RR

Catalogue: £10

BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artists’ resale rights)applies(see our Terms and Conditions of Saleand Information for Buyers).

40 Years of St Andrews Fine Art:The Complete Collection

Wednesday, 13th February, 2013at 11am

Sale Number LT385

ViewingSunday, 10th February 2pm - 5pmMonday, 11th February 10am - 5pmTuesday, 12th February 10am - 5pmMorning of sale strictly by appointment only

SpecialistsNick [email protected]

Charlotte [email protected]

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. [email protected]

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L Y O N & T U R N B U L L

Important informationfor buyers

By telephone

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appropriate number to be called. We

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In writing

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must be received at the very latest

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living artists and artists who have

died in the last 70 years.

This royalty will be charged to the

buyer on the hammer price and in

addition to the buyer’s premium. It

will not apply to works where the

hammer price is less than €1,000

(euros). The charge for works of art

sold at and above €1,000 (euros) and

below €50,000 (euros) is 4%. For

items selling above €50,000 (euros),

charges are calculated on a sliding

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appropriate collecting organisation

and no handling costs or additional

fees are retained by the auctioneer.

Resale royalties are not subject to

VAT.

Please note that the royalty payment

is calculated on the rate of exchange

at the European Central Bank on the

date of the sale.

More information on Droit de Suite

is available at www.dacs.org.uk

Damage and Restoration

Occasionally, when a lot has

suffered extensive damage and/or

restoration it is indicated in the

catalogue. This is mentioned entirely

at our discretion for the benefit of

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of damage and/or restoration this

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there is none. It is the buyer’s

responsibility to ensure that the

condition of lots is to their

satisfaction (see our Terms and

Conditions of Sale).

Condition Reports

If potential buyers are unable to

inspect lots in person our specialists

will be happy to prepare detailed

Condition Reports on individual lots

as quickly as possible. These are for

guidance only and all lots are sold

‘as found’ (see our standard Terms

and Conditions of Sale).

Buying at Auction

This sale is subject to our standard

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have not bought at auction before

we will be delighted to advise you.

Estimates

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and do not include the buyer’s

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conducted in pounds sterling.

Dimensions

Dimensions are for guidance only; it

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Buyer’s Premium

The buyer shall pay the hammer

price together with a premium

thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium

at the rate imposed by law. (see our

Terms and Conditions of Sale).

VAT

The symbol † by a lot number

indicates that VAT is payable by the

purchaser at the standard rate on

the hammer price.

The symbol * by a lot number

indicates that the lot has been

temporarily imported from outside

the EU and that VAT is payable by

the purchaser at the rate of 5% on

the hammer price.

No VAT is payable on the hammer

price or premium for books bought

at auction.

Droit de Suite

This symbol § indicates works which

may be subject to the Droit de Suite

or Artist’s Resale Right, which took

effect in the United Kingdom on 14th

February 2006. We are required to

collect a royalty payment for all

qualifying works of art. Under new

legislation which came into effect on

1st January 2012, this applies to

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Introduction

Forty years is undoubtedly a long time in the infamously fickleart world. Such longevity demands a good eye, an impeccablesense of timing, a generous dose of luck and, perhaps mostimportantly of all, the loyalty of collectors both public and inthe trade. Few galleries have generated the level of supportthat St Andrews Fine Art enjoyed over the course of its history.Proprietors Jim and Margaret Carruthers inspired the trust andconfidence of their clientele; assisting with the development ofcollections and orchestrating the happy resolution of manyartists’ estates. Simultaneously, they took great pleasure frompromoting and nurturing the careers of up and coming artists.

Though the doors of the gallery itself closed back in 2008, theCarruthers have continued to deal on behalf of their clients andportfolio of artists. Now in 2013 a well-earned retirementbeckons and this sale marks the conclusion of a long andsuccessful career. Genuinely featuring “something foreveryone”, a mixture of artists and periods are represented.The content includes older stock from the days of the galleryalongside newer works and items of interest that will not havebeen seen by the gallery’s regulars.

Lyon and Turnbull took the opportunity to chat to Jim andMargaret about their career highlights and to explore theirthoughts on the evolving Scottish art market.

You’ve worked in the art world for many years. Where andhow would you say your interest in art began and how did thisdevelop into a career path?

We were fortunate to become involved in the art market in theearly 1970s at something of a low point when the best Scottishart was available very reasonably. Our business grew with theincreasing public interest over the past forty years. Ourqualifications were not directly in Fine Art but we were able tolearn and develop as we went along, enjoying making such arich source of work available to an ever more interestedgeneral public.

What was the ethos behind St Andrew’s Fine Art and did thisevolve as the business went from strength to strength?

Our ethos was to provide the widest possible range of Scottishartist’s works, covering a period of roughly 200 years. There issuch a wealth of natural Scottish talent, both traditional andmodern, much of which was under-appreciated or unknown tothe public, and it became fun to show minor as well as major

examples side by side. Somehow we rarely sold to institutionsor corporate collections – our clients were collectors fromScotland and much wider afield – many a picture was sold withan international journey ahead of it.

You witnessed a boom in the Scottish art market during thecourse of the gallery’s history. How do you feel the market haschanged over the last few decades?

The biggest change over the period is the greater interest inmodern and contemporary artists. There remains a stronginterest in the best of the traditional work but the currentvogue is certainly towards the modern. The change in values ofthe likes of the Colourists, Eardley, Redpath etc. makes themartists of international standing today. Clients have alsobecome much more self-confident and follow their naturalinclinations in their taste for “the new”.

Jim Carruthers (far left) and the St Andrews Fine Art team inthe gallery

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Your exhibitions were a varied mixture of the Traditional andthe Modern. It was also your habit to represent artist’ssketches and drawings alongside fully worked up paintings.Why was this important to you?

We have always been drawn to sketches and minor works, asmuch for the freedom of handling artists seem to have on aless formal basis as for their accessibility to the averagecollector. Over the years we were fortunate enough to acquiremany wonderful collections by artists such as Sir James Caw,John Aubrey, Charles McCall, Pat Douthwaite, WilliamJohnstone and Sir William McTaggart. On one occasion wehandled a collector’s visitors book of sketches made by guestsincluding Sir John Lavery and Robert Gemmell Hutchison, aswell as many others who “sang for their supper”. Perhapsmost notably we handled George Leslie Hunter’s sketch books,formerly owned by Dr T. J. Honeyman, several of which featurein this sale. We enjoyed the fact that clients, often with majorcollections themselves, would come to the gallery as much tosee such sketches and minor works both by well and lesserknown artists.

You championed a number of contemporary artists over theyears, some of whom are represented in this sale. Whosework particularly drew you and why?

We were fortunate to become friendly with a number of artistsand it was informative to see them develop their work. We havegreat memories of many including Joe McIntyre, LaurieForrester, Ethel Walker and John Mackie, with whom we spentmany happy evenings. We accompanied Donald McIntyre onpainting trips to Isla, Arran, Buchan and Wales. This originatedfrom an occasion when he was browsing in the gallery andMargaret recognised him. A treasured friendship with him andhis wife Lauren was to develop..

