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Difem Music Publishers
Route d'Englisberg 11 1763 GrangesPaccot SWITZERLAND
email: [email protected] www.difem.ch
Les premières minutes d’une répétition sont extrêmement
importantes et c’est souvent avec le choix de la première
pièce que dépendra la qualité de la répétition dans son en
semble.
Bob Barton et JeanChristophe Monnier ont regroupé dans
deux recueils un choix varié de pièces parfaitement adap
tées à la mise en train des musiciens.
Ce répertoire, composé de chorals et de transcriptions de
grandes mélodies classiques est varié et intéressant. La
majorité des pièces proposées peuvent également être in
terprétées en concert, à l’exception bien sûr des « Training
Tunes » (chorals d’exercice) placés intentionnellement au
début du cahier.
Les exercices proposés dans ces premiers chorals peuvent
être reproduits à volonté dans les autres pièces des re
cueils.
Ils sont particulièrement intéressants pour travailler la pré
cision, la cohésion et la concentration afin de retrouver ra
pidement le jeu d’ensemble, le son ainsi que l’expression
musicale.
Die ersten Minuten einer Musikprobe sind extrem wichtig,
und oft ist die Qualität der gesamten Probe von der Wahl
des ersten Stückes abhängig.
Bob Barton und JeanChristophe Monnier haben in zwei
Heften eine Auswahl passender EinspielStücke für Musi
ker zusammengestellt.
Diese Hefte, bestehend aus Chorälen und Arrangements
bekannter klassischer Melodien, sind abwechslungsreich
und interessant. Die meisten der vorgeschlagenen Stücke
können ebenfalls während eines Konzerts interpretiert
werden, natürlich mit Ausnahme der „Training Tunes“
(Uebungschoräle), welche absichtlich am Anfang des
Heftes platziert wurden.
Die vorgeschlagenen Uebungen in diesen ersten Chorälen
können, zwecks melodischer Abwechslung, beliebig in die
anderen Werke eingefügt werden.
Sie sind sehr interessant um die Präzision, den
Zusammenhalt und die Konzentration zu trainieren, damit
das Zusammenspiel, der Klang und der musikalische Aus
druck rasch verbessert werden.
The first minutes of a rehearsal are extremely important
and it is often with the choice of the first piece that deter
mines the quality of the rehearsal.
Bob Barton and JeanChristophe Monnier assembled in
two collections a wide selection of pieces perfectly adap
ted for the “warmup” of musicians.
This repertory, composed of chorales and transcriptions of
major classical melodies, is varied and interesting. The ma
jority of these pieces can also be performed in concerts,
except the "Training Tunes" (choral exercises) intentionally
placed at the beginning of the book.
The exercises proposed in the first chorales can be repro
duced together with other pieces in order to ensure a me
lodic variety.
They are particularly useful for working precision, cohesion
and concentration in order to immediately find the unity
of playing together, the sound and musical expression.
33 Hymn Tunes, Book 1for Brass Band
Compiled and arranged by
Bob Barton and JeanChristophe Monnier
339934
342324
33 Hymn Tunes for Brass Band, Book 1Compiled and arranged by Bob Barton and JeanChristophe Monnier
TRAINING TUNES1 St CLEMENT, "The Day Thou Gavest Lord is Ended" Clement Cotterill Scholefield (18391904) 2:16
2 St ANN, "O God, Our Help in Ages Past," William Croft (16781727) 1:29
