Upload
john-paulo
View
214
Download
0
Embed Size (px)
DESCRIPTION
English
Citation preview
I Not Stupid TooFrom Wikipedia, the free encyclopedia
I Not Stupid Too
Directed by Jack Neo
Produced by Chan Pui Yin
Seah Saw Yam
Daniel Yun
Written by Jack Neo
Starring Jack Neo
Huang Yiliang
Xiang Yun
Ashley Leong
Shawn Lee
Joshua Ang
Studio MediaCorp Raintree Pictures
Distributed by United International Pictures
Release date(s)26 January 2006
Running time 124 minutes
Country Singapore
Language English
Mandarin
Hokkien
I Not Stupid Too (Chinese: 小孩不笨 2; pinyin: Xiǎohái Bù Bèn Èr) is a 2006 Singaporean film and the sequel
to the 2002 film, I Not Stupid. A satirical comedy, I Not Stupid Too portrays the lives, struggles and adventures
of three Singaporean youths — 15-year-old Tom, his 8-year-old brother Jerry and their 15-year-old friend
Chengcai — who have a strained relationship with their parents. The film explores the issue of poor parent-
child communication.
The director and screenwriter, Jack Neo, was inspired to make the film by a book aboutappreciation education.
The movie was produced by MediaCorp Raintree Pictures on a budget of S$1.5 million. It stars Jack
Neo, Xiang Yun, Huang Yiliang, Shawn Lee,Joshua Ang and Ashley Leong. Filming took place at several
Singaporean schools in June 2005.
I Not Stupid Too was released in cinemas on 26 January 2006, and earned over S$4 million in total. The film
became the second-highest grossing Singaporean film in history, with only Money No Enough grossing more.
At the 2006 Hong Kong Film Awards, it was nominated for Best Asian Film, but lost to Riding Alone for
Thousands of Miles. Critical reception was also generally positive, although some criticized the movie as overly
preachy. A serialised version of the film was aired later that year.
Contents
[hide]
1 Plot
2 Production
3 Reception
4 References
5 External links
Plot[edit source | editbeta]
The plot revolves around the lives of Tom Yeo (Shawn Lee), his younger brother Jerry (Ashley Leong) and their
friend Lim Chengcai (Joshua Ang). 15-year-old Tom is technologically inclined and a talented blogger, while 8-
year-old Jerry enjoys theperforming arts and has the lead role in his school concert. Mr. and Mrs. Yeo's (Jack
Neo and Xiang Yun) busy schedules give them little time to spend with their children, leading to a strained
relationship. With his mother absent, Chengcai was raised by his ex-convict father (Huang Yiliang), whose
fighting skills he inherited.
During a school check for mobile phones, Tom is caught with a pornographic VCD. As his teacher confiscates
it, Chengcai makes a cheeky remark that provokes the teacher into slapping him, leading to an exchange that
escalates into a massive scuffle. The principal decides to expel Chengcai, while Tom receives a public
caning for his part in the scuffle. Tom and Chengcai join a local street gang; as their initiation, they are forced to
shoplift an iPod. However, they are caught by two conmen with connections to the street gang posing as police
detectives, who demand that they pay the fine $2000 within two days or be arrested.
While tutoring his sons, Mr. Yeo tells them that people will pay $500 for an hour of his time. Jerry, who wants
his parents to come to his school concert, starts saving money, but he can't save enough and eventually
resorts to stealing. After he is caught, his furious father repeatedly canes him and shouts at him, but forgives
him when the boy explains that he wanted $500 to "buy" an hour of his father's time. This prompts Mr. and Mrs.
Yeo to read Tom's blog and realise how unappreciated and alienated their children feel.
Unable to raise $2000 themselves, Tom and Chengcai rob an old lady of her necklace, but regret their action
and try to return it to her. A struggle occurs, and Chengcai bumps into several gangsters, while Tom's mobile
phone falls out of his pocket as he is tackled by vicious vigilantes. The phone hits the ground, accidentally
calling Mr. Yeo, who is doing a presentation about 3G phones for a contract worth $3 million. He rushes off to
the scene and pleads the old lady to give Tom a second chance. When the police arrive, she tells them she
made a prank call. Two days later, Mr. Yeo meets the conmen and gives them thousands of dollars of hell
money; the conmen are then arrested by real police officers who have been waiting in ambush close by.