Your large bi-annual exhibitions were hugely popular andusually quite an event. This must leave you with somefantastic memories?

The gallery has a small frontage, low ceilings and many “nooksand crannies” but somehow at exhibitions we squeezed in up to600 pictures, floor to ceiling. More Royal Academy than CharlesSaatchi! Exhibition openings were always frantic affairs, nonemore so than in 1991 when our guest of honour Dr. JamesMcIntosh Patrick performed the opening, regaling the crowd,who were queuing round the block, from a soap box at thegallery door!

The main thing was that we had many regular clients whowould travel a distance for our events. Though the exhibitionset ups could be exhausting we were carried along by the goodwill and enthusiasm of our clients for both the gallery and theScottish art we represented.

What will you miss the most about the industry now you haveclosed the gallery’s doors and will art continue to play animportant role in your life?

Obviously we miss the day to day contact and the input(whether approving or not!) of so many clients. We had a greatstaff and they too developed good relationships with ourregular clients.

I’m afraid a love of art is something of a life sentence! We lookforward to seeing many of the great exhibitions which arestaged these days and would like to find some time to researcha few of the more obscure Scottish artists, or specific works inparticular. We will always simply be grateful to the artistswhose legacy we have been involved with over the last fortyyears.


40 Years of St Andrews Fine Art:

The Complete Collection

1§ FE50/5JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)BEACH, TROUVILLESigned, and dated ‘79 oil onboard

25.5cm x 25.5cm (10in x 10in)

£2,000-3,000




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3§ FE50/168LENA ALEXANDER(SCOTTISH fl. 1940s)BURANO, VENICESigned, signed and inscribedwith title label verso, pastel

48cm x 60cm (19in x 23.5in)

£400-600

2§ FE50/88JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)BY THE SEA, EVENINGSigned and dated ‘87,inscribed with title and dateverso, mixed media on panel

9cm x 15cm (3.75in x 5.75in)

£600-800

4§ FE50/33JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)BULLFIGHT, 1958Signed in plate, lithograph

25cm x 35cm (10in x 13in)

Note:Harleys Print

£150-250




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6§ FE50/39ELIZABETH BLACKADDERR.S.A., R.A., R.S.W., R.G.I.,O.B.E. (SCOTTISH b. 1931)SAN MARTINO, 1958Signed in plate, lithograph

22cm x 30cm (8.5in x 12in)

Note:Harleys Print

£150-250

5§ FE50/55DAVID MCCLURE R.S.W.,R.S.A. (SCOTTISH 1926-1998)JUGS, PLATE AND FLOWERSSigned and dated ‘58 in plate,lithograph

23cm x 32cm (9in x 12.5in)

Note:Harleys print

£150-250

7§ FE50/84JAMES MORRISON R.S.W.,R.S.A. (SCOTTISH b. 1932)WAVE - NORTH SEAOil on board

77cm x 123cm (28in x 48.5in)

£1,500-2,500




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8 FE50/86JAMES KINNEAR(SCOTTISH fl. 1875-1917)DUNDEE FROM NEWPORT,FIFESigned and dated ‘82, oil oncanvas


£500-800




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9 FE50/89JAMES KINNEAR(SCOTTISH fl. 1875-1917)DUNDEE FROM TAYPORT,FIFESigned and dated ‘82, oil oncanvas


£500-800

10 FE50/118WILLIAM ALFRED GIBSON(SCOTTISH 1866-1931)WASHER WOMEN ON THERIVERBANKSigned, oil on canvas


£2,000-3,000




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11 FE50/123DONALD PATON(SCOTTISH fl. 1897-1906)MORNING CLOUDS, LOCHKATRINE AND BEN VENUESigned and inscribed with titlelabel verso, watercolour

15cm x 30cm (6in x 11.75in)

£400-600




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13 FE50/124DONALD PATON(SCOTTISH fl. 1897-1906)SUNDOWN: HOLY ISLANDFROM ABOVE LAMLASHSigned, signed and inscribedwith title label verso,watercolour

15cm x 30cm (6in x 11.75in)

£400-600

12 FE50/125DAVID SMALL(SCOTTISH 1846-1927)NORTH STREET AND STSALVATORS, ST ANDREWSSigned and wronglyinscribed ‘Madras College’,watercolour

18cm x 15cm (7in x 9.75in)

£500-700

14 FE50/165JAMES CAMPBELL NOBLER.S.A. (SCOTTISH 1846-1913)A BUSY DUTCH ESTUARYSigned, oil on canvas


£2,000-3,000




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15§ FE50/23JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)WOMAN AND STRIPEDDRESSInitialed, pen and ink

20cm x 14cm (8in x 5.5in)

£200-300




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16§ FE50/34JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)STUDY FOR WOMAN OF THESEASigned, pen and ink


£200-300

17§ FE50/26JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)WOMAN AND THE SEASigned, oil on canvas


£2,000-3,000




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18§ FE50/103PAT DOUTHWAITE(SCOTTISH 1939-2002)JAPANESE FIGURESigned, artists proof,screenprint

46cm x 37cm (18in x 14.5in)

£200-300




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19§ FE50/105PAT DOUTHWAITE(SCOTTISH 1939-2002)RAT ON A HILLWatercolour

55cm x 36cm (21.75in x 14.25in)

£300-500

20§ FE50/104PAT DOUTHWAITE(SCOTTISH 1939-2002)KISS ME AGAINSigned and dated ‘74 andinscribed with title, pastel

64cm x 49cm (25.25in x 19.25in)

£400-600




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21§ FE50/102PAT DOUTHWAITE(SCOTTISH 1939-2002)THE PATTERNED DRESSSigned and dated ‘71, pastel

62cm x 47cm (24.5in x 18.25in)

£500-800

22 FE50/100GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)BOYS SKATINGWatercolour with pencil

14cm x 25cm (5.5in x 10in)

Provenance:Artist’s sketchbook, Collection of T.J.Honeyman

£300-500




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24 FE50/101GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)WOMEN GOSSIPINGInk and wash sketch

11cm x 19.5cm (4.25in x 7.75in)

£200-300

23 FE50/3GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)WASH DAYInk and watercolour

11.5cm x 18.5cm (4.5in x 7.25in)

Provenance:Artist’s original sketchbook from thecollection of T.W. Honeyman

£300-500

25 FE50/8GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)GIRL ON A SOFAMixed media on paper withink and crayon

56cm x 44cm (22in x 17.25in)

Exhibited:Bourne Fine Art

£5,000-7,000




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26 FE50/4GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)SEATED NUDE, MONTECARLO, 1925Signed, ink and crayon


Provenance:Mercury Gallery

£3,000-5,000

27 FE50/132JOHN MACWHIRTER R.S.W.,R.E., R.I., H.R.S.A., R.A.(SCOTTISH 1839-1911)A WEST COAST LOCHSigned with initials,watercolour

34cm x 49cm (13.5in x 19.5in)

£200-300




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29§ FE50/163ANDREW GAMLEY V.P.R.S.W.(SCOTTISH 1869-1949)LANDING THE CATCH, ST.MONANCESIgned, watercolour

