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35mm Full-Frame Digital SLR Camera

35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

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Page 1: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

35mm Full-Frame Digital SLR Camera

Page 2: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

Photograph by Chukyo Ozawa SAL1635Z (Vario-Sonnar T* 16-35mm F2.8 ZA SSM), 1/250 sec., F16, ISO 200, Auto white balance

Page 3: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

The dream is within reachInheriting technology and design from the flagship 900, the 850places the 24.6-megapixel resolution* of the 35mm full-frame Exmor™

CMOS sensor as well as the stunning response and imaging per-formance of Dual BIONZ™ processing engines in the hands of morediscerning photographers whose skills and vision deserve the best.If only superior detail, natural color and gradation, intuitive handling,and outstanding fit-and-finish will do, this is the camera for you.

This is a camera for the serious photographer … whether you’reserious about artistic expression, professional quality, or simply photo-graphic enjoyment, the 850 will help you take your images to the nextlevel. The dream of image quality approaching medium-format stand-ards with digital SLR handling and speed is finally within reach.

* Effective megapixels (approx.)

Page 4: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

6 7

Approaching perfection at the critical interface between light and signal

24.6-megapixel Exmor™ CMOS full-frame sensor

Sony’s established semiconductorexpertise is behind the exceptionalperformance of the 850 in manyways, but perhaps most prominent-ly in its full-frame 24.6-megapixelExmor CMOS image sensor. This sen-sor – the same one used in the flag-ship 900 – was designed specificallyfor 35mm full-frame imaging, imple-menting proprietary Sony planariza-tion technology for maximum flatness,plus over 6,000 on-chip column par-allel analog/digital converters so that the analog image is converted tonoise-resistant digital form right at the beginning of the processing chain. Noise reduction is applied both be-fore and after analog/digital conver-sion for an even cleaner signal.

Referring to the diagram below,you can see that noise reductionis applied at four different stages:twice by the Exmor CMOS sen-sor (once before initial analog-to-digital conversion, and once after), and twice by the DualBIONZ image processing en-gines before image processing.

Both the points at which noise reduction is applied within the processing chain and the types of noise reduction applied have been precisely tailored to achieve maximum image clarity without compromising detail or tonal nuance.

Multi-stage noise reduction for outstanding clarity

Dual BIONZ™ image processing for beauty and speed

The large volume of image datagenerated by the 850’s 24.6-megapixel Exmor CMOS image sen-sor is no challenge for the power ofDual BIONZ image processing en-gines. Not only do the BIONZ enginesgive you exceptionally fast response,including the capability for continu-ous 3 fps shooting at full resolution*, but they deliver images with true-to-life color and tonal gradation as well. They also apply two stages of ad-vanced noise reduction so the finest image details come through. The combination of the high-resolution Exmor image sensor and Dual BIONZ image processing engines deliversexceptionally high resolution andoutstanding dynamic range, makingit possible to take advantage of thestellar optical quality of precision

-series lenses.* Approx.

SteadyShot INSIDE™ image stabilization refined for full-frame imaging

More powerful and faster than theSteadyShot INSIDE systems used in

-series DSLRs with APS-C type im-age sensors, this in-body image sta-bilization system has been redesign-ed to achieve optimum quality with the 35mm full-frame Exmor CMOS sensor. It is so effective that you’ll be able to shoot sharp images hand-held at shutter speeds up to 4 stops slower than would otherwise be pos-sible.* SteadyShot INSIDE works with all compatible -series lenses, in-cluding macro and wide-angle types.* Stabilization may vary according to lens and shooting conditions.

850 noise reduction

Lens Captured Image

Exmor CMOS Sensor Dual

Image Processor

24.6megapixels

Recording to Memory Stick Duo / CF Card

Output

Analog signal Digital signal Noise

On-chip Column A/D Conversion + Dual Noise Reduction

SteadyShot INSIDE unit for 35mm full-frame format sensor (actual size) SteadyShot INSIDE unit for APS-C format sensor (actual size)

Receptor Charge/VoltageConversion

Analog SignalNoise Reduction

A/DConversion

Dual Noise ReductionDigital Noise

Reduction

Raw DataNR

NR with Image Processing

NR with Image Processing

Raw DataNR

DigitalSignal

Data Compression

Page 5: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

SAL2470Z (Vario-Sonnar T* 24-70mm F2.8 ZA SSM), 1/320 sec., F8, ISO 200, White balance: DaylightPhotograph by Takeshi Hirayama

Page 6: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

10 11

A bright, low-distortion view from corner to corner

Optical precision is as advantageousin a viewfinder as it is in the rest of acamera, and the 850 does not compromise. An optical glass penta-prism and high-power condenser lens, plus the use of high refractive index glass for all eyepiece elements, offer an exceptionally clear, low-distortion view that contributes significantly to shooting ease and comfort. Greater clarity is achieved under the widest possible range of shooting conditions by the use of multi-layer anti-reflection coatings on almost all optical surfaces. 0.74x* magnification and expansive 98%* coverage facilitate framing. Thestandard Spherical Acute Matte fo-cusing screen makes manual focusing easy, and a high eye-point improves visibility for eyeglass users.* Approx.

