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DAN FORREST
THE DAWN FROM ON HIGH
SMALL ORCHESTRA SCORE DF1001BS
INSTRUMENTATION
LUX: The Dawn From On High is available in three different instrumentations. All scores and parts for performance are available on rental only from The Music of Dan Forrest ([email protected]). Separate scores for all three versions are also available for purchase from Beckenhorst Press (www.beckenhorstpress.com) or from participating music retailers.
1. Full Orchestra
Flute 1, 2 (one doubling on Piccolo) Oboe 1, 2 Clarinet in B-flat 1, 2 Bassoon 1, 2 Horn in F 1, 2 (or 1-4*) Trumpet in B-flat 1, 2 Trombone 1, 2 Tuba Percussion 1, 2** Harp Strings***
*If performing with a large choir, horn lines may be doubled by a second player on each part
**Two players. Perc 1: Vibraphone, Sus. Cym. Perc 2: Sus. Cym, Timpani, Snare Drum, Glock.
***Suggested minimum 4.4.3.3.2, but larger is preferred
2. Small Orchestra (with organ) (this score): combines the flute (doubling on piccolo), oboe, horn, harp, and organ parts from the chamber ensemble version (see below) with the strings and percussion parts from the full orchestral version (see above).
3. Chamber Ensemble (with organ): flute (doubling on piccolo), oboe, horn, violin, cello, and harp (all solo players; parts not identical to orchestral parts), percussion 1, 2 (identical to orchestral parts), and organ.
CONTENTS
I. Illuminare 5
II. Lux in Tenebris 28
III. The Sun Never Says 58
IV. Gloria in Excelsis 67
V. Creator of the Stars of Night 93
Duration: c. 35 minutes
III. The Sun Never Says
Even After All this timeThe sun never says to the earth,
"You owe Me."
Look What happens With a love like that, It lights the Whole Sky.
(Daniel Ladinsky, from "The Gift", ©1999, used by permission)
IV. Gloria in excelsis
Gloria in excelsis Deo,et in terra pax.
Glory to God in the highest,and on earth, peace. (from Luke 2:14)
V. Creator of the Stars of Night
Creator of the stars of night,Thy people's everlasting Light,O Christ, Thou Savior of us all,now hear Thy servants when they call.
Creator alme siderumaeterna lux credentiumChriste redemptor omniumexaudi voces supplicum.
O Blest Creator of the light,Who made the day with radiance bright,and o'er the newborn world did callthe light from darkness first of all.
When the whole world drew on toward night,Thou camest, not in splendor brightas sovereign, but the humble Childof Mary, virgin mother mild.
To God the Father, God the Son,and God the Spirit, Three in One,laud, honor, might, and glory befrom age to age eternally. Amen.(7th c. chant, various translations)
(... It lights the Whole Sky ...)
I. Illuminare
Per viscera misericordiae Dei nostriin quibus visitavit nos oriens ex altoilluminare his qui in tenebris et in umbra mortis sedentad dirigendos pedes nostrosin viam pacis.Lux ex alto, veni nos illuminare.
By the mercy of our Godthe dawn from on high will break upon us,to give light to those who sit in darknessand in the shadow of death,to guide our feet into the way of peace.Light from on high, come illumine us. (based on Luke 1:78-79)
Lux de luce apparuisti Christe,cui Magi munera offerunt,Alleluia, alleluia, alleluia.
You appeared as Light from light, O Christ, to whom the Magi offered gifts,Alleluia, alleluia, alleluia. (Antiphon for Epiphany, 14th c.)
II. Lux in Tenebris
Lux fulgebit hodie super nos, quia natus est nobis Dominus.
A light will shine on us today, for the Lord is born unto us. (Introit for Christmas Dawn, 10th c.)
Lux in tenebris lucet et tenebrae eam non superaverunt.
