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8/10/2019 26 Inscriptions and graffiti from Muciri.pdf
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,
.,
INTERNATIONAL JOURNAL OF DRAVIDIAN UNGUISTICS
Reg, No. 22651/72
VOWME
XXXrJ
NUMBER 2
JUNE
2006
M.B.
Emeneau
RX Misbra
5J.Stephen
SatarupaD.
O.
Vasanta
V. Selvakumar.
K..P. Shajan
I. Mahadevan
Notes Discussions
V.I. Subramooiam
D. Hima1ayanath
Prema
Raghavan
AX
Baishya
K. Parameswaran
H.S.Sharma
G. Balasubramanian
P.S.
Subrahmanyam
I. Mahadevan
B.
Gopinathan Nair
M. Bhattacharya
T.M. Menon
JeIUlifer Bayer
R.N. Bhat
Some Dravidian Noun Compounds 1
Toda Studies . . . . . . . . . . . . . . . . . . . . .
9
Grommarand Speech in the
Brain . .
39
Five Portuguese-
Tamil
Grammar
Manuscripts .
67
Study
ofBangia
Consonant
Clusters . 89
Processing of Telugu Compounds. . . . . . . . . 107
Inscriptions
and
Graffiti on
Pottery
from 117
Pattanam
Mucirli),
Kera/a
I
A Note on Gundert. . . . . . . . . . . . . . . . . 125
Translation and Hermeneutics . . . . . . . . 129
Twu:JUng
cf
English
in giawlM..Jium
ScJwo/s.
. 137
BOTTOWing in Rabha: A
Few
Observations . . . . 143
The
Discourse
of
Rodio
News
.
149
Negation
in
Manipuri (Meiteilon)
155
Attitudinal Difference and Second Language. . . 163
Leamingwith Reference to Tamil and MaJayaIom
VeTb
Bases
as N o n ~ p a s t d j e c t i v e s in Old Tamil . . 171
and Old
Telugu
A Note on the Muiuku Sign of
the
Indus Script. .
175
On Dravidian
Prehistory
.
179
LilerpJ TlflJJSlotion andLess
c
Sem.antic Prrp rtie.r. 187
GetUS, Mind Culcure:
The
Co-evo/utionary
. .
195
Process CJ.
Lumsden.t EO. WibDn)
Ben pJi O'''' ,andSOOelytJuvu1fliJs
RVIdIe. s..
a . ?JJ)
Language
Education Communication
ON.
KooI). 213
DRAVIDIAN
LINGUISTICS
ASSOCIATION
KERAlA
pANINJ
aUUDING
,
sr.
XAVIER'S COLLEGe P.
O.
11flRIN
ANANJlIAPURAM •695 586,
KERAl.A
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International Journal
of
ravidian Linguistics
Vo
l.
XXXV No 2 June 2006
AND GRAFFITI ON POTTERY FROM
PATTANAM (MUCIR/ I), KI RALA
V.
SELV
AK
UMAR,
Centre for Heritage Studies
H
il
l Palace
Tripunithura - 682.30
1
K.P. SHAJAN
&
I M H bEVAN
School of Marine Sciences
Cochin U
ni
ve
rsity of
Science and Technology
Cochin - 685
001
8-1
Narumukai
ApIS.
Brindavan Nagar
Extn.
Chennai .
600
088
Kerala was a blank spaee on the Early H is toric archaeological map
of South India but for thc few s
it
es o f Roman coin hoa rds tin the discovery
of Pattanam.
De
spite th eir significant role
in
th
e Indian Ocean trade and
the references to the ports
of
Muziris, Bccare, Nelcynda and Tyndis in
literature, archaeological evi dence was lacking on the ground for the Early
Historic settleme
nt
s and trade activities. Thus the discovery of Pattanam
(tcntatively identificd with anci ent Mucir/i or Muzi rs) is truly a landmark in
the archaeology of Kerala. The si te was frrst studied
by
Shajan and the
Roman amphora from the site was identificd by Roberta Tomber and the
Indian ceramics we re identified
by
Selvakumar
S
hajan et al
2004;
2005).
Subsequent to the discovery, trial excavations were conducted at the site
by
thc Centrc for Heritage Studies associating the second author (Selvakumar
et
al
2005a, 2005b). The excavations have brought to light many interesting
discoveries including an early or Sangam Age Chera coin, evidence for
megalithic (Iron
Age·
Early His toric Transition) occupation, inscr iptions
and graffi ti on pottery. This paper presents a discussion and
in
terpretation
of the two inscriptions and two other graffiti found at this sitc.
