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13 Jan 2020 5 QUESTIONS
Urara Tsuchiya’s “Cute”
Ceramics Challenge Sexual
Norms
The Japanese artist uses clay to break down
boundaries of acceptability in her humorous, often
playful, work. She has found inspiration everywhere
from a nude sauna to seedy hotel rooms, and creates
immersive environments that are likely to surprise.
Words by Louise Benson
Untitled, 2018
Once you’ve laid eyes on a work of art by Japanese provocateur Urara
Tsuchiya, you won’t forget it. It can be difficult to drag your gaze away
from her unusual ceramics, which have been known to show anything
from a teddy bear engaged in four-way sexual intercourse to a nude sauna.
In recent years, she has used clay to create traditional shapes, such as
bowls, which act as a shield to the more lurid shenanigans inside. Lately,
she has created ceramics that go beyond this format; at last year’s Frieze
London, she crafted the entire contents of a hotel minibar from clay,
complete with a real-life bed and television.
Performative and immersive environments are an important part of
Tsuchiya’s work, and she has increasingly moved to include collaborative
elements in her exhibitions. From a fashion collection, entirely designed
and styled by Tsuchiya herself, to a spa-inspired installation, she often looks
to break beyond the walls of the gallery. This April she is to participate in
Glasgow International, the biennial celebration of international talent and
the city’s rich artistic community, where she will stage an exhibition in a
real hotel room. Shocking, sexy and always imbued with a healthy dose of
silliness, we caught up with the artist in Brussels.
Urara and her work, 2018. Photo taken by Ben Toms for Owlcave Books
You often build environments for your exhibitions, whether that’s aYou often build environments for your exhibitions, whether that’s a
bedroom, a sauna or a cocktail party. What appeals to you aboutbedroom, a sauna or a cocktail party. What appeals to you about
this way of working, and what are some of the real-life locationsthis way of working, and what are some of the real-life locations
that have inspired you?that have inspired you?
I always like to create these environments. I’ve just opened an exhibition at
Stems in Brussels, and I have a solo show opening on 16 January at Galleri
Golsa in Oslo. The plan for Oslo is for it to be a spa scene, like a sauna, but
looking at it from behind the scenes. I’ve got a mop and bucket made from
clay, and lots of towels to make the scene. It’s a fictional spa, one that
seems a bit wrong. I’ve been trying to make things that aren’t bowls, which
I’ve done a lot of before, so I’ve made things like big pants, a bra, and a hot
tub that will have real bubbles in it. I’ve also made a miniature ceramic
sauna, a mini bar and some trees.
I prefer not to show my work in a gallery; if I have a choice, I always like to
do it in an actual place. A dream place that I’d love to show my sauna work
in is Rio’s Relaxation Spa in London, that would be quite funny. It’s a
naturist sauna in London that I’ve been once before, with the artist Zoe
Williams, but it was quite scary to visit as a woman.
Left: Just Close Your Eyes and Imagine I Haven’t Evolved, 2017. Right: Hogroast, 2015
Humour is an important part of your work, whether expressedHumour is an important part of your work, whether expressed
through your ceramics or performance. Do you want to makethrough your ceramics or performance. Do you want to make
people laugh?people laugh?
My ceramics make me laugh. I think they’re quite cute, not in-your-face.
Some of the people at my ceramics studio don’t like me, though, and
they’re always trying not to show my work to their children! But when
you’re working so long on something, for ten hours, you kind of forget
what you’re working on and it just becomes an object. I’ve also been
making a fashion collection recently. I did a lot of sewing for it, and it’s
really trashy. I like that. It’s sexy but in a funny way; not in a serious-sexy
way. I was thinking of an influencer’s pool party. It’s a celebration of that,
but with a lot of humour.
“It’s really trashy. I like that. It’s sexy but in a funny
way; not in a serious-sexy way”
Tell me about your participation in Glasgow International, whereTell me about your participation in Glasgow International, where
you’ll be exhibiting in a hotel room. Why did you choose thisyou’ll be exhibiting in a hotel room. Why did you choose this
setting for it, and what do you have planned? setting for it, and what do you have planned?
I love staying in hotels. It’s quite nice, isn’t it? It will be in a real hotel room
because I wanted to have the actual space, not just an installation. I don’t
want to just show art in a gallery space. I thought it would be quite weird if
you actually go into a hotel room and there’s something happening, as if
someone had already checked in. I will invite a few artists to do some more
performative events. I like the idea that it’s a temporary space that
constantly changes, with different people checking in and taking over the
room. My friend Susannah Stark is doing something with her mother; Erica
Eyres, I thought we could print her drawings on the duvet cover; there will
also be a performance by the artist Paul Kindersley and me.
I will also present some ceramic works, and hopefully put them to use, and
I’m shooting a video with photographer Ben Toms that will play on the TV
screen. We’ll be adapting all the existing elements of the hotel room. It will
be in an ensuite king-size room at the Brunswick Hotel. I will make it quite
small, so that perhaps only three people at a time can visit. A hotel room is
not so big, and I like it to be quite intimate but not domestic. I could have it
in my flat, but I like the temporary space of the hotel, and it’s quite sexy!
Detail; Fountain, 2019
How does your upcoming project connect to your work moreHow does your upcoming project connect to your work more
broadly? Have you ever shown in a hotel before? broadly? Have you ever shown in a hotel before?
A couple of years ago I did a performance with my family in a Japanese
love hotel. It was me, my granny and my mum. My mum is quite good at
performing, she was just saying her favourite colours; then she got a stiff
neck and asked people to massage her. While my mum was just talking
about herself, I was dragging someone in a wet seal costume across the
room. My grandma was on the TV in a film, saying goodbye to everyone.
It was in a Tokyo love hotel, where usually people don’t even stay a night,
just a few hours, and it was in a business area. We had never been in a
hotel like that before, and there were businessmen around when we came
out, maybe having an affair— their wives won’t find out as they can even
go on lunch break.
“A couple of years ago I did a performance with my
family in a Japanese love hotel. It was me, my
granny and my mum”
How long have you lived in Glasgow, and what do you like aboutHow long have you lived in Glasgow, and what do you like about
it? What is the artistic community like there? it? What is the artistic community like there?
I’ve lived in Glasgow for ten years. It’s got a good artist community; it’s a
great city with lots of things happening. I really like Queens Park, and I live
nearby, although the other day my friend went for a walk there and she
said that there was a flasher! Everyone goes dog walking there, and it’s
also a cruising area.
All images courtesy the artist and Union Pacific
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