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Bedford Camera Club newsletter December 2011
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1
In Focus
The Bulletin of Bedford Camera Club – December 2011 www.bedfordcameraclub.co.uk Editor Martin Nellist
10 Glebe Road
Ampthill
Bedford
MK45 2TH
Tel: 01525 403417
Email: [email protected]
Next issue April 2012
Closing date for copy Tuesday 28th
February 2012.
Contents President’s Message ....................................................... 1 Editorial ......................................................................... 2 Can You Help? ............................................................... 2 Notes from a Novice ...................................................... 2 Snippets from the EAF ................................................... 4 Club Photographic Weekend, 30
th September - 2
nd
October........................................................................... 4 'The Beautiful Light' by Jane Goodall, 11
th October 2011
....................................................................................... 5 Ampthill Photographic Festival, 15
th October 2011. ...... 5
Competition 'Open' 18th
October 2011 ........................... 5 'Be your own judge' with Stan Searle, 25
th October 2011
....................................................................................... 6 'Images of India' by David Steel, 1
st November 2011 .... 6
The Bedfordshire Invitation Inter-Club Competition, 28th
October 2011 .................................................................. 6 Philip Lepper Memorial Trophy, 8
th November 2011 .... 7
Autumn Deer Walk, 22nd
October 2011 ......................... 7 The Life of a local Press Photographer, 15
th November
2011. .............................................................................. 8 Selections for The 3-way Battle – .................................. 9
Selection for the Cambridge Digital Inter-Club
Competition ................................................................... 9 A Photoshop Tip ............................................................ 9 Church notices! .............................................................. 9
President’s Message
We have had a terrific start to
the new season. We have
followed on smoothly from our
summer activities and already
experienced a variety of events
which I hope you all have
enjoyed. Not only has our
membership been greatly
enhanced by so many new
members to whom I extend a
very warm welcome but each
of our meetings has seen record attendances.
The Camera Club Weekend in Leek was, as usual, very
successful. Mike Olney had not only found superb
accommodation, but made sure that we weren’t at a loss
for places to visit. The Roaches were clearly visible
from the Hotel and provided a magnificent viewpoint for
both sunrise and sunset. Dovedale and the Peak District
proved popular as did the Tram Museum at Crich. I can
highly recommend a Camera Club weekend away. Not
only do we get to see some wonderful countryside but it
is always a very sociable event and an opportunity to get
to know fellow members.
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It was great to see a record number of members turn out
to support our St Albans ‘Points of View’ competition in
October. BCC members seemed to be everywhere in
spite of it being a normal busy Sunday in the town. As
you will realise, competitions, both Internal and
External, are now coming thick and fast. It is great to
see so many of our new members taking part in these
events and providing a challenge to any complacency.
Of course our big event for 2012 is the Annual
Exhibition in April. This year we will be holding it at the
Harpur Suite in the middle of town for 2 full days -
Friday and Saturday 20th
and 21st April. A half-day
setting up on April 19th
will be followed by the
Presentation Evening at which I am pleased to say that
Dave Hodgson will once again be presenting the
trophies. In due course there will be more details and
requests for help in all sorts of areas. Our activities
already have commitments from the ‘Times and Citizen’
and ‘Michael Peters’. With the site in the middle of town
and publicity in The Times and Citizen, this is a high
profile opportunity for BCC. We will be hoping for
record footfall at this occasion as well as the usual
superb images on display to the public. I hope you will
all be able to support us in some way over that weekend.
Inevitably the next few months are going to be very busy
for BCC, so I would like to take this opportunity to wish
you all a very peaceful and Happy Christmas as well as a
healthy and prosperous New Year.
Diana Moss
Editorial
As Diana says the opening weeks of the Winter season
have been very busy but fruitful. A great deal of work
has been put into ironing out problems with
competitions and with selections for the external
competitions. John Pegram has developed and brought
into use a database whereby we can keep track of
competition images and David Hogg has introduced a
system for projecting an image of a print whilst it is on
the judge's easel. This had some teething problems but is
proving to be a huge step forward.
Although I was supposed to be helping with re-
development of the Club website, I found myself out of
my depth and have instead enjoyed watching the project
speed along led by Ian Whiting with useful input from
other Committee members but particularly David Hogg,
John Pegram and Diana. The refurbished website will be
very good.