3 SOMERSET, "Dear Shepherd of Thy People, Hear" William Henry Hewlett (18731940) 1:41
4 IN BABILONE, "There's a Wideness in God's Mercy" Julius Röntgen (18551932) 1:26
MISCELLANEOUS TUNES5 ABERYSTWYTH, "Jesus, Lover of My Soul" Joseph Parry (18411903) 1:45
6 SCHIRM UND SCHUTZ, "Jewish Sacred Tune" Louis Lewandowski (18211894) 0:51
7 ALFORD, "Ten Thousand Times Ten Thousand" John Bacchus Dykes (18231876) 2:00
8 ALSACE, "Again, as Evening's Shadow Falls" Ludwig van Beethoven (17701827) 1:10
9 LORD HAVE MERCY UPON US, "Composed in 1833" Felix MendelssohnBartholdy (18091847) 1:58
10 REPTON, "Dear Lord and Father of Mankind" Sir Charles Hubert Hastings Parry (18481918) 2:50
11 AVE VERUM CORPUS, "Ave, Ave Verum Corpus Natum" Wolfgang Amadeus Mozart (17561791) 2:20
12 PRIÈRE, "From the Collection "L'Organiste" César Franck (18221890) 1 :19
13 LAND OF HOPE AND GLORY, "Mother of the Free" Edward Elgar (18571934) 1:57
14 LARGO 9th Symphony, "New World" op. 95 Antonin Dvořák (18411904) 2:15
15 ERMUNTRE DICH, MEIN SCHWACHER GEIST, J.S. Bach (16851750) 1:16
16 St ANTONY CHORAL, "Choral St Antoine" Joseph Haydn (17321809) 2 :19
17 THE LOST CHORD, "Seated One Day at The Organ" Sir Arthur Seymour Sullivan (18421900) 1:36
18 LORD, WHO AT CANA'S WEDDING FEAST, "St Ursula, 1863" Frederick Westlake (18401898) 1:36
19 NESSUN DORMA, "Aria from Turandot" Giacomo Puccini (18581924) 2:36
20 LYDIA, "Mélodie" Gabriel Fauré (18451924) 0:56
21 LARGO, "From Xerxex" George Frideric Handel (16851759) 3:26
22 ANDANTE, "1844" Felix MendelssohnBartholdy (18091847) 0:54
23 TIBIE PAIOM, "I malim tisia Bojenach" Dmitri Stepanovich Bortnianski (17511825) 2:57
24 O LOVE DIVINE AND GOLDEN, "Homeland" Sir Arthur Seymour Sullivan (18421900) 0:55
TRADITIONAL TUNES25 ALL PRAISE TO SAINT PATRICK, "All Praise to Saint Patrick" English Traditional 1:40
26 ALL THROUGH THE NIGHT, "Ar Hyd Y Nos" Welsh Traditional Melody 1:38
27 NOBODY KNOWS, "Nobody Knows The Trouble I've Seen" Negro Spiritual 2:01
28 SHEPHERD CARE, "Lovingly The Shepherd" Ukrainian Melody 1:50
29 DAVID OF THE WHITE ROCK, "Dafydd y Garreg Wen" Welsh Traditional Melody 1:55
CHRISTMAS TUNES30 ADESTE FIDELES, "O Come, All Ye Faithfull" John Francis Wade (17111786) 2:19
31 ANGEL WE HAVE HEARD ON HIGH, "Les Anges dans nos Campagnes" XVI Century French Christmas Song 2:15
32 C'EST NOEL, "C'est Noël, la nuit la plus belle" Alain Morisod (*1949) 1 :40
33 ES IST EIN ROS ENTSPRUNGEN, "Dans une étable obscure" Michael Praetorius (15711621) 2 :18
Difem SA Music Publishers - Route d'Englisberg 11 - CH 1763 Granges-Paccot, SWITZERLAND
[dif 339934P/12] - International Copyright Secure - All Rights Reserved |
Soprano Eb Cornet(optional)
Solo Bb Cornet
Repiano Bb Cornet(optional)
2nd Bb Cornet
3rd Bb Cornet
Bb Flugelhorn(optional)
Solo Eb Horn
1st Eb Horn(optional)
2nd Eb Horn(optional)
1st Bb Baritone /Bb Euphonium
2nd Bb Baritone
1st Bb Trombone
2nd Bb Trombone
Bass Trombone(optional)
Eb Bass(optional)
Bb Bass
Timpani(optional)
Percussion 1(optional)
Percussion 2(optional)
f legato
Brass Band
Instrumentation B
Chorale q = 96
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
f legato
1. St CLEMENT - "The Day Thou Gavest Lord is Ended" - Clement Cotterill Scholefield (1839-1904) - arr. Bob Barton
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf stacc.
Crochets Tuplets
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
mf stacc.
