14
DAN FORREST THE DAWN FROM ON HIGH SMALL ORCHESTRA SCORE DF1001BS

1. Illuminare Small Orch

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Page 1: 1. Illuminare Small Orch

DAN FORREST

THE DAWN FROM ON HIGH

SMALL ORCHESTRA SCORE DF1001BS

Page 2: 1. Illuminare Small Orch

INSTRUMENTATION

LUX: The Dawn From On High is available in three different instrumentations. All scores and parts for performance are available on rental only from The Music of Dan Forrest ([email protected]). Separate scores for all three versions are also available for purchase from Beckenhorst Press (www.beckenhorstpress.com) or from participating music retailers.

1. Full Orchestra

Flute 1, 2 (one doubling on Piccolo) Oboe 1, 2 Clarinet in B-flat 1, 2 Bassoon 1, 2 Horn in F 1, 2 (or 1-4*) Trumpet in B-flat 1, 2 Trombone 1, 2 Tuba Percussion 1, 2** Harp Strings***

*If performing with a large choir, horn lines may be doubled by a second player on each part

**Two players. Perc 1: Vibraphone, Sus. Cym. Perc 2: Sus. Cym, Timpani, Snare Drum, Glock.

***Suggested minimum 4.4.3.3.2, but larger is preferred

2. Small Orchestra (with organ) (this score): combines the flute (doubling on piccolo), oboe, horn, harp, and organ parts from the chamber ensemble version (see below) with the strings and percussion parts from the full orchestral version (see above).

3. Chamber Ensemble (with organ): flute (doubling on piccolo), oboe, horn, violin, cello, and harp (all solo players; parts not identical to orchestral parts), percussion 1, 2 (identical to orchestral parts), and organ.

Page 3: 1. Illuminare Small Orch

CONTENTS

I. Illuminare 5

II. Lux in Tenebris 28

III. The Sun Never Says 58

IV. Gloria in Excelsis 67

V. Creator of the Stars of Night 93

Duration: c. 35 minutes

Page 4: 1. Illuminare Small Orch

III. The Sun Never Says

Even After All this timeThe sun never says to the earth,

"You owe Me."

Look What happens With a love like that, It lights the Whole Sky.

(Daniel Ladinsky, from "The Gift", ©1999, used by permission)

IV. Gloria in excelsis

Gloria in excelsis Deo,et in terra pax.

Glory to God in the highest,and on earth, peace. (from Luke 2:14)

V. Creator of the Stars of Night

Creator of the stars of night,Thy people's everlasting Light,O Christ, Thou Savior of us all,now hear Thy servants when they call.

Creator alme siderumaeterna lux credentiumChriste redemptor omniumexaudi voces supplicum.

O Blest Creator of the light,Who made the day with radiance bright,and o'er the newborn world did callthe light from darkness first of all.

When the whole world drew on toward night,Thou camest, not in splendor brightas sovereign, but the humble Childof Mary, virgin mother mild.

To God the Father, God the Son,and God the Spirit, Three in One,laud, honor, might, and glory befrom age to age eternally. Amen.(7th c. chant, various translations)

(... It lights the Whole Sky ...)

I. Illuminare

Per viscera misericordiae Dei nostriin quibus visitavit nos oriens ex altoilluminare his qui in tenebris et in umbra mortis sedentad dirigendos pedes nostrosin viam pacis.Lux ex alto, veni nos illuminare.

By the mercy of our Godthe dawn from on high will break upon us,to give light to those who sit in darknessand in the shadow of death,to guide our feet into the way of peace.Light from on high, come illumine us. (based on Luke 1:78-79)

Lux de luce apparuisti Christe,cui Magi munera offerunt,Alleluia, alleluia, alleluia.

You appeared as Light from light, O Christ, to whom the Magi offered gifts,Alleluia, alleluia, alleluia. (Antiphon for Epiphany, 14th c.)

II. Lux in Tenebris

Lux fulgebit hodie super nos, quia natus est nobis Dominus.

A light will shine on us today, for the Lord is born unto us. (Introit for Christmas Dawn, 10th c.)

Lux in tenebris lucet et tenebrae eam non superaverunt.

