123
left / right

4-4-11

Embed Size (px)

DESCRIPTION

Progress through the week of 4-4-11

Citation preview

Page 1: 4-4-11

left / right

Page 2: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 3: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 4: 4-4-11
Page 5: 4-4-11
Page 6: 4-4-11

+

+

left/right

MELISSA HARTLEY / VISUAL DESIGN PORTFOLIO>>

>>

Page 7: 4-4-11

left/right

Page 8: 4-4-11

>>

03/04

+

+

>>

00/Introduction

OBJECTIVE /

Information is in everything, surrounding us on a micro level all the way to a macro level. Information is in our experiences, memories, and our dreams. We are constantly inundated with information on any and all levels.

It is being a designer that makes all this information exciting and keeps me coming back for more. How we process this data and turn it into something visually fascinating is a skill all on its own.

There are two levels of thought and that is transfering raw data from the left hemi-sphere of your brain to the right, more creative side of the brain.

left/right

Page 9: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04name / melissa hartley book / 50/50 portfolio

left/right

Page 10: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

LEFT HEMISPHERE /

analytic thought

logic

language

science and math

factual

verbal

Page 11: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04name / melissa hartley book / 50/50 portfolio

RIGHT HEMISPHERE /

holistic thought

intuition

creativity

art and music

fantasy

visual

Page 12: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

BRAIN AREAS /

frontal / reasoning, planning, speech, movement, emotions, problem solving

parietal / movement, orientation, recognition, perception of stimuli

occipital / visual processing

temporal / perception, recognition of auditory stimuli, memory, speech

corpus callosum / connects the two hemispheres

Page 13: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04name / melissa hartley book / 50/50 portfolio

Page 14: 4-4-11

>>

+

+

COPYRIGHT@2011 MELISSA HARTLEY

All rights reserved. No parts of this book may be used without the written consent of the author by any and all means.

MELISSA YUKIKO HARTLEY /PHONE / 408.761.8432EMAIL / [email protected] / mhartley.com

INSTITUTION / Academy of Art UniversityDEPARTMENT DIRECTOR / Mary ScottCOURSE / Senior PortfolioINSTRUCTOR / Mary Scott

03/04 00/Introduction

Page 15: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 16: 4-4-11

>>

+

+

CONTENTS /

001/ WHITE AND GREY DO MATTER

015/ A STRATEGIC MEANS OF POWER

027/ DON’T TREAD ON ME

036/ THE TIME FOR HIGH AND LOW

043/ A RUSSIAN STATE OF MIND

051/ BOMBS BRING NEW BEGINNINGS

059/ A SEA OF OPPORTUNITY

067/ THE BEGINNING OF THE END

079/ FIGHTING FOR PROFIT

03/04 00/table of contents

Page 17: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 18: 4-4-11

01

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

WHITE AND GREY DO MATTER.

PROJECT / type conference

INSTRUCTOR / ariel grey

CLASS / typography 4

APPLICATIONS /book, mailer, poster

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

09/10

+

+

>>

>>

01/Bi-Lateral

Page 19: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 20: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

01

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

WHITE AND GREY DO MATTER.

PROJECT / type conference

INSTRUCTOR / ariel grey

CLASS / typography 4

APPLICATIONS /book, mailer, poster

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

Page 21: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 22: 4-4-11

>>

11/12

+

+

>>

>>

01/Bi-Lateral

Page 23: 4-4-11

name / melissa hartley book / 50/50 portfolioname / melissa hartley book / 50/50 portfolio 11/12

Page 24: 4-4-11

>>

13/14

+

+

>>

>>

01/Bi-Lateral

Page 25: 4-4-11

name / melissa hartley book / 50/50 portfolio 13/14

Page 26: 4-4-11

>>

15/16

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 27: 4-4-11

name / melissa hartley book / 50/50 portfolio 15/16

Page 28: 4-4-11

>>

17/18

+

+

>>

>>

01/Bi-Lateral

Page 29: 4-4-11

name / melissa hartley book / 50/50 portfolio 17/18

Page 30: 4-4-11

>>

19/20

+

+

>>

>>

01/Bi-Lateral

Page 31: 4-4-11

name / melissa hartley book / 50/50 portfolio 19/20

Page 32: 4-4-11

>>

21/22

+

+

>>

>>

01/Bi-Lateral

Page 33: 4-4-11

name / melissa hartley book / 50/50 portfolio 21/22

Page 34: 4-4-11

02

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

FINDING THE JET STREAM.