The light shines in darkness; and the darkness has not overcome it.(John 1:5)
TEXTS
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Flute
Oboe
Horn in F
Percussion 1
Percussion 2
Soprano 1
Soprano 2
Alto 1
Alto 2
Violin I
Violin II
Viola
Cello
Double Bass
Harp
Organ
∑∑
∑
Ó .
œ
@
wæ
∑∑
∑
∑
∑
∑
∑
∑
∑
∑∑
∑
∑∑
Freely; slowly evolving
Freely; slowly evolving
Freely; slowly evolving
Sus Cym.
π
Bowed Vibe
p
soft mallets
∑∑
∑
˙
Ó
˙ Ó
∑∑
Ó ˙
Lux
Ó ˙
Lux
Ó ˙
Lux
Ó ˙
Lux
O
w
≤
wo≤
∑
∑∑
w
w
∑∑
∏
∏
∏
∏
π
π
bow freely
bow freely
P
L.V.
L.V.
π
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Œ
U
œ@
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
O
˙
U
O
˙
U
˙
U
o˙
U
o
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
˙
˙
U
˙
˙
U
∑∑
(pure tone, non vibrato; stagger breathing; may be sung by only a portion of the choir)
p
(sul A; shown as sounding pitch)
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
˙
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
˙
U
O
˙
U
O
˙
U
˙
U
o˙
U
o
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
Ó
U
˙
˙
U
˙
˙
U
∑∑
L.V.
∑U
∑U
∑U
Ó
U
Œ
Uœ
@
Ó
U
˙
æ
U
∑U
∑U
w
U
w
U
w
U
ww
U
O
w
U
w
U
o
∑U
∑U
∑U
w
w
U
∑∑
p
∑∑
∑
w
w
∑∑
w
w
w
ww
O
w
wo
Ó
≤
Ó
≤Ó
∑
w
w
∑∑
L.V.
p
L.V.
ππ
(div.)
5
I. Illuminare
Copyright © 2018 The Music of Dan Forrest. All Rights Reserved. Duplication prohibited.
Commissioned by Sarah and Gordon Herring for the Greenville Chorale (Greenville, South Carolina), Bingham Vick, Jr., Artistic Director and Conductor
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# # #
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Fl.
Ob.
Hn.
Perc. 1
Perc. 2
S.
A.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Hp.
Org.
7 U U
U U
˙U ˙U
ÓU ŒU œ@∑
U U
U U
˙U ˙U
˙˙˙U ˙˙˙
U
U U
˙U ˙U
U ˙U
U U
u uU U
U ˙U
u ˙u∑
˙U ˙U
almost no vibrato; bow freely
almost no vibrato; bow freely
SOPRANOS
ALTOS
almost no vibrato; bow freely
πalmost no vibrato; bow freely
(instruments gradually overtake choir)
almost no vibrato; bow freely
P
(instruments gradually overtake choir)
(instruments gradually overtake choir)
(instruments gradually overtake choir)
(instruments gradually overtake choir)
(instruments gradually overtake choir)
(instruments gradually overtake choir)
π
(instruments gradually overtake choir)
π
(instruments gradually overtake choir)
(instruments gradually overtake choir)
(instruments gradually overtake choir)
π
U U
U U
˙U ˙U
U ÓU
∑
˙U U
˙U˙U
˙U ˙U
˙˙˙U ˙˙˙
U
U ˙U
˙U ˙U
˙U ˙U
U U
u uU U
˙U ˙˙U˙
u˙
u∑
˙U ˙U
L.V.