Having finally understood their children, the Yeo parents watch Jerry's concert, much to his delight.
Later, the gangsters whom Chengcai bumped into earlier beat him up. Mr. Lim, who happens to be nearby,
tries to protect his son, but suffers head trauma after being pushed down the stairs. He is taken to a hospital,
critically injured. On his deathbed, Mr. Lim tells Chengcai that he loves him and that he should pursue his talent
for fighting. Witnessing this scene, the principal is touched and allows Chengcai to return to school. The boy
eventually becomes an internationally recognised martial artist.
Context
→Nearly three thousand years after they were composed, the Iliadand the Odyssey remain two of the
most celebrated and widely read stories ever told, yet next to nothing is known about their author.
He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early
seventh centuriesB.C .E . Authorship is traditionally ascribed to a blind poet named Homer, and it is
under this name that the works are still published. Greeks of the third and second centuries B.C .E . ,
however, already questioned whether Homer existed and whether the two epics were even written
by a single individual.
Most modern scholars believe that even if a single person wrote the epics, his work owed a
tremendous debt to a long tradition of unwritten, oral poetry. Stories of a glorious expedition to the
East and of its leaders’ fateful journeys home had been circulating in Greece for hundreds of years
before the Iliad and Odyssey were composed. Casual storytellers and semiprofessional minstrels
passed these stories down through generations, with each artist developing and polishing the story
as he told it. According to this theory, one poet, multiple poets working in collaboration, or perhaps
even a series of poets handing down their work in succession finally turned these stories into written
works, again with each adding his own touch and expanding or contracting certain episodes in the
overall narrative to fit his taste.
Although historical, archaeological, and linguistic evidence suggests that the epics were composed
between 750 and 650B.C .E . , they are set in Mycenaean Greece in about the twelfth
century B.C .E . , during the Bronze Age. This earlier period, the Greeks believed, was a more
glorious and sublime age, when gods still frequented the earth and heroic, godlike mortals with
superhuman attributes populated Greece. Because the two epics strive to evoke this pristine age,
they are written in a high style and generally depict life as it was believed to have been led in the
great kingdoms of the Bronze Age. The Greeks are often referred to as “Achaeans,” the name of a
large tribe occupying Greece during the Bronze Age.
But Homer’s reconstruction often yields to the realities of eighth- and seventh-
century B.C .E . Greece. The feudal social structure apparent in the background of
the Odyssey seems more akin to Homer’s Greece than to Odysseus’s, and Homer substitutes the
pantheon of deities of his own day for the related but different gods whom Mycenaean Greeks
worshipped. Many other minor but obvious anachronisms—such as references to iron tools and to
tribes that had not yet migrated to Greece by the Bronze Age—betray the poem’s later, Iron Age
origins.
Of the two epics, the Odyssey is the later both in setting and, probably, date of composition.
The Iliad tells the story of the Greek struggle to rescue Helen, a Greek queen, from her Trojan
captors. The Odyssey takes the fall of the city of Troy as its starting point and crafts a new epic
around the struggle of one of those Greek warriors, the hero Odysseus. It tells the story of
hisnostos, or journey home, to northwest Greece during the ten-year period after the Greek victory
over the Trojans. A tale of wandering, it takes place not on a field of battle but on fantastic islands
and foreign lands. After the unrelenting tragedy and carnage of the Iliad, the Odyssey often strikes
readers as comic or surreal at times. This quality has led some scholars to conclude that Homer
wrote the Odyssey at a later time of his life, when he showed less interest in struggles at arms and
was more receptive to a storyline that focused on the fortunes and misadventures of a single man.
Others argue that someone else must have composed the Odyssey, one who wished to provide a
companion work to the Iliad but had different interests from those of the earlier epic’s author.
