251811996 Pink Floyd the Endless River Guitar TAB 81p

Allons-y (1)

q = 113

Copyright 2014 Pink Floyd Music Publishers Ltd., administered by Imagem UK Ltd. All Rights Reserved. International Copyright Secured.

Words & Music by David Gilmour

Gtr. 1 (elec.)

mp w/flanger

Em*

cont. sim.

*Chords imply harmony throughout

Gtr. 2 (elec.)

mf

A/E

w/dist. + delay

Em

Gtr. 3 (elec.)(2) only

mf w/dist.

full 1/2

Lap steel arr. for gtr.(2) only

mf w/slide

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

978

11910

5 7

15 17 172 2 0

7 7 8 7 8 7 3

A/E Em

full1/2 full full

(1; 2 sim.)

A/E Em

full

978

11910

5 7

22 2 2 14

2 3 2 03 5 3 8

58 5 5

7 75

7 98 10 10 12

978

11910

5 7 7 9 7

10 10 8 10 8

9 79 7 5 7

7 7 5 75

7 7 50 2 0

12 12 14

2

1.

2.

D C Em

Em

D C

3 3Em

3 3

w/bar

full

5 5 7 5 3 3 5 3 2 7 9 7

5 5 7 5 3 3 5 3 2 7 7 9 7

11 9 16

5 5 7 5 3 5 3 2 0

3 0

5 5 7 5 3 5 3 2 03 0

150

11 9 9 9 16

3

D C

w/clean tone

3 3

1/2

full

3 3

D C

33

3

3 3

5 3

1512 14 14 12

15

11 9 9 11 12 11 9 7

5 3

17 17 17 15 14 15 14 14 12 14 1215 15

14 14

1112

11 11 14 14 14 11

4

rit.

D C

full

D Em

5 3

1412 14 14 14

11 12 12 1412 14 12

11 9

50 0 2 3

22

14

11 11 14 14 19

5

Allons-y (2)

q = 113



Kbd.strings

mf

D/E C/E D Cmaj7

Organ (segue from Autumn 68) Bass arr. for gtr.

Lap steel arr. for gtr.

D Cmaj7

Gtr. 1 (elec.)

f w/dist.1/2

3

4 4 7 7 9 5

5 7 5 3 2 0

3 2

4 4 7 7 9 5 4 4 7 7 9 5

7 5

Em A/E D/E Em

f w/dist.

Gtr. 2 (elec.)

1/4

Em A/E D/E Em

1/2full 1/4 full full

05 7

7 57

10 12 12 10 8 109 9

7 97 9 7 9

89 7 9

05 7

10

77 7 5 7 57 5

57 7 5 7

10

5

107 10

8

2

Em A/E D/E Em

full full

D C Em

w/bar


3 3

full full full

05 7 7 9 7

2 40

0

4 2 0 2 02 0 2 2 5

15

5 5 7 5 3 3 2 0 2 7 7 9 7

9 7

15 15 13 13 13 10 12 15

3

D C Em

3 3

3 3

full full full

D C Em A/E

3

3

full

5 5 7 5 3 3 5 3 2 7 9 7

7 9 7 5 7 5 4 9 11 9

15 15 13 13 13 12 15

5 5 7 5 3 3 5 3543

765

7 9 7 55

4 9

15 15 15 13 13 12 10 12 17

4

AnisinaWords & Music by David Gilmour


q = 72

C A G F

Gtr. 1 (steelstr. acous.) C

Pianomf

Drums Fig. 1

Am G C

Gtr. 3 (elec.)

w/slide

Gtr. 2 (elec.)

w/clean tone + chorus

8 13 8 13 13 17

010

211

21

43

010

010

211

21

43

010

Am G C

F G C F G C

mp

F G C F G C

Sax. arr. for gtr.

