States views on sci-fi

Roddenberry comes to Hope by Bill Geary

"In writing Star Trek, I in-corporated my feelings about social issues including Vietnam. I wanted every story to have a relevance to the viewing audi-ence." Speaking on questions regarding his influence as a writer, Gene Roddenberry addressed a small press conference at the Alumni House on Tuesday even-ing, giving the press a clue as to the intimacies of good science fiction writing.

"I think one reason why the character of Mr. Spock has be-come so popular to people, especially women, is • his cool manner and logical insight," Rod-denberry said. "I felt, while writing him up as a character, how people themselves sometimes feel alienated from each other-living mechanically while ignoring our human emotional side as Mr. Spock does."

Roddenberry went on to say that the stories were written with the intention of involving the viewer in the action, making the story as intriguing as possible. "I don't feel a lot of special effects are necessary to make a good Sci-Fi story," said Roddenberry. "It is important, however, for the action to be centered on a good story; you have to have that first."

While Roddenberry was hesi-tant to make criticisms of Space, 1999, he stated, "I feel the character development is still a bit shallow. The relationship of the characters to each other could be

explored in more detail also." Roddenberry spoke of William

Shatner, the actor who played Capt. Kirk in the series, with true admiration. "Bill is a bright guy and a fine actor," said Rodden-berry. "I found him a pleasure to work with and we still keep in touch. I get together with the cast once in a while and we have a great time."

Roddenberry mentioned the enjoyment he had in watching the series being made and how every-one tried to cover up mistakes during filming. "Bill (Shatner) is pretty clever and h^ could ad-lib quite well on a number of occasions as long as we could keep from laughing," said Roddenberry with a nostalgic grin.

Roddenberry speaks of himself as a quiet man who enjoys reading books. "I'm pretty idealistic and I've always enjoyed writing," said Roddenberry. "I 'm content to

spend the evening reading a good book, maybe too content." In addressing the Hope students at his appearance at the Hope theater Tuesday night, Rodden-berry said, "A writer has the ability to make statements known to people."

He pointed out in his speech that it was his hope that the dynamic communication net-works we now have, especially the mass media, would be a positive influence in our society and bring us closer to more peaceful rela-tions with the rest of the world. "I can foresee a time," Rodden-berry said, "when we will venture into space newly hatched from life on this planet. I believe this is our final journey."

The evening's -festivities in-cluded a bloopers film of humorous mistakes made during the filming of the series and the original pilot film for the show.

LIVE LONG AND PROSPER—Gene Roddenberry, a film of Star Trek Bloopers and the original, never aired, pilot episode attracted an overflowing audience to the DeWitt Theater.

| o p e C D I I G P G anchor lolland. mit michiqan

Volume 88-2*3 Hope College, Holland, Michigan 49423 April 10,1976

Hails from NYC

Duncan to be guest dancer

DANCE II THE MUSIC—A dance concert will be presented in DeWitt Student Center on April 9 and 10.

Jeff Duncan, founder of New York's Dance Theater Workshop, will be guest artist choreographer and dancer for Dance II, a concert to be presented at the DeWitt Cultural Center on the Hope campus April 9 and 10.

When Duncan founded the Dance Theater Workshop (DTW) in 1965 he was already a young artist of vast experience. He had studied dance technique with such artists as Alwin Nikolais, Jose Limon, Anna Sololow, Robert Joeffrey, Merce Cunningham and choreography with Doris Hum-phrey and Sololow. He met Sololow when he was an assis-tant to Humphrey and a char-ter member of the julliard Dance Ensemble. Sololow became a mentor and he performed with her company for 12 years, during which time he did television, Broadway shows, summer stock and began to choreograph.

During the last 10 years of

guiding the DTW, Duncan has served many roles-dancer, teacher, choreographer, producer, director and adminstrator. Through his efforts, this organiza-tion has been a base providing support and opportunity for numerous dancers and choreogra-phers. Since its founding, DTW has presented 531 different works by 166 different choreographers.

This season the DTW became the resident organization at American Theater Laboratory and the program continues to expand with such innovations as the Choreographers Showcase Series. A new DTW offspring is the Jeff Duncan Dance Repertory Com-pany which performed last Nov-ember. His "Winesburg Portraits" were highly acclaimed for their dance-theater concept and emo-tional approach to movement.

His other work includes exten-sive teaching in New York and at

many colleges on tour with the DTW company. Five of his dance works have been filmed by the Dance Collection of the Lincoln Center Library for their archives. In 1973 he was awarded a National Endowment for the Arts grant to create an evening of dance-theater.

Duncan will work on the Hope campus for one week prior to Dance II. He will perform a solo, Phases of the Oracle, premiered at the American Theater Laboratory in New York City last May. He will also choreograph a contempo-rary work, Contrasts-Holland Suite, with students in the Hope dance program.

Four other choreographers from the college, Maxine de Bruyn, Rich Rahn, Ed Riffel and Sandy Parker, will also present work. The Dance II concert will include modern, jazz, tap, ballet and contemporary selections.

Repiaces Huttar Reniassance, Rabbits Dean names Jellema chairman highlight SAC weekend

"That's what a chairman does: he makes sure the staff does its job, which is teaching," says Associate «Professor of English Dirk Jellema, recently appointed chairman of the English depart-ment He will assume his new responsibilities in August.

Jellema explained that the process for selecting the English department's chairman involves a questionnaire distributed by Dean for the Humanities Jacob Nyen-huis. "Each of us on the staff anonymously answers the three

questions, which deal with what qualities we feel a chairman should have, what we feel the English department needs, and a list of staff members eligible for the position," said Jellema.

The results of this question-naire are then copied and dis-tributed to the English depart-ment. Later, the dean interviews English staff members, draws up a list of candidates (in this case, four), and then makes the ap-pointment.

Dr. Charles Huttar will resign

as department chairman, the posi-tion he has held for 5 years, when Jellema takes on the duties in August. Jellema commented that Huttar had served the department "very efficiently" during his term.

The chairman's responsibilities involve evaluation of staff mem-bers, promotions, pay raises and tenure. "I think that the chairman should also take initiative in suggesting changes, calling literary meetings and encouraging publica-tion," added Jellema.

The Social Activities Commit-tee is planning a different type of entertainment for the Pit and dance this weekend.

Friday night, Hope's Music Fraternity will be performing in the Pit. They wiU be playing "Renaissance Sounds" on record-ers, harpsichords and lutes. Other baroque music will also be per-formed. The show begins at 8 p.m. and admission is free.

The dance Friday night will feature Rabbits, a rhythm and blues group from Ann Arbor. The dance will be held in the DeWitt

ballroom at 10:00 p.m. and go until 1:00 a.m. Admission is $.50 with Hope I.D.

The movie this weekend is Chinatown, called the "most highly acclaimed film of 1974" by Tom Burke of the Rolling Stone. Chinatown stars Jack Nicholson who won an academy award this year for his role in One Flew Over the Cuckoo's Next. The movie will be shown in Winants at 7 and 9:30 p.m. on Friday and Satur-day. A special midnight showing wiU be seen on Friday. Admission is $1 with Hope I.D.