Like the Iliad, the Odyssey was composed primarily in the Ionic dialect of Ancient Greek, which was
spoken on the Aegean islands and in the coastal settlements of Asia Minor, now modern Turkey.
Some scholars thus conclude that the poet hailed from somewhere in the eastern Greek world. More
likely, however, the poet chose the Ionic dialect because he felt it to be more appropriate for the high
style and grand scope of his work. Slightly later Greek literature suggests that poets varied the
dialects of their poems according to the themes that they were treating and might write in dialects
that they didn’t actually speak. Homer’s epics, moreover, are Panhellenic (encompassing all of
Greece) in spirit and, in fact, use forms from several other dialects, suggesting that Homer didn’t
simply fall back on his native tongue but rather suited his poems to the dialect that would best
complement his ideas.
Plot Overview
→Ten years have passed since the fall of Troy, and the Greek hero Odysseus still has not returned to
his kingdom in Ithaca. A large and rowdy mob of suitors who have overrun Odysseus’s palace and
pillaged his land continue to court his wife, Penelope. She has remained faithful to Odysseus. Prince
Telemachus, Odysseus’s son, wants desperately to throw them out but does not have the
confidence or experience to fight them. One of the suitors, Antinous, plans to assassinate the young
prince, eliminating the only opposition to their dominion over the palace.
Unknown to the suitors, Odysseus is still alive. The beautiful nymph Calypso, possessed by love for
him, has imprisoned him on her island, Ogygia. He longs to return to his wife and son, but he has no
ship or crew to help him escape. While the gods and goddesses of Mount Olympus debate
Odysseus’s future, Athena, Odysseus’s strongest supporter among the gods, resolves to help
Telemachus. Disguised as a friend of the prince’s grandfather, Laertes, she convinces the prince to
call a meeting of the assembly at which he reproaches the suitors. Athena also prepares him for a
great journey to Pylos and Sparta, where the kings Nestor and Menelaus, Odysseus’s companions
during the war, inform him that Odysseus is alive and trapped on Calypso’s island. Telemachus
makes plans to return home, while, back in Ithaca, Antinous and the other suitors prepare an
ambush to kill him when he reaches port.
On Mount Olympus, Zeus sends Hermes to rescue Odysseus from Calypso. Hermes persuades
Calypso to let Odysseus build a ship and leave. The homesick hero sets sail, but when Poseidon,
god of the sea, finds him sailing home, he sends a storm to wreck Odysseus’s ship. Poseidon has
harbored a bitter grudge against Odysseus since the hero blinded his son, the Cyclops Polyphemus,
earlier in his travels. Athena intervenes to save Odysseus from Poseidon’s wrath, and the
beleaguered king lands at Scheria, home of the Phaeacians. Nausicaa, the Phaeacian princess,
shows him to the royal palace, and Odysseus receives a warm welcome from the king and queen.
When he identifies himself as Odysseus, his hosts, who have heard of his exploits at Troy, are
stunned. They promise to give him safe passage to Ithaca, but first they beg to hear the story of his
adventures.
Odysseus spends the night describing the fantastic chain of events leading up to his arrival on
Calypso’s island. He recounts his trip to the Land of the Lotus Eaters, his battle with Polyphemus the
Cyclops, his love affair with the witch-goddess Circe, his temptation by the deadly Sirens, his journey
into Hades to consult the prophet Tiresias, and his fight with the sea monster Scylla. When he
finishes his story, the Phaeacians return Odysseus to Ithaca, where he seeks out the hut of his
faithful swineherd, Eumaeus. Though Athena has disguised Odysseus as a beggar, Eumaeus
warmly receives and nourishes him in the hut. He soon encounters Telemachus, who has returned
from Pylos and Sparta despite the suitors’ ambush, and reveals to him his true identity. Odysseus
and Telemachus devise a plan to massacre the suitors and regain control of Ithaca.
