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Compact, uncompromising sound and features with impressive mixing capacityThe M-300 V-Mixer is the ultimate solution for a variety of venues and applications. It provides a substantial mixing capacity of 32 mixing channels, 8 aux buses, and 4 matrices. The M-300 V-Mixer seamlessly integrates with other REAC devices. The user can directly operate the Digital Snake preamp, control an M-48 Personal Mixer, and set up the I/O for the S-4000M REAC Merge Unit. All of these features are contained in a very compact size and at a weight of 9.8kg (21 lbs 10 oz). The M-300 is the perfect choice for any venue with a limited set-up area, as well as for mobile sound reinforcement. Optional rack rails are also available.
Powerful Built-in Channel Eff ectsEqualization of channels and dynamics are the foundation of any great mix. The enhanced sound shaping abilities of the M-300 input channels include 4-band fully parametric EQ as well as gate and compression. A Key-In fi lter can be used for the Gate/Compressor to enable more expressive mixing. The 4 multi-eff ects processors can be set to use any of 11 diff erent eff ects types. In addition to Reverb and Delay, modulation eff ects such as Chorus and Phaser are also available. The M-300’s busses are also equipped with 8 bands of fully Parametric EQ and Signal Delay on each Aux, Matrix and Main output. The M-300 is fully equipped with all of the sound adjustment tools built-in and ready to go.
Built-in 2 REAC Ports Allows Flexible System Confi guration
A 40ch40ch
40ch40ch
4xXLR4xTRS4xRCA
4xXLR4xTRS2xDigitalPhones
B
32 Mixing Ch L/C/R Outputs, 8 AUX, 4 Matrix
USB memory recorder/playerRecord the output of the M-300 Main, assigned AUX bus or MATRIX bus directly to a USB memory drive connected to the built-in USB port. A mix produced with the M-300 can be saved as an uncompressed WAV fi le, without the need for an external recorder. WAV fi les on the USB memory drive can also be played back on the M-300 and used for background music/tracks. User settings and mixer data can also be saved to a USB memory drive.
Advanced control surface designThe M-380 and M-400 V-Mixers are highly regarded for their ease of use and the M-300 continues this tradition starting with 17 - 100mm motorized faders. Central to the M-300’s operation is a high-resolution 800x480 pixel color display. Channel Parameters such as Gain, Pan, EQ and Dynamics can be comfortably operated from the Channel Edit section located on the left side of the display. All parameters can be instantly saved and recalled from Scene Memory. The layers of faders can be easily switched with the LAYER button. Faders can be accessed and arranged freely, and saved as a User Layer.
Control remotely using a wireless LANBy enabling Remote Desktop Connection on a local PC directly connected to the M-300 via the USB, the M-300 can be controlled remotely from another PC using a wireless LAN. An iPad or tablet PC can be used to control the M-300 from a remote location. For example, you can be seated in the audience to adjust the house mix during the rehearsal, or stand onstage to adjust the monitor mix while consulting the stage performer. The M-300 enables new mixing possibilities that you could never achieve with an analog console.
Control remotely from a PCThe M-300 can be controlled remotely in real-time from a PC (Windows) connected via the USB port. Mixing functions on the M-300 can be operated directly from a PC by using the M-300RCS dedicated control software which has the same GUI as the M-300 color display. The M-300RCS can also be operated in offline mode, allowing data for various settings to be created in advance and saved to a USB memory drive. When you get to the venue, load the settings and jump right into sound check and rehearsal.
Multi-channel recording to a DAWForty channels of 24-bit audio can be recorded directly to a PC (Windows) by connecting a REAC port to the gigabit Ethernet port on the PC via a single Cat5e cable. Audio is recorded as individual WAV files using Cakewalk SONAR and can be mixed after recording using the powerful digital audio tools and effects in SONAR.
V-LINK - Audio and Visual SolutionBy connecting the MIDI input/output to the video switcher such as the V-1600HD, V-LINK automatically synchronizes the audio of the M-300 with the visual images allowing “audio follows video”.
Support and management of multiple M-48 Live Personal MixersSupport and management of multiple M-48 Live Personal Mixers
For the performing musician wanting the best possible sound quality and flexibility in their individual stage mix, the M-48 Live Personal Mixer off ers control over 40 audio sources that can be easily managed in 16 assignable stereo groups. Configurations are straightforward with the ability to control, save and recall all connected M-48s from an M-5000, M-480, or M-200i Live Mixing Console allowing the FOH engineer to assist in setup and mixing.