The Annual Exhibition also promises to be very good. It
will be more work than usual but the organiser, Alan
Horn, is making sure that the work is shared and due
weight given to members' ideas.
As usual this issue is mainly concerned with the
reporting of Club meetings but I am pleased to have had
original submissions from Moira McAneny and Tony
Beaumont. Moira completes her account of the
successful summer evenings led by Mike Clifton and
Tony describes the Deer Walk that he and John Holt
won in the first Club Raffle of the season.
The closing date for the next issue is 28th
February 2012.
I am happy to take submissions in longhand but prefer
Word documents in 10 point Times New Roman. My
thanks to contributors to this issue and to Diana, John
Holt, Simon, Marilyn and Vaughan for proof reading,
and to Piers Hemy, way up in the Black Isle, north of
Inverness, for continuing to be our printer.
Martin Nellist
Can You Help? I have been asked by the Meetings Organiser of the Bedford Branch of Parkinson’s UK to represent Bedford Camera Club by giving a talk on 4th May next year. As Bedford Camera Club was established in 1906 I intend to make my presentation as a visual historic representation of Bedfordshire using pictures taken by BCC members. I am therefore looking for any prints of the Bedford area with mostly older prints that would help give my talk a certain nostalgic charm. I will need some of local places of interest, for example, Wrest Park, Stewartby Chimneys and the Cardington Hangers. Any old scenes from the Bedford area showing shop fronts, transport, fashion and general work or leisure taking place that the audience would be able to identify with would also be ideal. This is a visual experience so I do not intend to make this a technical talk but will drop in comments about darkrooms and chemicals and the move from the Box Brownie to the most up to date digital cameras. So if you can help with a print of interest, old or current, I would be most grateful. I hope I have given an idea of what I am trying to put together and will make every effort to make this an entertaining event for those attending. I will be starting to compile the prints from February onwards so I would be pleased to know at this stage what anyone can let me have so I can chase up any gaps in history. I can be contacted on 01525 712809 or [email protected] Thank you in advance. Peter Robinson
Notes from a Novice
Continuing on from the September “In Focus” our next
trip out was to Southwold on Saturday 13th
August.
Eleven members attended. I’d been watching the
weather forecast all week and it didn’t look too good for
our day but I had an optimistic mind. I rode to
3
Southwold with Diana and Barry leaving Bedford at
7.30am and arriving in the Pier Car Park at 9.40am. The
day was drab and dreary and a heavy drizzle was falling
when we arrived. No sooner had we parked the car, than
Alan Horn and Mike Clifton arrived and so we started
off by going to the Pier Cafe for a hot drink and to wait
for the others. Tony Brooks and his friend along with
Steve Ridgeway arrived next and then Peter Symonds
one of our newest members.
Later in the day we were to meet up with Marilyn and
Vaughan Southgate for lunch. Anyway we all split up
and I decided to go down to the left of the pier. By now
it was a really heavy drizzle and although I had a
waterproof on I knew it was going to get more
uncomfortable as the day went on. Seaside places seem
so miserable when it’s raining. I walked along by the
beach huts some padlocked up and others sheltering
families who were optimistic that the weather would
turn out nice and were going to be there when it did! At
one point I stepped into a veranda of one of the beach
huts to rearrange my equipment!! My camera
equipment, as I hadn’t got it quite right in the car park.
In doing so got a rather funny look from a passerby.
Anyway now I felt comfortable, I started to walk
towards the pier where I could see several people with
umbrellas up, raincoat hoods on and heads down. This
was August, the height of the summer. Men were fishing
off the end of the pier but there was nothing exciting to
take.
By now it was time to take shelter so I stood under one
of the roofed parts of the pier watching the Lowestoft
Lifeboat going through its practice paces in rescuing a
man in an inflatable dingy. I was joined by an elderly
gentleman who was keen to tell me where he’d come
from, what he’d done yesterday and what he was doing
today. He was full of stories about his grandchildren but
once the rain eased off we said our goodbyes and went
on our way. Departing from the pier I made my way to
the harbour to see if there was anything interesting to
photograph. I was to meet the others at 12.30 to 1.00pm
at The Sole Bay Arms, so I had to make it snappy. When
I reached the harbour it was even more depressing; I had
walked so fast that my waterproof was wet inside as well
as out and to top it all didn’t even get my camera out. So
that seemed a complete waste of time!
