1999 Issue 6 - An Overview of the Book of Revelation - Counsel of Chalcedon

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    Over the next several pages, I

    am entrusted with the task of

    giving an introductory overview

    of the book of Revelation. Un

    doubtedly, it is the most difficult

    book in the Bible. It has been said

    that wherever you find five

    co=entaries

    on the book

    of

    Revelation, you will find six

    different views. To make matters

    worse, many

    of

    the

    co=entaries

    are like a black hole - they are

    so dense that no light can escape

    from them. In fact, Ambrose

    Bierce wrote what he called The

    Devil's Dictionary. In his defini

    tion of Revelation

    we

    read:

    A

    famous book in which st. John

    concealed all that he

    knew. The revealing is done

    by

    the co=entators, who know

    nothing.

    are the two basic positions held

    by evangelical scholars today.

    I fmnly believe that the

    evidence from within Revelation

    demands the early-date view.

    Although there are numerous lines

    of

    evidence in this direction (see

    my Before Jerusalem Fell , two

    particular internal indicators

    strongly suggest the correctoess

    of the early-date view.

    When you read the book of

    Revelation, you find that the

    temple is standing in JeruSalem

    (cf. 11:1,2). Thus,

    as

    John

    writes, the temple stands un

    harmed in Jerusalem. That being

    the case, Revelation must have

    been written prior to A.D. 70. If

    John wrote 25 years later, this

    would be a most anachronistic

    seven mountains, the natural

    interpretation would be the seven

    hills of Rome.

    We

    have then a

    clear geographical reference to

    the ancient city

    of

    Rome.

    But who then are the seven

    kings? John seems to be inform

    ing us that these are emperors

    of

    the Roman Empire, particularly

    the first seven: Julius Caesar,

    Augustos, Tiberius, Gaius,

    Claudius, Nero, and Galba. The

    angel tells us that the first five

    have fallen and that the sixth ,

    one is. As a matter of historical

    fact, Nero was the sixth in the

    line of the emperors

    of Rome. This demands that Nero

    is alive when John writes and that

    the composition of the book must

    In this overview I

    cannot deal with all the

    details of this very perplex

    ing book. I do, however,

    want to highlight some

    n

    Overview o he Book

    o Revelation

    KenGenny

    have,been prior to June 8

    A.D. 68 the day Nero

    committed suicide

    as

    Rome

    erupted into civil war.

    portions that I think will be

    helpful as keys or tools to open

    up

    the book of Revelation to you.

    I want us to focus on two big

    issues: the date of the writing of

    Revelation and the theme of

    Revelation. These will provide

    helpful keys to the correct

    interpretation of the book.

    Evidence for

    an

    Early

    Dating of Revelation

    In evangelical circles there are

    two basic schools of thought on

    when John wrote Revelation.

    They are called the late-date

    view, that says John wrote

    in A.D. 95-6, toward the end of

    the reign of the Emperor

    Domitian. There is also the early

    date view, that claims that John

    wrote just prior to the destruction

    of Jerusalem and the temple in

    A.D. 70. According to this view,

    Revelation was written sometime

    between A.D.

    65

    and

    70.

    These

    and confusing statement for his

    original audience.

    We also find evidence for an

    early dating in John's discussion

    of the seven kings. In Revela

    tion,17:1-6, we have a vision of a

    seven-headed beast. We find in

    this visi(m evidence that Nero

    Caesar, that infamous persecutor

    of the church, is still alive.

    In verses 9 and

    10

    the angel

    gives John wisdom. As he does

    so, he shows him that the book

    cannot, be interpreted

    literalistically. The angel interprets

    this seven-headed beast

    as

    repre

    senting seven mountains, and also

    as pictoring seven kings. Five of

    these kings have fallen, one is

    (present tense), and one more will

    corne and remain for only a little

    while. The book of Revelation

    was written sometime during

    Imperial Rome's oversight. When

    the angel interprets for John the

    seven heads as representing

    36 - THE COUNSEL ofChalcedon - October/November, 1999

    The angel then says,

    remarkably, the other is

    not yet corne and when he comes

    he will remain a short while.

