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BAROQUE1580-1700
1.1 Baroque Characteristics
Baroque is derived from the Italian word “barocco” which means “misshapen pearl.”
rejected the classical styles of the Renassiance.
Art was used to restore the power of the monarchy and the church.
Characteristics include: excess, ornamentation, contrasts, tensions,
and energy.
Baroque Dance-Development of Ballet
French King Louis XIV, aka the Sun King Dancer and contributed to the grown of ballet His favorite ballet was called “Apollo”
Took dance classes from Pierre Beauchamps, Employed musician Jean-Baptiste Lully,
The Royal Academy of Music and Dance in France. Book-History Dance in Art and Education,
the basis of ballet technique-what we know today All educated people learned to dance (like us
driving) People didn’t dance on their toes until the 19th
century
Drama/Theatre – Baroque
Theatre productions inside on stages. Became more elaborate as did scenic
elements and costumes. Spectacular court productions were called
masques By the end of the 18th century, women
actors Writing explored more domestic themes.
Music – BaroqueJohann Sebastian Bach
(1685-1750)
German composer Worked for a church. Not well known Played the harpsichord Remembered for his
Cantatas. A Cantata
musical work that consisted of several pieces of music that were related to each other by their text from bible.
25 minutes, sung in German.
Most famous works: Toccata
And Fugue In D Minor
George Frideric Handel (1685-1759)
Germany composer settled in England
Well known Oratorio
Longer, tells a religious story and the text is not directly from the Bible.
Famous work- The Messiah. the story of the birth, passion, and
resurrection of Christ. Usually performed during Christmas
Effects of Baroque Music
The Catholic Church was no longer the dominant religion in every European country.
In Germany, (Protestant) Bach wrote cantatas for the Lutheran church service.
In England (Catholic) oratorios were performed as special music concerts as an alternative to opera.
Baroque Art
Characteristics: excess, ornamentation, full of drama and energy
appeal to the heart instead of the mind. Emotion was the goal break from the “Classical” qualities of the
Renaissance. Catholic countries used religious subject
matter to draw people back Protestants countries wanted no religious
art for their churches.
Michelangelo Merisi “Caravaggio” (1571-1610)
Born in Italy Used chiaroscuro, extreme
contrasts between light and dark values, to illuminate his works.
His figures were flawed appeared more real and human.
His paintings were shocking at the time.
People thought he was being disrespectful by showing religious figures as ordinary, everyday people.
His life was far from being considered religious.
trouble with the law. fights, was sued and
sent to prison. In 1606 killed a man in
an argument over a score in a tennis game.
Caught pneumonia and died at the age of
39.
“St. Francis in Ecstasy”Caravaggio, 1595
“St. Francis in Ecstasy”Caravaggio, 1595
“The Flagellatio
n of Christ”
by Caravaggi
o
“The Flagellatio
n of Christ”
by Caravaggi
o
“David and Goliath” by Caravaggio
“David and Goliath” by Caravaggio
“Salome with the Head of the Baptist”
by Caravaggio
“Salome with the Head of the Baptist”
by Caravaggio
“The Cardsharps”Caravaggio, 1595“The Cardsharps”Caravaggio, 1595
Rembrandt van Rijn (1606-1669)
Born in Holland He moved to Amsterdam to work with an artist
who had studied in Italy and was greatly influenced by Caravaggio.
Learned how to use chiaroscuro Unlike most Dutch painters, Rembrandt
painted religious subjects; self-portraits, as well as landscapes, portraits, still-
lifes, and genre paintings. remembered for his special use of lighting,
creating a golden glow around his subjects to express mood and emotion