1891?–60, African-American writer

HURSTON, ZORA NEALE

By

Jon

African-American writer, b. Notasulga, Ala. She grew up in the pleasant all-black town of Eatonville, Fla. and, moving north,

graduated from Barnard College, where she studied with Franz Boas. Her placid childhood and privileged academic background are often

cited as major reasons for her work's general lack of stress on racism, a characteristic so unlike such contemporaries as Richard Wright. An

anthropologist and folklorist, Hurston collected African-American folktales in the rural South and sympathetically interpreted them in the collections Mules and Men (1935) and Tell My Horse (1938). A

third volume of tales, Every Tongue Got to Confess, was discovered in manuscript and published in 2001. Hurston, a significant figure in the

Harlem Renaissance, was also the author of four novels including Jonah's Gourd Vine (1934) and the influential Their Eyes Were Watching God (1937). Her plays include the comedy Mule Bone

(1931), written in collaboration with her friend Langston Hughes

LIFE

Originally called the New Negro Movement, the Harlem Renaissance was a literary and intellectual flowering that

fostered a new black cultural identity in the 1920s and 1930s. Critic and teacher Alain Locke described it as a

"spiritual coming of age" in which the black community was able to seize upon its "first chances for group expression

and self determination."

With racism still rampant and economic opportunities scarce, creative expression was one of the few avenues

available to African Americans in the early twentieth century. Chiefly literary—the birth of jazz is generally

considered a separate movement—the Harlem Renaissance, according to Locke, transformed "social disillusionment to

race pride."

LIFE CONT.

THE END