    After Nero died, the next Emperor

    was Galba, who ruled from June

    to January, a period of six

    months. Thus, after the 13

    y,

    years of Nero's reign, we have

    the extremely short reign of

    Galba.

    These two lines

    of

    evidence

    strongly indicate that Revelation

    was written prior to the destruc

    tion of the temple (A.D. 70) and

    the death of Nero (A.D. 68).

    The Expectation

    of

    Revelation

    We need to ask the question:

    What did John expect in writing

    this revelation? Consequently, it

    is vitally important to understand

    the original audience and how

    they would read this book. Three

    factors will emphasize the

    historical circumstances

    of

    John's

    original recipients of this glorious

    composition.

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    (I) Audience Relevance. John

    wrote to seven historical

    chnrches, and he knew

    those churches quite well. There

    . are subtle indicators that John

    was familiar with detailed aspects

    of their culture, social standing,

    and historical circumstances in

    the first century world.

    We

    also

    notice that he wrote

    in

    order to be

    understood (cf. 1:3). The idea of

    hearing the words of the

    prophecy of this book is not

    simply receiving audible intona

    tion, but hearing with discernment

    so

    that they can keep what he

    has commanded them.

    Therefore, Revelation must be

    seen as directly relevant to the

    first century church. He did not

    write Revelation as directly

    relevant to a church 2,000

    years later. John wrote to a

    particular historical audience.

    Notice that this audience is

    already in tribulation (cf. 1:9).

    In chapters 2 and 3,

    he

    highlights

    some growing problems they are

    facing. Some of them are being

    killed. Many are facing the

    onslaughts

    of

    Satan.

    He

    is dealing

    with real Christians with their

    sandals firmly planted in the first

    century. He is not taunting them

    about cobra helicopters. He is

    telling them about events that deal

    with their specific circumstances.

    Since they are in tribulation, they

    need to know what will become

    of them and the faith to which

    they have committed themselves.

    (2) Contemporary Expectation.

    The interpretation ofRevelation

    must begin in the first chapter.

    John clearly expects the events

    of

    which he is writing to begin

    occurring soon. He uses two

    different terms, strategically

    placed, to make this point.

    In verse I, he writes that these

    things must shortly take place.

    Shortly is a translation of the

    Greek word tachos. It most

    definitely means what all

    the translators affirm: the events

    are shortly to take place. The

    word also occurs at 2:6; 3:11;

    22:6, and in its adverbial form in

    22:7,

    12 and 20. John also adds

    for the time is near, literally, at

    arm's length. This word occurs at

    22:

    10

    as well.

    Clearly, the temporal impres

    sion that the original audience

    nnder tribnlational affliction

    would have received from this

    book is that John expected these

    events

    to

    occur very soon

    because the time is

    at

    hand. Not

    only does he utilize these two

    different terms for this temporal

    expectation, but he also places

    them strategically in the book, at

    the beginning and conclusion of

    the book. Before one arrives at all

    the difficult imagery

    of

    the book,

    a very straightforward didactic

    portion indicates the immediacy

    of

    John's expectation.

    The Theme o Revelation

    Behold, he is coming with

    clonds, and every eye will see

    him, and they also who pierced

    him, and all the tribes of the land

    will monrn because of him (Rev.

    I :7). This theme statement

    sounds like the Second Advent.

    And there is indeed a relationship

    between A.D. 70 and the final

    glorions coming of Christ, just as

    there are similarities between the

    language here and the destruction

    of

    Babylon in Isaiah

    13

    and

    Idumea in Isaiah 34. These are

    activities of God in the realm of

    Inen so we can expect silnilarities

    of language.

    Yet I believe that this verse

    points to the judgment of God

    upon Jerusalem and her temple in

    A.D. 70. As we consider this, the

    theme verse of Revelation, we

    must be alert to the fact that four

    verses prior to it, John

    states that these things are near.