15 17 17 12 12 15 17 17 15 15 13 12

9

010

211

21

43

210

210

211

000

201

3201

14 16 17 16 12 12 14 12 9 7 9 9 12

13

33

2

3

0

31

3

2

33

00

0

32

02

23

00

32

02

1

20

2

10 12 13 15 15 17 20

5

13

33

2

3

0

31

3

2

33

00

0

32

02 3

20

0

32

02

1

20

2

[C]* [F/C] [Fsus2/C] [G/C] [C] [F/C] [Fsus2/C] [G/C] [C]

3

*Chords represent piano harmony

Piano plays Fig. 1

[F/C] [Fsus2/C] [G/B]

3

[Am]3 3 3 3 3 3

[F/C] [G] [C]

Gtr. 33

F G C F G C

Gtr. 2

mp

5 3

5 3

3

5 3 25

5

5

5 7

6 57

8

8 7 8 7 58 6 5

7 59 7

10 8 7 58 7 5

58

5 7 5

87 5

88 5

7 5 5 6 75

3

13 15 17 17 19 19 20 20 22 22 22 24 24 27 27

13

33

2

3

0

31

3

2

33

00

0

32

02

23

00

32

02

1

20

2

3

F G C F G C

Gtr. 4 (elec.)

w/dist.

3

Piano plays Fig. 1 ad lib.

w/bar w/bar

full 1 1/2 1/2 full full 1/2

A G C

3

full

full 1/2

Sax. arr. for gtr.

p

Repeat ad lib. sim. to fade

29 31 31 32 32 34 34 34 36

1213 15

13

33

2

3

0

31

3

2

33

00

0

32

02 3

20

0

32

02

1

20

15 15 13 15 13 1515 15

13 1315 15 15 15 19

20 20

1413 15 15 13 15

14 14 14 1413 17 17 15

1715 15

17 17

5

7 5 7 55

7 58

7 5 58

55

7 5 7 55

7 58

7 5 58

5

4

Autumn 68

Freely q = c. 60

Words & Music by Richard Wright


Pipe organ

Em* D C C/B Em

*Chord symbols imply harmony

Synth. D C D

3

Em


7 7 12 12 7

D Csus2 C Em

D C

3

Gtr. 1 (elec.)

w/clean tone + delay

full full full

D Em

1/2

109 11

8 10 8 7 1011

8 10 1010

10 8 109 9 7 9

11 9 7 9 9

9 7 9 0 2

2

Calling

Freely q = c.60


Words & Music by David Gilmour & Anthony Moore

whalesong fx

Strings

mp

Em

Synth. 3 3

Piano/Synth.Cm

mf

Strings

Strings

Synth. 3

Gtr. 1 (elec.)

w/whammy pedalw/dist. + delay

Strings

w/bar

8

8

11 8 9 9 9 6 8 8 6 3 4 4

2

w/whammy pedal

StringsEb F

Synth.

Eb F

StringsGm F Eb Dm Cmaj7

3

3

Piano

3 0 1 1 18 8

3

Ebb And Flow


Words & Music by David Gilmour & Richard Wright

q = c. 60 Freely

Am Dm C

Elec. piano

mp

C

Fade in

Gtr. 1 (elec.)

w/Ebow

33

Gtr. 2 (steelstr. acous.)

Am

full

5 7 12 12 17 16 14 12

14 12 12 9 12 9 7 9 12 9 8 7 5

17 16 17 16 14 12 14 12 9 12 9 7 9 12

rit.

3

Dm

33

1/2 full

C

3 3

9 12 9 7 9 12 9 7 9 7 5 7 9 0 2 4 5 4 5 7 9 7 9 12 14 17 16 14 12 14

12 10 9 10 10 9 7 9 7 9 10 9 10 12 10 12 14 12 14 17 16 17

17

2

Eyes To Pearls

q = 127



Gtr. 1 (elec.)

Em

mf w/clean tone + reverb

Gtr. 2 (elec.)

w/clean tone + reverb

AmSynth.

