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131265967 Avenged Sevenfold Waking the Fallen TABS

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  • Intro Moderately q = 95

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerWaking the Fallen (Intro)

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Drop D tuning:(low to high) D-A-D-G-B-E

    Gtr. 2 (dist.)

    **

    w/ fingersfdbk.

    F#5

    pp

    **Fade in

    *Gtr. 1 (dist.)

    ***

    P.M. throughoutpp

    *Doubled throughout

    ***Fade in

    mp

    mf

    (Ah.)

    Gtr. 2 tacet

    Gtr. 1 Rhy. Fig. 1 End Rhy. Fig. 1

    06

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    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    1

    Sorgdal

  • Segue to Unholy Confessions

    Gtr. 1: w/ Rhy. Fig. 1

    Rah!

    w/ echo repeats & heavy reverb

    Wake

    VerseGtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)

    F#5

    the ones and rise to night.-

    Fall en- souls, we shine so bright.

    Rise now and ev er,- leave your mem ries.-

    Rise now and ev er,-

    leave your mem ries.-

    (No one can touch us.)

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    2

    Sorgdal

  • Intro Fast q = 180

    Unholy ConfessionsWords and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Double-time feel1., 2., 3.

    Drop D tuning:(low to high) D-A-D-G-B-E

    Gtr. 1 (dist.)Riff A

    *D5

    fP.M.

    Bb5

    P.M.

    A5

    P.M.

    End Riff A3

    Gtr. 2 (dist.)

    fP.M.

    *Chord symbols reflect basic harmony.

    D5

    P.M.

    Bb5 A5 3

    P.M.

    Gtr. 2

    Riff B

    Gtr. 1: w/ Riff AD5

    P.M.

    Bb5

    P.M.

    A5

    P.M.

    End Riff B3

    0 05 0 7 0 8 0 10 0 8 0 7 8 7

    10 8 810 0 8 0 7

    7 77 0 8 0

    10

    0 0

    0 05 0 7 0 8 0 10 0 8 0 7 8 7

    10 888

    888

    777

    777

    0 0 888

    888

    777

    777

    00

    00 8 0

    50

    70

    80

    70

    5 7 57

    88

    88

    80

    70

    577

    77

    50

    70 7

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    1

    Sorgdal

  • 4.

    End double-time feel Half-time feel

    Bb5

    A5

    IllScreamed: 1. try.

    Verse

    D5

    Gtr. 1

    Gtr. 3 (dist.)

    f

    Gtr. 1divisi

    Rhy. Fig. 1

    P.M.

    Gtr. 2

    Gtr. 4 (dist.)f

    Gtr. 2divisi

    P.M.

    She said as he walked

    Bb5

    a way.

    C5

    - Try not to lose

    Riff C

    P.M.

    End Riff C

    End Rhy. Fig. 1

    Riff C1

    P.M.

    End Riff C1

    Gtrs. 1 & 2: w/ Rhy. Fig. 1D5

    you.

    Gtrs. 3 & 4: w/ Riffs C & C1

    Two vi brant- hearts

    Bb5

    could change.

    C5

    888

    888

    777

    777 X

    1012

    X1012

    1214

    577

    577

    577

    00

    00

    000X

    1214

    810

    X8

    107

    9

    888

    888

    777

    777 X

    79

    X79

    810

    577

    577

    577

    00

    00

    000X

    810

    57

    5X7

    46

    000

    X1013

    X1013

    811

    888

    888

    888

    88

    88

    101010

    X8

    117

    105X8

    7

    10X1012

    X1012

    1214

    X1214

    810

    X8

    107

    9

    000 X

    1214

    X1214

    1012

    888

    888

    888

    88

    88

    101010X

    1012

    810

    X7

    98

    10X7

    9X7

    98

    10X8

    1057

    5X7

    46

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    2

    Sorgdal

  • Noth

    D5

    ing- tears the be ing- more than de cep- tion.- Un masked- fear.

    Bb5 C5

    Gtrs. 1 & 2

    P.M. P.M. P.M. P.M.

    Ill be here wait

    D5

    ing,-

    Gtrs. 3 & 4: w/ Riffs C & C1

    P.M. P.M. P.M.

    test

    Bb5

    ed- and se cure.(Ah.)

    C5

    -

    D5

    Interlude

    D5

    P.M.

    Rhy. Fig. 2

    P.M. P.M.

    P.M.

    D5

    P.M.

    D5

    P.M.

    End Rhy. Fig. 2

    Gtrs. 1 & 2: w/ Rhy. Fig, 2D5

    D5

    D5

    D5

    57

    57

    57

    57

    577

    00

    00

    00

    00

    00

    0 2 30 1

    313

    13

    13

    133

    133

    35

    35

    35

    35

    355

    35

    35

    355

    355

    577

    577

    577

    00

    00

    000

    888

    888

    888

    88

    88

    101010

    00

    00

    0 0 0 0

    00

    00

    00

    0 0 0 0 00

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    3

    Sorgdal

  • Noth

    Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)D5

    ing- hurts my world, just af fects- the ones a round- me.

    Ab5

    When

    Gtrs. 3 & 4

    Riff D

    P.M. P.M. P.M. P.M. P.M. P.M.

    P.M. P.H.

    End Riff D8va

    sins

    Gtrs. 3 & 4: w/ Riff DD5

    deep in my blood, youll be the one to fall!

    Ab5

    I

    wish

    ChorusD5

    I could be the

    E5 F5

    one,

    C5

    the

    Gtrs. 1 & 2

    Rhy. Fig. 3

    3

    one

    F5

    who wont care

    Bb5

    at all. But

    End Rhy. Fig. 3

    0 07 0 8

    0 07 0 8

    0 05

    04

    0 07 0 8 0

    7 0 8 0 7 0 6

    577

    577

    XXX

    000

    22

    33 3

    55

    355

    355

    355

    2 3 2 3 25 3 0

    333

    333

    333

    333

    00 1

    33

    133

    133

    133

    133

    133

    133

    133

    133

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    4

    Sorgdal

  • be

    D5

    in- the one on

    E5

    the

    F5

    stand,

    C5

    I know the way

    F5

    to go, no ones guid

    G5

    in- me.

    Dm/F

    When

    time

    Gtrs. 1 & 2: w/ Rhy. Fig. 3D5

    soaked with blood turns

    E5

    its

    F5

    back

    C5

    I

    F5

    know its hard

    Bb5

    to fall. Con -

    fid

    D5

    ed- in me was

    E5

    your

    F5

    heart.

    C5

    Gtrs. 1 & 2

    577

    577

    XXX

    000

    22

    33 3

    55

    355

    355

    355

    355

    355

    355

    355

    355

    355

    333

    333

    XXX

    333

    333

    333

    333

    555

    555

    XXX

    353

    XXX

    XXX

    577

    577

    XXX

    000

    22

    33 3

    55

    355

    355

    355

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    5

    Sorgdal

  • CTo oda

    I know its hurt

    F5

    in- you, but its

    kill

    G5

    in- me.

    Dm/FInterludeDm

    Gtr. 1

    Gtr. 2

    A7 Bb Db C Bb

    355

    355

    355

    355

    355

    355

    355

    333

    333

    XXX

    333

    333

    333

    555

    555

    XXX

    353 5 7 5 7 7

    5 8 7 8 82 5 7

    555

    555

    XXX

    353

    5 8 7 8 8 3 5 4 5 5 7 8

    5 55 7 6 7 7 2 4 5 8 7 7 5

    7 7 2 4 3 4 4 0 1 2 4 3 3 1

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    6

    Sorgdal

  • 1.

    2.

    End half-time feel

    Double-time feel

    End double-time feel

    A Aaddb13 Aaddb13

    Gtr. 2

    Gtr. 1: w/ Riff A (1 1/2 times)D5 Bb5 A5

    D5

    P.M.

    Gtrs. 1 & 2Bb5 A5

    NothScreamed:

    Bridge

    Gtrs. 1 & 2: w/ Riffs A & B (4 times)D5

    ing- will last in this life,

    Bb5

    our time is spent

    A5

    con struct- ing.-

    D5

    Now youre per fect- ing- a world

    Bb5

    meant to sin.

    A5

    D5

    Con strict- your hands a round- me,

    Bb5

    squeeze till I can

    A5

    not- breathe.

    D5

    This air tastes dead in side- me.

    Bb5

    Con tri- bute- to

    A5

    our

    4 4 1 8 7 83 7 5

    8 8

    0 2 4 3 4 4 8 7 4 4

    000

    00

    00

    888

    888

    777

    777

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    7

    Sorgdal

  • Half-time feel

    Break

    plague.

    D5

    all your prom

    is- es,...-

    ...tear down this stead

    fast- wall.

    Gtrs. 1 & 2

    Rhy. Fig. 4 End Rhy. Fig. 4

    P.M.

    Re

    Gtrs. 1 & 2: w/ Rhy. Fig. 4

    straints- are use

    less- here.

    Tast ing- sal va- tions- near.

    Interlude

    D5 C#5 D5

    C5 B5 Bb5

    D5 A5 D5

    Ab5 G5

    *Gtrs. 1 & 2

    *Composite arrangement

    D5 C#5 D5 C5

    P.M.

    B5 Bb5 D5 A5 D5 Ab5 G5

    Ah.

    Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)D5

    Noth

    Pre-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)Gtrs. 3 & 4: w/ Riff D (2 times)D5

    ing- hurts my world, just af fects- the ones a round- me.

    Ab5

    When

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    1212

    1111

    00

    1010

    99

    88

    00

    55

    77

    00

    66

    55

    00

    1010

    1212

    1111

    00

    88

    1010

    99

    88

    00

    77

    00

    66

    55

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    8

    Sorgdal

  • D.S. al Coda

    Coda

    Play 3 times

    sins

    D5

    deep in my blood, youll be the one to fall!