3 3 3 3 3 3 3 3 3 3
(16)
3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3
3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
3 3 3
3 3
3
3 3 3 3 3
3
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3
33 3 3 3
3 3 3
3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3
33 3 3 3
3 3 3
3 3 3 3 3 3 3 3 3
3 3 3 3
3 3 3 3
3 3
3 3
3 3 3
33 3 3 3 3 3 3 3
3 3
3 3
3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
[dif 339934P/12]
2
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
p
Mixed 130
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
3 3 3 3 3 3 33
3 3
3 3 3 3
3
3 3
3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3
3 3
3 3 3 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3
3 3 3 3 3 3
3
3 3
3 3 3 3 3 3
3
3 3 3 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3 3 3 3 3 3 3 3 3
3 3 3 3 3
3
3 3 3 3
3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3 3 3 3 3 3 3 3 3
3 3 3 3 3
3
3 3 3 3
3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3 3 3
3 3
3 3 3
3 3 3 3
3 3
3
3 3 3 3 3 3 3 3 3 3 3
3 33 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
[dif 339934P/12]
3
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf
Mixed 241
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
3 3 3
3
3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3 3
3 3
3 3 3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3 3
3 3
3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
3
3
3 3 3 3 3 3 3 3
3 3
3 3 3
3 3 3 3 3 3 3 3 3 3
3
3 3 3 3
3
3 3 3 3
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 33 3 3 3
3 3 3
3 3 3
3 3 3 3 3 3 3 3 3 33 3 3 3
3 3 3
3 3 3
3
3 3 3
3 3 3 3
3 3
3 3 3 3 3 3 3 33 3
3 3 3 3 3 3 3 3 3 3
[dif 339934P/12]
4
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f
molto rit.52
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
33
3
3
3 3 3 3 3
3 3 3 3 3 3
3
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
3
3
3
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
3
3
3
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3 3 3 3 3 3 3 3 3 3 3
3 3
3 3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
33 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
[dif 339934P/12]
5
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf mp
Choralq = 100-110 16th Notes
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf
mf
mf
mf
mf
mf
mf
mf
mf
p
2. St ANN - "O God, Our Help in Ages Past," - William Croft (1678-1727) - arr. Bob Barton
Side Drum
[dif 339934P/12]
6
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
9
mp
mp
mp
mp
mp
mp
mp
mp
mp
[dif 339934P/12]
7
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
p
8th Notes16
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
pp
[dif 339934P/12]
8
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf f
Temps / Contre-Temps rit.24
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mff
mf f
mf f
mf f
mf f
mff
mp mf[dif 339934P/12]
9
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f p
Moderato (q = 116) Ritmico
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
p
f p
p
3. SOMERSET - "Dear Shepherd of Thy People, Hear" - William Henry Hewlett (1873-1940) - arr. Bob Barton
Div.
Div.
Glockenspiel
(S.D.)
[dif 339934P/12]
10
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf
9
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
p mf
Div.
Div.
Bass Dr.
[dif 339934P/12]
11
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
pp
17
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
Div.
Div.
[dif 339934P/12]
12
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf cresc. ff
Chorale25
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
mf cresc. ff
3
3 3 3 3 3 3 3
3
3 3 3
3 3
3 3
3
3 3 3 3 3 3 3
3 3
3 3
3
3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3
3 3
3
3 3 3 3 3 3 3
Div.
3 3 3 3 3 3
[dif 339934P/12]
13
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
rit.33
33
3
3
3
33 3 3 3 3 3
3
Div.3 3 3
3
3
3 3 3 3 3
3 3
3 3
[dif 339934P/12]
14
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
p mf
Minor q = 98 Major
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
4. IN BABILONE - "There's a Wideness in God's Mercy" - Julius Röntgen (1855-1932) - arr. Bob Barton
[dif 339934P/12]
15
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mp mf cresc. f
Second Lower : Major / Minor rit. 9
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc.f
[dif 339934P/12]
16
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
p mf
Minor Major18
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
pmf
[dif 339934P/12]
17
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mp mf cresc. f
Second Lower : Major / Minor rit.26
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
mp mf cresc. f
[dif 339934P/12]
18
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf cresc.
Andante q = 92
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mf cresc.
mfcresc.
mf
mf cresc.
5. ABERYSTWYTH - "Jesus, Lover of My Soul" - Joseph Parry (1841-1903) - arr. Bob Barton
Glockenspiel
[dif 339934P/12]
19
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f p mp
12
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
mf f mf mf
f p mp
[dif 339934P/12]
20
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
cresc. f p
molto rit.22
cresc. f p
cresc. f p
cresc.f p
cresc.f p
cresc. f p
cresc. f p
cresc. f p
cresc. f p
cresc. f p
cresc. f
cresc. f p
cresc. f p
cresc. f p
cresc. f p
cresc.f p
mf mf f mf
cresc. f p
[dif 339934P/12]
21
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf – p f mf
Moderato q = 100 rit.
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mf
mf – p f mp
6. SCHIRM UND SCHUTZ - "Jewish Sacred Tune" - Louis Lewandowski (1821-1894) - arr. Jean-Christophe Monnier
[dif 339934P/12]
22
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f mf
Intro
q = 108 A Temporit.