    Six verses prior, he warns that

    these things are shortly to come

    to pass. This should alert us to

    the fact that he is not speaking of

    an event thousands of years

    distant.

    But how can we claim that this

    refers to A.D. 70, and not to the

    Second Coming of Christ? Let me

    provide you with three lines of

    evidence that indicate Revelation

    1:7 teaches that Christ is coming

    in judgment upon the temple.

    (I) He speaks of his coming

    with clouds. This is apocalyptic

    language drawn from Daniel 7:13,

    a heavenly vision of Christ being

    given the keys of the kingdom at

    his ascension, i.e., his being given

    the right to rule over the world.

    The cloud-coming metaphor is

    common language among the

    poetically inspired prophets

    of

    the

    Old Testament. t speaks

    of

    divine

    visitation upon historical nations

    who set themselves against God.

    When a nation falls, God is

    judging. God has come into the

    experience and realm

    of

    that

    nation. Jehovah God has come to

    judge that nation.

    Isaiah 19:1 is a good parallel to

    Revelation 1:7. There we learn

    that God will ride a swift cloud

    into Egypt. No sane commentator

    will affirm that God hopped on a

    cloud, taxied down to Egypt,

    became visible, and began laying

    it waste. They all agree that it is

    an apocalyptic reference to Egypt

    being

    destroyed in a particular war.

    If, therefore, apocalyptic

    language will allow us to under

    stand a divine judgment in history

    as a cloud coming, then the

    possibility is open to us in

    Rev,?lation 1:7. This is significant

    October/November 1999 - THE COUNSEL ofChalcedon - 37

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    for our interpretation of this

    passage. John says that these

    events are near at hand. Christ

    will come upon a cloud in judg

    ment soon.

    Moreover, the parallel in

    Matthew 21 :40ff makes the

    J ernsalem reference certain. This

    passage is interpreted by even

    Dispensationalist scholars as a

    reference to A.D. 70. Christ says

    that when the owner

    of

    the

    vineyard arrives, he will destroy

    those wicked men miserably. In

    verse 43, Christ affirms that the

    kingdom of God will be taken

    away from the Jewish nation.

    Matthew 21 uses coming

    language for the destruction

    of

    Jerusalem. The scribes and

    Pharisees perceived his point: he

    was speaking of their judgment.

    John is utilizing the same com

    ing language in Revelation 1 7.

    (2) Christ is coming against

    those who pierced him. Who are

    those who pierced Christ? It is

    especially the fIrst-century Jews.

    They cried out for his death.

    They refused to allow Pilate to let

    him go, even though Pilate

    protested vehemently against their

    treachery. They called the curse

    of his blood upon. themselves. In

    short, the Jews of the first

    century demanded Christ's

    crucifixion; and his blood did

    come down upon them and their

    children in that generation.

    Throughout the New Testa

    ment record, the primary cov

    enantal onus

    of

    Christ's death

    falls upon the Jews. In Acts 5:30

    Peter blames his Jewish kinsmen

    for crucifYing Christ (cf. 2:36;

    3:13-15; 7:52; 1 Thess. 2:14,15).

    The responsibility for the death

    of

    Jesus Christ, according

    to

    the

    biblical records, falls upon the

    Jewish nation. They demanded it. .

    This fits nicely with our exposi

    tion

    of

    Revelation 1:7 which

    speaks of his coming against

    those who crucified him.'

    (3) All the tribes of the land

    will

    mourn. The Greek word for

    earth (Gk., ge) can either mean

    earth or land. The land is

    a

    famous designation

    for

    Israel's

    land, the promised land. The idea

    of

    the land is something pre

    cious to the Jews. When you

    think

    of

    Israel, you think

    of

    its

    division into the twelve tribes. So,

    what John is saying is: Jesus

    whom you crucified is coming

    to

    judge you, and al1 the tribes will

    mourn as a result of the judg

    ment. His judgment will be a

    public event

    of

    great and grievous

    1?foportions.