27cm x 37cm (10.5in x 14.5in)

£300-500

28 FE50/143JOHN MACWHIRTER R.S.W,R.E., R.I., H.R.S.A., R.A.(SCOTTISH 1839-1911)WAITING FOR THE STEAMER,LENNOSigned with initials,watercolour

12cm x 17cm (4.75in x 6.75in)

£200-300

30§ FE50/140HECTOR CHALMERS(SCOTTISH 1848-1943)THE LONG WALK HOMEOil on canvas

16cm x 23cm (6.25in x 9in)

£300-500




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31 FE50/142DUNCAN CAMERON(SCOTTISH 1837-1916)SUNSET ON THE ESTUARYSigned and dated ‘89, oil oncanvas


£300-500

32 FE50/178HUGH CAMERON R.S.A.,R.S.W., R.O.I., H.R.S.W.(SCOTTISH 1835-1918)HOMEWARDS WITH MOTHERSIgned and dated ‘78, signedlabel verso, oil on canvas


£1,200-1,800




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33 FE50/176ROBERT SANDERSON(SCOTTISH fl. 1860-1905)FORKING THE HAYSigned with a monogram anddated ‘75, oil on canvas


£200-300

34§ FE50/83JOHN MCGHIE(SCOTTISH 1867-1952)LOOKING OUT FOR THEBOATSSigned, oil on canvas


£7,000-10,000




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35§ FE50/28ANNE REDPATH R.S.A.,R.W.A., A.R.A., O.B.E.(SCOTTISH 1895-1965)ST. MONACE, 1958Lithograph

26cm x 37cm (10.25in x 14.5in)

Note:Harley Print

£150-250




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37§ FE50/30ANNE REDPATH R.S.A.,R.W.A., A.R.A., O.B.E.(SCOTTISH 1895-1965)TWO JUGSLithograph

20.3cm x 30.5cm (8in x 12in)

Note:Harleys Print

£150-250

36§ FE50/29ANNE REDPATH R.S.A.,R.W.A., A.R.A., O.B.E.(SCOTTISH 1895-1965)CORSICAN VILLAGE, 1959Signed on plate, lithograph

22cm x 31cm (8.5in x 12.5in)

Note:Harley Print

£150-250

38§ FE50/31ANNE REDPATH R.S.A.,R.W.A., A.R.A., O.B.E.(SCOTTISH 1895-1965)BLACK LACE AND GRAPESSigned, watercolour

44.5cm x 54cm (17.5in x 22.5in)

Exhibited:Scottish Gallery

£6,000-8,000




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39§ FE50/48MARDI BARRIE R.S.W.(SCOTTISH b. 1931)PART OF THE GARDENS -QUIET DAYSigned, acrylic on canvas

56cm x 34cm (22in x 13.5in)

£300-400




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40§ FE50/50OSCAR GOODALL R.S.W.(SCOTTISH b. 1924)RED PRISON, 1993Signed, acrylic on canvas

65cm x 46cm (25.5in x 18in)

£300-500

41§ FE50/68SIR ROBIN PHILIPSONR.S.W., R.G.I., R.C.A.A.,H.R.H.A., R.A., P.R.S.A.(SCOTTISH 1917-1992)BYZANTINE INTERIOR IIISigned, inscribed with titleand dated ‘72, oil on canvas


£8,000-12,000




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42§ FE50/96SIR WILLIAM MACTAGGARTR.S.W., P.R.S.A.(SCOTTISH 1903-1981)PROMENADEPencil

14cm x 17.5cm (5.5in x 7in)

Note:Studio stamp reference 214

£200-300




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43§ FE50/21JOHN DUNCAN FERGUSSONR.B.A. (SCOTTISH 1874-1961)PAIR - HARLECHLANDSCAPESConté

11.5cm x 16.5cm (4.5in x 6.25in)

£500-700

44§ FE50/54JOHN DUNCAN FERGUSSONR.B.A. (SCOTTISH 1874-1961)MADAME MOTIN, PARIS, 1909Conté

19.5cm x 12cm (7.75inx 4.25in)

£400-600




27

45§ FE50/53JOHN DUNCAN FERGUSSONR.B.A. (SCOTTISH 1874-1961)LA MODISTE, PARIS, 1908Conté

19cm x 12cm (7.5in x 4.5in)

£500-800

46 FE50/151ARCHIBALD KAY R.S.W,R.S.A. (SCOTTISH 1860-1935)LEUCHARS KIRK, FIFESigned, oil on canvas


£500-700




28

47 FE50/150WILLIAM BRADLEY LAMONDR.B.A. (SCOTTISH 1857-1924)THE PLOUGH TEAMSigned, oil on board

19cm x 25cm (7.25in x 9.75in)

£500-800

48 FE50/169DOUGLAS CAMERON(19TH CENTURY BRITISH)LOCH LOMOND AFTER RAINSigned, oil on canvas

76cm x 127cm (30in x 50in)

£2,000-3,000




29

49 FE50/147KATE WYLIE(SCOTTISH 1877-1941)SUMMER FLOWERS IN AGREEN JUGSIgned, oil on canvas laid onboard


£400-600




30

50 FE50/148KATE WYLIE(SCOTTISH 1877-1941)STILL LIFE IN A BLUE BOWLOil on canvas laid on board

30cm x 36cm (11.5in x 14in)

£500-800

51§ FE50/56DAVID MCCLURE R.S.W.,R.S.A. (SCOTTISH 1926-1998)WHITE JUG, VIOLIN ANDGOURDSigned and dated ‘65, oil oncanvas

40.5cm x 51cm (16in x 20in)

£2,000-3,000




31

52§ FE50/78JOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-2000)STAFFASigned, oil on canvas

71cm x 102cm (28in x 40in)

£2,000-3,000




32

53§ FE50/42DONALD MCINTYRE R.C.A.(SCOTTISH 1923-2009)CROFT, IONASigned, acrylic on board

56.5cm x 81cm (22.5in x 32in)

£3,000-5,000




33

54§ FE50/49MARDI BARRIE R.S.W.(SCOTTISH b. 1931)FAIRFACH, 1973Signed, acrylic on canvas

60cm x 50cm (23.5in x 19.75in)

£400-600




34

55§ FE50/67WILLIAM JAMES LAIDLAWBAILLIE P.R.S.A., P.R.S.W.,R.G.I. (SCOTTISH 1923-2011)FLOWERS AND NIGHTWINDOWSigned, signed verso, oil oncanvas

102cm x 102cm (40in x 40in)

Exhibited:Loomshop Gallery, Lower Largo

£800-1,200

56§ FE50/63JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)BIRDS RISING FROM REEDSSigned, oil on board


Exhibited:Scottish Gallery, John HoustonExhibition, 1960

£700-1,000




35

57§ FE50/175JOE MCINTYRE(SCOTTISH b. 1940)WEST INDIAN MARKETSigned, oil on canvas laid onboard


£300-500




36

58§ FE50/164DAVY BROWN (SCOTTISHCONTEMPORARY)FARM ON THE HILL, 2004SIgned, oil on board

