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Contents
04About
06Inspiration
22
Stewardship
32Arts
54Story
74Craft
82Scien
ce
90Image
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B R O O K L Y N
P U B L I C
L I B
R A R Y
, H
A N D R A I L
D E T A I L
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4
Conceptual design,technical detail
Working closely with architects at all stages o a
project, Arups lighting specialists provide original
and authentic conceptual design. Uniquely well-
placed to turn vision into reality, they transorm
creative concepts into detailed technical
specications.
Arup worked with Louis Vuittons architecture
atelier to develop a ully integrated lighting
concept that orms a seamless part o the
customer experience. Ater a number o
highly successul trials, the lighting concept is
now being rolled out to Louis Vuitton stores
worldwide.
Natural lighting
Great lighting design also relies on using naturallight eectively. Arup Lighting is a market leader
in daylighting. Its specialists work with architects
to understand how natural light is distributed
through building geometries, and how it refects
and diverts in dierent colours and materials.
Together, they use this to enhance the buildings
perormance and aesthetics.
As part o an expansion to the High Museum
o Art in Atlanta, USA, Arup Lighting designed
a series o 1,000 light scoop skylights to lightdisplay areas naturally and without damaging
sensitive artwork. State o the art controls or the
galleries and oces adjust to the level o daylight
or maximum energy eciency.
Innovative philosophyWith the potential to change how we perceive
architecture and public space, our lighting
teams across the globe are experts in designing
with smart envelopes, chip-based lighting
equipment and media acades. We explore the
synthesis o light, media and scientic ambition.
Our current project base highlights a number
o world class examples o the application o
Arups trademark innovation. For example,at the Galleria Fashion Mall in Seoul, South
Korea, a media acade wraps around the
building to orm a fuid, dynamic skin. Designed
in collaboration with UNStudio, nearly 5,000
glass discs make up an ocean o colours and
movements. Also, or the rst time globally,
Arup combined LED lighting with photovoltaic
arrays in the GreenPix - Zero Energy Media
Wall, creating a dynamic aade that produces
twice the energy it consumes.
Award-winning team
At Arup, lighting is an integral and important
element o intelligent building design, as well
as a specialty eld in its own standing. Working
rom oces in the UK, the Netherlands,
Germany, Russia, Japan, Australia and the
US, Arup Lightings award-winning team
creates unique and creative answers to clientsparticular business objectives.
In skilled hands, lighting becomes the ourth
dimension o architecture, integrating and enhancingthe other design disciplines. Arup Lighting provides
a comprehensive architectural lighting design service
to clients around the world.
About Arup Lighting
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CALIFORNIAACADEMYOFSCIEN
CES,
SANFRANCISCO,
PHILIPPINECOR
ALREEF/STEINHARTAQUARIUM
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In architecture, light directs,
sculpts, enriches, and givespeople a comfortable, safe
and inspiring environment
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8
Inspiration
Arup Lighting oers a comprehensive
lighting design service, rom initial strategic
advice and concept development all the
way through to construction documents
and on-site support. Our work can be
characterised as engaged and involved,
with a strong emphasis on creativity that
we combine with the technical excellence
or which Arup is amous.
Our team comprises over 40 lighting
designers, with various specialisms such
as natural light, fxture design, brand
identity and lighting engineering.
Light is the source o everything on earth.
In architecture, light directs, sculpts, enriches,
and gives people a comortable, sae and
inspiring environment.
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1 2 4 5
3
1 Caliornia Academy o Sciences, San Francisco
2 Caliornia Academy o Sciences, San Francisco,
Rainorest Bolla
3 High Museum o Art, Atlanta, Preliminary Daylighting
Mesh
4 High Museum o Art, Atlanta, Atmospheric Testing Model
5 High Museum o Art, Atlanta, Typical Installed Gallery
I believe that architecture has the power to
inspire, to elevate the spirit, to feed both the
mind and the body. It is for me the most public
of the arts. - Richard Meier
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1 High Museum of Art, Atlanta, Exterior View
2 High Museum of Art, Atlanta, Hooded Penetrations
on Roof
3 California Academy of Sciences, Penguin Exhibit
4 California Academy of Sciences, Water Planet
LED Ridge
5 California Academy of Sciences, Water Planet
1
5
Richard Meier and Renzo
Pianos High Museum of Art,
and Renzo Pianos California
Academy of Sciences, are two
unique projects that not onlyrepresent inspired works of art,
but invoke further inspiration
from those who visit. The High
Museum of Art shown here,
allows natural light into art
galleries by way of a customdesigned hood, which serves
as a shield to all direct sunlight.