Confi guration Example: Basic M-300 System28 Inputs : 16 Snake + 12 Console18 Outputs : 8 Snake + 10 Console
M-300 S-1608
REAC A
Stage
Front of House
Confi guration Example: Standard M-300 System44 Inputs : 32 Snake + 12 Console26 Outputs : 16 Snake + 10 Console
M-300
S-1608 S-1608
REAC A REAC B
Stage
Front of House
Confi guration Example: Standard M-300 System with Analog Breakout44 Inputs : 32 Snake + 12 Console26 Outputs : 16 Snake + 10 ConsoleAnalog Split : 16 or 40 Outputs
M-300
S-4000D
S-0816
S-1608 S-1608
REAC A REAC B
Stage
Front of House Analog Breakout
OR
S-4000S-0040
Confi guration Example: M-300 System with M-300 Monitor/Broadcast Position44 Inputs : 32 Snake + 12 Console26 Outputs : 16 Snake + 10 ConsoleSplit : Monitor/Broadcast Position with 10 Console & 16 or 40 Snake Outputs
S-4000D
M-300 M-300
S-1608 S-1608
S-0816
S-4000S-0040
REAC A REAC B
Stage
Front of House Monitor/Broadcast
REAC A REAC B
OR
Confi guration Example: Standard M-300 System with Personal Mixing44 Inputs : 32 Snake + 12 Console26 Outputs : 16 Snake + 10 ConsolePersonal Mixers : Up to 8 per S-4000D (Connect multiple S-4000Ds inline to enable more M-48s)
1
8
M-300
S-1608 S-1608
M-48M-48
M-48M-48
M-48M-48
M-48M-48
S-4000D
REAC BREAC A
Stage
Front of House
Confi guration Example: M-300 System with SONAR V-Studio 700 REAC Recording28 Inputs : 16 Snake + 12 Console18 Outputs : 8 Snake + 10 ConsoleRecord Split : Up to 40 Channels
M-300
S-1608
VS-700C
PC With SONAR Producer
VS-700R
I/OCable
USB
OptionalWord Clock
REAC A REAC B
Stage
Front of House
Recording & Post-Production
Part of The V-Mixing System TotalIntegrated SolutionREAC (Roland Ethernet Audio Communication) technology is the cornerstone of the V-Mixing System. REAC is Roland’s original technology for low latency, high quality digital audio transfer. REAC is an Ethernet based technology that enables multiple components to be easily integrated using lightweight Cat5e/6 cable. With just a single inexpensive cable, 40 input x 40 output channels of 24-bit uncompressed audio data (including level and control information) are transferred.
Digital SnakesEnjoy superior clear sound, great intelligibility with minimal latency and the freedom to split or extend your audio sources anywhere.
BridgingThe S-MADI REAC Bridge enables connectivity b e t w e e n M A D I - e q u i p p e d d i g i t a l a u d i o mixers/systems to any REAC-based devices.
Personal MixersThe M-48 is the “next generation” l i ve persona l mixer that of fe rs musicians the f lexibly to control exactly what they want to listen to during their performances.
REAC DriverThe REAC driver enables users to capture up to 40 audio channels from a Digital Snake or V-Mixing System directly into most ASIO-based DAWs via Cat5e/6 cable.
RecordingMult i-channel recording and playback, including virtual rehearsal is accomplished with reliability and stability using the dedicated R-1000 48-Track Recorder/Player.
R-100048-TRACK RECORDER/PLAYER
S-RDKRoland REAC Driver
S-MADIREAC MADI BRIDGE
M-48LIVE PERSONAL MIXER
Digital ConsolesBoasting powerful mixing engines to support multiple channels, buses, EQ, effects, dynamics processing and unprecedented digital patching, the V-Mixer lineup represents a premium console choice. More than a digital mixing console; it is the heart of a V-Mixing System ideal for any live event applications in corporate, church, education or rental/staging environments.
your audio sources anywhere.your audio sources anywhere.