    Ab5

    *Gtrs. 3 & 4

    Interlude

    Riff E

    Gtrs. 1 & 2: w/ Rhy. Fig. 2D5

    grad. bend

    G5 D5

    grad. bend

    G5End Riff E

    *Composite arrangement

    1 1 1 1 1 1/2 1 1 1 1 1 1/2

    D5

    G5 A5 D5 G5

    A5 D5 G5

    D5 F5 D5 Em A

    I

    Gtrs. 14 Gtrs. 2 & 4

    Gtrs. 1 & 3divisi

    1 1/2 1 1/2

    kill

    G5

    in- me.

    Dm/F

    Gtrs. 1 & 2

    Ah.

    OutroGtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 3 & 4: w/ Riff E (4 times)D5

    G5 D5

    G5

    Gtrs. 1 & 2

    D5

    P.M. P.M.

    G5 D5

    P.M. P.M.

    G5Gtrs. 14D5

    P.M.

    0 11 0 10 0 8 60 0 5 0 11 0 10 0 8 60 0 5

    0 5 0 5 0 5 0 3 0 57

    57

    24

    555

    555

    XXX

    353

    00

    00

    0 0 0 0 00

    00

    00

    0 0 0 0 00

    00

    00

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    9

    Sorgdal

  • Intro Moderately q = 96

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerChapter Four

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Drop D tuning:(low to high) D-A-D-G-B-E

    Gtrs.1 & 2 (dist.) Rhy. Fig. 1

    D5

    f

    E5 F5 D5 A5 Bb5End Rhy. Fig. 1 Rhy. Fig. 2

    D5

    P.M. P.M.

    Gtr. 3 (dist.)

    * pp

    *Vol. swell

    Gtr. 4 (dist.)

    **pp

    **Vol. swell

    Gtrs. 1 & 2

    P.M. P.M. P.M. P.M. P.M.

    End Rhy. Fig. 2

    P.M.

    Gtr. 3

    Gtrs. 1 & 2: w/ Rhy. Fig. 2

    fdbk.

    Gtr. 4

    00

    22

    33

    00

    77

    88

    00

    0 0 0 00

    0 0 0 0 0

    8

    5

    00

    0 0 0 00

    0 0 0 0 0 00

    0 0 0 00

    0 0 0 0 0 00

    0 0 0 00

    0 0 0 0 0

    8 8

    5

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    1

    Sorgdal

  • Double-time feel

    1.

    End double-time feel

    2.

    Gtr. 3 Riff A

    f

    D5 C5 Bb5

    Gtr. 4

    f

    Riff A1

    Gtrs. 1 & 2

    Rhy. Fig. 3

    C5 C5

    Con1., 2. ceived

    Gtrs. 3 & 4 tacet

    Verse

    D5

    - and

    (Give me your

    End Riff A

    End Riff A1

    End Rhy. Fig. 3 Rhy. Fig. 4

    P.M. P.M. P.M.

    85 77 8 7

    65

    7

    58 7 8 2

    53 5

    22 3 25

    52 33 5 3 2 5

    37 5 3 5 5 7

    52 33 5 3 2

    57

    35

    13

    3 55

    57

    75

    37

    55

    57

    75 7

    12

    13

    32 3

    12 3

    32 3

    13

    35

    13

    35

    00

    0 0 0 00

    0 0 0 00

    0 0

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    2

    Sorgdal

  • Half-time feel

    End half-time feel

    born

    F5

    was one

    C/E

    of light.

    Bb5 F5

    C/E

    hand, blood is spilled and man will fol low.-

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    End Rhy. Fig. 4

    Rain

    Gtrs. 1 & 2: w/ Rhy. Fig. 4

    D5

    and dark, the oth

    F5

    er- born

    C/E

    black night.

    Bb5 F5

    C/E

    In fer- nal- man, pun ish- ment- too great to bear.)

    Raise

    D5

    your head

    Bb5

    and taste

    F5

    the cour

    C/E

    age.-(The one of

    Gtrs. 1 & 2

    light.)Fall

    D5

    from grace,

    Bb5

    un ho

    F5

    - ly- night.

    A/C#

    33

    33

    33

    00

    23

    23 1

    31 1 1 1

    31 1 1 1

    30 0 3

    333

    33

    00

    23

    23

    00

    00

    000

    00 1

    313

    13

    13

    13

    13

    13

    13

    333

    333

    333

    333

    333

    333

    333

    333

    23

    23

    23

    23

    00

    00

    000

    00 1

    313

    13

    13

    13

    13

    333

    333

    333

    333

    333

    333

    333

    333

    422

    422

    422

    422

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    3

    Sorgdal

  • Double-time feel

    Ive

    Dm

    come here to kill

    C

    you, wont leave

    Bb5

    un til- youve died.

    C

    Mur

    Dm

    der- born of ven

    C

    geance,- I

    Gtrs. 3 & 4

    Gtrs. 1 & 2

    P.M. P.M. P.M. P.M. P.M. P.M.

    close

    Bb5

    my broth ers- eyes

    C

    to night.

    A5

    -

    Gtr. 4

    Gtr. 3

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    X1214

    X1214

    X1214

    X1214

    X1012

    7X9

    7X9

    X8

    10X8

    10X8

    10X8

    10X1012

    X1214

    X1315

    X1214

    X1214

    X1214

    X1214

    X1214

    X1012

    7X9

    7X9

    53

    53

    5 53

    5 32

    32

    32

    32

    13

    13

    1 13

    1 32

    32

    32

    32

    53

    53

    5 53

    5 32

    32

    32

    X8

    10X8

    10X8

    10X8

    10X1012

    7X9

    7X9

    4X6 6

    565

    65

    4

    X8

    10X8

    10X8

    10X8

    10X1012

    7X9

    7X9

    4X6

    4 5 7 4

    13

    13

    1 13

    1 32

    32

    32

    02

    0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 022

    022

    022

    022

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    4

    Sorgdal

  • CTo oda 3rd time,1.

    2.

    End double-time feelD.S. al Coda

    Interlude

    D5 C5 Bb5 C5 D5 C5 Bb5

    3

    3

    C5 D5

    C5 Bb5 C5

    Con2. -

    5 76

    58 6 5 6

    56

    76

    5 6 5 3 5 35

    56

    76

    55

    8 6 57

    5 77

    6 57 5 7

    57

    77

    6 8 6 5 6 55

    57

    77

    67

    57 5

    8

    57

    57

    57

    57

    35

    35

    35

    0 13

    13

    13

    13

    13

    35

    35

    35

    35

    35

    57

    57

    57

    57

    35

    35

    35

    13

    776

    59

    8 10 105

    67

    65

    58 6 5

    7 76

    59

    8 10 10

    38

    76

    55 6 6

    57

    77

    67

    57 5

    837

    65

    5 6 6

    13

    13

    13

    35

    35

    35

    35

    35

    57

    57

    57

    57

    35

    35

    35

    13

    13

    13

    35

    35

    35

    35

    35

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    5

    Sorgdal

  • Coda

    D5

    C5 Bb5 C5

    Its

    cold

    Pre-ChorusGtrs. 3 & 4 tacet

    D5

    to night- as the clouds turn grey and from my hands to my broth ers- grave. You

    Gtr. 2 Riff B1

    P.M. P.M. P.M. P.M.

    End Riff B1

    3 3 6 3 3 6

    Gtr. 1 Riff B

    P.M. P.M. P.M. P.M.

    End Riff B

    3 36

    3 36

    took

    Gtrs. 1 & 2: w/ Riffs B & B1

    his side, you took his gift. Feel the pow er- of a fall en- man,

    56

    76

    55

    8 6 57 7

    65

    98 10 10

    57

    77

    67

    57 5

    837

    65

    5 6 6

    57

    57

    57

    57

    57

    35

    35

    35

    35

    13

    13

    13

    13

    35

    35

    35

    35

    35

    10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9 10 11 10 0 0 0 0 10 11 10 0 0 0 0 10 11 10 9 10 9

    7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6 7 8 7 0 0 0 0 7 8 7 0 0 0 0 7 8 7 6 7 6

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    6

    Sorgdal

  • End double-time feele = e

    e = e

    Double-time feel

    End double-time feel

    Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

    D5 E5 F5

    D5 A5 Bb5

    crest fall- en- man.

    D5 E5 F5 D5 A5 Bb5

    Far

    ChorusD5

    a way

    A5

    - in this land I

    G5

    must

    A5

    go,

    Bb5

    out

    Dm/F

    of the site

    A/E

    of the

    Gtrs. 1 & 2

    Rhy. Fig. 5 End Rhy. Fig. 5

    One.

    Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)D5

    A pun

    A5

    ish- ment- sent from

    G5

    his

    A5

    hands,

    Bb5

    a hard

    Dm/F

    ship- that no

    A/E

    one should

    know,

    D5 A5 G5

    no,

    A5 Bb5

    no. Out

    Dm/F

    of the site

    A/E

    of the

    One,

    D5 A5 G5 A5 Bb5

    a way

    Dm/F

    - in this land

    A/E

    you must

    go.

    Interlude

    Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3 & 4: w/ Riffs A & A1

    D5 C5

    Bb5

    C5

    D5

    C5

    Bb5

    C5

    00

    00

    00

    00

    77

    77

    77

    77

    55

    77

    88

    88

    88

    88

    88

    0 35

    35

    35

    24

    24

    24

    0

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    7

    Sorgdal

  • (Ah.)

    D5

    BridgeD5

    Where has he gone? What have you done?

    F5

    Gtr. 5 (dist.)

    f

    1

    Gtrs. 1 & 2 Rhy. Fig. 6

    P.M. P.M. P.M. P.M.

    Bb5

    A voice com mands- from high

    F5

    a bove

    C/E

    - this

    31/2 1/2

    1/2

    P.M. P.M. P.M. P.M.

    End Rhy. Fig. 6

    earth.

    Gtrs. 1 & 2: w/ Rhy. Fig. 6

    D5

    From the soil his blood cries out

    F5

    to me.