Two Hope College anchor April 10v 1976

Notes from out from under Holland by Rich Williams

As a former student at Hope I have that unique pleasure of being able to address you as one who now "knows", or as the sheepskin says "my favorite gnosis." How better to explain, then, my recent transformation from undergradu-ate to graduate siudent, in a year of bicentennial pornography and the presidential frog races, (aw come on hippity-hoppity jump in or jump out!), then to ap-proach my current revelations ynth revivalistic fervor and politi-cal mechanismus.

Being Americans you will re-member that great debate be-tween the Republicans led by the stalwart, and shifty Hamilton who stood for the ruling elite, and Jefferson who led his motly crew of anarchists and French-sym-pathizers to pure \ democratic stands, (watch NET T.V.'s Adams Chronicles and you learn this stuff), and the end triumph of the Jeffersonians.

What you may not realize is the long and glorious tradition of this stream of thought which has been absent from the American scene for almost a half of a century. »

The word anarchist has v dropped from our language. Even

during the 'days of rage' and the Chicago riots the general scene was characterized by "anarchy" but nobody was accused of being an anarchist. A commie, a hippie faggot maybe, and heavens, some-times the invocation of SO-CIALIST was used summing up all the alien, degenerative elements that manifest themselves between the two chickens in every pot.

Jefferson's work and the orthodizers that followed are more remembered for the codi-fication of law, rightly or

wrongly, rather than his stance against the tyranny of the elite. He believed in the ruling of the 'people' in the full sense of that word

One of the few places the Jeffersonian format of democracy took root and is still essential in the fabric of the community is in New England, especially Vermont, where the Town Meeting gathers together the entire city and each person gives full reign to their oratory abilities on all the issues.

But New England has always been a hotbed of radicalism Just look at the collection of crazed individuals who took hold of the American conscience right after the revival of the Second Great Awakening in the early to mid 1800s. All of them exhibited tendencies of individualism, crea-tive imaginations, adventuresome spirits, and even took it upon themselves to read other coun-tries' literature, such as German Philosophers and Asian Mystics; absolutely seditionistic.

Some of them formed a secret club called the Transcendentalists. There were people like Thoreau who ran around in the woods with only the animals, or a guy named Emerson who had problems with and Oversoul that linked him with the universe.

Most of us never come in contact with men like this any-more. It's not part of the educational program on any level except on a peripheral basis like this article. What is ironic is that these people are fundamental to American thought but by today's standards are such that their ideas are labeled naivete or old fash-ioned and eliminated from our educational repertory digestion.

But where does this line of

thought take us today? Is there a platform, a party which represents the American Spirit of the past? Well, maybe you didn't ask that but I'm going to tell you anyway.

The Libertarian Party was formed four years ago in Colorado and included participants from right and left wing philosophies. Guy Riggs, a delegate to the recent Libertarian Party conven-tion, opened the meeting the first day with these words, "In your own self-interest you should deny the government the right to deny life and property to any individ-ual. These rights are part of the United States Constitution. Yet we have been led to believe that free men cannot be trusted to defend themselves, be moral, decent, or benevolent.

"No man can be your rightful boss without your permission. We must take the place of govern-ment as sovereign individuals. Get rid of justice for s o m e . . . com-plete the noble experiment, and tell government that it can en-force laws, assess the penalties, but it can't call the plays! And I've been yelling since we first commenced it; I'm against it."

Those are the key words that characterize, this coalition of American idealism, of intellec-tuals, flag wavers, ex-radicals, constitutionalists, anarchists, and deserters from the sacrosanct two party system; ask them a question on an issue of government inter-vention and the Libertarians will tell you, "I 'm against it ." What they are for is that each person, "has the right to exercise sole dominion over his or her prop-erty, liberty and life so long as, the individual does not interfere or harm others." But lets look at a brief outline of their platform

DAY AND EVENING ^ 1976 SUMMER SCHOOL A P P L I C A T I O N S

A r e Now Being A c c e p t e d By

GRAND RAPIDS JUNIOR C O L L E G E (North C e n t r a l A c c r e d i t a t i o n )

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C l a s s e s run 3, 4, o r 5 m o r n i n g s f o r seven w e e k s , June 14 •to July 30. Evening c l a s s e s run twc^nights p e r week . G u e s t

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P l e a s e send m e s u m m e r school i n f o r m a t i o n :

N a m e A d d r e s s

City S ta te Z ip

Economics-repeal of price con-trols, subsidies, quotas and tariffs, the elimination of the postal department tumilig over the work to private companies, ending postal monopoly and government surveillance. Privitization of all energy concerns without the inter-ference of the F.E.A.

The establishment of strong laws for consumer protection, yet no interference by the govern-ment on voluntary trtde, such as self-protection statutes, adver-tising price laws, and regulation of consumer goods. Finally, no land use legislation or zoning, or purchase of development rights with tax monies.

Health, Education, and Wel-fare-all compulsory education laws will end, along with govern-ment regulation, operation and subsidy of the school system All tax supported health services will be eliminated as well as regulation of the medical industry. All poverty programs will be elimi-nated as well as repealing protec-tive legislation against women and child labor.

Foreign Policy-All tax sup-ported overseas policies, claims on the ocean, American military presence, and American involve-ment in the World Bank and Intemationar Monetary Fund would be eliminated as well as all alliances. The United States would leave the U.N. and the U.N. would be asked to leave the U.S., all foreign territories would be freed, including Puerto Rico.

Civil Rights-there will be no draft, no censorship, no secret police agencies, (CIA, NSA, FBI), no restrictions on communication facilities. Religious freedom is guaranteed but in no way will interfere with the government or laws. There will be ho more victimless crimes, prostitution, gambling, drugs and sex between consenting adults will be legal.

"There are two aims to the party platform: It breaks down the bureaucracy of big govern-ment, ending the grindiilg ineffi-ciency and corruption which limits personal freedoms and causes inflation, and the tax burden is lifted from the individ-ual and placed on manifold competing agencies."

Now maybe this at first sounds radical, but think about it for a minuted Isn't destruction of the big government syndrome what every politician and what the masses want today. How else are you going to accomplish it but by eliminating the FCC, FDA,. CIA, AMA, etc.

The conservatives say down on big business but propose legisla-tion to protect corporate mono-

polies. The liberals are developing the Social Welfare State, rash equalitarianism, when any person who's read Marx and knows socialism's first tenent is over-abundance of resources. I still see us totally dependent on interna-tional trade to buoy our Socialist/ Democracy; there's no over-abundance here!

Can Libertarians win? Well, the two party system is finally crumb-ling and there are already six elected Libertarians in office across the country today. In N.J. alone there are 10 candidates for Congress and slates in more than thirty other states. There is even a presidential candidate this year. Roger MacBride running for the presidency has a long list of political involvements. But besides his unimpressive campaign coffers, he has gained recognition as a viable alternative from such publi-cations as Newsweek and The Christian Science Monitor, to the political somnambulesence of 1976. Four years of Jerry Ford? Even worse four years of the closet racist Jimmy Carter or the scoopless Scoop Jackson? 1 mean how much more can you stand?

Did 1 wet your appetite for the Libertarian party? No, huh^ Still don't believe the American Revolution was a real revolution, just another commie plot? Can't get you to vote for individual freedom? Well that's okay, I have trouble living in the past, and I've never had trust in third parties so I've been working for Mo Udall. Don't get me wrong, some of my best friends are Libertarians.