When Odysseus arrives at the palace the next day, still disguised as a beggar, he endures abuse
and insults from the suitors. The only person who recognizes him is his old nurse, Eurycleia, but she
swears not to disclose his secret. Penelope takes an interest in this strange beggar, suspecting that
he might be her long-lost husband. Quite crafty herself, Penelope organizes an archery contest the
following day and promises to marry any man who can string Odysseus’s great bow and fire an
arrow through a row of twelve axes—a feat that only Odysseus has ever been able to accomplish. At
the contest, each suitor tries to string the bow and fails. Odysseus steps up to the bow and, with little
effort, fires an arrow through all twelve axes. He then turns the bow on the suitors. He and
Telemachus, assisted by a few faithful servants, kill every last suitor.
Odysseus reveals himself to the entire palace and reunites with his loving Penelope. He travels to
the outskirts of Ithaca to see his aging father, Laertes. They come under attack from the vengeful
family members of the dead suitors, but Laertes, reinvigorated by his son’s return, successfully kills
Antinous’s father and puts a stop to the attack. Zeus dispatches Athena to restore peace. With his
power secure and his family reunited, Odysseus’s long ordeal comes to an end.
Troy is a 2004 American epic war film directed by Wolfgang Petersen and starring Brad Pitt as Achilles,
with Eric Bana, Orlando Bloom, and Diane Kruger. Written by David Benioff, and loosely based
on Homer's Iliad, the film is about a feud within the Greek camp during the siege of the city of Troy and
how the feud must be resolved before the Greeks can triumph. The conflict centers on the
hero Achilles and how his decision on whether to assist the Greeks will ultimately decide the outcome of
the war. The film was nominated for the Academy Award for Costume Design.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Music
5 Director's cut
6 Reception
o 6.1 Box office totals
7 Accolades
8 See also
9 References
10 Further reading
11 External links
Plot[edit source | editbeta]
This article's plot summary may be too
long orexcessively detailed. Please help improve it by
removing unnecessary details and making it more
concise. (February 2013)
During a peace negotiation between Troy and Sparta, the Trojan Paris elopes withHelen, the wife of
Spartan King Menelaus. As a result, Menelaus recruits his brother King Agamemnon of Mycenae—and
through him, many of the great heroes of Greece—for an assault on Troy. Agamemnon welcomes this
pretext, as he has long contemplated a war against the Trojans. Achilles, hoping for personal fame and
glory, is among the heroes to accompany Agamemnon.
Upon arrival, Achilles and the Myrmidons kill many Trojans and desecrate the temple ofApollo. Briseis, a
member of the Trojan royal family, is captured. Though Achilles claims Briseis as his prize, Agamemnon
takes her for himself. Angered by the injustice, Achilles refuses to fight the next day. In the ensuing battle,
the Greeks suffer serious losses, including the death of Menelaus, and they are unable to make progress
against the Trojans and their hero Hector.
At the Greek camp, Achilles saves Briseis from Agamemnon's men when they try to rape her. She tries to
kill Achilles, but realizes that she has feelings for him and they fall in love. Achilles prepares his men to
leave, angering Patroclus. That night, the Trojans launch a surprise attack on the Greek encampment that
lasts until morning. The attack goes favorably for the Trojans until Achilles appears leading his army of
Myrmidons. Hector finally faces off against Achilles and slits his throat, but upon removing his helmet
Hector discovers a mortally wounded Patroclus, disguised as Achilles. Both armies agree to end fighting
for the day.
Eudorus tells Achilles of his cousin's death. Furious, Achilles attacks him and harms Briseis when she
tries to stop him. Hector realizes that Achilles will seek revenge, and begins making preparations to save
his loved ones. He shows Andromache a secret path out of the city, asking her to use it if the city falls.
The next day, Achilles approaches the gates of Troy alone and challenges Hector. The duel appears
evenly matched, but Hector is ultimately slain and dragged from the back of Achilles' chariot, shocking the
Trojans. That night King Priam (Peter O'Toole) sneaks into the Greek camp and asks Achilles to return
Hector's body. Achilles grants his request and swears a truce for them to mourn, and lets Briseis return
with Priam. He apologizes to Eudorus for striking him and tells him to take the Myrmidons home.
Maquette Trojan Horse, used in Troy, a gift from Brad Pitt to the Turkish townCanakkale.