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
fmf
f mf
f mf
f
7. ALFORD - "Ten Thousand Times Ten Thousand" - John Bacchus Dykes (1823-1876) - arr. Bob Barton
Glockenspiel
[dif 339934P/12]
23
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
cresc. f mf
1. 2. rit.11
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
cresc. f mf
f mf f
f
[dif 339934P/12]
24
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mfcresc.
f
q = 96
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
p mf mf cresc. f
8. ALSACE - "Again, as Evening's Shadow Falls" - Ludwig van Beethoven (1770-1827) - arr. Bob Barton
[dif 339934P/12]
25
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf cresc. f
rit.17
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
mf cresc. f
p mf mf cresc. f
mf cresc. f
Glockenspiel
[dif 339934P/12]
26
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
mf
Andante q = 120
mf
mf
mf
mf
mfmf
mf mf
mf
mf
mf
mf
9. LORD HAVE MERCY UPON US - "Composed in 1833" - Felix Mendelssohn-Bartholdy (1809-1847) - arr. Jean-Christophe Monnier
def. Solo HrnPlay
def. 1st/2nd Hrns Play
[dif 339934P/12]
27
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
11
mf
mf
mf
mf
mf
[dif 339934P/12]
28
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
mf
22
mf
mf
mf
mf
mf
mf
mf
mf
[dif 339934P/12]
29
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
f
rit.32
f
f
mf f
mf f
f
mf f
mf f
mf f
mf f
f
mf f
f
f
f
f
mf f
[dif 339934P/12]
30
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf
Intro
Andante q = 98
mf
mf
mf
mf
mf
mf p mf
mf p mf
mf p mf
mf p mf
mf p mf
mf p mf
mf p mf
mf p
mf p
mf p
mf p
mf
10. REPTON - "Dear Lord and Father of Mankind" - Sir Charles Hubert Hastings Parry (1848-1918) - arr. Bob Barton
Div.
Div.
Glockenspiel
2nd Time only
[dif 339934P/12]
31
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf
1. 2.poco rit. rit.11
mf
mf
mf
mf
mfmp
mf
Play
[dif 339934P/12]
32
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
mf
A Tempo21
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mp
Susp. Cymb. (Soft Sticks)
[dif 339934P/12]
33
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
ff
rit. rit.A Tempo31
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
f
Div.
Tubular Bells(or continue with Glock.)
Clash Cymb.
[dif 339934P/12]
34
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
p cresc.
Intro
q = 92
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p p cresc.
p p cresc.
p
p
p
p
p
11. AVE VERUM CORPUS - "Ave, Ave Verum Corpus Natum" - Wolfgang Amadeus Mozart (1756-1791) - arr. Bob Barton
def. (B.Tbne) def. (B.Tbne / Eb Bass) Play
def. (Eb Bass)
Glockenspiel
[dif 339934P/12]
35
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f mf mf
14
f mf mf
f mf
fmf
fmf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
fmf
f mf
fmf
fmf
mf f mf
f
f
Flugel./S.Hrn S.Cnt / Rep. Play
Flugel./S.Hrn Play
Clash Cymb.
[dif 339934P/12]
36
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
pcresc.
mf f ff
rall.27
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc.f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc. f ff
p cresc.f
ff
p mf f f ff
p cresc. f ff
mf f f
S.Cnt / Rep./Flugel. Play
Sopr.
Eb Bass Eb Bass
Susp.Cymb. (soft sticks)
Clash Cymb.
[dif 339934P/12]
37
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
p mf
Moderato q = 80
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
12. PRIÈRE - "From the Collection "L'Organiste" - César Franck (1822-1890) - arr. Jean-Christophe Monnier
[dif 339934P/12]
38
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
mp pp
13
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
mp pp
pp
[dif 339934P/12]
39
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
ff
Intro
Maestoso q = 72
ff p
ff
ff p
ff p
ff mf legato
ff mf legato
ff mf legato
ff mf legato
ff p
ff mf
ff mf
ff mf
ff mf
ff mf
ff mf
ff p
ffpp
3
13. LAND OF HOPE AND GLORY - "Land of Hope and Glory, Mother of the Free" - Edward Elgar (1857-1934) - arr. Bob Barton
Div. (2/1/1) Muted
3
Muted
Muted
Div.
(def. B.Tbne)
3
3
Side Drum
Bass Drum
2 3 4 5 6 7 8
[dif 339934P/12]
40
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
10
p
p
p
p
p
Open One (def. Rep. Cnt)
Open
Open
Div.