Hsu presents senior recital

Pianist Johnson Hsu will present a senior recital Monday at 8 p.m. in Wichers auditorium of the Nykerk Hall of Music.

Hsu is an international student from Kelang, Selangor, Malaysia. A music performance major, he studies with Dr. Anthony Kooiker.

Hsu is a member of the Chapel Choir, and has been invited to speak to area churches and groups through the International Educa-tion Office.

He will perform works by Bach, Schubert,. Liszt and the American composer Edward MacDowell.

Start treating your brothers and sisters like

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April 10,1976 Hope Collage anchor Thraa

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I m -

$74,150 for IDS courses

Lilly awards grant to Hope Hope has been awarded a

$74,150 grant by the Lilly En-dowment, Inc. for faculty devel-opment in interdisciplinary teach-ing, according to President Gordon Van Wylen.

The grant will allow the college to give clearer definition to the goals, patterns and procedures of the senior seminar requirement of the curriculum.

"Faculty preparation for teach-ing Senior Seminars make com plex demands," noted Provost David Marker. "Teachers are ex-pected to deal effectively with the goals of liberal education, models and methods for formulating a philosophy of life, human values and education, and with contem-porary problems. Few college

POLITICAL HUMOR-Art Buchwald, columnist for tha anchor and a faculty members are prepared for few other papers, visited Hope yesterday continuing to find humor in ^o wide a range of interdisci-a topic that some people take very seriously. plinary teaching. This grant will

enable us to make substantial progress in a number of areas."

The grant will allow Hope to undertake a two-year project aimed at bringing to campus eminent teachers and scholars who have demonstrated special insight and ability in the interdis-ciplinary exploration of values.

The project will include sum-mer workshops in 1976 and 1977 in which visiting teacher-scholars will introduce current problems and issues in an interdisciplinary

perspective. During the workshops faculty members will discuss and refine goals, plan course content and establish standards and meth-ods for evaluation.

"This program promises to give impetus to the professional de-velopment of the participating faculty members and through

them to influence both the spirit and content of many courses and research programs at the college," said Dean Lars Granberg who will direct the program.

SigmaXi holds annual symposium today

Conference scheduled

Focus on bilingual education Special emphasis on a "Latino

Focus on Bilingual Education" will highlight a Second Annual Conference on Michigan Educa-tion to be - held in HoUand tomorrow.

The all-day regional conference from 9 a.m. to 4:30 p.m. in the Lincoln Elementary School J s co-sponsored ..by the Michigan Department of Education, local Committees for Regional Bilingual Conferences in Holland, Muske-gon and Grand Rapids, and Grand Valley State Colleges.

Program of the conference will include 9 a.m. registration; 9:45 lecture by a state team of officials to explain Public Act 294, related to bilingual education; two drama presentations, one of bilingualism in the family setting and the second dealing with role playing of Anglo and Latino people in a community context.

The program continues after a noon luncheon, sponsored by the Latin Americans United for Pro-gress organization of Holland. Events during the afternoon ses-sion will include a 1 p.m. panel discussion on bilingual education presented by state legislators and community officials, and a 2 p.m. workshop and discussion on com-munity involvement in bilingual education.

Also included in the program will be a discussion by representa-

tives from each sponsoring com-munity, and one official invited by the state from both GVSC and Hope College.

Interested individuals from the community are invited to contact

the following for further details: Leo Hernandez, 156 E. Fulton, Grand Rapids, telephone 456-7920; Mrs. Christine Manker,

director of bilingual education, Holland Public Schools, 633 Apple Ave., 392-6362; Mrs. Dora VinPortFliet, 156 E. Fulton, Grand Rapids, 45607920; Alicia Sanchez, c/o Centro Latino, Inc., 829 Marquette Ave., Muskegon, 777-2502; and Sam Saolivan, 315 Skylark Court, j Holland, 396-4007.

The Fifth Annual Sigma Xi Student Research Symposium is being held today from 12:30 -6:30 p.m. in Room 27 of the Peale Science Center. This meet-ing provides an opporutnity for Hope's science students to present papers describing their current research activities.

Many of the Hope science faculty have worked closely with the students in their investiga-tions, some of which are inter-disciplinary projects. A number of the studies likely will appear as future publications in leading scientific journals.

At the meeting Bonnie Baird, 4 Sally Brennan, Elaine Faustman,

Mark Lange, Brent Upchurch and

David Van Appledom will present their work in biology. The chemis-try department will be repre-sented by Eric Endean, James Lemmen, Charles McOsker, Jona-than Rich and JoAnn Whitefleet.

Judy Kammeraad, James Martin and Scott Wissink will discuss their research in physics. Susan Shepley will represent the geology department and Mark Anderson will discuss topics in psychology.

This year's Symposium co-ordinator, Dr. Barbara Barker, assistant professor of chemistry, encourages all interested individ-uals to attend the meeting. After each presentation there will be a brief discussion period.

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Fried rich awarded research grant

WARM WEATHER IS HERE SO COME ON DOWN TO OUR JUNIOR UNDERGROUND

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Dr. Donald Friedrich, assistant professor of chemistry, has been awarded a $9,000 starter grant by the American Chemical Society and Petroleum Research Fund.

Friedrich's research relates to the area of laser spectroscopy of organic molecules. Research will begin this summer with construc-tion of a computer-controlled laser apparatus which will measure the shapes of electron clouds and molecular vibrations in important organic compounds.

With the lasers Friedrich hopes

^to be able to determine certain chemical properties which have been inaccessible to traditional methods of spectroscopy.

The grant provides for research stipends for two students for each of the three summer study periods.!

BUNTE'S PHARMACY COSMETICS 54 East 8th St.

Registration for May Term slated

May Term registration will occur during the week of April 12-16 simultaneously with Fall semester registration. Students should be aware that dual registra-tion is occurring and not be confused. Each registration re-quires a separate program slip signed by an advisor. Help with the May Term and questions about it can be answered at the Records Office in Van Raalte Hall or from Dr. Williams at 2237.

Late registration for the May Term can be accommodated at die Records Office.

A class , list with May Term announcements and details is available in the Kletz, Van Raalte Hall and at the registration center in | he Physics Math basement

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Four

Take a stand Ho|W Collag* Mdior

fester

April 10# 1976

There seems to be an unhealthy attitude of disinterest on campus. There is little on most peoples minds; few issues which ignite a spark of interest. But there are a number of topics on campus which students should make their concern. Especially during a period of student congress election, students need to be aware of issues facing the campus next year.

comments v

Title IX, because of the complications and confusions it has and will cause, should be a key concern for all of the Hope community. If nothing else, a clear understanding of all its implications is needed. Will every dorm have to be co-ed? Will fraternities lose their houses? Sexual equality challenges traditional standards of equality's relationship with freedom. The HEW guidelike needs to be explored to make sure all of its intended benefits are realized and all of its potential difficulties are resolved.

The core curriculum, although an issue for many years, is still alive and causing some problems. Currently, the school seems to be in a bind between feasibility within the core and maintaining a specific program meeting specific goals. Students should decide where they stand on the core. Whether they want it rigid or flexible, they should make their wishes known. In the past four years students seem to have taken whatever is offered to them. It's time they use their opportunity to help develop the policies that will affect their educa-tional future.