(no rolls)
.U .U
.U Ó .U
.˙U Ó .U
œ@U
Ó .U
.Uæ Ó .U
..˙U ...˙Uggggggggggggggggggggg..˙U ...˙U
.˙U..˙U .˙
.˙U .˙U
..˙˙ .˙
..˙Uæ
..˙U
..˙Uæ
.U
..˙Uæ .U
.Uæ ..˙U
.u
.U Ó .U
...˙˙U ...˙U...˙
u...˙
u∑
..˙U Ó .U
(Sop. 1 may drop out if needed)
(Alto 2 may drop out if needed)
p
p
sub. p
sub. p
sub. p
sub. p
ƒ
ƒ
ƒ
ƒ
ƒ
(choir revealed again at orchestra sub. p)
F (dampen)
F (abruptly choke)
sub. pƒ
ƒ
ƒ
ƒ
sub. p
f sub. p
.U .U
∑
∑
Ó .U Ó .U
Ó . Ó œæ...˙Ugggggggggggggggggggg
...˙Uggggggggggggggggggggg...˙˙˙U ...˙U
.U .U.˙ .˙
.˙U .˙U.˙ .˙
..˙U ..˙U
.U .U
.U .U
..˙U ..˙U
Ó .U Ó .U
...˙˙U ...˙U...˙
u...˙
u∑∑
π
˙ Ó
∑
∑
Œ œ@ ˙
wwww
www
∑
∑
˙Ó
w
w
˙ Ó
Ó Ó
www˙ ˙
∑∑
p
pL.V.
L.V.
(l.v. until gone)
6
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Flute
Oboe
Horn in F
Percussion 1
Percussion 2
SopranoAlto
TenorBass
Violin I
Violin II
Viola
Cello
Double Bass
Harp
Organ
∑
∑
∑
∑
∑
∑..˙ ‰ Jœ
∑
∑
∑
œœœœœœœœœœœœœœœœ
œœœœœœœœœœœœœœœœ
œœ Œ Œ ‰ Jœ
∑
œœœœœ œœœœœœ œœœœœœ œœœœœœ œ
Jœ ‰ Œ Œ ‰ Jœ
∑
Andante q = c 72-76
Andante q = c 72-76
Andante q = c 72-76
pizz.
F
P
P
staccato, lightly off the string
staccato, lightly off the string
(senza sordino)
(senza sordino)
F
P poco staccato
∑
Ó . œ
∑
∑
∑
∑
ww
∑
∑
Ó . œ
œ! œ! œ! œ! œ! œ! œ! œœ
œ! œ! œ! œ! œ! œ! œ! œœ
œ Ó .œ Ó .
œœœœœ œœœœœœ œœœœœœ œœœœœœ œjœ ‰ Œ Ó
jœ ‰ Œ Ó
pizz.
F
Plegato
P
∑œ œ œ œ
∑
∑
∑
∑w
∑
∑
œ œ œ œ
œ! œ! œ! œ! œ! œ! œ! œœ
œ! œ! œ! œ! œ! œ! œ! œœ
œ Ó .
∑
œœœœœ œœœœœœ œœœœœœ œœœœœœ œ
Jœœ ‰ Œ Ó
∑
∑
w
∑
∑
∑
∑˙n .œ Jœ
∑
∑
w
œ! œ! œ! œ! œn ! œ! œ!œœ
œ! œn! œ! œ!œ! œ!
œ! œœ
œn Œ .œ Jœœ
Œ .œ Jœ
œœn œ œœ œ œ œœœ œn œœœœœœœœ
Jœœ ‰ Œ œ ‰ ‰œ
∑
simile
simile
∑
Ó . œ
∑
∑
∑
∑
.˙ ‰ Jœ
∑
∑
Ó . œ
œ! œ! œ! œ! œ! œ! œ! œœ
œ! œ! œ! œ! œ! œ! œ! œœ
œ Œ Œ . Jœ
œ Ó .
œœœœœ œœœœœœ œœœœœœ œœœœœœ œjœ ‰ Œ Ó
jœ ‰ Œ Ó
∑œ œ œ œ
∑
∑
∑
∑
w
∑
∑
œ œ œ œ
œ! œ! œ! œ! œ! œ! œ!œœ
œ! œ! œ! œ! œ! œ! œ! œœ
œ Ó .œ Ó .
œœ œœœ œ œœ œœœ œ œœœ œœ œœœœœœœ
Jœ ‰ Œ Ó
∑
28
II. Lux in Tenebris
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b
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Fl.
Ob.
Hn.