Troy mourns Hector's death while King Agamemnon fumes that he cannot attack while the Trojans are
vulnerable, even though they still can't breach their walls. Realizing the king would see them all killed
before he gives up his ambition, Odysseus devises a plan to infiltrate the city. The Trojans discover that
the Greeks have departed, leaving a wooden horse at their camp. Priam trusts his priests that the horse is
an offering to Poseidon and a gift, despite the misgivings of Paris and Glaucus. The Trojans take the
horse into the city and celebrate an apparent victory. A Trojan scout finds the Greek ships hidden in a
cove near Troy, but is killed before he can spread the news. A band of Greeks led by Achilles and
Odysseus come out of the horse at night, allowing the main army to enter by opening the city gates. The
Greeks commence the Sack of Troy. The Trojan army leads a desperate defense of the royal palace but
falls to the Greeks.
While Troy is burned, Andromache helps Helen and many others escape from Troy through the secret
passage Hector showed her. Paris gives Aeneas the Sword of Troy, asking him to find another home for
the Trojans. After helping the survivors off, he heads back into the city to join the defense but abandons
them after hearing Briseis calling him. Odysseus kills Glaucus. Agamemnon kills Priam, and, drunk on his
victory, is killed by Briseis with a concealed knife. Achilles saves Briseis but is shot in his heel and several
more times by Paris with his bow. Dying, Achilles urges Briseis to escape from the city with Paris. As he
dies, Achilles removes all but the first arrow from his body, the soldiers finding him with only a single
arrow through his heel. Funeral rituals are performed for him in the ruins of Troy the next day. The film
ends with a speech from Odysseus, "If they ever tell my story, let them say I walked with giants. Men rise
and fall like the winter wheat, but these names will never die. Let them say I lived in the time of Hector,
tamer of horses. Let them say I lived in the time of Achilles."
Troy is a 2004 American epic war film directed by Wolfgang Petersen and starring Brad Pitt as Achilles,
with Eric Bana, Orlando Bloom, and Diane Kruger. Written by David Benioff, and loosely based
on Homer's Iliad, the film is about a feud within the Greek camp during the siege of the city of Troy and
how the feud must be resolved before the Greeks can triumph. The conflict centers on the
hero Achilles and how his decision on whether to assist the Greeks will ultimately decide the outcome of
the war. The film was nominated for the Academy Award for Costume Design.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Music
5 Director's cut
6 Reception
o 6.1 Box office totals
7 Accolades
8 See also
9 References
10 Further reading
11 External links
Plot[edit source | editbeta]
This article's plot summary may be too
long orexcessively detailed. Please help improve it by
removing unnecessary details and making it more
concise. (February 2013)
During a peace negotiation between Troy and Sparta, the Trojan Paris elopes withHelen, the wife of
Spartan King Menelaus. As a result, Menelaus recruits his brother King Agamemnon of Mycenae—and
through him, many of the great heroes of Greece—for an assault on Troy. Agamemnon welcomes this
pretext, as he has long contemplated a war against the Trojans. Achilles, hoping for personal fame and
glory, is among the heroes to accompany Agamemnon.
Upon arrival, Achilles and the Myrmidons kill many Trojans and desecrate the temple ofApollo. Briseis, a
member of the Trojan royal family, is captured. Though Achilles claims Briseis as his prize, Agamemnon
takes her for himself. Angered by the injustice, Achilles refuses to fight the next day. In the ensuing battle,
the Greeks suffer serious losses, including the death of Menelaus, and they are unable to make progress
against the Trojans and their hero Hector.
At the Greek camp, Achilles saves Briseis from Agamemnon's men when they try to rape her. She tries to
kill Achilles, but realizes that she has feelings for him and they fall in love. Achilles prepares his men to
leave, angering Patroclus. That night, the Trojans launch a surprise attack on the Greek encampment that
lasts until morning. The attack goes favorably for the Trojans until Achilles appears leading his army of
Myrmidons. Hector finally faces off against Achilles and slits his throat, but upon removing his helmet
Hector discovers a mortally wounded Patroclus, disguised as Achilles. Both armies agree to end fighting
for the day.