Grade inflation is a problem that needs to be eradicated as quickly as possible. As

grades get higher and higher, the student, the college and American education all suffer. Students should have a vital interest in the kind of evaluations they receive for their time and money.

In a separate category, but equally important to Hope, is the role of tradition on campus. For years, much of Hope's strength has lain in the school's strong traditions and sense of a continuing community. In the past few years that appears to have begun to change. Criticism of the Pull increases every year, this year's Winter Carnival was marred by immature acts of vandalism, homecoming has become an event for alumni rather than students. Hope students need to reassess their attitude toward the school's traditional activities. They need to decide if those activities are worthwhile and if so, they need to show a greater willingness to participate. Without intending to criticize SAC, which does an excellent job, there should be less committee and more spontaneous campus-wide involvement in social activities.

Along with a reassessment of traditional activities, a reassessment of tradition values is called for. The character of the Hope student body has changed drastically since the college's inception. Part of that is natural, the times themselves have changed, but part of it represents a real shift in accepted values. Students should make up their minds on what kind of role they believe Hope should play. Hope's relation-ship to Christianity, social issues and political events needs to be clearly defmc-d and students need to participate in the contribution to that definition.

It's clear that active student participa-tion is still a vital necessity to the functioning of a college. One of those areas of participation is in student government. This isn't necessarily a call for all students to run for office, but it is a call for students to make up their minds on the issues that face Hope in the future and to choose and support candidates who will represent their views.

fa/p fester a/ory -the /'iera./ arts road -to /)Qpf>fness and -fu I'pillment.

a t 5

L r L H

h

0 %

Letters

Ask students to run If you have some ideas on how to

improve Hope College, then you should run for a Student Body office. For the welfare of the students and the college, students who care and are concerned should get involved.

your comments

Being a Student Body officer provides a unique opportunity for involvement. As an officer, you will become a part of the planning and governing structure of the college. Your participation will involve contact with administrators, professors, members of the Board of Trustees and individuals of national distinction.

As the national Congressional and Presidential election date approaches, you may be contacted by candidates for-major political posts. (I already have been approached by a senatorial candidate.) As a student and as a potential candidate, you should know that a salary of $100 to $200 is paid to each of the three officers.

Letter policy The anchor welcomes letters from all

interested persons. All letters received will be printed, providing space permits and the letter is not judged by the staff to be libelous.

No consideration will be given to unsigned letters, but names will be withheld upon request. Letters should be submitted to the anchor office, located in the basement of Graves Hall before 7 p.m. on Wednesday.

art buchwald

Nixon was right

If you desire to develop your adminis-trative talent and at the same fca feel you are * representative of the Student Body, then this may .be the opportunity for which you have been waiting.

Running for office should not be looked upon as a time of embarrassment or defamation. Rather it should be regarded

as a time when candidates and the electorate conscientiously evaluate the past and the future of their community. Whether you win or lose, running for office is truly a learning experience. '

If you have any questions about running for a Student Body office, please contact me immediately.

Jim Donkersloot Student Body President

WASHINGTON-Not all the revelations and mentally say to myself, "This bum in the Woodward and Bernstein version of 1 wouldn't know a Chateau Mouton Roths-Nixon's last 100 days are unsympathetic to child from a bottle of Manischewitz. him. For example, one thing that struck As the years went by my wine became me was an item that the former President more valuable, but harder to 0 P e n - M y was a wine buff and preferred a very biggest fear was that if I served abottle of expensive Chateau Margaux. When he went it and my guests made no comment cruising on his yacht Sequoia he instructed would go berserk and scream at them, , Do his stewards to serve him the Margaux you damn fools realize you re drinking an wrapped in a towel to obscure the label, bottle of wine? My second fear was while they served his guests on board a that there would be some guests who cheap vintage Bordeaux. would recognize it for what it was, and

Some might think that Mr. Nixon was become so enthused I d have to open a being petty, but anyone who knows the second bottle which would deplete my pleasures of a great wine like Chateau treasure. Margaux can appreciate why the former Once I was working on a television show President wouldn't want to waste it on the with an important Hollywood producer people he invited aboard the Sequoia. and wnter in my home. My wife fixed us a

I have always felt the same way about sandwich lunch. When we walked into the my good wine. Several years ago I was dining room I discovered to my horror that given as a gift by Baron Philippe she had opened one of the bottles of Rothschild a case of Chateau Mouton Mouton Rothschild. Rothschild 1955. The nectar at that time Without thinking I screamed at her, sold for about $40 a bottle. (The rule of "How could you open a bottle of Mouton my newspaper syndicate is that I cannot Rothschild for these bums? accept any gift that I can't eat or drink in The TV show went down the drain. 24 hours. Since I figured I could drink a I did open a bottle for my daughter's case of wine in 24 hours if I really tried, I 18th birthday, and another when a French never bothered to return it.) friend from Paris visited us. So that left me

But I didn't drink it. I stashed it away in nine bottles to count every night before I the cellar, carefully placing each bottle on went to sleep. its side with the labels face up so I could go Then the Vietnamese war riots started down at night and stare at my treasure. and all discipline broke down in the house.

The trouble with owning a case of rare Our children had turned rebellious and wine is that you don't know anybody nobody was talking to anybody. Strangers worthy of serving it to.

Every time someone came to the house for dinner I would greet him at the door

•••G c o l l e g G

a n c h c T r ••Hand, mit michigan

Under the authority of the Student Communications and Media Committee, the anchor is published weekly, except during vacation, holiday and examination periods, by and for the students of Hope College, Holland, Michigan. Subscription price: $8 per year. Member, the Assocrated Collegiate Press. Printed by the Composing Room, Grand Rapids, Michigan. Office located on ground floor of Graves Hall. Telephone 392-5111, extension 2285. The opinions on this page are not / necessarily those of the Hope College student body, faculty or administration.

Editor v Robert Eckert Subscriptions Manager .Tom Page Associate Editor Barbara Brown Critiques Editor Jim Lampert Assistant Editor Suzanne Watterson Reporters . . Barb Brainard, Samme Orwig, Copy Editor KenKutzleb Sports Editor .Mel Vandermolen Photography Editor Randy Putala Cartoonist Stoppels Business-Advertising John Van Zanten

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in blue jeans with beards and clenched fists kept walking in and out of the house; I forgot all about my wine cellar.

But one day in 1973 I went up to the attic to find a suitcase. I took a flashlight and as I was shining it around I saw a pile of glass in the corner of the attic. I went over to it. There were nine empty bottles with Chateau Mouton Rothschild labels lying on the floor. Apparently during one of my absences the flower children had had a wine party in the attic.

I let out a scream and my wife rushed upstairs. - She found me on my knees sobbing and pounding on the floor, "What have I done? What has happened?"

It's been three years, but I still haven't

gotten over it. Every once in a while I'll break down and say, "If I had only put a lock on the wine cellar door, I wouldn't be in the mess I am today."

So when I read about Mr. Nixon trying to protect his Chateau Margaux from his heathen guests, my heart went out to him. He could have shared it with them, but as he told John Dean in one of his taped conversations, "It would have been wrong."