2
43
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The new Academy of
Sciences by Renzo Pianois the only place on the
planet with an aquarium, a
planetarium, a natural history
museum, and a 4-storey
rainforest all under one roof.
13
Jason Edling, o Arups San Francisco ofce,
looking up at the naturally and artifcially illuminated
rainorest exhibit o the Caliornia Academy o
Sciences
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1 Conde Nast, New York, LED Diffusion Mock-up
2 Conde Nast, New York, Public Viewing During
Construction
3 Conde Nast, New York, Installed
1
3
2
Located in the building
interior without direct access
to daylight or views to the
outside, Conde Nast brings
their caeteria to lie. This corespace, developed by Arup with
James Turrell, once a conning
perimeter, becomes dynamic,
vibrant and fexible with light.
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1 Shangri-Las Fijian Resort and Spa, Typical Suite
2 Shangri-Las Fijian Resort and Spa, Tower Interior
3 Shangri-Las Fijian Resort and Spa, Resort Entrance
4 Shangri-Las Fijian Resort and Spa, Amenity Tower1 2 3 4
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Previous spread:
1 Center Street Bridge, Iowa, at Dawn.
2 Deerfeld Academy, Circulation at Night
1 2
This spread:
1 Deerfeld Academy, Daylight Stair
2 Deerfeld Academy, Hallway at Night
1 2
Designed together with
the artist James Turrell, the
Deerfeld Academy, as seen
at night, encourages you to
experience movement through
a building in a new way.
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WAL-
MARTEXPERIMENTALST
ORE,
AURORA,
PVPANELSATNURSERY
&GARDENCENTER
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We stand alongside those
who aim to serve as stewards
to preserve our naturalenvironment and evolve
responsibly
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StewardshipAt Arup Lighting, we work closely with
Arups building services engineers and
environmental specialists, which gives
us tremendous advantages over the
traditional approach to lighting design.In harmony with aesthetics and vision,
it is our responsibility to deliver a lighting
design that helps our clients to save
energy and to create sustainable buildings.
We strive to offer fresh insight as to
how occupied spaces might become
more alive, and in touch with the livingenvironment.
24
We stand alongside those who aim to serve as stewards to preserve
our natural environment and evolve responsibly.
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1 39 Hunter Street, Sydney, Concept Natural Light
Study
2 Morgan Library, New York, Daylit Reception at Dusk
3 Wal-mart Experimental Store, Aurora, PV Panels at
Entries
4 California Academy of Sciences, San Francisco,
Skylights Above Rainforest Bolla at Dusk
1 2
4
3
When one tugs at a single
thing in nature, he fnds it
attached to the rest o the
world. - John Muir
25
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1 California Academy of Sciences, San Francisco,
Exterior Green Roof
2 California Academy of Sciences, San Francisco,
Rainforest Bolla
1 2
26 The rainforests of Renzo
Pianos California Academy of
Sciences are in parallel both
a preserved slice of ecology,
and a gesture towards peoples
instinctive desire for the
harmony of building and nature.
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1 Wal-mart Experimental Store, Aurora, Daylit
Clerestory
2 Wal-mart Experimental Store, Aurora, Active Solar
Tubes
1 2
Wal-marts prototype
stores include developing
technologies such as
motorised sunlight redirection
units, as well as traditional
passive clerestories over its
open foorplan.
29
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1 39 Hunter Street, Sydney, Concept Daylighting
Sketch
2 Morgan Library, New York, Daylighting at Main
Level
1 2
31
The atrium form at 39
Hunter Street Sydney was
developed with the design
team to maximise daylight
deep within the building and
improve amenities for the
building occupants.