    Gtr. 5

    1

    12 1515 17

    14 17 21 17 1414 15 14

    14 1717

    1920 20 17

    1719

    1717

    00

    0 0 0 0 0 00

    0 0 00

    3 3 3 3 3 33

    3 3 33

    18 1515 17

    17 17 17 1315

    14 15 1414 15

    1317 13 17 13

    1415

    1213

    13 15 13 1213

    12 1214

    1 1 1 1 1 13

    1 1 13

    3 3 3 3 3 33

    2 2 2 2 2 23

    15 1512 15

    15 1714 17 21 17 14

    14 15 1414 17

    1719

    20 20 1717

    1917

    17

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    8

    Sorgdal

  • e = e

    Mur

    Bb5

    der,- li ar,- ven

    F5

    geance,- de ceit!

    C/E

    -

    3

    1/2 1/2

    InterludeGtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)D5

    A5 G5 A5 Bb5

    Dm/F

    A/E

    Gtr. 5

    1 hold bend1

    Gtrs. 3 & 4 Riff C

    Gtrs. 3 & 4

    Gtr. 5 tacetD5 A5 G5 A5 Bb5 Dm/F A/E

    End Riff C

    Gtrs. 3 & 4: w/ Riff C

    D5

    A5

    G5 A5 Bb5

    Dm/F

    A/E

    D5

    A5

    G5 A5 Bb5

    Dm/F

    A/E

    18 1515 17

    17 17 17 1315

    14 15 1414 15

    1317 13

    1415

    1213

    13 15 13 1213

    15 1217 13

    1717

    15

    17 17

    1517 17 15 15

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

    5X7

    7X9

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X1214

    X1214

    X1214

    X1214

    X1214

    X1012

    X1214

    X1315

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1012

    X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

    5X7

    7X9

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    X8

    10X8

    10X8

    10X8

    10X8

    10X1012

    X1012

    X1012

    X1012

    810

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    9

    Sorgdal

  • Begin fade

    Fade outSegue to Remenissions

    Far

    Outro-ChorusGtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)D5

    a way

    A5

    - in this land I

    G5

    must

    A5

    go,

    Bb5

    out

    Dm/F

    of the site

    A/E

    of the

    Gtrs. 3 & 4

    One.

    D5

    A pun

    A5

    ish- ment- sent from

    G5

    his

    A5

    hands,

    Bb5

    a hard

    Dm/F

    ship- that no

    A/E

    one should

    know,

    D5 A5 G5

    no,

    A5 Bb5

    no. Out

    Dm/F

    of the site

    A/E

    of the

    One,

    D5 A5 G5 A5 Bb5

    a way

    Dm/F

    - in this land

    A/E

    you must...

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214 X

    1013

    X1013

    X1013

    X1013

    X1013

    X1013

    X1013

    X1013

    X1215

    X1315

    X1315

    X1315

    X1315

    X1315

    X1315

    X1214

    X1012

    X1214

    X1012

    X8

    10X1012

    X8

    107X9

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    3X5

    3X5

    3X5

    3X5

    3X5

    4X6

    4X6

    4X6

    4X6

    4X6

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    5X7

    7X9

    X810

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X1012

    X1012

    X1012

    X1012

    X1012

    X1012

    X1012

    X1012

    X1012

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1517

    X1517

    X1517

    X1517

    X1517

    X1517

    X1517

    X1517

    X1517

    X1719

    X1719

    X1719

    X1719

    X1719

    X1719

    X1719

    X1719

    X1719 X

    1518

    X1518

    X1518

    X1518

    X1518

    X1417

    X1417

    X1417

    X1417

    X1417

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    10

    Sorgdal

  • Intro Moderately q = 91

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerRemenissions

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Quadruple-time feel

    Gtr. 2 (elec.)

    Drop D tuning:(low to high) D-A-D-G-B-E

    (Drums)

    w/ dist.

    D5

    f

    P.M. P.M. let ring

    D5

    P.S.

    Gtr. 1 (elec.)

    w/ dist.f P.M.

    Ulh!

    *Dm A7

    Gtrs. 1 & 2

    Riff A

    *Chord symbols reflect implied harmony.

    (Ulh!)

    Bb A7

    End Riff A

    00

    3 00

    00

    11

    00

    5 3 2 00

    3 00

    01

    X

    00

    00

    00

    00

    00

    00

    0 0 0 0 2 2 2 2 3 3 3 32 2 2 2

    5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 04 4 4 4

    0 0 0 0 2 2 2 2 5 5 5 54 4 4 4 0 0 0 0

    2

    1 1 1 10 0 0 0 3 3 3 3

    3 3 3 33 3 3 3 0 0 0 0

    1 1 1 10 0 0 0

    0 0 0 0 4 4 4 42 2 2 2

    4 4 4 40

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    1

    Sorgdal

  • End quadruple-time feel

    Gtr. 2

    Gtr. 1: w/ Riff A

    Dm A7

    Bb A7

    Gtrs. 1 & 2

    D5

    P.M.

    Dsus2 D5

    P.M.

    Bb/D D5

    P.M.

    C#/D A5addb2

    With1.

    VerseD5

    this ink

    F5

    in

    E5

    my

    D5

    skin, weve sealed

    F5 E5

    our

    D5

    fate,

    Bb

    and the axe comes

    Rhy. Fig. 1

    P.M. P.M. P.M.

    P.M.

    ear

    C

    ly.-(On ly- nat ral- ly.)-

    So,

    Bb5

    what

    G5

    does that

    C5

    mat

    A5

    ter?-

    P.M. P.M. P.M. P.M.

    End Rhy. Fig. 1

    2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 25 5 5 5 3 3 3 3 2 2 2 2 3 3 3 3 5 5 5 5

    3 3 3 32 2 2 2

    4 4 4 4 4

    0 0 0 0 3 3 3 33 3 3 3

    3 3 3 33 3 3 3

    3 3 3 3 0 0 0 0 3 3 3 34 4 4 4

    2 2 2 2 5 5 5 54 4 4 4

    2

    00

    00

    00

    230

    00

    00

    0033

    00

    00

    0032

    355

    00

    0 0 33

    22

    0 00

    0 0 0 33

    22

    00 1

    30 0 0 0 5 0 1

    31 0 0 0 5 0

    32

    3 30

    3 2 0 23 0 0 1

    30 0 5

    5 35

    0 002

    02

    02

    02

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    2

    Sorgdal

  • Theres

    Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)

    D5

    a bed

    F5

    of

    E5 D5

    skel e- tons- wait

    F5

    in

    E5

    - for

    D5

    me

    Bb

    on the oth er- side.

    C

    Theyre

    Bb5

    wait

    G5

    ing- for

    C5

    my

    A5

    next move.

    D5

    (Next fa tal- breath.)Hu

    Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

    man- lives,

    F5 E5

    to

    D5

    me, seem so

    F5 E5

    un

    D5

    -

    Gtrs. 1 & 2

    P.M. P.M.

    real.

    Bb

    You cant see through the fog,

    C

    (Noth ing- past a grey wall.)

    see

    Bb5

    past

    G5

    the ster

    C5

    e

    A5

    - o- type.

    D5

    - Be lief,

    F5

    -

    E5 D5

    struc ture- built

    F5

    up

    E5

    in

    D5

    you.

    Bb

    Ill tear you down

    C

    and the one

    Bb5

    who

    G5

    cre

    C5

    at

    A5

    - ed-

    you.

    Interlude

    D5

    D5

    Gtrs. 1 & 2

    P.M. P.M.

    13

    0 0 55 3

    50 0

    02

    02

    02

    02

    00

    00

    00

    00

    12

    1511

    1612

    00

    00

    00

    00

    00

    00

    00

    00

    00

    1511

    1612

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

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    3

    Sorgdal

  • D5

    P.M.

    D5

    P.M.

    If

    Pre-ChorusD5

    they did nt- have One, how would they act?

    Bb5

    (Whoa,

    Rhy. Fig. 2 End Rhy. Fig. 2

    If

    G5

    we did nt- have hope, how would we be have?

    C5

    - Would they

    still

    Gtrs. 1 & 2: w/ Rhy. Fig. 2

    D5

    feel re morse- if they slaught ered- in no- cent- be

    Bb5

    ings?- Or is

    whoa.)

    1511

    1612

    00

    00

    00

    00

    00

    00

    00

    00

    00

    1511

    1612

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00 1

    3

    55 3

    5

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    4

    Sorgdal

  • hope

    G5

    the on ly- thing that keeps you sane?

    C5

    A good

    ChorusDm

    friend once told

    Gtr. 3 (nylon-str. acous.)

    mp

    Riff B

    *Gtr. 4 (steel-str. acous.)

    w/ fingers

    Riff C

    mp

    let ring

    *Doubled throughout

    Gtrs. 1 & 2

    P.M.

    me

    Gtrs. 1 & 2 tacet

    Gm

    you are a mem o- ry,

    Cadd9

    - with out

    Fadd9

    - them we e

    A7

    qual- noth -

    Gtr. 3

    Gtr. 4

    let ring let ring let ring

    End Riff C

    let ring

    10 1010 12

    10

    02

    31

    03

    20

    03

    20

    13

    20

    55 3

    500

    111210 10 11 5 6

    85

    5 76 5

    5 5 7 712 12

    9 10 9129

    1012

    1112

    53

    33

    53

    35

    53

    35

    33

    30 3

    20

    3

    30

    23

    0

    3

    30

    23

    03

    21

    3

    31

    20 2

    02

    3

    22

    00

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    5

    Sorgdal

  • ing.

    Gtr. 4: w/ Riff C

    Dm

    All I can see

    Gm

    is a place I wan na- be.

    Gtr. 3

    let ring w/ pick & fingers let ring w/ pick & fingers

    Cadd9

    Sud

    Fadd9

    den- ly,- my life

    A7

    was so

    w/ pick & fingers

    free.

    D5

    Leaves at my feet,

    Gtr. 3 tacet

    G5

    theyre blown to the ground.