(c) 1976, Los Angeles Times

4

April 10,1976 Hope College anchor. Five

Caution: acting can be hazardous to your health

I

]

Hope is between theater pro-ductions, so now is a good time to take a look with Kathy Cornell at the rigors of rehearsal

by Kathy Cornell No one had told me you could

get killed in this business. Oh, I'd received warnings of one kind or another from friends, family and others somehow concerned with my emotion,- moral and spiritual well-being: "The devil is on the stage." "Enter the theater and you'll enter a world of amoral-ity." "All those theater people do is party. Your grades will go to hell (not to mention your post-mortal destination!)" "It 's full of queers and fags. Your sex life will really get screwed (guffaw, guf-faw)". "It's just a collection of ego-maniacs. You wanna get that stuck on yourself?"

I cheerfully indexed -these pearls of wisdom under "mostly garbage" in my cranial file and galloped merrily on toward the footlights. Someone had forgotten to mention that my psyche was in the least danger. It was my body that was in for a beating. Had someone said, "You'll be injured, maimed and physically abused" I might have at least slowed my gallop to a trot long enough to contemplate the risks. I hate pain. I avoid it at most costs.

But no one mentioned pain. Except me, the day after my first scene presentation for acting class. Bandaged, bruised and hobbling, I mentioned pain to anyone who

was willing to listen and to a few could brilliantly remain "in the ^ w e r e n t—veteran actors who moment" and somehow incorpo-

turned away with a knowing rate my bleeding hand into the smirk or smiled benignly and script with some deft ad-libbing, changed the subject. But un- 3. I could continue as if nothing daunted, I sought, like the An- had happened and hope I cient Mariner, for listening ears, wouldn't lose too much blood Sympathetic and callous alike before we finished the scene. 4. I heard my tale of pain and could faint. su™ r*n9- ^ ' Not wanting to waste precious

It began with rehearsal; there occurred the first and most painful blow, with nobody th^re to even appreciate my pain except for John, my partner in the scene, and he was no great comfort. I was playing a drug addict who'd been in and out of mental institutions for ten years. He was playing my 20.year-old son. We were on a bed, struggling for possession of a gun I'd hidden beneath the pillows. Now, I could really sink my teeth into this part of the scene.

Using emotional recall, I pic-tured a rotten kid I knew in second grade who always tried to steal my Bozo-the-clown yo-yo, and substituted him for John. Then I fought like hell to retain possession of my property.

Unfortunately, a gun is not like a yo-yo. It has sharp edges and protrusions. One of these dug in and ripped a gash in my hand as John jerked it from my grasp. As I lay there watching my blood ooze and drip down my hand while John soliloquized around the stage, I considered the possibilities for how to proceed from there. 1. I could go home, wash and bandage the wound, and come back and rehearse some more. 2.1

rehearsal time, and being bad at ad-libbing and worse at fainting, I opted for continuing. But John took one look at the growing puddle of blood on the floor, a further look at my blood-covered hand, and he chose option No. 4. This was rather annoying, and it put a complete stop to further rehearsal.

That afternoon, we performed the scene for the class. What we

lacked in rehearsal preparedness we made up for in energy and intensity. At one point, I was to run terror-stricken from the room, in an attempt to escape, and John was to catch up with me out in the hall. H^ was not amused. Whether John as my son or John as my fellow actor was annoyed with me I was not sure, but his surliness and roughness were heightened after our little jog outside the theater and when he shoved me back into the room, it was with a forcefulness I didn't expect.

I tripped over the stairs and crashed to the floor. That hurt. For days. I arose to discover the cigarette I'd tossed aside earlier in the scene had been burning a hole in the blanket on the bed. A

Mazursky misses chance

blanket I'd brought from home. A graduation present. IT WAS MY FAVORITE BLANKET AND THE DAMN CIGARETTE THAT WAS SUPPOSED TO HAVE FALLEN ON THE FLOOR HAD JUST BURNED A HOLE RIGHT IN THE MIDDLE OF IT! and my bandaged hand was still oozing, and my arm felt dislocated, and my back was wrenched, and my fanny was • smarting.' The tears with which I finished the scene were real, and the applause was thunderous.

I suppose it was that applause which prevented my hasty retreat from theaterland. My pursuit of the footlights continues, and I take my hospitalization and health insurance forms with me wherever I go.

Don't stop for Next Stop The following is written by

Robert Eckert. He reviews Next Stop, Greenwich Village, pro-duced and directed by Paul Mazursky.

Next Stop, Greenwich Village is a unique kind of bad movie. Everything about it is good except the ending and that is so un-gratifying that it makes the entire film a waste of time.

Next Stop is the story of a Jewish college boy who leaves his home in the Bronx for Greenwich Village where he hopes to make it as an actor. His mother is

i

a century of hope

1899

i

f

*The most glaring difference between the anchors of old are the different topics of interest > and emphasis. Ties with the Reformed Church are more obvious than now. Editorial topics were also different than they are now. One 1899 editorial was a lesson in how and when to study. "It used to be a rule that what a student could not get before midnight must be got after, but happily, this medieval notion has given way under the pressure of common sense and instead is substituted as a guide to the student, 'Be healthy first, learned second.' " *An essay praised William McKinley, who was president during the Spanisll-American War, for managing to keep one hand "on the helm of state and the other on the feverish pulse of the nation cautioning the patient to remain quiet." The essay continued that there wasn't anyone who had not heard of America - or the "patriot, statesman. Christian" at her head. *Co-education has traveled a long road to get where it is today. Students calling for longer parietals are continuing a debate that was in full swing in 1899. "Does co-education only mean the privilege of pursuing the same course of study, or sitting in the same lecture room? We believe it means more. In addition to the intellectual advantages a college offers, co-education stands also for the social life of

the students." *Oh, but those Cosmos did start out humble. Peter Braak, class of '99, wrote, "There is no word in the English language so pregnant with meaning as the term cosmopolitan." *"One of the questions that is agitating the students most at present is that of athletics. Shall Hope be allowed to engage in football, baseball and track athletic contests with other colleges?" Jocks didn't always have it made in the shade. *The White Man's Burden-an 1899 article on missions in India stated, "The Indians have been taught the immortality of their souls, their sinful condition, their infinite danger and the way of salvation. What grander results could be achieved than education for those who were kept in illiteracy for centuries and restoring them to an equal with European and American men and women!" *An 1899 editorial suggested opening up the gymnasium and athletics to Hope's women.

The Boer War was raging in South Africa in 1899 and the anchor made its position clear. "The anchor fearlessly places itself on the side of the Boe r s . . . It believes that all fair-minded persons should throw all their influence and power in favor of the Boers. They may b e ' conservative... but they are not retrogressive."

hysterical, his father is shadowy, his girlfriend is willing, his friends are insane and he is ecstatic when he lands a part in a Hollywood film.

The film's turning points come in the form of an abortion, a suicide and a romantic betrayal. The ingredients are there for an excellent film, but Paul Mazursky, writer and director, misses his chance with a trite ending that is an- insult to the film's real characters and their real problems.

Lenny Baker, as Larry Lu-

pinsky, is unglamorous, conse-quently extremely credible. He's the one you went to high school with who never stood out much but ended up a bigger success than anyone else.

Lupinsky is continually strug-gling with life, but is able to remain an optimist. Baker's Lupinsky has an innocent kind of awareness. He has seen life's absurdities but doesn't intend to let them stop him.

