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RIT PRESS TITLESDESIGN

NO WORDS POSTERS One Image is EnoughARMAND O MILANI

No Words Posters is a collection of nearly 200 posters by over 100 designers from around the world. Milani has selectively gathered a visual repertoire of images that transcend the written word to deliver a unique perspective on social issues

£30.00 April 2015978 1 939125 09 5134 colour & 56 b/w illus.; 244pp, 23.5 x 15.9, HBRIT Press

THE AMERICAN IMAGEU.S. Posters from the 19th to the 21st CenturyMARK RESNICK & R . RO GER REMINGTON

The American Image provides a rare survey of poster art, spanning more than one hundred years. Selected from the Resnick Collection, the book analyzes some 70 posters representative of every significant style and theme. They range from design masterpieces to works of historical value, from posters by renowned designers to those created anonymously, and from celebrated images to those never before published

£19.99 September 2007978 1 933360 28 780 colour illus.; 112pp, 28 x 20.3, PBRIT Cary Graphic Arts Press

LESTER BEALL: SPACE, TIME, & CONTENT R . RO GER REMINGTON & MASSIMO VIGNELLI

Lester Beall: Space, Time & Content explores the work of Lester Beall through his ads, posters and identity projects commissioned from such high-profile clients as the Chicago Tribune, Collier’s and Time magazines, the Rural Electrification Administration and International Paper Company. 

£12.99 January 2003978 0 971345 98 054 colour illus.; 36pp, 19 x 19, PBRIT Cary Graphic Arts Press

LELLA AND MASSIMO VIGNELLITwo Lives One VisionJAN CONRADI

Lella and Massimo Vignelli promote a modernist philosophy of designing for a better society: resourceful use of space and materials, clear communication, lasting quality, and logical functionality.

£19.99 June 2014978 1 939125 07 126 colour & 150 b/w illus.; 176pp, 23 x 15.2, PBRIT Press

VIGNELLI DRAWINGSMASSIMO VIGNELLI

For the first time readers can look inside Massimo Vignelli’s book design process. Never seen before, ten of his book designs are deconstructed showing his page grid, hand drawn sketches and the photography on the printed pages. Vignelli said, “The grid is an integral part of book design. It’s

not something that you see physically. It’s just like underwear. You wear it but it is not exposed.” In this age of digital visualization, it is refreshing to see a master designer’s ability at drawing. Published by Rochester Institute of Technology’s Vignelli Center for Design Studies.

£30.00 September 2014978 0 692290 68 276pp, 21.6 x 30.5, PBVignelli Center for Design Studies

VIGNELLI TRANSIT MAPS PETER B. LLOYD & MARK OVENDEN

Vignelli Transit Maps describes the history of the New York subway maps and follows this city’s transportation growth from separate, independent lines to one large system.  Peter Lloyd uncovers the history of the Vignelli map that includes the legacy of the people who created and promoted this New York icon - as well as those who hastened its demise. The book includes a first glimpse at original, early development sketches of the famed map and of its recent successors.

£30.00 December 2012978 1 933360 62 1128pp, 30.9 x 22.9, PBRIT Cary Press

RIT Press is a scholarly publishing enterprise at Rochester Institute of Technology. Established in 2001 as RIT Cary Graphic Arts Press, the Press initially focused on publishing titles that documented graphic communication processes, printing history, and bookmaking. As its editorial policies have evolved, the Press has broadened its reach to include content that supports all academic disciplines offered at Rochester Institute of Technology, our host institution. These include — but are not limited to — business, computer science, applied science and technology, engineering, graphic arts, deaf studies, and liberal arts. In 2007, an additional imprint, RIT Press, was established for all titles not related to the graphic arts. As of 2013, all publications carry this imprint.

RIT Press titles are distributed outside of the Americas by Boydell & Brewer ltd.

ABOUT RIT PRESS

U K A N D R E ST OF WOR L DBoydell & Brewer Ltd, PO Box 9, Woodbridge, Suffolk IP12 3DF, UK

Tel: +44(0)1394 610600 Fax: +44(0)1394 610316trading@boydell.co.uk

NEW: SPRING 2015 NEW

NEW

GRAPHIC ARTSTHE DARK NIGHT RETURNS The Contemporary Resurgence of Crime ComicsTERRENCE WANDTKE

Crime comic books in the 1950s caused controversy leading to their suppression and near extinction. Twenty-five years later, the dark hero, femme fatale, and bleak outlook of crime story comic books are even more striking and subversive. Terrence Wandtke traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller’s Sin City, Brian Azzarello’s 100 Bullets, and Ed

Brubaker’s Criminal. £25.00 February 2015978 1 933360 86 733 colour illus.; 206pp, 10 x 7, PBComics Studies Monograph SeriesRIT Press

ALSO AVAILABLE

£25.00 February 2014978 1 933360 80 54 colour & 2 b/w illus.; 142pp, 10 x 7, PBComics Studies Monograph SeriesRIT Press

£25.00 June 2013978 1 933360 95 910 colour & 30 b/w illus.; 188pp, 25.4 x 17.75, PBComics Studies Monograph SeriesRIT Press

SUPERHEROES IN CRISISJEFFREY K. JOHNSON

NARRATIVE STRUCTURE IN COMICSBARBARA POSTEMA

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WITH FIRE: RICHARD HIRSCH SCOT T MEYER

This richly illustrated book presents the life of an artist whose career spans some of the most important developments in the American Clay Movement. Hirsch established a connection with the legendary Raku and Ohi families, whose influence created a lasting pedagogical and creative link to the West that continues today.