    Thematic Characters

    in

    the

    ook of

    Revelation

    Revelation is a drama. It is

    written in vivid, terrifYing imag

    ery. Before we can trace the

    movement of Revelation, we

    should consider two major

    characters we encounter there:

    the beast and harlot.

    The

    Beast

    of

    Revelation

    Audience relevance tells us

    that these people were living

    during the time of Rome, and that

    the image must refer to something

    in their own historical time frame.

    We must understand John's beast

    imagery both generically in terms

    of

    its corporate reality, and its

    specifically, as an individual

    representative

    of

    the corporate

    entity.

    Generical1y, the beast repre

    sents Rome. The beast has seven

    heads and has seven mountains or

    hills, which is clearly an historical

    description of the city of Rome.

    The beast arises out of the sea.

    Rome and its soldiers will come

    across the Mediterranean Sea

    from Rome. The crowns on the

    8

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    THE

    COUNSELofChalcedon - October/November, 1999

    beast's head represent political

    power, with which Rome was

    well-endowed.

    As

    al1

    commentators - even

    dispensationalists such

    as

    Walvoord recognize - the image

    of

    the beast shifts between this

    corporate, national power and a

    specific representative

    of

    that

    power. One

    of

    the heads, or

    kings, is. The one that is is

    the sixth emperor

    of

    Rome, Nero.

    Nero fits the facts in many

    remarkable ways.

    In 13:18 the number of the

    beast is the number of a

    man,

    666 (six hundred sixty-six).

    Hebrew, John's native language,

    does not have a separate number

    ing system. They used the letters

    of

    the alphabet

    to

    represent

    numbers, 1-10, then

    lOs

    then

    100s. When you add up the first

    century Hebrew letters

    of

    the

    characters that make up the

    Hebrew render

    of

    'Neron Kaiser,

    you fmd that

    it

    adds up to 666.

    Furthermore, Nero was the

    first imperial persecutor of the

    Christian Church. Persecution

    broke out in November ofA.D.

    64 and did not cease in finality

    until June of A.D. 68, a period of

    roughly 42 months. In 13:10 we '

    read of the sword death of the

    beast. Nero committed suicide by

    slitting his own t1rroat with a .

    sword. \

    In 13:3 we have further proof

    for the Neronic identity

    of

    the

    beast. Revelation's beast has a

    head thai dies, causing the beast

    to crumple to its death. But,

    surprisingly, the beast rises again

    to the amazement of the world.

    Interestingly, After Nero died,

    Rome had a rapid succession of

    emperors, four in one year. The

    empire was in catastrophic

    turmoil. Its tributary nations

    attempted to escape Roman

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    authority.

    t

    looked

    to

    all as

    if

    eternal Rome were

    dying.

    Contemporary Roman historian

    Tacitus wrote (Histories 1:11):

    "This was the condition of the

    Roman state when Galba

    entered upon the year that was to

    be for Galba his last

    and

    for the

    state almost the end."

    Rome in that she relies

    on

    imperial

    Rome to get at Christianity.

    Remember how the Jews relied

    upon the Roman judicial apparatus

    to

    crucify Jesus? This is the

    "sitting" John mentions

    in

    Revela

    tion 17. Several lines of evidence

    unite

    to

    suggest that the harlot is

    Jerusalem.

    (1) In Revelation 14:8, Babylon

    is

    called the "great city." But what

    is this "great city"? It is first

    mentioned in Revelation

    11

    :8.

    There we learn that it is "the

    place where Jesus was crucified,"

    i.e., Jerusalem.

    woman's dress is described in

    imagery reminiscent of the Old

    Testament high priest and the

    temple decoration (cf. Ex.

    28:5,6). This was a dramatic

    feature of the ritnal dress

    of

    the

    high priest. TIle harlot's colors

    were precisely those that decked

    the priesthood and the temple.

    John

    is

    picking up on temple

    imagery to portray the harlot.