His creative drive is symbolized by his more than healthy relation-ship with Sarah, played by Ellen Greene. She gets pregnant and, to his credit, Lupinsky weathers her decision to have an abortion.

All the film's characters are having varying degrees of diffi-culty in coping with life. Sarah takes the disinterested approach. She has no qualms when telling a lovelost Larry about her affair with a poet or her desire to go to Mexico-not that she engages in either of those activities with any zest.

Robert the poet is over-sexed and selfish, Bernstein the homo-sexual lives in a fantasy world and Lois Smith, as the woman who finally makes good on her threat to commit suicide, bring all of their problems and insanity down to an inescapable and macabre level.

Shelly Winters as Larry's mother is obnoxious, but over-bearing, overly sentimental moth-

ers are obnoxious. Larry says of her, "She invented the Oedipus complex." His difficulty in break-ing away from her suggests that he was her assistant.

Only Larry's father emerges as sane and satisfied. He does it in a tired sort of way, but seems to have found his niche nonetheless.

The Greenwich Village setting is presented more like the stereo-type and less like it probably was in the fifties. The characters are poets, musicians, philosphers, etc., all of whom are trying to "find themselves." They go to parties, love freely-the classic non-con-formist lifestyle. The poverty, failures and drugs are left out. There are no practical problems, only psychological ones.

The film has snappy dialogue and fascinating characters but falls apart with a ride-off-into-the-sun-set-live-happily-ever-after ending. After lines like "I don't want to live, but I'm afraid to die," the tidy ending is totally unsatisfac-tory. Next Stop sets you up for an answer to the world's craziness but doesn't deliver.

If you must see the movie and want to feel like you got your money's worth, skip the last ten minutes and make up your own ending.

Pinball proceeds aid symphonette

As part of the fund-raising drive for the Symphonette's tour in England during May Term, Alvin D. Bos and Hope have offered to give the group the total proceeds from all the pinball games played on Tuesday.

Only money from the pinball machines, and not the video games, is earmarked for the musicians.

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Six Hop* Collage anchor April 10,1976

Smith designs, directs play by Molly Finn

Costume sketches, floor plans, models of sets, miscellaneous tools, and piles of administrative memos clutter the room. Richard Smith sits back in the corner behind his desk brooding over articles on Beckett.

Currently, he's not only thea-ter department chairman, stage-craft instructor, and technical director, he's also set and costume designer and director of the next Hope theater production, Beck-ett's Endgame.

There is method behind his madness. There would have to be; anyone who attempts to design and direct simultaneously must have a vision. And he does.

"As a designer, I feel it's im-portant to keep in touch with other aspects of the theater. Di-rectors should design. We all should act. I haven't had time in the past, but now, directing, it'll help me re-examine a play from all viewpoints rather than just as a designer. That's a handicap I h a v e . . . a thing I fall into . . . I get wrapped up in what's happen-ing with the play visually and lose contact with the text. That's why Beckett's Endgame is a good play for me to direct. The text is so strong."

He has other reasons for pur-suing this total theater experience. "It'll help me understand the problems directors have with de-signers." He's already encountered several. He designed the set three weeks ago and it's built. Now he feels he would have done it dif-ferently.

"Ideally, the set design should come almost at the end of a rehearsal period when a director knows what he wants from work-ing with the script and actors." Most designers work under pres-sure and give designs to directors for approval before rehearsals be-gin. "Designers end up forecast-ing, projecting. They may change the whole nature of the produc-tion. The director has to sit down and figure out how he can make the designer's set work."

At the present, he's also in a dilemma designing costumes. "When I work only as a designer, I

simply sit down, analyze the char-acters objectively, and design early in the working process. Now I'm looking at the costumes as a director, I've had time to become personally involved with these characters. It's more difficult to make definite decisions."

For Smith, these frustrations are ultimately a challenge. He's an idealist and has" a strong sense of professionalism. He says he "lacks the discipline to be a perfection-ist" but that's what he strives for. His standard of excellence stems from "running track." "When I was running the mile in high school, I realized the only way to reach the end is through individ-ual effort. It's the means that gets you the result." This attitude af-fects all his work. "It's the reason I'm challenged and put off by the theater. I keep thinking that the right combination will come along where every individual is working at maximum effort, where there's a total group force or energy."

He readily admits this goal is an impossibility in professional theater, th^re are too many pres-sures and in educational theater there are too many commitments. "I did see a spark of this focus in three productions on campus, Romeo and Juliet, Virginia Woolf, and Uncle Vanya." Again he's referring to the working process, not the end result.

He not only has this commit-ment to 100% maximum effort in producing a play; he also has a definite commitment as a de-signer. "When I decided on thea-ter, I also decided the one thing I wanted to create was a new sort of visual phenomenon. I don't want audiences coming in to see the same old store front or castle with new trimmings. I don't want to reproduce a representation of the obvious. . . new shapes, lines, forms, tones, mass . . . that's what I want. I don't know how to do this yet. But that's why I design." These are not empty words. His summers are spent at workshops and institutes experimenting with metals, plastics and wood sculp-ture, as a designer learning % to manipulate these materials.

Now he's experimenting as a

director. He wants to understand the barriers between actors and directors. "The cast is dedicated. We have one commitment . . . to work toge ther . . . to attempt to be true to the reason Beckett wrote the play." He's primarily working from Beckett's comments to director Alan Schneider. "The real important in the play is in the shape of the words and dialogue as much as what everything means." ^

Obviously the challenge of working with a Beckett script is that there are so many possibili-ties. "I read lines or hear lines at rehearsal and sense new meanings, see new approaches." Both Smith and cast are open to continual change, collaborating to interpret Beckett's work.

"I told the cast it's difficult in rehearsal to tell if the play works. It may be difficult at the end. Audiences are used to entertain-ment. I don't want the audience to come out feeling entertained. I don't want them to feel anything specific. I want them to think about Beckett's views-the hope-lessness of it all, their own situa-tion, as it pertains to the charac-ters in the play . . . game-playing to sustain e g o s . . . lack of com-munication-not just verbal communication, but barriers experienced because of attitudes."

Audiences attending Endgame should realize this will not be a typical evening in the theater. Beckett's work is labeled "ab-surdist or avant-garde." The pro-duction is in the Studio Theater, reserved for experimental works. And significantly, the production is directed by a man committed to innovation in the theater, both as a designer and director.

RICHARD SMITH

Kooiker to present recital tomorrow

Pianist Anthony Kooiker will present a faculty recital tomorrow at 8 p.m. in Dimnent Memorial Chapel.

Kooiker will be joined by percussionists Calvin and Tom Langejans in presenting "Amores for Piano and Woodblocks" by the contemporary composer John Cage.

Included in the recital reper-toire will be Mozart's "Fantasy in D Minor, K. 397", "Reverie" and "Minstrels" by Claude Debussy

"Three Piano Pieces" and "Caril-lon" by Walter Hartley, "Scherzo (The Cuckoo)" by Howard Swan-son, "Nocturne (Homage to John Field)" by Samuel Barber 'and "Sourwood Mountain" by Arthur Farwell.

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HELP WANTED GUYS AND DOLLS WAiTFRS AND WAITRESSES

by K. Gary Hasek and Tom Westervelt

•i

Inherent in any type of institution having a religious emphasis is the certitude that it will not measure up to everyone's expectations. Hope has been subjected to its share of criticism, and some mild debate over what it should do has been entertained. What are the goals and purposes of Hope as a Christian institution of higher education?