0

2

0 0

5

0 0

4

0 02

0 0

2

0 0

5

0 0

4

0 02

0

0

2

0 0

5

0 0

4

0 02

0 0

2

0 0

5

0 0

4

0 02

0

12

0

2

0 0

5

0 0

4

0 0

7

0 0

5

0 0

9

0 0

7

0 0

12

0

Em

Gtr. 3 (elec.)w/clean tone+ reverb

(2) Strings

mf

Em

0

2

0 0

5

0 0

4

0 05

0 0

2

0 0

5

0 0

4

0 05

0

12

0

0

2

0 0

5

0 0

4

0 02

0 0

2

0 0

5

0 0

4

0 02

0

0 0

12

0 0

2

Strings

(2)

p

Am

mf

(1) Synth.

(2)

p

Em

mf

0

2

0 0

5

0 0

4

0 02

0 0

2

0 0

5

0 0

4

0 02

00

2

0 0

5

0

0 0

12

0 0 0 5

0

4

0 02

0 0

2

0 0

5

0 0

4

0 01212

00

2

0 0

5

0 0

4

0 05

0

5 5 7 7 7 0 0

3

1.

2.

p

0

2

0 0

5

0 0

4

0 05

0 0

4

0 05

0 0

2

0 0

5

0 0

4

0 02

0

0

12

0 0

0

2

0 0

5

0 0

4

0 02

0 0

2

0 0

5

0 0

4

0 02

0 0

0 0

453

4

Its What We DoWords & Music by David Gilmour & Richard Wright


Freely (q. = c. 49)

Em Cmaj7

Gtr. 2(steel str.acous.)

Em

Kbds. arr. for gtr.

Organmf

Synth. flutep mf

Gtr. 1 (elec.)

w/vol.w/clean tone + delay

p

full

mf

p mf

mp

full

987

988

85 7

89

12 15 14 1212

11 7 912 13

15

q. = 49 (a tempo)

Cmaj7

p mf

Em

Synth. Organ

Gtr. 1

p

Em

Synth. flute

p mf

10

13 12 13 10 1212 7

97 8 10 8

5 17988

07

0 0 0 0 0

8

5 7 15 14 1212

11 7 9

2

Cmaj7

mp

fullfull full

Em Cmaj7

mf

1/2 full full

Em

1/2

7

8 5 7 5

10 810

94 5

5 7 7

7 85 7 7

8 57

87

4 2 02 0

3 0

1010

1010

5 7 8 8 75

87

987

7

75

77 7 5 5

3

Gtr. solo Cmaj7

w/slight dist. Gliss down w/whammy pedal

1/2 1/2

3

w/bar

1/2

Em

w/whammy pedal

+12

full

Cmaj7 Em

3

1/4

Cmaj7

22 2219

1617

1619 19 19

1917

1917

17 172 3 2 0 2

2 0 2 4 4 5 7 7 97 9

8

10 8 109

89

109 9

2000 22 19 22 7 9 7 9 8 9 2 3 2 0

2

3 5 50 0

5 3 50

2 430

4 2 02 2 0 2 0 2 2

4

Em

w/bar Gtr. 3 (elec.)

Fig. 1 Gtr. 1

w/tremolo

w/whammy pedal

Gtr. 3 plays Fig. 1

-12

1/2

Cmaj7

w/whammy pedal

3

+12

full full full full

Em

3

Gtr. 3 plays Fig. 1 (ad lib.)full full

Cmaj7

w/whammy pedal w/pedal w/pedal (pedal to 0)3

full

+12

1/2 full Gtr. 3 plays Fig. 11/2full

0 2 2 4 40 2

0

98 10

10 10 85

5 8 5 8 54

7 7

98

1010

10 101010

98 10 10

10 10 10 1010 10 8 108 10

10 10 8 70

5 34 2 0

2 0 2

20

1719

11 11 10 7 10 10 10 10 710

710 10 8

5

Em

full

Cmaj7 Em

w/whammy pedal (pedal to 0)