81.5cm x 81.5cm (32in x 32in)

£500-700

59§ FE50/154JOHN MACKIE(SCOTTISH b. 1953)SHADOWS ON THE 18THFAIRWAY, OLD COURSE ST.ANDREWSSigned and dated ‘04, oil oncanvas

76cm x 102cm (30in x 40in)

£800-1,200




37

60§ FE50/155JOHN MACKIE(SCOTTISH b. 1953)EVENING LIGHT,GRAZALEMA, ITALYSigned, dated ‘01, inscribedwith title verso, oil on canvas

76cm x 102cm (30in x 40in)

£400-600

61§ FE50/159KATE DOWNIE R.S.A.(SCOTTISH b. 1958)PARIS BY NIGHTSigned and dated ‘88, mixedmedia

73.5cm x 106.5cm (29in x 42in)

£500-800




38

62§ FE50/94PETER HOWSON(SCOTTISH b. 1958)SLEEPING FIGURE, C. 1986Signed, mixed media on paper

41cm x 57cm (16in x 22.5in)

Provenance:Directly acquired Artist’s Studio

£800-1,200

63§ FE50/106PAT DOUTHWAITE(SCOTTISH 1939-2002)SENORA CONLUNESigned and dated 8.10.98,pastel

41cm x 57cm (16.25in x 22.5in)

£300-500




39

64§ FE50/20PETER HOWSON(SCOTTISH b. 1958)SHOUT - NIGHT SKYSigned, oil on canvas


£1,500-2,000




40

65§ FE50/15PETER HOWSON(SCOTTISH b. 1958)HEAD STUDY - THEDAWNINGSigned, oil on canvas

30cm x 30cm (12 in x 12in)

£1,200-1,800

66§ FE50/16PETER HOWSON(SCOTTISH b. 1958)PATRIOTSSigned, pastel

44cm x 58cm (17.25in x 22.75in)

£1,500-2,500




41

67§ FE50/38WILLIAM WILSON R.S.W.,R.S.A. (SCOTTISH 1905-1972)BOATS IN A MEDITERRANIANHARBOURWatercolour

28cm x 39cm (11in x 15.25in)

£200-300




42

68§ FE50/59SIR WILLIAM MACTAGGARTR.S.W., P.R.S.A.(SCOTTISH 1903-1981)A COUNTRY CHURCHWatercolour and mixed media


Provenance:Artists studio sale ref. 220

£300-500




43

69 FE50/62DAVID FULTON R.S.W.(SCOTTISH 1848-1930)A WEST COAST IDYLLSigned, oil on canvas


£4,000-6,000

70 FE50/114ANDREW GEDDES A.R.A.(SCOTTISH 1783-1844)PORTRAIT OF GENTLEMAN,TRADITIONALLY BELIEVEDTO BE ANDREW PLIMERTraditional attribution, oil oncanvas

72cm x 61cm (28.5in x 24in)

£600-800




44

71 FE50/115CHARLES LEES R.S.A.(SCOTTISH 1800-1880)EUPHEMIA, THE MUSICIANOil on canvas

66cm x 63.5cm (30in x 25in)

£1,500-2,000

72 FE50/179HUGH CAMERON R.S.A.,R.S.W., R.O.I., H.R.S.W.(SCOTTISH 1835-1918)HER SECRET DRAWERSigned, oil on canvas


£1,500-2,000




45

73 FE50/149KATE WYLIE(SCOTTISH 1877-1941)ANEMONES AND TULIPSSigned, oil on canvas


£1,000-1,500




46

74§ FE50/80KATE WYLIE(SCOTTISH 1877-1941)CHRYSANTHEMUMS IN APAINTED VASESigned, oil on canvas


£800-1,200

75§ FE50/22DAVID FOGGIE R.S.W., R.S.A.(SCOTTISH 1878-1948)THE SCHOOLGIRLSigned, oil on canvas


£2,000-3,000




47

76 FE50/121JAMES MACMASTER R.S.W.,R.B.A. (SCOTTISH 1856-1913)THE MOUTH OF THE EYE,EYEMOUTHSigned and inscribed withtitle, watercolour

35cm x 53cm (13.75in x 20.5in)

£500-700




48

78 FE50/161ROBERT WEIR ALLAN R.S.W.,N.E.A.C., V.P.R.W.S.(SCOTTISH 1851-1942)BRINGING THE CATCHASHORESigned, watercolour


£800-1,200

77 FE50/133JOHN MACWHIRTER R.S.W.,R.E., R.I., H.R.S.A., R.A.(SCOTTISH 1839-1911)FISHING - A RIVER IN SPATEInitialed, watercolour

24.5 cm x 34cm (9.75in x 13.25in)

£400-600

79 FE50/35JAMES WATTERSTONHERALD(SCOTTISH 1859-1914)THE YELLOW HATSigned in pencil, watercolour

16cm x 11cm (6.25in x 4.25in)

£500-700




49

80 FE50/36JAMES WATTERSTONHERALD(SCOTTISH 1859-1914)STREET SCENE WITHFIGURES, VERSO - NIGHTHORSEMANWatercolour

25cm x 21cm (10in x 8.5in)

£700-900

81§ FE50/71JOHN MACKIE(SCOTTISH b. 1953)REFLECTION, ST ANDREWS2001Signed and dated ‘01, signedand inscribed with title verso,oil on canvas

76cm x 102cm (30in x 40in)

£600-800




50

83§ FE50/156MARDI BARRIE R.S.W.(SCOTTISH b. 1931)RAIN CLOUD ON VALLEYSigned and inscribed withtitle, dated ‘80/81 label verso,oil on canvas

66cm x 102cm (30in x 40in)

£500-800

82§ FE50/47MARDI BARRIE R.S.W.(SCOTTISH b. 1931)LIGHT ON DISTANT RIVERBANKSigned, acrylic on canvas

48cm x 68.5cm (19in x 27in)

£300-400

84§ FE50/111JOHN MCLEAN(SCOTTISH b. 1939)PITCANDRUMSigned and dated ‘85,inscribed with title verso, oilon canvas

112cm x 175cm (44in x 69in)

£800-1,200




51

85§ FE50/1JOAN EARDLEY R.S.A(SCOTTISH 1921-1963)THE RED CARDIGANPastel

20cm x 14.5cm (7.75in x 5.75in)

£3,000-5,000




52

86§ FE50/11JOAN EARDLEY R.S.A.(SCOTTISH 1921-1963)TWO GROUPS OF PEOPLEPastel


Provenance:Studio Reference Number ED 1408

Exhibited:Scottish Gallery, 2007

£3,000-5,000

87§ FE50/2SIR ROBIN PHILIPSONR.S.W., R.G.I., R.C.A.A.,H.R.H.A., R.A., P.R.S.A.(SCOTTISH 1917-1992)CONVERSATIONSigned and dated ‘84, oil oncanvas board


Provenance:Loomshop Gallery, Lower Largo

£2,000-3,000




53

88§ FE50/27SIR ROBIN PHILIPSONR.S.W., R.G.I., R.C.A.A.,H.R.H.A., R.A., P.R.S.A.(SCOTTISH 1917-1992)COMPANIONS, XXIX, 1984Signed label verso, pastel

