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1 Chapter 20 Piety, Passion, and Politics: 15 th Century Art in Northern Europe and Spain Gardner’s Art Through the Ages,

1 Chapter 20 Piety, Passion, and Politics: 15 th Century Art in Northern Europe and Spain Gardner ’ s Art Through the Ages,

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Page 1: 1 Chapter 20 Piety, Passion, and Politics: 15 th Century Art in Northern Europe and Spain Gardner ’ s Art Through the Ages,

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Chapter 20Piety, Passion, and Politics:

15th Century Art in Northern Europe and Spain

Gardner’s Art Through the Ages,

Page 2: 1 Chapter 20 Piety, Passion, and Politics: 15 th Century Art in Northern Europe and Spain Gardner ’ s Art Through the Ages,

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Figure 20-1 Limbourg brothers (Pol, Hennequin, Herman), May, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on vellum, approx. 8 1/2" x 5 1/2". Musée Condé, Chantilly.

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Figure 20-1 Limbourg brothers (Pol, Hennequin, Herman), January (left), October (right), from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on vellum, approx. 8 1/2" x 5 1/2". Musée Condé, Chantilly.

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Figure 20-2 CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395–1406. Limestone with traces of paint, figures approx. 6’ high.

15th Century Flemish Art – The Burgundian Netherlands

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Figure 20-4 JAN VAN EYCK, Ghent Altarpiece (closed), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, approx. 11’ 6" x 7’ 6".

Page 6: 1 Chapter 20 Piety, Passion, and Politics: 15 th Century Art in Northern Europe and Spain Gardner ’ s Art Through the Ages,

6Figure 20-5 JAN VAN EYCK, Ghent Altarpiece (open), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, approx. 11’ 6" x 15’.

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Figure 20-6 ROGIER VAN DER WEYDEN, Deposition, from Notre-Dame hors-les-murs, Louvain, Belgium, ca. 1435. Oil on wood, approx. 7’ 3" x 8’ 7". Museo del Prado, Madrid.

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Figure 20-7 ROGIER VAN DER WEYDEN, Last Judgment Altarpiece (open), Hôtel-Dieu, Beaune, France, ca. 1444–1448. Panel, 7’ 4 5/8” x 17’ 11”. Musée de l’Hôtel-Dieu, Beaune.

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Figure 20-8 DIRK BOUTS, Last Supper (central panel of the Altarpiece of the Holy Sacrament), Saint Peter’s, Louvain, Belgium, 1464–1468. Oil on wood, approx. 6’ x 5’.

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Figure 20-9 HUGO VAN DER GOES, Portinari Altarpiece (open), from Sant’Egidio, Florence, Italy, ca. 1476. Tempera and oil on wood, 8’ 3 1/2" x 10’ (center panel), 8’ 3 1/2" x 4’ 7 1/2" (each wing). Galleria degli Uffizi, Florence.

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Figure 20-10 HANS MENLING, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan, Bruges, Belgium, 1479. Oil on wood, approx. 5’ 7 3/4" x 5’ 7 3/4" (center panel), 5’ 7 3/4" x 2’ 7 1/8" (each wing).

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Figure 20-11 ROBERT CAMPIN (Master of Flémalle), Mérode Altarpiece (open), The Annunciation (center panel), ca. 1425–1428. Oil on wood, center panel approx. 2’ 1” x 2’ 1”. Metropolitan Museum of Art, New York (The Cloisters Collection, 1956).

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Figure 20-12 JAN VAN EYCK, Giovanni Arnolfini and His Bride, 1434. Oil on wood, approx. 2’ 8" x 1’ 11 1/2". National Gallery, London.

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Figure 20-15 JAN VAN EYCK, Man in a Red Turban, 1433. Oil on wood, approx. 10 1/4" x 7 1/2". National Gallery, London.

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Figure 20-17 HIERONYMUS BOSCH, Garden of Earthly Delights. Creation of Eve (left wing), Garden of Earthly Delights (central panel), Hell (right wing), 1505–1510. Oil on wood, center panel 7 ’ 2 5/8" x 6’ 4 3/4". Museo del Prado, Madrid.

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Figure 20-20 STEPHAN LOCHNER, Madonna in the Rose Garden, ca. 1430–1435. Tempera on wood, approx. 1’ 8" x 1’ 4". Wallraf-Richartz Museum, Cologne.

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Figure 20-26 MARTIN SCHONGAUER, Saint Anthony Tormented by Demons, ca. 1480–1490. Engraving, approx. 1’ 1" x 11". Metropolitan Museum of Art, New York (Rogers Fund, 1920).