1474

Modern & ContemporaryArt 11/03/13

Modern & Contemporary Art 11/03/13

Modern & ContemporaryArtSale 1474

Sunday, November 3 at 2pm

Inquiries:anne henry ext 3049267.414.1220

[email protected]

aimee pflieger ext 3015267.414.1221

[email protected]

fred frederick ext 3018267.414.1231

[email protected]

Exhibitions:Thursday, October 31 and

Friday, November 1 10am-5pm

Saturday, November 2

12pm-5pm

Catalogue:$37 in the Gallery

$42 domestic mail

$47 international mail

Inside Front Cover: Lot 85 (detail)Inside Back Cover: Lot 78 (detail)

Color images of every lot andcondition reports are available atwww.freemansauction.com

Bidding:cara bishoff

267.414.1208fax: [email protected]

Printing by Brilliant Studio

Exton, Pennsylvania

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2 www.freemansauction.com

Important Informationfor Buyers

Registration

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Sales Tax

Catalogue Descriptions

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Removal of Purchases

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All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $50,000 of the hammer price of each lot, 20% on theportion from $50,001 through $1,000,000, and 12% thereafter.

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All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.

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On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Payment is due within ten (10) working days of the sale. Lots purchased willnot be released until we have received full payment. Payment may be madein cash, by check, money order, or debit card. Payments by check must clearthe bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed withinten (10) working days of the sale. Purchases not so removed may be turnedover to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


www.freemansauction.com 3

Modern & Contemporary ArtSunday November 3, 2013 at 2pmlots 1-199


1 132008/2FÉLIX EDOUARD VALLOTTON(swiss, 1865-1925)“LA GUITARE”from “instruments de musique”1897, signed and numbered 66 inblue pencil bottom right (from theedition of 100). Woodcut on wovepaper.image: 8 7/8 x 7 in. (22.6 x 17.8cm)sheet: 12 5/8 x 9 7/8 in.(32.1 x 25.1cm)[Vallotton/Goerg, 175a]$5,000-8,000

2 138051/20GEORGES ROUAULT(french, 1871-1958)“AMAZONE”plate one from “cirque”1930, from the total edition of 270(there were 110 copies onhandmade Montval and 160 onRives wove), with wide margins,Ambroise Vollard, Paris, publisher.Color aquatint on handmadeMontval paper.image: 11 7/8 x 9 in.(30.2 x 22.9cm)sheet: 17 1/2 x 13 3/8 in.(44.5 x 34cm)[Chapon/Rouault, 198d]$2,500-4,000



4 131624/2PIERRE AUGUSTE-RENOIR(french, 1841-1919)“LES BAIGNEUSES”Circa 1908, from the edition of 30-50, the full sheet (sheet edgespossibly trimmed slightly), printedby Auguste Clot, Paris. Transferlithograph on wove paper.sheet: 19 1/2 x 26 7/8 in.(49.5 x 68.3cm)[Delteil/Stella, 51]$1,500-2,500

5 131850/5MAX JACOB(french, 1876-1944)“LE SOMMEIL DEL’INNOCENCE: LE SOLEIL DEMINUIT”Signed, and dated [19]28 in ink,titled in pencil bottom right,gouache, pastel and charcoal onpaper laid down to board14 1/4 x 14 in. (36.2 x 35.6cm)provenance:Private Collection.$1,000-1,500


3 131601/3PIERRE-AUGUSTE RENOIR(french 1841-1919)“LA PIERRE AUX TROIS CROQUES”1904, Delteil’s second (final) statewith printed signature printed in1919, from the edition ofapproximately 950 on this paper,with wide margins, AmbroiseVollard, Paris, publisher. Lithographon wove paper.image: 8 3/4 x 11 1/4 in.(22.2 x 28.6cm)sheet: 9 7/8 x 12 3/4 in.(25 x 32.4cm)[Delteil/Stella, 41]$1,500-2,500


6 132199/2ARMAND GUILLAUMIN(french, 1841-1927)“PONTGIBAUD - AOÛT, LE MATIN”Signed bottom left, titled and dated 1895 in pencil on stretcher verso, oil oncanvas23 1/2 x 28 3/4 in. (59.7 x 73cm)provenance:Serret-Fauveau, Paris, France.Sotheby’s, London, “Impressionist and Modern Paintings and Sculpture, PartII,” June 29, 1988, lot 134.Private Collection, New York, New York.literature:G. Serret and D. Fabiani, “Armand Guillaumin, Catalogue Raisonné del’Oeuvre Peint,” Paris 1971, no. 358, illustrated.$30,000-50,000




7 132199/3GUSTAVE LOISEAU(french, 1865-1935)“ROCHERS DE ST. LUNAIRE”Signed and dated 1904 bottom left, oil on canvas24 x 32 in. (60.9 x 81.3cm)provenance:David Findlay Galleries, New York, New York.Private Collection, New York, New York.note:This lot will be accompanied by a certificate of authenticity from DidierImbert Fine Arts. It will also be included in the forthcoming catalogueraisonné.$40,000-60,000


8 132199/1LUCIEN PISSARRO(french, 1863-1944)“FOOTPATH IN NOVEMBER, GREYSHOTT”Signed and dated 1925 lower left, oil on canvas21 1/2 x 25 3/4 in. (54.6 x 65.4cm)[Thorold, 417]provenance:David Findlay Galleries, New York, New York.Private Collection, New York, New York.


exhibited:Walker Art Gallery, Liverpool, United Kingdom, 1934.(Catalog No. 941)"Exhibition of Paintings and Drawings by LucienPissarro," Usher Art Gallery, Lincoln, United Kingdom,9 November - 7 December, 1935. (Catalog No. 31)The Institute, Braintree, United Kingdom, 1948.(Catalog No. 65)"Retrospective of the Works of Lucien Pissarro,"O'Hana Gallery, London, 9-26 November, 1955.(Catalog No. 17)"Lucien Pissarro," David Findlay Galleries, New York,New York, 26 April- 14 May, 1966. (Catalog No. 25) $40,000-60,000



9 131330/3KÄTHE KOLLWITZ(german, 1867-1945)“VERGEWALTIGT”plate two from “bauernkrieg”1907, Klipstein’s state VIb (of VIII)printed in 1921, pencil signed, withwide margins. Etching on wovepaper.image: 12 1/2 x 20 7/8 in.(31.8 x 53cm)sheet: 17 1/2 x 23 1/4 in.(44.4 x 58.4cm)[Klipstein, 97VIa; Knesebeck, 101]$1,000-1,500

10 131995/10KÄTHE KOLLWITZ(german, 1867-1945)“TOD UND FRAU UM DAS KINDRINGEND”1911, pencil signed bottom left, aworking proof between Klipstein’sstate VI and VII (of IX) with a faint‘x’ in pencil through the image.Etching, drypoint and softgroundetching on heavy wove paper.image: 8 3/4 x 11 1/8 in.(22.2 x 28.25cm)sheet: 12 x 15 1/2 in.(30.5 x 39.4cm)[Klipstein, 118, Knesebeck, 121]provenance:Sotheby’s Parke Bernet Inc, NewYork, “Old Master Prints andNineteenth and Twentieth CenturyPrints,” May 14-16, 1974, lot 475.Private Collection, New York.$6,000-10,000



11 132153/1GEORGE GROSZ(german, 1893-1959)LORD NELSON AND LADYHAMILTONSigned bottom right, ink on paper23 3/8 x 18 1/16 in. (59.3 x 45.8cm)provenance:Studio of the Artist, Berlin, 1923.George Grosz Estate, 1959.Vera Lazuk Gallery, Cold SpringHarbor, New York.Private Collection, Philadelphia(Purchased directly from the abovecirca 1970).note:This work will be included in theforthcoming catalogue raisonné forworks on paper prepared by RalphJentsch, the director of the GeorgeGrosz Estate.

This work is related to one of thedrawings Grosz executed asillustrations for Alfred RichardMeyer’s book “Lady Hamilton oderdie Posen-Emma oder vomDienstmadchen zum Beefsteak a laNelson” (see pp 32-33).$6,000-10,000



12 131423/2GEORGE GROSZ(german, 1893-1959)“STILL LIFE WITH CHIANTI BOTTLE, FRUIT BOWL AND OCARINA”Signed and dated “1938/January” verso, oil on canvas16 1/4 x 20 1/4 in. (41.3 x 51.4cm)provenance:Studio of the artist, Douglaston, Long Island, New York.Walker Galleries, Inc., New York, New York (Inventory no. W-909) with thetitle “Still Life with Chianti Bottle.”Private Collection.note:This work will be included in the forthcoming catalogue raisonné preparedby Ralph Jentsch, the director of the George Grosz Estate, and isaccompanied by a certificate of authenticity dated April 23, 2013.$40,000-60,000



13 131753/5JEAN DUFY(french, 1888-1964)“PONTS DE PARIS”Signed bottom right, oil on canvas21 1/2 x 29 in. (54.6 x 73.7cm)provenance:Schoneman Galleries, Inc., NewYork, New York.Estate of Walter Mickelburgh.note:This lot will be accompanied by acertificate of authenticity fromJacques Bailly, dated July 13, 2013and numbered 4370. It will also beincluded in the forthcomingcatalogue raisonné.$40,000-50,000



14 131753/4JEAN DUFY(french, 1888-1964)“PARIS, RUE LAFFITTE”Signed bottom right, gouache onpaper24 x 18 in. (61 x 45.7cm)provenance:Estate of Walter Mickelburgh.exhibited:“Raoul Dufy & Jean Dufy,” GalerieReine, New York, New York, May25-June 15, 1967.note:This lot will be accompanied by acertificate of authenticity fromJacques Bailly, dated July 13, 2013and numbered 4369. It will also beincluded in the forthcomingcatalogue raisonné.$20,000-30,000



15 131898/3MARC CHAGALL(french/russian, 1887-1985)“DEATH OF MOSES,” plate 41 from “the bible”Pencil signed with initials bottomright, numbered 57/100 (there werealso 20 hors commerce copiesnumbered in Roman numerals), withmargins, Tériade Editeur, Paris,publisher. Etching with handcoloring on Auvergne.image: 12 x 9 3/4 in.(30.5 x 24.7cm)sheet: 18 7/8 x 14 3/8 in.(48 x 36.5cm)[Cramer books, 30]$2,500-4,000

16 138051/41MARC CHAGALL(french/russian, 1887-1985)“BONJOUR SUR PARIS”1952, pencil signed and numberedE.A. (one of 35 artist’s proofs, theedition was 75), with full margins,Mourlot, Paris, publisher (publishedin 1955 for the 100th Anniversaryalbum of the Mourlot Press). Colorlithograph on Arches.image: 16 x 21 in. (40.6 x 53.3cm)sheet: 19 7/8 x 26 1/4 in.(50.5 x 66.7cm)[Mourlot, 71]$10,000-15,000



18 132171/2MARC CHAGALL(french/russian, 1887-1985)“A SEQUESTERED GARDEN”1969, pencil signed and numbered23/50 (there were also 25 artist’sproofs in Roman numerals), with fullmargins. Color lithograph on Arches.image: 23 3/4 x 15 1/2 in.(60.3 x 39.4cm)sheet: 30 x 21 1/2 in.(76.2 x 54.6cm)[Mourlot, 592]$8,000-12,000

17 138040/22MARC CHAGALL(french/russian, 1887-1985)“SACRIFICE AUX NYMPHES”from “daphnis et chloé”1961, pencil signed and numbered 58/60(there was also an unsigned, unnumberededition of 250 without margins), withwide margins, Tériade Editeur, Paris,publisher. Color lithograph on Arches.image: 16 5/8 x 12 1/2 in. (42.2 x 31.7cm)sheet: 21 3/8 x 15 in. (54.3 x 38.1cm)[Mourlot, 330; see Cramer books 46]note:This lot is accompanied by a copy of“Daphnis and Chloe” by Longus withillustrations by Marc Chagall, published byGeorge Braziller, New York, 1977.$6,000-10,000



19 131897/1(AFTER) MARC CHAGALL(french/russian, 1887-1985)“AVENUE DE LA VICTOIRE A NICE”plate 6 from “nice et la côted’azur”1967, pencil signed, numbered24/150 (there were also 75 artist’sproofs in Roman numerals), withwide margins, Fernand Mourlot,Paris, publisher, and with his andCharles Sorlier’s inkstamp verso.Color lithograph on Arches.image: 24 x 18 in. (61 x 45.7cm)sheet: 29 1/4 x 20 7/8 in.(74.3 x 53cm)[Sorlier, 31]$10,000-15,000

20 1380104/2(AFTER) MARC CHAGALL(french/russian, 1887-1985)“FEMME DE CIRQUE”Ca. 1960, pencil signed andnumbered HC 10/15 and again in inkverso (an hors commerceimpression aside from the edition of150), Guy Spitzer, Paris, publisher,and with their blindstamp bottomright and inkstamp verso. Colorlithograph and pochoir on Arches.image: 23 1/2 x 18 in.(60 x 45.7cm)sheet: 31 1/2 x 25 in. (80 x 63.5cm)$8,000-12,000