PROJECT / paper promotion

INSTRUCTOR / ariel grey

CLASS / typography

APPLICATIONS /book, poster

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / left/right+

+

>>

>>

01/Bi-Lateral

Page 35: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 36: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 37: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 38: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 39: 4-4-11

_›› A

_››B

_››C

_››D

name / melissa hartley book / 50/50 portfolio 03/04

Page 40: 4-4-11

_›› 0.2 m/s

_›› 0.04 m/s

_›› 0.02 m/s

_›› 0.65 m/s

_›› 0.73 m/s

_›› 0.48 m/s

_›› 0.56 m/s

_›› 0.32 m/s

_›› 0.23 m/s

_›› 0.31 m/s

_›› 0.15 m/s

_›› 0.05 m/s

_›› 0.11 m/s

_›› 0.07 m/s

_›› 0.01 m/s

_›› 0.86 m/s

_›› 0.43 m/s

_›› 0.39 m/s

_›› 0.22 m/s

_›› 0.12 m/s

_›› 0.09 m/s

_›› 0.04 m/s

_›› 0.17 m/s

_›› 0.61 m/s

_›› 0.42 m/s

_›› 0.70 m/s

_›› 0.60 m/s

_›› 0.90 m/s

_›› 0.47 m/s

_›› 0.18 m/s

_›› 0.35 m/s

_›› 0.21 m/s

_›› 0.40 m/s

_›› 0.05 m/s

_›› 0.78 m/s

_›› 0.004 m/s

_›› 0.034 m/s

_›› 0.99 m/s

_›› 0.024 m/s

_›› 0.33 m/s

_›› 0.097 m/s

_›› 0.1 m/s _›› 0.578 m/s

_›› 0.09 m/s

_›› 0.67 m/s

_›› 0.31 m/s

_›› 0.21 m/s

_›› 0.88 m/s

_›› 0.26 m/s

_›› 0.59 m/s

_›› 0.11 m/s

_›› 0.01 m/s

_›› 0.41 m/s

_›› 0.42 m/s

_›› 0.72 m/s

_›› 0.20 m/s

_›› 0.92 m/s

_›› 0.30 m/s

_›› 0.003 m/s

_›› 0.37 m/s

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 41: 4-4-11

_›› 0.2 m/s

_›› 0.04 m/s

_›› 0.02 m/s

_›› 0.65 m/s

_›› 0.73 m/s

_›› 0.48 m/s

_›› 0.56 m/s

_›› 0.32 m/s

_›› 0.23 m/s

_›› 0.31 m/s

_›› 0.15 m/s

_›› 0.05 m/s

_›› 0.11 m/s

_›› 0.07 m/s

_›› 0.01 m/s

_›› 0.86 m/s

_›› 0.43 m/s

_›› 0.39 m/s

_›› 0.22 m/s

_›› 0.12 m/s

_›› 0.09 m/s

_›› 0.04 m/s

_›› 0.17 m/s

_›› 0.61 m/s

_›› 0.42 m/s

_›› 0.70 m/s

_›› 0.60 m/s

_›› 0.90 m/s

_›› 0.47 m/s

_›› 0.18 m/s

_›› 0.35 m/s

_›› 0.21 m/s

_›› 0.40 m/s

_›› 0.05 m/s

_›› 0.78 m/s

_›› 0.004 m/s

_›› 0.034 m/s

_›› 0.99 m/s

_›› 0.024 m/s

_›› 0.33 m/s

_›› 0.097 m/s

_›› 0.1 m/s _›› 0.578 m/s

_›› 0.09 m/s

_›› 0.67 m/s

_›› 0.31 m/s

_›› 0.21 m/s

_›› 0.88 m/s

_›› 0.26 m/s

_›› 0.59 m/s

_›› 0.11 m/s

_›› 0.01 m/s

_›› 0.41 m/s

_›› 0.42 m/s

_›› 0.72 m/s

_›› 0.20 m/s

_›› 0.92 m/s

_›› 0.30 m/s

_›› 0.003 m/s

_›› 0.37 m/s

name / melissa hartley book / 50/50 portfolio 03/04

Page 42: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 43: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 44: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 45: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 46: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 47: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 48: 4-4-11

03

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

A SECRET MEETING .

PROJECT / audit the fed

INSTRUCTOR / roland young

CLASS / print

APPLICATIONS /installation

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 49: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 50: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

03

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

A SECRET MEETING .

PROJECT / audit the fed

INSTRUCTOR / roland young

CLASS / print

APPLICATIONS /installation

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

Page 51: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 52: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 53: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 54: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 55: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 56: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 57: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 58: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 59: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 60: 4-4-11

04

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

FROM THE CREST TO THE TROUGH.

PROJECT / sweel convention

INSTRUCTOR / jeremy stout

CLASS / graphic design

APPLICATIONS /book, poster, applications

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 61: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 62: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 63: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 64: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 65: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 66: 4-4-11

05

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

RUSSIANS DO IT BETTER.

PROJECT / rebranding smirnoff

INSTRUCTOR / todd hedgepeth

CLASS / identity

APPLICATIONS /book, applications

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 67: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 68: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

05

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

RUSSIANS DO IT BETTER.