Perc. 1
Perc. 2
S.A.
T.B.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Hp.
Org.
7 ∑˙ ˙
∑
∑
∑
∑˙ .œ Jœ
∑
∑
˙ ˙
œn ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œn!
œ! œ œœ Œ .œ Jœœ
Œ .œ Jœ
œœn œ œ œ œœ œ œ œ œœ œ œ œ œœ œœ œœ
Jœœ ‰ Œ œ ‰ ‰ œ
∑
∑
˙ Œ œ
Ó . œ
∑
∑
∑
.˙œœ
∑
∑
˙ Œ œ
œ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œ! œ! œ œ
œ Œ Œ œ
œ Œ Œ œ
œœ œ œœ œ œœ œ œœ œ œœ œ œœ œ œœ œ œ
jœ ‰ Œ Œ œ
jœ ‰ Œ Œ œ
arco
arco
F
F
P
RH poco staccato
LH and Pedal, legato
∑
.œ Jœ œ œ
˙ ˙
∑
∑
∑
˙ ˙
∑
∑
.œ Jœ œ œ
œ! œ! œ! œ! œ! œ! œ! œ œ
œ! œ! œ! œ! œ! œ! œ! œ œ
˙ ˙
˙ ˙
œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ˙ ˙
˙ ˙
∑œ ˙ œ
w
∑
∑
∑˙ ˙
∑
∑
œ ˙ œ
œ! œ! œ! œ! œ! œ! œ! œ œ
œ! œ! œ! œ!œ! œ! œ! œ œ
˙ ˙˙ ˙
œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œœ œ
˙ ...œœœ ‰
w
∑.˙ œ
w
∑
∑
∑
˙ œœ œ
∑
∑
.˙ œ
œ! œ! œ! œ! œ! œ! œ! œ œœ! œ! œ! œ! œ! œ! œ! œ œ
˙ œ œ˙
w
œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ
..˙ œœ
w
∑˙ ˙
œ# œ ˙
∑
∑
∑œœœn œ ˙
∑
∑
˙ ˙
œn ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œn! œ! œ œ
œn œ ˙w
w
œn œ œ œ œ œ œ œ œ œ œ œ œ œ œœn œ ˙w
w
29
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V
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B
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&?
?
bbbb
bbbb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
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Flute
Oboe
Horn in F
Soprano
Alto
Tenor
Bass
Violin I
Violin II
Viola
Cello
Double Bass
Harp
Organ
w∑
∑
∑
∑
.œ Jœ œ ŒE ven
∑.œ Jœ œ ŒE ven
∑
∑
..œœ≤ jœœ œœ Œ
w
.œ≤ jœ œ Œ
.œ≤ Jœ œ Œ
∑
w.œ Jœœ œœ Œ..œœ Jœœ œœ Œ
∑
Dolce espressivo e molto rubato; never hurried q = c 60-69
Dolce espressivo e molto rubato; never hurried q = c 60-69
Dolce espressivo e molto rubato; never hurried q = c 60-69
p
p
p
p
π*Optional: choir may sing, almost imperceptibly, with organ/strings, mm. 1-6.
π
sul tasto
sul tasto
sul tasto
sul tasto
Strings, not choir, should be prominent, mm. 1-6
(sounding fromprevious movement)
p
Mm. 1-6 are optional for choir; mm. 7-39 are optional doubling for organ or strings, although a cappella is preferred. Note that solo cello always plays mm. 20-39, whether or not the optional organ doubling is used.