22 128101/1LÉONARD TSUGUHARU FOUJITA(french/japanese, 1886-1968)JEUNE FILLE AUX NATTESSigned in ink, dated 1948 lowerright, watercolor, gouache and inkon papersheet: 20 3/4 x 12 15/16 in.(52.7 x 32.9cm)support sheet: 23 3/4 x 14 3/4 in.(60.3 x 37.5cm)provenance:Private Collection, Virginia.note:This painting has beenauthenticated by Sylvie Buisson andhas been assigned cataloguenumber D48.018.A.The present owner sat for thisportrait in 1948 when she was eightyears old and living outside of Tokyowhere her father, a colonel in thearmy, was stationed. She recalls thatFoujita, by then an internationallycelebrated artist, executed portraitsof several of the occupationists’children.$20,000-30,000

21 131988/62(AFTER) HENRI MATISSE(french, 1869-1954)NUCirca 1950, pencil numbered129/300, with wide margins, GuySpitzer, Paris, publisher and with hisblind stamp. Color collotype andstencil coloring on wove paper.image: 18 x 15 in. (45.7 x 38.1cm)sheet: 22 3/8 x 18 1/2 in.(56.8 x 47cm)$2,500-4,000



23 138051/35ANDRÉ MASSON(french, 1896-1987)UNTITLED (THREE FIGURES)Signed bottom right, ink and pastelon paper25 1/2 x 19 3/4 in. (65 x 50.2cm)provenance:Estate of Robert G. Luckie, Tuscon,Arizona.$3,000-5,000

24 138051/34ANDRÉ MASSON(french, 1896-1987)“ARCHANGE”Signed bottom right, pastel oncanvasExecuted in 196016 x 13 in. (41 x 33cm)provenance:Galerie Louise Leiris, Paris.Estate of Robert G. Luckie, Tuscon,Arizona.$6,000-10,000

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26 131538/2LEBADANG(french, b. 1922)THREE HORSESSigned bottom right, oil on canvas19 1/2 x 24 in. (49.5 x 61cm)provenance:Private Collection.$800-1,200

27 138051/44JACQUES DEPERTHES(french, b. 1936)“MONTREUIL”1965, signed bottom left and signed,titled and dated verso, oil on canvassight: 25 3/4 x 31 3/4 in.(65.4 x 80.6cm)provenance:Estate of Robert G. Luckie, Tuscon,Arizona.$1,500-2,500

25 131892/4JACQUES MARTIN-FERRIÈRES(french, 1893-1972)JARDINE DE NEUILLYSigned bottom left, oil on canvas21 x 29 in. (53.3 x 73.6cm)provenance:Wally Findlay GalleriesPrivate CollectionSotheby’s New York: “Impressionist& Modern Art, Including Russian Art,”Thursday, October 4, 2012, lot 195.Private Collectionnote:With an unfinished, unsignedcomposition depicting a tomatoplant verso.$6,000-10,000



28 131850/1FRANÇOIS GALL(french, 1912-1987)STILL LIFE WITH POPPIESSigned bottom left, oil on canvas10 3/4 x 8 3/4 in. (27.3 x 22.2cm)provenance:Le Monde Galleries, New York, New York.Private Collection.$1,000-2,000

29 131850/3FRANÇOIS GALL(french, 1912-1987)STILL LIFE WITH ROSESSigned bottom right, oil on canvas10 3/4 x 8 3/4 in. (27.3 x 22.2cm)provenance:Le Monde Galleries, New York, New York.Private Collection.$1,000-2,000

30 131850/2FRANÇOIS GALL(french, 1912-1987)LADIES AT LUNCHSigned bottom right, oil on canvas10 3/4 x 18 in. (27.3 x 45.7cm)provenance:Hammer Galleries, New York, New York.Private Collection.$1,000-2,000



32 131836/26two paintingsCLAUDE VENARD(french, 1913-1999)STILL LIFE WITH TROMBONESigned bottom right, oil on canvas8 3/4 x 6 1/2 in. (22.2 x 16.5cm)andSTILL LIFE WITH VIOLINSigned bottom right, oil on masonite9 3/8 x 5 3/4 in. (23.8 x 14.6)(2)provenance:The Estate of Sylvia Briselli,Philadelphia.$3,500-4,500

31 132162/1AUGUSTUS EDWIN JOHN(welsh, 1878-1961)“MAGNOLIA”Signed bottom right, oil on canvas36 x 28 in. (91 x 71cm)provenance:Thelma Cazalet-Keir.Royal Scottish Academy, Edinburgh.(Bequest from the above in 1989 inmemory of her mother and latehusband Daniel Edwin Muir).$8,000-12,000



33 132145/4two printsLE CORBUSIER(french/swiss, 1887-1965)UNTITLEDplate ii from “unite”1965, unsigned, pencil numbered 122/130, with widemargins, Atelier Crommelynck, Mazo et Cie Éditeurs,Paris, co-publishers. Etching and aquatint in colors onBFK Rives.image: 16 1/4 x 12 1/4 in. (41.3 x 31.1cm)and“AUTREMENT QUE SUR TERRE”1963, with the printed signature lower right (as issued),unsigned proof apart from the numbered edition of150, with wide margins. Color lithograph on wovepaper.image: 22 x 17 5/8 in. (55.9 x 44.8cm)[“Untitled, Plate II” not in Weber, “Autrement que surterre” see Weber, p. 69](2)$2,000-3,000

34 131591/3JOAN MIRÓ(spanish, 1893-1983)UNTITLEDplate 9 from “album 19”1961, pencil signed with initial and numbered43/75 (there were also 15 artist’s proofs inRoman numerals), the full sheet, GalerieMaeght, Paris, publisher. Color lithograph onBFK Rives.sheet: 26 x 20 in. (66 x 50.8cm)[Mourlot, 320; see Cramer books, 70]$1,000-2,000

35 131611/4JOAN MIRÓ(spanish, 1893-1983)“PYGMÉES SOUS LA LUNE”1972, pencil signed and numbered ‘HC’ (an horscommerce impression aside from the edition of50), with wide margins, Galerie Maeght, Paris,publisher. Etching and aquatint on Arches.image: 21 x 26 5/8 in. (53.3 x 67.6cm)sheet: 27 1/2 x 37 in. (69.9 x 34cm )[Dupin, 562]$2,000-3,000



37 132008/1JOAN MIRÓ(spanish, 1893-1983)“LE CIEL DU FORGERON”1964, pencil signed and numbered69/75, the full sheet (to three sides)Galerie Maeght, Paris, publisher.Color drypoint with embossing onArches.image: 23 x 18 3/4 in.(58.4 x 47.6cm)sheet: 26 x 18 3/4 in. (66 x 47.6cm)[Dupin, 364]$1,000-1,500

38 132145/6JOAN MIRÓ(spanish, 1893-1983)POSTER FOR THE EXHIBITION “J.L. SERT”1978, pencil signed and numbered 7/25 (there were also 10 on Rives inRoman numerals and an un-numbered poster edition of 1700 printedwith text on ordinary paper), with wide margins, Carpenter Center forthe Visual Arts, Harvard University, Cambridge, publisher. Colorlithograph on Arches.image: 27 1/2 x 20 1/2 in. (69.8 x 52cm)sheet: 30 x 21 in. (76.2 x 53.3cm)[Mourlot, 1168]$1,000-1,500

36 131728/1JOAN MIRÓ(spanish, 1893-1983)“HUMAN RIGHTS”poster for unesco1974, pencil signed and numbered19/75, with wide margins, UNESCO,Paris, publisher. Color lithograph(before letters) on Arches.image: 29 1/2 x 22 1/2 in.(74.8 x 57.2cm)sheet: 31 3/8 x 23 1/2 in.(79.8 x 59.8cm)[Mourlot, 930]$4,000-6,000



39 131263/3SALVADOR DALÍ(spanish, 1904-1989)“PLAYING CARDS: CLUBS”four color lithographs1970, each pencil signed andnumbered 13/150 (there were also250 on wove paper), with fullmargins, Reese Palley, New York,New York, publisher. Four colorlithographs on Arches.each image (approx.): 14 1/4 x 9 1/2 in.(36.7 x 24cm)each sheet (approx.): 26 x 20 in.(65.9 x 50.7cm)Including: Ace, King, Queen, Jack ofClubs.[Michler & Löpsinger, 1287, 1291,1295, 1299]Unframed(4)$6,000-8,000

40 131263/4SALVADOR DALÍ(spanish, 1904-1989)“PLAYING CARDS: SPADES”four color lithographs1970, each pencil signed andnumbered 13/150 (there were also250 on wove paper), with fullmargins, Reese Palley, New York,New York, publisher. Four colorlithographs on Arches.each image(approx.): 14 1/4 x 9 1/2 in.(36.7 x 24cm)each sheet (approx.): 26 x 20 in.(65.9 x 50.7cm)Including: Ace, King, Queen, Jack ofSpades.[Michler & Löpsinger, 1288, 1292,1296, 1300]Unframed(4)$6,000-8,000


41 131611/3SALVADOR DALÍ(spanish, 1904-1989)“LA PERSISTANCE DE LA MÉMOIRE”Signed verso, stamp-numbered 39/350 (there were also 35 artist’sproofs), with the Fonderia Tesconi stamp on the underside of the clock,bronze in two parts plus marble baseExecuted in 1980height: 16 3/4 (42.5cm)length: 6 in. (15.2cm)width: 4 in. (10.1cm)(including base)provenance:Private Collectionliterature:Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Spells forthe Magic of Form - Sculptures and Objects, Azay-le-Rideau 2004,p.246 no. 632 (another cast ill.)$6,000-10,000



42 131673/1SALVADOR DALÍ(spanish, 1904-1989)“BOCETO PARA EL CARTEL DE DON JUAN TENORIO (DESIGN FOR THE POSTER OF DON JUAN TENORIO)”Ca. 1949, signed ‘Dalí’ 6 times (in various places) and inscribed ‘Zorilla Escobar Tenorio Dalí’ upper center, gouache,watercolor, and pen and ink on card11 x 14 in. (28 x 35.6cm)Unframedprovenance:The artist.Luis Escobar, Spain (gift from the artist circa 1949).By descent.Sotheby’s London, 9 February 2012, lot 175.Corporate Ownership.exhibited:“Luis Escobar y la Vanguardia,” Sala Plaza de España, Madrid, 1991.“Tres Mitos Españoles - La Celestina - Don Quijote - Don Juan,” Centro Cultural Conde Duque, Madrid, 2004.“Visiones de Don Juan,” Sala de Exposiciones Santa Ines, Seville, 2009-10, no. 242, illustrated in color in the catalogue.“A Rebours,” May 9 - June 30, 2012 “Venus Over Manhattan,” New York, New York.literature:Centro Dramático Nacional, Teatro María Guerrero, “Don Juan Tenorio de José Zorilla sobre escenografía y figurinesde Salvador Dalí,” Madrid, 2003, illustrated pp. 14-15.$60,000-100,000

Salvador Dalí created this poster design around 1949 for Don Juan Tenorio, a play written in

1844 by José Zorilla and staged in 1949 by director Luis Escobar. Dalí was commissioned to

design backdrops and costumes for the production at the María Guerrero National Theatre

Company.

Zorilla’s play is a re-telling of the story of the legendary libertine, Don Juan. The wealthy Don

Juan was said to have seduced thousands of women while living a violent lifestyle

punctuated by murder and gambling. In Zorilla’s play, Don Juan is eventually spared eternal

damnation after asking for a divine pardon for his many sins.

Dalí’s aesthetic fit perfectly with Zorilla’s writing style, which is dreamlike, surreal and

features a strange, uneven pace and nonsensical verse forms. For the stage sets, Dalí utilized

giant papier-mâché faces, animals and oversized insects.