27.5cm x 22.5cm (10.75in x 8.75in)

£1,500-2,000

89§ FE50/51JOHN DUNCAN FERGUSSONR.B.A. (SCOTTISH 1874-1961)MEG, LONDON 1918/1919Conté

22cm x 15cm (8.5in x 5.75in)

£400-600




54

90§ FE50/52JOHN DUNCAN FERGUSSONR.B.A. (SCOTTISH 1874-1961)STANDING NUDE, PARIS 1911Pencil sketch

14cm x 11cm (7.5in x 4.5in)

£500-700

91§ FE50/98SIR WILLIAM MACTAGGARTR.S.W., P.R.S.A.(SCOTTISH 1903-1981)HILLSIDE VILLAGECharcoal

22cm x 33cm (8.5in x 12.75in)


£200-300




55

93§ FE50/97SIR WILLIAM MACTAGGARTR.S.W., P.R.S.A.(SCOTTISH 1903-1981)CHURCH THROUGH THETREESCharcoal

19cm x 27.5cm (7.5in x 10.75in)


£200-300

92 FE50/99GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)FIGURES IN THE PARKInk and crayon

17cm x 22cm (6.5in x 8.75in)

Provenance:Artist’s sketrchbook, Collection ofT.J. Honeyman

£500-700

94 FE50/93GEORGE BLACKIE STICKS(BRITISH 1843-1938)IN GLENCOESigned with a monogram anddated ‘68, signed and datedverso, oil on canvas


£800-1,200




56

95 FE50/37WILLIAM ALFRED GIBSON(SCOTTISH 1966-1931)THE GOATHERDSigned, oil on canvas board


£1,000-1,500

96 FE50/90HORATIO MCCULLOCH R.S.A.(SCOTTISH 1805-1867)WATERMILL IN APANORAMIC HIGHLANDLANDSCAPESigned, oil on canvas


£700-900




57

97 FE50/91JOSEPH FARQUHARSON R.A.(SCOTTISH 1846-1935)SUNSET IN THE GRAMPIANSSigned, oil on canvas

26cm x 51cm (10.25in x 20.25in)

£1,200-1,800

98 FE50/160WILLIAM JAMES LAIDLAY(BRITISH 1846-1912)NOCTURNE ON THE COASTSigned, oil on canvas


£400-600




58

100 FE50/69JOHN MCGHIE(SCOTTISH 1867-1952)BREAKING WAVESSigned, oil on canvas


£600-800

99§ FE50/157WILLIAM MILLER FRAZERP.S.S.A., R.S.A.(SCOTTISH 1864-1961)A TOWN SQUARESigned, oil on canvas


£1,500-2,000

101 FE50/144ROBERT SANDERSON(SCOTTISH fl. 1860-1905)FISHING ON THE PIERSigned and dated ‘94, oil onboard


£300-500




59

102 FE50/70STRUAN ROBERTSON(SCOTTISH fl. 1903-1918)A DUTCH FISHERMAN,VOLENDAMSigned, inscribed and dated‘12, pastel

35cm x 24cm (14in x 9.5in)

£300-500

103§ FE50/186ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)SKETCH OF A VILLAGECharcoal and crayon


and another by the samehand, Coastal Hill (2)

£200-300




60

104§ FE50/187ERNEST ARCHIBALD TAYLOR(SCOTTISH 1874-1951)A YACHT OFF THE COASTCharcoal and crayon

19cm x 14cm (7.5in x 5.5in)

and another by the samehand, Roadside Village (2)

£200-300




61

105§ FE50/188SIR MUIRHEAD BONEN.E.A.C., H.R.S.A., H.R.I.B.A.,R.E., H.R.W.S.(SCOTTISH 1876-1953)THE FIELDWORKERSThree studies framedtogether, pencil and ink

Each approx. 4.5cm x 13cm

(1.75in x 5in)

£200-300




62

106§ FE50/189SIR MUIRHEAD BONEN.E.A.C., H.R.S.A., H.R.I.B.A.,R.E., H.R.W.S.(SCOTTISH 1876-1953)HILL TOP VILLAGESigned, ink and wash

11cm x 17.5cm (4.5in x 7in)

and another by the samehand

£200-300

107§ FE50/43PAT DOUTHWAITE(SCOTTISH 1939-2002)THE BIG ORANGE CATWatercolour

63.5cm x 49cm (25in x 19.25in)

£1,200-1,800




63

108§ FE50/40HAMISH LAWRIE(SCOTTISH 1919-1987)FLOWERS IN A LANDSCAPESigned, oil on board


Provenance:Ancrum Gallery

£300-500




64

110§ FE50/152LENA ALEXANDER(SCOTTISH fl. 1940s)FLOWER PIECESIgned, pastel

48cm x 53cm (19in x 20.75in)

Exhibited:Royal Scottish Academy, 1959

£300-500

109§ FE50/139LENA ALEXANDER(SCOTTISH fl. 1940s)ROSES, SNAP DRAGONSAND POTTERY JUGPastel

53cm x 58.5cm (20.75in x 22.75in)

£400-600

111 FE50/174JOSEPH MORRISHENDERSON R.S.A.(SCOTTISH 1863-1936)A SUMMER’S DAYSigned, oil on canvas laid onboard

18cm x 26cm (7.25in x 10in)

£500-800




65

112 FE50/162ROBERT WEIR ALLAN R.S.W.,N.E.A.C., V.P.R.W.S.(SCOTTISH 1851-1942)MARKET MORNING, ORVIDOSigned, inscribed with titlelabel verso, watercolour

36cm x 52cm (14in x 20.5in)

£600-800

113 FE50/113WILLIAM DARLING MACKAYR.S.A. (SCOTTISH 1844-1924)A WINTER MORNING, EASTLOTHIANInitialed, oil on canvas

52cm x 78cm (20.5in x 31in)

£1,000-1,500




66

114 FE50/112ATTRIBUTED TO JOHNFLEMING(SCOTTISH 1792-1845)A HIGHLAND IDYLLOil on canvas

112cm x 175cm (44in x 69in)

£500-700

115 FE50/119WILLIAM ALFRED GIBSON(SCOTTISH 1866-1931)THE BOATMAN ON A LOWCOUNTRIES RIVERSigned, oil on canvas


£1,500-2,000




67

116 FE50/136ROBERT WATSON(SCOTTISH fl. 1890S)SHEEP IN THE HIGHLANDSSigned, oil on canvas


£1,800-2,500




68

117 FE50/117ROBERT WATSON(SCOTTISH fl. 1890S)WATERING PLACESigned and dated ‘98, oil oncanvas


£1,800-2,500

118 FE50/79ALEXANDER FRASER R.S.A.,R.S.W. (SCOTTISH1828-1899)GLEN FALLOCHSigned, signed and inscribedwith title verso, oil on canvas


£1,500-2,000




69

119§ FE50/44JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)FISHERWOMANSigned, oil on canvas