Interchangeable focusing screens

The Type G spherical acute matte fo-cusing screen supplied with the 850can easily be replaced with an option-al Type L or Type M screen to match your photographic application. The Type L screen has gridlines for precise positioning and framing, while the high-dispersion Type M screen is an ideal match for bright lenses with a maxi-mum aperture of F2.8 or greater, mak-ing it easier to fine-tune focus manually.

Durable magnesium alloy body

Sometimes capturing great imagesmeans working under demandingconditions, and the 850 is built totake them in stride. The body’s front,rear, and top are formed of a light-weight high-strength magnesiumalloy, while the interior chassis fea-tures high-tensile aluminum in atower-bar configuration for rugged

reliability. The critical mirror box is made of carbon fiber reinforced polycarbonate resin that achieves the ideal combination of weight and rigidity. Overall, the balance and handling of the design are superb, maximizing comfort and efficiency in extended shooting sessions.

A fine view that puts you in touch with your subject

Solid reliability for tough shooting conditions

Viewfinder schematic

Glass pentaprism

Type M focusing screen FDA-FM1AM

Super spherical acute matte

Spherical acute matte

Type L focusing screen FDA-FL1AM

Eyepiece lens

High-powercondenser lens

Page 7: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

12 13

9-point autofocus detection with 10-point assist

Fast, accurate autofocus with a wide range of subjects means fewer missed shots, and that is precisely what you get with the

850’s center dual-cross 9-point AF sensor system. There’s even a dedicated central sensor that enhances accuracy when shooting at apertures of F2.8 or larger. Ten additional “assist” sensors significantly improve subject detection when Wide AF is selected, as well as enhancing out-of-focus discrimination so that the system doesn’t “hunt” when attempting to focus. The sensors themselves have been specially designed for pinpoint detection and faster focusing. There’s even an AF Micro Adjust function that lets you fine tune auto-focus for individual lenses and register thesettings so they will be automat-ically recalled when the corre-sponding lenses are attached.

White balance settings for the right color in any light

In addition to versatile and accurate auto white balance, the 850 offers a range of user-tunable white bal-ance presets that can be quickly accessed via a button on top of the camera body, including a Color Tem-perature mode in which you can di-rectly specify the color temperaturein kelvin together with magenta orgreen color-correction filters in arange of densities. There are alsothree user-definable custom settings.The Drive mode menu includes aselection for white balance brack-eting, in which each image is rec-orded at three different white bal-ance settings.

Exposure bracketing – the sure-fire solution for ideal exposure

Perfect exposure doesn’t always correspond to “ technically correct” exposure. When you want the op-tion to choose, the Drive mode can be set to auto exposure bracketing so you get 3 or 5 frames exposed in 0.3 EV, 0.5 EV, or 0.7 EV steps. There’s also a ±2 EV mode that’s perfect for creating high dynamic range composites.

Intelligent Preview simulates exposure settings

This feature can be a tremendous advantage when you need fine photographic control right at the point of image capture. Intelligent Preview lets you preview the effect of exposure, white balance, and D-Range Optimizer variations onthe camera’s LCD, along with the corresponding histogram, before actually taking the picture. This can be a great aid to achieving the desired look right in the camera, saving a considerable amount of post-processing time and effort.

3 metering modes for optimum exposure in a variety of situations

A 40-segment honeycomb-patternmetering sensor coupled with ad-vanced exposure algorithms a-chieves optimally balanced expo-sure in a wide range of lighting con-ditions. You can instantaneously switch between full 40-segment me-tering, center weighted metering or spot metering via a convenient selec-tor on the rear of the camera body.

Quick dial access to exposure modes

The 850’s standard exposure modes – Program Auto, Aperture Priority, Shutter Speed Priority, and Manual – can be quickly accessed via a convenient top-mounted Mode dial. The dial is ideally situated for fast on-the-fly mode changes.

Frame and capture with confidence

AF sensors

40-segment honeycomb-pattern metering

Center-weighted metering

AF Micro Adjust display

Program auto mode

Auto white balance mode

Simulation of Autoand Daylight white balance mode effects.

+0.7 EV +0.3 EV ±0 EV -0.3 EV -0.7 EV

Aperture priority mode

Shutter speed priority mode

Manual exposure mode

Spot metering

AF assist sensors

Page 8: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

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D-Range Optimizer compensates for high contrast scenes

Scenes with a wide dynamic rangecan be exceedingly difficult to cap-ture with natural tonal gradation. The D-Range Optimizer function automat-ically compensates for extremes of light and shadow, analyzing and ad-justing tonal values to achieve smooth,natural tonal balance while bringingout subtle highlight and shadow de-tail. You have a choice of three D-Range Optimizer modes: Standard mode applies compensation based on analysis of the entire image, Ad-vanced Auto compensation is based on individual analysis of separate areas of the composition, and Ad-vanced Level lets you specify the strength of the compensation in five levels. There’s even a D-Range Op-timizer bracketing function for best-shot selection.