On my way back I met Alan, Peter and Mike and we
walked back to the Sole Bay Arms together. We all
managed to sit together but with all the camera bags and
equipment, didn’t have a lot of leg room. Service was
rather slow as it was pretty packed in there but it gave us
time to talk before eating. On leaving we arranged to
meet at the pier at 4.00pm. Once outside again the
weather had changed completely. The sun was shining
and it was really quite warm. I decided to go and look
around St Edmunds church and managed a few pleasing
shots of the outside with blue sky! Inside it was really
interesting and I took quite some time trying out taking
the stained glass window above the alter. So now that
the sun had come out, I went back down to the beach
and what a transformation, people were walking along
the prom, swimming in the sea and sitting on the sand
with their ice creams. I sat for a while soaking up the sun
and drying off my damp anorak and took countless
images of the sea hitting the groynes. Somehow, 4.00pm
came around all too soon and I met the others for a drink
and a chat before coming home feeling quite tired after
an extremely enjoyable day out.
Our next summer meeting was on 16th
August at Box
End, Kempston where we were to photograph some
water boarders and skiers. What was going to be only a
10 minute journey for me took 35 minutes because gas
maintenance repairs had closed the road before the twin
bridges at Oakley and we were diverted through
Pavenham and Stevington. Box End was buzzing with
youngsters, and opportunities to get some good shots
were plentiful. Some of the youngsters really excelled
themselves by performing somersaults whilst being
pulled round by a tow rope contraption. Although you
thought you’d captured a brilliant shot when they were
doing this, when looking back at the images sometimes
you just couldn’t make out what this mass was in the air
with arms and legs sprawled. So it really was a case of
practising the composition and although I captured what
I thought were one or two good shots, they were nothing
to what I saw from other members. For example I
thought Claire’s water skier was excellent. However, it
was a good evening and afterwards we had an enjoyable
social drink and chat at The Prince of Wales at
Bromham.
The photographing of Cople Village was our next
evening venture (23rd
August) and Barrie, if you’re
reading this, the light was not good at all. As we had a
lot to get through, we met at 6.00pm at the Five Bells car
park and were given a list of interesting features to
possibly photograph. These varied from ‘The Onion
Shed’ and The Bier House (next to the church and which
is where they used to put the coffins before the funeral
service) to views from the church bell tower and
dwellings in the village. I seem to remember a few years
ago vowing never to go up a church tower again. I just
hate going up those narrow stairs, in the dark and hoping
not to meet someone coming down! Refreshments this
evening were at the Five Bells, the only pub in the
village. Any reasonable images taken on this evening
were possibly going to be presented to the Landlord for
display on his walls.
The 30th
August saw our first Photoshop Workshop
taken by Geoff Stone from the Rushden Camera Club .
Although I found the evening interesting, I got left
behind at the start and found that downloading images to
be used during the evening by passing around a memory
stick, broke concentration on listening to the talker.
Having Photoshop 7 also put me at a disadvantage as the
evening was mostly geared around the CS Series. In the
end I sat and listened, and didn’t actually feel as though
I had learnt anything from the evening. The second
Photoshop session was run by John Pegram and Steve
Ridgeway and, once again, I missed a section of John's
explanation while downloading an image from a
memory stick. I wonder, if we have anymore Photoshop
4
workshops, would it be better to email the image to
those attending to save time on the actual evening. You
have to let Mike know you are going, so it shouldn’t be a
problem. Anyone not receiving emails could still
download on the actual evening . It’s just a thought to
perhaps bear in mind for future workshops. Workshop 3
was run by Steve Ridgway and, although too advanced
for me at this moment of time, I found it very interesting
to listen to.
Not being available for the twilight evening I cannot
comment on how it faired but our end of the summer
dinner at The Prince of Wales, Bromham was excellent.
I think about 27 attended, sitting down at 7.30pm to a
truly magnificent three course meal. I sat with Claire,
Steve and David and had a really enjoyable evening’s
conversation. Once again, thank you all for making the
club what it is today.