The light shines in darkness; and the darkness has not overcome it.(John 1:5)

TEXTS

Page 5: 1. Illuminare Small Orch

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#

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#

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#

#

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

Flute

Oboe

Horn in F

Percussion 1

Percussion 2

Soprano 1

Soprano 2

Alto 1

Alto 2

Violin I

Violin II

Viola

Cello

Double Bass

Harp

Organ

∑∑

Ó .

œ

@

∑∑

∑∑

∑∑

Freely; slowly evolving

Freely; slowly evolving

Freely; slowly evolving

Sus Cym.

π

Bowed Vibe

p

soft mallets

∑∑

˙

Ó

˙ Ó

∑∑

Ó ˙

Lux

Ó ˙

Lux

Ó ˙

Lux

Ó ˙

Lux

O

w

wo≤

∑∑

w

w

∑∑

π

π

bow freely

bow freely

P

L.V.

L.V.

π

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Œ

U

œ@

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

O

˙

U

O

˙

U

˙

U

U

o

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

˙

˙

U

˙

˙

U

∑∑

(pure tone, non vibrato; stagger breathing; may be sung by only a portion of the choir)

p

(sul A; shown as sounding pitch)

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

˙

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

˙

U

O

˙

U

O

˙

U

˙

U

U

o

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

Ó

U

˙

˙

U

˙

˙

U

∑∑

L.V.

∑U

∑U

∑U

Ó

U

Œ

@

Ó

U

˙

æ

U

∑U

∑U

w

U

w

U

w

U

ww

U

O

w

U

w

U

o

∑U

∑U

∑U

w

w

U

∑∑

p

∑∑

w

w

∑∑

w

w

w

ww

O

w

wo

Ó

Ó

≤Ó

w

w

∑∑

L.V.

p

L.V.

ππ

(div.)

5

I. Illuminare

Copyright © 2018 The Music of Dan Forrest. All Rights Reserved. Duplication prohibited.

Commissioned by Sarah and Gordon Herring for the Greenville Chorale (Greenville, South Carolina), Bingham Vick, Jr., Artistic Director and Conductor

Page 6: 1. Illuminare Small Orch

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B

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&??

# # #

# # #

# # # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

# # #

46

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46

44

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44

44

Fl.

Ob.

Hn.

Perc. 1

Perc. 2

S.

A.

Vln. I

Vln. II

Vla.

Vc.

D.B.

Hp.

Org.

7 U U

U U

˙U ˙U

ÓU ŒU œ@∑

U U

U U

˙U ˙U

˙˙˙U ˙˙˙

U

U U

˙U ˙U

U ˙U

U U

u uU U

U ˙U

u ˙u∑

˙U ˙U

almost no vibrato; bow freely

almost no vibrato; bow freely

SOPRANOS

ALTOS

almost no vibrato; bow freely

πalmost no vibrato; bow freely

(instruments gradually overtake choir)

almost no vibrato; bow freely

P

(instruments gradually overtake choir)

(instruments gradually overtake choir)

(instruments gradually overtake choir)

(instruments gradually overtake choir)

(instruments gradually overtake choir)

(instruments gradually overtake choir)

π

(instruments gradually overtake choir)

π

(instruments gradually overtake choir)

(instruments gradually overtake choir)

(instruments gradually overtake choir)

π

U U

U U

˙U ˙U

U ÓU

˙U U

˙U˙U

˙U ˙U

˙˙˙U ˙˙˙

U

U ˙U

˙U ˙U

˙U ˙U

U U

u uU U

˙U ˙˙U˙

u∑

˙U ˙U

L.V.

(no rolls)

.U .U

.U Ó .U

.˙U Ó .U

œ@U

Ó .U

.Uæ Ó .U

..˙U ...˙Uggggggggggggggggggggg..˙U ...˙U

.˙U..˙U .˙

.˙U .˙U

..˙˙ .˙

..˙Uæ

..˙U

..˙Uæ

.U

..˙Uæ .U

.Uæ ..˙U

.u

.U Ó .U

...˙˙U ...˙U...˙

u...˙

u∑

..˙U Ó .U

(Sop. 1 may drop out if needed)

(Alto 2 may drop out if needed)

p

p

sub. p

sub. p

sub. p

sub. p

ƒ

ƒ

ƒ

ƒ

ƒ

(choir revealed again at orchestra sub. p)

F (dampen)

F (abruptly choke)

sub. pƒ

ƒ

ƒ

ƒ

sub. p

f sub. p

.U .U

Ó .U Ó .U

Ó . Ó œæ...˙Ugggggggggggggggggggg

...˙Uggggggggggggggggggggg...˙˙˙U ...˙U

.U .U.˙ .˙

.˙U .˙U.˙ .˙

..˙U ..˙U

.U .U

.U .U

..˙U ..˙U

Ó .U Ó .U

...˙˙U ...˙U...˙

u...˙

u∑∑

π

˙ Ó

Œ œ@ ˙

wwww

www

˙Ó

w

w

˙ Ó

Ó Ó

www˙ ˙

∑∑

p

pL.V.

