172.Jack Terry (American, b. 1952)

Slow and EasySigned “Jack Terry” and inscribed “15/50, SLOW ANDEASY, © 1992” l.c.Bronze with brown patina, 11 1/2 x 18 in. (29.2 x 45.7 cm),presented on a wooden plinth.Condition: Good.

$1,500-3,000

173.Grace Carpenter Hudson (American, 1864-1937)

The Hawaiian ChildSigned “G Hudson” l.l.Oil on board, sight size 3 1/2 x 2 1/2 in. (8.9 x 6.4 cm),framed (in a shadow box).Condition: Not examined out of frame.

N.B. Grace Carpenter Hudson was a native Californian, bornin Ukiah in 1865. Her family lived in one of the few clustersof white settlers who inhabited an area largely dominated bylocal Native American tribes including the Pomos, a tribe thatshe would later devote a great deal of her artistic career toillustrating. Hudson taught painting in her hometown andalso became an accomplished illustrator for Sunset,Cosmopolitan and Western Field publications. In 1901, shemade a year-long visit to Hawaii where she completed twenty-six canvases of Hawaiian, Japanese, and Chinese children inthe capital city Honolulu and Hilo (located on the east coastof the Big Island). The work presented here is probably fromthis period. She then went on to accompany her husband,doctor turned ethnographer John Hudson, to the OklahomaTerritory where he would be studying the Pawnee Indians.Unfortunately while they were away from their Ukiah home,the earthquake and fire of 1906 destroyed a great deal of herwork as well as a vast number of Indian artifacts the couplehad amassed during their previous excursions. Hudsonpainted actively in Ukiah until her death in 1937. Thepainter, who never had children, left her remaining paintingsand artifacts to her husband’s nephew, Mark Carpenter, whosoon after her death turned the couple’s estate into amuseum.

$4,000-6,000

174.Mabel May Woodward (American, 1877-1945)

Taos, New MexicoStamped signature l.r., identified on a label on the reverse.Mixed media with watercolor and gouache on paper, sight size18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Minor stains, craquelure, not examined out offrame.

Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.

$2,000-4,000

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174

173

175.Bertha S. Menzler Peyton (American, 1871-1950)

Desert By MoonlightSigned “Bertha S. Menzler.” l.l.Gouache on canvas, 12 x 16 in. (30.5 x 40.6 cm), in a periodframe (under glass).Condition: Subtle craquelure to areas of sky.

$1,800-2,200

176.Paul F. Weindorf (American, 1887-1965)

Quiet House “Amongst the Cotton Woods”Signed “Paul Weindorf” l.r., inscribed on the reverse.Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Surface grime.

$400-600

177.Eliot O’Hara (American, 1890-1969)

Rock at Ojai, CaliforniaSigned and dated “ELIOT O’HARA, 1958” l.l., artist, titleand date inscribed on the reverse. Watercolor on paper, 16 1/4 x 22 in. (41.3 x 55.9 cm),unframed.Condition: Good.

$1,000-1,500

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175

176

177

178.Emerson Lewis (American, 1892-1958)

California Desert or Shaver’s WellSigned “Emerson Lewis” l.r., identified on a period labelaffixed to the reverse.Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.Condition: Craquelure, surface grime.

$1,000-2,000

179.Will Sparks (American, 1862-1937)

Afterglow - New MexicoSigned “Will Sparks” l.l., inscribed, perhaps by the artist, onthe reverse.Oil on panel, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Retouch, varnish inconsistencies.

$3,000-5,000

180.Grace Hopkins True (American, b. 1870)

Lot of Two Southern ViewsOne with monogram signature “GTRUE” l.r.Watercolor and gouache on paper/board, sight sizes to 15 x18 in. (38.1 x 45.7 cm), framed.Condition: Minor toning, minor staining, not examined outof frames.

$700-900

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178

180

179

181.Louis Ritman (American, 1889-1963)

The Village ChurchSignature stamped “L. Ritman” l.r., identified on labels affixedto the reverse.Oil on canvas, 20 x 40 in. (50.8 x 101.6 cm), framed.Condition: Lined, restretched, retouch.

$5,000-7,000

182.William Chadwick (American, 1879-1962)

Hillside Houses, MassachusettsSigned “W. CHADWICK” l.l., identified on a label from R.H.Love Galleries, Chicago, affixed to the reverse.Oil on canvas, 24 x 20 in. (60.9 x 50.8 cm), framed.Condition: Good.

