54
1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts: the agreement between material and form, made as intimate and thorough as possible by the nature of things. ….The fusion of these two elements is the absolute aim of all great art….the simplest example is offered by poetry which cannot exist without the close association or the magic symbiosis of sound and meaning… Paul Valery

1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

Embed Size (px)

Citation preview

Page 1: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

1

MATERIALIZATION

…In order to understand architecture, it is important that we should keep

in mind the most subtle and powerful principle of all arts:

the agreement between material and form, made as intimate and thorough

as possible by the nature of things.

….The fusion of these two elements is the absolute aim of all great art….the simplest example is offered by poetry which cannot exist without the close

association or the magic symbiosis of sound and meaning…

Paul Valery

Page 2: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

2

Page 3: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

3

MATERIALIZATION

1. The Materials

2. The Enclosure

3. Structural Systems

4. Composition of the Building

Page 4: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

4

1. THE MATERIALS

Selection of materials should be done with a highdegree of coordination:

a) seeking material unity (large number of different materials tend to create a sense of disunity )

b) atmosphere or feeling (expression)

c) texture compatibility (association among materials)

d) surrounding buildings (uses and patterns)

Page 5: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

5

1. THE MATERIALS

Page 6: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

6

1. THE MATERIALS

Page 7: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

7

1. THE MATERIALS

Page 8: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

8

1. THE MATERIALS

Page 9: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

9

2. THE ENCLOSURE

The materialization of the is the

creation of the physical shell around the building spaces.

This materialization is concerned with the relationships between:

Page 10: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

10

2. THE ENCLOSURE

The enclosing planes of a building include its...

Roofs and Ceilings:- The roof plane and the ceiling plane may be the same (i.e. wood deck) or two different surfaces (dropped ceiling)- Avoid roof situations that trap water.- The protection of overhangs should be used only when needed.Floors:- In multi-story and basement conditions, the floor is similar to the roof framing.- Where land contours are pronounced, floor levels of spaces may impose upon or be in sympathy with the land.Walls:- Walls may be structural (bearing other loads) or non structural (only holding up their own weight)- Non-structural walls are used for barriers or filters between two conflicting or incompatible situations: walls may be temperature, acoustic or visual barriers.

Page 11: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

11

2. THE ENCLOSURE

Openings in buildings may take several forms:

Openings should be woven into the entire building geometry as strongly as possible

Doors- Door placement should relate to the circulation system in the building and spaces. It determines the number of used areas formed in a space.- Doors should rest against a wall when open. This minimizes swing area needed and door interference with space activities.- Interior doors swing into its space while exterior doors swing out.Windows- The extent and placement of window openings should relate to space need for view, light or protection from outside forces.- Window sill height should relate to furniture height where furniture is against a wall at a window.

- Window placement must respond to view orientation of spaces.

Page 12: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

12

3. THE STRUCTURE

3.1. Structural Requirements

3.2. Structure Types

3.2.1. Post and Beam Structures

3.2.2. Arches and Vaulted Halls, and Domes

3.2.3. Portal Frames

3.2.4. Trusses

3.2.5. Space Frames

3.2.6. Folded Roofs

3.2.7. Shells

3.2.8. Tensile Structures

3.3. DETERMINATION OF THE STRUCTURAL FORM

3.3.1. Design Strategies

3.3.2. Selection Of The Generic Type Of Structure

3.3.3. Selection Of Structural Material

Page 13: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

13

3. The Structure

3.1. STRUCTURAL REQUIREMENTS

• DURABILITY The durability of the structure depends entirely in the physical/chemical conditions of the structural material, and our willingness to continue using the building ( at the end of the lifecycle of a building, it may be demolished)

• STABILITY AND EQUILLIBRIUM When the structure is stable and in equilibrium it resists any load without suffering a major change of shape or collapsing.

• STRENGTH AND RIGIDITY Strength and rigidity are reached by the adequate specification of geometry, size, and the material of the structural elements. In example, for resisting the same structural load, a steel structural element needs a smaller cross section than a reinforced concrete element, and this is due to the difference between the strength of the kind of materials.

Page 14: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

14

3. The Structure

3.1. MORE ABOUT STRUCTURAL REQUIREMENTS: LOADS

Page 15: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

15

3. The Structure

3.1. MORE ABOUT STRUCTURAL REQUIREMENTS: LOADS

Page 16: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

16

3. The Structure

3.1. MORE ABOUT STRUCTURAL REQUIREMENTS: LOADS

Page 17: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

17

3. The Structure

3.1. MORE ABOUT STRUCTURAL REQUIREMENTS: LOADS

Page 18: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

18

3. The Structure

3.2. STRUCTURE TYPES

ROOFS SUPPORTED WITHVERTICAL ELEMENTSSUBJECTS OF COMPRESSION:

POST AND BEAMSTRUCTURES:- LOAD BEARING WALLS- SKELETON FRAME

ROOFS SUPPORTED WITHVERTICAL ELEMENTSSUBJECTS OF TENSION:

MASTED STRUCTURES

- ARCHES, VAULTED HALLS, AND DOMES- PORTAL FRAMES- TRUSSES- SPACE FRAMES- FOLDED ROOFS- SHELLS- MEMBRANES AND TENTS

ROOF STRUCTURES

Page 19: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

19

3. The Structure

3.2. MORE ABOUT STRUCTURE TYPES: MATERIALIZATION OF A CUBE

Page 20: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

20

3. The Structure3.2. Structure Types

3.2.1. POST AND BEAM STRUCTURES Most architectural structures are of the post-and-beam type.

Post and beam buildings carry the weight of their structural components (and the weight of objects and people in them) by bearing on one another.