3-inch* Xtra Fine LCD monitorfor accurate image review

This monitor provides clear, brightimage review with 270 ppi (approx.) resolution and high contrast. Hybrid construction and a multilayer anti-reflective coating ensure optimum visibility even under bright sunlight. The large monitor also shows full RGB histograms and provides a comprehensive info display that allows functions and camera set-tings to be checked at a glance. The standard detailed display canbe switched to an enlarged, sim-plified mode for easier reading, and the display is automatically rotated for correct orientation when the camera is held vertically. A variety of index view options during playback make shot selec-tion easy.* Viewable area, measured diagonally

Quick Navi display allows fast parameter adjustments on the fly

When you need to access and adjust a parameter quickly, the Quick Navi display is a fast, convenient way to do it. Just tap the Function (Fn) button next to the LCD monitor to switch it from the standard info mode to the Quick Navi mode, then you can quickly select and adjust a range of important shooting parameters via the multi-selector using only your thumb. Alternatively, you can adjust the selected parameter via the front or rear control dials, if you find that more comfortable. Parameters that can be accessed and adjusted via the Quick Navi display include ISO sensitivity, exposure compensation, flash compensation, flash mode, drive mode, white balance, focus area, D-Range Optimizer, Creative Style, image quality, image size, and memory card slot.

Creative Style supports your artistic vision

13 customizable styles are providedfor use as a basis for creating ima-ges that are true to your photograph-ic intent. You can use the base styles as they are, or fine-tune them by edi-ting contrast, saturation, sharpness, brightness, and zone parameters (nosaturation adjustment is provided for the monochrome Sepia or B/W styles). Up to 6 customized creative styles can be registered in the cam-era’s “Style Box” for instant recallwhenever needed.

Shape light and color to match your vision An interface that gives you total control

* D-Range Optimizer Advanced uses technology provided by Apical Limited.

Advanced Level

Advanced Auto mode

Single-frame view RGB histogram display 25-frame index view

2. Adjust 1. Press

Standard mode D-Range Optimizer off

Level 2 Level 1 Level 3 Level 4

Standard Style

Portrait Style

Night view style

Level 5

Standard

Vivid

Neutral

Clear

Deep

Light

Portrait

Landscape

Sunset

Night view

Autumn leaves

B/W

Sepia

Rich tonal gradation and color; suitable for a wide range of subjects and scenes

Heightened contrast and saturation; suitable for subjects such as flowers, spring foliage, sky scenes, and ocean views

Attenuated saturation and sharpness; provides a neutral starting point for images that are to be post-processed

For clear images with limpid colors in the highlights; helps evoke a sense of radiant light

For images with deep and dense color; helps evoke a sense of depth and solidity

For images with bright, uncomplicated color expression; helps evoke a light, refreshing ambience

For images with rich, natural skin tones; ideal for portraits

Heightened contrast, saturation, and sharpness for crisp detail and vivid color; ideal for landscapes and scenic views

Saturated reds for warm, beautiful images of the setting sun

Attenuated contrast for more faithful reproduction of night view tonalities

Saturated reds and yellows for scenic views of autumn foliage

For black and white images

For monochromatic sepia-tone imaging

Creative Style settings

Page 9: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

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Efficiency and convenience are in the details

Remote sensorPreview button

Flash sync terminalLens release button

Focus mode lever

Shutter buttonFront control dial

AF illuminator / Self-timer lamp

Mode dial

Controls Rear control dial

SteadyShot INSIDE switch

Metering mode lever

Delete button

Playback button

LCD monitor

Multi-selector

Display button / LCD brightness button

MENU button

Power switch

Eyepiece sensors

For shooting: AF/MF buttonFor viewing: Enlarge button

For shooting: AE lock button / SLOW SYNC button

For viewing: Index button

For shooting: Custom buttonFor viewing: Histogram button

For shooting: Function buttonFor viewing: Image rotation button

Eyepiece shutter lever

Display panel illumination button

White Balance button

DRIVE button

ISO button

Exposure buttonDisplay panel

Accessory shoe

REMOTE terminal

DC IN terminal

Diopter adjustment dial

Memory card cover

Low-pass filter with special anti-static coating

Image sensor

Dust particles dislodged by sensor vibration

Anti-dust sensor protection

HDMI terminalVIDEO OUT / USB terminal

Built-in eyepiece shutter maintains metering precision

Close the eyepiece shutter in anyshooting situation in which you’re notlooking through the viewfinder – self-timer shots or long nighttime expo-sures, for example – to prevent extra-neous light from entering the eye-piece and affecting the camera’sexposure metering.

Custom button for easy access to frequently used functions

Normally the Custom button on the rear of the camera selects the Creative Style menu, but it can be easily reassigned to directly select any of 15 other functions, accord-ing to your personal shooting requirements.

Top-mounted LCD panel provides convenient setting confirmation

A backlit LCD panel mounted on the top of the body allows convenient review of battery level, remaining frames, drive mode, shutter speed, and aperture. This is a particularly useful feature when the main LCD monitor is turned off.

3 user-programmable memories for favorite setting combinations

The numerals “1”, “ 2”, and “3” on the camera’s mode dial correspondto three memories that you can pro-gram with your own combinationsof settings and modes. Simply set thedial to the appropriate number to in-stantly recall your custom setups.