Moira McAneny
Snippets from the EAF
At our welcome evening on 4th
October we were shown
a recorded presentation of the majority of the accepted
images from the 2011 EAF Exhibition. If you enjoyed
these images then you can see the best of them again in
the autumn edition of the EAF Bulletin which is now
available on the EAF website.
EAF Exhibition You will be able to see the 2012 EAF Exhibition at the
Gibberd Gallery in Harlow between Saturday 5th
May
(presentation of awards) and Friday 18th
May (closed on
Saturday 12th
May). If you wish to enter your prints and
projected images they need to be with the collectors
(usually Stan Searle for BCC) by Sunday 11th
March
2012. Entry forms will be ready for collection at this
year’s EAF Championships meeting on Sunday 12
February 2012. The information will also be available on
the EAF Website from the beginning of next year and I
have no doubt that Stan will keep us informed. The best
prints and projected images from the Exhibition will go
forward for selection for the PAGB’s Inter-Federation
Competition and Exhibition 2012. This will be the last
year that John Currant will curate the EAF Exhibition
and finding a replacement will not be easy.
Judges Seminar I guess that members who enter the monthly PDI
competitions and sometimes feel that the judging is
somewhat wanting, will be pleased to know that on
Sunday, 4th
December the EAF is holding a seminar for
judges in which two eminent PAGB judges will discuss
the problems of judging resulting from the digital
revolution.
Panel Competition The EAF bulletin also reports a competition, held in
May by Upminster Camera Club and in memory of
former EAF stalwart Dennis Mickleburgh, for the best
panel of six prints on a theme. I hope that this issue of
'In Focus' reaches you before we hold our own non-
competitive panel evening on 6th
December.
PAGB Club Print Championships 2011 Congratulations to Cambridge CC and Beyond Group
who both got into the top five of the PAGB
Championships at Connah’s Quay on 22nd
October 2011.
Cambridge CC were 4th
and Beyond Group 5th
. This is
the first time that the EAF has had two clubs so highly
placed in that Championship and the two clubs were
delighted.
Exhibition of Historic Photographic
Equipment Hertford and District Camera Club (HDCC) is holding a
major seven-week event – running from November 5th
to December 24th
, 2011 – to celebrate its Sixtieth
Anniversary. Entitled “Snapshots in Time: 60 Years
of Photography at Hertford and District Camera
Club”, this exhibition of photographs and equipment at
Hertford Museum will show some of the work of the
Club's members over the last 60 years, and will trace the
changes in photographic equipment over a longer period,
through a broad display of iconic cameras and other
historic items.
Martin Nellist
Club Photographic Weekend, 30th
September - 2nd
October.
Once again Mike Olney managed to arrange some
clement weather for this Staffordshire weekend. On the
Friday, Hilary and I headed for the Biddulph Grange
Garden, a NT property close to Stoke. Then we joined
13 members and spouses gathered at The Three
Horseshoes Inn & Country Hotel, Blackshaw Moor,
Leek and enjoyed an excellent dinner. The hotel is
immediately adjacent to the famous rock outcrop of the
Roaches and Tittesworth Reservoir and the early arrivals
had already been out seeking images before dinner. This
did not deter four hardy souls from rising at 5.30am to
seek more. They returned for an excellent breakfast with
the rest of us and then we all dispersed to find more
subjects. Hilary and I headed for Wetton and walked
down the western side of the Manifold Valley to Ilam
and back on the eastern side. Alan and Ann Woodward
went to Trentham Gardens near Stoke and Joy and John
Pegram went to the mill and steam railway in the
Churnet Valley.
Sunday morning was overcast and not so good for the
early risers. Another congenial breakfast before we all
dispersed for more sightseeing and, for most of us, the
drive home. Many thanks to Mike Olney for finding
another excellent venue well placed as a base to explore
the many attractions of the southern Peak District.
Martin Nellist.
