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Dont, Jacob [Gradus ad Parnassum. Fortschreitende Ubungen] Twenty progressive exercises MT 265 D67 op. 38 20 Imusi c

20 Progressive Exercises for the Violin

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Page 1: 20 Progressive Exercises for the Violin

Dont, Jacob

[Gradus ad Parnassum.Fortschreitende Ubungen]

Twenty progressiveexercises

MT265

D67

op. 38

20

Imusi c

Page 2: 20 Progressive Exercises for the Violin
Page 3: 20 Progressive Exercises for the Violin
Page 4: 20 Progressive Exercises for the Violin
Page 5: 20 Progressive Exercises for the Violin

SCHIRAIER'SLI B R.AFLY

Vol. 429

DONTTWENTY

PROGRESSIVEEXERCISES

FOR

VIOLINOP. 38

Pr, 7Sc.

UNIVERSITY OF TORONTO

Page 6: 20 Progressive Exercises for the Violin
Page 7: 20 Progressive Exercises for the Violin

Schirmer's Library of Musical

Classics

Vol. 42Q

JACQUES DONTOP. 38

TWENTY

PROGRESSIVE

EXERCISESFOR THE

VIOLIN

WITH ACCOMPANIMENT OF A

SECOND VIOLIN

G. SCHIRMER, INC., NEW YORK

1897

MT

o.

173-W

UNIVERSITY OF TORONTO

JOHNSONLIBRARY

Printed la the U.S. A.

Page 8: 20 Progressive Exercises for the Violin

2

Twenty

Progressive Exercisesfor

Two Yiolins.A Up -bow.

U Down-bow. JAC.DONT. Op. 38.

Allegro moderate

13243Printed in the U.S.A.

Page 9: 20 Progressive Exercises for the Violin

3

Allegro. 3 8

*) With strongly marked, detached bows at the point or the middle.

Page 10: 20 Progressive Exercises for the Violin

j %S?Vivace assai^^ n

* il /^i . i L _ i . - ^-H^JJ

I V

V . a r"^ . . - r~f"

13243

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1 1

13248

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6

Allegro moderate.

13243

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131143

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8

5.

Allegro moderate.

13243

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r r r r

poco fit.*

13243

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10 Allegretto.

6.

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11

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Time.

In slow

Allegretto vivace

7.

13243

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13

dim. - Pu

13243

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Allegro non troppo.

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15

13X48

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16

Allegretto.D

*) Modes of Practising.

A. With strongly marked, detached bows at the point or middle.

B. With legato (smooth) detached bows at the point or the middle.

C. With springing- bow (sficcato)

D <fcE. See the above two lines marked with these letters

The Tempo may be taken

quick or slow at pleasure.

13243

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17

,*x - a y m

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dimin. - - P

Andante, quasi Allegretto.

espress.II- position

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19

8* iI- Position.

13248

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20

Allegretto vivo

11.

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31

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Allegro.

13243

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13248

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13848

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13.

Allegro moderate

1 +.*=fi

13843

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26

13813

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dim. e poco riten. _ fin tempo.

13MB

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38Allegro appassionato.

14.

13243

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13213

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30

Allegretto agitato

15.

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18840

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Andante espressivosul E.

13243

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33

13*43

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34

Allegretto spiccato.

m17. P

Isdolce.

18*43

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85

m^5

3 4

13243

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36

Allegro ma non troppo

f colp unto darco

13243

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fcnl punto d'arco

13243

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38

Vivace .

13243

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1M4S

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40

Allegretto comodo

13243

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41

13243

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18843

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43

13243

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CHIRMEKS SCHOLASTICAERIES

Material for Vocal and Instrumental Study "from the very easiest to the most difficult"

(The Numbers listed below cover Study-Material for Instruments other than Piano)

HARP55. SALZEDO, CARL, L'Etude Moderne de la Harpe.

Modern study of the harp. With five poetical studies 2.75

11

34

134

29

21.

64.

KM.

35.

36.

37.

162.

22.

147.

90.

146.

91.

92.

93.

94.

190.

32.

104.

119.

141.

8.

107.

165.

77.

102.

171.

81.

82.

ORGANBUCK, DUDLEY, Studies in Pedal Phrasing. Op. 28 1.10

KOCH, CASPAR P., Book of Scales 1.50

MACDOUGALL, HAMILTON G.Dramatic Pedal Studies 75

NILSON, L.A System of Technical Studies in Pedal Playing.

Translated from the Swedish by J. E. Barkworth. 1.25

PFITZNER, HEINRICH, The Art of Pedalling 1.00

Op. 37.