œ Œ Ó∑
∑
∑
∑
.œ jœ œ ŒAf ter,
Óœ œ
All this
.œ Jœ œ ŒAf ter,
∑
∑
.œ≥ jœ œ Œ.˙
˙ œ œ
.œ≥ jœ œ Œ
.œ≥ Jœ œ Œ
∑
˙ œ œ.œ Jœœ..œœ Jœœ œœ Œ
∑
πsimile
∑∑
∑
∑
∑
.œ Jœ œ ŒE ven
wtime
.œ Jœ œ ŒE ven
.œ Jœ œ ŒE ven
∑
..œœ≤ jœœ œœ Œ
w
.œ≤ jœ œ Œ
.œ≤ Jœ œ Œ
∑
w.œ Jœœ œœ Œ..œœ Jœœ œœ Œ
∑
simile
simile
∑∑
∑
∑
∑
.œ jœ œ ŒAf ter
œ Œœ œ
All this
.œ Jœ œ ŒAf ter
.œ jœ œ ŒAf ter
∑
.œ≥ jœ œ Œ.˙
œ Œ œ œ
.œ≥ jœ œ Œ
.œ≥ Jœ œ Œ
∑
œ Œ œœ œ..œœ Jœ..œœ Jœœ œœ Œ
∑
∑∑
∑
∑
∑
.œ jœ ˙All this
wtime
.œ Jœ ˙All this
.œ Jœ ˙All this
.œ Jœ ˙All this
.œ≤ jœ ˙
w
.œ≤ jœ ˙
.œ≤ Jœ ˙
∑
wŒ . Jœœ ˙..œœ Jœœ ˙
∑
rit.
rit.
rit.
∑∑
∑
∑
∑
.˙U ŒU
time
.˙U ŒU
.˙time
..˙U ŒU
time
.U ŒU
time
..˙˙U≥ ŒU
.˙U ŒU
.˙U≥ ŒU
.U≥ ŒU
∑
wU..˙u Œu..˙U ŒU
∑
-
-
-
-
-
-
-
-
-
-
58
III. The Sun Never Saysto Addy
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bbbb
bbbb
bbb
bbbb
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bbbb
bbbb
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bbbb
bbbb
bbbb
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Fl.
Ob.
Hn.
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Hp.
Org.
7 ∑
∑
∑
∑
∑
wE
œ .˙E ven
.˙ œE
wE
w
œ .˙
.˙ œ
w
∑
œ ..˙.˙ œœ
∑
a tempo
a tempo
a tempo
p
p
p
p
espressivo colla voce
espressivo colla voce
espressivo colla voce
espressivo colla voce
Mm. 7-39 optional, if needed for choir support
Mm. 7-39 optional, if needed for choir support
Mm. 7-39 optional, if needed for choir support
Mm. 7-40 optional, if needed for choir support
p
p
p
p
gently, with wonder
gently, with wonder
gently, with wonder
gently, with wonder
p espressivo colla voce
∑
∑
∑
∑
∑
˙ œven
.˙
œ œ œven
˙ œven
˙ œ
.˙
œ œ œ
˙ œ-
∑
˙ œœ œ œ.˙
∑
∑
∑
∑
∑
∑
.œ Jœ œAf ter
˙ œAf
.˙Af
.˙Af
.œ Jœ œ
˙ Œ
.˙
Œ Œ œ
∑
.œ jœ œ.˙
..˙
∑
∑
∑
∑
∑
∑
.˙
˙ œter
˙ œter
œ œ œter
.˙
œ ˙
˙ œ
œ œ œ
∑
.˙ .˙
.œ œ œ
∑
∑
∑
∑
∑
∑
Œ ˙All
.˙All
.˙All
.˙All
Œ ˙
.˙
.˙
.˙
∑
Œ ˙.˙..˙
∑
∑
∑
∑
∑
∑
œ ˙this
.˙this
.˙this
.˙this
œ ˙
.˙
.˙
.˙
∑
œ ˙.˙..˙
∑
∑
∑
∑
∑
∑
Ó œtime
.time
.˙time
˙ œ
.˙time
Ó œ-
.˙
.˙ œ
.˙
∑
Óœ.˙
˙ œœœ
∑
∑
∑
∑
∑
∑
˙ Œ
˙ Œ
˙˙ Œ
˙ Œ
˙ Œ
˙ Œ
˙ Œ˙
˙ Œ
∑
˙ Œ˙˙˙˙ Œ
∑
-
-
-
-
-
-
-
-
59
&
&
&
&
&
&
?