9 10 11 12 13 14 15 16 17
[dif 339934P/12]
41
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
f
19
f
f
f
f
f
f
f
f
p f
mf f
f
f
f
f
f
f
f mf f
Unis.
Play
18 19
[dif 339934P/12]
42
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
ff
27
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff mf ff mf ff
Glockenspiel or Tub. Bells (only low notes)
[dif 339934P/12]
43
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc.2(opt.)
rit. A Temporit.35
f ff
3 3
Div.
3 3
3 3
3 3
3 3
3 3
[dif 339934P/12]
44
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
p mfmf
Largo q = 42
p mf mf f mf
p mf mf f mf
p mf mf f mf
p mf mf f mf
p mf mf f
p mf mf f
p mf mf f
p mf mf f
p mf mf f mf
p mf mf f
p mf mf f mf
p mf mf f mf
p mf mf f mf
p mf mf f mf
p mf mf f mf
mf
p mf mf
mf f
(Play optional) (S.Cnt)
14. LARGO - 9th Symphony "New World" op. 95 - Antonin Dvo ák (1841-1904) - arr. Bob Barton
(Flug./S.Hrn) Play
(Flug./S.Hrn) (S.Cnt)
(S.Cnt)
(1st Hrn) (S./1st Hrn) Play
(1st Hrn) (2nd Hrn/1st Bar.) Play
(S.Cnt)
Eb Bass
Glockenspiel
(Triangle)
[dif 339934P/12]
45
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
p mf f p
11
p mf f p p
p mf f p p
p mf f p
p mff p
p mf f p
p mf f p p
p mf f p
p mf f p
p mf f p
p mf f p p
p mf f p p
p mf f p p
p mf f p
p mf f p
p mff
p
mf f p
p p
p
(Flugel.)Play
(Flugel.)Play
(Flugel.)Play
(Flugel.)Play
(S.Cnt)(Flugel.)
Play
(S.Hrn) Play
(1st/2nd Hrn. / 1st Bar.) Play
Play (S.Cnt) Play
(1st Tbne) (2nd Hrn) Play
(1st Tbne) Play
(2nd Tbne) Play
(1st/2nd Hrn. / 1st Bar.) Play (2nd Bar.)(Play) Mute
(1st/2nd Hrn. / 1st Bar.) Play Mute
Play Mute
[dif 339934P/12]
46
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf
q = 100
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
15. ERMUNTRE DICH, MEIN SCHWACHER GEIST - "From The Four-Part Chorales Collection" - Johann Sebastian Bach (1685-1750) - arr. Jean-Christophe Monnier
[dif 339934P/12]
47
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
cresc. f
rit.12
cresc. f
cresc. f
cresc.f
cresc.f
cresc. f
cresc. f
cresc.f
cresc.f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc.f
cresc. f
mf f mf
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
dim.
[dif 339934P/12]
48
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
q = 63
mf f
f
mf f
f
f
f
f
f
mf mf f
mf f
mf f
mf f
mf f
mf f
mf mf f
mf mf f
f
16. St ANTONY CHORAL - "Choral St Antoine" - Joseph Haydn (1732-1809) - arr. Bob Barton
Eb Bass Play
Eb Bass
Play
2nd Time only Play
Glockenspiel
[dif 339934P/12]
49
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf f
A11
mf p f
mf f
mf f
mf f
mf pf
mf p f
mf mf f
mf mf f
mf p f
mf p f
mf p f
mf p f
mf p f
mf p f
mf mf pf
p f
mf f
Flugel
Eb Bass PlayEb Bass
[dif 339934P/12]
50
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
ff
1. 2.22
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
Div.
Div.
Clash Cymb.
[dif 339934P/12]
51
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf mp
q = 92
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mfmp
mfmp
mfmp
mf mp
mf mp
mf mp
mf mp
mf mp
p p mf
mf
mf mp
optional
17. THE LOST CHORD - "Seated One Day at The Organ" - Sir Arthur Seymour Sullivan (1842-1900) - arr. Bob Barton
div. unis.
Glockenspiel
Tubular Bells
[dif 339934P/12]
52
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mp f mf
A Temporit.12
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
mp mf
mp
mf
Obl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
(Tub. B.)
[dif 339934P/12]
53
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
23
p
mf
mf
div.unis.
(Glock.)
