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film is conditioned by the dominant codes of the classical cinema and its conventions of viewing. But the avant- garde film has evolved its own separate history, allied to the movements

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Page 1: film is conditioned by the dominant codes of the classical cinema and its conventions of viewing. But the avant- garde film has evolved its own separate history, allied to the movements
Page 2: film is conditioned by the dominant codes of the classical cinema and its conventions of viewing. But the avant- garde film has evolved its own separate history, allied to the movements
Page 3: film is conditioned by the dominant codes of the classical cinema and its conventions of viewing. But the avant- garde film has evolved its own separate history, allied to the movements
Page 4: film is conditioned by the dominant codes of the classical cinema and its conventions of viewing. But the avant- garde film has evolved its own separate history, allied to the movements