43 131914/2ANTONI CLAVÉ(spanish, 1913-2005)UNTITLEDSigned bottom left, signed anddated 1958 in black crayon verso, oilon canvas21 3/4 x 18 in. (55 x 45.7cm)provenance:Private Collection$20,000-30,000




44 138075/2PABLO PICASSO(spanish, 1881-1973)“BUSTE DE FEMME” OU“JACQUELINE AUX CHEVEUXFLOUS”1962, pencil signed and numbered11/50, with wide margins, GalerieLouise Leiris, Paris, publisher.Linoleum cut on Arches.image: 13 7/8 x 10 1/2 in.(35.2 x 26.7cm)sheet: 24 3/4 x 17 1/2 in.(62.9 x 44.5cm)[Bloch, 1091; Baer, 1295]$8,000-10,000

45 131601/4PABLO PICASSO(spanish, 1881-1973)“AU CIRQUE- PUGILISTES ETÉCUYÈRE”plate 20 from “la série 156”1970, stamp signed bottom right,pencil numbered 40/50, GalerieLouise Leiris, Paris, publisher.Aquatint on BFK Rives.image: 12 1/4 x 16 3/8 in.(31.1 x 41.6cm)sheet: 17 3/4 x 22 1/2 in.(45.1 x 57.2cm)[Bloch, 1875; Baer, 1880]$1,500-2,500


48 131996/4PABLO PICASSO(spanish, 1881-1973)“PICADOR”1952, from the edition of 500, inscribed ‘EDITION PICASSO’ on underside,partially glazed white earthenware clay ashtray with oxidized paraffindecoration and black paintdiameter: 6 1/4 in. (15.9cm)[Ramie, 176]$1,200-1,800

49 131986/1PABLO PICASSO(spanish, 1881-1973)“OISEAU À LA HUPPE”1952, from the edition of 500, inscribed ‘EDITION PICASSO’ on underside,partially glazed white earthenware clay with oxidized paraffin decoration andblack paintdiameter: 6 1/4 in. (15.9cm)[Ramie, 173]note:This lot will be sold with original Madoura Galerie card with handwritteninvoice.$2,000-3,000

47 131986/2PABLO PICASSO(spanish, 1881-1973)“VISAGE”1955, from the edition of 500, inscribed ‘EDITION PICASSO MADOURA’ onunderside, white earthenware clay with decoration in engobes under glazediameter: 5 in. (12.7cm)[Ramie, 290]note:This lot will be sold with original Madoura Galerie card.$1,500-2,500

46 131988/36PABLO PICASSO(spanish, 1881-1973)“PICADOR”1952, from the edition of 500, inscribed ‘Edition Picasso’ and stamped‘EDITION PICASSO’ and ‘MADOURA‘ on underside, white earthenware clayturned plate with oxidized paraffin decoration and black paintdiameter: 7 3/4 in. (19.7cm)[Ramie, 160]$3,000-5,000




50 131534/2ANTONIO QUIRÓS(spanish, 1912-1984)HOMBRE CON SOMBRERO VERDESigned bottom left, oil on board26 1/4 x 18 1/2 in. (66.7 x 47cm)provenance:Private Collection, Pennsylvania.$2,500-4,000

51 131365/3MANUEL MARIN(spanish, 1942-2007)UNTITLEDIncised with artist’s name on base,painted and welded iron stabileheight: 39 in. (99.1cm)length: 44 in. (111.8cm)width: 16 in. (40.6cm)provenance:The artist.Monika Rabassa (wife of the artist).$1,500-2,500

52 131365/4MANUEL MARIN(spanish, 1942-2007)UNTITLEDIncised with artist’s name on base, painted andwelded iron stabileheight: 35 1/2 in. (90.2cm)length: 49 in. (124.5cm)width: 18 in. (45.7cm)provenance:The artist.Monika Rabassa (wife of the artist).$1,500-2,500



53 131950/2ANGEL BOTELLO(puerto rican, 1913-1986)“MUJER SENTADA #18”Signed bottom right, oil on panelExecuted circa 196548 x 24 1/4 in. (121.9 x 61.6cm)provenance:Private Collection, New Jersey.note:We are grateful to Juan Botello forhis assistance in confirming theauthenticity of this work.$20,000-30,000



54 131950/1ANGEL BOTELLO(puerto rican, 1913-1986)MOTHER AND CHILDSigned bottom right, oil on panelExecuted circa 196560 x 36 in. (152.4 x 91.4cm)provenance:Newman Gallery, Philadelphia,Pennsylvania.Private Collection, New Jersey.note:We are grateful to Juan Botello forhis assistance in confirming theauthenticity of this work.$25,000-40,000



55 131926/1ANGEL BOTELLO(puerto rican, 1913-1986)“GIRL DANCING”Signed ‘Botello’ and numbered ‘cast #8’along bottom edge, bronzeExecuted ca. 1970height: 24 in. (60.1cm)length: 10 1/4 in. (26cm)width: 3 1/2 in. (8.9cm)(not including base)provenance:Private Collection.note:We are grateful to Juan Botello for hisassistance in confirming the authenticity ofthis work.$15,000-25,000



57 132176/2double sided drawingJOSÉ LUIS CUEVAS(american/mexican, b. 1933)“HISTORIA DEL DIBUJO”Signed, titled and dated “31-XII-65” in ink on one side,pencil signed and titled (faintly) again verso, ink andwatercolor on paper9 7/8 x 13 1/4 in. (25.1 x 33.7cm)provenance:The artist.Private Collection, New York, New York.By descent in family.Mary Ellen Caffrey, PhD, Philadelphia, Pennsylvania.note:This lot is accompanied by a certificate of authenticitysigned by the artist and dated March 2, 1968.$1,500-2,500

58 131544/1CARLOS PÁEZ VILARÓ(uruguayan, b. 1923)UNTITLEDSigned and dated 63 and inscribed‘Punta Ballena’ bottom right, oil oncanvas27 1/2 x 39 1/2 in. (69.9 x 100.3cm)Unframedprovenance:Private Collection, New Jersey.$1,500-2,500

56 132103/2JOSÉ LUIS CUEVAS(american/mexican, b. 1933)“EL CARNICERO #6”Signed and numbered #6 bottomleft, ink and wash on paper17 1/2 x 22 in. (44.5 x 55.9cm)provenance:Gres Gallery, Washington D.C.Minnie B. Oderoff and Maurice E.Oderoff, Philadelphia, Pennsylvania(Purchased directly from the abovein 1957).By descent in family to the presentowner.$1,000-2,000



59 131029/5FRANCISCO DOSAMANTES(mexican, 1911-1986)SANDIASigned bottom right and dedicated “para evelyn carinosamente”bottom left, oil on canvas23 1/2 x 37 1/4 in. (59.7 x 95.4cm)provenance:The artist.H. Evelyn Meeks (gifted directly from the above).By descent in family to present owner.Private Collection, New Jersey.$3,000-5,000

60 131029/4FRANCISCO DOSAMANTES(mexican, 1911-1986)“LA VICTIMA”Signed bottom right, oil on canvas71 x 29 1/2 in. (180.3 x 74.9cm)provenance:The artist.H. Evelyn Meeks (gifted directly fromthe above).By descent in family to present owner.Private Collection, New Jersey.exhibited:Salon de la Plastica Mexicana, InstitutoNacional de Bellas Artes, Mexico City.$5,000-8,000

61 OWNED/704FRANCISCO DOSAMANTES(mexican, 1911-1986)“CON LOS MANOS VACIAS”Signed bottom left and dedicated“PARA MI AMIGA EVELYNCARIÑOSAMETE,” oil on canvas64 1/2 x 37 1/2 in. (163.8 x 95.3cm)provenance:The artist.H. Evelyn Meeks (gifted directly fromthe above).By descent in family to the presentowner.Private Collection, New Jersey.exhibited:Instituto Naçional de Bellas Artes,Mexico City; and Museo Naçional deArtes Plàsticas, Mexico.$3,000-5,000


64 131164/160FRANCISCO ZÚÑIGA(mexican, 1912-1998)“CHAMULAS”Inscribed ‘ZUNIGA III/VI 82’ bottom right, cast by RembaFoundry, copper relief plaque21 3/4 x 30 in. (55.2 x 76cm)provenance:The artist.Private Collection.By descent in family.Freeman’s, Fine American & European Paintings, June 21,2009, lot 55.Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale,Arizona.literature:Fundación Zúñiga, Francisco Zúñiga: CatálogoRazonado/Catalogue Raisonné (1923-1993), Mexico City,Albedrío/Fundación Zúñiga Laborde, 1999, no. 920, p. 530.$6,000-10,000


62 138051/39RUFINO TAMAYO(mexican, 1899-1991)“CABEZA ROJA”1975, pencil signed, numbered 1/100 (there were also 10 artist’s proofs), thefull sheet, Ferdinand Roten Galleries, Baltimore, Maryland, publisher. Colorlithograph on wove paper.29 x 21 5/8 in. (73.7 x 55cm)[Pereda, 187]$1,200-1,800

63 138075/1GUSTAVO MONTOYO(mexican, 1905-2003)“NIÑO CON HARPO”Signed bottom right, oil on canvasExecuted 196221 7/8 x 18 in. (55.6 x 45.7cm)provenance:Galeria Bryna, Palm Beach, Florida.Private Collection, Charlotte, North Carolina.$6,000-8,000


65 131194/200JAMINI ROY(indian, 1887-1972)THREE GOPISSigned in Bengali bottom right, gouache on canvas14 x 24 3/8 in. (35.6 x 61cm)provenance:Acquired before 1946 by Lt. Louis Hageman while flying “The Hump”during World War II.note:“The Hump” was a dangerous route taken by Allied pilots in World WarII to the eastern end of the Himalayan Mountains over which they flewmilitary transport aircraft from India to China to resupply the Chinesewar effort of Chiang Kai-shek and US Army Air Forces based in China.By descent in family to current owner.$1,000-2,000

66 131194/199JAMINI ROY(indian, 1887-1972)FOUR MUSICIANSSigned in Bengali bottom right, gouache on canvas12 x 19 in. (30.5 x 48.3cm)provenance:Acquired before 1946 by Lt. Louis Hageman while flying “The Hump”during World War II.$800-1,200

67 131194/198JAMINI ROY(indian, 1887-1972)CHRISTGouache on canvas18 x 11 3/4 in. (45.7 x 27.9cm)note:This lot will be accompanied by twovolumes of “Longmans Miscellany,”(published in 1943 and 1944) which includearticles and illustrations featuring Roy’swork.provenance:Acquired before 1946 by Lt. Louis Hagemanwhile flying “The Hump” during World War II.$2,000-3,000



68 132006/1BADRI NARAYAN(indian, b.1929)MAN WITH WATERMELONSWatercolor and ink on laid paperwith watercolor sketch of a man andwoman versoExecuted in 197014 7/8 x 14 7/8 in. (37.8 x 37.8cm)provenance:Private Collection, Washington, D.C.$5,000-8,000

69 131538/1AVINASH CHANDRA(indian, 1931-1991)GOPI IN LANDSCAPESigned bottom right and signed anddated 84 verso, oil on canvas36 x 48 in. (91.4 x 121.9cm)provenance:Private Collection.$20,000-30,000



70 138059/3FREDERICK RONALD WILLIAMS(australian, 1927-1982)“HILLSIDE NO. 5”Signed bottom left, gouache and watercolor on paperExecuted in 196414 1/4 x 22 1/4 in. (36.2 x 56.5cm)provenance:Rudy Koman Art Gallery.The Collection of Bill and Domini Morrell, Australia.Private Collection, Virginia.$30,000-50,000


Freeman’s is pleased to offer here selected works by top Australian artists from thedistinguished collection of Domini Morrell. Domini grew up in Perth, Australia and as ayoung adult moved to Paddington, then known as the artistic center of Sydney. While livingthere, she befriended many artists of the day. She later met Sydney "Bill" Morrell, a foreigncorrespondent for the London Daily Express in Vienna, Prague, Budapest and the Middle East.The two married and began to collect Australian art in the late 1940’s after World War II.Following the war, the couple moved to New York but returned frequently to Sydney,Australia for Bill's work. In 1965 they reconnected with Sydney based art dealer RudyKomon, a former war journalist from Czechoslovakia who had assisted Bill as a localcorrespondent in Vienna. The collection took shape under Rudy’s advice, and eventuallyincluded works by Robert Juniper, John Bell, Charles Blackman and Robert Dickerson amongothers. Selected works from the esteemed collection are offered here in lots 70 to 73.


71 138059/1CHARLES BLACKMAN(australian, b. 1928)PORTRAIT OF A WOMANPencil signed bottom right, oil onboardExecuted ca. 195534 1/4 x 24 5/8 in. (87 x 62.5cm)provenance:The Collection of Bill and DominiMorrell, Australia.Private Collection, Virginia.note:We are grateful for the assistance ofChristabel Blackman, who has kindlyverified the authenticity of this workand suggests that this may be aportrait of the artist’s wife, Barbara,to whom he was happily married fornearly thirty years.$25,000-40,000




72 138059/2ROBERT DICKERSON(australian, b. 1924)PORTRAIT OF A MANSigned bottom right and inscribed‘Robert Dickerson, the club bar,limed green & white’ verso, oil onboardExecuted ca. 195236 x 23 3/4 in. (91.44 x 60.3cm)provenance:The Collection of Bill and DominiMorrell, Australia.Private Collection, Virginia.note:We are grateful for the assistance ofSam Dickerson, who has kindlyverified the authenticity of this work.$25,000-40,000



73 138059/4CHARLES BLACKMAN(australian, b. 1928)MAN WANDERINGSigned upper left, oil on canvasExecuted ca. 196225 x 30 in. (63.5 x 76.2cm)provenance:The Collection of Bill and Domini Morrell, Australia.Private Collection, Virginia.note:We are grateful for the assistance of ChristabelBlackman, who has kindly verified the authenticity ofthis work. She suggests that the scene may depictTambourine Mountain, Queensland, Australia wherethe artist worked and lived for a time in the early1960s.$30,000-50,000


75 138107/3LAMAR DODD(american, 1909-1996)UNTITLEDSigned and dated 66 bottom right,oil on canvas in artist’s made frame8 x 12 in. (20.3 x 30.5cm)provenance:The artist.Dr. and Mrs. Julian Cave, Jr. ,Athens, Georgia (gifted directlyfrom the above circa 1968-75).Private Collection, Palmyra, Virginia(by family descent).$800-1,200


74 131611/5REUBEN NAKIAN(american, 1897-1986)HERALDIC FIGURESSigned verso, numbered 2/9, andwith the foundry stamp, bronze withgreen patinaheight: 6 1/2 in. (16.5cm)length: 8 in. (20.3cm)width: 4 in. (10.2cm)provenance:Private Collection.$2,000-3,000