The Site, Trenches and Cultural Periods
Pattanam
li
es in Paravur Taluk un
der
ChiUatukara Panchayat
in
Vadakkckara village of Ernakulam District. It is about 20 km north of Er
nakulam, and one kilometre to the north of Paravur Thodu, a distributary of
th
e river Periyar.
The
site covers 600
m.
x 400
m.
area and b
rick
architecture
is
cxposed at several dugout areas at the sitc.
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ijdl Vo
l
xxx No. 2 119
Discussion on the Inscriptions and Gratliti
(Notes contrib
ut ed
by havalham Mahadevan)
Sclvaku mar, Sha
ja
n Mahadcvan
The earliest epigraphical reference to Mucir/i occurs in the name
MucirJi Ko a found in the Ta
mil
-Brahrrii cave inscription at
Munup
atti,
Ma
durai District, Tamil Nadu (Mahadevan 2
00
3, Early Tamil Epi
gr
apll
Y
No.
56,
ca. 1st Cent. BeE). This reco
rd
is more or less contemporary with
the references to Mucir/i in the Cankam poems (Akam. 57:
15
; 149: 1 1.
Pu .am. 343:10) and in the Western cla
ss
ical literature (Pliny and the
Peri
pl
us) . The continued existence of Mucir/i even in the medieval period is
attested by the reference to Muyiri-k-kotu in the Coch in Plates of Bhaskara
-
.
Ra
viva
rman
in
ca.
10
th
ce
nt. CE
£pigra
ph
ia
Indi
ca
III : 66
-6
9).
Sherd
1 (Fig. 1)
The fragmentary sherd has preserve d five characters read as follows:
... ur pava o ...
The wo
rd
r 'village, town', clearly indicates that the language is
Tamil.
Th
e next word pava may be compar
ed
with Ta , piivai,
Ma
. pava,
'young woman or doll'.
Th
e last extant letter is the vowel a probably part of
the pronominal ending 0/ or Or which can only be conjecturally restored.
Tentative ly, the inscription can be translated as follows: 'Woman/do ll of the
vil
lage .
....
In the absence of other clues, th
is
fragmentary
text
cannot be
in
terpreted furtber, though the language
is
decidedly Old Tamil. The occur
rence of tbe
Pre-Malayalam form pava at litis early period is noteworthy.
PaJa
eographically, the script can be identified as Late Tamil-Brahnii, ca.
2nd cent. CE. The writing on the sherd may be compared 10 that of the
cer
a cave inscriptions of abo ut the same period at Pugalu r in Tamil Nadu
and
Ed
akal in Kerala.
Sherd
2 (Fig. 2)
A single large-sized character is incised on tbe sherd. It appears to
be
ke
of the Nl1gati script of the early mediev
al period
(ca. 7-8th cen
t. c.E.).
As only one letter is seen on the she
rd
, nothing de
fini
te can be said about
the language. This is the only kno
wn
occurrence of the N
gan script in po t
tery inscriptions from tbe Tamil country. Nagaii inscriptions on stone begin
to appear in the Tamil country only from the Pallava Period (from ca. 7th
cent.
c
E
) .
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IJdl Vol.
XXX
Ko_:
nil
Scl'OIkumar. ShaJ3n .\1ahade,·an
Shtrds 3 4 (Figures 3 4)
Eaeh exhibits a solit ary large- sized symtxll, one of them (No.3) in
cised before ri ng and the other (No.4) after. A visual comparison shows
that both symbols are iden tical,
one of
the m
(No.3)
being cursive and other
(No.4) rectilinea r in style.
The symbol on the sher
d i
is easily identi ed by its characteristic and
un
mis takahle shape, looking somewhat like the English capital leuer ' I' in
manuscript style. B.
B.
Lal (1960: symbol 47) has identified this symbol on
the megalithic pottery at Sanur (sec Fi
g.
5) and elsewhere in T,mlil Nad
u.
He has compared the
sy
mh
nl
with a sign of the Indus script incised on pot
tery from K
ali
bangatJ (sec F
ig.
6). More r
ece
ntly, the same symbol has bee n
found on megalithic pottery excavated at Mangudi in
Tam il
Nadu (Sh
eny
2003: pp.