L.V.

(l.v. until gone)

6

Page 7: 1. Illuminare Small Orch

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b

b

b

b

b

b

b

b

b

b

b

b

b

b

b

b

44

44

44

44

44

44

44

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44

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44

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44

44

44

Flute

Oboe

Horn in F

Percussion 1

Percussion 2

SopranoAlto

TenorBass

Violin I

Violin II

Viola

Cello

Double Bass

Harp

Organ

∑..˙ ‰ Jœ

œœœœœœœœœœœœœœœœ

œœœœœœœœœœœœœœœœ

œœ Œ Œ ‰ Jœ

œœœœœ œœœœœœ œœœœœœ œœœœœœ œ

Jœ ‰ Œ Œ ‰ Jœ

Andante q = c 72-76

Andante q = c 72-76

Andante q = c 72-76

pizz.

F

P

P

staccato, lightly off the string

staccato, lightly off the string

(senza sordino)

(senza sordino)

F

P poco staccato

Ó . œ

ww

Ó . œ

œ! œ! œ! œ! œ! œ! œ! œœ

œ! œ! œ! œ! œ! œ! œ! œœ

œ Ó .œ Ó .

œœœœœ œœœœœœ œœœœœœ œœœœœœ œjœ ‰ Œ Ó

jœ ‰ Œ Ó

pizz.

F

Plegato

P

∑œ œ œ œ

∑w

œ œ œ œ

œ! œ! œ! œ! œ! œ! œ! œœ

œ! œ! œ! œ! œ! œ! œ! œœ

œ Ó .

œœœœœ œœœœœœ œœœœœœ œœœœœœ œ

Jœœ ‰ Œ Ó

w

∑˙n .œ Jœ

w

œ! œ! œ! œ! œn ! œ! œ!œœ

œ! œn! œ! œ!œ! œ!

œ! œœ

œn Œ .œ Jœœ

Œ .œ Jœ

œœn œ œœ œ œ œœœ œn œœœœœœœœ

Jœœ ‰ Œ œ ‰ ‰œ

simile

simile

Ó . œ

.˙ ‰ Jœ

Ó . œ

œ! œ! œ! œ! œ! œ! œ! œœ

œ! œ! œ! œ! œ! œ! œ! œœ

œ Œ Œ . Jœ

œ Ó .

œœœœœ œœœœœœ œœœœœœ œœœœœœ œjœ ‰ Œ Ó

jœ ‰ Œ Ó

∑œ œ œ œ

w

œ œ œ œ

œ! œ! œ! œ! œ! œ! œ!œœ

œ! œ! œ! œ! œ! œ! œ! œœ

œ Ó .œ Ó .

œœ œœœ œ œœ œœœ œ œœœ œœ œœœœœœœ

Jœ ‰ Œ Ó

28

II. Lux in Tenebris

Page 8: 1. Illuminare Small Orch

&

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ã

ã

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&

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&

&

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?

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&?

?

b

b

b

b

b

b

b

b

b

b

b

b

b

b

b

b

Fl.

Ob.

Hn.

Perc. 1

Perc. 2

S.A.

T.B.

Vln. I

Vln. II

Vla.

Vc.

D.B.

Hp.

Org.

7 ∑˙ ˙

∑˙ .œ Jœ

˙ ˙

œn ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œn!