[dif 339934P/12]
54
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf
Legato q = 100
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
18. LORD, WHO AT CANA'S WEDDING FEAST - "St Ursula, 1863" - Frederick Westlake (1840-1898) - arr. Jean-Christophe Monnier
[dif 339934P/12]
55
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
p
1. 2. rit.10
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
p mf
pmf
p p
[dif 339934P/12]
56
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf mf
Andante, rubato (q = 54)
p mf mf
p mf mf
p
p mf
p mf mf
p mf
p mf
p mf
p mf
p mf
mf p mf
mf p mf
pmf
pmf
pmf
p mf
3
19. NESSUN DORMA - "Aria from Turandot" - Giacomo Puccini (1858-1924) - arr. Bob Barton
3
3
3
Div.
Div.
F/Db/C
[dif 339934P/12]
57
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mp cresc. mf p
rall. A Tempo10
mp cresc. mf p
mp cresc. mf p
pp cresc. mf p cresc.
cresc. mf p cresc.
mp cresc. mf p
pp cresc. mf p cresc.
pp cresc. mf p cresc.
cresc. mf p cresc.
mp cresc. mf p cresc.
cresc. mf p cresc.
pp cresc. mf
cresc. mf
pp cresc. mf p cresc.
ppcresc. mf
p cresc.
ppcresc. mf
p cresc.
pp mp mf p p cresc.
p
ten
Unis.
Unis. Div.
G/F/E E > D D > Db
Tubular Bells (or Glock.)
[dif 339934P/12]
58
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf mf cresc. f
18
mf mf cresc. f
mf mf cresc. f
p mf cresc. f
p mf cresc. f
mf mf cresc. f
p mf cresc. f
p mf cresc. f
p mfcresc. f
p mf cresc. f
p mf cresc. f
p mf cresc. f
p mf cresc. f
p
mf cresc. f
pmf
cresc.f
p mfcresc. f
p mf mp f
mf cresc. f
Div. Unis.
Unis.
Db > E G/F/C
[dif 339934P/12]
59
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf ff tutta forza
rall. rit.A Tempo A Tempo ma poco più mosso allarg.27
mf ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf f sempre ff tutta forza
mf f sempre ff tutta forza
mf f sempre ff tutta forza
mf f sempre ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf f sempre ff tutta forza
mf f sempre ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf ff tutta forza
mf ff tutta forza
ff tutta forza
opt.
ten
Div. Unis.Div.
Div.
Clash Cymb. (if possible)
Side Drum
[dif 339934P/12]
60
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
p
Andante q = 80
p p
p p
p p
p p
p
p
p p
p p
p p
p
p p
p
p
p
p
20. LYDIA - "Mélodie" - Gabriel Fauré (1845-1924) - arr. Jean-Christophe Monnier
def. Bb Flug. Play
def. Bb Flug. Play
def. 1st HrnPlay
def. 1st Hrn Play
[dif 339934P/12]
61
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
rit.10
p
p
p p
p
p
p
p
p
dolce
3 3
dolce
3 3dolce 3 3
dolce 3 3
dolce
3 3dolce
3 3
[dif 339934P/12]
62
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
Intro
q = 70
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
fmf
f mf
f mf
f mf
21. LARGO - "From Xerxes" - George Frideric Handel (1685-1759) - arr. Bob Barton
3
3
3
3
Vibraphone
[dif 339934P/12]
63
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf mf
13
[dif 339934P/12]
64
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
cresc. f
poco rit. A Tempo25
cresc. f mf
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
cresc. f
mf f
cresc. f
Div.