45,
47, 48). Iravalham Mahadevan has identified this symbol wilh
Sign Nos. 47 and
48
of the Indus script The
In
dus Script , sign list,
Mahadcvan 1977). He has trace d the evolution of this symbol from Ihe
Harappan seals and pottery graffi ti to the late r art motifs as well
as
to the
meg
al
ithic gra
ffi
ti
of
Tamil
Nadu
(Mahadevan 1999,
20(
1). According to
him, the symbol represents an anthropomorphic deity "seated on hi s
haunches, body bent
and contracted,
wi
th lower limbs fol ded and knees
drawn up". For
a
realist ic representation of this symbol in human form, one
may refer to the figures impressed on tcrracolla tiles from Harwan, Kash
mir, ca . 4th cent. CE (see Fig. 7 .
lravatham Mahadev<ln (1999) has identified this symbol on linguistic
grounds as the earliest representation of the
Dra
vidi<ln deity mum
ku
(Ta .
M
k ~
C f. especially, Ta. IIIUri to bend ', Ka. mum/Ill 'a bend', Pa. mlllg
' to be bent ', Ga. mllrg 'to bend', G o. moorga ' hump-backed', etc. (DEDR
4977).
Ap
plying tbe technique of rebus, the intended mea ning of the symbol
can be recognized from the homophonous words,
Ta
.
murnkku
' to
de
stroy,
kill ', Ma .
muruka
' to cu t
',
Ko ', Nk.
mu
rk 'to break ', Ma lt.
l l
rke ' to cut in to
bits', etc. (DEDR 4975). These terms reveal the original meaning ofmurukll
'killer or destroyer'. As P.
L.
Samy (1990: 9-]6) has pointed out , this is the
meaning of the word lmmlku in the earliest layer of Tamil Cankam poetry.
In Tamil Na
du
, this symbol occurs on pottery of the Iron Agc (Megalithic)
assigned broadly to the second half of the fi rst miUenn iu m BCE. The
reported occurrence of this symbol at PaUanam (Mucir/i) as late as in the
early medieval period is surprising and may be due \0 the site being di
s-
turbed. Purther excavations will hope fu lly shed mor c light on thc chronol
ogy of this
sy
mbol. In any case, the occurrence of Ihis symbol on pottery at
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ijd l Vol
XXXV
NO.2
121
Se
lv
akuma r
Sh
ajan Mahadevan
Mucir/i in Kerala
is
a major discovery in the chain linking the signs of the
Indus script with the 'megalithic' graffiti ofSouth India.
Acknowledgements
Th e authors would like to acknowledge the Centre for Heritage
Studies, Tri punithura, for funding the trial excavations, and M r. P.K. Gopi
the registrar, the staff
and
students of the Centre for their support in the re
search .
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A.P.
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Report
of
the Archaeological Department Cochin
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ijdJ
Vol. XXXV No. 2 122
Se
Jwkumar. Silajan Mahad
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e
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alithic potte r
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Nagafi character on pottery
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ijdl Vol.
xxx
1'';0. 2
Fig.
:3
Pre-firing graffito on pottery
from Pattanam ucu /
i)
Fig.
5
Sclvakumar. Shajan Mahadevan
Fig. 4.
Post-firing graffito on
pottery from Pattanam
Mucu/i)
t; fr m Sanur, Tamil Nadu
B.B.
La1 9GO:
PI.
XXXI-
B)
Fig.
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Survey of India, New Delhi. Also in B.B.
La11960)
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I) ..J I Vol. X XXV .Jo l
124
S e I V i l
u m a
Sh
a il
n
&
M
Bh
adcvan
Fi
g 7
The Emaciated Ascetics. Impressed figures on tcrraco tt a t
ile
s from Hanvan,
Kashmir
Ph
o
to
graph
Co
urt
esy:
Prince of Wales Museum,
Mumb
ai) .
• I I I I I I I I I I I I I I I I I I I I I I I I II I I I I I IU II I I I I I I I I I I I I I I I I I I I I
1111
11111111
.
.
..
.,
.
.
.
.
.
A LINGUIST VISITS BANGLADESH
Sangnllmltra Sana, 2 1 , PB, Oemy 1/8,
pp Iv
96,
tU.
751- (US 51-)
,
...
.
.
.
.
.
.
: : A most interesting tr avelogue of a linguist whose parents ::
came fro m Bangladesh and seve ral relatives
st
ill live the re. It r
ca
ds · ::
: : like a
dete
ctive nove l ::
.
. .
i i i i i i i i i i i i i i i i
i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i
i i i i i i i i i i i i i i i i