$5,000-7,000

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181

182

183.F. Mortimer Lamb (American, 1861-1936)

Summer CabinSigned “F.M. Lamb” l.l.Oil on canvasboard, 18 x 24 in. (45.7 x 60.9 cm), framed.Condition: Surface grime.

$1,000-1,500

184.Albert Insley (American, 1842-1937)

Spring LandscapeSigned “ALBERT INSLEY” l.l.Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Lined, retouch.

$2,000-4,000

185.Charles H. Richert (American, b. 1880)

Locust Trees, Arlington Heights, MassachusettsSigned “C H RICHERT” l.r., identified on a label affixed tothe reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure.

$1,500-2,000

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185

184

186.Jay Hall Connaway (American, 1893-1970)

Dorset, VermontUnsigned, inscribed “...Dorset Vt 1950” on the reverse.Oil on board, 12 x 15 3/4 in. (30.5 x 40.0 cm), framed.Condition: Good.

$800-1,200

187.Arthur B. Davies (American, 1862-1928)

Landscape with TreesSigned “A B DAVIES-” l.l.Pastel on board, sight size 6 1/2 x 9 1/2 in. (16.5 x 24.1cm), framed.Condition: Not examined out of frame.

$1,000-1,500

188.Henry Davenport (American, b. 1882)

Lot of Two Views of Country HomesSigned “Henry Davenport” and dated l.r.Pastel on board, sight sizes to approximately 10 1/4 x 8 in.(26.0 x 20.3 cm), framed.Condition: Not examined out of frames.

$600-800

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187

188

189.David Wu Ject-Key (Chinese/American, 1890-1968)

Farm BuildingsSigned “D. WU JECT-KEY” with additional Chinesecharacters l.l., titled in an inscription on the reverse.Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor surface grime.

$700-900

190.Charles Chase Emerson (American, 1874-1922)

Spring LandscapeSigned “Chase Emerson” l.l.Oil on canvas, 9 1/2 x 11 3/4 in. (24.1 x 29.8 cm),unframed.Condition: Mounted onto board, surface grime.

$500-600

191.Vladimir Pavlosky (American, 1884-1994)

Lake LandscapeSigned “Vladimir Pavlosky” l.l.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Retouch, craquelure.

$1,000-1,500

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189

191

190

192.F. Mortimer Lamb (American, 1861-1936)

Through the BirchesSigned “F. M. Lamb” l.r., identified on an exhibition label(see below) affixed to the reverse.Oil on board, 14 x 17 in. (35.6 x 43.2 cm), framed.Condition: Good.

Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.

Exhibitions: New Haven Paint and Clay Club, Little PicturesExhibition, 1923.

$500-600

193.James Emery Greer (American, d. 1948)

Farmhouse in the Valley, White MountainsSigned “JAMES EMERY GREER” l.l., inscribed on thereverse.Oil on canvasboard, 20 x 24 in. (50.8 x 70.0 cm), framed.Condition: Retouch, flaking and losses (primarily tomountains and sky).

$600-800

194.Frank Convers Mathewson (American, 1862-1941)

October HazeSigned “F. C. Mathewson” l.l., identified on ProvidenceWater-Color Club Annual Exhibition label affixed to thereverse.Gouache on board, 7 x 10 in. (17.8 x 25.4 cm), framed(under glass).Condition: Not examined out of frame.

$500-700

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192

193

194

195.Thomas G. De Laurier (American, 1872-1934)

Shepherd and His FlockSigned and dated “T. G. De Laurier. 31.”Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Good.

$700-900

196.Carl Johan David Nordell (American, 1885-1957)

ArchwaySigned “Nordell” l.r.Oil on panel, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Retouch.

$300-500

197.James Moore Preston (American, 1874-1962)

Study of TreesSigned “...Preston” l.r., identified on a label from JamesGraham & Sons, New York, affixed to the reverse.Charcoal and wash on paper, 10 x 12 in. (25.4 x 30.5 cm),framed.Condition: Toning, not examined out of frame.

$300-350

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195

197

196

198.Attributed to Robert Emmet Owen (American, 1878-1957)

Early Morning in the VillageUnsigned.Oil on Masonite, 13 x 17 in. (33.0 x 43.2 cm), framed.Condition: Good.

$300-350

199.Jacob I. Greenleaf (American, 1887-1968)

Mt. Mansfield-Pleasant ValleySigned “J. Greenleaf” l.r., identified on a label (see below)affixed to the reverse.Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm), framed.Condition: Surface grime.