Dust and moisture protection enhance reliability in harsh environments

The camera’s buttons and dials, terminals, viewfinder, and other vulnerable areas feature rubber seals to minimize the possibility of moisture and dust entering the body, for reliable operation.** Not waterproof or splash proof.

Dual memory card slots add media versatility

With CompactFlash™ / Microdrive™ and Memory Stick Duo™ memory media* slots, you can load both and switch between them as required via the Quick Navi information display.* Accepts high-speed CompactFlash UDMA, MemoryStick Pro-HG Duo, MemoryStick Pro Duo, and MemoryStick Duo media.

High-density battery for outstanding endurance

A high-capacity InfoLITHIUM™ battery pack offers outstanding endurance on a single full charge. Remaining battery charge can be monitored via the 5-segment icon displays as well as in precise 1% increments.

Anti-dust sensor protection keeps the sensor clean

In addition to a special anti-staticcoating that minimizes dust adher-ence, the anti-dust mechanism vi-brates the sensor at a high frequen-cy every time the camera is turnedoff to shake off dust that may haveentered the camera while chang-ing lenses.

Durable long-life shutter unit built for professional use

A high-speed, high-precision shut-ter unit with a rated service life of approximately 100,000 activations ensures long-term reliability even under heavy use. Built to withstand the demands of 1/8000 sec. shutter speeds and continuous shooting with a full-frame sensor.

NP-FM500H

Page 10: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

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Join the network Supplied software tools

Exhibit your work with the visual impact of BRAVIA™ HDTV

With the 850, you can directly take advantage of outstanding Sony BRAVIA HDTV image quality to display your images. Connect the

850 HDMI terminal to a compati-ble BRAVIA HDTV, and the TV will automatically switch to PhotoTV HD mode for dynamic display of images stored on the camera’s memory card, with faithful reproduction of delicate hues and tonal gradation.* PhotoTV HD is an exclusive Sony BRAVIA HDTV technology for optimum Full HD still image display.

Freedom and communication via the Sony digital network

The ways you can view and share your digital images are multiplying rapidly, and the Sony digital network gives you a wide variety of options. Connect and communicate your creativity with an ever-growing universe of digital photo frames, camcorders, Blu-ray disc players and recorders, high-definition tele-visions, and personal computers.

Conversion and editing – Image Data Converter SR

This powerful application facilitatesfast conversion and editing of thelarge RAW image files from the

850’s 24.6-megapixel sensor. An intuitive interface allows easy adjust-ment of exposure, white balance,contrast, hue, sharpness, and tone curve, and also features an enhanc-ed D-Range Optimizer function and compensation for light falloff at the image periphery.

Remote capture and control – Remote Camera Control

In addition to allowing compre-hensive remote camera opera-tion from your computer – includ-ing all basic camera operationsplus white balance, image quality,and D-Range Optimizer settings –this application transfers capturedimages directly to the computer so you can shoot for expended periods without having to worry about memory card capacity.

Sorting and comparison – Image Data Lightbox SR

Image Data Lightbox SR provides anefficient way to sort, compare, andorganize RAW and JPEG files. It of-fers fast thumbnail display, a rangeof filtering options, and convenientcompatibility with the Remote Cam-era Control application. Drag & dropselection of images for preview or comparison makes for easy, intuitivephoto management.

Photo library management – PMB (Picture Motion Browser)

The perfect solution for general image file management, PMB makes it simple to organize photos in folders by tagging, ranking, and titling them for efficient access and retrieval. PMB can also simplify the task of uploading your photos to photo-sharing websites, and it can uti-lize data from an optional GPS Unit Kit to display images in a map format.

* HDMI cable (optional) is required. Remote Commander is also optional.

Microsoft Windows Microsoft Windows Macintosh

Pentium 3, or faster Pentium 4, or faster

Power PC G4 / G5 series(1.0 GHz or faster recommended)Intel Core Solo / Core Duo /Core 2 Duo, or faster recommended

CPU

Memory

* 64-bit editions and Starter (Edition) are not supported. ** Starter (Edition) is not supported. *** Compatible operating system: factory preinstalled only

OS***

System requirements

PMB Image Data Converter SR / Image Data Lightbox SR /Remote Camera Control

256 MB, or more 1 GB, or more 1 GB, or more

Windows XP* SP3 / Windows Vista* SP1 Windows XP* SP3 / Windows Vista** SP1

Mac OS X (v 10.4 / v 10.5)

GPS Unit Kit GPS-CS3KA (optional)

Page 11: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

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system lenses bring your vision to life

They say a camera is only as good as its lens …

Lenses are a camera’s “soul,” defining how it renders scenes sliced from life and how much control the photographer has over that render-ing. Sony offers an excellent range of lenses with varying capabilities that satisfy a wide spectrum of technical and creative requirements. Their purposes may be diverse, but the quality is all top class. The lineup will continue to evolve and grow as long as photographers demand quality that supports and nurtures their creativity.