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CHANELPAVILIONB
Y
ZAHAH
ADID,
ATNIGHT
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In the theatre, light creates
a scenes suspense, romance,
excitement or fear
Arts
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ArtsLight designers are sculptors, painters
and authors all at the same time. Many
of our clients employ light as an artistic
component in their architecture, and uselight to differentiate their appearance in
the market.
We are inspired by the performing arts,
and several designers within Arup Lighting
can bring theatrical or musical experience
to your project.
In the theatre, light creates a scenes suspense,
romance, excitement or fear.
34
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1 Bahnhofstrasse, Zurich, Worlds Largest Timepiece
2 Web of Light with Ai Weiwei, Liverpool
3 Institute of Contemporary Art, Boston, Concept
Lighting Sketch
4 Webb Dock Bridge, Melbourne, PedestrianExperience
1
4
2
3
The object of art is to give life
a shape. - Shakespeare
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The Hall at Kings Place in
London is lit rom behind
columns with red, blue
and white fxtures that can
be dimmed and mixed tocompliment the programme.
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1 Concert Hall at Kings Place, London,
Colour Blending
2 Concert Hall at Kings Place, London,
Colour Blending
3 The Modern Wing at The Art Institute of Chicago,
Solar Shading
4 The Modern Wing at The Art Institute of Chicago,
Interior Exhibition Space5 The Modern Wing at The Art Institute of Chicago,
Pedestrian View by Night
1
37
2
4
5
3
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Webb Dock Bridge, Melbourne
38
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1
3
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1 Lighthive with Alex Haw, London
2 Lighthive with Alex Haw, London
3 Bahnhofstrasse, Zurich, Worlds Largest Timepiece,
Early Concept Studies
4 Bahnhofstrasse, Zurich, Worlds Largest Timepiece,
LED Prototype
5 Bahnhofstrasse, Zurich, Worlds Largest Timepiece,
Snapshot of the Lightshow
6 Bahnhofstrasse, Zurich, Worlds Largest Timepiece,
Installation by Day
1
2
40The Worlds Largest
Timepiece in Bahnhofstrassein Zurich and the Lighthive
project with Alex Haw both
are interpretation pieces. The
Lighthive consists of over
1,000 LEDs, which literally
mimic the way in which light
travels through the building at
1:6 scale. Bahnhofstrasse is
known to be the worlds largest
timepiece with 240 light poles
totalling 240,000 LEDs.
4
5
6
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1 3
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This spread:
1 Tempe Center for the Arts, Entry
2 Tempe Center for the Arts, River View
3 Tempe Center for the Arts, Exterior Fireside Terrace
4 Tempe Center for the Arts, Auditorium
2 4
Next spread:
1 Institute of Contemporary Art, Boston, Pedestrian
View
2 Institute of Contemporary Art, Boston, Pedestrian
View
1 2
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Web of Light in Liverpool, Designed by Ai Weiwei,
Artistic Consultant for the Beijing National Stadium
for the 2008 Olympics
46
In Liverpools Exchange Flags
Square, The Web of Light
marries the playful side of
public art with the technical
challenges of suspending over
400 metres of stainless steel
cables above the pedestrian
square.
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2
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This Spread:
1 de Young, San Francisco, Callaghan Exhibit
2 de Young, San Francisco, Customising Blown
Glass
3 de Young, San Francisco, Customising Blown
Glass
4 de Young, San Francisco, Finished Blown Glass
5 de Young, San Francisco, Finished Blown Glass
Pendants in Caf
1 3
4
5
Next Spread:
1 de Young, San Francisco, Fern Court Stairs
2 de Young, San Francisco, Wilsey Court
1 2
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de Young, San Francisco
Herzog & de Meuron with Fong
& Chan Architects designed
the de Young Museum with anexpansive double skin with the
outer skin made of embossed
raw copper. This outer skin is
an open mesh in some areas,
selectively shading gallery
spaces from direct sunlightwhere required. The tower,
overlooking Golden Gate Park
and the city of San Francisco,
is also clad in a copper mesh
to shade the interior while still
providing views out.