76 138107/2LAMAR DODD(american, 1909-1996)PLANET VIEWfrom “nasa” seriesSigned and dedicated ‘for Julian andLenore-the boys’ bottom right, oil oncanvas in artist’s frame30 x 30 in. (76.2 x 76.2cm)provenance:The artist.Dr. and Mrs. Julian Cave, Jr. ,Athens, Georgia (gifted directlyfrom the above circa 1968-75).Private Collection, Palmyra, Virginia(by family descent).note:In 1963 Lamar Dodd was named theofficial artist for NASA's "MercuryAstronaut 9 Project" and continuedto work for the agency for 25 yearsdocumenting many official launchesincluding Apollo 9 among manyothers.$1,200-1,800


77 138107/1LAMAR DODD(american, 1909-1996)THUNDER HOLE, MOUNT DESERTISLAND, MAINESigned and dated 48 vertically atright, oil on canvas in artist’s frame24 x 36 in. (61 x 91.4cm)provenance:Joseph Leyber Galleries, New York,New York.Dr. and Mrs. Julian Cave, Jr., Athens,Georgia (gifted directly from theabove circa 1968-75).Private Collection, Palmyra, Virginia(by family descent).$5,000-7,000


78 131804/1DAVID PARK(american, 1911-1960)UNTITLEDSigned bottom left, oil on canvasExecuted in 194850 x 34 in. (127 x 86.4cm)provenance:The Artist.Mrs. William Tickle (formerly Mrs. Elmer Bischoff), Walnut Creek, California.John Berggruen Gallery, San Francisco, California.The Estate of Nellie L. Taft, Boston, Massachusetts.exhibited:“David Park 1911-1960,” The Newport Harbor Art Museum, Newport Beach,California, September 16-November 13, 1977. Exhibition traveled to theOakland Museum, Oakland, California December 9, 1977- January 22, 1978,catalogue no. 46.literature:Nancy Boas, David Park: A Painter’s Life, University of California Press,Berkeley, California, 2012, illus. p. 74.$150,000-250,000


David Park’s Untitled is one of a small number of paintings to have survived from animportant transitional time for the artist who is known as one of the founding fathers of theBay Area Figurative Art movement. An instructor at the California School of Fine Art in thelate 1940s and 1950s alongside Elmer Bischoff and Richard Diebenkorn, David Park workedfor a short time with the idea of ‘non-objective’ painting as a means of enjoying the act ofpainting and ‘looking for an image’. An echo of the abstract expressionist movement thatwas gathering momentum in New York (as well as with rival instructors at CSFA like ClyffordStill and Mark Rothko), the abstract works Park was executing from late 1946-1948 arebracketed by years when his painting was grounded first with two dimensional portraits inthe style of Picasso, and later, by bold, subjective works of the Bay Area FigurativeMovement.

As Nancy Boas notes in her biography, ‘David Park,’ the artist’s work during the transitionaltime of 1946-1948 seems to strive for abstraction, and yet still seems to hold echoes ofsubjects. The striped upper area of this work appears in several other works of these yearsand provide a structural, compositional foundation. Similarly, the white and orange forms atcenter seem to evoke flowers or birds which hover around an area of rich verdant greens,browns and ochres. Certainly, the rich, lavishly applied paint shows the artist’s love ofprocess and his medium, and foreshadow the purposeful, colorful, figurative compositionsthat later offered a brave alternative to the abstract expressionist works of the 1950s.




79 131565/5ROBERT JAY WOLFF(american, 1905-1978)“ABSTRACT #101”Signed and dated 1940, signed againand inscribed ‘Abstract’ at upper leftedge verso, casein on paper17 1/2 x 23 5/8 in. (44.5 x 60cm)provenance:Snyder Fine Art, New York, NewYork.$1,000-1,500

80 131565/3ROSALIND BENGELSDORF(american, 1916-1979)“STUDY FOR OIL”Gouache and graphite on paperExecuted in 19385 1/4 x 7 1/4 (13.3 x 18.4cm)provenance:The Penny and Elton Yasuna Collection.Beacon Hill Fine Art, New York, New York.exhibited:“The Second Wave: American Abstraction of the 1930’s and 1940’s,Selections from the Penny and Elton Yasuna Collection,” Worcester ArtMuseum, Worcester, Massachusetts, September 11 - December 1, 1991,illustrated in catalogue page 25. (Catalogue number 2).

“Provincetown Abstract Painting, 1915-1950, from the Penny and EltonYasuna Collection.” Provincetown Art Association and Museum, August5 - September 5, 1994.$2,000-3,000


81 131640/85LEON KELLY(american, 1901-1982)“ABSTRACT COMPOSITION”Signed upper right, watercolor andcrayon on paper laid down to board14 x 17 3/8 in. (35.6 x 44.1cm)provenance:Frank S. Schwarz & Son,Philadelphia, Pennsylvania.From the Collection of VincentSmith-Durham, Hav-A-Mil House.$800-1,200


82 131640/236FRITZ BULTMAN(american, 1919-1985)“SPECTATOR- RED AND BLACK”Signed, titled and dated 1947 on mount verso, tempera on paperlaid to board40 x 32 in. (101.6 x 81.3cm)provenance:Gallery Schlesinger Ltd., New York, New York.From the Collection of Vincent Smith-Durham, Hav-A-Mil House.exhibited:“Fritz Bultman, a Retrospective,” New Orleans Museum of Art,August 7-October 3, 1993, no. 4 (exhibition traveled to theGreenville County Museum, Greenville, South Carolina, The ArtMuseum of Western Virginia and the Provincetown ArtAssociation and Museum).$4,000-6,000

84 131995/17WILLIAM MEYEROWITZ(american, 1887-1981)CLARINET PLAYERSigned bottom right, oil on canvas laid down to board18 7/8 x 12 in. (47.9 x 30.5cm) (approximately; canvas cut unevenly)provenance:Private Collection, New York.$800-1,200

83 131914/1SOL LEWITT(american, 1928-2007)UNTITLEDSigned and dated 1959 upper left, oil on canvas12 x 12 in. (30.5 x 30.5cm)provenance:Private Collection.$5,000-8,000

86 132180/1RICHARD POUSETTE-DART(american, 1916-1992)UNTITLEDSigned, dated 61 and numbered 127 verso, oil on panel9 1/2 x 10 1/2 in. (24.2 x 26.7cm)provenance:The artist.Mr. Israel Katz, Rockland County, New York.Mr. Arthur Joel Katz, New York, New York (gifted from the above).note:The present work was gifted to the current owner from his uncle upon theoccasion of the birth of his first son. The owner’s father, uncle and the artistall had homes in Rockland County, New York at the time this painting wasexecuted, and were close friends who often gathered for games of pinochle.$20,000-30,000

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85 132174/1RICHARD POUSETTE-DART(american, 1916-1992)“CATHEDRAL”Oil on canvasExecuted in 1944.27 x 32 in. (68.6 x 81.3cm)provenance:The artist.Mr. and Mrs. John S. Stokes, Jr., Philadelphia, Pennsylvania (acquired directlyfrom the above).By descent in family to present owner.Private Collection, Philadelphia.exhibited:“Philadelphia Collects 20th Century,” Philadelphia Museum of Art, October3 - November 17, 1963, exhibition catalogue no. 30.$150,000-250,000


The late 1930s and early 1940s were years of dynamic growth for artist Richard Pousette-Dart.Influenced by the Vorticist sculpture of Henri Gaudier-Brzeska, he created a lexicon ofbiomorphic and totemic forms that would provide rich visual and symbolic sources for earlypaintings, and continued to enrich his extended painted repertoire. Deeply interested in thespiritual possibilities of painting (“the dynamic balance, or edge between the conscious andunconscious”) he read Jung, Freud, the Transcendentalists, and Eastern religious texts, as hesimultaneously encountered works by European cubists and surrealists being exhibited in NewYork. Also paramount to the development of Pousette-Dart’s artistic vision was African, Oceanicand Native American primitivism.

The first one-man exhibition of Richard Pousette-Dart’s paintings occurred at the Artists’ Galleryin New York in the fall of 1941. The following year he completed Symphony Number 1, TheTranscendental (Collection of the Metropolitan Museum of Art), regarded today as one of the firstmural-size canvases of the Abstract Expressionist movement. The present work, “Cathedral,”painted in 1944, is another confident, vibrant example of this important early period, featuring aheavily layered canvas bursting with the colorful forms and shapes that were echoed in the workof fellow New York artists like Gorky and Pollock. In this painting the architectural elements of acathedral, such as the spire and circular stained glass windows, are defined by insistent outlinesand vibrating, bright colors.

Richard Pousette-Dart’s place in the story of twentieth century abstraction is well-secured. Majorretrospectives of his art have been held in New York at the Whitney Museum of American Art,the Solomon R. Guggenheim Museum, the Peggy Guggenheim Collection in Venice, Italy, and in1997-8 at the Metropolitan Museum of Art.

We are grateful to the Estate of Richard Pousette-Dart for contributing portions of this note.

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87 131729/3MILTON AVERY(american, 1885-1965)FIGURES ON BEACHPencil signed and dated 1968bottom right, watercolor onJapanese paper8 1/4 x 18 in. (21 x 45.7cm)provenance:The artist.Private Collection, New Jersey.$1,500-2,500

88 138085/7JAMES BROOKS(american, 1906-1992)“BLUE DRAWING”Ink signed and dated 65 bottomright, pencil signed, titled and datedverso, oil on paper12 x 16 in. (30.5 x 40.6cm)provenance:Eve Benesch Goldschmidt Fine Art,New York, New York.Private Collection, Charlottesville,Virginia. (Purchased from the abovein 1966).$2,000-3,000


89 131757/13eight drawingsPHILIP GUSTON(american, 1913-1980)NORMA MILLMAN, EDWARDMILLMAN, JULIO DE DIEGO,FLETCHER MARTIN, MITCHELLSIPORIN AND PHILIP GUSTONMost titled, signed and inscribed,three with drawings verso, graphiteand ink on papervarious sizes,largest: 13 5/8 x 10 3/4 in.(34.6 x 27.3cm)Unframed(8)provenance:H.W. Janson.By descent in family to presentowner.$5,000-8,000


90 131591/1LUDWIG BEMELMANS(american, 1898-1962)“RIO”Signed bottom right, titled anddated 1958 bottom left, gouacheand watercolor on paper19 3/4 x 25 3/4 in. (50.2 x 65.4cm)provenance:Property From the Estate of SelmaCorn.$3,000-5,000

91 131164/18PHILIP CAMPBELL CURTIS(american, b. 1907)TREESigned bottom left, dated 80bottom right, watercolorsheet: 24 x 18 in. (61 x 45.7cm)provenance:Estate of Ann B. Ritt, Haverford,Pennsylvania & Scottsdale, Arizona.$1,000-1,500


92 138051/30MAKOTO MASUDA(japanese, b. ca. 1905-1989)“HONFLEUR”Signed bottom left, oil on canvas24 x 28 3/4 in. (61 x 73cm)provenance:Estate of Robert G. Luckie, Tuscon,Arizona.$1,000-2,000


93 131839/7HARRY SEFARBI(american, b. 1917)SEATED FIGURESigned center left, bears artist’sname again verso, oil on board22 1/2 x 16 1/2 in. (57.2 x 41.9cm)provenance:The Estate of Ann Weisenthal.$1,000-1,500

94 131839/2HARRY SEFARBI(american, b. 1917)UNTITLEDSigned and dated 65 bottom right,oil on board24 1/2 x 16 1/2 in. (62.2 x 41.9cm)provenance:The Estate of Ann Wiesenthal.$1,000-1,500


95 131850/7JAN MATULKA(american/czech, 1890-1972)NANNIES IN THE PARKSigned bottom right, watercolor onpaper10 1/4 x 13 1/4 in. (26 x 33.6cm)provenance:Private Collection.$2,000-3,000



98 132169/4TOM WESSELMANN(american, 1931-2004)“TV STILL LIFE”from “11 pop artists, volume iii”1965, pencil signed and dedicated (faintly), a proof apartfrom the edition of 200 (there were also 50 in Romannumerals and 5 artist’s proofs), the full sheet, AbramsOriginal Editions, New York, publisher. Color screenprint onArches.sheet: 28 7/8 x 38 3/8 in. (73.3 x 97.5cm)Unframed$1,000-1,500

97 131728/5ROBERT INDIANA(american, b.1928)“METAMORPHOSIS OF NORMA JEAN”from “the american dream”1997, pencil signed and numbered 307/395, with full margins,Marco Fine Arts Contemporary Atelier, El Segundo, California,publisher. Color silkscreen on cardboard.image: 14 x 14 in. (35.6 x 35.6cm)sheet: 16 x 16 in. (40.6 x 40.6cm)$600-1,000

96 131995/24SAUL STEINBERG(american, 1914-1999)“CHESS GAME”Signed and dated 1968 twice bottom right, titled verso, ink,colored pencil and watercolor on paper29 x 23 in. (73.6 x 58.4cm)provenance:Sidney Janis Gallery, New York, New York.Private Collection, New York.note:This work was designed by the artist for the May 4, 1968 coverof the New Yorker Magazine. According to the magazine’swebsite, Steinberg has created nearly 90 covers and more than1,200 drawings for the publication since 1942.$6,000-10,000


99 131737/2TOM WESSELMANN(american, 1931-2004)“MAQUETTE FOR ‘SEASCAPE WITH CUMULUS CLOUDS’”Signed, titled and dated 1991 on frame verso, Liquitex onBristol board mounted to boardcutout: 4 1/2 x 16 x 1/2 in. (11.4 x 40.6 x 1.27cm)sheet: 12 1/2 x 21 1/2 in. (31 x 54.6cm)provenance:The artist.Robert Miller Gallery, New York, New York.Private Collection, Princeton, New Jersey.$10,000-15,000