£1,400-1,800




70

120§ FE50/58JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)WOMAN OF THE SEASigned, oil on canvas

122cm x 91cm (48in x 36in)

£4,000-6,000

121§ FE50/45JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)ORIENTAL POPPIES, VERSO -NIGHT WINDOWSIgned and dated ‘89, oil oncanvas

102cm x 112cm (40in x 44in)

Exhibited:Mercury Gallery, 1989

£5,000-8,000




71

122§ FE50/109PAT DOUTHWAITE(SCOTTISH 1939-2002)CATInscribed with title,watercolour

140cm x 190cm (5.5.in x 7.5in)

£200-300




72

124§ FE50/107PAT DOUTHWAITE(SCOTTISH 1939-2002)TALKING HEADSWatercolour

38cm x 57cm (15in x 22.5in)

£300-500

123§ FE50/95ADRIAN WISNIEWSKIA.R.S.A. (SCOTTISH B. 1958)THE POETSigned in pencil to marginand numbered 50/50, handfinished, screenprint

94cm x 130cm (37in x 51in)

£400-600

125§ FE50/110PAT DOUTHWAITE(SCOTTISH 1939-2002)CHRIST FIGURE WITH NAILSDated ‘89, pastel

84cm x 58.5cm (33in x 23in)

£300-500




73

126§ FE50/108PAT DOUTHWAITE(SCOTTISH 1939-2002)COBWEBWatercolour and pastel

52.5cm x 34.5cm (30.75in x 13.5in)

£200-300

127§ FE50/13PETER HOWSON(SCOTTISH b. 1958)HEAD STUDY - BLUEBACKGROUNDSigned and dated ‘06, pastel

30cm x 23cm (11.75in x 9in)

£600-800




74

128§ FE50/14PETER HOWSON(SCOTTISH b. 1958)CAPTIVE PRINCESSigned, pastel

28cm x 20.5cm (11in x 8in)

£400-600

129§ FE50/41JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)ROSESSigned and inscribed with titlestretcher verso, oil on canvas


£2,000-3,000




75

130§ FE50/75KATE CAMERON R.S.W., R.E.(SCOTTISH 1874-1965)IT WAS A BOWL OF ROSES(Poem verso), watercolour

52cm x 76cm (20 in x 30in)

Provenance:Art Records

Exhibited:Royal Scottish Society of Painters inWatercolour, 1952

£700-900




76

132 FE50/92LOUISE PERMAN(SCOTTISH 1854-1921)PINK ROSESSigned, oil on canvas


£700-900

131 FE50/166SAMUEL FULTON(SCOTTISH 1855-1941)POMERANIANSigned, oil on canvas

41cm x 51cm (16.25in x 20in)

£1,200-1,800

133 FE50/72ROBERT GEMMELLHUTCHISON R.S.W., R.S.A.(SCOTTISH 1855-1936)A BUSY QUAYSIDESigned, oil on board

27cm x 19cm (10.5in x 7.5in)

£800-1,200




77

134§ FE50/61ALFRED FONTVILLE DEBREANSKI(BRITISH 1877-1955)BETWEEN THE SHADOWS INA HIGHLAND GLENSigned, oil on canvas


£2,000-3,000

135 FE50/77HENRY JOHN DOBSONR.S.W. (SCOTTISH 1858-1929)THE PRIDE OF HER HEARTSigned, inscribed with titlelabel verso, oil on canvas


£600-800




78

136 FE50/137ROBERT MCGREGOR R.S.A.(SCOTTISH 1847-1922)SAILING IN THE TOY BOATSigned and dated ‘78,watercolour

19.5cm x 32cm (7.75in x 12.5in)

£500-800

137No lot

138 FE50/85WALLER HUGH PATONR.S.A., R.S.W.(SCOTTISH 1828-1895)SUMMER EVENING,PENLESTER, ARRANSigned and dated 1875,signed canvas verso, oil oncanvas

71cm x 123cm (28in x 48.5in)

£15,000-20,000




79

139§ FE50/138ROBERT RUSSELL MACNEE(SCOTTISH 1880-1952)COUNTRY COTTAGESigned and dated ‘19, oil oncanvas


£600-900




80

141 FE50/120WILLIAM ALFRED GIBSON(SCOTTISH 1866-1931)FISHERFOLK ON THE SHORE,KATOWICESigned and indistinctlyinscribed, oil on board

20cm x 25.5cm (8in x 10in)

£1,500-2,000

140 FE50/126STRUAN ROBERTSON(SCOTTISH fl. 1903-1918)THE SHEPERDESSSigned and dated ‘11, oil onpanel

24cm x 34.5cm (9.5in x 13.5in)

£400-600

142§ FE50/74SIR DAVID YOUNG CAMERONR.E., R.O.I., R.W.S., R.S.A.,R.A., H.R.S.W.(SCOTTISH 1865-1945)THE GOLD CHAINSigned, oil on canvas

82cm x 71cm (32 in x 28in)

£800-1,200




81

143 FE50/11619TH CENTURY SCOTTISHSCHOOLMARY QUEEN OF SCOTSOil on canvas


£300-500

144 FE50/73ROBERT GEMMELLHUTCHISON R.S.W., R.S.A.(SCOTTISH 1855-1936)EATING HER PORRIDGESigned, oil on board

30cm x 23cm (12.5in x 19in)

£5,000-7,000




82

145 FE50/153WILLIAM KAY BLACKLOCK(BRITISH 1872-1924)A DUTCH IDYLLSigned, dated ‘14, inscribedwith title stretcher verso, oilon canvas

64cm x 77cm (25in x 30.5in)

£4,000-6,000




83

146 FE50/177HUGH CAMERON R.S.A.,R.S.W., R.O.I., H.R.S.W.(SCOTTISH 1835-1918)GRANDFATHER’S LITTLEHELPERSigned, inscribed with titlestretcher verso, oil on canvas

27cm x 34.5cm (10.5in x 13.5in)

£300-500

147§ FE50/66WILLIAM JAMES LAIDLAWBAILLIE P.R.S.A., P.R.S.W.,R.G.I (SCOTTISH 1923-2011)FLOWER, BANNER ANDSTREAMERSigned, signed verso, oil oncanvas

76cm x 63.5cm (30in x 25in)

£500-800




84

148§ FE50/167ROBERT HENDERSON BLYTHR.S.W., R.S.A.(SCOTTISH 1919-1970)PREPARATIONS FOR THEBALLETSigned and dated ‘38, oil oncanvas


£1,200-1,800

149§ FE50/32ANNE REDPATH R.S.A.,R.W.A., A.R.A., O.B.E.(SCOTTISH 1895-1965)WHITE ROSESSigned, oil on board


£10,000-15,000




85

150§ FE50/24JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)CARINASigned, watercolour

55cm x 37cm (21.75in x 14.5in)

£800-1,200




86

151§ FE50/82CLAIRE HARRIGAN R.S.W.(SCOTTISH b. 1964)JOUVERT - MORNINGMixed media on paper

68.5cm x 51cm (27in x 20in)

£400-600

152§ FE50/46JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)POPPIESSigned, oil on canvas