œ! œ œœ Œ .œ Jœœ

Œ .œ Jœ

œœn œ œ œ œœ œ œ œ œœ œ œ œ œœ œœ œœ

Jœœ ‰ Œ œ ‰ ‰ œ

˙ Œ œ

Ó . œ

.˙œœ

˙ Œ œ

œ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œ! œ! œ œ

œ Œ Œ œ

œ Œ Œ œ

œœ œ œœ œ œœ œ œœ œ œœ œ œœ œ œœ œ œ

jœ ‰ Œ Œ œ

jœ ‰ Œ Œ œ

arco

arco

F

F

P

RH poco staccato

LH and Pedal, legato

.œ Jœ œ œ

˙ ˙

˙ ˙

.œ Jœ œ œ

œ! œ! œ! œ! œ! œ! œ! œ œ

œ! œ! œ! œ! œ! œ! œ! œ œ

˙ ˙

˙ ˙

œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ˙ ˙

˙ ˙

∑œ ˙ œ

w

∑˙ ˙

œ ˙ œ

œ! œ! œ! œ! œ! œ! œ! œ œ

œ! œ! œ! œ!œ! œ! œ! œ œ

˙ ˙˙ ˙

œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œœ œ

˙ ...œœœ ‰

w

∑.˙ œ

w

˙ œœ œ

.˙ œ

œ! œ! œ! œ! œ! œ! œ! œ œœ! œ! œ! œ! œ! œ! œ! œ œ

˙ œ œ˙

w

œœ œ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ

..˙ œœ

w

∑˙ ˙

œ# œ ˙

∑œœœn œ ˙

˙ ˙

œn ! œ! œ! œ! œ! œ! œ!œ œœ! œ! œ! œ! œ! œn! œ! œ œ

œn œ ˙w

w

œn œ œ œ œ œ œ œ œ œ œ œ œ œ œœn œ ˙w

w

29

Page 9: 1. Illuminare Small Orch

&&

&

&?

&

&

V

?

&

&

B

?

?

&?

?

bbbb

bbbb

bbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Flute

Oboe

Horn in F

Soprano

Alto

Tenor

Bass

Violin I

Violin II

Viola

Cello

Double Bass

Harp

Organ

w∑

.œ Jœ œ ŒE ven

∑.œ Jœ œ ŒE ven

..œœ≤ jœœ œœ Œ

w

.œ≤ jœ œ Œ

.œ≤ Jœ œ Œ

w.œ Jœœ œœ Œ..œœ Jœœ œœ Œ

Dolce espressivo e molto rubato; never hurried q = c 60-69

Dolce espressivo e molto rubato; never hurried q = c 60-69

Dolce espressivo e molto rubato; never hurried q = c 60-69

p

p

p

p

π*Optional: choir may sing, almost imperceptibly, with organ/strings, mm. 1-6.

π

sul tasto

sul tasto

sul tasto

sul tasto

Strings, not choir, should be prominent, mm. 1-6

(sounding fromprevious movement)

p

Mm. 1-6 are optional for choir; mm. 7-39 are optional doubling for organ or strings, although a cappella is preferred. Note that solo cello always plays mm. 20-39, whether or not the optional organ doubling is used.

œ Œ Ó∑

.œ jœ œ ŒAf ter,

Óœ œ

All this

.œ Jœ œ ŒAf ter,

.œ≥ jœ œ Œ.˙

˙ œ œ

.œ≥ jœ œ Œ

.œ≥ Jœ œ Œ

˙ œ œ.œ Jœœ..œœ Jœœ œœ Œ

πsimile

∑∑

.œ Jœ œ ŒE ven

wtime

.œ Jœ œ ŒE ven

.œ Jœ œ ŒE ven

..œœ≤ jœœ œœ Œ

w

.œ≤ jœ œ Œ

.œ≤ Jœ œ Œ

w.œ Jœœ œœ Œ..œœ Jœœ œœ Œ

simile

simile

∑∑

.œ jœ œ ŒAf ter

œ Œœ œ

All this

.œ Jœ œ ŒAf ter

.œ jœ œ ŒAf ter

.œ≥ jœ œ Œ.˙

œ Œ œ œ

.œ≥ jœ œ Œ

.œ≥ Jœ œ Œ

œ Œ œœ œ..œœ Jœ..œœ Jœœ œœ Œ

∑∑

.œ jœ ˙All this

wtime

.œ Jœ ˙All this

.œ Jœ ˙All this

.œ Jœ ˙All this

.œ≤ jœ ˙

w

.œ≤ jœ ˙

.œ≤ Jœ ˙

wŒ . Jœœ ˙..œœ Jœœ ˙

rit.

rit.

rit.