[dif 339934P/12]
65
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf f mf
1. 2. rit.37
fmf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf fmf
mf f mf
mf f mf f
mf f mf
3
[dif 339934P/12]
66
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
p mf
Andante q = 92
p mf
p mf
pmf
p mf
p mf
p mf
pmf
pmf
p mf
p mf
p mf
p mf
p mf
p mf
pmf
p
22. ANDANTE - "1844" - Felix Mendelssohn-Bartholdy (1809-1847) - arr. Jean-Christophe Monnier
[dif 339934P/12]
67
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
mf p
rit.8
mf p
mf p
mfp
mfp
mf p
mf p
mfp
mfp
mf p
mf p
mf p
mf p
mf p
mf p
mfp
p
[dif 339934P/12]
68
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
Intro
q = 80
f mf mf
f mf
f mf mf
f mf mf
f mf
f mf p mf
f p mf
f p mf
f mf p mf
f mf mf
f mf mf
f mf mf
f mf mf
f mf mf
f mf mf
mf f mf mf
f mf
23. TIBIE PAIOM - "I malim tisia Bojenach" - Dmitri Stepanovich Bortnianski (1751-1825) - arr. Bob Barton
3rd Cnt Play
1st Tbne Play
2nd Tbne
Play
Glockenspiel
[dif 339934P/12]
69
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf alla tromba
14
mf
mf alla tromba
mf
mf
mf
mf
mf
mf
mf
pp
mf
mf
Optional
Optional
3rd Cnt
1st Tbne
2nd Tbne
Vibraphone
Optional
[dif 339934P/12]
70
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf cresc. f
rit. A tempo26
cresc. f mf
mf cresc. f
cresc. f
cresc. f
mf cresc. f mf
mf cresc. f mf
mf cresc. f mf
mf cresc. f mf
mfcresc. f molto rit. mf mf
mf cresc. f mf
mf cresc. f mf
mf cresc. f mf
mf cresc. f mf
mf cresc. f mf
mf cresc.f mf
mf f mf
mf f
mf cresc. f
Play Muted
Sopr. Flugel. Muted
Play
Muted
Muted
Play
Play 1st Tbne Play
Play 2nd Tbne
Play
[dif 339934P/12]
71
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
ppp
molto rit. *( ) = For a "Jazzy End"37
p mp alla tromba dim. pp
mp alla tromba pp
p mp alla tromba pp
pp
pp
pdim. pp
p dim. dim. pp
p dim. pp
p dim. pp
p p dim. pp
p dim. pp
p p dim. pp
p p dim. p pp
p dim. pp
pdim. pp
p dim. pp
p dim. pp
pdim.
pp
p dim. pp
OptionalS.Cnt
Play (two) Optional Flugel. (Solo) Play (Two)
Muted Optional
One
(Rep.)
Optional
1st Bar./Hrn 1st Bar./Hrn Play *
Solo
1st TbnePlay
*
3rd CntPlay (div.) 2nd Tbne
Play (div.)
Play B. Tbne Play
1st Bar. Play1st Bar. Play
2nd Bar. Play 2nd Bar. Play
*
[dif 339934P/12]
72
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
mf mf
q = 100
mf p mf
mf mf
mf mf
mf mf
mf p mf
mf p mf
mf p mf
mf mf
mf pp mf
mf mfmf
mf p mfmf
mf mfmf
mf mf
mf p mf
mf p mf
mf mf p
24. O LOVE DIVINE AND GOLDEN - "Homeland" - Sir Arthur Seymour Sullivan (1842-1900) - arr. Jean-Christophe Monnier
Div. Unis.
[dif 339934P/12]
73
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf
q = 95
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
25. ALL PRAISE TO SAINT PATRICK - "All Praise to Saint Patrick" - English Traditional - arr. Bob Barton
Eb Bass
Glockenspiel
Side DrumSnare off
[dif 339934P/12]
74
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
12
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f mf f
f
f mf f
Rep./Flugel.
[dif 339934P/12]
75
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf
23
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf f mf
mf f mf
[dif 339934P/12]
76
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
34
mf
Eb Bass
[dif 339934P/12]
77
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf mf f
Intro
q = 98
f mf mf f
f mf mf f
f mf mf f
f mf mf f
f mf mf f
f mf f
f mf f
f mf f
f mf mf f
f mf mf f
f mf f
f mf f
f mf mf f
f mf f
f mf f
f mf mf
f mf f
S.Cnt Play
26. ALL THROUGH THE NIGHT - "Ar Hyd Y Nos" - Welsh Traditonal Melody - arr. Bob Barton
S.CntPlay
2nd.Cnt Play
S.Cnt
1st Tbne Play
2nd Tbne Play
Eb BassPlay
Glockenspiel
[dif 339934P/12]
78
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
1. 2. rit.12
[dif 339934P/12]
79
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
Intro
q = 80
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
27. NOBODY KNOWS - "Nobody Knows The Trouble I've Seen" - Negro Spiritual - arr. Bob Barton
Glockenspiel
Susp.Cymb. Toms
[dif 339934P/12]
80
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
8
[dif 339934P/12]
81
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
1. 2. molto rit. Lento q = 6015
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f
mf
Fill in
[dif 339934P/12]
82
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
Intro
q = 120 - 132
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
mf
28. SHEPHERD CARE - "Lovingly The Shepherd" - Ukrainian Melody - arr. Bob Barton
Glockenspiel
S.C. (soft st.)
[dif 339934P/12]
83
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
p cresc.
