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Standards & efficient content creation: providing
access to Te Papas collections & knowledge
Adrian Kingston
Acting Manager Collections Information Services
Museum of New Zealand Te Papa Tongarewa
Museum of New Zealand Te Papa Tongarewa
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Introduction
Background
Collections
Problems
Changes
Thesauri
Conceptual framework
Results
Still to do
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Background
Museum of New Zealand Te Papa Tongarewa
Wellington, New Zealand
National Museum (established 1865)
National Art Gallery (established 1913)
Merged in 1992, under the Museum of New Zealand Te
Papa Tongarewa Act
New building opened 14 February 1998
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Te Papa Tongarewa image
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Collections
Humanities Collections
Art
Photography
New Zealand History
Tonga Mori
Pacific Cultures
InternationalHistory
Archives
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Collections
Natural Environment Collections
Plants
Birds
Molluscs and marine invertebrates
Fish
Insects
Crustacea
Marine Mammals
Land Mammals
Reptiles
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Wellington Harbour, 1894, James NairnOil on panelGift of Miss Mary Newton, 1939
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Milford Sound, 1883, Burton BrothersBlack and white gelatin glass negative
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Mere pounamu (greenstone hand club), Unknown makerkawakawa, inanga, muka
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Cloak, Unknown maker, Circa 1870wool, plant fibreGift of Te Aia Mataiapo, 1872
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Huia (Heteralocha acutirostris)
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land snail (Allodiscus kakano B. Marshall & Barker, 2008; holotype)collected by Alan Beu, 1957
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Single crape fern (Leptopteris hymenophylloides (A.Rich.) C.Presl)
Collected by Joseph Banks, Daniel Solander, 1769
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The issues: 2005
Collections Information System needed replacement
Information and media being managed in multiple ways,
places
Lack of consistent documentation standards
Very few digital images of our collection objects
No access to our collections on the web
Many traditional barriers in place of releasing content,
and some misunderstanding of the internet
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Centralising information
Implemented new Collections Information System (KE
Emu)
Designed to manage allcollection related information
and processes, in a single system
All collection related media managed (both digital and
analogue), with long-term access and preservation inmind
Rights and licences managed in Collections Information
System, not externally
Where possible, consistent description across
collections
Looking for existing content stored elsewhere that could
be added and reused
The ability for curators to records stories related to the
collections and objects
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Digital imaging
Issue:
Have a small imaging team (four staff)
Have a large collection (three hundred thousand humanities
objects, up to two million specimens)
Their high quality images can be time intensive, and usually
require moving the objects to the studio
Solution:
Now have a system where staff could add and appropriately
manage the images, including security and rights management
Imaging team trained the Collection Managers and some
curators
Basic lighting setups in most collection stores
Invested in good, but easy to use equipment
Imaging is now part of audit and acquisition processes
13,500 images taken by collections staff in 2010 (in addition to
19,000 images taken by the Imaging Team same year)
Quality of images has increased since beginning, most are now
usable for most purposes
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Staff digital imaging
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Information standards
Previous system very free text, meant no consistent
descriptors
New system deliberately implemented with lots of
controlled vocabulary fields; lookups, drop downs and
thesauri
Initially not popular with staff, felt it was too complicatedand restrictive
Training, tools and systems put in place to help
streamline data entry
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Thesaurus
We use:
Getty Art and Architecture Thesaurus (AAT)
Getty Thesaurus of Geographic names (TGN)
Library of Congress Thesaurus for Graphic Materials, Subjects(TGMI)
Because:
It already existed and being used all over the world Provides hierarchical browsing, alternates and used for
terms, scope notes, and lots of other content we didnt have tocreate
However:
Thesaurus management in CIS not perfect, took developmentwork with us and the vendor
Put much effort into migrating and normalising existing data asstarting point
Has taken five years of cataloguing to get content to therichness it currently has, but 100 years of backlog cataloguingstill to expand on, so a long way to go
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Local thesauri
Mori and Pacific terms not covered well in AAT
Sometimes the western understanding of a concept is
different to that under Mtauranga Mori (Mori
knowledge)
Need to catalogue in English and indigenous languages
for appropriate description and ease of access andunderstanding
Can insert new terms into existing AAT structure
Can contribute back to AAT, possibly improving the
description of Tonga Mori (treasures) in collections
around the world
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Local thesaurus terms
Mori specific
Nephrite (AAT), bowenite (AAT)
Pounamu
Kawakawa
Inanga
Kahurangi
Tangiwai
New Zealand English specific
Bach, Crib