100 131737/5TOM WESSELMANN(american, 1931-2004)“SUNSET NUDE WITH YELLOW TULIPS”2004-6, with the artist’s embossed signature lower right,numbered 64/75 (there were also 8 artist’s proofs),Mixografia, Los Angeles, publisher. Mixografia print onhandmade paper.image: 26 x 30 3/8 in. (66 x 77.2cm)sheet: 37 3/4 x 41 3/4 in. (95.9 x 106cm)$6,000-8,000



101 132145/3three printsEDOUARDO CHILLIDA(spanish, 1924-2002)“HARVARD I-III”1977, all pencil signed, (I and III)numbered 33/50; (II) numbered30/50; (there were also anunknown number of artist’s proofsfor all), with full margins, HarvardUniversity, Carpenter Center,Cambridge, publisher. Threewoodcuts on handmade(Auvergne) paper.all images approx.: 7 x 6 in.(17.8 x 15.2cm) (two vertical)all sheets: 15 x 12 3/4 in.(38.1 x 32.4cm)Unframed[Van der Koelen, 77011-13](3)$2,000-3,000


102 131443/3ROBERT MOTHERWELL(american, 1915-1991)“AFRICA 5”from “africa suite”1970, pencil signed with initials andnumbered 7/150 (there were also anunrecorded number of artist’s proofs), withwide margins, Marlborough Graphics, Inc,New York, New York, publisher. Screenprinton J. B. Green.image: 31 1/2 x 23 3/4 in. (80 x 60.3cm)sheet: 40 1/2 x 28 in. (102.9 x 71.1cm)[Belknap, 44; Engberg & Banach, 73]$1,500-2,500

103 131996/3ROBERT MOTHERWELL(american, 1915-1991)“AFRICA 10”from “africa suite”1970, pencil signed with initials andnumbered 55/150 (there were also anunrecorded number of artist’s proofs), withwide margins, Marlborough Graphics, Inc.,New York, publisher. Screenprint on J. B.Green.image: 31 5/8 x 23 1/2 in. (80.3 x 59.7cm)sheet: 40 3/4 x 28 1/4 in. (103.5 x 71.8cm)[Belknap, 49; Engberg & Banach, 78]$1,500-2,500


104 132171/1ROBERT MOTHERWELL(american, 1915-1991)“RED SEA I”1976, pencil signed and numbered98/100 (there were also 20 artist’sproofs), with full margins, AbramsOriginal Editions, New York,publisher. Color etching andaquatint on Arches Cover.image: 25 1/2 x 19 7/8 in.(64.8 x 50.5cm)sheet: 41 1/4 x 29 1/4 in.(104.8 x 74.3cm)[Belknap, 158; Engberg & Banach,193]$10,000-15,000



105 132145/2DAVID HOCKNEY(british, b. 1937)“HARVARD ETCHING”1986, pencil signed, dated, and numbered ‘AP II/VII’ (the editionwas 10), the artist, publisher, with full margins. Etching on wovepaper.image: 7 x 9 in. (17.8 x 22.9cm)sheet: 30 x 22 in. (76.2 x 55.9cm)$2,000-3,000

106 131728/4HENRY MOORE(british, 1898-1986)“SCULPTURES, DARK INTERIORS”1973, signed and numbered 74/75 (there were also 15 artist’s proofs),Curwen Studio, Cambridge, publisher. Lithograph on T.H. Saunders.image: 10 x 13 3/8 in. (25.4 x 34cm)sheet: 17 1/4 x 20 1/2 in. (43.8 x 52.1cm)[Cramer, 373]$800-1,200


107 131640/86GEORGE RICKEY(american, 1907-2002)IVYSigned and dated 1983 bottom right, graphite on paper8 1/2 x 13 1/4 in. (21.6 x 33.6cm) (approx.)provenance:The Artist.From the Collection of Vincent Smith-Durham, Hav-A-Mil House.(Gifted from the above)$600-1,000



108 131665/2BERNARD MANDEVILLE(french, b. 1921)UNTITLEDSigned and dated 1992 on the stretcher verso, acrylic on canvas31 5/8 x 31 5/8 in. (80.3 x 80.3cm)Unframedprovenance:The artist.Private Collection, Philadelphia, Pennsylvania (acquired from the above).exhibited:“Mandeville,” Galerie Victor Sfez, Paris, September 25 - October 25, 1997.note:This lot is accompanied by two books, one signed and dedicated, two fliersfor a 1997 exhibition featuring this painting and an issue of “Vernissage”with a front page ad for the same 1997 exhibition featuring this painting.$800-1,200

109 132166/1ROBINSON FREDENTHAL(american, 1930-2009)UNTITLEDCa. 1985, painted steelheight: 48 1/4 in. (122.6cm)length: 17 in. (43.2cm)width: 17 in. (43.2cm)provenance:Marian Locks Gallery, Philadelphia,Pennsylvania.Private Collection, Philadelphia(aquired from the above in 1985).exhibited:Exhibition:“Robinson Fredenthal: Sculpture,"Marian Locks Gallery, Philadelphia,April 17- June 10, 1985.$2,500-3,500



110 131640/83GEORGE RICKEY(american, 1907-2002)WEATHERVANEIncised with the artist’s signatureand dated 1976 on base, incisedwith the artist’s signature, numbered45/47 and dated 1976 on thecentral horizontal element, stainlesssteel kinetic sculpture on marblebaseheight: 25 1/2 in. (64.8cm)length: 34 1/2 in. (87.6cm)width: 8 1/2 in. (21.6cm)(includingbase)provenance:Mackler Gallery, Philadelphia,Pennsylvania.From the Collection of VincentSmith-Durham, Hav-A-Mil House.$8,000-12,000



112 131780/2HARRY BERTOIA(american, 1915-1978)“STUDY FOR THE PHILADELPHIA CIVIC CENTER FOUNTAIN”1965, bears artist’s name and titled lower right, ink on tissue-thin Japaneserice paper23 x 34 3/4 in. (58.4 x 86.3cm)provenance:Private Collection, Philadelphia, Pennsylvania.note:This lot will be accompanied by a certificate of authenticity from Mary Thorpof the Harry Bertoia Research Project, dated September 13, 2013. It will alsobe included in the forthcoming catalogue raisonné.$1,500-2,500

111 131520/1HARRY BERTOIA(american, 1915-1978)SONAMBIENTBeryllium copper and brassheight: 41 in. (104.1cm)length: 8 in. (20.3cm)width: 8 in. (20.3cm) (including base)provenance:Private Collection.note:This lot will be accompanied by a certificateof authenticity from Mary Thorp of theHarry Bertoia Research Project, datedSeptember 13, 2013. It will also be includedin the forthcoming catalogue raisonné.$25,000-35,000



113 131565/6HERMAN CHERRY(american, 1909-1992)“SEASCAPE NO. 38, MARTHA’SVINEYARD”Pencil signed, titled and dated ‘July-56’bottom left, annotated ‘38’ bottom right, oilon rag paper18 x 23 in. (45.7 x 58.4cm)provenance:Gary Snyder Fine Art, New York, New York.$1,000-1,500

114 131565/7HERMAN CHERRY(american, 1909-1992)“SEASCAPE NO. 50, MARTHA’SVINEYARD”Pencil signed, titled and dated ‘July-56’bottom left, annotated ‘58’ bottom right, oilon rag paper18 x 23 in. (45.7 x 58.4cm)provenance:Gary Snyder Fine Art, New York, New York.$1,000-1,500

115 131995/29ALEXANDER CALDER(american, 1898-1976)BALLOONS AND CATTAILSSigned with hand-woven initials, dated 74bottom right and with the woven copyright ‘c’upper left, numbered 51/100 bottom left, BonArt, publisher, and with their label affixed versoreading “Woven art hand crafts of Maguey fibermade in Guatamala”. Handwoven maguey jutefiber tapestry.96 x 72 1/2 in. (943.8 x 184.2cm)Unframedprovenance:Private Collection, New York.$3,000-5,000

116No lot


117 131995/5ALEXANDER CALDER(american, 1898-1976)“BALLOONS AND CATTAILS”1963, signed and dated 63 bottomright, gouache on paper26 5/8 x 40 3/8 in.(67.6 x 102.5cm)provenance:Eva Lee Gallery, Great Neck, NewYork.Private Collection, New York.$30,000-50,000



118 132073/2CLAUDE C.F. CLARK(american, 1915-2001)“POST OFFICE”Signed bottom right, titled and dated 1947on label verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:The artist.By descent in family to present owner.Private Collection, Atlanta, Georgia.$2,500-4,000

119 132073/3CLAUDE C.F. CLARK(american, 1915-2001)“SUMMER PALACE (P.H.)”Signed bottom right, and signed, titled anddated July 1948 verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:The artist.By descent in family to present owner.Private Collection, Atlanta, Georgia.$2,000-3,000


120 132073/1CLAUDE C.F. CLARK(american, 1915-2001)“A DREAMER”Signed bottom right, oil on boardExecuted in 193828 x 22 in. (71 x 55.9cm)provenance:The artist.By descent in family to present owner.Private Collection, Atlanta, Georgia.$3,000-5,000


121 131611/1CHARLES SEARLES(american, 1937-2004)UNTITLEDSigned and dated 8/74 bottom left,oil on canvas36 x 40 in. (91.4 x 101.6cm)provenance:The artist.Private Collection.$20,000-30,000

122 131611/2CHARLES SEARLES(american, 1937-2004)UNTITLEDSigned and dated 2/75 bottomright, watercolor on paper33 3/4 x 21 3/4 in. (85.7 x 55.2cm)provenance:The artist.Private Collection.$5,000-7,000



123 131729/2SALLY MICHEL AVERY(american, 1902-2003)“NUDE SEATED”Signed ‘Sally Michel’ and dated 1982bottom right, signed, titled anddated again verso, acrylic on canvas39 3/4 x 50 in. (101 x 127cm)provenance:The artist.Private Collection, New Jersey.$4,000-6,000

124 132175/3SALLY MICHEL AVERY(american, 1902-2003)“STRIPED DRAPE”Signed and dated 80 bottom right,signed, titled and dated again verso,acrylic on canvasboard16 x 12 in. (40.6 x 30.5cm)provenance:Private Collection, Pennsylvania.$2,500-4,000


125 131729/1SALLY MICHEL AVERY(american, 1902-2003)“GOLD IN AUTUMN”Signed ‘Sally Michel’ and dated1978 bottom right, titled verso,acrylic on canvas39 3/4 x 50 in. (101 x 127cm)provenance:The artist.Private Collection, New Jersey.$5,000-7,000


126 131898/2NICOLA SIMBARI(italian, 1927-2012)COASTAL COMPOSITIONSigned bottom right, oil on canvas19 3/4 x 23 1/2 in. (50.2 x 59.7cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

127 131520/2NICOLA SIMBARI(american, 1927-2012)FIGURE AND BOATSSigned and dated 67 bottom right,oil on canvas19 3/4 x 23 1/2 in. (50.2 x 59.7cm)provenance:Private Collection.$2,000-3,000


128 138051/42two works on paperITZCHAK TARKAY(israeli, b. 1935)“SATURDAY EVENING” AND UNTITLEDSigned bottom right and bottom left respectively,watercolor with ink16 x 12 in. (40.6 x 30.5cm) and 13 1/2 x 9 3/4 in.(34.3 x 24.8cm)(2)provenance:Chedworth Publishing, Scarsdale, New York,New York.Estate of Robert G. Luckie, Tuscon, Arizona.$1,000-1,500


129 138051/28PAUL JENKINS(american, 1923-2012)“PHENOMENA MANDETTE TURN”Signed lower left and signed, titledand dated 1974 verso, acrylic oncanvas30 x 44 in. (76.2 x 111.8cm)provenance:Gimpel & Weitzenhoffer Gallery,New York, New York.Estate of Robert G. Luckie, Tuscon,Arizona.$12,000-18,000

130 132145/1FRANK AUERBACH(british, b. 1931)“ST. PANCRAS STEPS”Titled and dated verso, colored inkand colored crayon on paperExecuted in 1978-7910 3/4 x 9 in. (27.5 x 22.7cm)provenance:Marlborough Fine Art (London) Ltd.,London.Property of a Prominent Cambridge,Massachusetts Professor.$4,000-6,000



131 138051/1STANLEY WILLIAM HAYTER(british, 1901-1988)“TANGRAM I”Signed and dated 83 bottom right and titled and dated ‘Jan 19 Feb 5, 83’in white chalk verso, oil on canvas63 1/2 x 51 in. (161.3 x 129.5cm)provenance:Winifred Breuning Fine Arts, Los Angeles, California.Estate of Robert G. Luckie, Tuscon, Arizona.$1,500-2,500

132 131780/1AART ROOS(dutch, 1919-2009)“MONUMENT”Signed and dated 68 bottom right, oil oncanvas29 1/2 x 31 1/2 in. (74.9 x 80cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-2,000