+12

Gtr. 3 plays Fig. 1

3

Cmaj7

w/whammy pedal

3

+12

full 1/4

w/bar

full full

1012

1212

1212

XX

1212 14

141212

X X 1212 14

141212

X X 1212 14

141212

X X 1212 14

141212

X X

141213

141213

12 10 12 8 7 8 7 5 710 8 7 5

0 22

33

22

00

22

19 17

1913 13

1512 12

14 15 14 1215 15

10 710

7

10 10 10 8 7

05 0 3 0

4 2 02 0

6

Kbds. arr. for gtr.

Em Cmaj7

Synth.

w/whammy pedal (pedal to 0)

+12

Em

Cmaj7

7

8 5

2 2 20 2 2 3 2 0

2 2 0 2

7 85 7

7 5

9

7 7 75

79 7 5 7

7 5 7

7 8

55

02 0 2 4 5

2 2 043 5

2 02 0 5

7


Music by David GilmourLyrics by Polly Samson

q = 113

Louder Than Words

C#m9/G# B[add4]/F#8fr

A(#11sus2)/E7fr

D Am7fr

B5fr

A C#m4fr

F# G#m4fr

Intro

Gtr. 2(acous. steel str.)

Gtr. 2 Nashville Tuning: E* A* D* G* B E - *1 octave higher than standard

C#m9/G#

mf

Gtr. 1 (elec.)

w/clean tone + phaser and delay

Gtrs. 2+3 are tuned to Nashville tuning, the lowest four strings are replaced with the octave strings from a 12-string set, so sound an octave higher than normal.

B[add4]/F# A(#11sus2)/E

C#m9/G#

Piano

1111

80

00

811

1111

80

00

811

1111

80

00

811

1111

80

00

811

99

80

00

89

99

80

00

89

77

80

00

87

77

80

00

87

1111

80

00

811

1111

80

99

80

1111

80

00

811

1111

80

00

811


Gtr. 3(elec. acous.steel str.) Nashville tuning

w/chorus + reverb + delay


C#m9/G#

C#m9/G#

B[add4]/F#

C#m9/G#



cont. in stave

99

80

00

89

99

80

00

89

77

80

00

87

77

80

00

87

1111

80

00

811

1111

80

99

80

1111

80

00

811

1111

80

00

811

99

80

00

89

99

80

00

89

77

80

00

87

77

80

00

87

2

D

Gtr. 3

VerseGtr. 4(elec.)

w/clean tone

1. We bitch and we

3

fight, diss each o ther- on

3

sight, but this

3

Fig. 1

Am

thing we do.

3

Gtr. 5 (elec.)

w/slight crunch

3

1/4

023

0232

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

53

53

0

35

35

35

3

0

35

35

35

3

0

35

35

35

3

0

35

3

5 75

7 5 7

D

These times to ge- ther,- rain or

3

shine or stor my- wea ther,- this thing

Gtr. 3 plays Fig. 1

Am

we do.

3

full

Gtr. 4 D

cont. ad lib. sim.

2.3.

WithThe

worldstrings

wea- rybend-

and slidegrace

as theweve ta

hoursken-

glideour

3

plaby,

ces,-

3

we could

3

an

(2) Gtr. 5 ad lib. sim.

Gtr. 3 plays Fig. 1

111010

98

98

5 7 7 5

7 5 777

X

10 10 10 8 77 2

4

curseold

Am

itpair

orof

3

nurseshoes,

it and

3

yourgivefa

itvou-

arite-

name.blues, gon na- tap

out the rhy thm.-

Or stayLets

homego

3

3 3 3

1/4

D

withby

the

3

the fire,flow, wher

filledev-

byer-

deit

sire,goes,

- stok ing- the flame, butwere

were

3

more

Gtr. 3 plays Fig. 1

Gtr. 4

Am

here for

thanthea

ride.live.-

3

1/2 1/2

Chorus

B

A

Gtr. 3


cont. sim.