    C5

    Their

    Gtr. 3 End Riff B

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    7 9 9 1012

    1010

    1212

    1413

    1110

    110

    101212

    1413

    1212

    1012 10 12

    9 1012

    9 10 1210

    1012

    119 10 9 12

    109 10

    10 911

    12 12

    00

    0 0 0 0 0 0 0 0 0 0 0 0 0 0 55

    5 5 5 5 5 5 5 5 5 5 5 5 5 535

    3 3 3 3 3 3 3 3 3 3 3 3 3 3

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    6

    Sorgdal

  • Quadruple-time feel

    ech

    F5

    oes- are reach

    A5

    ing- my ears.

    D5 Nights com in-

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    fast,

    G5

    the suns go in- down,

    C5

    but

    P.M. P.M.

    keep

    Bb5

    a way

    C5

    - from me.

    D5

    Keep

    Bb5

    a way

    C5

    - from

    P.M. P.M. P.M. P.M.

    me,

    Dm Bb5

    C5

    keep

    F5

    a way

    C/E

    - from

    (Oh, its hard to keep me in this

    33

    3 3 3 3 3 302

    0 0 0 0 0 000

    0 0 0 0 0 0 0 0 0 0 0 0 0 0

    55

    5 5 5 5 5 5 5 5 5 5 5 5 5 535

    3 3 3 3 3 3 3 3 3 3 3 3 3 3

    13

    13

    35

    35

    57

    57

    0 0 0 057

    57

    0 0 0 057

    57

    0 0 0 057

    57

    0 0 0 013

    13

    35

    35

    05 5 7 8 7 5 0 1

    313

    13

    13

    13

    13

    35

    35

    35

    35

    35

    033

    33

    0 23

    23

    0

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    7

    Sorgdal

  • me,

    Dm Bb5 C5

    keep

    F5

    a way

    C5

    - from

    place.

    me,

    Dm Bb5 C5

    keep

    F5

    a way

    C/E

    - from

    Keep a way- from me.

    me.

    Dm Bb5 C5

    A5 C5 D5

    Ulh!)

    3

    05 5 7 8 7 5 0 1

    313

    13

    13

    13

    13

    35

    35

    35

    35

    35

    00 3

    535

    00

    35

    35

    35

    05 5 7 8 7 5 0 1

    313

    13

    13

    13

    13

    35

    35

    35

    35

    35

    0 33

    33

    0 23

    23

    0

    05 5 7 8 7 5 0 1

    313

    13

    13

    13

    13

    35

    35

    35

    35

    02

    35

    57

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    8

    Sorgdal

  • End quadruple-time feel

    We

    BridgeD5

    may have

    C

    cre at

    Bb5

    - ed- the

    A5

    be gin

    Bb

    - ning,

    - men

    A

    tal- ly.-

    Gtr. 2 Riff D1 End Riff D1

    Gtr. 1

    Riff D End Riff D

    We

    Gtrs. 1 & 2: w/ Riffs D & D1

    D5

    may have

    C

    cre at

    Bb5

    - ed- the

    A5

    be gin

    Bb

    - ning,

    - phys

    A

    i- cly.

    - To the

    end

    C5 of our hu man

    Bb5

    - ex ist

    A5

    - ence.-

    A/C#

    Gtr. 2

    Gtr. 1

    Gtrs. 1 & 2

    Rhy. Fig. 3

    InterludeD5

    P.M. P.M.

    End Rhy. Fig. 3

    5X7

    5X7

    7X9

    7X9

    X8

    10X8

    107X9

    7X9

    1X3

    1X3

    5X7

    5X7

    X8

    10X8

    10X1315

    X1315

    02

    5X7

    5X7

    3X5

    3X5

    1X3

    1X3

    0X2

    0X2

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    1X3

    0X2

    2X4

    4X6

    4X6

    7X9

    X1214

    1214

    7X9

    X8

    105X7

    7X9

    4X6

    35

    13

    02

    42

    00

    00

    00

    00

    00

    00

    00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    9

    Sorgdal

  • Half-time feel

    End half-time feel

    Ulh!

    Gtrs. 1 & 2: w/ Rhy. Fig. 3

    Gtr. 5 (elec.)

    w/ dist.mf

    I

    Bridge

    Gtrs. 1 & 2: w/ Rhy. Fig. 3

    D5

    see through you, the fear thats in your eyes,

    Gtr. 6 (elec.)

    w/ dist.mf

    Gtr. 5

    whoa.

    Gtrs. 5 & 6 tacet

    Eb5 E5 F5 D5

    Eb5 E5 F5 D5

    Eb5 E5 F5 D5

    Eb5 E5 F5

    Gtrs. 1 & 2

    78 7

    78 7

    78 7

    78 7

    1012 11

    1012 11

    1012 11

    1012 11

    77

    8 77

    8 77

    8 77

    8 7

    00

    11

    22

    33

    00

    11

    22

    33

    00

    11

    22

    33

    00

    11

    22

    33

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    10

    Sorgdal

  • Gtr. 5

    Guitar SoloD5

    f

    Bb5

    Gtr. 6

    f

    Gtrs. 1 & 2

    Rhy. Fig. 4

    P.M. P.M. P.M.

    C5 F5 C/E

    3 3 3 3

    3 3 3 3

    P.M.

    End Rhy. Fig. 4

    P.M.

    10 10 810

    8 1010 10

    11 11 1012

    10 1112

    6 6 57

    5 67 7

    8 8 6 5 6 8 5

    00

    00

    00

    00

    0 0 0 0 0 01 1 1 1 1

    31 1 1 1 1 1 1 1

    1213 13 11 10 11 13 10 10 13 11 10 11 10 8 10 8

    108

    10 9

    5 10 10 810

    8 1010 10

    10 810

    8 6 5 6 57

    57 5

    3 3 3 3 35

    3 3 3 3 3 3 3 333

    33

    33

    33

    33

    33

    33

    33

    23

    23

    23

    23

    23

    23

    23

    23

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    11

    Sorgdal

  • Gtr. 5

    Gtrs. 1 & 2: w/ Rhy. Fig. 4

    D5 Bb5 C5

    Gtr. 6

    F5 C/E

    A good

    ChorusGtr. 3: w/ Riff B

    D5

    friend once told me

    Gtrs. 5 & 6 tacet

    G5

    we are a mem o- -

    Gtrs. 5 & 6

    3 3 3 3

    (cont. on upper staff)

    Gtrs. 1 & 2Rhy. Fig 5

    3 3 3 3

    ry,

    C5

    with out

    F5

    - them we e

    A5

    qual-

    A/C#

    noth ing.

    Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 1/2 times)D5

    - All I can

    End Rhy. Fig 5

    710 10 8

    108 10

    10 1011 11 10

    1210 11

    12 1213 13 11 10 11 13 10 10

    76 6 5

    75 6

    7 78 8 6 5 6 8 5 10 10 8

    108 10

    10 10

    13 11 10 11 10 8 10 810

    810 9 7 7

    10 810

    8 6 5 6 57

    57 5

    00

    55

    55

    55

    55

    55

    55

    55 0

    0

    35

    35

    35

    35

    35

    35

    35

    35

    35

    35

    33

    33

    33

    33

    002

    42

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    12

    Sorgdal

  • see

    G5

    is a place I wan na- be.

    C5

    Time

    F5

    less,- my life

    A5

    was

    A/C#

    so

    free.

    D5

    Leaves at my feet,

    G5

    blown to the ground,

    C5

    their

    Gtr. 5

    ech

    F5

    oes- are reach

    A5

    ing-

    A/C#

    my ears.

    D5

    Nights com in- fast,

    G5

    suns go in-

    down,

    C5

    con fused.

    A5

    - I

    Gtr. 5 tacet

    Eb5

    dont know the

    Gtr. 5

    Gtrs. 1 & 2

    P.M.

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    12X14

    1517

    X1517

    X1517

    X1517

    1315

    X1315

    X1315

    X1315

    1214

    X1214

    1012

    X1012

    X1012

    X1012

    810

    X8

    10X8

    108

    10X

    1012

    X1012

    X1012

    X1012

    810

    X8

    107

    97X9

    7X9

    7

    9X

    57

    5X7

    3X5

    3X5

    4X6

    4X6

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    1214X

    1517

    X1517

    X1517

    X1517

    1315

    X1315

    X1315

    X1315

    X1214

    X1214

    X1012

    X1012

    X1012

    X1012

    X1012

    810

    X8

    10X8

    1046

    810X

    1012

    X1012

    X1012

    X1012

    810

    X8

    1079

    7X9

    7X9

    79X

    57

    5X7

    4X6

    35

    35

    35

    35

    35

    35

    35

    35

    35

    35

    02

    02

    02

    02

    02

    02

    02

    11

    11

    11

    11

    11

    11

    11

    11

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    13

    Sorgdal

  • rit.

    Half-time feelFaster q = 130

    Begin fade Play 4 times & fade

    an

    F5

    swers,- but neith er- do you.

    D5

    Gtrs. 1 & 2

    rit.

    Ulh!

    Outro

    D5

    Riff E End Riff E

    P.M.

    (Ulh.)

    Gtrs. 1 & 2: w/ Riff E (3 times)

    Yeah!

    Gtrs. 1 & 2

    P.M.

    33

    33

    33

    33

    33

    33

    33

    33

    00

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    012

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    14

    Sorgdal

  • Intro Moderately q = 95

    Half-time feel

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerDesecrate Through Reverence

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    End half-time feel

    Double-time feel

    Drop D tuning:(low to high) D-A-D-G-B-E

    Gtr. 3 (dist.)

    *

    f

    Riff A1D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5

    End Riff A1A5

    Gtrs. 1 & 2 (dist.)

    Riff A

    f

    End Riff A

    *Chord symbols reflect implied harmony.

    Gtr. 4 (dist.)

    Gtrs. 1, 2 & 3: w/ Riffs A & A1 (2 times)

    mf

    D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5 A5

    Gtr. 4

    D5Gtr. 4 tacet

    Gtr. 3

    D5

    Gtrs. 1, 2 & 3

    (Gtr. 3, cont. on upper staff)

    Gtrs. 1 & 2

    P.M. P.M.