14
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
p cresc.
mf f mp
mf
[dif 339934P/12]
84
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf mp
28
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mf mp
mfmp
mf
mf
p mp
[dif 339934P/12]
85
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf f
rit.40
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
mf f
f
f
mf mf(medium sticks)
ride
[dif 339934P/12]
86
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
Intro
Lento q = 68
f mf
f mf
f mf
f mf
f mf
fmf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf mf
f mf
f
29. DAVID OF THE WHITE ROCK - "Dafydd y Garreg Wen" - Welsh Traditonal Melody - arr. Bob Barton
Rep./Flug.
Glock.
Triangle
[dif 339934P/12]
87
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
rit. (last time) Opt. Repeat11
f
f
f
f
f
f
f
f
f
f
mf f
f
f
f
f
f
f
mf
[dif 339934P/12]
88
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf
Intro
q = 104
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
f mf
mf
Solo Cnt
30. ADESTE FIDELES - "O Come, All Ye Faithfull" - John Francis Wade (1711-1786) - arr. Bob Barton
Glock. Tub. Bells
Tubular Bells
[dif 339934P/12]
89
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf cresc.
10
f mf cresc.
fmf cresc.
f mf cresc.
f mf cresc.
fmf cresc.
f mf cresc.
f mf cresc.
f mf cresc.
f mf cresc.
f mf cresc.
f mf cresc.
f mf cresc.
mf cresc.
mf cresc.
f mf cresc.
f mf cresc.
Play Solo Cnt
Solo Cnt
Solo Cnt
1st Bar./Tbn
1st Bar./Tbn
2nd Bar./Tbn
2nd Bar./Tbn
Play (Glock.)Tub. Bells
[dif 339934P/12]
90
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
1. 2. rit.20
mf
f mf
mf
mf
f mf
mf
f mf
f mf
mf
mf
mf
mf
f mf
f mf
f mf
f mf f
f
f
Play
Play
Play
Play
Play
Play
Play
Play
[dif 339934P/12]
91
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f mf p
Intro
q = 100
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
f mf p
fmf p
f mf mf p p
p
31. ANGEL WE HAVE HEARD ON HIGH - "Les Anges dans nos Campagnes" - XVI Century French Christmas Song - arr. Bob Barton
Glockenspiel
[dif 339934P/12]
92
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f f
10
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f
f f f
f f
p mf mf
S.C. (soft sticks)
[dif 339934P/12]
93
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
1. 2. rit.18
mf mf mf f
Clash Cymb.
[dif 339934P/12]
94
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f p
Intro
Moderato q = 100
f p
f p
f p
f p
fp
f p
f p
f p
f p
f p
f p
f p
f p
f p
f p
f
f
f p
Solo Cnt
32. C'EST NOEL - "C'est Noël, la nuit la plus belle" - Alain Morisod (*1949) - arr. Bob Barton
Solo Cnt
Solo Hrn
1st Hrn
1st Bar. /Euph.
2nd Bar.
Basses
Glockenspiel
Dr. Set
[dif 339934P/12]
95
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf
10
mf
mf
mf
mf
p mf
p mf
p mf
p mf
mf
mf
p mf
p mf
mf
mf
mf
p mf
mf
Play
Play
Play
Play
[dif 339934P/12]
96
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f
A19
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
Play
Div.
(Glock.)
[dif 339934P/12]
97
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
ff
poco rit. molto rit.Più Maestoso28
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
Fill in
[dif 339934P/12]
98
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
f p mp
Intro
Moderato q = 92 rit.
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f p mp
f mp
f
33 . ES IST EIN ROS ENTSPRUNGEN - "Dans une étable obscure" - Michael Praetorius (1571-1621) - arr. Bob Barton
Glockenspiel
Side Drum
[dif 339934P/12]
99
Sopr. Cnt(opt.)
S. Cnt
Rep. Cnt(opt.)
2nd Cnt
3rd Cnt
Bb Flug.(opt.)
S. Hrn
1st Hrn(opt.)
2nd Hrn(opt.)
1st Bar.Bb Euph.
2nd Bar.
1st Tbne
2nd Tbne
B. Tbne(opt.)
Eb Bass(opt.)
Bb Bass
Timp.(opt.)
Perc. 1(opt.)
Perc. 2(opt.)
mf f mf
1. 2.
1264
rit.
mf f mf
mf f mf
f mf
f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
mf f mf
f f mf f
f mf
f
Solo Cnt. Play
1st Bar.
Play
2nd Bar. Play
Eb Bass Play
[dif 339934P/12]
100
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