Eudorus tells Achilles of his cousin's death. Furious, Achilles attacks him and harms Briseis when she
tries to stop him. Hector realizes that Achilles will seek revenge, and begins making preparations to save
his loved ones. He shows Andromache a secret path out of the city, asking her to use it if the city falls.
The next day, Achilles approaches the gates of Troy alone and challenges Hector. The duel appears
evenly matched, but Hector is ultimately slain and dragged from the back of Achilles' chariot, shocking the
Trojans. That night King Priam (Peter O'Toole) sneaks into the Greek camp and asks Achilles to return
Hector's body. Achilles grants his request and swears a truce for them to mourn, and lets Briseis return
with Priam. He apologizes to Eudorus for striking him and tells him to take the Myrmidons home.
Maquette Trojan Horse, used in Troy, a gift from Brad Pitt to the Turkish townCanakkale.
Troy mourns Hector's death while King Agamemnon fumes that he cannot attack while the Trojans are
vulnerable, even though they still can't breach their walls. Realizing the king would see them all killed
before he gives up his ambition, Odysseus devises a plan to infiltrate the city. The Trojans discover that
the Greeks have departed, leaving a wooden horse at their camp. Priam trusts his priests that the horse is
an offering to Poseidon and a gift, despite the misgivings of Paris and Glaucus. The Trojans take the
horse into the city and celebrate an apparent victory. A Trojan scout finds the Greek ships hidden in a
cove near Troy, but is killed before he can spread the news. A band of Greeks led by Achilles and
Odysseus come out of the horse at night, allowing the main army to enter by opening the city gates. The
Greeks commence the Sack of Troy. The Trojan army leads a desperate defense of the royal palace but
falls to the Greeks.
While Troy is burned, Andromache helps Helen and many others escape from Troy through the secret
passage Hector showed her. Paris gives Aeneas the Sword of Troy, asking him to find another home for
the Trojans. After helping the survivors off, he heads back into the city to join the defense but abandons
them after hearing Briseis calling him. Odysseus kills Glaucus. Agamemnon kills Priam, and, drunk on his
victory, is killed by Briseis with a concealed knife. Achilles saves Briseis but is shot in his heel and several
more times by Paris with his bow. Dying, Achilles urges Briseis to escape from the city with Paris. As he
dies, Achilles removes all but the first arrow from his body, the soldiers finding him with only a single
arrow through his heel. Funeral rituals are performed for him in the ruins of Troy the next day. The film
ends with a speech from Odysseus, "If they ever tell my story, let them say I walked with giants. Men rise
and fall like the winter wheat, but these names will never die. Let them say I lived in the time of Hector,
tamer of horses. Let them say I lived in the time of Achilles."
Immortals
The Greeks created images of their deities for many purposes. A temple would house the statue of a god
or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images
were common on coins. Drinking cups and othervessels were painted with scenes from Greek myths.
Deity Description
Aphrodite (Ἀφροδίτη, Aphroditē)
Goddess of love, beauty, desire, and pleasure. Although married
to Hephaestus she had many lovers, most notably Ares, Adonis,
and Anchises. She was depicted as a beautiful woman and of all the
goddesses most likely to appear nude or seminude. Poets praise the
radiance of her smile and her laughter. Her symbols include roses and
other flowers, the scallop shell, and myrtlewreath. Her sacred animals
are doves and sparrows. Her Roman counterpart was Venus.
Cnidian Aphrodite, a Roman work modeled after an original by Praxiteles
Apollo (Ἀπόλλων, Apóllōn)
God of light, music, arts, knowledge, healing, plague and darkness,
prophecy, poetry, purity, athletism, manly beauty, and enlightenment. He
is the son of Zeus and Leto, and the twin brother of Artemis. As brother
and sister, they were identified with the sun and moon; both use a bow
and arrow. In the earliest myths, Apollo contends with his half-
brother Hermes. In sculpture, Apollo was depicted as a very handsome,
beardless young man with long hair and an ideal physique. As the
embodiment of perfectionism, he could be cruel and destructive, and his
love affairs were rarely happy. His attributes include the laurel
wreath and lyre. He often appears in the company of the Muses. Animals
sacred to Apollo include roe deer, swans, cicadas, hawks, ravens,
crows, foxes, mice, and snakes.