£19.99 December 2012978 1 933360 97 3160pp, 28 x 23, PBRIT Press

FRANS WILDENHAIN 1950-75 Creative and Commercial American Ceramics at Mid-CenturyBRUCE AUSTIN

This book offers an in-depth analysis of Frans Wildenhain and his role in mid-century studio ceramics, university education in handcrafts and his entrepreneurial role in merchandizing crafts.

£60.00 August 2012978 0 615645 27 8150 colour & 20 b/w illus.; 256pp, 22.9 x 25.4, HBPrinting Applications Lab

THE SCYTHE AND THE RABBITSimon de Colines and the Culture of the Book in Renaissance ParisKAY AMERT

Simon de Colines was one of the greatest typographers, printers and publishers of the Renaissance, he built the semiotic structure of the book as we now know it. This is the first full length study of his work and offers offers insightful and informative research about de Colines.

£30.00 November 2012978 1 933360 56 044 b/w illus.; 292pp, 22.8 x 15, PBRIT Cary Graphic Arts Press

THE UNCOMMON DENOMINATORA Tribute to Richard HirschRICHARD HIRSCH & E. BLAISE DEPAOLO

Originally published to coincide with a traveling exhibition, this catalogue celebrates the career of Hirsch through the work of a selection of his alumni. During his teaching career, which has spanned over thirty years, he has been a faculty member

of two prominent craft programs: the Program in Artisanry at Boston University, and currently, the School for American Crafts at Rochester Institute of Technology. Represented in The Uncommon Denominator are notable examples of the renaissance in utilitarian pottery, continued interest in the vessel aesthetic, and the investigation of both figurative and abstract sculpture.

£12.99 January 2004978 0 975965 13 939 colour illus.; 56pp, 20.3 x 28, PBRIT Cary Press

UNFINISHED STORIESThe Narrative Photography of Hansel Mieth and Marion PalfiJANET ZANDY

Unfinished Stories offers a fresh and theoretically informed eye on representational photography. It forges a place for Hansel Mieth and Marion Palfi in the history of photography and in the history of American race and class struggle.

£30.00 August 2013978 1 933360 76 898 b/w illus.; 224pp, 26.7 x 21.6, PBRIT Press

EDGES OF BOOKSSTEVEN K. GALBRAITH

Edges of Books examines a familiar form from an unfamiliar perspective. When books are on display it is usually their spines, covers, text, or illustrations that are featured. This book takes a different approach, uncovering a tradition that extends back centuries in which the edges of books were important sites for information and decoration.

£12.99 September 2012978 1 933360 69 057 colour illus.; 74pp, 25.4 x 17.8, PBRIT Cary Graphic Arts Press

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THE ART OF THE BOOK IN THE TWENTIETH CENTURY JERRY KELLY

Through the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, to novel and modern layouts.£30.00 March 2011978 1 933360 46 1100 b/w illus.; 200pp, 30.5 x 23, HB RIT Cary Press

THE NOBLEST ROMANA History of the Centaur Types of Bruce RogersJERRY KELLY & MISHA BELETSKY

The Noblest Roman offers a richly illustrated and definitive history of Centaur, an important American typeface. The story of the type’s creation has been recounted many times in general terms, following a version of events purported by its designer, Bruce Rogers. Jerry Kelly and Misha Beletsky uncover new research that was culled from unpublished documents to present a more accurate narrative of its history.

WHAT OUR LETTERING NEEDSRICK CUSICK

This book is a thorough account of Hermann Zapf ’s contributions to the artistry and success of Hallmark Cards, an experience that is now fully blended into the company’s rich heritage.

A very lovely book...and it’s a great story replete with amusing anecdotes, many asides and lots of previously unseen art in full color. T YPOPHILE.COM

£19.99 December 2011978 1 933360 55 330 colour illus.; 136pp, 25.4 x 17.1, PBRIT Cary Graphic Arts Press

THE BOOK JACKETS OF ISMAR DAVIDMISHA BELETSKY

Book Jackets of Ismar David examines the historical context of Ismar David’s work including a concise overview of the history of book jacket design in Germany and in the U.S. and describes David’s freelance career in publishing. Thirty of his noteworthy jackets are highlighted and discussed.

£16.99 March 2011978 1 933360 51 530 colour & 22 b/w illus.; 48pp, 23.2 x 15, PBRIT Cary Graphic Arts Press

THE BENTONS How an American Father and Son Changed the Printing Industry PATRICIA A. COST & MAT THEW CARTER

The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons. The story of the lives and work of Linn Boyd Benton and Morris Fuller Benton is an important chapter in the history of type.

£19.99 January 2011978 1 933360 42 3400pp, 25.4 x 17.8, PBRIT Cary Graphic Arts Press

ALPHABET STORIES HERMANN ZAPF

Written as an anecdotal first-person account, the reader is treated to Zapf ’s personal recollections of technical breakthroughs. Zapf reveals milestones tracing his education in 1930s Germany, to his work on forefront of computer-aided typesetting in the 1970s, to the tour de force design of a complex calligraphic font-Zapfino in the late 90s.

Zapf is one of the most important and prolific designers

of the 20th and 21st centuries...[this book] is the story of the remaking of contemporary graphic arts. CREATIVEPRO

£40.00 January 2007978 1 933360 29 496 colour illus.; 150pp, 28 x 18.4, HBRIT Cary Graphic Arts Press

CERAMICS

HISTORY OF THE BOOK

TYPOGRAPHY

£40.00 ca. July 2015978 1 939125 14 930 colour & 20 b/w illus.; 128pp, 23 x 15.24, HBRIT Press

PHOTOGRAPHY

NEW: SPRING 2015