    0 0 2 3 8 7 6 7 3 5 5 2 2 8 7

    0 0 2 3 8 7 6 7 3 5 5 2 2 8 7

    76

    33

    35

    35

    36

    36 8

    686

    65

    65

    53

    53

    65

    65

    76

    76

    33

    35

    35

    36

    36

    05

    05

    76

    76

    98

    98

    76

    8 08

    7 05

    77

    5 8 7

    000

    00

    00

    00

    00

    00

    00

    00

    00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    1

    Sorgdal

  • 1.

    2.

    Gtrs. 1 & 2 tacet

    (Oh,

    Gtr. 3 tacet

    Dm Em F Em

    oh.)

    Gm F

    Gtr. 3 Gtrs. 1 & 2

    P.M.

    Ulh!

    Dm Em F Em

    P.M. P.M. P.M. P.M. P.M.

    Gtr. 3

    P.S.

    D5

    Gtr. 4

    P.S.

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    8 08

    7 03

    5 7 57

    7 87

    85 6

    0 053

    53 2

    020

    32

    32

    20

    20

    20

    53

    53

    32

    32

    0 0 0 0 3 3 0 0 0 0 3 0 6 0 6 7 0 053

    53 2

    020

    32

    32

    20

    20

    20

    52 3 2

    33 2

    2

    X X X X X X X

    X X X X

    0 0 0 0 3 3 0 0 0 0 6 6 0 0 0 6 7 00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    2

    Sorgdal

  • End double-time feel

    P.S.

    Gtr. 4 tacet

    D5 D5

    P.M. P.M.

    HardPre

    1.2.

    Gtr. 3 tacetVerse

    E5

    news,sence-

    wont

    takbe

    F5

    enig

    - hardnored,-

    E5

    er,- dontno,

    looknot

    F5

    toto

    me.day.-

    Gtrs. 1 & 2

    Rhy. Fig. 1

    D5

    DisDont

    ap- point- -

    End Rhy. Fig. 1

    P.M.

    X X X X X X X X8 0

    87 0

    57

    75 8 7

    X X X X X X X X

    00

    00

    00

    00

    00

    00

    00

    00

    22

    22

    22

    22

    22

    22

    33

    22

    22

    22

    22

    22

    22

    22

    22

    33

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    3

    Sorgdal

  • walk

    Gtrs. 1 & 2: w/ Rhy. Fig. 1

    E5

    ed,- wein

    dontmy

    F5

    adi

    gree,rec

    -

    -

    E5

    - tion;I

    turndontthe

    needoth

    F5

    yourer-

    praise.way.

    D5

    (Dont look my way for help, from the be gin

    - ning- you came to me.)Ask ing- ques -

    Nev

    Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas., 2 times)E5

    - tions,er- asked

    pre de-youter-

    F5

    tomined-

    likean

    E5

    me,swers,-

    Iyou

    dontwont

    needfind

    F5

    yourthem

    Gtr. 6 (dist.)

    f

    Gtr. 5 (dist.)

    f

    praise.here.

    Gtrs. 1 & 2: w/ Rhy. Fig. 1 (last 2 meas.)Gtrs. 5 & 6 tacet

    D5

    (We dont(Wont

    wantplay

    youryour

    o pingames.)

    - - ion.)

    And I dontLook

    want

    down

    E5

    you,on me,

    I wontspit

    letin

    F5

    youmy

    think.face.

    E5

    ComYoure

    pro- misenoth

    -

    ing

    F5

    -

    isto

    near,me,

    D5

    Gtrs. 1 & 2

    18

    16

    22

    22

    22

    22

    22

    22

    33

    22

    22

    22

    22

    22

    22

    22

    22

    33

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    4

    Sorgdal

  • Double-time feel

    cause

    itsnot

    notto

    near.me.

    D5

    P.M. P.M. P.M.

    P.M. P.M. P.M.

    Dark

    Chorus

    Dm/F

    ened- eyes

    A/E

    youll

    Dm/F

    see,

    D5

    there is

    Gm/Bb

    no

    Bb5

    hope,

    C

    no sav ior- in

    Csus4

    me.

    D5

    Rhy. Fig. 2 End Rhy. Fig. 2

    (Dont look this way, dont breathe this way, dont stare this way

    an y- more.)

    -

    Riff B

    P.M. P.M. P.M. P.M.

    End Riff B

    0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 3 0 5 6 7 00

    0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    8 7 5 6 7 0

    35

    35

    35

    35

    35

    35

    24

    24

    24

    35

    00

    00

    00

    00

    00

    00

    8108

    8108

    8108

    888

    888

    00

    107

    107

    107

    107

    107

    107

    107

    107

    108

    00

    0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    5

    Sorgdal

  • End double-time feel1.

    2.

    Learned

    Gtrs. 1 & 2: w/ Rhy. Fig. 2

    Dm/F

    from years

    A/E

    gone

    Dm/F

    by,

    D5

    no one

    Gm/Bb

    will

    Bb5

    care

    C

    what hap pens- to

    Csus4

    me.

    D5

    (Dont look this way, dont breathe this way, dont stare this way

    an y- more.)

    -

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    Gtrs. 1 & 2: w/ Riff B

    (Dont look this way, dont breathe this way, dont stare this way

    an y- more.)

    -

    Gtr. 5

    Guitar SoloDm/F A/E Dm/F D5 Gm/Bb Bb5 C Csus4 D5

    Gtr. 6

    Gtrs. 1 & 2

    0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    00

    00

    00

    10 6 8 10 8 8 5 6 6 8 6 106 10 11 10 8 8 8 8 10 11 10

    67

    5 6 5 5 1 3 3 5 3 66 8 6 5 5 5 6 8 6

    35

    35

    35

    35

    35

    35

    24

    24

    24

    35

    00

    00

    00

    00

    00

    00

    8108

    8108

    8108

    888

    888

    00

    107

    107

    107

    107

    107

    107

    107

    107

    107

    108

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    6

    Sorgdal

  • 2nd time, End double-time feel

    Half-time feel

    End half-time feel

    Bb5 C5

    Im

    Bridge

    Gtrs. 5 & 6 tacetDm

    a lone- in here. No more feel

    Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)

    ings,-

    killed my

    Gtr. 1 Riff C

    P.M. P.M. P.M.

    End Riff C

    Gtr. 2 Riff C1

    P.M. P.M. P.M.

    End Riff C1

    fears. Dont ask, youll nev er- know. Youre

    left be hind,- Ill be ex posed.-

    10 10 6 8 10 11 10 8 8

    6 6 3 3 5 6 8 6 5 5

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00 1

    313

    13

    13

    13

    35

    35

    35

    35

    35

    0 07 5

    0 08 7 5 7

    0 07 75 8 7 5 7 2

    0 08 7

    0 010 8 7 8

    0 08 87 10 8 7 8 3

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    7

    Sorgdal

  • Double-time feel

    Far

    OutroD5

    a

    C5

    way,

    Eb5

    - you keep

    F5

    on try

    A5

    in.

    A/C#

    -

    Gtrs. 1 & 2

    P.M.

    Hold

    D5

    in- me down

    C/E

    and break

    C5

    in- a way,

    D5

    -

    Gtr. 4

    Riff D

    Gtrs. 1 & 2

    Rhy. Fig. 3

    try in- to dis

    C5

    tance- my life.

    F5 A/C#

    Not

    End Riff D

    End Rhy. Fig. 3

    57

    35

    11

    33

    33

    33

    33

    33

    33

    33 0

    202

    02

    02

    42

    42

    42

    42

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    057

    057

    057

    057

    057

    057

    23

    23

    23

    23

    23

    23 3

    535

    35

    35

    35

    0 00

    00

    00

    00

    00

    00

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    3X5

    3X5

    3X5

    3X5

    3X5

    3X5

    3X5

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    4X6

    57

    57

    57

    57

    57

    57

    35

    35

    35

    35

    35

    00

    33

    33

    33

    33

    33

    33 4

    242

    42

    42

    42

    42

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    8

    Sorgdal

  • one

    Gtrs. 1 & 2: w Rhy. Fig. 3Gtr. 4: w/ Riff D

    D5

    in the crowd,

    C/E

    one

    C5

    with the an

    D5

    swer,-

    one that could change

    C5

    your mind.

    F5 A/C#

    Its not

    true,

    D5

    I dont need you.

    C5

    Dont waste your

    Gtr. 4

    Gtrs. 1 & 2

    time,

    Bb5

    and dont waste mine.

    F5 A/C#

    Im not your

    5X7

    7X9

    7X9

    00 3

    5

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    103X5

    3X5

    3X5

    3X5

    4X6

    4X6

    4X6

    4X6

    13

    13

    13

    13

    13

    13

    13

    13

    33

    33

    33

    33 4

    242

    42

    42

    42

    42

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    9

    Sorgdal

  • friend,

    D5

    wont soothe your soul.

    C5

    And in the

    end,

    Bb5

    youre all

    F5

    dead

    A5

    to

    A/C#

    me.

    D5

    Gtr. 4 tacet

    Gtrs. 1 & 2

    P.M. P.M. P.M.

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    5X7

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    7X9

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00 3

    535

    35

    35

    35

    35

    35

    35

    35

    35

    35

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X8

    10X810

    X8

    10X8

    10X8

    103X5

    3X5

    3X5

    3X5

    3X5

    02

    02

    02

    02

    42

    42

    42

    00

    13

    13

    13

    13

    13

    13

    13

    13

    13

    13

    13

    0 33

    33

    33

    33

    33

    33 0

    202

    02

    02

    42

    42

    42

    00

    0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    0 0 0 0 0 0 0 00

    00

    00

    00

    00

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    10

    Sorgdal

  • Intro-Guitar Solo Very fast q = 192

    Double-time feel

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerEternal Rest

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Drop D tuning:(low to high) D-A-D-G-B-E

    Gtr. 1 (elec.)

    *

    w/ dist.

    C5

    f

    D5

    1

    Dm

    D5

    Eb5

    Harm.

    F5 Eb58va

    w/ bar

    F5

    string noise

    loco Eb5

    -6

    +1

    -1

    Gtrs. 2 & 3 (elec.)

    w/ dist.