Block Diagram MAINRLRL
SOLOAUXC 1 2 3 4 5 6 7 8
RLCRL 1 2 3 4 5 6 7 8MAIN SOLOAUX
MTX1 2 3 4
1 2 3 4MTX D/A
D/A
ATT
POST ATT PRE EQ PRE FADER POST FADER POST LIMITER POST DELAY
POST DELAY
POST DELAY
FXINSERT MUTEFADER BAL
EXT FXINSERT
MAIN OUT L
MAIN OUT R
MAIN OUT C
MONO OUT
REAC A INPUTREAC B INPUT
AUX 1–8 OUT
MTX 1–4 OUT
REC OUT L,R
MONITOR OUT L
CONSOLE OUTPUT 1–4
CONSOLE OUTPUT 5–8
DIGITAL OUT
PHONESLEVEL
PHONES OUT
OPTICAL
MONITOR OUT R
OUTPUTPATCHBAY
TO SOLO
LIMITER DELAY
ATT
POST ATT PRE EQ
PRE EQ
PRE FADER
PRE FADER
POST FADER
POST FADER
POST LIMITER
POST LIMITER
FXINSERT MUTEFADER
FADER
BALEXT FXINSERT
ATT
POST ATT
FXINSERT
EXT FXINSERT BAL MUTE
TO SOLO
SOLO
SOLO
TO MONITOR SELTO REC SELTO FX SOURCE SEL
TO MONITOR SELTO REC SEL
LIMITER
TO SOLO
SOLO
MONITOR
SOLOLEVEL
MONITORLEVEL
SOLOLOGICAUX 1 OUT
AUX 8 OUT
MTX 1 OUTMTX 4 OUT
MAIN OUT LRMAIN OUT C
MAIN OUT LCRMONO OUT
REC OUT LR
USB MEMORY RECORDER RECLEVEL
PLAYLEVEL
RECLEVEL
RECSELECT
AUX 1 OUTAUX 8 OUT
1
40
1
MAIN OUT LMAIN OUT RMAIN OUT C
MAIN OUT L+CMAIN OUT R+C
MONO OUT
USB MEMORYRECORDER
USBMEMORY
TO INPUTPATCHBAY
TO MONITOR SEL
MAIN L, R, C
MTX 1–4
AUX 1–8
MONITOR
PRE EQPRE FADER
POST FADER
PRE EQPRE FADER
POST FADER
REAC AOUT
1
40
REAC BOUT
DIRECT OUT 1-32TALKBACK / OSC
USB PLAYER L/R
CONSOLE INPUT 1–12
D/A
40
To Monitor/BroadcastConsole(M-300, M-380 or M-400)
S-4000M
MONITORSELECT
MTX 1 OUTMTX 4 OUT
TO MONITOR SELTO REC SELTO MONO MIX
MTX SEND 1–4
TO MTX 1, 3
TO MTX 2, 4
ONSEND MTXLINK
PAN
ONSEND
MTX SEND 1–4
TO MTX 1, 3
TO MTX 2, 4
ONSEND MTXLINK
PAN
ONSEND
TO MAIN L
TO MAIN R
TO MAIN C
MAIN SEND
PAN
PAN(LCR)
LR ON
MAIN ON
CENTER
C ON
LCR
8-BANDPEQ
8-BANDPEQ
8-BANDPEQ
DELAY
LIMITER DELAY
DELAY
DELAY
D/A
S-1608OUTPUT 1–8
D/A
S-0816OUTPUT 1–16
8 OUTPUTS
16 OUTPUTS
D/A
SO-DA4
S-4000S MAX 40 OUTPUTS
MAX 40 OUTPUTS
SRC
SO-AES4AES/EBU
D/A
S-0808OUTPUT 1–8
8 OUTPUTSMONO
MIX
1
40
EXTERNAL FX OUT
AFL ONPFLAFL
PFLAFL
PFLAFL
AFL ON
AFL ON
To Monitor/BroadcastConsole(M-300, M-380 or M-400)
S-4000M
D/A
S-1608OUTPUT 1–8
D/A
S-0816OUTPUT 1–16
8 OUTPUTS
16 OUTPUTS
D/A
SO-DA4
S-4000S MAX 40 OUTPUTS
MAX 40 OUTPUTS
To M-48 40 INPUTS
SRC
SO-AES4AES/EBU
D/A
S-0808OUTPUT 1–8
8 OUTPUTS
LRC
GR
GR
GR
PHASE HPF COMPATT
PREAMP
KEY-IN
GRGR
KEY-IN
POST HPFPOST ATT POST GATE POST COMP PRE EQ
PRE FADERPRE EQ
POST FADER
PRE FADER POST FADER
FXINSERT MUTE FADER
PAN
PAN(LCR)
LR ON
MAIN ONCENTER
C ONEXT FXINSERT
ONTO1, 3...7
TO2, 4...8
SEND AUX/MTXLINK
LCR
AUX SEND 1–8, MTX SEND 1–4
PAN
SOLO
KEY-INSOLO
TO SOLO
TO SOLO
KEY-INSOLO
PRE EQPRE FADER
POST FADER
AFL(R)PFL(R)AFL(L)PFL(L)
ONSEND
DIRECT OUTPOINT
AFL ON
TALKBACK / OSC
LEVELOSC ON
OSC ONTALKBACK
ON
