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    Standards & efficient content creation: providing

    access to Te Papas collections & knowledge

    Adrian Kingston

    Acting Manager Collections Information Services

    Museum of New Zealand Te Papa Tongarewa

    Museum of New Zealand Te Papa Tongarewa

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    Introduction

    Background

    Collections

    Problems

    Changes

    Thesauri

    Conceptual framework

    Results

    Still to do

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    Background

    Museum of New Zealand Te Papa Tongarewa

    Wellington, New Zealand

    National Museum (established 1865)

    National Art Gallery (established 1913)

    Merged in 1992, under the Museum of New Zealand Te

    Papa Tongarewa Act

    New building opened 14 February 1998

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    Te Papa Tongarewa image

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    Collections

    Humanities Collections

    Art

    Photography

    New Zealand History

    Tonga Mori

    Pacific Cultures

    InternationalHistory

    Archives

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    Collections

    Natural Environment Collections

    Plants

    Birds

    Molluscs and marine invertebrates

    Fish

    Insects

    Crustacea

    Marine Mammals

    Land Mammals

    Reptiles

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    Wellington Harbour, 1894, James NairnOil on panelGift of Miss Mary Newton, 1939

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    Milford Sound, 1883, Burton BrothersBlack and white gelatin glass negative

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    Mere pounamu (greenstone hand club), Unknown makerkawakawa, inanga, muka

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    Cloak, Unknown maker, Circa 1870wool, plant fibreGift of Te Aia Mataiapo, 1872

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    Huia (Heteralocha acutirostris)

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    land snail (Allodiscus kakano B. Marshall & Barker, 2008; holotype)collected by Alan Beu, 1957

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    Single crape fern (Leptopteris hymenophylloides (A.Rich.) C.Presl)

    Collected by Joseph Banks, Daniel Solander, 1769

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    The issues: 2005

    Collections Information System needed replacement

    Information and media being managed in multiple ways,

    places

    Lack of consistent documentation standards

    Very few digital images of our collection objects

    No access to our collections on the web

    Many traditional barriers in place of releasing content,

    and some misunderstanding of the internet

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    Centralising information

    Implemented new Collections Information System (KE

    Emu)

    Designed to manage allcollection related information

    and processes, in a single system

    All collection related media managed (both digital and

    analogue), with long-term access and preservation inmind

    Rights and licences managed in Collections Information

    System, not externally

    Where possible, consistent description across

    collections

    Looking for existing content stored elsewhere that could

    be added and reused

    The ability for curators to records stories related to the

    collections and objects

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    Digital imaging

    Issue:

    Have a small imaging team (four staff)

    Have a large collection (three hundred thousand humanities

    objects, up to two million specimens)

    Their high quality images can be time intensive, and usually

    require moving the objects to the studio

    Solution:

    Now have a system where staff could add and appropriately

    manage the images, including security and rights management

    Imaging team trained the Collection Managers and some

    curators

    Basic lighting setups in most collection stores

    Invested in good, but easy to use equipment

    Imaging is now part of audit and acquisition processes

    13,500 images taken by collections staff in 2010 (in addition to

    19,000 images taken by the Imaging Team same year)

    Quality of images has increased since beginning, most are now

    usable for most purposes

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    Staff digital imaging

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    Information standards

    Previous system very free text, meant no consistent

    descriptors

    New system deliberately implemented with lots of

    controlled vocabulary fields; lookups, drop downs and

    thesauri

    Initially not popular with staff, felt it was too complicatedand restrictive

    Training, tools and systems put in place to help

    streamline data entry

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    Thesaurus

    We use:

    Getty Art and Architecture Thesaurus (AAT)

    Getty Thesaurus of Geographic names (TGN)

    Library of Congress Thesaurus for Graphic Materials, Subjects(TGMI)

    Because:

    It already existed and being used all over the world Provides hierarchical browsing, alternates and used for

    terms, scope notes, and lots of other content we didnt have tocreate

    However:

    Thesaurus management in CIS not perfect, took developmentwork with us and the vendor

    Put much effort into migrating and normalising existing data asstarting point

    Has taken five years of cataloguing to get content to therichness it currently has, but 100 years of backlog cataloguingstill to expand on, so a long way to go

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    Local thesauri

    Mori and Pacific terms not covered well in AAT

    Sometimes the western understanding of a concept is

    different to that under Mtauranga Mori (Mori

    knowledge)

    Need to catalogue in English and indigenous languages

    for appropriate description and ease of access andunderstanding

    Can insert new terms into existing AAT structure

    Can contribute back to AAT, possibly improving the

    description of Tonga Mori (treasures) in collections

    around the world

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    Local thesaurus terms

    Mori specific

    Nephrite (AAT), bowenite (AAT)

    Pounamu

    Kawakawa

    Inanga

    Kahurangi

    Tangiwai

    New Zealand English specific

    Bach, Crib

    alternates for Vacation houses

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    My mothers bach at Piha, 1930s, Eric Lee-Johnson

    Gelatin Silver Print

    Purchased 1997 with New Zealand Lottery GrantsB

    oard funds

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    New conceptual framework

    Semantic relationships, meaningful relationshipsbetween objects, artworks, specimens, people, places,terms, topics, taxonomy

