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2002.08.29 - SLIDE 1IS 202 - Fall 2002
Lecture 02: Info/History/Photo
Prof. Ray Larson & Prof. Marc Davis
UC Berkeley SIMS
Tuesday and Thursday 10:30 am - 12:00 am
Fall 2002
SIMS 202:
Information Organization
and Retrieval
2002.08.29 - SLIDE 2IS 202 - Fall 2002
Lecture Outline
• What Is Information?
• History of Information Search and Organization
• Photo Project Introduction
2002.08.29 - SLIDE 3IS 202 - Fall 2002
Lecture Outline
• What Is Information?
• History of Information Search and Organization
• Photo Project Introduction
2002.08.29 - SLIDE 4IS 202 - Fall 2002
What is Information?
• There is no “correct” definition
• Can involve philosophy, psychology, signal processing, physics
• Cookie Monster’s definition:– “news or facts about something”
2002.08.29 - SLIDE 5IS 202 - Fall 2002
What is Information?
• Oxford English Dictionary– Information
• Informing, telling; thing told, knowledge, items of knowledge, news
– Knowledge• Knowing familiarity gained by experience;
person’s range of information; a theoretical or practical understanding of; the sum of what is known
2002.08.29 - SLIDE 6IS 202 - Fall 2002
Assignment 1 Discussion
• What is information, according to your background or area of expertise?
2002.08.29 - SLIDE 7IS 202 - Fall 2002
Types of Information
• Differentiation by form
• Differentiation by content
• Differentiation by quality
• Differentiation by associated information
2002.08.29 - SLIDE 8IS 202 - Fall 2002
Information Properties
• Information can be communicated electronically– Broadcasting– Networking
• Information can be easily duplicated and shared– Problems of ownership– Problems of control
Adapted from ‘Silicon Dreams’ by Robert W. Lucky
2002.08.29 - SLIDE 9IS 202 - Fall 2002
Intuitive Notion (Losee 97)
• Information must– Be something, although the exact nature
(substance, energy, or abstract concept) is not clear
– Be “new”: repetition of previously received messages is not informative
– Be “true”: false or counterfactual information is “mis-information”
– Be “about” something
• This human-centered approach emphasizes meaning and use of message
2002.08.29 - SLIDE 10IS 202 - Fall 2002
Information from the Human Perspective
• Levels in cognitive processing– Perception– Observation/attention– Reasoning, assimilating, forming inferences
• Knowledge– “Justified true belief”
• Belief– An idea held based on some support; an internally
accepted statement, result of inductive processes combining observed facts with a reasoning process
2002.08.29 - SLIDE 11IS 202 - Fall 2002
Information from the Human Perspective
• Does information require a human mind?– Communication and information transfer
among ants– A tree falls in the forest … is there information
there?– Existence of quarks
2002.08.29 - SLIDE 12IS 202 - Fall 2002
Meaning vs. Form
• Form of information as the information itself• Meaning of a signal vs. the signal itself
– What aspects of a document are information?
• Representation (Norman 93)– Why do we write things down?
• Socrates thought writing would obliterate serious thought• Sounds and gestures fade away
– Artifacts help us to reason– Anything not present in the representation can be
ignored– Things left out of the representation are often what we
don’t know how to represent
2002.08.29 - SLIDE 13IS 202 - Fall 2002
Information
• Consider Borges’ infinite Library of Babel…– It has all possible data combinations of letters– Does it therefore contain all possible
information?– What about all possible knowledge?– What about wisdom?
• Is the Internet a prototype Library of Babel?
2002.08.29 - SLIDE 14IS 202 - Fall 2002
Information Theory
• Claude Shannon, 1940’s, studying communication • Ways to measure information
– Communication: producing the same message at its destination as that seen at its source
– Problem: a “noisy channel” can distort the message
• Between transmitter and receiver, the message must be encoded
• Semantic aspects are irrelevant
Message Source
Desti-nation
ReceiverTrans-mitter
Noise
Channel
2002.08.29 - SLIDE 15IS 202 - Fall 2002
Information Theory
• Better called “Technical Communication Theory”
• Communication may be over time and space
Destination
Noise
Source DecodingEncoding
Message Message
Channel
StorageSourceDecoding(Retrieval/Reading)
Encoding(Writing/Indexing)
Destination
Message Message
2002.08.29 - SLIDE 16IS 202 - Fall 2002
Human Communication Theory?
Destination
Noise
Source DecodingEncoding
Message Message
Channel
2002.08.29 - SLIDE 17IS 202 - Fall 2002
The Conduit Metaphor
• Language functions like a conduit, transferring thoughts bodily from one person to another
• In writing and speaking, people insert their thoughts or feelings in the words
• Words accomplish the transfer by containing the thoughts or feelings and conveying them to others
• In listening or reading, people extract the thoughts and feelings once again from the words
2002.08.29 - SLIDE 19IS 202 - Fall 2002
Lecture Outline
• What Is Information?