&
?
&
&
B
?
?
&
?
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
Flute
Oboe
Horn in F
Percussion 1
Percussion 2
SopranoAlto
TenorBass
Violin I
Violin II
Viola
Cello
Double Bass
Harp
Organ
∑
∑
∑
œœ
°
œœœœ œœ
œœ
œœ œœ
œ
œ œœ œœ
w
˙
˙ ˙
˙
∑
∑
∑
∑œ( )
O
w
∑
∑∑
w
∑
∑
Vibe, motor off, medium/hard mallets
With great joy q = c 80-88
With great joy q = c 80-88
With great joy q = c 80-88
P lightly; sparkling
Sus. Cym. (stick or tgl beater, near the edge)L.V.
P
p (bow freely)
ad lib. for resonance/sustain, but maintain harmonic clarity
F
(no rolls)
π
∑
∑
∑
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œœ œ
œ
œ
œ
∑
˙
˙ ˙
˙
∑
∑
∑
∑œ( )
O
˙ O
˙
∑
∑∑
˙
˙
∑
∑
∑
∑
∑
œœ œœ
œœ œœ
œœ
œœ œœ
œ
œ œœ œœ
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
w
w
w
>
w
w
∑
∑
∑
œ( )
O
w
O
w
∑
∑∑
w
w
∑
∑
*Anytime vibe has more than two notes, lower RH note is optional, if omitting it helps ensure that top note melody receives proper emphasis.
L.V.
p (bow freely)
f
∑
∑
∑
œœ œ œœ œ œ œ œ
œ
œ œ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
∑
w
w
>
w
w
∑
∑
∑
O
w
O
w
∑
∑∑
w
w
∑
∑
67
IV. Gloria in Excelsis
&
&
&
&
&
&
?
&
?
&
&
B
?
?
&
?
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Fl.
Ob.
Hn.
Perc. 1
Perc. 2
S.A.
T.B.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Hp.
Org.
5 ∑
∑
∑
œœ œœ
œœ œœ
œœ
œœ œœ
œ
œ œœ œœ
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
w
w
>
w
w
>
w
w
>
∑
∑
∑
œ( )
œ( )
O
˙
O
œ
O
œ
O
œ
œ
œ
( )
( )
O
w
O
w
wo
∑
∑
˙
˙
œ
œ
œœ
œœ
w
w
∑
∑
Glock.
P
p (sul G; shown as sounding pitch)
(div.)
p
∑
∑
∑
œ œ œ œ œ œ œ
œ
œ œ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
w
w
>
w
w
w
>
w
w
>
∑
∑
∑
œ( )
.
.
O
˙Œ
O
w
O
w
wo
∑
∑
w
w
w
w
∑
∑
∑
∑
∑
œ
œ œ
œ
œœœ
œ
œ
œ
œ œ
œ
œ
œ
œ
œ
œ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
œœ
w
w
>
w
w
>
w
w
>
∑
∑
∑
œ( )
œ( )
O
˙
O
œ
O
œ
O
œ
O
w
O
w
w
w
o
∑
∑
˙
˙
œ
œ
œ
œ
œ
œ
w
w
∑
∑
(div., sul G and D; shown as sounding pitches)
∑
∑
∑
œ
œ œ
œ
œœ œ
œ
œ
œœ
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
w
w
>
w
w
w
>
w
w
>
∑
∑
∑
œ( )
.
.
O
˙Œ
O
w
O
w
w
w
o
∑
∑
w
w
w
w
∑
∑
∑
∑
∑
œ
°
œ œ
œ
œœ œ œ
œ
°
œ
œ
œœ
œ œ
œ
œœ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ
œ
w
∑
∑
œ( )
œ( )
.
.
O
˙ O
œ
w
w
˙˙
w
∑
∑
.
.
˙
˙ œ
œ
www
∑
∑
68
&
&
&
&?
&?
&
?
&
&
B
?