The Articles of Incorporation of the Board of Trustees (as amended May 31r, 1957) state that "the character and objects of the College. . . are to provide comprehensive literary and scientific courses of study in connection with sound evangelical religious instructions based on the Holy Scriptures in accordance with the standards of the Reformed Church in America.''

Except for recurring evidences of the denomina-tional affiliation of the college, no further statement is made in either the Articles of Incorporation or the By-Laws of the Board of Trustees regarding Christian aims. And to our knowledge, there exists no official public statement on such aims, except for the 1957 version above.

Still, some general guidelines surface from time to time. It is evident that the main emphasis of Hope leadership involves a desire to affirm historic Christian convictions but leave room for healthy diversity within the Protestant tradition. These convictions include the doctrines of the character of God as incarnated in Jesus Christ and of the nature of man as a rational and moral being who has noble purposes but needs renewal in Christ.

Different views exist as to what a " Christian college" should be. While conservatives may think the beliefs are too loosely outlined, free-thinkers can protest that no predefined bias is abceptable among the leadership of an institution that claims to be educational

We believe that the affirmation of a particular world-view by the administration of a given college does not ^eonflict with the requirement that the college offer its students the opporrunity to freely seek truth (as distinguished from learning skills). In fact it is doubtful whether objectivity is possible. And so Hope is committed to endorsing Christian beliefs and intellectual openness simultaneously

Granted that things are going well in the pursuit of academic excellence, how is the sound evangelical religious instruction coming along?

The problem with Hope's Christian stand now seems to be that it is so cloudy. If the school really believes that the Christian way is right, it is not communicating this fact to students, nor is it succeeding in communicating to the students exactly what it perceives true Christianity to be.

We do not know how students in general do view the religious posture of the school. But when it is possible to pass through four years and 56 hours of core requirements without being squarely con-fronted with the gospel of Jesus Christ, some 19 year old goals need to be pulled out of the closet and dusted off.

In order for this to be both Christian and a college, we* encourage the "Board of Trustees to release a formal statement of religious beliefs and goals. Th^ administration should then seek to stimulate debate and discussion within the com-munity concerning those beliefs and goals, their correctness and their appropriateness.

Jesus Christ should be an issue on campus. Hope is no place for theological murkiness or apathy.

There is great potential for Hope as a Christian school But if the adminstration is serious about Christianity it needs to abandon satisfying plati-tudes and honestly seek to answer the questions and objections of students and faculty, both those who claim to be Christian and those who do not, in ordqr to better accomplish the work of God in this world.

April 10# 1976 Hope Collage anchor Seven

Aid to registration anchor guide to Hope profs

Regisiration is a time of many and difficult decisions. To help make the process a little easier, the anchor has come up with some classroom antics to avoid. Professors not mentioned in the following are only omitted be-, cause as enlightened as the anchor staff is, we just haven't had a chance to take a course with every professor.

* Biology Dr. John Day-He's especially good on days when he's awake or when he tells the Farmer Jones chicken story. Dr. William Gillis-If you like your plants rare and exotic, he could be for you. Dr. Norman Rieck-Just because you've never seen it before doesn't mean it won't be on the test.

Chemistry Dr. Donald Williams-Dr. Williams once said, "If I keep water boiling over my Bunsen burner, people will think I'm busy." If that represents his general attitude toward teaching

Holy Week begins with choral service

A special service com-memorating the events of the Easter season through scripture and music will be presented Sunday evening at 8:30 in Dim-nent Memorial Chapel.

Participants in the choral ser-vice include Chaplain William Hillegonds; t h e . Hope College Chorus; the Collegium Musicum, a student speaking choir; Lee Ann Soodsma and Richard Carlson, organists; Carolyn McCall, soprano solist and Melissa Gut-wein, flutist.

Dr. Michael Doyle-He is evidence for the theory that teachers are paid by the word.

Communication Dr. Joseph MacDoniels-Some-body ought to respond to his pleas of "talk to me" and "am I making sense?" Harold Mikle-He's not really a dirty old man.

English Dr. Charles Huttar-Don' t believe him for a minute when he says class will be most discussion. ~ Dr. Francis Fike-If you thought "The Miller's Tale" was fun, wait until you hear Dr. Fike read it in dialect. Dr. Dirkv Jellema-Gives great commentaries on famous works while most of the class thinks he's rambling on unrelated tangents. Dr. A. James Prins-Not quite up to par on Mondays because "Monday is always a bad day." Wednesdays he's "just trying to make it through the week." Friday is too close to the spectre of another week-end for him to be at his best. Other than those days, Dr. Prins is excellent. Dr. William Reynolds-Behind that boyish charm and fascination for Star Trek is a genuine scholar. Jack Ridl-We don't know where he learned to teach. The straight lecture course has stood the test

A Phi 0 sponsors blood drive

The A-Phi-0 fraternity and the American Red Cross will sponsor a blood drive on April 27 and 28 in Carnegie Gymnasium

The drive, which will be held all day both days, is a competition with Calvin College for most donations.

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of time. Where does Ridl get off bringing improvisations, role-play-ing and other innovative tech-niques into the classroom? Dr. Peter Schakel-Dubbed "the human pretzel," some of his past students swear his is a yoga class rather than English. Nancy Taylor-Let her overhear you saying, "Gee, I love Faulk-ner," and you'll find a place in her heart for the entire semester. Dr. Henry TenHoor-While listen-ing to Dr. TenHoor's gleeful, interpretive readings of gory' Sene-can scenes you'll find yourself saying, "He looked like such a kind man."

History Dr. Earl Curry-Don't buy all the books on the list the first day of the semester-he won't use some of them and the bookstore won't1

buy back any of them. Dr. William Cohen-If you don't appreciate a smoke-filled room, he's not your man. Dr. Cohen is the reason for all the no smoking notes on the blackboards in Lubbers.

Mathematics Dr. Jay Folkert-No, he's not a reincarnation of your grandfather. His main problem is that he expects you to know the material. John Whittle-If you get a kick out of listening to Jimmy Carter's accent, wait'11 you hear Mr. Whittle's.

Philosophy Dr. D. Ivan Dykstra-It doesn't matter what we say about him, you're going to have to take him sooner or later, anyhow.

Religion Dr. Henry Voogd-Affectionately known as Dr. Vague. Dr. Wayne Boulton-Don't sit in the front row, his flailing arms are deadly. Dr. Elton Bruins-Affectionately known as By the Book Bruins. Dr. Sang Lee-His specialty is cute boy-meets-girl stories. Dr. Robert Palma-Hint No. 1: some refer to his class as Basic Palma Thought. Hint No. 2: he takes attendance. Dr. Lambert Ponstein-Offers a number of insights but it's never exactly clear if the text is the daily newspaper or the book you got from the bookstore.

7

11

DON QUIXOTE WATCH OUT-the windmill in Van Bragt Park has been restored and is ready for Tulip Time.

Humanities division plar research presentations

The Humanities Division will hold a coffee in the baUroom of the DeWitt Cultural Center on Tuesday from 3:30 to 5 p .m The topic will be "The Student as Independent Researcher."