Carl Zeiss® optics contribute to outstanding imaging quality

Close cooperation between Sonyand renowned optical specialist CarlZeiss has resulted in some truly out-standing lenses that, with liberal useof ED and super ED glass elements,offer stunning clarity, excellent contrast,impressive resolving power, and gor-geous defocusing characteristics that add up to expressive images. Carl Zeisslens elements feature the legendary T*coating for minimal flare and ghosting.

lenses for a broad rangeof applications

When diversity is a key considera-tion, Sony’s extensive lineup of high quality lenses is where you’ll find it. The lineup includes fisheye, macro, reflex, super wide and super telephoto primes, teleconverters, and zooms covering a number of ranges. What-ever the photographic challenge, there’s an lens that will meet it.

G LensesTM exemplify Sony dedication to optical excellence

No compromises. That about sumsup the approach Sony applies to GLenses. They are the pride of every-one involved in their production, andhave captured the imagination ofserious photo enthusiasts everywherewith unparalleled image quality and rendering. G Lenses are designed and constructed to the very highest stand-ards of optical excellence, making generous use of high-performance aspherical and ED glass elements wherever they result in superior clarity and sharpness. G Lenses also feature circular apertures for smooth, attrac-tive defocusing.

Quality control: the key to consistent satisfactionAlthough most strongly associatedwith manufacture, quality controltakes on a much broader meaningwhen applied to system lenses.Every aspect of design and produc-tion, including optical performance, reliability, operating feel, and otherfactors that go beyond the conven-tional definition of “quality control,” is optimized to guarantee total cus-tomer satisfaction.

G Lenses lenses

Carl Zeiss lenses

SAL70400G70-400mm F4-5.6 G SSM

Wide zoom range from 70 mm to 400 mm, ED glass elements that deliver contrast and sharpness rivaling

the best prime lenses, and smooth, quiet autofocus with SSM (Super Sonic wave Motor) drive.

SAL1635ZVario-Sonnar T* 16-35mm F2.8 ZA SSM Bright, wide-angle zoom with smooth, silent SSM (Super Sonic

wave Motor) AF operation. ED and super ED glass deliver clear, sharp rendering with minimum spherical aberration.

T* coating ensures minimal flare.

SAL2470ZVario-Sonnar T* 24-70mm F2.8 ZA SSM

An exceptionally versatile wide-angle to mid-range zoom lens with high-quality Carl Zeiss optics

and an SSM autofocus drive system.

SAL287528-75mm F2.8 SAM

This bright F2.8 standard zoom incorporates four aspherical and three ED glass elements, achieving superb performance in a

remarkably compact, lightweight package. Internal SAM (Smooth Autofocus Motor) drive ensures responsive autofocus.

70–300mm F4.5–5.6 G SSM(SAL70300G)

Vario-Sonnar T*16-35mm F2.8 ZA SSM

(SAL1635Z)

Vario-Sonnar T*24-70mm F2.8 ZA SSM

(SAL2470Z)

Planar T*85mm F1.4 ZA(SAL85F14Z)

Sonnar T*135mm F1.8 ZA(SAL135F18Z)

70-400mm F4-5.6 G SSM(SAL70400G)

50mm F2.8 Macro(SAL50M28)

100mm F2.8 Macro(SAL100M28)

500mm F8 Reflex(SAL500F80)

1.4x Teleconverter(SAL14TC)

2x Teleconverter(SAL20TC)

35mm F1.4 G(SAL35F14G) 28-75mm F2.8 SAM

(SAL2875)75–300mm F4.5–5.6

(SAL75300)16mm F2.8 Fisheye

(SAL16F28)20mm F2.8(SAL20F28)

28mm F2.8(SAL28F28)

50mm F1.4(SAL50F14)

300mm F2.8 G(SAL300F28G)

70–200mm F2.8 G(SAL70200G)

135mm F2.8 T4.5 STF(SAL135F28)

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Accessories for maximum shooting versatility

External Flash HVL-F58AMGN58 power* with Quick Shift Bounce for optimum angle in any camera orientation. 6-level zoom, fast recharge, high-speed sync, WB compensation, ADI flash metering, wireless flash control, and large LCD display panel.

External Flash HVL-F42AMGN42 power* with a variable-angle head, auto zoom, wireless flash support, fast recharge, AWB, ADI metering, high-speed sync, and built-in wide panel. Comes with Mini Stand for wireless flash.

Vertical Grip VG-C90AMSuper handling for vertical-format shooting. Rugged magnesium alloy plus dust and moisture protection.* Holds two InfoLITHIUM™ batteries with automatic switching.

Shoulder Strap STP-SB2AMMade of tough neoprene. One-touch length adjustment plus detachable connectors.

Grip Belt STP-GB1AMSimple to adjust, genuine leather belt for a secure, one-hand grip.Usable with any digital SLR with or without Vertical Grip attached.

External Flash HVL-F20AMCompact and slim with GN20 power (50mm, ISO100 m). Ideal for auxiliary illumination as well as wireless flash triggering. Wireless control, AWB, ADI metering, and bounce switch.