?
&?
?
bbb
bbb
bb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbbbbb
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
Flute
Oboe
Horn in F
Percussion 1
Percussion 2
S. Solo
T. Solo
Violin I
Violin II
Viola
Cello
Double Bass
Harp
Organ
∑
∑
∑
∑
∑
∑
∑
∑
∑
≤ ˙≤ ˙ww≤˙ ˙˙≤ ˙
∑
˙ ˙w˙ ˙
∑
Slowly unfolding, con molto rubato h = c. 32-38
Slowly unfolding, con molto rubato h = c. 32-38
Slowly unfolding, con molto rubato h = c. 32-38each two-bar phrase should push and pull
each two-bar phrase should push and pull
each two-bar phrase should push and pull
each two-bar phrase should push and pull
P
P
P
P
P
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙ Œ
.˙ Œ.˙.˙ Œ.˙..˙ Œ
.˙ Œ
..˙˙ Œ
.˙ Œ
.˙ Œ
p
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ ˙
˙ ˙
˙ ˙
˙ ˙
≤ ˙
˙ ˙˙ ˙
˙ ˙
Peach two-bar phrase should push and pull
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙ Œ
.˙ Œ
.˙ Œ
..˙ Œ
.˙ Œ
...˙˙˙ Œ
.˙ Œ
.˙ Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ ˙
˙ ˙
˙ ˙˙ ˙
˙˙ ˙
˙ ˙w˙ ˙
˙ ˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙ œ
.˙ œ.˙ œ
..˙ Œ
.
.˙˙ Œ
.˙ Œ
..˙ œ
.˙ Œ
.˙ Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ ˙
w
˙ ˙˙ ˙
˙ ˙
˙ ˙˙˙ ˙
˙ ˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙ œ
˙ ˙w
www
w
˙ œ œœ˙ww
w
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ ˙
˙ ˙
˙ ˙wwww
˙ ˙˙˙˙ ˙
w
93
V. Creator of the Stars of Night
&
&
&
&?
&?
&
?
&
&
B
?
?
&?
?
bbb
bbb
bb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbb
bbbbbb
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
23
Fl.
Ob.
Hn.
Perc. 1
Perc. 2
S. Solo
T. Solo
Vln. I
Vln. II
Vla.
Vc.
D.B.
Hp.
Org.
10 ∑
∑
∑
∑
∑
∑
∑
∑
Ó Ó ˙Cre
.w
.w
.w .w
..ww
∑
...www
..ww
∑
A
A
A
pTENOR SOLO
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œa tor of the stars of
.w
.˙ œ ˙.w.w .˙ œ ˙
.w .˙ œ ˙
∑
.w.˙ œ ˙
.w.˙ œœœ ˙˙˙
∑
p
p
p
p
espressivo; each two-bar phrase should push and pullshape phrases according to melodic contour, not metric accent
P
Ó ˙ ˙
∑
∑
∑
∑
∑
∑
∑
w Œ œnight, Thy
˙ ˙ ˙
.w .w˙ ˙ ˙˙ ˙ ˙
˙ ˙ ˙.w
∑
œ Œ - -.w...www
∑
pgently, espress.
w Ó
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œpeo ple's ev er last ing
.w
.˙ œ ˙.w.w .w
w ˙w œ œ
∑
.w.˙ œ ˙www œ œ
∑
∑
Ó ˙ ˙
∑
∑
∑
∑
∑
Ó Ó Œ œO
w Œ œLight, O
˙ ˙ ˙
.w .w˙ ˙ ˙w ˙
˙ ˙ ˙.w
∑
œ Œ - -.w
www
∑
PSOPRANO OR ALTO SOLO
pgently, espress.
∑
w Ó
∑
∑
∑
∑
∑
œ- œ œ œ œ œChrist, Thou Sav ior of us
œ- œ œ œ œ œChrist, Thou Sav ior of us
.w
..ww
.w .ww œ œw œ œ
∑
...www
..www œ œ
∑
-
- - - - - - -
94