    (4) The harlot has something

    written on her forehead. This

    reminds us (though negatively)

    that in Exodus 28:36, the high

    priest has something written on

    his forehead, "Holy to the Lord."

    But what happens? The beast

    revives Suetonins,

    the

    second

    centnry Roman historian, tells us

    in Vespasian, chapter

    1,

    "The

    empire which for a long time had

    been nnsettled and drifting

    throngh the nsurpation and violent

    death of three emperors, was at

    last taken in hand and given

    stability by the Flavian

    "Revelation is the

    most

    Old Testament

    flavored

    book

    in

    the

    entire

    New

    Testa

    ment. I cannot be understood apart

    from this

    background.

    family." Vespasian lays hold

    of

    the reins of the kingdom,

    revives it, and the empire

    lives again. The whole world

    John focuses in on the high

    priest because he represents

    the temple, which stands at

    the heart

    of

    Jerusalem and

    Israel. Readers in that day

    would have made associa

    tions with the temple.

    as

    snrprised at the radical

    change

    of

    circnmstances.

    Josephus reports: "So upon this

    confirmation

    of

    Vespasian's entire

    government, which

    was

    now

    settled, and npon the unexpected

    deliverance

    of

    the Romans from

    ruin. Roule's civil war was so

    rninous that everyone was sur

    prised by her recovery.

    Thns, the evidence suggests

    the beast was first century entity:

    the Roman Empire ruled over by

    the evil Nero Caesar.

    This

    fits

    well with the temporal

    indicators and the thematic

    statement in Revelation

    1:7.

    Tbe Harlot of

    Revelation

    (17:3,5)

    Many wonld tell

    ns

    tbat tbis

    woman seated upon the beast is

    Rome, the city itself, because

    Rome is, after all, seated on seven

    hills (cf. 17:9). The beast, how

    ever, is already Rome, and this

    identification would

    be

    rednndant.

    I believe this woman

    is

    Jerusalem.

    She sits on tbe seven hills of

    (2) The Babylonian harlot is

    "fnll

    of

    the blood

    of

    the saints"

    (16:6; 17:6; 18:24). Certainly,

    Rome had recently begun perse

    cnting the saints. The evidence

    suggests, however, that Jerusalem

    is a better identification of the

    harlot at this point, for the follow

    ing reasons:

    (a) Throughout Acts, Jerusa

    lem is shown to be the persecntor

    of

    Christianity (cf. 4:3; 5:18; 8:1).

    (b) The theme of Revelation is the

    judgment upon Israel

    1

    :7). The

    judgment or execution

    of

    the

    theme is in chapters 17 and

    18.

    If

    the theme pertains to Jerusalem,

    so does the judgment that fnlfills

    the theme. ( c) The slain Lamb

    appears twenty-seven times in

    Revelation. The Lamb is seeking

    vengeance upon his slayers. In

    Matthew 27:35, the Jews

    as

    sumed the guilt of the Lamb's

    blood. They called down a

    covenantal curse upon themselves.

    (3) In Revelation 17:4 the

    (5) In Revelation

    17

    and 21,

    John compares two women: the

    harlot (which I am arguing is the

    city of Jerusalem) and the Bride,

    which is definitely called the

    new and heavenly Jerusaleln.

    Paul likewise makes this compari

    son between the earthly, literal

    Jerusalem and the heavenly

    Jerusalem of Christianity (Gal.

    4:24). The writer

    to

    the Hebrews

    utilized the same

    imagery (Hebrews 12:24ff.).

    Under the guise of two women,

    John is setting Israel (Judaism)

    against Christianity (the Church).

    The following evidence strongly

    suggests the comparison:

    (a) The same angel comes to

    John

    to

    reveal both the harlot and

    the bride (Rev. 17:1 with 21:9).

    (b) The two women have a

    contrasting character, one is

    negative, one positive (17:1 with

    21:10). (c) The two women are

    set in contrasting environments

    (Rev. 17:3 with 21:10), which

    bespeak their relationship but

    difference.