Apollo holding a tortoise-shell lyre and pouring a libation, on a kylix from a tomb at Delphi
Ares (Ἄρης, Árēs)
God of war, bloodshed, and violence. The son of Zeus and Hera, he was
depicted as a beardless youth, either nude with a helmet and spear or
sword, or as an armed warrior. Homer portrays him as moody and
unreliable, and he generally represents the chaos of war in contrast to
Athena, a goddess of military strategy and skill. Ares' sacred animals are
the vulture, venomous snakes, dogs, and boars. His Roman
counterpart Mars by contrast was regarded as the dignified ancestor of
the Roman people.
Roman marble head of the war god modeled after a Greek bronze original
Artemis (Ἄρτεμις, Ártemis)
Virgin goddess of the hunt, wilderness, animals, young girls, childbirth
and plague. In later times she became associated with the moon. She is
the daughter of Zeus and Leto, and twin sister ofApollo. In art she was
often depicted as a young woman dressed in a short knee-
length chitonand equipped with a hunting bow and a quiver of arrows.
Her attributes include hunting spears, animal pelts, deer and other wild
animals. Her sacred animals are deer, bears, and wild boars.Diana was
her Roman counterpart.
Artemis reaching for arrow (missing) from her quiver, with hound
Athena (Ἀθηνᾶ, Athēnâ)
Goddess of intelligence and skill, warfare, battle strategy, handicrafts,
and wisdom. According to most traditions, she was born from Zeus's
head fully formed and armored. She was depicted crowned with a
crested helm, armed with shield and a spear, and wearing the aegis over
a long dress. Poets describe her as "grey-eyed" or having especially
bright, keen eyes. She was a special patron of heroes such
as Odysseus. Her symbol is the olive tree. She is commonly shown
accompanied by her sacred animal, the owl. The Romans identified her
with Minerva.
Athena on a red-figure cup dating 500–490 BC
Demeter (Δημήτηρ, Dēmētēr)
Goddess of grain, agriculture and the harvest, growth and nourishment.
Demeter is a daughter ofCronus and Rhea and sister of Zeus, by whom
she bore Persephone. She was one of the main deities of the Eleusinian
Mysteries, in which her power over the life cycle of plants symbolized the
passage of the human soul through its life course and into the afterlife.
She was depicted as a mature woman, often crowned and holding
sheafs of wheat and a torch. Her symbols are thecornucopia, wheat-
ears, the winged serpent, and the lotus staff. Her sacred animals are
pigs and snakes. Ceres was her Roman counterpart.
Demeter, typically seated, on a relief from Turkey
Dionysus (Διόνυσος, Diónysos)
God of wine, parties and festivals, madness, chaos, drunkenness, drugs,
and ecstasy. He was depicted in art as either an older bearded god or a
pretty effeminate, long-haired youth. His attributes include the thyrsus (a
pinecone-tipped staff), drinking cup, grape vine, and a crown ofivy. He is
often in the company of his thiasos, a posse of attendants
including satyrs, maenads, and his old tutor Silenus. The consort of
Dionysus was Ariadne. Animals sacred to him include dolphins,
serpents, tigers, and donkeys. A later addition to the Olympians, in some
accounts he replaced Hestia. Bacchus was another name for him in
Greek, and came into common usage among the Romans.
Dionysus reclining on a leopard
Hades (ᾍδης, Hádēs) or Pluto (Πλούτων, Ploutōn)
King of the underworld and the dead, and god of the earth's hidden
wealth, both agricultural produce and precious metals. His consort
is Persephone. His attributes are the drinking horn orcornucopia, key,
sceptre, and the three-headed dog Cerberus. The screech owl was
sacred to him. He was one of three sons of Cronus and Rhea, and thus
sovereign over one of the three realms of the universe, the underworld.