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BIRDSNESTSTADIUMI
NB
EIJING,
INTERIORVIEW
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In entertainment and movies
alike, light is a narrativeelement of the set
1 3
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1 The New Acropolis Museum, Athens, Archaic
Gallery
2 The New Acropolis Museum, Athens, Night Time
Exterior
3 YAS Marina Resort, Abu Dhabi, Gridshell over Link
Bridge
4 Beijing National Stadium, Refection
2 4
56 Each story we approach in the
same way, with curiosity and
interest and determination toget behind the image.
- Martin Bashir
Story
In entertainment and movies alike,
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In architecture, we like to explore this
dimension o light as well. Retail spaces
beneft rom a strong narrative, and
acades can convey a brand or corporate
identity using light and shadow.
Lighting is intersecting with video and
media increasingly, to converge with a
single visual concept, and Arup Lighting
continues to design some o this felds
pioneering projects.
,
light is a narrative element o the set
Collaboration with Asymptote
Architecture on Aldar Properties
PJSCs Flagship 5-Star Hotel
S
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at YAS Island in the UAE, the
YAS Marina Hotel was the
iconic centrepiece at the 2009Formula 1 Etihad Airways
Grand Prix. The hotel straddles
the racetrack, features 252
deluxe and 247 executive
rooms and suites within two
towers, on 850,000 squarefeet of built space as part of
the hotel project.
1
4 5
6 7
8 9
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1 YAS Marina Hotel, Abu Dhabi, Towers by Night
2 YAS Marina Hotel, Abu Dhabi, Gridshell Lighting
Scene at Dawn
3 YAS Marina Hotel, Abu Dhabi, Mock-up o Glass
Panel RGBW LEDs
4 YAS Marina Hotel, Abu Dhabi, Solar Shading Study
5 YAS Marina Hotel, Abu Dhabi, Early Prototype o
RGBW LED Luminaires
6 YAS Marina Hotel, Abu Dhabi, Installation o
Individual LED Units7 YAS Marina Hotel, Abu Dhabi, View Through
Individual Glass Panels
8 YAS Marina Hotel, Abu Dhabi, mock-up by night to
Evaluate LED Behaviour with Various Glass Panels
9 YAS Marina Hotel, Abu Dhabi, Thermal Testing o
LEDs or Desert Conditions
10 YAS Marina Hotel, Abu Dhabi, Verifcation o
Luminaires and Lighting Control System in
Preperation or Mock-up
11 YAS Marina Hotel, Abu Dhabi, Early Glass Panel
Model
2 3
8 9
10 11
1
3
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1 YAS Marina Hotel, Abu Dhabi, Curvilinear
Gridshell
2 YAS Marina Hotel, Abu Dhabi, Curvilinear
Gridshell
3 YAS Marina Hotel, Abu Dhabi, Gridshell over Link
Bridge
2
The sweeping iconic curvilinear
Gridshell structure incorporates
a striking veil of steel and
glass, of approximately 5,000+
custom frit glass panels, each
a medium for the programmed
lighting and media sequences
to illuminate the glass. The
bespoke luminaires feature
high-end RGB+W LEDs, which
provide feedback to the lighting
control system to monitor
energy and heat issues acrossmultiple panel sizes.
Next spread:
YAS Marina Hotel, Abu Dhabi, Lateral View
by Night
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1 Brian Stacy o Arups New York Ofce Inspecting
a Detail or the Institute o Contemporary Art,
Boston
2 Institute o Contemporary Art, Boston, Museum
Interior Lighting Radiance Study
3 Institute o Contemporary Art, Boston, Exterior
SunView Radiance Animation
1 2 3 4
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SunView Radiance Animation
4 Boston ICA, Daylighting Model
66
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The New York Arup Lightinggroup ushered the Institute of
Contemporary Art in Boston
through several iterative design
steps, including Radiance,
daylighting studies and scale
mock-ups.
67
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This spread:
1 The New Acropolis Museum, Athens, Pedestrian
View
2 The New Acropolis Museum, Athens, Typical
Museum Layout
1 2
Previous Spread:
The New Acropolis Museum, Athens, Showcasing
of Excavations and Architectural Sculptures from
the Acropolis in Athens
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Shakhtar Stadium, Ukraine
The landmark 50,000 seat
Shakhtar Stadium is the frst
FIFA 5 Star ootball stadiumin the Ukraine.