Exhibitions: North Shore Arts Association of Gloucester,Forty-Fourth Annual Exhibition, 1966.

$800-1,200

200.F. Mortimer Lamb (American, 1861-1936)

Autumn Landscape with BathersSigned “F. M. Lamb” l.r.Oil on canvasboard, 18 x 23 in. (45.7 x 58.4 cm), framed.Condition: Surface grime.

$1,200-1,800

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198

199

200

201.Arthur Burdett Frost (American, 1851-1928)

Autumn MeadowUnsigned, identified in an inscription from the artist’sgrandson affixed to the reverse.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.Condition: Surface grime.

$3,000-5,000

202.Attributed to Robert Shaw Wesson (American, 1902-1967)

Autumn LandscapeUnsigned.Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.Condition: Mild abrasions.

$2,000-4,000

203.Vivian Milner Akers (American, 1886-1966)

Autumn by the LakeshoreSigned and dated “VIVIAN MILNER AKERS 1954” l.l.Oil on board, 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm),presented as the top portion of a split-baluster mirror.Condition: Good.

$400-600

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203 203

202

204.Robert Charles Gruppe (American, b. 1944)

BirchesSigned “Robert C Gruppe” l.r.Oil on board, 24 x 19 3/4 in. (60.9 x 50.2 cm), framed.Condition: Good.

$800-1,200

205.John Joseph Enneking (American, 1841-1916)

The Landscape-Edge WoodsSigned and dated “Enneking ‘03” l.r., identified on a labelfrom the Pierce Galleries catalogue raisonné project on thereverse.Oil on board, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed.Condition: Retouch, varnish inconsistencies, signaturepartially reinforced.

$3,000-5,000

206.Attributed to Harriet Randall Lumis (American, 1870-1953)

Forest Park Chestnut TreesUnsigned, identified on a label affixed to the reverse.Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed.Condition: Repaired puncture u.l., retouch, craquelure.

$400-600

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206

207.Geraldine Douglas Goldman (American, 20th/21stCentury)

The Dam, Clinton, MASigned “G D Goldman” l.r., title inscribed on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Good.

$600-800

208.William Lester Stevens (American, 1888-1969)

Into the GardenOne side signed “W. LESTER STEVENS.” l.r., an unfinishedsketch in watercolor on the reverse.Watercolor and graphite on paper, 22 x 18 in. (55.9 x 45.7cm), unframed.Condition: Tape residue on the reverse.

$300-500

209.Henry Bayley Snell (American, 1858-1943)

The Edge of the WoodSigned “Henry B. Snell” l.r., identified in an inscription onthe reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), in a periodframe.Condition: Scattered craquelure.

Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.

$1,500-3,000

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207

209

208

210.Mina Fonda Ochtman (American, 1862-1924)

Westport HomeSigned “Mina Fonda Ochtman” l.l., artist identified on apresentation plaque affixed to the frame.Oil on panel, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Panel cracks at right edge, minor loss u.r.

$1,000-1,500

211.John Joseph Enneking (American, 1841-1916)

Autumn SunsetSigned “Enneking” l.r., identified on a presentation plaqueand label from the Pierce Galleries catalogue raisonné projecton the reverse.Oil on canvas, 10 1/2 x 14 in. (26.7 x 35.6 cm), framed.Condition: Mounted onto board, retouch.

$3,000-5,000

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210

211

212.Emile Albert Gruppe (American, 1896-1978)

Birches Along the StreamSigned “Emile A. Gruppe” l.r., inscribed on the reverse.Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed.Condition: Scattered retouch, varnish inconsistencies,craquelure, surface grime.

$5,000-7,000

213.William Worcester Churchill (American, 1858-1926)

SpringtimeMonogrammed l.r., artist and title identified on a label fromthe Museum of Fine Arts, Boston, affixed to the reverse.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), unframed.Condition: Repaired tear, small puncture l.r., surface grime.

Provenance: Deaccessioned from the Museum of Fine Arts,Boston, Massachusetts.

$3,000-6,000

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212

213

214.John Paul Manship (American, 1927-2000)

Gnossen’s Farm, alternatively titled The Blizzard of 1978Signed and dated “JOHN MANSHIP FEB 20 ‘78” l.r.,identified on a label on the reverse.Oil on canvas, 12 x 22 in. (30.5 x 55.9 cm), framed.Condition: Good.

Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.

$300-500

215.Bernard Corey (American, 1916-2000)

Winter LandscapeSigned “Bernard Corey” l.r.Oil on board, 10 x 14 in. (25.4 x 35.6 cm), in a signed“Goodnow” frame.Condition: Good.