Wireless multi flash (setup: 850 and three HVL-F58AM units)

* 105mm, ISO100 m

* Not waterproof or splashproof

Batteries / Grip & Charger

Memory cards GPS units Cases & Straps

Lens accessories

Shooting accessories lighting system

Vertical GripVG-C90AM

External FlashHVL-F58AM

Macro Twin Flash KitHVL-MT24AM

External Battery Adapter for FlashFA-EB1AM

Off-Camera Cable for FlashFA-CC1AM

Extension Cable for FlashFA-EC1AM

Multi-Flash CableFA-MC1AM

Camera CaseLCS-AMLC4

Grip Belt STP-GB1AM

(Genuine leather)

Soft Carrying CaseLCS-TT10

Shoulder Strap STP-SB2AM

Shoulder StrapSTP-SH1AM

(Genuine leather)

Hand Strap STP-HS1AM

Wrapping Cloth LCS-WR1AM

Lens Cap Holder LCS-LC1AM

Shoulder StrapSTP-SS2AM

Circular PL FiltersVF-49CPAM/ 55CPAM / 62CPAM / 67CPAM / 72CPAM / 77CPAM

ND Filters [8x] VF-49NDAM / 55NDAM / 62NDAM / 67NDAM / 72NDAM / 77NDAM

MC ProtectorsVF-49MPAM / 55MPAM / 62MPAM / 67MPAM / 72MPAM / 77MPAM

Availability depends on areas

Lens CasesLCL-60AM / LCL-90AM / LCL-140AM

System CaseLCS-SC5

Shoulder StrapSTP-SB1AM

System CaseLCS-SC20

System CaseLCS-AMSC30

Messenger Type Bag LCS-MS10

Shoulder StrapSTP-SS3AM

Shoulder Strap STP-XS2AM

Shoulder StrapSTP-SS4AM

External FlashHVL-F20AM

Ring LightHVL-RLAM

Hot Shoe AdaptorFA-HS1AM

Sync Terminal AdaptorFA-ST1AM

Off-Camera Shoe for FlashFA-CS1AM

Triple Connector for FlashFA-TC1AM

External FlashHVL-F42AM

Angle FinderFDA-A1AM

Focusing ScreenFDA-FM1AM

(Type M)

LCD Protect CoverPCK-LH4AM

Eyepiece CupFDA-EP4AM

RemoteCommander

RM-S1AM

RemoteCommander

RM-L1AM

Wireless Remote Commander

RMT-DSLR1

Eyepiece CorrectorsFDA-ECF05 (+0.5) / ECF10 (+1.0) / ECF15 (+1.5) / ECF20 (+2.0) /

ECF-30 (+3.0) , FDA-ECN10 (-1.0) / ECN20 (-2.0) /ECN30 (-3.0) / ECN40 (-4.0)

MagnifierFDA-M1AM

Focusing ScreenFDA-FL1AM

(Type L)

LCD Protect SheetPCK-LS4AM

AC Adapter / ChargerAC-VQ900AM

RechargeableBattery PackNP-FM500H

Memory Stick DuoTM SeriesMemory Stick PRO DuoTM SeriesMemory Stick PRO-HG DuoTM Series

* For use with DSLR-A850, an application update is required. Please access the URL below for more information.

http://support.d-imaging.sony.co.jp/ www/accy/gps/

GPS Unit KitGPS-CS1KA*GPS-CS1KASP

GPS UnitGPS-CS1*GPS-CS3KA

AC AdapterAC-PW10AM

Page 13: 35mm Full-Frame Digital SLR Camera - jessops.com · If only superior detail, natural color and gradation, intuitive handling, and outstanding fit-and-finish will do, this is the camera

Main specifications of SystemCamera typeLens mountLens compatibility

LCD MonitorTypeTotal number of dotsCoverageBrightness adjustment

ShutterTypeSpeed rangeFlash sync speed

Drive

Modes

Continuous shooting speedNo. of frames recordable Playback

Modes

InterfaceComputer interface typeVideo outputHDMI output

Remote control

OthersSupported OS Environments

Windows

MacintoshPrintCompatible standardsPowerPower source Battery performanceExternal power sourceOthersDimension (WxHxD)WeightOperating temperature

Flash ControlExternal flash unitsControlFlash compensation

Modes

Flash bracketing

Sync terminal

SteadyShot INSIDE™ (Image Stabilization)TypeIndications

Compensation effect

LCD Panel

Displays

PreviewFunction

Image SensorSensor typeEffective pixelsTotal pixelsAspect ratioAnti-Dust function

White Balance

Modes

Focus ControlTypeSensorNo. of focus pointsSensitivity range

Modes

Focus areas

Other features

Exposure

Metering

Exposure control

ISO sensitivity (recommended exposure index)

ViewfinderTypeField coverageMagnificationDiopter adjustmentEye point

Focusing screen

Area displayed

Other displays

Eyepiece shutter

RecordingImage format

Image size

Image quality modes

Media

Card slot

Noise reduction

Color space

Creative Style

D-Range Optimizer

Digital SLR camera for use with interchangeable lensesSony mount Sony lenses, Minolta and Konica Minolta AF lenses*1

3.0-inch type* Xtra Fine LCD * Viewable area, measured diagonally921,600 dots100%Adjustable in +/- 5 steps

Electronically-controlled, vertical-traverse, focal-plane type1/8000 to 30 sec., Bulb1/200 sec. with SteadyShot INSIDE, 1/250 sec. without SteadyShot INSIDE