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GALLERIADEPARTMENTSTORE,
SEOUL,
MOCK-
UP
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Models, samples, and
tabletop setups are all partof our design process
2
1 3 4
5 6
7 8
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1 Galleria Department Store, Seoul, Artistic Content
Commissioning
2 Galleria Department Store, Seoul, Facade Visualisation
3 Galleria Department Store, Seoul, Commissioning
Process
4 Galleria Department Store, Seoul, Director Rogier
Van der Heide From Arups Amsterdam Ofce Set to
Perorm Some Final Inspections
5 Galleria Department Store, Seoul, Lighting Mock-ups
& Experiments
6 Galleria Department Store, Seoul, Lighting Mock-ups
& Experiments
7 Galleria Department Store, Seoul, Lighting Mock-ups
& Experiments
8 Galleria Department Store, Seoul, Facade in Motion
76
CratLighting design may seem abstract, but
it is not. Arup Lighting has developed
a set o tools that make light not only
understandable, but also tangible.
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understandable, but also tangible.
Light, as the metaphysical space,
integrates with the physical space as
it refects and reracts. We want to
understand this aspect o the lighting
beore we draw construction documents,
and keep the clients and the architects wework with involved throughout the process.
Models, samples, and tabletop setups are all part
o our design process.
You can design and create,
and build the most wonderful
place in the world. But it takes
people to make the dream a
reality. - Walt Disney
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The emphasis for lighting
Singapores Fusionopolis
lies at the centralised theatre
sphere - the physical and
psychological hub - with
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This spread:
1 350 George Street, Sydney
2 Fusionopolis Research & Development Complex,
Singapore
3 Fusionopolis Research & Development Complex,
Singapore
1
2
Previous Spread:
NAB Docklands, Melbourne
3
an array of dynamic LEDspulsating like a brain
processing data
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GREENPIX,
BEIJING,
ZEROE
NERGY
LED/PV
FAADE
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The phenomenon of photons
radiated onto our environment
and then bounced into oureyes is what we call light
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4
2
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1 GreenPix, Beijing, Installation Team
2 GreenPix, Beijing, Solar Study
3 GreenPix, Beijing, Radiance Study
4 GreenPix, Beijing, Final Installation
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Science
When designing museums, workplaces
or public spaces, a deep understanding
o the scientifc design o light and lighting
is critical to the success o your project.
Arup Lighting is proud to oer world class
design o natural light, including advanced
simulation and rendering tools, physical
mock-ups in our studios, incorporation
o statistical weather data in our designs
and thorough knowledge o passive
conservation o artiacts. We also believe
that sustainability and energy savings are
among the most important themes in the
near uture and have ully integrated these
into our approach o every project.
The phenomenon o photons radiated onto our
environment and then bounced into our eyes is what
we call light.
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Science does not know
its debt to imagination.
- Ralph Waldo Emerson
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2
3
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1 Greenpix, Beijing, Mock-up Tests;
2 Greenpix, Beijing, Final Installation;
3 Greenpix, Beijing, Final Installation Illuminated.
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West Beijings GreenPix
Zero Energy Media Wall
is a triumph o energy-
efcient lighting design and
engineering. The largestcolour LED light wall in
the world, integrating LED
systems and photovoltaic
(PV) modules that capture
solar energy by day, which
exceeds double thatconsumed by the lighting.
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Interior of the Alfred Intensive Care Unit in Melbourne
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Interior of the Alfred Intensive Care Unit in Melbourne
The Alred Hospital Intensive
Care Unit is one o Australias
leading Intensive Care Units,admitting approximately 2000
patients per annum. It is a
university attached quaternary
reerral centre, providing
State Services or heart &
lung transplantation (including
pediatric lung transplantation),
artifcial heart technology,
extra-corporeal membrane
oxygenation (ECMO), burns
and hyperbaric medicine.