alternates for Vacation houses
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My mothers bach at Piha, 1930s, Eric Lee-Johnson
Gelatin Silver Print
Purchased 1997 with New Zealand Lottery GrantsB
oard funds
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New conceptual framework
Semantic relationships, meaningful relationshipsbetween objects, artworks, specimens, people, places,terms, topics, taxonomy
Addition of relationship types, i.e., howis a concept,person or place related to an object: e.g. depicts,influenced, refers to
Previously hidden relationships are now visible, andbrowseable
Cataloguing for access, not just collections management
Significant conceptual change, but is now part of normalcataloguing processes
All managed through the Collections Information System
Based on CIDOC Conceptual Reference Model
ISO 21127:2006
www.cidoc-crm.org
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Collection objects
Topics
The 1885
Industrial
ExhibitionOn the afternoon of
Saturday 1 August, 1885,in a huge building on the
corner ofWellingtons
Lambton Quay and Stout
Street, the Governor
General opened the New
Zealand Industrial
Exhibition. The 655
GovernmentBuildingsGovernment Buildings,
completed in 1876, cost
39,000. They represented
the change from provincialgovernment to central
government in NewZealand. The size of the
structure meant that, for thefirst time, g overnment
ministers
Made by
Refers to
Refers to
Refers to
Worked at
Died at
Born at
Depicts
Collected at
Refers to
Made at
Depicts
Refers to
Wellington Brian Brake
Sir Julius Vogel
People &
organisations
Alexander Turnbull
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Sir Julius
Vogel
Refers to
AlexanderTurnbull
Workedat
Died at
Born at
Made byDepicts
Collected atRefers
to
Made at
Depicts
Refers to
GovernmentBuildings
GovernmentBuildings,completed in 1876,cost 39,000. Theyrepresented thechange fromprovincial
Refers to
Wellington
Carte de visite -Portraits forpeople
The carte de visite(calling-card photo)was the first type ofphotographproduced on paper
DepictsRefers to
Depicts
Biography ofJulius Vogel
He was born inLondon to AlbertVogel and PhoebeIsaac.His parentsseparated when hewas six, and Juliuswas brought up by
Refersto
Died at Auckland
BrianBrake Depicts
Made by
Made by
Pablo Picasso
Depicts
India
Made atMade by
Made at
Made at
Made at
Is type ofBaskets
Is type of
Is type of
Is type of
Is type of
The PlaySchooltoys
Blah bl;ah blah blahblah blah blah blahblah
Refers to
James Bragge Made by
Made by Refers to
BeardsDepicts
Hair
Narrower
Born atDied at
Albumenprints
Refers to
Refers to
Refers to
Refers to
Type of
Made by1895 IndustrialExhibition
On the afternoon ofSaturday 1 August,1885, in a hugebuilding on thecorner ofWellingtonsLambtonQuay and
Died at
Refers to
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Results
Example: Captain JamesCook(person)
A search for cook gives results for Cook Islands,
Mount Cook, cooking utensils, and many objects that
are some how related to the word cook
But now you can find the actual person Captain James
Cook You can then see the objects, places and stories related
to him, and howthey relate
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Results
Example: Christchurch (place)
Uses the Thesaurus of Geographic Names
Allows for additional rich content supplied by the Getty
Research Institute
Allows geographic browsing
Takes advantage of semantic relationships
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Partnerships
Collections Online is a great base for exploring and
learning about Te Papas collections, however
Te Papa doesnt hold all knowledge
New Zealand is too small for institutions to be competing
with each other
Partnerships make our collections available from otherplaces, and also allow the public to find information from
across institutions
New Zealand Virtual Herbarium
Getty Research Institute, others coming up
DigitalNZ
Te Papa contributes metadata
Collections Online searches the DigitalNZ repository
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DigitalNZ example
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Results
200,000 objects available
85,000 images
Increased awareness of importance and opportunities in
digital access internally
Virtual visit numbers rival physical visits to the museum,
which is good (as Te Papa is the most visited museumin Australasia), but needs to be better
People are sharing links, and blogging, so shows a
degree of satisfaction
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In progress
Usability/Redesign (we know, its kind of ugly)
Mapping further mapping of the collections (e.g. for
understanding species distribution, but also seeing
where an artist worked over their career)
Allowing re-use of images and data (depending on
copyright and indigenous rights, but as open aspossible)
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Still to do
API for external access to our collections data
Other tools to help people blog and share our collections
Allow other people to do the work, we concentrate on
providing access to the best content we can, that is
where our strength is
Mobile access, other forms of access? Ongoing enhancements to functionality
Ongoing improvement of the information
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Summary
Long path, but good framework in place now
Used standards to ensure consistent description, which
enables consistent and meaningful retrieval and
understanding
Cataloguing for access, not just Collections
Management Use of thesauri and other tools to make efficient and
meaningful links between collections and knowledge
Make it business as usual, not a separate project or
process
Provide access to as much of the collections as possible
Provide access to our research and knowledge as well
the collections
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@adriankingston
@tepapacolonline
www.collections.tepapa.govt.nz