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What is it? Origins? Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre The process and impact -- Realism

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Page 1: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism
Page 2: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

What is it? Origins? Renn – Camera Obsurca to

1829 -- Louis J.M. Daguerre The process and impact -- Realism

Page 3: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

► These artists captured the undiluted power of nature

► Paint the nation’s most spectacular and undeveloped areas [the new Garden of Eden].

► Nature was the best source of wisdom &fulfillment.

► They created visual embodiments of the ideals ofthe Transcendentalists. * Painting is the vehicle through which the universal mind could reach the mind of mankind. * Art is the agent of moral & spiritual transformation.

► These artists captured the undiluted power of nature

► Paint the nation’s most spectacular and undeveloped areas [the new Garden of Eden].

► Nature was the best source of wisdom &fulfillment.

► They created visual embodiments of the ideals ofthe Transcendentalists. * Painting is the vehicle through which the universal mind could reach the mind of mankind. * Art is the agent of moral & spiritual transformation.

BackgroundBackground

Page 4: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

1. Paint grand, scenic vistas.

2. Humans are an insignificant [even non-existent] part of the picture.

3. Experiment with affects of light on waterand sky.

4. Symbol of the school a broken tree stump

1. Paint grand, scenic vistas.

2. Humans are an insignificant [even non-existent] part of the picture.

3. Experiment with affects of light on waterand sky.

4. Symbol of the school a broken tree stump

Characteristics of the Hudson River SchoolCharacteristics of the Hudson River School

A new art for a new land.A new art for a new land.

Page 5: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

► Transcendentalist thinking.► Westward expansion.► American nationalism --> What is

America? * Creation of a national mythology

► Racism and Native Americans.► Concern for political extremism.► The price paid for progress and the

advances of civilization.

► Transcendentalist thinking.► Westward expansion.► American nationalism --> What is

America? * Creation of a national mythology

► Racism and Native Americans.► Concern for political extremism.► The price paid for progress and the

advances of civilization.

Issues/Themes Addressed by the Antebellum Artists

Issues/Themes Addressed by the Antebellum Artists

Page 6: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism
Page 7: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism
Page 8: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Stanley Hawk Barred Owl

Page 9: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Boston Harbor from Constitution Wharf

Robert Salmon, 1833

Boston Harbor from Constitution Wharf

Robert Salmon, 1833

Page 10: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Fur Trappers Descending the Missouri

George Caleb Bingham, 1845

Fur Trappers Descending the Missouri

George Caleb Bingham, 1845

Page 11: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Patriotic

Art

Patriotic

Art

Page 12: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

The Landing of the PilgrimsUnknown Artist, 1830s

The Landing of the PilgrimsUnknown Artist, 1830s

Page 13: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism
Page 14: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

The “New Cincinnatus”?The “New Cincinnatus”?

Page 15: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism
Page 16: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

The“Frontier

”Artists

The“Frontier

”Artists

Page 17: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Young Omahaw, War Eagle, Little Missouri, and Pawnees - Charles Bird

King, 1821

1. The “Noble Savage” Image

1. The “Noble Savage” Image

Page 18: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Buffalo Bull’s Back Fat, Head Chief,

Blood Tribe - George Caitlin, 1832

Buffalo Bull’s Back Fat, Head Chief,

Blood Tribe - George Caitlin, 1832

2. The “Stoic” Indian2. The “Stoic” Indian

Page 19: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Mato-Tope – Karl Bodmer, 1830s

Mato-Tope – Karl Bodmer, 1830s

3. The “Demonic” Indian3. The “Demonic” Indian

Page 20: What is it? Origins?  Renn – Camera Obsurca to 1829 -- Louis J.M. Daguerre  The process and impact -- Realism

Osage Scalp Dance John Mix Stanley, 1845

Osage Scalp Dance John Mix Stanley, 1845