Its loud er- than words, this thing that we do, loud er- than words, the way it un furls.-

3

Gtr. 1

5 7 5 57

57 5 7

7 7

7 0 22 4 44 2

9

0

98

0

77

08

0

5

C#m

C#m9/G#

full full

B

A

B[add4]/F#

Its loud er- than words, the sum of our parts,

A(#11sus2)/E

the beat of our hearts is loud der- than words.

1111

811

8

0

811

8

0

811

8

0

811

1111

811

8

0

811

8

0

811

8

0

811

1211 9

9

0

98

0

77

08

0

11

6

1.

2.

C#m

F#

C#m9/G#

Gtr. 3

F#

cont. in stave Loud er- than words.

full

D

Gtr. 3

C#m

B

Gtr. 3

C#m9/G# B[add4]/F#

cont. sim.

Loud er- than words,

3

1/2

11

118

118

0

811

8

0

811

8

0

811

9

12 12 11 9

9 11 11

0232

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

999 11 11 9 12 9 9

7

A

C#m

this thing they call

3

soul

A(#11sus2)/E

is there with a pulse, loud er- than words.

C#m9/G#3

3

1/2

F#

Gtr. 3F#

cont. in stave

Loud er- than words.

DC#m9/G#

Gtr. 3

3

129 11 11 9

12 9

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5

40

4

0

5

04

5 77 9

8

Gtr. 1

Gtr. 3 plays Fig. 1

full full 1 1/2

Am

3 33

1/2

D

Gtr. 3 plays Fig. 1

3

full full full

1/2

Am

3 3

1/2 full

9 97 9 7

55 7

5 7 7 5 77 5 7 7

66

77

7

9 7 910 10

98 10

10 12 12 12 10

12

1717 19 19 20 20 7 10

9

q. = 65


Gtr. 3

B[add4]/F#

cont. sim.

A(#11sus2)/E

full full full fullfull full full

C#m9/G# B[add4]/F#

full

A(#11sus2)/E G#m

3

fullfull 1/2 full

F#fr 0

6

E

approx. tempo (for delay settings)

Synth. Repeat to fade

3

fade in

Gtr. 6 (elec.) Loop

p w/clean tone + delay set at app 480ms

10 10 10 10 10 10 10 10 9 10 7 9 7 5 7

4 6

5 76

9 7 76 4 6

12 12

14 14 16 14 12 12

11 11 11 9

11 11 1514 19 19 17

9 11 1311 12

1311

11 13

10

Night Light

Freely q = c. 80



Kbd. strings

mp

Em*

Bass

Gtr. 1 (elec.)

mp w/Ebow + delay

*Chords imply harmony throughout

full full11/2

full

1/2 1/2 full full full

Bb C

(Strings)

1/2 1/2

12 14 1414 12 14 12 14 12 11 12 11 9 11

11 9 7 9 9 7 4 4 7

8 7 5 8 10 10 9 9 10 12

Ab

full

11/2

Bb Gm

Ab Fm

3 3 3

3

full full

17 17 15 17 15

12 10 8 7 8 10 8 7 8 7 10 8

7 5 7 8 7 8 10 8 10 12 10 12 13 12 10 12 13 15 15 1515 13

2

Cm

full full full

Em

Bass

full1/2 1/2

15 15 15 12

12 10 12 10 7 8 10 9 10 915

10 9

12 10 7 5 0

3

On Noodle Street

q = 105



Elec. piano/keyboards*

mp

C#m7** A/C# C#m7 A/C# C#m7

Kbd. strings

Bass arr. for gtr.