    Addition of relationship types, i.e., howis a concept,person or place related to an object: e.g. depicts,influenced, refers to

    Previously hidden relationships are now visible, andbrowseable

    Cataloguing for access, not just collections management

    Significant conceptual change, but is now part of normalcataloguing processes

    All managed through the Collections Information System

    Based on CIDOC Conceptual Reference Model

    ISO 21127:2006

    www.cidoc-crm.org

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    Collection objects

    Topics

    The 1885

    Industrial

    ExhibitionOn the afternoon of

    Saturday 1 August, 1885,in a huge building on the

    corner ofWellingtons

    Lambton Quay and Stout

    Street, the Governor

    General opened the New

    Zealand Industrial

    Exhibition. The 655

    GovernmentBuildingsGovernment Buildings,

    completed in 1876, cost

    39,000. They represented

    the change from provincialgovernment to central

    government in NewZealand. The size of the

    structure meant that, for thefirst time, g overnment

    ministers

    Made by

    Refers to

    Refers to

    Refers to

    Worked at

    Died at

    Born at

    Depicts

    Collected at

    Refers to

    Made at

    Depicts

    Refers to

    Wellington Brian Brake

    Sir Julius Vogel

    People &

    organisations

    Alexander Turnbull

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    Sir Julius

    Vogel

    Refers to

    AlexanderTurnbull

    Workedat

    Died at

    Born at

    Made byDepicts

    Collected atRefers

    to

    Made at

    Depicts

    Refers to

    GovernmentBuildings

    GovernmentBuildings,completed in 1876,cost 39,000. Theyrepresented thechange fromprovincial

    Refers to

    Wellington

    Carte de visite -Portraits forpeople

    The carte de visite(calling-card photo)was the first type ofphotographproduced on paper

    DepictsRefers to

    Depicts

    Biography ofJulius Vogel

    He was born inLondon to AlbertVogel and PhoebeIsaac.His parentsseparated when hewas six, and Juliuswas brought up by

    Refersto

    Died at Auckland

    BrianBrake Depicts

    Made by

    Made by

    Pablo Picasso

    Depicts

    India

    Made atMade by

    Made at

    Made at

    Made at

    Is type ofBaskets

    Is type of

    Is type of

    Is type of

    Is type of

    The PlaySchooltoys

    Blah bl;ah blah blahblah blah blah blahblah

    Refers to

    James Bragge Made by

    Made by Refers to

    BeardsDepicts

    Hair

    Narrower

    Born atDied at

    Albumenprints

    Refers to

    Refers to

    Refers to

    Refers to

    Type of

    Made by1895 IndustrialExhibition

    On the afternoon ofSaturday 1 August,1885, in a hugebuilding on thecorner ofWellingtonsLambtonQuay and

    Died at

    Refers to

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    Results

    Example: Captain JamesCook(person)

    A search for cook gives results for Cook Islands,

    Mount Cook, cooking utensils, and many objects that

    are some how related to the word cook

    But now you can find the actual person Captain James

    Cook You can then see the objects, places and stories related

    to him, and howthey relate

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    Results

    Example: Christchurch (place)

    Uses the Thesaurus of Geographic Names

    Allows for additional rich content supplied by the Getty

    Research Institute

    Allows geographic browsing

    Takes advantage of semantic relationships

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    Partnerships

    Collections Online is a great base for exploring and

    learning about Te Papas collections, however

    Te Papa doesnt hold all knowledge

    New Zealand is too small for institutions to be competing

    with each other

    Partnerships make our collections available from otherplaces, and also allow the public to find information from

    across institutions

    New Zealand Virtual Herbarium

    Getty Research Institute, others coming up

    DigitalNZ

    Te Papa contributes metadata

    Collections Online searches the DigitalNZ repository

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    DigitalNZ example

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    Results

    200,000 objects available

    85,000 images

    Increased awareness of importance and opportunities in

    digital access internally

    Virtual visit numbers rival physical visits to the museum,

    which is good (as Te Papa is the most visited museumin Australasia), but needs to be better

    People are sharing links, and blogging, so shows a

    degree of satisfaction

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    In progress

    Usability/Redesign (we know, its kind of ugly)

    Mapping further mapping of the collections (e.g. for

    understanding species distribution, but also seeing

    where an artist worked over their career)

    Allowing re-use of images and data (depending on

    copyright and indigenous rights, but as open aspossible)

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    Still to do

    API for external access to our collections data

    Other tools to help people blog and share our collections

    Allow other people to do the work, we concentrate on

    providing access to the best content we can, that is

    where our strength is

    Mobile access, other forms of access? Ongoing enhancements to functionality

    Ongoing improvement of the information

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    Summary

    Long path, but good framework in place now

    Used standards to ensure consistent description, which

    enables consistent and meaningful retrieval and

    understanding

    Cataloguing for access, not just Collections

    Management Use of thesauri and other tools to make efficient and

    meaningful links between collections and knowledge

    Make it business as usual, not a separate project or

    process

    Provide access to as much of the collections as possible

    Provide access to our research and knowledge as well

    the collections

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    @adriankingston

    @tepapacolonline

    [email protected]

    www.collections.tepapa.govt.nz