    Rhy. Fig. 1

    fP.M.

    *Chord symbols reflect implied harmony.

    C5 D5 Eb5 F5 Gb5 F53

    P.M.

    End Rhy. Fig. 1

    P.M.

    Gtr. 1

    Gtrs. 2 & 3: w/ Rhy. Fig. 1

    C5 D5 Eb5 F5 Eb5 F5 Eb5

    3

    57

    57

    5 5 5X

    355

    3 3 3 3 355

    355

    0 1 3 3 1 3 1

    6 8 9 108 10

    8 86 8 9 10 11

    8 15 13 16 16

    355

    3 3 3 3 355

    355

    0 1 1 1 1 3 3 3 3 4 4 4 4 3 3 1

    13 1113 11 13 11

    14 12 14 12 11 1010

    12 11 12 11 12 11 1013

    10 12 1310 10 0

    Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    1

    Sorgdal

  • C5 D5 Eb5 F5 Gb5 F5

    3

    Gtr. 1

    D5 F5 G5

    P.H.

    F5 G58va F5

    36 3 3

    1/2

    Pitch: F#

    1/2

    Gtrs. 2 & 3

    Rhy. Fig. 2

    P.M.

    loco

    D5 F5 G5 Ab5 G5 F5

    P.M.

    End Rhy. Fig. 2

    P.M.

    Gtr. 1

    Gtrs. 2 & 3: w/ Rhy. Fig. 2D5

    F5 G5 F5 G5 F5

    8 10 11 11 10 810

    810 9 8 9 8

    109 8

    108 8 8 8

    10 9 7 7 0

    129 10 12 13 12 10 9

    129 10 12 13 12 10 9

    129 10 12 12 12 12

    577

    577

    5 5 5 577

    577

    0 3 5 5 3 5 3

    129 10

    9 10 910

    912

    10 1112

    1415 14 17 13 17 13

    13 15 15 13 15 1314

    1314

    13 15 1314 13

    577

    577

    5 5 5 577

    577

    0 3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3

    1313

    1013

    13810 13

    12 15 13 12 910 13

    1013

    810 15

    1315

    15 13 1317

    1212 15 17 15 13 15 17 15

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    2

    Sorgdal

  • D5 F5 G5 Ab5

    8valoco

    G5 F5

    3 3

    Black,1.

    Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)Verse

    C5

    en chant- ing- eyes

    D5 Eb5

    cut

    F5

    through my heart

    Eb5

    with

    F5

    no re

    Eb5

    gret

    C5

    - or sign of life.

    D5

    Harm.*

    8va

    31

    Pitch: CG

    *Harmonic located three-fourths the distance between the 2nd & 3rd frets.

    2.752.75

    Eb5

    They tear

    F5

    a part-

    Gb5

    my pride

    F5

    and cold

    C5

    runs through my veins.

    D5 Eb5

    I

    F5

    feel their stare

    Eb5

    from

    F5

    mi les,

    Eb5

    -

    8va

    fdbk.

    loco

    Harm.w/ bar

    15ma

    /2.752.75 0 /

    +2

    2.752.75 0

    +1

    /2.752.75 0 2.252.25

    haunt

    C5

    ing- ev ry- step, and they

    D5

    wont

    Eb5

    Gtr. 1 tacet

    stop

    F5

    hunt

    Gb5

    ing- me

    F5

    down.For

    get

    Gtr. 2: w/ Rhy. Fig. 2 (2 times)Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)D5

    - the time will come

    w/ bar

    15ma

    /

    -1

    2.252.25 0

    -2 1/2

    13 1513 15 13 1213 13 13 15

    1517 15

    20 15 1815

    18 1815

    17 1813 15 17 15 16 15 15 17 20 17 0

    14 15 17 17 15

    2019

    1717

    20 20 15 2019

    17 5

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    3

    Sorgdal

  • End double-time feel Slower q = 118

    F5

    when

    G5

    all a round

    F5

    - mes

    G5

    burned and

    F5

    youll

    D5

    still see me there, ask

    F5

    ing- where

    G5

    you went

    Ab5

    to and

    G5

    what

    F5

    per

    D5

    son- brought you here......and why

    F5

    you

    G5

    left the burn

    F5

    ing

    G5

    - chil dren

    F5

    - cold,

    D5

    out in the night......and

    F5 G5 Ab5 G5 F5

    Gtr. 2

    Interlude

    *D5

    call ing- for you all a lone.-

    Gtr. 3

    P.M.

    Rhy. Fig. 3

    *See top of first page of song for chord diagrams pertaining to rhythm slashes.

    (cont. in notation)

    End Rhy. Fig. 3

    Oh.

    Gtr. 3: w/ Rhy. Fig. 3 (3 times)

    F5 D5

    F5 D5 F5

    D5 F5 D5 Ab5 F5

    D5 F5 D5

    Gtr. 2

    P.M.

    3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3 000

    22

    33

    00

    00

    22

    00

    33

    00

    22

    33

    00

    22

    00

    55

    22

    33

    00

    66

    66

    33

    00

    00

    22

    22

    00

    33

    00

    33

    00

    22

    00

    55

    33

    00

    66

    66

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

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    4

    Sorgdal

  • iq = q eK

    CTo oda

    F5 D5

    P.M.

    F5

    D5 Ab5

    P.S.

    Gtr. 2: w/ Rhy. Fig. 3 (2 times)

    F5

    D5 F5 D5 F5

    D5 F5 D5 Ab5

    F5

    D5 F5 D5 F5

    D5 F5 D5 Ab5

    Ah!

    F5 D5 F5 D5

    F5 D5 F5 D5 Ab5 F5 D5 F5 D5 F5 D5 F5 D5 Ab5

    Dark2., 4.

    Verse

    2nd time, Bkgd. Voc.: w/ Voc. Fig. 1D5

    in their hearts, I can feel it burn in side

    G5

    - of

    D5

    me.

    F5 D5 F5 G53 3 3

    Gtrs. 2 & 3

    Rhy. Fig. 4

    P.M. P.M. P.M. P.M. P.M.

    End Rhy. Fig. 4

    33 3

    3 3

    Tor

    Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 times)D5

    ment- ed- young with no souls, haunt

    G5 D5

    ing

    F5

    -

    D5

    me.

    F53

    G5

    Pain

    D5

    in their lives, all they

    3 3 3 3

    know is

    3

    mis

    G5

    er

    D5

    - y.

    F5

    -

    D5 F5 G5

    Take

    D5

    these chains a way- that are hold

    G5 D5

    ing-

    F5

    me

    D5 F5 G53

    Voc. Fig. 1

    00

    00

    00

    X X X X 0

    00

    00

    00

    00

    00

    00

    00

    0 0 5 0 3 0 3 5

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    5

    Sorgdal

  • Half-time feel

    End half-time feel

    down,

    D5

    hold ing- me

    Gtr. 4 (elec.)

    w/ dist.f

    3 3

    3

    Gtr. 5 (elec.)

    w/ dist.f

    3 33

    Gtrs. 2 & 3

    P.M. P.M. P.M. 3

    3 3 3

    down.

    Gtrs. 5 & 6 tacet

    3 33

    3 3 3

    3

    P.M. P.M. P.M.

    33 3 3

    3 3 3 3

    5 8 1210 9

    5

    98 12

    10 12 712 10 12 14 12 12

    3 5 87 6

    3

    6 7

    5 87 9 59 7 9 10 9 9

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    5 8 1210 9

    5

    98 12

    10 12 512 7 9 10 6 6

    3 5 87 6

    3

    6 7

    5 87 9

    59

    45 8

    6 7 2

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

    00

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    6

    Sorgdal

  • Double-time feel

    Verse

    D5

    Theyll3. find you a lone,

    E

    -

    D5/A

    your des

    A5

    prate- and vil lain- ous-

    3 3 3

    Gtrs. 2 & 3

    Riff A

    P.M. P.M.

    3 33

    3 3 3 3

    ways.

    A/E

    Turn

    Dm/F

    ing- their hearts

    D/Ab

    in to- stone,

    Eadd#9/G#

    they seek more than

    3 3 3

    P.M. P.M.

    End Riff A3 3

    3 33 3 3

    venge

    Gtrs. 2 & 3: w/ Riff A

    D5

    ance.-

    3

    Look

    E

    in their eyes,

    D5/A

    your pain

    A5

    is their sat is-

    3 3

    -

    fac

    A/E

    tion.-

    3

    Look

    Dm/F

    in their eyes

    D/Ab

    and see

    Eadd#9/G#

    the dark ness- take

    3 3

    hold.

    D5

    Im

    ChorusDm/F

    con trolled

    A7/E

    - by fate.

    C#m/E

    (Wait ing- for,

    Gtrs. 2 & 3

    3 3 3 3 3

    0 0 0 0 0 00

    0 0 0 0 2 3 57

    87

    57

    77

    7 8 7 4

    2 2 2 2 2 24

    2 2 2 2 3 5 35

    355 8

    687

    610 8 7

    000

    353

    353

    353

    353

    353

    353

    245

    245

    245

    245

    245

    245

    242

    242

    242

    242

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    7

    Sorgdal

  • End double-time feel

    Tired

    Dm/F

    of your

    Eadd4/G#

    pa rade.

    D5

    - No

    Dm/F

    sign of

    A7/E

    venge -

    wait ing- for, wait ing-

    3 33 3 3 3 3 3

    ance.

    C#m/E

    Burn

    Dm Eadd4/G#

    for the rest of time.

    3 3

    for, wait ing...)-

    Gtr. 3 3

    Riff B

    3 3 3

    3

    3

    3

    3

    Gtr. 2 3

    Riff B1

    3 3 33 3 3 3

    353

    353

    353

    353

    353

    353

    677

    677

    677

    677

    677

    677

    000

    353

    353

    353

    353

    353

    353

    245

    245

    245

    245

    245

    245

    242

    242

    242

    242

    353

    353

    353

    353

    353

    353

    677

    677

    677

    5 6 58 7 5

    5 6 58 7 5

    242

    242

    242

    242

    353

    353

    353

    353

    353

    353

    677

    677

    677 7 8 7

    10 8 77 8 7

    10 8 7

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    8

    Sorgdal

  • iq = iq

    Half-time feel

    iq = q eK

    Ah!

    Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)

    Interlude

    F5 D5 F5 D5

    End Riff B

    3 3

    3

    3 33

    End Riff B1

    3 3 3 3

    3 3

    F5

    D5 F5 D5 Ab5 F5

    D5 F5 D5 F5

    D5 F5 D5 Ab5

    Ah!

    F5 D5 F5 D5 F5 D5 F5 D5 Ab5 F5 D5 F5 D5

    F5 D5 F5 D5 Ab5

    Chorus

    D5

    Hear

    D/F#

    the haunt

    ing-

    Gtrs. 2 & 3

    Rhy. Figs. 5 & 5A

    3 3

    5 6 58

    58 7 8 7

    55 5

    7 6 76 5 6 10 8 10 14 14

    7 8 710

    710 8 10 8

    77 7

    8 7 87 6 7 10 9 10 14 14

    22

    33

    00

    22

    00

    55

    33

    00

    66

    66

    000

    000

    000

    000

    000

    000

    454

    454

    454

    454

    454

    454

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    9

    Sorgdal

  • words,

    G5

    lost

    3

    chil

    A

    dren- with

    3

    no heart are

    3

    cry

    D5

    ing,

    -

    E5

    Whispered: (Theyll find you a lone.- Turn ing- their hearts to

    3 3 3

    F

    and youre the lost

    Bb5

    moth er- theyre call ing.-

    Bb

    A C#m Dm

    stone.

    GoScreamed: now, run and hide!

    Gtr. 3

    End Rhy. Fig. 5A3 3

    6 6 6 6

    Gtr. 2 End Rhy. Fig. 53 3

    6 6 6 6

    Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A

    D5

    I hear

    D/F#

    them cry ing- at

    3

    night,

    G5

    out

    3

    side

    A

    - when the

    3

    plan ets- are

    3

    YourWhispered: pain is their sat is- fac- tion.-

    555

    555

    555

    555

    555

    000

    74

    74

    74

    74

    74

    00

    000

    000

    000

    000

    222

    3332

    3332

    3332

    3332

    00

    133

    133

    133

    133

    133

    00 0 0 0 0 0

    4 4 4 4 4 42 2 2 2 2 2 3 3 3 3 3 3

    3332

    3332

    3332

    3332

    00

    133

    133

    133

    133

    133

    0 1 1 1 1 1 1 0 0 0 0 0 0 4 4 4 4 4 4 5 5 5 5 5 5

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    10

    Sorgdal

  • End half-time feelD.S. al Coda

    CodaHalf-time feel

    fall

    D5

    ing.-

    E5 F

    They want to feel

    Bb5

    and know you hear them.

    Bb

    A C#m Dm

    For the rest of time. Go now, run and hide.)

    down.

    Interlude

    Gtrs. 2 & 3: w/ Rhy. Fig. 4 (4 times)D5

    HoldWhispered:

    G5 D5

    ing-

    F5

    me

    D5 F5 G5

    Gtr. 6 (elec.)

    w/ dist.f

    3 3 3 3 3 3 3 3

    down.

    D5 G5 D5 F5 D5 F5 G5

    HoldScreamed:

    D5

    ing,-

    3 3 3 3 3 3

    3 3

    3 3 3 3

    hold

    G5 D5

    ing-

    F5

    me

    D5 F5

    down.

    G5 D5 G5 D5 F5 D5 F5 G5

    3 3 3 3 3 3 3 3 3 3

    3 3

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1315

    X1315

    X1315

    X1315

    X1315

    X1315

    X1517

    X1517

    X1517

    X1517

    X1517

    X1517

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1315

    X1315

    X1315

    X1315

    X1315

    X1315

    X1618

    X1618

    X1618

    X1618

    X1618

    X1618

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X1214

    X8

    10X8

    10X8

    10X8

    10X8

    10X8

    107X9

    7X9

    7X9

    7X9

    7X9

    7X9

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    11

    Sorgdal

  • Half-time feeliq = iq

    Gtr. 2: w/ Riff BGtr. 3: w/ Riff B1Gtr. 6 tacet

    Gtr. 7 (acous.)

    Outro

    Riff C2Dm

    mp

    Gm7 E A7End Riff C2

    Gtr. 2 Riff C End Riff C

    Gtr. 3 Riff C1 End Riff C1

    Riff D2 F E A7

    End Riff D2

    Riff D

    P.M.

    End Riff D

    Riff D1

    P.M.

    End Riff D1

    56

    77

    87

    76

    68

    78

    88

    78

    68

    98

    6 9 98

    58

    7 67 8

    6

    03

    05 3 1 0 1 0

    4 5 54 5 4 5 5 7

    0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11

    87

    5 6 8 10 68 6 5

    7 75 8 6

    89

    86 9 9

    85

    87 6

    7 86

    57 8 5 7 3 5 2 3 3 8 7 5

    45

    5 4 5 5 7 7

    8 10 12 8 10 7 8 5 7 7 12 10 8 58 8 7 7 8 8 11

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    12

    Sorgdal

  • Dm

    Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)

    Gm7

    E

    A7

    E

    Dm

    ter

    Gm7

    - nal- rest,

    E A7

    in

    time.

    Dm Gm7 E A7

    E

    Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2

    ter

    F

    - nal- rest,

    E A7

    in

    Gtr. 2: w/ Riff C

    Dm Gm7 E A7

    Gtr. 2

    Dm

    time.

    Gtr. 7

    Gtr. 3

    56

    77

    87

    76

    68

    78

    88

    78

    68

    98

    6 9 98

    58

    7 67 8

    6 7 7 7

    0 50 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11 000

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    13

    Sorgdal

  • Intro Very fast q = 257

    Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary BakerSecond Heartbeat

    2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHINGAll Rights Controlled and Administered by EMI APRIL MUSIC INC.

    All Rights Reserved International Copyright Secured Used by Permission

    from Avenged Sevenfold - Waking the Fallen

    Gtrs. 1-7: Drop D tuning:(low to high) D-A-D-G-B-E

    Gtr. 1 (dist.)*C5

    f

    134

    C5

    134

    Bb5

    111

    F55fr

    111

    G56fr

    111

    Ab58fr

    111

    Bb5

    111

    Eb5VIII

    P.M.

    Gtr. 2 (dist.)

    f

    P.M.

    *Chord symbols reflect implied harmony.

    Gtrs. 1 & 2

    P.M.

    Gtr. 3 (dist.)

    Riff A

    3 3 3

    Bb5

    3

    Ab5

    3

    3

    Gtrs. 1 & 2

    Rhy. Fig. 13

    P.M.

    10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

    10

    10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

    55

    5 75

    7 85

    8 7 58 6

    5 7 8 7 58

    101010

    1010

    88

    666

    666

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    1

    Sorgdal

  • F5

    3

    G5End Riff A

    3

    Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3: w/ Riff A

    Gtr. 4 (dist.)

    f

    C5

    3 3 3

    End Rhy. Fig. 1

    Bb5

    3

    Ab5

    3 3

    F5

    3

    G5

    3

    Gtr. 4 Riff B1

    C5

    Gtr. 3 Riff B

    Gtrs. 1 & 2

    P.M.

    65

    6 8 68 7 8

    108 10

    1010 12

    1012

    333

    555

    10 812 10

    8 10 12 10 812 10

    89 11 9 8

    10

    810

    8 1010

    10 1210

    12 10 812

    55

    5 75

    7 85

    8 7 58

    10 10 1010

    10 10 10 1010

    10 10 10 1010

    10 10 10 1010

    10 10 10 1010

    10 10 10 1010

    10 10 10 1010

    10 10 10 1010

    10

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    2

    Sorgdal

  • 1.

    2.Slower q = 185

    Ab5 F5 G5 End Riff B1

    End Riff B

    P.M.

    Gtr. 4

    F5 G5 C5

    Gtr. 3

    Gtr. 1

    P.M.

    Gtr. 2

    P.M.

    108 10 12 10 8 7

    108

    9 11 9 810

    65 7 8 7 5

    8 65

    6 8 68 7

    6 6 66

    6 6 6 66

    6 6 6 66

    6 6 6 66

    6 3 3 33

    3 3 3 33

    3 5 5 55

    5 5 5 55

    5

    108

    9 11 9 810

    8 8 4

    65

    6 8 68 7 8 8 5

    3 3 33

    3 3 3 33

    3 5 5 55

    5 5 5 5 5355

    3 3 33

    3 3 3 33

    3 5 5 55

    5 5 5355

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    3

    Sorgdal

  • Double-time feel

    We1.

    Verse

    Gtrs. 3 & 4 tacetC5

    keep writ

    Bb/D

    ing,- talk

    Eb

    ing,-

    Eb/G

    and plan

    Ab5

    ning-

    G5

    Gtrs. 5 & 6 (dist.)

    Riff C

    f

    End Riff C

    Gtrs. 1 & 2

    Rhy. Fig. 2 End Rhy. Fig. 2

    Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C

    C5

    Bb/D Eb

    but ev

    Eb/G

    ry- things- chang

    Ab5

    ing.-

    G5

    We

    C5

    all know

    Bb/D

    what to do

    Eb

    but no

    Eb/G

    one does

    Ab

    it.

    G

    Gtrs. 5 & 6

    P.M. P.M. P.M. P.M. P.S.

    Gtrs. 1 & 2

    P.M. P.M. P.M. P.M. P.S.