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PRADA,
TOKYO
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A natural desire to fuse
image and identity is a
goal shared by architects,
fashion designers andbusinesses alike
1 Wonder Room, Selridges, London, Fine JewleryH ll B k Mi f i h d H l P d t d
1
2 3
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Hall, Bespoke Mirror-fnished Halo Pendants and
Integral LED Lighting in Cabinets
2 Prada, Tokyo, Bespoke Lighting
3 Louis Vuitton, Lee Garden, Hong Kong, Bespoke
Branding Icon LED Lighting
In order to be irreplaceable
one must always be different
- Coco Chanel
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Image
With a strong track record in integrated
retail design and branding, we bring
But to align the aesthetics and design
philosophy o modern retail brands with
A natural desire to use image and identity is a goal shared
by architects, ashion designers and businesses alike.
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retail design and branding, we bring
confdence, un and the ability to innovate
to the assignments we enter into. This
oten results in a sense o playulness,
which is conveyed through our designs.
philosophy o modern retail brands with
an educated public requires more than the
traditional approach o simply spotlighting
a product, At Arup Lighting, the approach
is that o corporate identity and brand
image encased in clean and neatly
fnished detail, thoroughly customised
or each client.
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1 Prada, Tokyo, View of Shop From Exterior
2 P d T k C t C ld C th d E t
1 2
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2 Prada, Tokyo, Custom Cold Cathode Entrance
Lighting
In Tokyos fashionableAoyama district, this Prada
store was designed by
Herzog & de Meuron to
feature an unmistakable
and inviting entrance.
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1 The Wonder Bar, Selfridges, London, Seating
2 The Wonder Bar, Selfridges, London, Bar
3 The Wonder Bar, Selfridges, London, Candlelights
4 The Wonder Bar, Selfridges, London, Retail Space
5 The Wonder Bar, Selfridges, London, Identity Signage
6 The Wonder Bar, Selfridges, London, Stairway
7 The Wonder Bar, Selfridges, London, Retail Space
1 2 3 4 5 6 7
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Located in Selfridges of
London, the Wonder Room
and the Wonder Bar, maintain a
consistently warm atmosphere
with warm lighting at a
handheld scale.
1 The Wonder Bar, Selfridges, London, BespokeLighting
1
2
3
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2 The Wonder Bar, Selfridges, London, Bespoke
Lighting
3 The Wonder Bar, Selfridges, London, Bespoke
Lighting
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1 Louis Vuitton, San Francisco, BrandingIcon, Interior Storefront Facing Mall Space
2 Louis Vuitton Lee Garden Hong Kong Branding
1
2
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2 Louis Vuitton, Lee Garden, Hong Kong, Branding
Icon, Exterior Pedestrian Storefront
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This Louis Vuitton storeront
entrance slowly mixes red,
green and blue LEDs to alter
its appearance throughout the
day. Its individual fxtures are
custom designed to the shape
o Louis Vuittons original 1800s
diamond shaped logo.
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As a testament to Louis
Vuittons classic elegance,
interior lighting schemes in their
stores worldwide have been
greatly simplifed through the
use o a kit o parts that can
be applied on a store-by-store
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1 Interior of Louis Vuitton Store, Madrid, Spain
2 Exterior of Louis Vuitton Store, Madrid, Spain
1 2
basis, as needed.