The weight of the roof and beams is carried by the posts down to the foundation and then into the ground. Horizontal beams are subject to bending loads, therefore the structural materials should be able of resisting both tension and compression.

We can further subdivide the post and beam structures into:

Page 21: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

21

3. The Structure3.2. Structure Types

3.2.1. MORE ABOUT POST AND BEAM STRUCTURES: LOAD BEARING WALLS

Page 22: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

22

3. The Structure3.2. Structure Types

3.2.1. MORE ABOUT POST AND BEAM STRUCTURES: LOAD BEARING WALLS

Page 23: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

23

3. The Structure3.2. Structure Types

3.2.1. MORE ABOUT POST AND BEAM STRUCTURES: LOAD BEARING WALLS

Page 24: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

24

3. The Structure3.2. Structure Types

3.2.1. MORE ABOUT POST AND BEAM STRUCTURES: SKELETON FRAME

Page 25: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

25

3. The Structure3.2. Structure Types

3.2.2. ARCHES, VAULTED HALLS, AND DOMES

Page 26: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

26

3. The Structure3.2. Structure Types

3.2.2. MORE ABOUT ARCHES AND VAULTED ROOFS

Page 27: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

27

3. The Structure3.2. Structure Types

3.2.2. MORE ABOUT DOMES

Page 28: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

28

3. The Structure3.2. Structure Types

3.2.3. PORTAL FRAMES

Page 29: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

29

3. The Structure3.2. Structure Types

3.2.3. MORE ABOUT PORTAL FRAMES

Page 30: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

30

3. The Structure3.2. Structure Types

3.2.4. TRUSSES

Page 31: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

31

3. The Structure3.2. Structure Types

3.2.4. MORE ABOUT TRUSSES

Page 32: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

32

3. The Structure3.2. Structure Types

3.2.5. SPACE FRAMES

Page 33: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

33

3. The Structure3.2. Structure Types

3.2.5. MORE ABOUT SPACE FRAMES

Page 34: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

34

3. The Structure3.2. Structure Types

3.2.5. MORE ABOUT SPACE FRAMES

Page 35: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

35

3. The Structure3.2. Structure Types

3.2.6. FOLDED ROOFS

Page 36: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

36

3. The Structure3.2. Structure Types

3.2.6. MORE ABOUT FOLDED ROOFS

Page 37: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

37

3. The Structure3.2. Structure Types

3.2.7. SHELLS

Page 38: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

38

3. The Structure3.2. Structure Types

3.2.7. MORE ABOUT SHELLS

Page 39: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

39

3. The Structure3.2. Structure Types

3.2.7. MORE ABOUT SHELLS

Page 40: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

40

3. The Structure3.2. Structure Types

3.2.8. TENSILE STRUCTURES

Page 41: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

41

3. The Structure3.2. Structure Types

3.2.8. MORE ABOUT TENSILE STRUCTURES

Page 42: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

42

3. The Structure3.2. Structure Types

3.2.8. MORE ABOUT TENSILE STRUCTURES

Page 43: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

43

3. The Structure3.2. Structure Types

3.2.8. MORE ABOUT TENSILE STRUCTURES

Page 44: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

44

3. The Structure

3.3. DETERMINATION OF THE STRUCTURAL FORM

Page 45: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

45

3. The Structure3.3. Determination Of The Structural Form

3.3.1. DESIGN STRATEGIES

Page 46: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

46

3. The Structure3.3. Determination Of The Structural Form

3.3.2. SELECTION OF THE GENERIC TYPE OF STRUCTURE

Page 47: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

47

3. The Structure3.3. Determination Of The Structural Form

3.3.3. SELECTION OF STRUCTURAL MATERIAL

Page 48: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

48

4. COMPOSITION OF THE BUILDING

4.1. ARTICULATION AND CONTINUITY

Page 49: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

49

4. COMPOSITION OF THE BUILDING

4.1. MORE ABOUT ARTICULATION AND CONTINUITY

Page 50: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

50

4. COMPOSITION OF THE BUILDING

4.2. CORNER ARTICULATION

Page 51: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

51

4. COMPOSITION OF THE BUILDING

4.2. MORE ABOUT CORNER ARTICULATION

Page 52: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

52

4. COMPOSITION OF THE BUILDING

4.2. MORE ABOUT CORNER ARTICULATION

Page 53: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

53

4. COMPOSITION OF THE BUILDING

4.2. MORE ABOUT CORNER ARTICULATION

Page 54: 1 MATERIALIZATION …In order to understand architecture, it is important that we should keep in mind the most subtle and powerful principle of all arts:

54

References

• Architecture and Engineering: An illustrated Teacher’s Manual on Why Buildings Stand Up, Mario Salvadori and Michael Temple, The New York Academy of Sciences, 1983.

• Elements of Architecture, Pierre Von Meiss, ISBN 0-747-60014-7.

• Form, Function & Design, Paul Jacques Grillo, ISBN 0-486-20182-1.

• Structural Design for Architecture, Angus Macdonald, Architectural Press, Oxford 1997.