5
'The Beautiful Light' by Jane
Goodall, 11th
October 2011
This was more than usually an evening of two halves -
both of them excellent. In the first part, Jane Goodall
showed us high quality landscape prints and our
enjoyment was enhanced by the first use of David
Hogg's system for projecting, onto the big screen, an
image of the print on the easel. Most but not all of Jane's
pictures were coastal landscapes. She likes the way the
sea is always changing in appearance and height up the
shore and that it wipes the shore clean twice a day. Most
of her pictures are taken at the end or beginning of the
day and in light which requires a tripod and mirror lock-
up to achieve the long exposures needed for small
apertures. Often in better light she uses neutral density
filters to extend the exposures to blur the moving parts
of image such as the sea. She also uses graduated filters.
To apply this extreme approach, she uses a stopwatch to
check long exposures and wears a headlamp to find her
way in the dark, including finding her way back to her
GPS-marked car. In addition to prints mounted on 40x50
card in camera club convention, she also brought along
A2 versions of some the prints. These were fantastic; my
favourite was of a desert sand dune with a cliff like
edge.
In the second half of the evening Jane used AV
sequences to show us examples of the 'family
photoshoots' from which she provides clients with
printed 'photobooks'. Anglesey Abbey, a National Trust
property near Cambridge, provided good backgrounds to
the shoots but Jane emphasised the use of large apertures
to put the backgrounds out of focus. She also advised us
to ask parents to dress all members of the families in
similar muted clothing. Jane had given us a varied and
fascinating evening.
Martin Nellist
Ampthill Photographic Festival, 15th
October 2011.
Ampthill and District Camera Club organised this event
to help raise funds for the rebuilding of Parkside Hall. It
also helped raise public awareness of what is still a
relatively young club. The centrepieces were an
exhibition of the Club's best prints from past years and a
series of AV's which included more ADCC exhibition
images but also sequences on Ampthill architecture,
Ampthill Great Park, events that had taken place during
the Summer, and a family photoshoot which used
Ampthill Great Park as the backdrop. A large home-
framed back-projection screen allowed the AVs to be
shown without either dimming the lights or having a
visible projection beam .
Additional attractions included tuition sessions on
camera operation and portraiture and a series of
competitions. Most effective of these was that which
invited pupils from local middle school to submit their
'Favourite Photo' as a print which ADCC mounted and
judged. The clever part was not just to pick a winner or
winners but to award a large number of 'Gold Stars'
which were presented by the Deputy Mayor at the
opening ceremony. This ensured a large audience of
parents each paying a very welcome £2.50 entrance fee.
Other competitions for children were to spot the
difference between two large prints and to find 'Wally'.
For the grown-ups there was a chance to guess the order
in which a judge had placed eight exhibition prints.
Martin Nellist
Competition 'Open' 18th
October 2011
Although the new system of simultaneously projecting
an image of a print while it is on the easel being
discussed by a judge is clearly a big step forward, it is,
6
understandably, not without its teething problems. This,
particularly, when its originator, David Hogg, was
unable to come to this evening. All credit to Matthew
Rowntree and Steve Ridgway who calmly tweaked the
system while the first few prints were on the easel.
However problems with the projection of the PDI entries
using the new Di Centra software were not so easily
solved. Almost all of the projected images were more or
less cropped, a problem which affected the portrait
format entries most.
Throughout all these teething troubles, Derek Larkin
calmly continued judging. For every image he provided
an analysis which sought to explain why it either had or
did not have appeal. He was particularly interested in
identifying elements, often quite small, which lifted the
image above the ordinary. Not having a computer
himself, he was not familiar with simple digital
manipulations which would have improved some of the
images but his comments were perceptive nevertheless.
They were also commendably brief as was necessary on
an evening when there were a large number of entries.
Results in the print competition were
1st Drops and Ripples Peter Robinson 22 points
2nd
At the Waterhole John Pegram 21 points
3rd
Chapel Window Diana Moss 20 points
3rd
Reflected Lily Martin Nellist 20 points
and in the PDI competition were
1st Riding the Storm Jim Burnett 22 points
2nd
Inside the Sagrada
Familia
Steve Ridgway 21 points
3rd
Rule Brittania Claire
Boardman
20 points
Martin Nellist
'Be your own judge' with Stan Searle,
25th
October 2011
Eight prints were passed in turn to eight tables of five to
six members who awarded a consensus score out of ten.
Alan Woodward collected the scores and Stan entered
them onto a large chart from which he could identify
how the prints were ranked overall and which tables had
been more or less generous to particular prints. He used
these results to initiate a discussion on the individual
prints.