102cm x 76cm (40in x 30in)

£3,000-5,000




87




88

153 FE50/128JOSEPH FARQUHARSON R.A.(SCOTTISH 1846-1935)MISTY MOUNTAINSOil sketch on board


£200-300

155 FE50/130WILLIAM BRADLEY LAMONDR.B.A. (SCOTTISH 1857-1924)THE SHEPHERDSigned, oil on board

25cm x 30cm (9.5in x 11.5in)

£400-600

154§ FE50/127WINIFRED MCKENZIE(SCOTTISH 1905-2001)PEARS, GRAPES AND POTPLANTSSigned, oil on canvas

51cm x 63.5cm (20in x 25in)

£500-800

156 FE50/172MRS GRAHAM(SCOTTISH 18TH/19THCENTURY)STIRLING CASTLEWatercolour, inscribed on thebacking paper ‘View ofStirling Castle, painted by MrsGraham, wife of GeneralGraham, Governor of StirlingCastle’

33cm (13in) diameter

£400-600




89

157 FE50/135HUGH CAMERON R.S.A.,R.O.I., H.R.S.W.(SCOTTISH 1835-1918)MACKEREL FISHING ATSUNSETSigned, signed and inscribedwith title label verso, oil oncanvas

45cm x 53cm (18in x 20.75in)

£1,500-2,000

158 FE50/131EUGENE DEKKERT(SCOTTISH fl. 1900-40)THE TIMBER WAGONSigned, oil on canvas


£400-600




90

160§ FE50/145WILLIAM ELLISBARRINGTON-BROWNE(BRITISH 1908-1985)THE DESCENDING MISTSigned, oil on canvas


Provenance:Tryon Gallery, London

£400-600

159 FE50/170SIR JAMES LAWTONWINGATE P.R.S.A.(SCOTTISH 1846-1924)FAIRLIE ROADSSigned, oil on canvas

26cm x 37cm (10in x 14.25in)

£300-500

161§ FE50/171JAMES GRANT LECKIEEWING (fl. 1890-1934)THE OUTSIDE STEPS,CORNER OF ST. ANDREWSSigned, watercolour


£300-500




91

162§ FE50/129CONSTANCE WALTON R.S.W.(BRITISH 1865-1969)ROSE IN A STEM VASESIgned, watercolour

37cm x 26cm (14.5in x 10.25in)

£500-700

163§ FE50/141ROBERT RUSSELL MACNEE(SCOTTISH 1880-1952)FEEDING TIMESigned and dated ‘13, oil oncanvas laid on board


£1,500-2,000




92

164 FE50/76WILLIAM EDDOWES TURNER(BRITISH 1820-1885)A HIGHLAND DROVE, INGLENCOESigned, dated ‘82, oil oncanvas


£800-1,200




93

166§ FE50/60DONALD MCINTYRE R.C.A.(SCOTTISH 1923-2009)MARKET STALLSInitialed, oil on board


Exhibited:Thackerow Gallery, 1985

£800-1,200

165§ FE50/146WILLIAM ARTHUR CARRICK(SCOTTISH 1879-1964)CRAIL HARBOURSigned, oil on board

36cm x 57cm (14in x 22.5in)

£500-700

167§ FE50/9SIR ROBIN PHILIPSONR.S.W., R.G.I., R.C.A.A.,H.R.H.A., R.A., P.R.S.A.,(SCOTTISH 1916-1992)FIGURES AND ZEBRASigned verso, mixed mediawith gold leaf on panel

12cm x 11cm (4.75in x 4.25in)

£400-600




94

168§ FE50/185JUNE REDFERN(SCOTTISH b. 1951)HOW SHE MET HERSELFSigned, dated ‘85 andinscribed with title verso,unframed, oil on canvas

152cm x 122cm (60in x 48in)

£400-600

169§ FE50/10JOAN EARDLEY R.S.A.(SCOTTISH 1921-1963)TWO MEN AT THE DOCKSPastel

14cm x 13cm (5.5in x 5.25in)

Provenance:Studio Number Reference ED 345

£2,000-3,000




95

170§ FE50/12JOAN EARDLEY R.S.A.(SCOTTISH 1921-1963)ROAD - WINTERSigned, pastel

41.3cm x 55.5cm (16.25in x 21.75in)

£2,500-3,500

171§ FE50/57JAMES ROBERTSON R.S.W.,R.S.A. (SCOTTISH 1931-2011)SPANISH LANDSCAPESigned and dated ‘64, signedlabel verso, gouache

48cm x 75cm (19in x 29.5in)

£400-600




96

172§ FE50/6SIR ROBIN PHILIPSONR.S.W., R.G.I., R.C.A.A.,H.R.H.A., R.A., P.R.S.A.(SCOTTISH 1916-1992)WOMEN WAITINGSigned verso, oil on board

11cm x 14cm (4.25in x 5.5in)

£1,200-1,800

173 FE50/7GEORGE LESLIE HUNTER(SCOTTISH 1879-1931)INTERIOR WITH FIGURE(STILL LIFE VERSO)Oil on canvas

55cm x 46cm (21.5in x 18in)

Provenance:Alexander Reid, Glasgow

Exhibited:The Royal Scottish Academy;Edinburgh Festival Exhibition'Peploe, Hunter & Cadell',Edinburgh 1949; 'The ThistleFoundation', McLellan Galleries,Glasgow 1951; The Fine Art Society,August 1972

Literature:T. J. Honeyman, 'Three ScottishColourists', Nelson, 1950, plate 5Hunter section

£30,000-50,000




97

174§ FE50/81JOHN HOUSTON R.S.A.,O.B.E. (SCOTTISH 1930-2008)SUNSETSigned, oil on canvas


£2,000-3,000

END OF SALE




98

99

The following expressions withtheir accompanyingexplanations are used by Lyon &Turnbull as standardcataloguing practice. Our use ofthese expressions does not takeaccount of the condition of thelot or the extent of anyrestoration.

Buyers are recommended toinspect the propertythemselves. Written conditionreports are usually available onrequest.

Name(s) or RecognisedDesignation of an Artist withoutany QualificationIn our opinion a work by theartist

Attributed to...In our opinion probably a workby the artist in whole or in part.

Studio of ... / Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under hissupervision


IndexCataloguing Terms

Circle of ...In our opinion a work of theperiod of the artist and showinghis influence.

Follower of ...In our opinion a work executedin the artist’s style but notnecessarily by a pupil.

Manner of ...In our opinion a work executedin the artist’s style but of a laterdate

After ...In our opinion a copy (of anydate) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscriptionappears to be by a hand otherthan that of the artist.

Dimensions are given heightbefore width.