Six humanities students who have done individual study proj-ects and their advisors will present the results of their work. Accord-ing to Nancy Taylor, associate professor of English, the object of the program is to give superior students a chance to discuss their research to a large audience and to inform students on the possibili-ties available in independent studies.

Stew Graham and Dr. D. Ivan Dykstra will present the results of Graham's research on Nietzsche. Leslie Doscher has spent a semes-ter researching the perception of

rm out to change my world. Not many people will disagree that the world needs to be changed. The problem seems to be where to start.

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time among the Pueblo Indians. Dr. Elizabeth Reedy will join her in her presentation.

Scott Field, with his advisor Dr. Arthur Jenty, will be present-ing a study in historical philos-ophy. Leslie Cameron, with Dr. Larry Penrose, is presenting "A Spanish-American War Diary." Dr. Wayne Boulton is assisting Jim Hines on his project "Icons and the Orthodox- Ethos." Steve Hoogerwerf has been studying with three religion professor on two topics: the law and psychol-ogy of moral development.

Additions to Dance II cast

Some of the dancers for Dance II to be presented April 9 and 10

were not included in the original cast announcement.

Dancers in Folk Scene pre-sented by Sandy Parker are: Marilee Bartels, Sue Berger, Kristie Boelens, Jim Coats, Carolyn Jousma, Catherine Kooi-stra, Terri Matt, Jim Miller, Paul Nieusma, Jon Post, Jim Spitzkeit, John Stout, Russ Tenpas, Gloria Thome and Cathie Tilroe.

Two modern works, "The Outsider" and "One More Night" choreographed by Maxine De-Bruyn include: Sue Berger, Gail DeBoer, Sue Etterbeek, Lynne Jennings, Jody Mutschler and Mary Dalman, Laurie Daniels, Etta Piper, Julie Raabe, Gene Sutton and Kerry Weissmann.

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Eight Hope College anchor

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April 10,1976

Dutchmen return from successful spring trip by Jerry Boose

Once again the Dutchmen traveled south to test their unseen talents against already proven strong teams. Coach Jim Bultman returned to Holland flying high with his young team. The Dutch compiled an amazing spring record, winning five of nine games, the most wins ever achieved on a spring trip. It should also be pointed out that this spring tour could have been the toughest ever scheduled.

Hope was slated to go against Tennessee State, Georgia Tech, West Georgia and David Lipscomb College, all of which are among the better teams down south. The trip was highlighted on the final day with Hope splitting a double-header -against David Lipscomb College.

Lipscomb, rated number one in the NAIA, was rocked by . t he Dutch in the second game 8-6 with Bill Fobare going the dis-tance. Fobare pitched probably the biggest win of his career thus far. It was the first time the Dutch have beaten Lipscomb in five years.

Problems with rain kept the Dutch from fulfilling their 13 game schedule. However, it didn't seem to affect their play as six players returned home batting over .300. Jeff Waterstone led the way hitting .423 followed by Tony Terraciano who clubbed

Bowling tourney announced

Calling Hope's prospective Don Carters, Dick Webers and Earl Anthonys! A singles bowling tournament is being set up for all interested students. It will run from Tues., April 20 through Sat., April 24, with each competitor bowling three games on any two of those nights.

Those not in the student league will establish their handicap for the tournament by their first three games. Come have a study break and join the fun, some prizes too. For more information, see someone in the DeWitt Cul-tural Center's Game Room.

Lacrosse team travels to Ohio

Hope's lacrosse team is visiting the Buckeye State this weekend for three games. This afternoon the team tackles Toledo Uni-versity, and tomorrow the Dutch-men will play Ohio State Uni-versity and Ohio University.

The squad opened its season before spring break, playing an away contest at Hillsdale College. The Dutchmen lost that game to a very tough and physical Charger team, 13-3.

Hope's first home contest will be on Wednesday, April 14, when the Dutchmen entertain the Uni-versity of Michigan in a night game at Riverview Park.

.400. Dave Watkins slammed .333 along with Jeff Burke. Bill Web-ster and A1 Watson hit .316 and .308 respectively. Hopeful fresh-man Terry Lock came close to the golden six obtaining, a .296 average, and was also the only home run hitter down south with a blast against Berry College.

On the mound Fobare led the way witlrtwo victories while Paul Stears, Dan Van Pemis and Gordie Alderink earned one apiece. Bill Harrison donated some fine relief work, picking up two saves.

Defensively, Hope has seem-ingly improved over last season's disaster. The Dutch played well away from the plate, making four double plays to their opponents two.

An optimistic outlook? Granted the Dutch have returned with fine credentials, but playing MIAA ball in spring weather in Michigan has had drastic conse-quences on Hope teams that have done well down south in the past. The key lies in the first two weeks of play. The Dutch must win to instill a winning attitude in this young team that will carry them ^through their rigorous schedule.

Prediction? The Dutch have three things in their favor: an improved pitching staff, especially

with the performance of Fobare; improved defense and the return of former all-MIAA catcher Ter-raciano; and the element of surprise, coming from the base-ment, Hope may find early opponents are taking them lightly.

Look for Calvin to defend its MIAA title but with a little luck Hope could revenge our basketball team by taking the championship away from our rival school April 24 at Van Raalte.

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WE WANT A PITCHER-not a glass of water. Hope's baseball team practices for this year's season.

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Activities Calendar FRIDAY, APRIL 9

Concert: Music Fraternity, Pit, 8 p.m. Movie: Chinatown, Winants, 7, 9 & 12 p.m., $1 Theater: Dance II, DWC Main Theater, 8 p.m., $1 Dance: "Rabbits", DWC Ballroom, 10 p.m. - 1 a.m., $.50

SATURDAY, APRIL 10 Movie: Chinatown, Winants, 7 & 9:30 p.m., $1 Track: Albion, Van Raalte Field, 1:30 p.m. Concert: Anthony Kooiker, Dimnent, 8 p.m. Theater: Dance II, DWC Main Theater, 8 p.m., $1

SUNDAY, APRIL 11 Concert: Holy Week Choral Service, Dimnent, 8 p.m.

MONDAY, APRIL 12 Women's Softball: Lake Michigan, Maplewood Field, 3:30 p.m. Senior Recital, Wichers, 8 p.m.

TUESDAY, APRIL 13 Women's Tennis, Tennis Courts, 3 p.m. Women's Archery: Kalamazoo, Van Raalte Field, 4 p.m. Recital: Student Chamber Music, Wichers, 8 p.m.

WEDNESDAY, APRIL 14 Baseball: Grand Valley Junior College, Van Raalte Field, 2 p.m..

THURSDAY, APRIL 15 Student Recital, Wichers, 8 p.m.

FRIDAY, APRIL 16 Classes dismissed at 12:30 p.m. for Good Friday Baseball: Ferris State, Van Raalte Field, 3:30 p.m. Movie: Murder on the Orient Express, Winants, 7 & 9:30 p.m., $1 Folk Singer: Doug Hall, Pit, 9 p.m.

. SATURDAY, APRIL 17 Tennis: Olivet, Tennis Court, 1 p.m. Baseball: Olivet, Van Raalte Field, 1 p.m. Movie: Murder on the Orient Express, Winants, 7 & 9:30 p.m., $1 Folk Concert: Doug Hall, Pit, 9 p.m.

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% y The Rites of Spring

Photography by Randy Putala