Although this was a useful and enjoyable exercise, I feel
that it would have been more relevant if based on recent
high-quality inkjet prints rather than those produced by
outdated processes and quality standards. I also disagree
with the total debunking of the performance of judges
and of accepted rules of composition. My experience has
been that since the introduction of digital imaging there
has been a step change in the quality needed for prints
for external and internal competition. Success in these
competitions is not quite the lottery implied in the
discussion. We really do need to up our game if we are
to compete successfully in Inter-club competitions.
Although I accept that rules of composition may be
broken, they are a very reliable guide. They provide an
excellent basis from which to begin to work out why it is
you instinctively like or dislike an image. These
criticisms apart, Stan did an excellent job of organising
the evening and of causing us to think about the
problems of judging.
Martin Nellist
'Images of India' by David Steel, 1st
November 2011
This was 'Images of India' with a difference. It featured
photographs taken by David and his wife, Françoise, in a
triangle of three towns in central India including Delhi,
Puni and Agra, home of the Taj Mahal. David had
brought along some excellent prints of the trip but the
talk was based on a PDI presentation put together using
'Menu Maker', Pics-to-Exe and Photodex Presenter. This
enabled David to present the images in separate sections
and if necessary to tailor the lecture to the time
available.
Usually a talk on India follows chronological order
whereas David was able to identify certain topics. One
section focussed on motor-cycles and their unusual
cargoes, another on lorries and buses loaded with
passengers literally hanging on by their fingernails, and
a third on three-wheeler tuk-tuks. There was a section on
the cows which frequent traffic-full streets apparently
attracted by the fumes! We saw how women's clothing
had retained style, tradition and colour whereas men had
swapped to jeans and tee-shirts. In contrast we also saw
the finery at a traditional wedding. Finally we saw some
of the wonderful architecture of the Taj Mahal and the
nearby minaret. On several occasions during this
comprehensive tour, David would explain how relatively
straightforward manipulations in Photoshop could
greatly improve an image, particularly for printing.
David will be judging the print entries in our 2012
Exhibition so his views on producing a good print were
worth noting.
Martin Nellist
The Bedfordshire Invitation Inter-
Club Competition, 28th
October 2011 I am afraid that my news is not good news. In fact, it
wasn’t a good evening all round, apart from meeting
some of the Letchworth home team, (as we arrived quite
early) and of course the company of the other BCC
Members. I would like to thank them for being there and
to Bruce Deacon for driving us.
Six of us went to Letchworth to witness Daphne Hanson
judge the Bedfordshire Invitation Inter-Club
Competition. We came last in the competition, last in the
raffle and we nearly left Stan behind.
7
I can only say that all of our six images have done well
in previous competitions and two in particular seemed to
suffer from the projection, as they appeared quite dark.
We knew we were on a sticky wicket when the winning
PDI from our last Annual Exhibition only scored 14/20.
However we know that photography is very subjective,
as was reinforced by our 'Be Your Own Judge' evening
last week.
Daphne seemed to enjoy most of the ‘Natural History’
images, several of which she gave 20/20. One in
particular wasn’t even a bird on a stick but a head and
neck of a ‘Shag’ which wasn’t feeding, drinking, flying,
mating or fighting, at least one of which I thought was a
necessity to make a winning image. That said,
technically it was extremely good. It would appear that
we are not taking photographs of the right subject
matter, as eight 'Cherry’ tomatoes and two 'Beef’
tomatoes on a bed of lettuce scored quite a respectable
mark, compared to some of our images.
Daphne also seemed to like portraits, particularly of a
man without his shirt, showing off his muscles and
performing some sort of martial art. She certainly
commented on his muscles.
On a positive note, Shillington were placed 14th out of
16 last year and won it this year, a clear 10 points ahead
of Biggleswade who came second.
Congratulations to both Clubs. I would also like to thank
Letchworth for hosting the event, which was a good
evening, despite our lack of success.
So Members, you know what is required for us to
improve our position. We need more images from YOU,
OUR CLUB MEMBERS, so that we have a larger
database entry to choose from. I would be very pleased
to receive your images.
And a suggestion for the next Members' Evening, it’s
shirts off chaps so that we can photograph your muscles!