KEY-IN SOLO
CH 1–32
TALKBACK / OSCILLATOR
GATE/EXP
KEY-INFILTER
EFFECTS
INPUT OUTPUT
EFFECT
FX 1
FXOUTPUTSELECT
To CH 1 FX INSERT IN
To CH 32 FX INSERT IN
To AUX 1 FX INSERT IN
To AUX 8 FX INSERT IN
To MTX 1 FX INSERT IN
To MTX 4 FX INSERT IN
To MAIN L FX INSERT INTo MAIN R FX INSERT INTo MAIN C FX INSERT IN
To INPUT PATCHBAY
FXINPUT
SELECT
CH 1 FX INSERT OUT
CH 32 FX INSERT OUT
AUX 1 FX INSERT OUT
AUX 8 FX INSERT OUT
MTX 1 FX INSERT OUT
MTX 4 FX INSERT OUT
AUX 1 OUT
AUX 8 OUT
MAIN L FX INSERT OUTMAIN R FX INSERT OUTMAIN C FX INSERT OUT
Same as the aboveFX 2
Same as the aboveFX 3
Same as the aboveFX 4
MUTE
MUTE PRE EQPRE PHASE
PRE FADERPOST FADER
- SELF POST HPF- CH 1-32 DIRECT OUT- REAC A IN1–40- REAC B IN1–40- CONSOLE IN1–12
- SELF POST GATE- CH 1-32 DIRECT OUT- REAC A IN1–40- REAC B IN1–40- CONSOLE IN1–12
TO OUTPUT PATCHBAY
TO OUTPUT PATCHBAY
4-BANDPEQ
SENDLEVEL
RETURNLEVEL
EXT FX 1-4
EXTINSERT
INEXT
INSERTOUT
To CH 1 EXT FX INSERT IN
To CH 32 EXT FX INSERT INCH 1 EXT FX INSERT OUT
CH 32 EXT FX INSERT OUTCONSOLE INPUT 5-8
TO CONSOLE OUTPUT 5-8
To AUX 1 EXT FX INSERT IN
To AUX 8 EXT FX INSERT INAUX 1 EXT FX INSERT OUT
AUX 8 EXT FX INSERT OUT
To MTX 1 EXT FX INSERT IN
To MTX 4 EXT FX INSERT INMTX 1 EXT FX INSERT OUTMTX 4 EXT FX INSERT OUT
To MAIN L EXT FX INSERT INTo MAIN R EXT FX INSERT IN
MAIN L EXT FX INSERT OUTMAIN R EXT FX INSERT OUT
To MAIN C EXT FX INSERT INMAIN C EXT FX INSERT OUT
SENDLEVEL
RETURNLEVEL
EXTERNAL FX
KEY-INFILTER
GAINPHANTOM+48V
A/D
A/D
MAIN SEND (FROM AUX 1-8)
MTX SEND (FROM MAIN L, C, R)MTX SEND (FROM AUX 1-8)
AUX 1-8 SOLOMAIN C SOLO
MTX 1-4 SOLO
MAIN L SOLOMAIN R SOLO
INPUTPATCHBAY
REAC AINPUT
1
TO OUTPUT PATCHBAY
40
CONSOLE INPUT 1–4
CONSOLE INPUT 5–8
REAC BINPUT
1
40
From FOH (M-300, M-380 or M-400)
S-4000M
FX 1 OUT L / RFX 2 OUT L / RFX 3 OUT L / R
FX 4 OUT L / R
USB PLAYER L / R
TO EXTERNAL FXTO OUTPUT PATCHBAY
A/DCONSOLE INPUT 9–12
GAINPHANTOM+48V
A/D
S-1608INPUT1–16
PEAKSIG
S-0816 INPUT1–8
16 INPUTS
8 INPUTS
S-4000S SI-AD4
MAX 40 INPUTS
MAX 40 INPUTS
SRC
SI-AES4AES/EBU
GAINPHANTOM+48V
A/D
PEAKSIG
GAINPHANTOM+48V
A/D
PEAKSIG
S-0808 INPUT 1–4
8 INPUTS
INPUT 5–8
GAINPHANTOM+48V
A/D
GAIN
PHANTOM+48V
A/DHI-ZON/OFF
(7/8 ONLY)
S-4000M
GAINPHANTOM+48V
A/D
S-1608INPUT1–16
PEAKSIG
S-0816 INPUT1–8
16 INPUTS
8 INPUTS
S-4000S SI-AD4
MAX 40 INPUTS
MAX 40 INPUTS
SRC
SI-AES4AES/EBU
GAINPHANTOM+48V
A/D
PEAKSIG
GAINPHANTOM+48V
A/D
PEAKSIG
S-0808 INPUT 1–4
8 INPUTS
INPUT 5–8
GAINPHANTOM+48V
A/D
GAIN
PHANTOM+48V
A/DHI-ZON/OFF
(7/8 ONLY)
LEVELFREQOSC
MICSELECT
CONSOLE INPUT 1CONSOLE INPUT 2CONSOLE INPUT 3CONSOLE INPUT 4
TALKBACK / OSC OUT
Dimensions
470
Unit: mm
482.7
194.9
475.7