    X1012

    X1012

    X1012

    5X7

    5X7

    5X7

    6X8

    6X8

    6X8

    1X3

    1X3

    1X3

    3X5

    3X5

    3X5

    3X5

    3X5

    3X5

    2X4

    2X4

    2X4

    2X4

    2X4

    2X4

    355

    355

    355

    53

    53

    53

    65

    65

    65

    565

    565

    565

    666

    666

    666

    666

    666

    666

    555

    555

    555

    555

    555

    555

    3 3 3 3 35

    5 5 5 5 53

    6 6 6 6 65

    10 10 10 10 108

    3X5

    3X5

    3X5

    3X5

    3X5

    3X5

    2X4

    2X4

    2X4

    XX

    XX

    3 3 3 3 35

    5 5 5 5 53

    6 6 6 6 65

    10 10 10 10 108

    666

    666

    666

    666

    666

    666

    555

    555

    555

    XX

    XX

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    4

    Sorgdal

  • End double-time feel Half-time feel

    Now

    Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff C

    C5

    this time

    Bb/D

    has past

    Eb

    and full

    Eb/G

    of re

    Ab5

    gret.-

    G5

    Eb5

    Gtrs. 5 & 6 tacetD5

    Two

    Bridge

    C5

    in my heart

    Ab5

    have

    (Two in my heart have

    Gtrs. 5 & 6 Gtr. 1

    P.M. P.H.

    Gtrs. 1 & 2

    (Gtr. 1, cont. on upper staff)

    Gtr. 2

    P.M.

    Riff D

    left

    Eb5

    me a while.

    Bb5

    - I

    Gtr. 2: w/ Riff D

    C5

    stand a lone.

    Ab5

    -

    left me a while.- I stand a lone.-

    End Riff D

    X1012

    X1012

    X1012

    X1012

    X1012

    X1012

    00

    00

    00

    00 5 3

    X5

    35

    57X

    57

    68X

    6X8

    1113

    X1113

    111

    111

    111

    111

    111

    111

    00

    00

    00

    00 3

    X5

    35

    57X

    57

    68X

    6X8

    1113

    X1113

    6X8

    68

    810X

    810

    X1012

    10X12

    1315

    X1517

    1517

    X1315

    1315

    X1012

    10X12

    1113

    1113

    6X8

    68

    810X

    810

    X1012

    10X12

    1315

    1315

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    5

    Sorgdal

  • End half-time feel

    Eb5

    When they get back,

    Bb5

    it wont be the same.

    Interlude

    C5 Ab5

    When they get back, it wont be the same.)

    Gtr. 6

    Gtr. 1 Gtrs. 1 & 2

    Rhy. Fig. 3

    P.M. P.M. P.M. P.M. P.M.

    Eb5 Bb5

    Gtrs. 1 & 2: w/ Rhy. Fig. 3

    C5 Ab5

    P.M. P.M. P.M. P.M. P.M.

    End Rhy. Fig. 3

    P.M.

    X1820

    X1719

    1719

    X1315

    13X15

    1517

    X1517

    X1517

    X1517

    1315

    6X8

    68

    810X

    810

    X1012

    10X12

    1315

    1315

    355

    35

    35

    355

    335

    355

    XXX

    XXX

    0 666

    XXX

    0 666

    0 666

    666

    X1315

    X1315

    X1315

    1315

    1012

    X1012

    1012

    X8

    10X8

    108

    10X1012

    X1012

    X1012

    1012

    810

    X8

    108

    106X8

    6X8

    6X8

    11

    1 1 11

    111

    XXX

    11

    111

    13

    13

    133

    03

    03

    133

    13

    133

    13

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    6

    Sorgdal

  • Half-time feel

    Eb5 Bb5Gtrs.1 & 2

    *C5

    It wont be the same!

    Gtr. 5

    Gtr. 6

    *See top of first page of song for chord diagrams pertaining to rhythm slashes.

    (cont. in notation)

    VerseGtrs. 5 & 6 tacet

    C5

    My2. life,

    Gtrs. 1 & 2

    P.M.

    Rhy. Fig. 4

    P.M.

    X1012

    1012

    X1113

    1113

    X8

    108

    105X7

    57

    3X5

    35

    7X9

    6X8

    68

    810X

    810

    5X7

    57

    1X3

    13

    35X

    35

    7

    97

    9

    X1012

    1012

    0 3 3 3 3 3 355

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    7

    Sorgdal

  • youve al ways- been there.

    Ab5

    F5

    Gtrs. 1 & 2

    P.M. P.M. P.M. P.M. P.M.

    End Rhy. Fig. 4

    Now

    Gtrs. 1 & 2: w/ Rhy. Fig. 4

    C5

    youre gone and my heads spin ning.-

    Ab5 F5

    Left

    C5

    the child hood,- left the mem o- ries,- left the good times...

    Gtrs. 1 & 2

    P.M.

    ...in

    Ab5

    the past.

    F5

    Mov

    Gtrs. 1 & 2: w/ Rhy. Fig. 4

    C5

    ing- on, your time has

    P.M. P.M.

    3 3 3 3 3 3 3 3 355

    355

    35

    355

    3 3 3 3 355

    355

    66

    666

    33

    333

    3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

    66

    666

    33

    333

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    8

    Sorgdal

  • End half-time feel

    run out.

    Ab5

    F5 Cm

    G7

    Gtr. 3

    Gtr. 4

    Wish

    BridgeGtrs. 3 & 4 tacet

    Cm

    ing- the clock

    Bb5

    would stand still,

    Ab5

    the world

    Bb5

    can wait.

    (Whoa.

    Whoa.

    Gtrs. 1 & 2

    Rhy. Fig. 5 End Rhy. Fig. 5

    Wast

    Gtrs. 1 & 2: w/ Rhy. Fig. 5Cm

    ing- a way-

    Bb5

    once a gain,-

    Ab5

    once

    Bb5

    lived as

    Whoa.

    Whoa.)

    3 5 36

    36 5 3

    5 36 5

    3 3 6 6

    5 6 5 35 3

    6 56 5 3

    64 4 7 7

    3554

    3554

    3554 4

    3554

    355

    133

    133

    133

    133

    133

    133

    333

    666

    666

    666

    666

    0 0133

    133

    133

    133

    133

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    9

    Sorgdal

  • friends.

    InterludeGtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)Cm Bb5

    Ab5

    Bb5

    Gtr. 4 Riff E

    1

    Cm Bb5 Ab5 Bb5

    End Riff E

    Gtr. 3

    Riff F

    Gtr. 4: w/ Riff E

    Cm Bb5 Ab5 Bb5

    1

    Cm

    Bb5

    Ab5

    Bb5

    As

    End Riff F

    810

    8 78

    7 7 810

    10 10 8 78

    7 810

    8 78

    78 11

    108 7 8

    9 11

    6 88

    8 67

    6 6 88

    9 9 8 67

    6 88

    8 67

    68 10

    88

    108

    10

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    10

    Sorgdal

  • time

    Chorus

    C5

    pass es- by,...

    Gtrs. 3 & 4 tacet

    Bb5

    ...re -

    Gtr. 4divisi

    Gtr. 3

    Gtrs. 1 & 2

    Rhy. Fig. 6

    grets

    Eb5

    for the rest

    Bb5

    of my life.

    C5

    The

    Gtrs. 1 & 2 End Rhy. Fig. 6

    ones

    Gtrs. 1 & 2: w/ Rhy. Fig. 6 (3 times)

    who I con fide

    Bb5

    - were

    gone

    Eb5

    in the black

    Bb5

    of the night.

    C5

    10 1111 13 13

    11

    355

    355

    355

    355

    355

    355

    355

    355

    355

    355

    355

    355

    133

    133

    133

    133

    133

    133

    133

    133

    133

    133

    111

    111

    111

    111

    111

    XXX

    XXX

    133

    133

    133

    133

    133

    133

    133

    355

    355

    355

    355

    355

    355

    355

    355

    355

    355

    355

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    11

    Sorgdal

  • CTo oda

    Half-time feel

    Whoa.

    Bb5 Eb5

    Bb5 C5

    Whoa.

    Bb5

    Whoa.

    Eb5 Bb5

    C5

    Gtrs.1 & 2

    Interlude

    C5 Bb5

    Gtr. 5

    Gtr. 6

    F5 G5 Ab5 Bb5

    (cont. in notation)

    Ah,3.

    VIII

    Gtrs. 5 & 6

    3X5

    35

    1012X

    1012

    X8

    108

    10

    3X5

    35

    68X

    68

    5X7

    57

    3X5

    35

    57X

    68X

    68

    1012X X

    1012

    X8

    108

    10X1315

    1315

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    12

    Sorgdal

  • End half-time feel

    nev

    Verse

    C5

    er- will

    D5

    I

    Gtrs. 5 & 6 tacet

    Eb5

    for

    D5

    get-

    Eb5

    you

    F5 G5

    and all the mem

    Bb5

    o- ries- past.

    G/B

    So

    Gtrs. 5 & 6

    Gtrs. 1 & 2

    Rhy. Fig. 7 End Rhy. Fig. 7

    rare

    Gtrs. 1 & 2: w/ Rhy. Fig. 7 (3 times)

    C5

    ly- I

    D5

    get

    Eb5

    to

    D5

    see

    Eb5

    your

    F5

    face.

    G5

    Bb5

    G/B

    Grow

    C5

    ing,- I

    D5

    looked

    Eb5

    to

    D5

    you

    Eb5

    in

    F5

    guid

    G5

    ance.-We knew

    Bb5

    that time

    G/B

    would kill

    C5

    us......but youre

    D5

    still

    Eb5

    so

    D5

    close

    Eb5

    to

    F5

    me.

    G5 Bb5 G/B

    To

    X1517

    1517

    101010

    101010

    XXX

    000

    111

    000

    111

    333

    555

    555

    XXX

    888

    888

    XXX

    9109

    9109

    XXX

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    13

    Sorgdal

  • Quarter-time feel

    me,

    D5

    you were

    Eb5 D5

    my

    Eb5 D5

    life. To

    *Gtrs. 5 & 6

    Riff G End Riff G

    *Composite arrangement

    1/4

    Gtrs. 1 & 2

    Rhy. Fig. 8

    P.M.

    me,

    Gtrs. 5 & 6: w/ Riff G ( 2 times)

    you were

    Eb5 D5

    my

    Eb5 D5

    soul com pan

    F5

    - ion.

    E5

    -

    Gtrs