Gtr. 1 (elec.)

mp

*composite part**chords reflect overall harmony

w/delay

C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7

cont. ad lib. sim.

full 1/2

4 4 4 4 4 4 4 4 4 4 4 4

6

91111

912

912 12 12 12

91111

0 0 0 0

4 4 7

52 4 7

5 5 7

9

99

9 12 1411

119 11

119 11

X 9 X X12

11

C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7 C#m7

Amaj7

3

fullfull fullfull full full

C#m7

Amaj7 C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7


p

full full


mf

full full

9 11 9 11 9

119 9

12 12 911

99

1112

9 9

1211

11 9

65

9 9

12

9 9

12

11 119

912 9

911

11 9

12 14

12

99

11

11 911

2


full

C#m7 Amaj7 C#m7 Amaj7 C#m7

Amaj7 C#m7 Amaj7 C#m7 Amaj7

full


full full full

11

9 11 12 1112 12

8

19 16

1916

1716

1716

191916

19 19

3

C#m7

Amaj7 C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7

C#m7 Amaj7 C#m7 Amaj7 C#m7 Amaj7 C#m7

Amaj7

p

1/2

1/2

C#m7

Amaj7

(let ring)C#m7 Amaj7 C#m7 Amaj7 C#m7

3

full

9 119 11 13

1211 13

12 1213

12 1413 11

1211 9

11

9

11 911

12 14 1211 11

1211 9 8

9 89

119 11

9 99 11

12119 11

4

Skins

q = 125


Words & Music by David Gilmour,Nick Mason & Richard Wright

Kbd. pad

p cont. sim.

Fade inDrums

p cont. ad lib. sim.

3

Gtr. 1 (elec.)w/slide + delay

10

11 8 10

15 17 24 17

Drums cont. ad lib. sim. on repeats

mf

Play 11 times3 3 3 3

Bass arr. for Gtr.

Gtr. 1 cont. ad lib. sim.

ad lib. fx.

Gtr. 2 (elec.)

w/dist. + delay

1/2 1/2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

79

4

X X

2

Sum

q = 112


Words & Music by David Gilmour,Nick Mason & Richard Wright

fade in

Organ

mpw/16th note sidechain gate fx. Notes held (with pedal) throughout.

00:33

cont ad lib. sim.

Gtr. 1 (elec.)mf w/dist.w/slide

Gtr. 2 (elec.)

w/dist.w/slide

22

44

15 14 15 14 11 12

Gtr. 2 tacet

Piano arr. for gtr.

E7sus4* Em E7sus4

*chord names imply harmony

77

1212

1414

55

77

77

1010

1212

1717

10 12 12

12 17

7 5

9 43 12

0522

0

200 5

47

0522

2

Em C/E E7sus4 Em C/E

E7sus4 Em C/E E7sus4

Em C/E E7sus4

12 12 12 10 12 12 14 12 1010 12

1212

12 12 12 14 15

0

200

0

201

0522

0

200

0

201

17

7 999

1010

1010

77 7 2

0522

0

200

0

201

0522

3 2

2 2 10 55

77 12 14

1412 13 13 12 12 17

0

200

0

201

0522

3

w/whammy pedalw/slide

-12

Em C/E E7sus4 Em

C/E

17 16 1612 15 19 19

7

1012

14

0

91010

9 9 10 9 10 10 12 12 1414 12

0

200

0

201

0522

0

200

12 14

12 15 17 16 1516

17 16 1516

17 16 1516

17

0

200

0

201

4

E7sus4 Em

C/E E7sus4 Em C/E

w/out slide

w/slide

E7sus4 Em C/E E7sus4

20 24

12 14 14 5 4 5

0522

0

200

0 2 0 2 2 2

5 8 10 0

0

200

0

201

0522

0

200

0

201

5 5 8 7

77 9 7 9

10 13 12 12 50 4

0522

0

200

0

201

0522

0522

3 2

5

Em C/E E7sus4 Em

Synth. arr. for gtr.