Claire Boardman
Philip Lepper Memorial Trophy, 8th
November 2011
This year the challenge was to produce three PDIs, one a
Landscape, one a Seascape and one a Skyscape. Thirty-
seven members entered a total of 111 images, which
provided quite a task for our judge, Colin Southgate
FRPS, who, at short notice, was standing in for Eric
Saul. Fortunately Colin arrived early and so had an
opportunity to preview all the images. He commented
that they were all of high quality but that he would
endeavour to use as wide a range in marking as possible.
As is usual with Colin his comments were perceptive
and amusing and there was general agreement that the
evening was very enjoyable. Some credit for this must
go to David Hogg for his pre-meeting preparation and
the slick use of the new Di Centra software. In spite of
the wide range in marking, Simon Bray and David Hogg
tied for first place with 57 points each and must share
the Philip Lepper shield for a year.
David Hogg
Skyscape Pastel colours of dusk 20
Seascape Ragged Welsh coastline 19
Landscape Austrian Vista 18
Simon Bray Skyscape Massachusetts Bay 19
Seascape Sunset 19
Landscape Jasper Township 19
Alan Horn, 56 and Diana Moss, 54 were second and
third respectively. The following images were awarded
the maximum 20 points.
Skyscape - Pastel colours of dusk by David Hogg
Seascape - Au Bord De La Mer by Vaughan Southgate
Seascape - Durdle Door by Martin Nellist
Martin Nellist
Autumn Deer Walk, 22nd
October
2011
John Holt and I were the lucky winners of a raffle prize
kindly donated by Woburn Estates to take part in an
Autumn Deer Walk. These walks are a new venture for
Woburn. Previously only Staff and family were allowed
this privilege that coincides with the deer-rutting season.
On 22nd
October, twenty-four participants were given a
briefing by Callum and introduced to his 2 assistants.
He gave a brief history of the Deer Park. One of the
previous Dukes decided that he wanted to collect as
many deer species as possible and at one point there
were 40 species within the Park. Not all the
introductions were successful and some of the species
did not survive the change in environment and died of
disease or failed to breed successfully. The lack of
suitable management also took its toll during both World
Wars and the high maintenance costs of running the park
has resulted in the number of species now numbering
just nine. Despite this, Woburn is generally recognised
as being one of the best facilities in the world. Breeding
animals are exported to many countries and a good
example is the Pere David breed, which has been
brought back from the brink of extinction.
We were split into 2 groups and made our way
separately around the Park led by either Callum or one
of his assistants. At first we had a job finding the deer
but with our guide’s expert knowledge we soon made
contact. I had the impression that we would be able to
get a lot closer to the deer but when they saw twelve
people approaching them they tended to trot away. All
around us we could hear the calls of the male deer and it
soon became clear which species were making the calls.
Red deer stags sounded like cows, Sika squeaked and
Water Deer barked. We did witness a few clashes
between male deer but in the main they had sorted out
their harems as the rutting season this year was earlier
and shorter.
8
When the light faded we walked back to the Tea Room
where we had a welcome soup and home made bread
followed by scones with jam and cream. An interesting
day and we learned a lot about the management of the
Park. I had not appreciated that they have to manage the
grass areas by fertilising and slitting the ground each
year, quite an expensive and time consuming job. We
were also told that they had lost 4 stags in the rut this
year which is about average. Two stags died when they
locked horns and drowned in the lake, one stag died of
an injury during a fight and another died when they had
to dart 2 stags when they also locked horns, it had a
heart attack caused by the stress. They are also
experiencing increased amounts of poaching and also,
more sickening, people coming from as far as Yorkshire
and using Lurcher type dogs to chase and kill deer, not
for their meat, but for sport.
Tony Beaumont
Chinese Water Deer and Roe Deer
Red Deer Stag
Red Deer Fighting
Pere David Deer
The Life of a local Press
Photographer, 15th
November 2011.
As it turned out, this was the life of two local
photographers, June Essex and Tracey Goodacre who
are the only photographers working for The
Bedfordshire Times and Citizen and the Biggleswade
Chronicle. June and Tracey operate on a shift system
which allows them to provide a 24/7 service. The pair
formed an effective double act, seamlessly taking over
from each other as they discussed the photographs that
they had chosen to show us. Without exception these
were excellent images covering a wide range of subjects.