133 132170/1two printsFRIEDENSREICH HUNDERTWASSER(austrian, 1928-2000)“CRUSADE OF THE CROSSROADERS” AND “EYEBALANCE NUMBERFIVE” from “regentag”1971-72, (K., 53) ink signed, titled and numbered 272/300, (K., 44)stamp-signed and numbered (from the edition of 3000), both with fullmargins, Ars Viva, Zurich, Switzerland, publisher. Two color silkscreenswith metal imprints on wove paper.images: 17 x 22 3/4 in. (43.2 x 57.8cm)sheets: 19 1/2 x 26 1/2 in. (49.5 x 67.3cm)[Kochatsky, 44 and 53](2)$2,000-3,000


134 131810/1RALPH HUMPHREY(american, 1932-1990)“UNTITLED #2”Acrylic on shaped canvasExecuted in 196938 x 48 in. (96.5 x 121.9cm)Unframedprovenance:Dunkelman Gallery, Toronto, Canada.Property from a Private Cambridge, Massachusetts Collection.$3,000-5,000

135 131995/2JOSEF ALBERS(american/german, 1888-1976)“EMBOSSED LINEAR CONSTRUCTION 1-A”1969, pencil signed with initials, titled, dated, and numbered 25/100 (therewere also 10 artist’s proofs), with full margins, Gemini G.E.L., Los Angeles,California, publisher, and with their blindstamps. Embossing on Arches.image: 8 x 18 in. (20.3 x 45.7cm)sheet: 20 x 26 in. (50.8 x 66cm)[Danilowitz, 186; Gemini, 134]$800-1,200


136 131995/19OMAR RAYO(colombian, 1928-2010)“THE MAN IS ABSENT”Circa 1970, pencil signed, titled, and numbered 4/10, with full margins.Intaglio etching with shoelace collage on wove paper.image: 24 x 6 in. (60.9 x 15.3cm)sheet: 30 1/4 x 21 3/4 in. (76.8 x 55.3cm)$600-1,000


137 131995/4ILYA BOLOTOWSKY(american/russian, 1907-1981)“BLUE RHOMB”Signed, titled and dated 1976 on stretcher verso, acrylicon canvas54 3/4 x 31 3/4 in. (139 x 80.6cm)Unframedprovenance:Olympia Galleries, Limited, Philadelphia, Pennsylvania.Private Collection, New York.exhibited:The Arkansas Art Center, McCarthur Park, Little RockArkansas, August 13- December 24, 1976.$20,000-30,000



138 131737/8ROBERT INDIANA(american, b. 1928)“CLASSIC LOVE”Skein dyed, hand carved and hand tufted archivalNew Zealand wool on stretched canvas withnatural latex backing, signed and numbered27/150 on the accompanying certificate ofauthenticity, handcrafted by MasterContemporary Original Artist Rugs.72 x 72 in. (182.9 x 182.9cm)provenance:Whitney Museum of Art, New York, New York.Private Collection, Princeton, New Jersey(acquired directly from the above in 2003).$2,500-3,500


140 131737/3ALLAN D’ARCANGELO(american, 1930-1998)“LANDSCAPE ON BUS MIRROR”Signed, dated 70 and numbered 3/100 on theback of the mirror, assembled mixed-mediamultipleheight: 18 1/2 in. (47cm)length: 22 in. (55.9cm)width: 18 3/4 in. (47.6cm)provenance:Craig F. Starr Gallery, New York, New York.Private Collection, Princeton, New Jersey.$800-1,200

139 131737/7ROBERT INDIANA(american, b. 1928)“FÜR K.V.F.”from “the hartley elegies: the berlin series”1990, pencil signed, titled, dated and numbered28/89 (there were also 15 artist’s proofs), with fullmargins, The Mezzanine Gallery, MetropolitanMuseum of Art, New York, publisher. Colorscreenprint on Rives BFK.image: 30 x 24 in. (76.2 x 61cm)sheet: 40 x 30 in. (101.6 x 76.2cm)[Sheehan, 144]$800-1,200


141 131737/6ROY LICHTENSTEIN(american, 1923-1997)“TWO PAINTINGS: DAGWOOD”from “paintings”1984, pencil signed, dated andnumbered 60/60 (there were also11 artist’s proofs), with full margins,Gemini G.E.L., Los Angeles,California, publisher. Colorwoodblock and lithograph onArches.image: 50 13/16 x 35 7/8 in.(129.1 x 91.1cm)sheet: 53 7/8 x 38 15/16 in.(136.8 x 98.9cm)[Corlett, 207]provenance:Private Collection, Princeton, NewJersey.$20,000-30,000



142 131737/1MEL RAMOS(american, b. 1935)“CANDY”from “sms, volume v”1968, from the edition ofapproximately 2000, Letter Edged inBlack Press, Inc., New York,publisher. Three-dimensional coloroffset lithographic coated papercutout construction (assembled).11 x 13 1/2 x 1 in.(28 x 34.3 x 2.5cm)$500-700

143 131995/13RICHARD LINDNER(american/german, 1901-1978)“HIT”from “fun city”1971, pencil signed and numbered 173/175 (there werealso 75 in Roman numerals), the full sheet, ShorewoodPublishers Inc., New York, New York, publisher. Colorlithograph and collage on Rowlux.sight: 25 x 19 1/2 in. (63.5 x 49.5cm)$500-700


144 131995/26JIM DINE(american, b. 1935)“8 HEARTS”1970, unsigned, from the edition ofunknown size, the full sheet. Colorscreenprint with silver spray painton wove paper.sheet: 25 1/2 x 30 1/2 in.(64.8 x 77.5cm)$400-600

145 131995/3two printsGERALD LAING(british, 1936-2011)“SLIDE” from “11 pop artists, volume ii”1965, signed bottom right and numbered XLI (artist’s proof, the editionwas 200), the full sheet, Original Editions, New York, publisher. Colorscreenprint and metallic collage on Styrene.sheet: 30 x 23 3/4 in. (76.2 x 60.4cm)and“FRANCINE”from “baby baby wild thing”1968, pencil signed, titled, dated, and numbered 23/200, with widemargins, with the artist’s blindstamp, Richard Feigen, New York, New York,publisher. Color screenprint on wove paper.image: 30 7/8 x 18 1/8 in. (78 x 46cm)sheet: 29 1/2 x 18 3/4 in. (74.8 x 46.6cm)(2)$1,200-1,500


146 132169/3ANDY WARHOL(american, 1928-1987)“MAO” (WALLPAPER)1974, printed in 1989, from theedition of unknown size (there wasalso a signed edition of 100 printedin 1979), the full sheet; poster forthe 1989 retrospective at theMuseum of Modern Art, New Yorkand with their stamps at right, alsowith the Estate of Andy Warholcopyright stamp. Color screenprinton wove paper.sheet: 33 3/4 x 29 5/8 in.(85.7 x 75.2cm)[see Feldman & Schellmann III,125a]Unframed$1,000-1,500

147 131841/1ANDY WARHOL(american, 1928-1987)“FLOWERS”1964, ink signed and dated, from theedition of approximately 300, withmargins, Leo Castelli, New York,New York, publisher. Color offsetlithograph on wove paper.image: 22 x 22 in.(55.9 x 55.9cm)sheet: 23 x 23 in. (58.4 x 58.4cm)[Feldman & Schellmann, II.6]$12,000-18,000



148 132103/1NAOTO NAKAGAWA(japanese, b. 1944)“STILL LIFE WITH BUTTER”Signed, titled and dated 1969 verso,acrylic on canvasUnframed70 x 56 in. (177.8 x 142.2cm)provenance:Gallery Marc, Washington, D.C.Minnie B. Oderoff and Maurice E.Oderoff, Phildadelphia, Pennsylvania.(Purchased from the above in 1969).By descent in family to presentowner.Private Collection, Philadelphia.$5,000-8,000

149 132103/3FRITZ KÖTHE(german, 1916-2005)“JONNY”Signed with initials and dated 67bottom left, signed, tited and dated1967 again verso, oil on canvas35 1/2 x 27 1/2 in. (90.2 x 69.9cm)provenance:Marc Moyens, Washington D.C.Minnie B. Oderoff and Maurice E.Oderoff, Phildelphia, Pennsylvania(Purchased from the above in 1968).By descent in family to presentowner.Private Collection, Philadelphia.$4,000-6,000



150 131995/21JAMES ROSENQUIST(american, b. 1933)“RAINBOW”1972, pencil signed, titled, numbered A.P.12/20 (the edition was 75), with fullmargins, Petersburg Press, New York,publisher. Color lithograph and screenprinton Hodgkinson handmade paper.image: 17 x 21 3/4 in. (43.2 x 55.2cm)sheet: 25 x 30 in. (63.5 x 76.2cm)[Glenn, 48]$600-1,000

151 131995/20JAMES ROSENQUIST(american, b. 1933)“PAPER CLIP”Signed, titled and dated 1974 andnumbered 68/75 (there were also20 artist’s proofs in Romannumerals), the full sheet, PetersburgPress, New York, publisher. Colorlithograph on Arches Cover.36 1/2 x 69 in. (93 x 175.3cm)[Glenn, 71]$5,000-8,000


152 131665/4ED RUSCHA(american, b.1937)TEN PHOTOBOOKS“TWENTY SIX GASOLINESTATIONS,” 1962, from the thirdedition of 3000, “SOME LOSANGELES APARTMENTS,” 1965,from the second edition of 3000,“EVERY BUILDING ON THESUNSET STRIP,” 1966, from the firstedition of 1000 with the originalsilver mylar covered slipcase,“THIRTY FOUR PARKING LOTS,”1967, from the second edition of2000 copies, “ROYAL ROAD TEST,”1967, from the third edition of 2000copies, “NINE SWIMMING POOLSAND A BROKEN GLASS,” 1968,from the first edition of 2400,“REAL ESTATE OPPORTUNITIES,”1970, from the first edition of 4000,“A FEW PALM TREES,” 1971, fromthe first edition of 3900,“RECORDS,” 1971, from the firstedition of 2000 copies, and“COLORED PEOPLE,” 1972, from thefirst edition of 4065 copies.various sizes[Engberg B1, B3-6, B8, B12, B13, B15and B16](10)literature:Martin Parr and Gerry Badger, ThePhotobook: A History (Volume II),Phaidon Press, London, 2004, pp.140-143.$4,000-6,000

150

152

151


153 131995/27FRANK STELLA(american, b. 1936)“POLAR CO-ORDINATES VIII”from “polar co-ordinates forronnie peterson”1980, pencil signed, dated andnumbered 88/100 (there were also20 artist’s proofs), the full sheet,Petersburg Press, New York, NewYork, publisher. Color offsetlithograph and screenprint onArches Cover.38 3/8 x 38 in. (97.5 x 96.5cm)[Axsom, 26]$5,000-7,000

154 132169/1FRANK STELLA(american, b.1936)“SIDI IFNI”from “homage a picasso”1973, pencil signed, dated,numbered 30/50 (Axsom calls forthe edition of 120 plus an unknownnumber of artist’s proofs), with widemargins, Propyläen Verlag, Berlinand Pantheon-Presse, Rome, co-publishers. Color lithograph on wovepaper.image: 19 x 18 3/4 in.(48.3 x 47.6cm)sheet: 22 x 29 3/4 in.(55.8 x 75.6cm)[Axsom, 91]$2,000-3,000



155 131995/23FRANK STELLA(american, b. 1936)“THE PACIFIC”from “the waves i”1985-1989, pencil signed, dated, andnumbered 15/60 (there were also10 artist’s proofs), the full sheet,Waddington Graphics, London,publisher. Color screenprint withlithograph and linocut, with handcoloring, marbling and collage onT.H. Saunders and Somerset.74.6 x 54.8 in. (189.5 x 139.3cm)$6,000-10,000

156 131995/25FRANK STELLA(american, b. 1936)“EXTRACTS”from “moby dick deckle edges”1993, pencil signed, dated andnumbered 3/40 (there were also 8artist’s proofs), the full sheet, TylerGraphics, Ltd., Mount Kisco, NewYork, publisher and with theirblindstamp. Color lithograph,etching, aquatint, relief andscreenprint on TGL Handmade.33 3/4 x 42 1/2 in. (85.6 x 108cm)$6,000-10,000



157 132145/5RICHARD ESTES(american, b. 1932)“SALZBURG”1982, pencil signed, numbered96/250 (there were also 15 letteredartist’s proofs), with full margins,Parasol Press, Ltd., New York and V& R Graphics, Long Island, NewYork, co-publishers. Color silkscreenon Fabriano Cottone paper.image: 20 x 14 5/8 in.(50.8 x 37.1cmsheet: 27 3/16 x 21 1/8 in.(69 x 53.6cm)[see Arthur, p. 126]$1,000-1,500

158 131995/8RICHARD ESTES(american, b. 1932)“GRANT’S”from “urban landscapes”1972, pencil signed and numbered68/75 (there were also 25 letteredartist’s proofs), with full margins,Parasol Press, New York, publisher.Color screenprint on SchoellersParole wove paper.image: 14 x 20 1/4 in.(35.5 x 51.4cm)sheet: 19 1/2 x 27 1/2 in.(49.5 x 69.9cm)[see Arthur, p. 112]$1,000-2,000



159 138051/48DOUGLAS CALVERT(canadian, b. 1955)“BROADWAY & 72ND STREET”Signed bottom right and signed,titled and dated 1992 verso, acrylicon board20 x 40 in. (50.8 x 101.6cm)provenance:Gallery Henoch, New York, NewYork.Estate of Robert G. Luckie, Tuscon,Arizona.$600-800