12 12 14 12 9 12 12 12 14 12 7 9 4

0

200

0

201

0522

0

200

3 8 12

2 4 5 7 5 4 5 4 2 4 0

22

1414

2

22 2

6

Copyright 2014 Pink Floyd Music Publishers Ltd., administered by Imagem UK Ltd.

All Rights Reserved. International Copyright Secured.


q = 134

Surfacing

qaa z=[qp ]e

Em[add9] F Fsus2#11 G3fr

Em9

Em[add9]

mf

Gtr. 1 (steel str. acous.)

w/340ms delay (triplet feel)

E9

FGtr. 2(steelstr. acous.) Fsus2#11 F Fsus2#11

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

03

24

04

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

Em[add9]

w/dist., delay + slide

Gtr. 3 (elec.)

F Fsus2#11 F Fsus2#11

Em[add9]

Ooh.

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

5

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

10 10 12

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

12 9 9 7 98 10 12

2


Ooh.

Em[add9]

Ooh.

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

10 10 12 13 15 17 17 20

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

15 17 8 10 8 8

3

G

Ooh, ah, ah,

f


ah, ooh, ooh, ooh,

35

5

3

43

53

54

55

5

3

43

53

54

55

5

3

43

53

54

55

5

3

43

55

45

20 2010 15 17 19 22

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

20 19

2016 14

4

Em[add9]

ooh.

mf


Ooh, ooh, ooh, ooh,

3

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

9 4 9

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

9 10 7 9 10 12 14

5

Em[add9]

ooh.


Ooh, ooh, ooh, ooh,

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

16

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

10 10 12 13 15 1715

6

Em[add9]

ooh.


Ooh, ooh, ooh, ooh,

3

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

17 17 0 5 0 33 5

10 12

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

12 13

15 15 17 13 13 12 10 127

7

Em[add9]

ooh.

G

Ooh, ah, ah,

f

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

95 12

35

5

3

43

53

54

55

5

3

43

53

54

55

5

3

43

53

54

55

5

3

43

55

45

20 17 2017 19 22

8


ah, ooh, ooh, ooh,

Em[add9]

ooh.

mf

13

3

1

21

31

32

33

3

1

00

31

30

33

3

1

21

31

32

33

3

1

00

33

03

22 20 19

2016 14

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

912

9

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

17 17

02

4

0

00

20

40

42

4

0

00

20

40

42

4

0

00

24

04

17 8 12 15 17

02

4

0

00

20

40

42

4

0

00

24

04

024000

33

88

1212

10

Talkin Hawkin



q = 83

C D Em Bm7

Piano

mf

[Em]* [D] [Em]

*Chord names reflect piano harmony

[D] [Em] [D]

[Em] [D] Gtr. 2(steel str.acous.)

C D

f

Lap steel arr. for Gtr.

Gtr. 1 (elec.)

w/dist. + delay w/bar

Fig. 1

1/2

12 12 11 11

14 14

C D Em [D]

mf

3

full

[Em] [D] [Em] [D]

Fig. 2

Gtr. 3 (elec.)

w/slight dist.

11 12 12 11 9 7

15 15 1212 11

9 7 12 12 16 11 9 7

7 8 7 5 7 5

2

[Em] [D] C D

f

Gtr. 1 plays Fig. 1

full full full 1/4

C D Em [D]

mf

3

full full full full

full full full

9 9 11 7

15 15 15 15 12 1512

17

15 1517 17 17 17 15

17 15 1515

15

3

[Em] [D] [Em] [D] [Em]


[D] C D C

f

Gtr. 3

3 3

full full

9 9

12 12 1514 12 11

1112

9 11 12

12 12 151512

15 15 15 1212

15 1214

4

Bm7 Em [D] [Em] [D]

Fig. 2 ends

full full

[Em]

Speech has allowed the communication of ideas,

Sampled speech (Professor Stephen Hawking):[D]

[Em]

enabling human beings to work together

[D]

Piano plays Fig. 2

Gtr. 1 plays Fig. 1

w/dist. + delay

Gtr. 4 (elec.)