Single, Continuous, Self-timer (10 sec. / 2 sec. delay selectable),Mirror lock up, Remote commanderApprox. 3 frames per sec. (max.)Standard: 593, Fine: 384, Extra Fine: 34, RAW: 16, cRAW: 18, RAW & JPEG: 12, cRAW & JPEG: 12

Single (with or without shooting information, with 4 previous / following images, RGB histogram & highlight / shadow warning), 4 / 9 / 25-frame index view, enlarged display modes (max. zoom ratio: L size: 19x, M size: 14x, S size: 9.4x)

USB2.0 Hi-Speed, Mass Storage (Multi LUN compliant) / PTP / PC Remote Control NTSC / PAL selectable HDMI mini connector, 1080i / 720p / SD selectable (optional HDMI cable required) Wired control: Remote Commander RM-S1AM / RM-L1AM (optional) Wireless control: with Remote Commander RMT-DSLR1 (optional)PhotoTV HD supported

Windows 2000 Professional SP4 / Windows XP* SP3 / Windows Vista** SP1* 64-bit editions and Starter (Edition) not supported. ** Starter (Edition) not supported.Mac OS X (v. 10.1.3 - v. 10.5)

Exif Print, Print Image Matching III, PictBridge

One Rechargeable Battery Pack NP-FM500HApprox. 880 shots (measured using CIPA standards) AC Adapter AC-PW10AM (optional) / Charger AC-VQ900AM (optional)

Approx. 156.3 x 116.9 x 81.9 mm (6-1/8 x 4-5/8 x 3-1/4 in.) (excl. protrusions)Approx. 850 g (1 lb 14 oz) (w/o battery, memory card, accessories)0 – 40 degrees C (32 – 104 degrees F)

*1 DT lenses are not recommended for use with 35mm full-frame sensors due to their differing image circle size, which may affect light metering accuracy in certain shooting situations.

Specifications are based on the information available at the time of printing and are subject to change without notice.

Number of recordable frames for single media (Aspect ratio 3:2, image size L 24MB / M 13MB / S 6.1MB)

Trademarks & Remarks

system flash units (optional) ADI, Pre-flash TTL+/- 3 EV (0.3 / 0.5 EV steps selectable) Autoflash, Fill-flash, Rear sync, Wireless*, Slow sync, High-speed Sync* HVL-F58AM, HVL-F56AM, HVL-F42AM, HVL-F36AM supported; As the wireless trigger, either HVL-F58AM or HVL-F20AM is required. 3 / 5 frames, 0.3 / 0.5 / 0.7 / 2.0* EV step selectable* 2.0 EV bracketing limited to 3 frames.Built in, adaptable to the sync terminal of the opposite polarity

Image-sensor shift mechanism SteadyShot scale and camera-shake warning in the viewfinder Equivalent to approx. 2.5 to 4 steps in shutter speeds (varies according to shooting conditions and lens used)

Shutter speed, Aperture, Exposure compensation, White balance, ISO sensitivity, Drive mode, Battery remaining, Remaining number of recordable images, with illumination

Intelligent Preview / Optical Preview selectable from menu35mm-film format (35.9 x 24.0 mm), Exmor CMOS sensor Approx. 24.6 megapixels Approx. 25.7 megapixels3:2Charge protection coating on low-pass filter, image-sensor shift mechanism

Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent, FlashColor Temperature (2500 – 9900K) with color filter (19-step magenta / green compensation)Custom (3 settings can be registered) White Balance Bracketing: 3 frames, Hi / Lo level selectable

TTL phase detection systemCCD line sensors9 points (center dual-cross type) with 10 assist pointsEV 0 – 18 (at ISO 100)Single-shot AF (AF-S), Automatic AF (AF-A), Continuous AF (AF-C), Direct Manual Focus (DMF), Manual Focus (MF) Wide, Spot, Local (9 local focus areas, selectable with multi selector )AF Micro Adjustment (+/- 20-step increments for up to 30 different lenses), Predictive control, Focus lock, AF illuminator (LED, Range: approx. 1 – 7 m, Auto / Off selectable)

Type: TTL meteringCell: 40-segment honeycomb-pattern SPCRange: EV 0 – 20 (EV 2 – 20 in spot metering mode) (at ISO 100 with F1.4 lens)Modes: Multi segment, Center-weighted, SpotModes: Auto, Program Auto (P, with program shift), Aperture priority (A), Shutter priority (S), Manual (M) Exposure compensation: +/-3 EV, 0.3 / 0.5 EV steps selectableBracketing: 3 / 5 frames selectable, Single or Continuous selectable, 0.3 / 0. 5/ 0.7 / 2.0* EV steps selectable* 2.0 EV bracketing limited to 3 frames.ISO 200 – 3200 in 1/3 EV steps (ISO 100 – 6400 can be set as expanded ISO range)ISO Auto Range: ISO 200 – 1600, ISO 400 – 1600, ISO 400 – 800, ISO 200 – 800, ISO 200 – 400 selectable