VIOLINFYFFE, ELIZABETH

The Three R's. A Music Primer for the Violin Student

GOLDSTEIN, JOSEPH, Foundation Scale- and Chord-Studies. (In the first position)

HERRMANN, EDUARD, 39 Violin Studies. 3 Books:Book I

Book II

Book III

12 Violin Etudes for Study of Positions.

(English and Spanish texts)KNEISEL, FRANZ, Advanced Exercises. Part I

LAOUREUX, NICOLAS, A Practical Method:Parts I and II. CombinedPart I*

Part I. SupplementPart II*

Part II.* SupplementPart III*Part IV*Scales and Arpeggios

(*Also published in Spanish edition)LEVENSON, CHARLES, First Exercises in Bowing. . . .

First Book in Violin Playing. (English, French andSpanish texts)

First Scale Studies. (English and Spanish texts) . . .

The First Finger-Exercises. Preparatory to CharlesDancla. Op. 74. (Spanish and English texts). .

LICHTENBERG, LEOPOLD, Scale Studies .

LOCKWOOD, SAMUEL P.The Scales. (English and Spanish texts). .

RIEGGER, WALLINGFORD, Begin With Pie.es. Ele-

mentary Method for Individual or Class Instruction

CompleteSeparate violin part

SCHRADIECK, HENRYThe First Position. An Elementary Instruction BookSix Staccato Studies

STOESSEL, ALBERT, Essentials of Violin Mastery!Advanced studies for the preservation of violin technique

STOEVING, PAULThe Systematic Development of the Bow-arm. 2 parts:

B<K)k I. ElementaryBook II. Medium difficulty ..

STRUTT, AUTURO E., First Steps of the Violinist:"-Book I . .

-Book II ...

-Book III.

Book IV.

1.25

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.75

.75

.75

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2.251.25

1.251.25

1.25

1.25

1.25

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1.50

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1.25.75

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SVECENSKi; LOUis,' Preparatory' Exercises' for' theI nil, t he Vibrato and the Staccato. (Eng. and Span.)Specialized Exercises (In shifting and crossing the

strings). (English and Spanish texts)

1.001.00

.60

.60

.60

.60

1.10

.75

TROTT, JOSEPHINE159. Daily Scale Studies. (English and Spanish texts) . . 1.25174. Melodious Double-Stops for Violin 60192. Melodious Foundation Studies for Violin 1.50195. 28 Melodious Studies in the First Position 1.50

WALTHER, GUSTAVE B.194. The Art of Staccato Playing 1.50133. WEISBERG, A. H., A Complete School of Shifting.

(English and Spanish texts) 60132. Foundation Exercises for Fingers and Intonation.

(English and Spanish texts) 60142. - School of Double-Stopping. (English and Spanish) 1.25

WHITE, GRACEStudies, Scales and Pieces. (In the first position) . . 1.25

Studies, Scales and Pieces. (In the third position) 1.25

88.

168.

4. WILHELMJ, AUGUST, Exercises in Thirds 1.25

WITEK, ANTON, Fingered Octaves101. Part I: Exercises. Part II: Practical Application.

(English and Spanish texts) 1.5040. ZIMBALIST, EFREM, One Hour's Daily Exercises . . . 1.00

VIOLASVECENSKI, LOUIS

2. - Twenty-five Technical Exercises for the Viola 1.00

VIOLONCELLO138. MAAS, GERALD C., Finger Exercises and Scale Studies.

(English and Spanish texts) 2.25169. Practical 'Cello Exercises 1.0076. OTIS, EDITH, First Book of Study Pieces 1.503. SCHULZ, LEO, Technical Studies 1.25

VIOLIN, 'CELLO AND PIANO33. LOTH, L. LESLIE, Five Poetic Sketches for Trio Study 1.50

STRING-QUARTETPOCHON, ALFRED, A Progressive Method of String-

Quartet Playing. Part I: Elementary151. First Violin (including Method) 2.00152. Second Violin (

" ") 2.00

153. Viola (" "

) 2.00154. Violoncello (

" ") 2.00

180. The Method (without separate instrumental part) . . 1.50155. - Separate First Violin Part (without Method) . . .' 50156. Separate Second Violin Part (without Method) 50157. Separate Viola Part (without Method) 50158. Separate Violoncello Part (without Method) 50

Complete set including four Instrumental Partsand Method for each net 6.00

CLARINET115. STIEVENARD, EMILE, Practical Study of the Scales.

(English, French and Spanish texts) 1.50

FLUTEMAQUARRE, ANDRfe

140. Daily Exercises. (English and Spanish texts) 1.00

GUITARROCH, PASCUAL

85. A Modern Method. (School of Tarrega). 3 volumes.

(English, French anil Spanish texts.) Vol. I . 2.0086. The same, Vol. II 2.0087. The same, Vol. Ill 2.00

A Complete Catalog of Schirmer's Scholastic Series will be mailed upon request

G. SCHIRMER, Inc., NEW YORK

J

Page 52: 20 Progressive Exercises for the Violin

SCHIRMER'S LIBRARYtf MUSICAL CLASSICS

COMPOSITIONS FOR VIOLINVOL. NO.

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PLEASE DO NOT REMOVE

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