2009-2010 Club OrganizationTod Elford

Positions Photographic DirectorVideographic DirectorYearbook LiaisonHi-Rocket LiaisonVideo Production Liaison

LOTS of Photographers and Videographers

Other positions are created on an AS-NEEDED basis.

The “CLOSET”The Photographic and Videographic Directors

will need to be in the S-04 storage room during many of their study hall periods. This is where the slideshow computer is located.

The directors are in charge of pre-sorting and selecting the hundreds of pictures and hours of video we receive.

Sometimes they are very busy. Sometimes a couple months go by with nothing to do. This all depends on the photographers and videographers

The “BLACK BOX”The BLACK BOX is a 500GB external hard

drive which will store all yearbook, hi-rocket and slideshow pictures as well as selected video donations from video production.

Coordination and resource sharing is going to be improved this year. Liaisons will have the very important duty of transporting and moving resources in and out of the BLACK BOX.

Liaisons must be enrolled in the class they are assigned to represent.

Photographers and VideographersThe CORE of yearbook and slideshowAll contributing members are entitled to a

free copy of the slideshowContributions must be usable however

(quality and appropriateness)Club meetings will be to go over photo

assignments, submit photo contributions, and learn how to take the best photographs and videos

Known September/October AssignmentsACTIVITY PRESS ASSIGNED

Football

Football Cheerleaders

Cross-Country

Homecoming Dance

Homecoming Ceremony (half-time at game)

Powderpuff

Fall Blood-Drive

Spirit-Week

Halloween

Steady ShotsWithout these precautions photos can be blurry or your

viewers will get motion sickness and headaches Quick Shutter Setting – only an option on some camerasUse a tripod – This is the best optionUse a monopod – With a single leg coming from the base

of the camera this is a decent lightweight option. This is a good choice if you are changing camera locations very frequently or going to a remote location by foot.

Use your environment – Lean against a wall, rest your camera on a ledge, you any stable object to table your camera

Use your body as a tripod – Not the best option. By spreading your feet apart, locking your elbows, breathing slowly and practicing, you reduce shaking for short clips.

LightingGet Enough Light – The camera needs more light than your eyes do. What would appear to be mood lighting to you, would make your image dark and muddy.

Limit Light Sources – Incandescent, fluorescent and sunlight cast different colors of light and the camera cannot adjust the white balance for more than one at a time.

BacklightingIf your subject is backlit (standing in front of an exterior window), you will need to provide extra foreground lighting. Also frame only the subject and lock the exposure setting, then you can pan across without the background lighting changing your exposure setting.

Lens Flare When your light source directly strikes the lens your picture will become overexposed and “washed out”. Shade the camera lens and be aware of your light source locations.

Natural Light EffectsYou will get more dramatic shadows

and lighting in the early morning and late afternoon.

Use reflectors to light shadows and combat top or backlighting. They can be made with stretched metallic fabrics and tarps or cardboard sprayed with metallic paint.

Special EffectsDON’T use your camera’s special

effects. Any special settings of your camera can be done with greater flexibility in post-production. (e.g. sepia, B&W, solarize, etc.)

Framing the ShotDon’t place subjects in the center.Rule of Thirds - Imagine a tic-tac-toe board overlaid on your viewfinder. The lines intersect in four spots. Your goal should be to frame the action using one or more of those spots. This is especially true if you're conducting an interview or shooting a close-up of someone talking.

Framing the Shot 2Don’t place the edge of the frame at a person’s joints. It looks like body parts are cut off.

Change your Point of View – One long scene with one point of view is boring. Break a scene up by recording it from multiple angles.

Straight and Smooth ShotsVery slow zoom and very little zoom during recording!

Slow panning! Do it rarely. It is easier for a viewer if the camera is still.

Beware of lighting changes as you move the camera angle!

SoundDon’t use the camera’s built-in microphone. You

might pick up the audio you wanted, but you will pick up too much background noise.

Plug into the audio system for public addresses and school events

Use a lapel mike for interviewsUnless your camera has a directional built-in

mike, every cough, whisper and breath of the cameraman will be captured loudly on tape. Be quiet.

Camera SettingsDon’t use LP recording. You can get a lot more video on tape with an LP setting, but then you have a lot of worthless video recorded. Use the SP recording for the best resolution and picture.

Don’t use digital zoom. Every magnification of digital zoom you use SERIOUSLY degrades your picture clarity

Don’t forget extra batteries

Tape ManagementLabel your tapes!Blank your tapes before using – Place your tape in the recorder with the lens cap on and the mic muted and record over the entire tape. This will remove previous recordings on old tapes and place a timecode on new tapes.

Sources for more details about these Video Production Tips“Production School – Metacafe – Studio”

<http://studio.metacafe.com/production_school/#/watch/641411/continuity_and_screen_direction>

“Adobe Digital Kids Club: Introduction to Video Photography”<http://www.adobe.com/education/digkids/intro/

index.html> Oct 2007.“Top Ten Digital Video Tips”. Digital Video in Education

<www.dvined.org.uk>.“Top Ten Tips for Making Better Home Videos”

<www.BetterDigitialVideo.com> Story, Derrick. “Top Ten Digital Video Tips”. Digital Video

Pocket Guide06/13/2003

“Don’t Shoot: Ten Tips to Beat Bad Home Video” C/NET Reveiws