Considerable creative input helped infuse the dullest
topic with interest. All the images were taken with two
battered 5½ year old Nikon D200's augmented with a
few lenses, flashguns, reflectors and a tripod. Images are
uploaded on to the newspaper computers and archived in
an online image store from which they can rapidly be
retrieved for publication or posting on the newspaper
website. This fascinating talk generated a more than
usual number of questions and it was not easy to draw
that first part of the evening to a close.
9
The final 50 minutes of the evening consisted of a
question and answer session arranged by Mike Clifton
with a panel consisting of Diana Moss, Martin Nellist,
John Pegram and David Hogg. Subjects discussed were
sensor cleaning, the pros and cons of RAW, filters in the
digital age, Adobe and sRGB colour spaces and format
options for saving Jpegs in Photoshop. Again the
discussion was not easily drawn to a close so it was
clearly a successful event and one we may repeat.
Martin Nellist
Selections for The 3-way Battle – Letchworth, Biggleswade, and Bedford
At Bedford Nov 29th
2011
PDI’s
1. The Start Martin Nellist
2. Goliath Heron Strike John Pegram
3. Lefkada Alan Horn
4. Anyone For Champagne Claire Boardman
5. Feeding Frenzy Bruce Deacon
6. Tribesman Vaughan Southgate
7. Redbill Oxpeckers and Rhino John Pegram
8. Water Tower Steve Ridgway
9. Rule Britannia Claire Boardman
10. Jostling For Position Bruce Deacon
Prints
1. Roaming In The Gloaming Jim Burnett
2. Windswept Stan Searle
3. Drops and Ripples Peter Robinson
4. Venice Impression Stan Searle
5. Chapel Window Diana Moss
6. At the Waterhole John Pegram
7. Reflected Lily Martin Nellist
8. Hungarian Roundup David Shephard
9. Patterned Beach Martin Nellist
10. First Corner John Pegram
Selection for the Cambridge Digital
Inter-Club Competition January 21st 2012
Monochrome
Open
Water Tower Steve Ridgway
People Rule Britannia Claire
Boardman
Landscape Black Rock Cottage Tommy Babel
Natural
History
Redbill Oxpeckers
and Rhino
John Pegram
Open Jostling For
Position
Bruce Deacon
Reserve Feeding Frenzy Bruce Deacon
A Photoshop Tip
I recently circulated an email that Helen Shanks had
received from nature photographer Bob Brind-Surch,
who will be talking to the Club on 20th
March. This gave
a link to Bob's website, which is worth looking at for the
gallery images alone. However, Bob also provides some
very useful downloads, one of which is do with Focus
Stacking. I had not previously realised how Photoshop's
Photomerge facility (in CS4 and later) could be used to
blend areas of sharp focus in images of an identical
scene taken with successive changes in focus. In
summary, the technique is (1) in Adobe Bridge select the
near-identical files, click on Tools
>Photoshop>Photomerge. (2) On the 'Photomerge'
screen under Layout check 'Auto' (normally checked by
default) and untick 'Blend Images Together'. Press OK.
The images are loaded as a series of aligned layers in a
single file. Crop out any edge differences caused by the
alignment. (3) Select all the layers and then select
Edit>Auto-Blend Layers. On the resulting 'Auto-Blend
Layers' screen check 'Stack Images' and press OK. The
layers will be masked so that the image is 'Focus
Stacked'. Flatten the layers to produce the final image.
Martin Nellist
Church notices!
Ladies, don't forget the rummage sale. It's a chance to
get rid of those things not worth keeping around the
house. Bring your husbands.
Irving Benson and Jessie Carter were married on
October 24th
in the church. So ends a friendship that
began in their schooldays.
Scouts are saving aluminium cans, bottles and other
items to be recycled. Proceeds will be used to cripple
children.
The ladies of the Church have cast off clothing of every
kind. They may be seen in the basement on Friday
afternoon.
Weight-watchers will meet at 7pm at the First
Presbyterian Church. Please use large double door at the
side entrance.
Low Self Esteem Support Group will meet Thursday at
7pm. Please use back door.
Happy Christmas and a prosperous New Year.