Fixed eye-level, pentaprismApprox. 98 %Approx. 0.74 x (with 50mm lens at infinity, -1m-1 ) -3.0 to +1.0 m-1 Approx. 20 mm from the eyepiece (at -1 m-1 ) Spherical acute matte screen (G Type). User-replaceable L type FDA-FL1AM (grid type) and M type FDA-FM1AM (super-spherical acute matte type) available (both types optional)AF area, Spot AF area, Spot metering area, Shooting area for aspect ratio 16:9, APS-C size areaFlash compensation, Flash charging, Wireless flash, High-speed sync, Manual focus, Focus signal, Shutter speed, Aperture, EV scale, AE lock, Shot-remaining counter, Camera shake warning, SteadyShot scale, Aspect ratio 16:9Built in

JPEG (DCF2.0 and Exif 2.21 compliant, DPOF supported), RAW (Sony ARW 2.1 format), RAW + JPEG<Aspect ratio 3:2>L size: 6048 x 4032 (24M), M size: 4400 x 2936 (13M), S size: 3024 x 2016 (6.1M)<Aspect ratio 16:9>L size: 6048 x 3408 (21M), M size: 4400 x 2472 (11M), S size: 3024 x 1704 (5.2M) <APS-C size capture>L size: 3984 x 2656 (11M), M size: 2896 x 1928 (5.6M), S size: 1984 x 1320 (2.6M)RAW, cRAW (compressed), RAW & JPEG (Fine), cRAW (compressed) & JPEG (Fine),Extra Fine, Fine, StandardMemory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, CompactFlash (Type I / Type II, UDMA Mode 5 compliant), MicrodriveDual slot for Memory Stick Duo / CompactFlash, selectable with Quick Navi or from Setup MenuLong exposure NR: On/Off selectable, available at shutter speeds longer than 1 sec.High ISO NR: High / Normal / Low / Off selectable at ISO 1600 or highersRGB / Adobe RGB selectable from Recording Menu 13 image styles: Standard / Vivid / Neutral / Clear / Deep / Light / Portrait / Landscape / Sunset / Night View / Autumn Leaves / B&W / SepiaAdjustable parameter: Contrast / Saturation / Sharpness / Brightness / Zone Matching*6 settings can be registered. * Saturation cannot be set for B&W and Sepia. Modes: Off / Standard / Advanced Auto / Advanced (Lv 1 to 5)DRO Advanced Bracketing: 3 frames, Hi / Lo selectable

* When you shoot with aspect ratio set to [16:9], or with APS/C size Capture function [On], you can record more frames than shown above. However, when you record an image in RAW format with 16:9 aspect ratio, number of recordable frames is the same as with 3:2 aspect ratio. * For further detail, please visit our website and go to "Support".

Standard

Fine

Extra fine

cRAW & JPEG (Fine)

RAW + JPEG (Fine)

cRAW

RAW

Standard

Fine

Extra fine

cRAW & JPEG (Fine)

RAW + JPEG (Fine)

cRAW

RAW

L

294

196

85

55

41

L

296

197

86

56

41

L

582

388

168

110

81

L

593

395

172

112

83

L

1169

779

339

221

164

L

1185

790

343

224

166

L

2369

1579

687

449

333

L

2370

1580

687

449

333

2GB

M

477

334

152

63

45

77

52

2GB

M

481

337

153

63

45

78

52

4GB

M

944

662

302

125

89

154

103

4GB

M

962

675

308

127

91

157

105

8GB

M

1896

1330

606

251

180

309

208

8GB

M

1922

1348

614

254

182

313

211

16GB

M

3844

2697

1229

509

365

627

423

16GB

M

3844

2697

1229

509

365

627

423

S

766

582

275

68

48

S

773

587

277

69

48

S

1517

1152

545

135

95

S

1547

1175

555

138

97

S

3048

2315

1094

273

191

S

3090

2347

1109

276

194

S

6179

4694

2219

553

388

S

6180

4694

2219

553

388

Capacity Capacity

Quality Quality

Memory Stick Duo CompactFlash card

Printed in Japan

* is a trademark of Sony Corporation.* Exmor , BIONZ , Bravia , SteadyShot INSIDE, Cyber-shot , S-Frame , Picture Station , HANDYCAM , VAIO , InfoLITHIUM , Memory Stick , Memory Stick PRO , Memory Stick Duo , Memory Stick PRO Duo , Memory Stick PRO-HG Duo , and MagicGate are trademarks or registered trademarks of Sony Corporation.* PLAYSTATION is a registered trademark of Sony Computer Entertainment Inc.* Blu-ray Disc and are trademarks.* Microsoft, Windows, and Windows Vista are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries.* Macintosh, Mac OS, and Power Mac are trademarks of Apple Inc., registered in the U.S. and other countries.* HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.* Intel, Intel Core, MMX, and Pentium are trademarks or registered trademarks of Intel Corporation.* CompactFlash is a trademark of SanDisk Corporation.* Microdrive is a registered trademark of Hitachi Global Storage Technologies in the United States and/or other countries.* Adobe is a trademark or registered trademark of Adobe Systems Incorporated in the United States and/or other countries.* All other company and product names mentioned herein are used for identification purposes only and may be the trademarks or registered trademarks of their respective owners.

InfoLITHIUM is a lithium battery pack which can exchange data with compatible electronic equipment about its energy consumption. Sony recommends that you use the battery back with electronic equipment bearing the mark. Screen displays are simulated.