C D C D

to build the impossible.

Mankinds greatest achievements have come about by talking.

14 16 16 14 16 14

12 15

14 1414 1214 12

14 12 9

12

13

15

17

19

5

Em [D] [Em] [D]

Our greatest


Gtr. 1

p

Em

hopes could become reality in the future,

D Emwith the technology at our disposal

Dthe possibilities are unbounded.

C D C B7

Gtr. 3

3

1/2

full

1/2 full1/2

19

19

7 7 9 5

79

79

57

77

7

79

79

57

77

7

7 9 10

7 5 4 4 5 47 5 9 7 5

79

79

57

77

7

79

79

57

77

7

14 14 12 14 12 14 10

1415 12

1615 15 15

1215

14 14 12

6

Freely

Piano

Em [D]

3

Em [A/E] [Em]

All we need to do is make sure we keep talking.

Bass arr. for Gtr.

14 12 14 12

14 14

2 4 5 7

7 7 9 9

9

00

0

0

0

0 0

7

The Lost Art Of ConversationWords & Music by Richard Wright


Freely q = c. 70

C#m4fr

B Amaj74fr

G#77fr

B*6fr

A9 G#7*6fr

Kbd. strings [C#m]

Gtr. 1 (elec.)

w/slide

cont. in slashes

12 14 12 14 1211 13

13 6

12 12 11

13 6

w/vol. pedalGtr. 1

C#m Bcont. sim.

Amaj7 C#m Amaj7

Piano

mf

(Kbd. strings)

G#7 C#m B* A9

3

G#7* C#m B* A9

(Segue to On Noodle Street)

G#7*

2

Things Left Unsaid

q. = 65



q = 60 approx.

Gtr. 1 (elec.) loop

Fade in

p

approx. tempo (for delay settings)

w/clean tone + 480ms delay Loop cont. w/FX, gradual crescendo + speech samples

Synth. pad

FX: soft explosion0:48

Fade in

(loop fades)

pad cont.

FreelyKbd. (whistle sound w/low attack)

Kbd. strings pad

1:44

9 11 1311 12

1311

11 13

1:53

Gtr. 2 (elec.)

w/Ebow + delay

3

1/2

full 1/2

8 12 15 17 12 15 12 10 8

7 7 8 7 5 7 8 7 5 12 12 15 17

17 15 17 18 19 19 19 17 15 17 15 13 15 13 12 13 12 10

2

1/2 1/2

3

full fullfull 1/2 1/2 1/2

12 12 10 8 7 8 7 5 7 8 8 10 108 12 15 17

19 20 15 12 10 12 15 17

17 17 17 15 13 12 15 15 13 12 10 13 13 12 10 8 12 12

3

1/2 1/2

Organw/rotary speaker

Gtr. 3 (elec.)

w/delay + volume pedal swells slow vibrato

10 8 7 8 7 8 7 8 7 8 8 7 8 7 8 10 10 8 12 19 19

9 118

85

1015 16 18 17

4

Freely q = 125


Words & Music by Richard Wright

Unsung

Tempo setting guide for 8th note gate timing only

Kbd. strings w/8th note sidechain gate on/off fx.

mp

[Em]

Gtr. 1 (elec.)

p

w/slide

[C]

mf w/vol.

w/octave shift +12

2020

12 12 14 10 8 8 10 8 7 7 8 7 5 5

8 8

[Em]

Piano

sfz

(1) (2)

[C]

sfz

515

20

8

15 12 10 12

8 5

2

Allons-y (Part 1)Allons-y (Part 2)AnisinaAutumn '68CallingEbb And FlowEyes To PearlsIt's What We DoLauder Than WordsNight LightOn Noodle StreetSkinsSumSurfacingTalkin' Hawkin'The Lost Art Of ConversationThings Left UnsaidUnsung

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