· Web viewAn Introduction To Itsutsu Kata And Its History by Sensei Joe Norman itsutsu-no-kata was introduced into judo in 1887 by the found er and master of kodokan judo, Dr

ITSUTSU-NO-KATA

An Introduction To Itsutsu Kata And Its History by Sensei Joe Norman

itsutsu-no-kata was introduced into judo in 1887 by the founder and master of kodokan judo, Dr Jigaro Kano (1860/1938).Its introduction from his previous martial arts experience was inspired by his fascination with the forms found in nature. He came up with five forms, of expressing natural forces, through judo, none of his forms have names but they encompass the fundamental principal of judo.

Techniques of Itsutsu Kata

1st technique – expresses the principal that a weak force can control a greater force with ease, through the carrying out of a logical, continuous attack.

2nd technique – shows the principal of a greater power being controlled by the utilisation of that force.

3rd technique – shows that the centre of a whirlpool can engulf its outer rim. If you find yourself being dragged around in a circle by a larger force, it is possible to throw the larger force by taking the centre of the circle.

4th technique – expresses the principal of the tide beating on the shore, engulfing everything that flows in, and out.

5th technique – demonstrates the principal of nothing ventured, nothing gained. When confronted by a huge force, it is sometimes better to throw yourself right into it.

Joe Norman – president – All England Judo Federation. 15th august 2006

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ITSUTSU-NO-KATAOPENING CEREMONY

Tori & uki stand on opposite sides of the tatami, with joseki to tori`s left.

Tori & uki bow onto the tatami, take three steps forward, leading with the left leg, and stop, assuming the position of shizen-hontai. They bow to each other, turn to face joseki, and both bow simultaneously. Tori & uki

then take one step forward, leading with the left leg, assuming the position of shizen- hontai, they are now both ready to perform itsutsu-no-kata.


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ITSUTSU-NO-KATA1st form: uki takes four paces forward, leading with the left leg, then pauses.

Tori walks towards uki, left leg first, raising his right arm, (to almost koka position) with outstretched hand, and placed the hand on uki`s high chest as they get level. tori then applies a little pressure to uki`s chest, by firstly pushing the thumb, and then the little finger into uki`s chest, as the pressure increases, uki takes a small step backwards with the left foot, and then right foot, to try and regain balance. Tori takes a slightly larger step, applying more pressure to uki`s chest with the thumb and little finger alternately. Tori makes three steps in all, before his arm is outstretched enough to knock uki off balance, and to the floor, keeping his own balance intact. When uki falls, he does a jizo-daore breakfall (dropping like a stone).tori assumes shizen-hontai position.


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2nd form: as uki rises from the floor, whilst in one knee up position (right knee raised), uki opens his right hand into a knife forming position, and attacks tori`s central abdomen, by pushing his left leg from the kneeling position, and thrusting with his hand. Tori side-steps, by moving his left leg into a circular position backwards, taking hold of uki`s right thrusting hand, with tori`s left, and tori also places his right hand onto uki`s thrusting arm, near the sleeve/elbow area, pulling uki off balance, with the circular movement, as tori drops onto his left knee. Uki does not take off from the ground, but is pulled sideways, and has to make a left hand breakfall, back up into a kneeling position, both tori & uki finish this form in a kneeling position.


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ITSUTSU-NO-KATA3rd form: both tori & uki open out their arms, raised slightly above the shoulders, palm of hands facing forwards, rise, and start encircling in an anti-clockwork direction around the tatami, reducing the circle, until arms are entwined (tori`s right arm under uki`s, and left arm over uki`s), and both tori`s feet are to the side of uki`s right foot. Tori grips uki`s left sleeve, and drops, forcing uki down, into a rolling breakfall, towards the centre right corner of the tatami. Uki rolls into an upright shizen-hontai position, facing outwards near the corner of the tatami, and remains there. Tori rises, and walks to the opposite corner, assuming shizen-hontai, facing outwards.


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ITSUTSU-NO-KATA4th form: tori crouches, pivots around on the balls of his feet, raises both arms high above shoulder level, palm of hands facing outward, steps back with his right leg as he drops the arms to his left side, still crouching, then runs towards uki`s left side, with arms still to the left, gaining momentum of pace, and slips approx 1 meter past uki. As tori stops, he raises his arms high into the air, at the same time going onto tip toes, coming back down onto both feet, and arms dropping to just above shoulder level, palm of hands facing downwards. Tori then starts to move backwards, left leg first, until his arm reaches uki`s high chest, where he stops for a brief second, then applies pressure with his straightened elbow, to uki`s chest, pushing him slightly off balance, forcing uki to take a backward step, then another, tori then moves backwards, increasing the pressure, until uki falls, and tori drops to his left knee, lowering his left arm, then his right arm. Uki rises and assumes the nearest corner, facing outwards, tori walks to the far corner, also facing outwards in a shizen-hontai position.


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ITSUTSU-NO-KATA5th form: both raise arms to just above shoulder level, and pivot around on the balls of their feet, into migi shizen-hontai, both start running towards each other, arms still raised. As they are about to collide, tori falls/slides sideways, feet to the left, ending up with his body facing the direction he came from, with both hands on his lower abdomen/stomach, forcing uki into making a rolling breakfall over him, rolling into the upright shizen-hontai position.


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ITSUTSU-NO-KATAThe Closing Of The Kata

Uki then returns to the tatami on side he just came from, where he first started at the beginning of the kata. tori returns to the opposite side, facing uki, both take one step backwards, leading with the left leg, then bow to each other, turn and face joseki and bow, then keep stepping backwards until they reach the edge of the tatami, again, bowing to the centre.

This completes the five forms, however, much practice is needed, to improve the kata to a reasonable level, and both tori & uki should become as one when practicing.

There were originally a few different versions of this kata, containing other movements, but they were altered to the above, which was accepted by the Kodokan as being the Itsutsu-no-kata to practice.


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· Web viewAn Introduction To Itsutsu Kata And Its History by Sensei Joe Norman itsutsu-no-kata was introduced into judo in 1887 by the found er and master of kodokan judo, Dr