$1,000-2,000

216.Joseph L.C. Santoro (American, 1908-1996)

Winter SceneSigned “Joseph Santoro A.N.A.” l.r.Watercolor on paper, sight size 13 1/2 x 21 in. (34.3 x 53.3cm), framed.Condition: Not examined out of frame.

$300-500

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214

215

216

217.Natalie Johnson Nordstrand (American, b. 1932)

Sugaring-offSigned “Natalie Nordstrand AWS” l.r., identified on a labelfrom the North Shore Arts Association on the reverse.Watercolor with tooling on paper, sight size 10 x 16 3/4 in.(25.4 x 42.5 cm), framed.Condition: Not examined out of frame.

$300-500

218.Arnold Whitman Knauth II (American, b. 1918)

Lowe’s Fish ShackSigned “A. Knauth” l.r., identified in inscriptions on theframe, partial Salmagundi Club label on the frame.Oil on Masonite, 18 x 30 in. (45.7 x 76.2 cm), framed.Condition: Minor varnish inconsistencies.

$1,000-1,500

219.Gustave Wiegand (American, 1872-1957)

Afterglow on Blue Mt. (Adirondacks)Signed “-GUSTAVE WIEGAND-” l.l., titled in an inscriptionon the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Stabilized tear c.l.

$800-1,200

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217

219

218

220.Walter Launt Palmer (American, 1854-1932)

The Upland StreamSigned “W.L. Palmer.” l.r., artist and title identified on a label from the Museum of FineArts, Boston, affixed to the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), in a period frame.Condition: Surface grime.

Provenance: The artist; Mrs. Morton Dexter; to Museum of Fine Arts, Boston,Massachusetts, 1928, gift of Mrs. Morton Dexter; deaccessioned from the Museum of FineArts.

N.B. Renowned American landscape painter Walter Launt Palmer was born in Albany,New York, in 1854. The son of sculptor Erastus Dow Palmer, he was exposed to art froman early age and began his studies with Frederick E. Church and Charles Loring Elliot. Asa young man, Palmer moved to Europe, where he studied with painter Charles Carolus-Duran. In 1897, he was inducted as a member of the National Academy of Design.Palmer received many awards in his career, as his paintings reflect his extraordinary abilityto balance impressionist sentiment with wonderful detail. His snow scenes in particulardisplay his mastery of color and talent for rendering the effects of light on snow.

$40,000-60,000

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220

221.Richard G. Sigafoos (American, 20th Century)

Winter SunlightSigned and dated “Richard G. Sigafoos ‘45” l.r., identified ona fragmentary label affixed to the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure, surface grime.

$800-1,200

221A.Joseph A. Fleck (American, 1892/3-1977)

Winter in Taos, 1951Signed “Fleck” l.l., artist, title, date and dedication inscribedon the reverse.Oil on board, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor retouch, varnish inconsistencies.

$4,000-6,000

222.Attributed to John Whorf (American, 1903-1959)

Winter StreamSigned “John Whorf.” l.l.Watercolor on paper/board, sight size 12 x 18 3/4 in. (30.5x 47.6 cm), framed.Condition: Toning, not examined out of frame.

$2,000-2,500

223.Arch McDonnell (American, 1909-1978)

Railroad Station, Bradford, New HampshireSigned “ARCH McDONNELL” l.r.Gouache on paper/board, 19 3/4 x 25 3/4 in. (50.2 x 65.4cm), framed.Condition: Not examined out of frame.

$500-700

223

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221

222

221A

224.Attributed to Antonio Cirino (American, 1889-1983)

The Road Home in WinterUnsigned.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Minor scattered craquelure.

$3,800-4,200

225.Philip Little (American, 1857-1942)

January ThawSigned and dated “PHILIP LITTLE 1910,” artist and titleidentified on two labels from the Museum of Fine Arts,Boston, affixed to the reverse.Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.Condition: Retouch, minor craquelure u.r.

Provenance: The artist; Miss Theodora Lyman; to Museumof Fine Arts, Boston, Massachusetts, 1919, gift of MissTheodora Lyman; deaccessioned from the Museum of FineArts.

$3,500-5,500

226.Albert Prentice Button (American, 1872-1934)

Lone CedarSigned “ALBERT. PRENTICE. BUTTON.” l.r.Oil on canvas, 28 1/4 x 22 in. (71.7 x 55.9 cm), framed.Condition: Craquelure.

$2,000-3,000

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