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information:
Front/Rear Cover Image/Special
Photography Arup/
www.rolaesphotography.com
Page 3 Arup
Page 4-5 Arup
Page 6 Arup/Randy Olaes
Page 8-9 (1) Arup
Page 8-9 (2) Tim Griith, courtesy o
Caliornia Academy o SciencesPage 8-9 (3) Arup
Page 8-9 (4) Arup
Page 8-9 (5) Arup/Aron Davies
Page 10-11 (1) Arup
Page 10-11 (2) RPBW/Jonathan Hillyer
Page 10-11 (3) Arup/Key Anderson
Page 10-11 (4) Arup/Key Anderson
Page 10-11 (5) Arup
Page 12-13 Arup/Key Anderson
Page 14-15 (1-3) Arup
Page 16-17 (1-4) Arup/Paul Guger
Page 18 Arup/Jake Wayne
Page 19-21 Arup/Richard Fisher
Page 22 Costea Photography
Page 24-25 (1) Arup/Paul Guger
Page 24-25 (2) Arup
Page 24-25 (3) Costea Photography
Page 24-25 (4) Tim Griith, courtesy o
Caliornia Academy o Sciences
Page 26-27 (1-2) Tim Griith
Page 28-29 (1-2) Costea Photography
Page 30-31 (1) Arup/Paul Guger
Page 30-31 (2) Arup
Page 32 Arup
Page 34-35 (1) Arup/Roman Keller/
Gramazio & Kohler
Page 34-35 (2) David Millington
Photography Limited
Page 34-35 (3) Arup
Page 34-35 (4) Martin Saunders
Photography
Page 36-37 (1-2) Keith Paisley/Spring
House Design Associates
Page 36-37 (3-5) Arup/Richard Fisher
Page 38-39 Shannon McGrath
Page 40-41 (1-2) Redshit Photography
Page 40-41 (3-4) Arup
Page 40-41 (5-6) Arup/Roman Keller/
Gramazio & Kohler
Page 42-43 (1-4) John Linden
Page 44-45 (1-2) www.andyryan.com
Page 46-47 David Millington Photography
Limited
Page 48-51 Corporation o the Fine Arts
Museums
Page 52-53 Arup
Page 54 Arup/Zhao Meng
Page 56-57 (1) Arup
Page 56-57 (2) Susie Cho/Arup
Page 56-57 (3) Paolo Castellani
Page 56-57 (4) Arup/Clive Lewis
Page 58-59 (1) Bjorn Moerman
Page 58-59 (2) Bjorn Moerman
Page 58-59 (3) Arup
Page 58-59 (4) Arup
Page 58-59 (5-8) Arup
Page 58-59 (9) Arup/Cooper Lighting
Page 58-59 (10-11) Arup
Page 60-61 (1-2) ArupPage 60-61 (3) Paolo Castellani
Page 62 Bjorn Moerman
Page 64-65 (1-2) Zhao Meng
Page 66-77 Arup
Page 78-79 John Gollings Photography
Page 80-81 Arup
Page 82 Arup/SimoneGiostra/Ruogu
Page 84-85 (1-3) Arup/SimoneGiostra
Page 84-85 (4) Arup/SimoneGiostra/
Ruogu
Page 86-87 (1-2) Arup/SimoneGiostra
Page 86-87 (3) Arup/SimoneGiostra/
RuoguPage 88-89 Rhiannon Slatter
Photography
Page 90 Arup/Je Shaw
Page 92-93 (1) Chris Gascoigne
Page 92-93 (2) Arup/Je Shaw
Page 92-93 (3) Arup
Page 94-95 (1) Nacasa & Partners
Page 94-95 (2) Arup/Je Shaw
Page 96-97 (1-7) Arup
Page 98-99 (1-3) Chris Gascoine
Page 100-101 (1) Arup/Randy OlaesPage 100-101 (2) Arup
Page 102-103 (1-2) Arup
Thanks to: Katie Davies, Jason Edling, Phillip Greenup, Shigeru Hikone, Chieri Iizuka,
Florence Lam, Randy Olaes, Je Shaw, Brian Stacy, John Waite, Stephanie Whittaker
Authored by Key Anderson | Desig ned by Tim Patt inson
LIGHT is printed on 100% post-consumer waste, chlorine-ree paper which is FSC certifed,
Green-e certifed and Ancient Forest Friendly. This publication uses only water-based
coatings and soy/vegetable based inks, and was printed on a 100% wind powered press.
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London UK
13 Fitzroy Street
London, W1T 4BQ
+44 20 7636 1531
Amsterdam NETHERLANDS
Beta Building Naritaweg 118
Amsterdam, 1043 CA
+31 20 305 8500
Melbourne AUSTRALIA
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Melbourne, 3000
+61 3 9668 5500
Moscow RUSSIA
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4th Floor
Moscow, 127473
+7 495 933 7557
New YorkUSA
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New York, 10013
+1 212 229 2669
San Francisco USA
560 Mission Street 700
San Francisco 94105
+1 415 957 9445
Tokyo JAPAN
3F Tobu Fuji Building
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Tokyo, 150-0031
+81 3 3461 1155
Berlin GERMANY
Uhlandstrasse 20-25
Berlin, 10623
+49 30 885 9100
GLOBAL LIGHTING OFFICES
www.arup.com/lighting [email protected]