PROJECT / rebranding smirnoff

INSTRUCTOR / todd hedgepeth

CLASS / identity

APPLICATIONS /book, applications

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

Page 69: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 70: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 71: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

smirnoff

Page 72: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 73: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

1 8

smirnoff

GRAPHIC STANDARDS MANUAL

Page 74: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

VODKA GOTITS CLASS BACK

identit

y

identit

y

Page 75: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 76: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 77: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 78: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 79: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 80: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 81: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 82: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 83: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 84: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 85: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 86: 4-4-11

06

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

A BLOSSOMING BEAUTY .

PROJECT / rebranding hiroshima

INSTRUCTOR / jane brown

CLASS / identity

APPLICATIONS /book, poster, applications

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 87: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 88: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 89: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

HIROSHIMA

Page 90: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 91: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 92: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 93: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 94: 4-4-11

07

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

A CULTURE BY WATER.

PROJECT / rebranding ocean pacific

INSTRUCTOR / ariel grey

CLASS / identity

APPLICATIONS /book, applications

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 95: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 96: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 97: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 98: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 99: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 100: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 101: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 102: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 103: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

o c e a n p a c i f i c

Page 104: 4-4-11

08

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

THE BEGINING OF A NEW START.

PROJECT / rebranding ellis island

INSTRUCTOR / ariel grey

CLASS / identity

APPLICATIONS /book, applications

TYPEFACE / century gothic

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / california office

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 105: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 106: 4-4-11
Page 107: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 108: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 109: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 110: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 111: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 112: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 113: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

E L L I S I S L A N D

Page 114: 4-4-11

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 115: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 116: 4-4-11

09

OBJECTIVE /

Develop an conference based around the idea of experimental typography and design a book, schedule, mailer, name badge and poster to intrigue and engage the audience in attendance.

PROCESS /

In a scientific context, an experiment is a test of an idea; a set of actions performed to prove or disprove a hypothesis. Experimentation in this sense is an empirical approach to knowledge that lays a foundation upon which others can build. It requires all mea-surements to be made objectively under controlled conditions, which allows the proce-dure to be repeated by others, thus proving that a phenomenon occurs after a certain action, and that the phenomenon does not occur in the absence of the action.

My approach to this project was to break down the way people think and how they approach design problems. Designer’s predominantly think either with the left side of their brain or right side of their brain. My goal was to show how each designer, left or right, would handle a given problem and the solution that would follow. The solutions that were to be discovered both lead to a visual form of communicating the same prob-lem but with different priorities all of which make design engaging.

EVERY PENNY MAKES A DIFFERENCE.

PROJECT / war profiteering

INSTRUCTOR / bob slote

CLASS / information design

APPLICATIONS /book

TYPEFACE / vitesse ,blender

PAPER /epson heavy weight matte

PRINTER / epson 2400

BINDERY / melissa hartley

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

Page 117: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 118: 4-4-11

>>

03/04

name / melissa hartley book / 50/50 portfolio+

+

>>

>>

01/Bi-Lateral

A SHOUT OUT TO ALL WHO INVESTED

ACKNOWLEDGEMENTS

MY SUPPORT TEAM /

A huge thank you to all of my teachers, friends, and family that helped to me to achieve this accomplishment. Whether it was pushing me to out perform myself, listening to me rant and rave, giving me a shoulder to cry or inspiring me with your outlooks, I truly appreciate you all for who you are. I could not have done this without your sup-port and inspiring words.

Mary Scott, Roland Young, Todd Hedgepeth, Jeremy Stout, Ariel Grey, Sharron Gallant, Michael Gallant, Mike Hartley, Diana Johnson, Taylor Sanchez,

Page 119: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 120: 4-4-11

>>

+

+

>>

>>

CREATIVE DIRECTOR / Mary Scott

GRAPHIC DESIGNER / Melissa Hartley

PHOTOGRAPHY / Melissa Hartley, Mike Hartley

COPYWRITER / Melissa Hartley, Scott Crisp

BINDERY / The Key Printing and Binding

GRAPHIC DESIGNER / Melissa Hartley

PHOTOGRAPHER / Melissa Hartley, Mike Hartley

COPYWRITER / Melissa Hartley, Scott Crisp

GIVING CREDIT WHERE CREDIT IS DUE

COLOPHON

THE INTRICATE DETAILS /

CASE STOCK / Melissa Hartley

COVER STOCK / Melissa Hartley, Mike Hartley

TEXT STOCK / Melissa Hartley, Scott Crisp

LIGHTING / Phillips Halogena Lightbulbs

CAMERA / Canon Rebel

COMPUTER SOFTWARE/ Adobe Creative Suite CS2

COMPUTER/ MacBook Pro

TYPEFACE/ Adobe Garamond, Blender

Page 121: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04

Page 122: 4-4-11

>>

03/04

+

+

>>

>>

01/Bi-Lateral

Page 123: 4-4-11

name / melissa hartley book / 50/50 portfolio 03/04