    October/November, 1999 - THE COUNSEL o Chalcedon - 39

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    (6) In

    Revelation, Jerusalem is

    called

    by

    pagan

    names. In 11:8

    sheis

    called

    Sodom and Egypt.

    She

    apparently is also called

    Babylon.

    Each

    of

    these

    city-states were enemies of God's

    righteousness. John's moral point

    is that as Jerusalem crucifies the .

    Messiah and

    persecutes his

    followers, she is acting exactly

    like

    the

    enemies

    of

    God from the

    Old Testament era.

    (7) Revelation is the most Old

    Testament flavored book in the

    entire New Testament. t cannot

    be understood apart from this

    background. In the old covenant

    economy, Israel was God's bride

    or

    wife.

    God

    graciously married

    this nat ion, i.e., entered into

    covenant with

    her. Accordingly,

    in

    eremiah God

    rebukes his

    faithless wife: Return, 0 back

    sliding children, because I

    married

    you.

    In

    31:32, where the

    new covenant is revealed, he

    says,

    They

    broke my covenant

    though I was a husband to them.

    Israel, however, is an unfaith

    ful

    wife. She chases after foreign

    gods. Accordingly, God sends his

    lawyers, the prophets, to warn

    her.

    They

    bring a case, a legal

    brief, against

    her

    (cf. Hos. 4:1;

    Mic. 6:2).

    On

    the basis

    of

    God's

    law, God calls forth witnesses

    against his faithless wife (Isa. 1:2,

    21). The same problem existed in

    the Old Testament as we encoun

    ter

    in

    the

    New

    - marital infidelity

    on

    Israel's part.

    All of this covenant imagery

    and

    the legal actions involved in

    them

    bear

    upon the application

    of

    the judgments in Revelation upon

    Israel. In Revelation 4, prior to

    the

    announcement

    of

    the judg

    ment, John sees God seated on

    his throne. Forty-seven

    of

    the

    sixty-two times throne appears

    in the New Testament are found

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    Thdnk You

    in Revelation. Within Revelation is

    found much language

    of

    judicial

    judgments: judgement, wit

    nesses, wrath, and

    so

    forth.

    Why

    is God seated

    upon

    the

    throne and why is there so much

    judicial imagery in the book?

    Because he is legally divorcing his

    wife, Israel.

    He

    intends to

    take a new Bride, the Church.

    The

    scroll, therefore, in Revela

    tion 5 is a bill

    of

    divorcement

    against Israel. John is picking up

    on

    imagery that Jeremiah has

    already utilized (3:3,8). Jeremiah

    was writing about the original

    Babylonian captivity. John is

    writing

    of a new Babylon that

    once again causes the temple to

    be destroyed: Jerusalem, the'

    apostate wife

    of

    God.

    The

    seven

    sealed scroll indicates a sevel1fold

    judgment

    upon his adulterous

    wife. God will now capitally

    punish her for her capital crime

    (Rev. 6-19).

    Having legally disposed

    of

    his

    adulterous wife, God turns to a

    new wife. So at the end

    of

    Revelation

    we

    turn to a vision

    of

    the

    new

    Bride.

    In

    Revelation

    21 : I0 John sees the new city

    coming down out

    of

    heaven. This

    bride is a new Jerusalem, who

    fills the

    void

    of the old Jerusalem

    just judged. Therefore, Revelation

    is teaching us of God's divorce of

    Israel because they had commit

    ted a final, horrible transgression

    for which he must divorce and

    punish her.

    I do believe Israel will experi

    ence a glorious renewal

    in

    the

    plan

    of God

    when God at last

    raises

    her

    dry bones from the

    dead in conversion.

    But

    Revela

    tion warns and explains

    of

    her

    first century judgment, an histori

    cal event about to occur in the

    lifetimes of the original recipients

    of

    the book.

    'Transcribed by

    Chris Strevel

    for The ounsel o halcedon

    from the 1999 Ligonier National

    Conference

    4 - THE COUNSEL ofChalcedon - October/November, 1999