As a chthonic god, however, his place among the Olympians is
ambiguous. In the mystery religions and Athenian literature, Pluto
(Plouton, "the Rich") was his preferred name, with Hades more common
for the underworld as a place. The Romans translated Plouton as Dis
Pater ("the Rich Father") or Pluto.
Hades reclines, holding a giant drinking horn, offering a wine bowl to Persephone
Hephaestus (Ἥφαιστος, Hḗphaistos)
Crippled god of fire, metalworking, and crafts. The son
of Hera by parthenogenesis, he is the smith of the gods and the husband
of the adulterous Aphrodite. He was usually depicted as a bearded man
with hammer, tongs and anvil—the tools of a smith—and sometimes
riding a donkey. His sacred animals are the donkey, the guard dog and
the crane. Among his creations was the armor of Achilles. Hephaestus
used the fire of the forge as a creative force, but his Roman
counterpart Volcanus (Vulcan) was feared for his destructive potential
and associated with the volcanic power of the earth.
Thetis receives the armor made for her son Achilles by Hephaestus
Hera (Ἥρα, Hḗra)
Queen of the heavens and goddess of marriage, women, childbirth,
heirs, kings, and empires. She is the wife of Zeus and daughter of
Cronus and Rhea. She was usually depicted as a regal woman in the
prime of her life, wearing a diadem and veil and holding a lotus-tipped
staff. Although she was the goddess of marriage, Zeus's many infidelities
drive her to jealousy and vengefulness. Her sacred animals are the
heifer, the peacock, and the cuckoo. At Rome she was known as Juno.
Bust of Hera wearing a diadem
Hermes (Ἑρμῆς, Hērmēs)
God of boundaries, travel, communication, trade, thievery, trickery,
language, writing, diplomacy, athletics, and animal husbandry. The son
of Zeus and Maia, Hermes is the messenger of the gods, and
a psychopomp who leads the souls of the dead into the afterlife. He was
depicted either as a handsome and athletic beardless youth, or as an
older bearded man. His attributes include the herald's wand or caduceus,
winged sandals, and a traveler's cap. His sacred animals are the
tortoise, the ram, and the hawk. The Roman Mercury was more closely
identified with trade and commerce.
Hermes holding his caduceus and wearing a cloak (chlamys) and hat (petasus) for travel
Hestia (Ἑστία, Hestía)
Virgin goddess of the hearth, home and chastity. She is a daughter
of Rhea and Cronus and sister of Zeus. Not often identifiable in Greek
art, she appeared as a modestly veiled woman. Her symbols are the
hearth and kettle. In some accounts, she gave up her seat as one of
the Twelve Olympians in favor of Dionysus, and she plays little role in
Greek myths. Her counterpart Vesta, however, was a major deity of the
Roman state.
Hestia from a relief depicting all twelve Olympians in procession
Poseidon (Ποσειδῶν, Poseidōn)
God of the sea, rivers, floods, droughts, earthquakes, and the creator of
horses; known as the "Earth Shaker". He is a son
of Cronus and Rhea and brother to Zeus and Hades. He rules one of the
three realms of the universe as king of the sea and the waters. In
classical artwork, he was depicted as a mature man of sturdy build with
an often luxuriant beard, and holding a trident. The horse and the dolphin
are sacred to him. His wedding with Amphitrite is often presented as
atriumphal procession. His Roman counterpart was Neptune.
Poseidon, hand uplifted to wield his trident (missing), from the National Archaeological Museum
of Athens
Zeus (Ζεύς, Zeus)
King of the gods, the ruler of Mount Olympus and the god of the sky,
weather, thunder, lightning, law, order, and fate. He is the youngest son
of Cronus and Rhea. He overthrew Cronus and gained the sovereignty
of heaven for himself. In artwork, he was depicted as a regal, mature
man with a sturdy figure and dark beard. His usual attributes are the
royal scepter and the lightning bolt, and his sacred animals are the eagle
and the bull. His counterpart Jupiter, also known as Jove, was the
supreme deity of the Romans.
Coin issued under Alexander the Great showing Zeus on his throne holding a scepter and eagle.