∑∑

.˙U ŒU

time

.˙U ŒU

.˙time

..˙U ŒU

time

.U ŒU

time

..˙˙U≥ ŒU

.˙U ŒU

.˙U≥ ŒU

.U≥ ŒU

wU..˙u Œu..˙U ŒU

-

-

-

-

-

-

-

-

-

-

58

III. The Sun Never Saysto Addy

Page 10: 1. Illuminare Small Orch

&

&

&

&

?

&

&

V

?

&

&

B

?

?

&?

?

bbbb

bbbb

bbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

bbbb

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Fl.

Ob.

Hn.

S.

A.

T.

B.

Vln. I

Vln. II

Vla.

Vc.

D.B.

Hp.

Org.

7 ∑

wE

œ .˙E ven

.˙ œE

wE

w

œ .˙

.˙ œ

w

œ ..˙.˙ œœ

a tempo

a tempo

a tempo

p

p

p

p

espressivo colla voce

espressivo colla voce

espressivo colla voce

espressivo colla voce

Mm. 7-39 optional, if needed for choir support

Mm. 7-39 optional, if needed for choir support

Mm. 7-39 optional, if needed for choir support

Mm. 7-40 optional, if needed for choir support

p

p

p

p

gently, with wonder

gently, with wonder

gently, with wonder

gently, with wonder

p espressivo colla voce

˙ œven

œ œ œven

˙ œven

˙ œ

œ œ œ

˙ œ-

˙ œœ œ œ.˙

.œ Jœ œAf ter

˙ œAf

.˙Af

.˙Af

.œ Jœ œ

˙ Œ

Œ Œ œ

.œ jœ œ.˙

..˙

˙ œter

˙ œter

œ œ œter

œ ˙

˙ œ

œ œ œ

.˙ .˙

.œ œ œ

Œ ˙All

.˙All

.˙All

.˙All

Œ ˙

Œ ˙.˙..˙

œ ˙this

.˙this

.˙this

.˙this

œ ˙

œ ˙.˙..˙

Ó œtime

.time

.˙time

˙ œ

.˙time

Ó œ-

.˙ œ

Óœ.˙

˙ œœœ

˙ Œ

˙ Œ

˙˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ˙

˙ Œ

˙ Œ˙˙˙˙ Œ

-

-

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59

Page 11: 1. Illuminare Small Orch

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4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

Flute

Oboe

Horn in F

Percussion 1

Percussion 2

SopranoAlto

TenorBass

Violin I

Violin II

Viola

Cello

Double Bass

Harp

Organ

œœ

°

œœœœ œœ

œœ

œœ œœ

œ

œ œœ œœ

w

˙

˙ ˙

˙

∑œ( )

O

w

∑∑

w

Vibe, motor off, medium/hard mallets

With great joy q = c 80-88

With great joy q = c 80-88

With great joy q = c 80-88

P lightly; sparkling

Sus. Cym. (stick or tgl beater, near the edge)L.V.

P

p (bow freely)

ad lib. for resonance/sustain, but maintain harmonic clarity

F

(no rolls)

π

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œœ œ

œ

œ

œ

˙

˙ ˙

˙

∑œ( )

O

˙ O

˙

∑∑

˙

˙

œœ œœ

œœ œœ

œœ

œœ œœ

œ

œ œœ œœ

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

w

w

w

>

w

w

œ( )

O

w

O

w

∑∑

w

w

*Anytime vibe has more than two notes, lower RH note is optional, if omitting it helps ensure that top note melody receives proper emphasis.

L.V.

p (bow freely)

f

œœ œ œœ œ œ œ œ

œ

œ œ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

w

w

>

w

w

O

w

O

w

∑∑

w

w

67

IV. Gloria in Excelsis

Page 12: 1. Illuminare Small Orch

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Fl.

Ob.

Hn.

Perc. 1

Perc. 2

S.A.

T.B.

Vln. I

Vln. II

Vla.

Vc.

D.B.

Hp.

Org.

5 ∑

œœ œœ

œœ œœ

œœ

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w

w

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>

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w

>

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O

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O

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( )

( )

O

w

O

w

wo

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˙

œ

œ

œœ

œœ

w

w

Glock.

P

p (sul G; shown as sounding pitch)

(div.)

p

œ œ œ œ œ œ œ

œ

œ œ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

œœ

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w

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.