Alexander, L., 3, 109, 110Allan, R.W., 78, 112

Barrie, M., 39, 55, 82, 83Barrington-Brown, W.E., 160Bellany, J., 15, 16, 17, 119,120, 150

Blackadder, E., 6Blacklock, W.K., 145Blyth, R.H., 148Bone, Sir M., 105, 106Brown, D., 58

Cameron, D., 31, 48Cameron, H., 32, 72, 146Cameron, K., 130Cameron, Sir D.Y., 142Carrick, W.A., 165Chalmers, H., 30, 157Cunningham, J., 52

de Breanski, A.F., 134Dekkert, E., 158Dobson, .J., 135Douthwaite, P., 18-21, 107,122, 124, 125, 126

Downie, K., 61

Noble, J.C., 14

Paton, D., 11, 13Paton, W.H., 138Perman, L., 132Philipson, Sir R., 41, 87, 88,167, 172

Redfern, J., 168Redpath, A., 35-38, 149Robertson, J., 171Robertson, S., 102, 140Sanderson, R., 33, 101Scottish School, 143Small, D., 12Sticks, G.B., 94

Taylor, E.A., 103, 104Turner, W.E., 164

Walton, C., 162Watson, R., 116, 117Wilson, W., 67Wingate, Sir J., 159Wisniewski, A., 123Wylie, K., 49, 50, 73, 74

Hutchison, R.G., 133, 144

Kay, A., 46Kinnear, J., 8, 9

Laidlaw, W.J., 54, 98, 147Lamond, W.B., 47, 155Lawrie, H., 108Lees, C., 71

Mackay, W.D., 113Mackie, J., 59, 60Mackie, J., 81Macmaster, J., 76Macnee, R.R., 139, 163Mactaggart, Sir W., 42, 68, 91,93, 137

Macwhirter, J., 27, 28, 77McClure, D., 5, 51McCullough, H., 96McGhie, J., 34, 100McGregor, R., 136McIntyre, D., 53, 166McIntyre, J., 57McKenzie, W., 154McLean, J., 84Morrison, J., 7

Eardley, J., 85, 86, 169, 170Ewing, J.G.L., 161

Farquharson, J., 97, 153Fergusson, J.D., 43, 44, 45, 89,90

Foggie, D., 75Fraser, A., 118Frazer, W.M., 99Fulton, D., 69Fulton, S., 131

Gamley, A., 29Geddes, A., 70Gibson, W.A., 10, 95, 115, 141Giles, J.W., 114Goodall, O., 40Graham, Mrs., 156

Harrigan, C., 151Henderson, J.M., 111Herald, J.W., 79, 80Houston, J., 1, 2, 4, 56, 121,129, 152, 174

Howson, P., 64, 65, 66, 127,128

Hunter, G.L., 22-26, 92, 173

100

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang

Associate DirectorsLee YoungMhairi McFadden

Specialist Departments

Pictures, Watercolours andPrintsNick CurnowCharlotte Riordan

Furniture, Clocks andWorks of ArtDouglas GirtonLee Young

Asian Works of ArtLee Young

Rugs and CarpetsGavin Strang

Jewellery, Silver,Coins and MedalsTrevor KyleColin Fraser

Decorative Arts and DesignJohn Mackie

European and Asian CeramicsDouglas GirtonCampbell Armour

Rare Books, Maps, Manuscriptsand PhotographsSimon VickersCathy Marsden

Arms and ArmourJohn Batty (consultant)

Antique SalesTheo BurrellLydia Stoker

Valuation Department

Telephone: 0845 882 2794

UK DirectorRachel Doerr

Business Development

Lady MiddletonJohn SibbaldJohn ThomsonTessa ThomsonLindsey MichieNicholas Campbell

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email: [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

www.lyonandturnbull .com

Scottish Contemporary Paintings& Post-War ArtWednesday, 17th April, 201333 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)STILL LIFE WITH MARROW ANDGOURDSSigned, oil on canvas

54cm x 59cm

£

Viewing timesSunday 14th April 2pm - 5pmMonday 15th April 10am - 5pmTuesday 16th April 10am - 5pmMorning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 [email protected]

Charlotte RiordanTel: +44 (0)131 557 [email protected]

102

STANDARD TERMS &CONDITIONS OF SALE

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES AND THEBUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid, which mustbe raised before the next lot is offered,shall be settled at the auctioneer’sabsolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk (*) or dagger (†). Value AddedTax is charged at the appropriate rate

prevailing by law at the date of sale and ispayable by buyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 2% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than fourworking days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom and the potentialstorage charges for lots not collected bythe appropriate time.

8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso. Where two or more commission bidsat the same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Marketing Service:£10 per lot.

(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;

(a) If withdrawn over 28 working days priorto the sale, this will be charged at 10% ofthe mid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

(b) If withdrawn within 28 working days ofthe sale, this will be charged at 20% of themid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

15. DESCRIPTIONS AND CONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonably

held and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

16. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

22. Scottish law applies to theinterpretation of these Conditions.

Sale Title

Sale Date Sale No.

Title Initials Client No.

Surname

Address

Postcode

Telephone Fax

E-mail

Client Signature Date

Lyon and Turnbull office use

Date Time By Bidder No.

Received

Entered

Absentee bid form

Sale/customer details

33 Broughton PlaceEdinburgh EH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 2928e-mail:[email protected]

I request Lyon and Turnbull,without legal obligation of anykind on its part, to bid on thefollowing lots up to the priceslisted.

I understand that if any of mybids are successful the totalprice payable will be theamount of the final bid plus aBuyer’s premium calculated atthe following rates:

25% up to £25,000 /20% thereafter.

VAT will be charged onthe premium.

The premium and VAT ispayable by all purchasers.

Lots in the catalogue marked* or † are subject to VAT on thehammer price as well as thepremium.

Where there are identical bidsfor a lot, the first bid receivedwill be have precedence.

Please make certain that yourbids are submitted at least twohours before the start of thesale.

£ Sterling limitLot.No Description Ex. Premium & VAT

AuctionSunday, May 5th, 2013

Upcoming atFreeman’s

Inquiries:anne henry+1 [email protected]

aimee pflieger+1 [email protected]

Catalogue $35

ExhibitionsWednesday, May 1st toSaturday, May 4th

Please contact the departmentor www.freemansauction.comfor further details

Modern & Contemporary Art 05/05/13

PAUL FEILER(british b. 1918)

"BEACH UNDER SNOW"Signed and dated 53 bottom right and signed,

dated and titled verso, oil on canvas12 x 15 3/4 in. (30.5 x 40cm)

Sold on November 4th, 2012 for$25,000 (£15,625)

www.freemansauction.comto preview, bid or consign visit us at

PP

S

QUEEN ST

PRINCES ST

BROU

GHTON

ST

LEIT

HW

ALK

LEIT

HST

Local DeliveriesLocal deliveries can bearranged by A&S PertRemovals.Telephone 07876343520.

Packing and ShippingPlease note that we donot pack or ship items.The following sug-gested carriers will beable to arrange pack-ing and shipping;please contact themdirectly to receive aquote. You may wishto contact an alterna-tive courier.

Smaller itemsMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFThe direct link to the orderingform is:http://www.mbeedinburgh.com/art-and-antiques.phpTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:[email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close, Creek-moorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:[email protected]

Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Friday follow-ing the sale.

Thereafter lots will be re-moved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will be avail-able at the saleroom on viewdays and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2013. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

Documents

40 years of St Andrews Fine Art: The Complete Collection | 13th February 2013