160 131995/16STEPHEN MAGSIG(american, 20th century)“153 MERCER STREET”Signed, titled and dated 2009 verso, oil onlinen48 x 36 in. (121.9 x 91.4cm)provenance:George Billis Gallery, New York, New York.Private Collection, New York.$1,500-2,500


161 131995/18JOHN MOORE(american, b. 1941)“YELLOW LILY”Signed and dated 03 bottom right, oil on canvas24 x 24 in. (61 x 61cm)provenance:Meredith Long & Company, Houston, Texas.Hirschl & Adler Modern, Inc., New York, New York.Private Collection, New York.$1,000-2,000


162 131935/2RED GROOMS(american, b. 1937)“DEKOONING BREAKS THROUGH”1987, signed bottom right in blue crayon, numbered T.P. (theedition was 75 plus 10 artist’s proofs), the full sheet, theartist and Shark’s Ink, Boulder, Colorado, co-publisher. 3-dimensional color lithograph on Rives BFK, cut out, glued,and mounted in plexiglass case.overall: 47 1/2 x 33 1/2 x 8 3/4 in. (120.7 x 85.1 x 22.2cm)[Knestrick, 112]$5,000-8,000

163 131935/1two printsRED GROOMS(american, b. 1937)“FRED & GINGER”1982, pencil signed, dated and numbered 78/100 (there were no recordedartist’s proofs), the full sheet, Senator Howard Metzenbaum’s Re-ElectionCommittee, Washington, D.C., publisher. Color silkscreen on Rives BFK.40 x 26 in. (101.6 x 66cm)[Knestrick, 92]and“LOOKING UP BROADWAY, AGAIN”1994, pencil signed, dated and numbered 2/75 (there were also 26 artist’sproofs), the full sheet, Marlborough Graphics, New York, New York,publisher. Color lithograph on Rives BFK.30 x 20 in. (76.2 x 50.8cm)[Knestrick, 141](2)$1,500-2,500


164 131686/2RAY JOHNSON(american, 1927-1995)FAN CLUB LUNCHEON MENUIncised ‘Jock S.’, double-sidedcollage of printed paper, gouacheand wax on paperboardExecuted in 19689 1/2 x 5 1/2 in. (24.1 x 14cm)provenance:The artist.Private Collection, New York.$4,000-6,000


165 131623/1JONATHAN BOROFSKY(american, b. 1942)UNTITLED (FIGURE WITH LAMP)Inscribed ‘2729814’ bottom right, acrylic on canvas with bluetungsten light bulbExecuted in 1981131 x 101 in. (332.7 x 256.5cm)Unframedprovenance:Paula Cooper Gallery, New York, New York.The Estate of Fredric Roos, Malmö, Sweden.Christie’s East, Contemporary Paintings, Drawings andSculpture, November 1, 1994 (lot 201).In Kahn Gallery, New York, New York.Private Collection, New York.exhibited:Moderna Museet, Stockholm, Sweden, September 9- October21, 1984.literature:M. Rosenthal and R. Marshall, Jonathan Borofsky, “Philadelphia”1984, p. 164, no. 184 (illustrated).$4,000-6,000

166 131686/1NAM JUNE PAIK(american/korean, 1932-2006)“ROBOT”Signed, dated `90’ and numbered 5/91 in black ink onthe feet, constructed from light-bulb, electric andplumbing parts, Edition Mönchehaus-Museum, Goslar,Germany, publisher.height: 20 1/2 in. (52cm)length: 7 in. (17.8cm)width: 5 in. (12.7cm)provenance:Holly Solomon Gallery, New York, New York.Private Collection, New York.$6,000-10,000



167 132132/1CHUCK CLOSE(american, b. 1940)“PHIL/FINGERPRINT”1981, pencil signed, titled, dated andnumbered AP IV (one of 7 artist’sproofs, the edition was 36), with fullmargins, Pace Editions Inc., NewYork, New York, publisher.Lithograph on Kuratani Kozo SpecialJapan.image: 42 x 31 in. (106.7 x 78.7cm)sheet: 50 x 38 in. (127 x 96.5cm)[Sultan, see p.12]$10,000-15,000

168 131995/1YAACOV AGAM(israeli, b. 1928)“MESSAGE OF PEACE”a complete set of seven prints1981, all pencil signed, all numbered 165/270 (there were also 20 artist’s proofs and 20museum proofs in Roman numerals), all with full margins, Todd Brassner Fine Art, New York,New York, publisher, with the original printed black portfolio and title/justification page.Seven screenprints (five in color) on Arches.all sheets: 15 x 15 in. (38.1 x 38.1cm)(7)$1,800-2,200



169 131737/4ALEX KATZ(american, b. 1927)“WEDDING DRESS”1993, pencil signed and numbered17/75 (there were also 12 artist’sproofs), with full margins,Simmelink/Sukimoto Editions,Marina del Rey, California, publisher.Color etching and aquatint onSomerset.image: 40 x 20 in. (101.6 x 50.8cm)sheet: 52 x 22 in. (132.1 x 55.9cm)$5,000-8,000

170 131995/11JEFF KOONS(american, b. 1955)“PUPPY”1998, incised with signature and date on theunderside, numbered 962/3000, Art of thisCentury, New York and Paris, publisher, andwith their incised stamp. Glazed white ceramicvase.height: 17 1/2 in. (44.5cm)length: 10 7/8 in. (27.5cm)width: 19 in. (48.2cm)$5,000-7,000



171 131995/9BRYAN HUNT(american, b. 1947)“NAVIGATOR 1”1988, pencil signed, titled, dated and numbered 19/50 (there were also 10artist’s proofs), Crown Point Press, San Francisco, publisher. Color etchingand aquatint on wove paper.image: 44 1/2 x 27 1/2 in. (113 x69.8cm)sheet: 54 x 36 in. (137.1 x 91.4cm)$1,200-1,800

172 131665/3BRONLYN JONES(american, b. 1954)UNTITLEDSigned and dated 1998 on artist’s painted wood frame verso, graphite onpapersheet: 6 1/2 x 8 in. (16.5 x 20.3cm)overall with frame: 7 5/8 x 9 1/2 in. (19.4 x 24.2cm)provenance:Larry Becker Contemporary Art, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.$1,200-1,800


173 131665/1LEE BAE(korean, b.1956)UNTITLEDInscribed in Korean, signed and dated 1997 bottom right, charcoal onArches26 x 35 in. (66 x 88.9cm)provenance:Private Collection, Philadelphia, Pennsylvania.$3,000-5,000


174 132014/1PEGGY PREHEIM(american, b. 1963)UNTITLED (BABY)Signed and dated 93 bottom right,graphite on papersheet: 11 x 8 1/2 in. (27.9 x 21.6cm)provenance:Private Collection.$1,000-1,500

175 132014/2PEGGY PREHEIM(american, b. 1963)“GLASS”Titled bottom left, signed and dated93 bottom right, watercolor onpapersheet: 11 x 8 1/2 in. (27.9 x 21.6cm)provenance:Private Collection.$1,200-1,800


176 131995/14two paintingsCHRIS LONG(american, 20th century)UNTITLEDSigned and dated 1984 verso, acrylic on canvas36 x 48 in. (91.4 x 121.9 cm)andUNTITLEDSigned and dated 1984 verso, acrylic on canvas36 x 48 in. (91.4 x 121.9cm)Both unframedprovenance:Private Collection, New York.$1,200-1,800


177 131623/2ERIC FREEMAN(american, b. 1970)“GOLDEN SANDS II”Signed, titled, dedicated and dated2009 verso, oil on canvas36 1/4 x 36 1/4 in. (92.1 x 92.1cm)Unframedprovenance:The artist.Private Collection, New York. (Giftedfrom the above).$1,500-2,500

178 131804/3JENNY HOLZER(american, b. 1950)UNTITLEDfrom “the survival series”Executed in 1983-85, numbered 2/10 on Gladstone label affixedverso, cast aluminum plaque5 3/4 x 9 in. (14.6 x 22.9cm)provenance:Barbara Gladstone Gallery, New York, New York.The Estate of Nellie L. Taft, Boston, Massachusetts.$8,000-12,000



179 131640/84MICHAEL CRAIG-MARTIN(irish, b. 1941)“FOUNTAIN”Acrylic on canvasExecuted in 199919 x 17 in. (48.3 x 43.2cm)Unframedprovenance:Waddington Galleries, London.From the Collection of VincentSmith-Durham, Hav-A-Mil House.$6,000-10,000



180 131804/10GREGORY AMENOFF(american, b. 1948)“VIEW #26”Signed, titled and dated 1998 verso,oil on board15 3/4 x 15 3/4 in. (40 x 40cm)provenance:Nielsen Gallery, Boston,Massachusetts.The Estate of Nellie L. Taft, Boston,Massachusetts.$1,000-1,500

181 131728/2SEAN SCULLY(american/irish, b. 1945)“STANDING II”1986, pencil signed, dated, titled andnumbered 25/35 (there were also10 artist’s proofs), with widemargins, Diane Villani, New York,publisher. Color woodcut onOkawara homemade paper.image: 40 x 30 1/2 in.(101.6 x 77.4cm)sheet: 47 1/2 x 36 in.(120.6 x 91.4cm)$2,500-3,500


182 131804/7JOHN WALKER(british, b. 1939)UNTITLED1992, pencil signed and dated 92bottom right, the full sheet. Colormonoprint on laid tissue-thin paper.21 x 17 1/2 in. (53.3 x 44.5cm)provenance:Nielsen Gallery, Boston,Massachusetts.The Estate of Nellie L. Taft, Boston,Massachusetts.$800-1,200


183 131804/6ELIZABETH MURRAY(american, 1940-2007)“NIGHT AND DAY”1995, pencil signed, dated andnumbered 11/66 bottom right, withfull margins, Gemini G.E.L, LosAngeles, California, publisher, andwith their blind stamps. Colorlithograph and screenprint on wovepaper.image: 10 x 9 in. (25.4 x 22.9cm)sheet: 17 x 15 1/2 in.(43.2 x 39.4cm)provenance:The Estate of Nellie L. Taft, Boston,Massachusetts.$1,000-2,000

184 131999/1TONY W.H. WONG(chinese/american, 1948-2012)“NURSING”Signed and dated 84 bottom right,oil pastel on black rag paper29 1/2 x 32 1/2 in. (74.9 x 82.5cm)provenance:Siegel Contemporary Art, New York,New York.Private Collection, Main Line,Philadelphia, Pennsylvania.$1,500-2,500


185 132084/1MOE BROOKER(american, b. 1940)ABSTRACTIONSigned and dated 86 bottom right,pastel on paper40 x 30 in. (101.6 x76.2cm)provenance:Property from a Philadelphia Estate.$1,000-1,500


186 131995/28VARUJAN BOGHOSIAN(american, b. 1926)“THE PRISM”Signed with initials bottom right,mixed media collageExecuted in 198016 1/2 x 16 3/4 in. ( 41.9 x 42.5cm)provenance:Cordier & Eksterom, Inc., New York,New York.Irving Galleries, Palm Beach, Florida.Private Collection, New York.$1,200-1,800

187 131804/8MICHAEL NAKONECZNY(american, b. 1960)“UPSTAIRS ROOM”Signed bottom right and signed,titled and dated 1988 verso, acrylicand metal on masonite16 1/2 x 20 in. (41.9 x 50.8cm)provenance:Berta Walker Gallery, Provincetown,Massachusetts.The Estate of Nellie L. Taft, Boston,Massachusetts.$400-600



188 131686/3JUDY PFAFF(american/british, b. 1946)UNTITLEDCollaged paper and mixed media elements in artist’s frameoverall: 11 x 123 in. (27.9 x 312.4cm)Executed 1998provenance:Private Collection, New York.exhibited:“Drawings and Prints,” Karen McCready Fine Art, New York, New York,January 14- February 27, 1999.note:The papers used here are 1880’s invoices from an artist’s supply store inHudson, New York and a supplier in Tribeca, New York, where the artist livedat the time this work was executed.$3,000-5,000

189 131995/22JONATHAN SANTLOFER(american, b. 1946)FIVE PORTRAITS OF ARTISTSAll pencil signed and dated variously 1996-1998,pencil, gouache, wax and acrylic on papereach approx.: 11 3/4 x 11 3/4 in. (29.8 x 29.8 cm)(5)note:Including: Egon Schiele; Adolf Gottlieb; Henri deToulouse-Lautrec; Piet Mondrian and ConstantinBrancusi.provenance:Jim Kempner Fine Art, New York, New York.Private Collection, New York.$4,000-6,000



190 131995/7MARC DENNIS(american, b. 1967)“HYBRID #31, FLORIGIUM POPPIUS BELLINIUS”Oil on canvas (diptych)overall: 30 x 60 in. (76.2 x 152.4cm) each unframedprovenance:Hirschl & Adler Galleries, Inc., New York, New York.Private Collection, New York.$800-1,200

191 131804/5BARNET RUBENSTEIN(american, 1923-2002)“GREEN GRAPES #3”Signed and dated 1989 verso, oil on canvas12 x 12 in. (30.5 x 30.5cm)provenance:The Alpha Gallery, Boston, Massachusetts.The Estate of Nellie L. Taft, Boston, Massachusetts.exhibited:“Barnet Rubenstein,” Rose Art Museum, BrandeisUniversity, Waltham, Massachusetts, February 2- March16,1997.$600-1,000



