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album and prepares listeners for the versatility heard in each composition. creative juices flowing. It also helped that they were deeply committed to so that made it very easy. They came in really ready to work and with their for the resonate arrangement heard later. Otis Brown Jr. displays his fine well-crafted piece of work that stands as a testament to her sheer dedication its power. The infectious bass line provides the far-reaching, open quality regardless of what happens.”
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The Green Magazine | 17
Haddad brings his rhythms on the caxix, hadgini, bongos, cymbals and
crotales to this winning piece as well. This is a great introduction to the
album and prepares listeners for the versatility heard in each composition.
‘She Got to You’ is a scintillating joyride. Pianist Leo Genovese lays down
the framework for this heady piece. His chameleon-like delivery adapts to
all facets of this track. Donald Harrison’s additions on the alto saxophone are
compelling and strategic. He often appears to either compliment the heavy bass
lines or to add texture between each verse with his solos. This song’s bravado
and charm make it one of the many jewels on Spalding’s album.
Spalding jokingly refers to ‘Precious’ as the band’s feeble attempt at
making a pop hit. Yes, the song has the mainstream appeal of a grooving
chorus and the “you tell it, girl” attitude, but the subtleties give this song
its power. The infectious bass line provides the far-reaching, open quality
for the track. Spalding’s voice is nearly perfect on this song and is the
culmination of the varying styles she presents throughout Esperanza.
“Every one of them is phenomenal,” says Spalding when discussing the
level of skill her band members embody. “They’re at the top of their class,
so that made it very easy. They came in really ready to work and with their
creative juices flowing. It also helped that they were deeply committed to
the project.” The two compositions that prove that fact are ‘Mela’ and ‘If
That’s True’. The driving forces on ‘Mela’ are heard in the notes played
by trumpeter Ambrose Akinmusire, Genovese’s skills on the ivories and
the drumming of Horacio “El Negro” Hernandez. Spalding’s fleeting
voice and Akinmusire’s patterned styles consume the spaces with their
melodies. The presence of both Harrison and Akinmusire on ‘If That’s
True’ is a welcomed duet. Their solos at the beginning are a great segue
for the resonate arrangement heard later. Otis Brown Jr. displays his fine
improvisational skills on the drums to produce the overall force to this
song. The level of musicianship on this song establishes ‘If That’s True’ as
one of the captivating heavyweights on Esperanza.
“It’s totally inspired me to practice harder than ever,” Spalding says about
the high praise for the album. “I want to make sure that I’m doing the
work that warrants that type of attention.” Esperanza is one of the best
albums of 2008—hands down. Esperanza Spalding’s glowing talents as a
singer, songwriter and musician are experienced in each composition. The
noteworthy pieces such as ‘I Adore You’, ‘Espera’ and ‘Cuerpo y Alma’ are
wonderful complete the beauty of Esperanza. From beginning to end, it is a
well-crafted piece of work that stands as a testament to her sheer dedication
to creating great music. “I want to make sure that the music is continually
growing. When I’m not cute and young anymore, the music will carry on
regardless of what happens.”
Esperanza Spalding
Esperanza
Heads Up International
016_REVIEWS.indd 17 11/19/08 4:50:22 PM