O

˙Œ

O

w

O

w

wo

w

w

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>

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˙

O

œ

O

œ

O

œ

O

w

O

w

w

w

o

˙

˙

œ

œ

œ

œ

œ

œ

w

w

(div., sul G and D; shown as sounding pitches)

œ

œ œ

œ

œœ œ

œ

œ

œœ

œ œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

œ

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œ

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œ

œ

œ

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w

w

>

w

w

w

>

w

w

>

œ( )

.

.

O

˙Œ

O

w

O

w

w

w

o

w

w

w

w

œ

°

œ œ

œ

œœ œ œ

œ

°

œ

œ

œœ

œ œ

œ

œœ

œ

œ

œ

œ

œ

œ

œ

œ

œ œ

œ

w

œ( )

œ( )

.

.

O

˙ O

œ

w

w

˙˙

w

.

.

˙

˙ œ

œ

www

68

Page 13: 1. Illuminare Small Orch

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&?

?

bbb

bbb

bb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbb

bbbbbb

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

22

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

Flute

Oboe

Horn in F

Percussion 1

Percussion 2

S. Solo

T. Solo

Violin I

Violin II

Viola

Cello

Double Bass

Harp

Organ

≤ ˙≤ ˙ww≤˙ ˙˙≤ ˙

˙ ˙w˙ ˙

Slowly unfolding, con molto rubato h = c. 32-38

Slowly unfolding, con molto rubato h = c. 32-38

Slowly unfolding, con molto rubato h = c. 32-38each two-bar phrase should push and pull

each two-bar phrase should push and pull

each two-bar phrase should push and pull

each two-bar phrase should push and pull

P

P

P

P

P

.˙ Œ

.˙ Œ.˙.˙ Œ.˙..˙ Œ

.˙ Œ

..˙˙ Œ

.˙ Œ

.˙ Œ

p

˙ ˙

˙ ˙

˙ ˙

˙ ˙

≤ ˙

˙ ˙˙ ˙

˙ ˙

Peach two-bar phrase should push and pull

.˙ Œ

.˙ Œ

.˙ Œ

..˙ Œ

.˙ Œ

...˙˙˙ Œ

.˙ Œ

.˙ Œ

˙ ˙

˙ ˙

˙ ˙˙ ˙

˙˙ ˙

˙ ˙w˙ ˙

˙ ˙

.˙ œ

.˙ œ.˙ œ

..˙ Œ

.

.˙˙ Œ

.˙ Œ

..˙ œ

.˙ Œ

.˙ Œ

˙ ˙

w

˙ ˙˙ ˙

˙ ˙

˙ ˙˙˙ ˙

˙ ˙

.˙ œ

˙ ˙w

www

w

˙ œ œœ˙ww

w

˙ ˙

˙ ˙

˙ ˙wwww

˙ ˙˙˙˙ ˙

w

93

V. Creator of the Stars of Night

Page 14: 1. Illuminare Small Orch

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bbb

bbb

bb

bbb

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bbb

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bbbbbb

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

Fl.

Ob.

Hn.

Perc. 1

Perc. 2

S. Solo

T. Solo

Vln. I

Vln. II

Vla.

Vc.

D.B.

Hp.

Org.

10 ∑

Ó Ó ˙Cre

.w

.w

.w .w

..ww

...www

..ww

A

A

A

pTENOR SOLO

œ œ œ œ œ œa tor of the stars of

.w

.˙ œ ˙.w.w .˙ œ ˙

.w .˙ œ ˙

.w.˙ œ ˙

.w.˙ œœœ ˙˙˙

p

p

p

p

espressivo; each two-bar phrase should push and pullshape phrases according to melodic contour, not metric accent

P

Ó ˙ ˙

w Œ œnight, Thy

˙ ˙ ˙

.w .w˙ ˙ ˙˙ ˙ ˙

˙ ˙ ˙.w

œ Œ - -.w...www

pgently, espress.

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.˙ œ ˙.w.w .w

w ˙w œ œ

.w.˙ œ ˙www œ œ

Ó ˙ ˙

Ó Ó Œ œO

w Œ œLight, O

˙ ˙ ˙

.w .w˙ ˙ ˙w ˙

˙ ˙ ˙.w

œ Œ - -.w

www

PSOPRANO OR ALTO SOLO

pgently, espress.

w Ó

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œ- œ œ œ œ œChrist, Thou Sav ior of us

.w

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.w .ww œ œw œ œ

...www

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-

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94