• History of Information Search and Organization
• Photo Project Introduction
2002.08.29 - SLIDE 20IS 202 - Fall 2002
Origins
• Very early history of content representation– Sumerian tokens and “envelopes”– Alexandria - pinakes– Indices
2002.08.29 - SLIDE 21IS 202 - Fall 2002
Origins
• Rhetorical mnemonic theory and practice (“memoria”)
• Memory palaces– An organization and retrieval technology for
concepts that combines physical and virtual places (“loci”)
• Examples– Simonides of Ceos– Cicero’s “testes”
2002.08.29 - SLIDE 22IS 202 - Fall 2002
Origins
• Biblical indexes and concordances– Hugo de St. Caro – 1247 A.D. : 500 monks – KWOC– Book indexes (Nuremburg Chronicle)
• Library catalogs• Journal indexes• “Information explosion” following WWII
– Bush and Memex– Cranfield studies of indexing languages and
information retrieval– Development of bibliographic databases
• Index Medicus – production and Medlars searching
2002.08.29 - SLIDE 23IS 202 - Fall 2002
Lecture Outline
• What Is Information?
• History of Information Search and Organization
• Photo Project Introduction
2002.08.29 - SLIDE 24IS 202 - Fall 2002
Photo Project Goals
• Develop an ongoing resource for SIMS (an annotated photo database) that can be used for internal research and teaching, as well for external promotional and informational purposes
• Experience the actual process of information organization and retrieval (especially as regards metadata creation and use)
• Work in small, focused teams performing a variety of tasks in image acquisition, cataloging, and application design
2002.08.29 - SLIDE 25IS 202 - Fall 2002
Photo Project Requirements
• Create engaging and useful application scenarios and photos about life at SIMS
• Create a shared, reusable resource of annotated photos – All photos will be stored in one directory– Design your metadata
• So that all photos would be accessible from all applications• Not only for the needs of your particular application, but also
for the reusability of your photos and metadata
• Protect people’s privacy– If you photograph a clearly identifiable person or
persons and intend to use the photo, make sure to get a signed release form
2002.08.29 - SLIDE 26IS 202 - Fall 2002
Photo Project EquipmentInternal memory 8MB built-in SDRAM
Viewfinder Optical
Image capacity (varies)
VGA: 100 (640x480) CIF: 400 (320x240)
Focal range 23" ~ infinity (0.6m ~ infinity)
Computer Interface USB
Streaming snapshot Up to 100 images
Image format JPG, AVI (through software)
Power source 1 AAA alkaline battery
Camera dimensions 0.6" x 1.97" x 1.97" (1.5 x 5 x 5cm)
Camera weight 1.5 oz. (30g) without batteries
MSRP $39.95
2002.08.29 - SLIDE 28IS 202 - Fall 2002
Moore’s Law for Cameras2000
Kodak DC40
Nintendo GameBoy Camera
$400
$ 40
2002
Kodak DX4900
SiPix StyleCam Blink
2002.08.29 - SLIDE 30IS 202 - Fall 2002
Introduction
• Each time you take a photo, you make choices, either accidentally or deliberately
• Helpful tips for creating interesting photographs
• In class we will be using tiny “StyleCam Blink” digital cameras
2002.08.29 - SLIDE 31IS 202 - Fall 2002
• Content
• Framing a subject
• Lighting
• StyleCam Blink Camera
Helpful Tips
2002.08.29 - SLIDE 32IS 202 - Fall 2002
Content
• Decide how much of a scene to show
• Get closer to the subject:
“If your pictures aren’t good enough, you’re not close enough”
ROBERT CAPA
• Use the background when it contributes something
2002.08.29 - SLIDE 36IS 202 - Fall 2002
Framing a Subject
• How does your subject relate to its surroundings?
• Vertical or Horizontal?
• Hold camera– Vertical for vertical subjects
– Horizontal for horizontal subjects
2002.08.29 - SLIDE 39IS 202 - Fall 2002
Lighting
• Natural light (indoors or outdoors) rarely strikes a subject evenly
• There is no flash on this camera
• Make sure you have enough light for your subject
• Indoor photography with the StyleCam benefits from the use of artificial light sources (e.g., lamps, flashlights)
• Avoid backlighting
2002.08.29 - SLIDE 44IS 202 - Fall 2002
StyleCam Blink Camera
• Upload your photos before replacing or removing the battery so you don’t lose all your images
• Moving the camera while taking a photo, taking a photo of a moving object OR shooting in low light = BLURRY PHOTOS
2002.08.29 - SLIDE 46IS 202 - Fall 2002
Once Again…
• Content– Get closer to subject
• Framing a subject– Vertical for vertical– Horizontal for horizontal
• Lighting– Make sure you have enough light– Avoid backlighting your subject
• StyleCam Blink Camera– Fixed focus– No flash– Hold the camera still when taking a photo
2002.08.29 - SLIDE 50IS 202 - Fall 2002
Photo Project Hand Outs
• Photo Project Overview
• Photo Project Groups
• Photo Project Camera Instructions
• Photo Project Release Forms
2002.08.29 - SLIDE 51IS 202 - Fall 2002
Homework (!)
• Read Chapters 1 – 3 of George Lakoff’s Women, Fire, and Dangerous Things
• Meet your project group members and take some pictures with the StyleCam Blink digital camera and upload them
• Please complete the class questionnaire
• Create your SIMS home page and is202 Assignments page