192 131804/4JOAN SNYDER(american, b. 1940)“LITTLE RIPENED FIELDS”Oil, acrylic, paper maché, straw,herbs and ink on wood panelExecuted in 200218 x 36 in. (45.7 x 91.4cm)Unframedprovenance:Nielsen Gallery, Boston,Massachusetts.The Estate of Nellie L. Taft, Boston,Massachusetts.$1,200-1,800

193 132175/2STUART SHILS(american, b. 1954)“WORK SITE”Signed and dated 95 bottom left,titled in pencil verso, acrylic onpaper11 3/4 x 13 1/2 in. (29.8 x 34.3cm)provenance:Private Collection, Pennsylvania.$1,000-2,000


194 132175/1STUART SHILS(american, b. 1954)“MANAYUNK CANAL WITHBRIDGE”Signed and dated 86 bottom left,signed again and titled verso, oil onpaper mounted to rag board4 1/2 x 9 1/4 in. (11.4 x 23.5cm)provenance:Private Collection, Pennsylvania.$1,000-2,000


195 131804/9MARY HEILMANN(american, b. 1940)“KELLY’S COVE, NY”2002, pencil signed and dated,numbered 12/25, with full margins,Pace Editions, New York, New York,publisher. Color etching on wovepaper.image: 11 7/8 x 12 in.(30.1 x 30.5cm)sheet: 30 x 22 in. (76.2 x 55.9cm)provenance:School of the Museum of Fine Arts,Boston, Massachusetts.The Estate of Nellie L. Taft, Boston,Massachusetts.$800-1,200

196 131739/9JIMMY LUEDERS(american, 1927-1994)FLORAL STILL LIFESigned and dated 68 bottom left,acrylic on canvas40 x 30 in. (101.6 x 76.2cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


197 131739/8JANE PIPER(american, 1916-1991)UNTITLED (DAISIES)Ca. 1974, signed bottom center, oilpastel and graphite23 x 29 in. (58.4 x 73.6cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500


198 132172/1ELIZABETH OSBORNE(american, b. 1936)STILL LIFESigned and dated 76 in pencilbottom left, watercolor on paper10 5/8 x 11 7/8 in. (27 x 30.2cm)Unframedprovenance:Private Collection, Philadelphia,Pennsylvania.$1,200-1,800

199 131739/6ELIZABETH OSBORNE(american, b. 1936)“TIDEWATER”Acrylic on canvas.Executed in 197250 x 60 in. (127 x 152.4cm)provenance:Marian Locks Gallery, Philadelphia,Pennsylvania.Westinghouse Art Collection, NewYork, New York.Private Collection, Philadelphia,Pennsylvania.$8,000-12,000




names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary



IndexAgam, Y., 168Albers, J., 135Amenoff, G., 180Auerbach, F., 130Avery, M., 87Avery, S., 123-125

Bae, L., 173Bengelsdorf, R., 80Bemelmans, L., 90Bertoia, H., 111, 112Blackman, C., 71, 73Boghosian, V., 186Bolotowsky, I., 137Borofsky, J., 165Botello, A., 53-55Brooker, M., 185Brooks, J., 88Bultman, F., 82

Calder, A., 115, 117Calvert, D., 159Chagall, M., 15-20Chandra, A., 69Cherry, H., 113, 114Chillida, E., 101Clark, C., 118-120Close, C., 167Corbusier, L., 33Craig-Martin, M., 179Cuevas, J., 56, 57Curtis, P., 91

Dalí, S., 39-42D’Arcangelo, A., 140Dennis, M., 190Deperthes, J., 27Dickerson, R., 72Dine, J., 144

Quirós, A., 50

Ramos, M., 142Rayo, O., 136Renoir, P., 3, 4Rickey, G., 107, 110Roos, A., 132Rosenquist, J., 150, 151Roualt, G., 2Roy, J., 65-67Rubenstein, B., 191Ruscha, E., 152

Santlofer, J., 189Scully, S., 181Searles, C., 121, 122Sefarbi, H., 93, 94Shils, S., 193, 194Simbari, N., 126, 127Snyder, J., 192Steinberg, S., 96Stella, F., 153-156

Tamayo, R., 62Tarkay, I., 128

Valloton, E., 1Venard, C., 32Vilaró, C., 58

Walker, J., 182Warhol, A., 146-147Wesselmann, T., 98-100Williams, F., 70Wolff, R., 79Wong, T., 184

Zúñiga, F., 64

Lebadang, 26Lewitt, S., 83Lichtenstein, R., 141Lindner, R., 143Loiseau, G., 7Long, C., 176Lueders, J., 196

Magsig, S., 160Mandeville, B., 108Marin, M., 51, 52Martin-Ferrières, J., 25Masson, A., 23, 24Masuda, M., 92Matisse, H. (After), 21Matulka, J., 95Meyerowitz, W., 84Miró, J., 34-38Montoyo, G., 63Moore, H., 106Moore, J., 161Motherwell, R., 102-104Murray, E., 183

Nakagawa, 148Nakian, R., 74Narayan, B., 68Nakoneczny, M., 187

Osborne, E., 198, 199

Paik, N., 166Park, D., 78Pfaff, J., 188Picasso, P., 44-49Piper, J., 197Pissarro, L., 8Pousette-Dart, R., 85, 86Preheim, P., 174-175

Dodd, L., 75-77Dosamantes, F., 59-61Dufy, J., 13, 14

Estes, R., 157, 158

Foujita, L., 22Fredenthal, R., 109Freeman, E., 177Gall, F., 28-30Grooms, R., 162, 163Grosz, G., 11, 12Guillaumin, A., 6Guston, P., 89

Hayter, S., 131Heilmann, M., 195Hockney, D., 105Holzer, J., 178Humphrey, R., 134Hundertwasser, F., 133Hunt, B., 171

Indiana, R., 97, 138, 139

Jacob, M., 5Jenkins, P., 129John, A., 31Johnson, R., 164Jones, B., 172

Katz, A., 169Kelly, L., 81Köthe, F., 149Koons, J., 170

Kollwitz, K., 9, 10

Laing, G., 145


The Winter Paintings SaleThursday, 28th November, 201333 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

EDGAR DEGAS(FRENCH 1834-1917)ANSEUSE RAJUSTANTL’EPAULETTE DE SONCORSAGESigned with the studiostamp, charcoal on buffpaper

58cm x 45cm (22.75in x 17.75in)

Estimate upon request

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Emily JohnstonTel: +44 (0)20 7930 [email protected]

Charlotte RiordanTel: +44 (0)131 557 [email protected]


American Art & PennsylvaniaImpressionists Auction 12/08/13

www.freemansauction.com

FAIRFIELD PORTER(AMERICAN 1907-1975)

‘MORNING AFTER A STORM’Signed and dated bottom left, oil on board18 x 22 in. (45.7 x 55.9cm)

$80,000-120,000

Exhibition opensWednesday, December 4th, 2013 at 10am

Alasdair [email protected]

David [email protected]


all property offered and sold (“property”) through samuel t. freeman &co, (“freeman’s”) shall be offered and sold on the terms and conditionsset forth below which constitutes the complete statement of the termsand conditions on which all property is offered for sale. by bidding atthe auction, whether present in person or by agent, by written bid,telephone, internet or other means, the buyer agrees to be bound bythese terms and conditions.

Premium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outside thestate where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts or omissionsin packing or shipping of purchasedlots whether or not such carrierrecommended by Freeman’s. Packingand handling of purchased lots is atthe responsibility of the buyer and isat the entire risk of the buyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must be submittedin writing to Freeman’s prior tocommencement of the offer of thefirst lot of any sale. Freeman’s copyof any such bid shall conclusively bedeemed to be the sole evidence ofsame, and while Freeman’s acceptsthese bids for the convenience ofbidders not present at the auction,Freeman’s shall not be responsiblefor the failure to execute, or, toexecute properly, any pre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in the exclusivediscretion of the auctioneer, subjectto compliance by the buyer withthese Conditions of Sale. Buyerthereupon assumes full risk andresponsibility of the property sold,agrees to sign any requestedconfirmation of purchase, and agreesto pay the full price, plus Buyer’sPremium, therefore or such part,upon such terms as Freeman’s mayrequire.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of 1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

1Unless otherwise indicated, allProperty will be offered by Freeman’sas agent for the Consignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty or representationregarding the description,genuineness, attribution, provenanceor condition to the Property of anykind or nature with respect to theProperty.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriate incrementof bids or the constitution of lots.

6The highest bidder acknowledged bythe auctioneer shall be the buyer.The auctioneer has the right to rejectany bid, to advance the bidding at hisabsolute discretion and in the eventof any dispute between bidders, theauctioneer shall have the sole andfinal discretion either to determinethe successful bidder or to re- offerand resell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines that anyopening or later bid or any advancebid is not commensurate with thevalue of the Property offered, he mayreject the same and withdraw theProperty from sale.

Terms & Conditions


To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hoursare Mon - Fri, 9:30 - 4:30pm. For larger items, please email [email protected] to schedule a loading dockappointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required.Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of 3rd party collectingproperty. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients inthe past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLCContact: Gordon G Murray II12 Salem RoadSchwenksville, PA 19473484.552.8741Fax: [email protected]

UPS StoreContact: John Bohach51 North 3rd StreetPhiladelphia, PA 19106215.629.4990Fax: [email protected]

Mr. C’sContact: Charles [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104718.706.7999Fax: [email protected]

A. Mastrocco Jr. Moving & StorageContact: Roseanne1060 Louis DriveWarminster, PA 18991215.491.0346Fax: [email protected]

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163212.715.0629Fax: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA [email protected]

The Packaging StoreContact: Duane Freed2333 West Main StreetLansdale, PA 19446215.361.6940Fax: [email protected]

FURNITURE & LARGER ITEMS:For larger pieces where delivery time isnot the primary concern, we suggestgetting your items freighted:

www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com.


Purchase removal, shipping and offsite storage information

v2.2013


SALE NO BIDDER NO CLIENT NO

NAME BUSINESS NAME

ADDRESS

CITY STATE COUNTRY

ZIP CODE E-MAIL

FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of eachlot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED


depart≤ents

Appraisalssa≤uel ≤ free≤an iijames e buckleydonald e walteramy parentilaura cox

Consignmentssamuel h cooperjames e buckleyjeffery miller

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrolljessica carterbethany mobbscara bishoffmarianne dagesmallory malkasianlauren carpinelli

Operationsnathan norleyherbert draytonderrick draytongerald davisdarryll byram

Financemark beckermankaren bajczyk

Business Development & ≤arketingtara theune davismelissa gellerthomas b mccabe ivchristopher brownesusannah mcgovern

Trusts & Estatessamuel t freeman iiithomas b. mccabe ivholen miles lewisamy parentimatthew wilcoxlaura coxjeffrey miller

Photographyelizabeth fieldelizabeth schultzthom clarkryan buckwalter

officers

chair≤ansamuel ≤ freeman ii

vice chair≤anmargaret d freeman

vice chair≤analasdair nichol

presidentpaul roberts

chief operating officerhanna dougher

executive vice presidentja≤es e buckley

senior vice presidentdavid weisstara theune-davis

chief financial officereric a smith

vice presidentsdavid j bloom lynda a cainanne henrysamuel t. freeman iiimatthew wilcoxthomas b mccabe iv

Directory

Printsanne henrydavid weissaimee pfliegerandrew hubercandace vivianfred frederick

European Art & Old Mastersalasdair nicholdavid weissandrew hubercandace vivian

Photographs & Photobooksaimee pfliegercandace vivianfred frederick

Modern & Contemporary Artanne henryalasdair nichol david weissaimee pfliegercandace vivianfred frederick

Oriental Rugs & Tapestriesrichard cervantesdavid weiss

Books, Manuscripts, Maps& Ephemeradavid j bloomchristiana scavuzzo

specialist departments

American Furniture, Decorative & Folk Artlynda a cainsamuel ≤ free≤an iiwhitney bountytim lambert

American Silversamuel ≤ free≤an ii

Asian Artsrichard cervantesrobert waterhouse

(consulting specialist)tianhan gaoandrew zajack

English & ContinentalFurniture & Decorative Artsdavid walkertim andreadissarah blattnertim lambert

Silver & Objet de Vertudavid walkersarah blattner

Fine Jewelry & Watchessamuel ≤ free≤an iimadeline mccauleyallia dhodynatalie prusich

American Artalasdair nichol david weissandrew hubercandace vivian

colin clarkeCharlottesville, [email protected]: 434.296.4096

kelly wrightBoston, [email protected]: 617.367.3400

maya o’donnell-shahWayne, [email protected]: 610.254.9700

matthew s [email protected]: 215.940.9825

william [email protected]: 513.802.0090

representatives

v4.2013



Holiday Sale featuring the Collection of Vincent Smith-Durham, Hav-A-Mil House Auction 12/17/13

Including paintings and sculpture by Fritz Bultman (American, 1919-1985) anda fine selection of studio ceramics by Toshiko Takaezu (American, 1922-2011)

www.freemansauction.com

Exhibition opens Friday, December 13 at 10am

Tim [email protected]


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Documents

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